#first season was kind of tough to get into. on to season 2 now and i'm still not sure if i like this show all that much
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how do people survive after watching an episode of the office? every single time michael opens his mouth i want to smash my phone to the ground. that man is insufferable!!!
#first season was kind of tough to get into. on to season 2 now and i'm still not sure if i like this show all that much#it's got some good jokes but mostly it's just painfully awkward. and i guess that's the funny part of it. but i just. I can't do this#this is torture is what it is#quacks#i want to catch up on all the classic shows and movies everyone's always referencing. thought i'd give this one a shot
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Pivotal moments for Caitlyn Kirraman
**Spoilers for all of Arcane**
Much Like Vi I wanted to do a run-down of the moments for Caitlyn's character I see as showing us who she is/having the biggest impact for her character. As always I appreciate anyone who takes the time to read these as well all celebrate these amazing characters and story. I feel Caitlyn's arc was massively under-appreciated in season 2 by the fandom and hope this lends itself to backing that up.
*Side Note- I'm doing these in order in her life not necessarily how we see them in the show*
Helping Jayce:
We are not granted a lot of time with young Caitlyn when compared to say, Vi or Jinx, which makes sense of course given the focus of the story. However, what we are given perfectly demonstrate the bedrock of who we come to know. She is shown as bright and curious and eager, helping him carry supplies to the lab. She is also shown even at a young age standing up for Jayce to her parents, sitting out in the rain to speak with him, and as shown above, identifying herself as a misfit. Now on the surface its easy to say she falls into the "rich kid who doesn't belong" trope. But as we come to know her she is truly so much more than that.
Who Do You Shoot For?:
Building on Caitlyn's compassion and defiance in the face of the system she is born into, we have her shooting competition with Grayson. First of all we just get a glimpse into the tough, skilled marksman she will become. But going deeper, we have her interaction with Grayson at the party. Once again she demonstrates that ever-so-polite defiance, humorously confronting the sheriff of Piltover for letting her win. But its their conversation after that's important. The sheriff tells her being skilled with her rife means protecting people, and Caitlyn must decide who she is shooting for. I would liken this to Vi's lessons with Vander. Because while we see Caitlyn go through so much pain and darkness, ultimately when she finds her way back who is she? A leader will go toe-to-toe with anyone for those she wants to protect. For those she shoots for.
The Airship incident:
This our first real moment with Caitlyn as a character and it tells us several important things about her. Leading up to it, we learn her parents disapprove of her being an enforcer, and manipulated her posting to keep her close by for which she is resentful. This is not surprising, as we come to learn her genuine drive to help and make a difference. She goes to investigate the airship alone. We see her detective's mind at work for the first time, playing out the incident. We then see her interaction with a massive, tattooed undercity criminal who is wounded. She is kind, gentle and respectful despite her role as an enforcer. Furthermore, when Marcus confronts her, he says she's interfering AGAIN. Caitlyn may be naïve and sheltered when we meet her, but she is not PLAYING at being an enforcer. She wants to help, and is actively trying to figure out what's going on in the undercity, apparently long before she even meets Vi.
The Hexgem theft:
This marks Caitlyn's first interaction with Jinx, which could not be more important to her Arc. Her very first impression of the woman she could never have known would impact her life so greatly, is a manic terrorist who lights a building on fire and fakes that a child is trapped inside before setting off bombs that kill multiple of Caitlyn's peers. Also of note, although not unexpected with what we have seen from her so far is that she rushes in to help and is the first one to notice the danger despite being a rookie enforcer.
Meeting Vi:
Meeting and freeing Vi is Caitlyn first step into the wider world around her and has immeasurable impact on her character. Her love story with Vi aside (I love it to, its just I could write pages on them alone and I am trying to cover all of her arc in this post haha) we also see her head strong, determined nature in this moment. Remember, she has already been reprimanded for unauthorized investigations into Silco and the undercity. We have been told she has a history of this. When Jayce goes to see her after the explosion she is still investigating, and now she fakes Jayce's authorization to free a woman she doesn't know in order to chase her lead. SHE. WILL. NOT. QUIT. Sound like she may be a good fit for a certain head strong boxer who lacks patience but is always honest? Anyway, the other thing we see here that is a small moment and not unexpected given what we have seen from her, is her disgust and discomfort over how the prison has treated Vi.
Saving Vi Part 1:
Vi is almost certainly about to be killed when Caitlyn intervenes. She accurately strikes Sevika multiple times with her rifle and is controlled and calm. At a first glance her accuracy and skill are plenty commendable. She hits the same spot with accuracy, lands with clear athleticism to join Vi, is calm, collected, confidant and restrained enough not to Kill Sevika. As soon as the threat is passed she tends to her wounded ally. Now here's the thing. I didn't do a bullet point for it, but consider Caitlyn's behavior following Vi down into the lanes. Part of it is of course that it was unfamiliar and shocking when vi took off, and Caitlyn just wasn't used to that sort of thing. But she was kind of adorably clumsy and unsure. She never really moves with confidence and strength, until of course she pulls our a rifle and starts blasting a woman who just stabbed her new friend with pint point accuracy three times. The moment someone's life is at risk Caitlyn shows us this entirely new side of herself. Perhaps the side of her that will someday lead the front lines in the battle of Piltover?
Saving Vi part two:
n Caitlyn's continuing efforts to save Vi we delve deeper into what we have already seen from her. At the very basic level, she barely knows Vi. Yes of course we are seeing the beginnings of their feelings for each-other. But that aside she is a young woman in her early twenties. She has followed this woman she barely knows into this very dangerous place, saved her from being killed, followed her even deeper while caring for her, and now she follows a shimmer mutated Huck to the "Doctor" to save Vi. I went to Netflix and counted while writing this. It takes no more than ten seconds for her to surrender her prized rifle that is likely custom made for her and she clearly loves, all to save Vi's life. She then hugs the grotesquely mutated Huck out of gratitude after being kind to him, and showing him respect for his help. She does not shy away, is not disgusted. And in fact she lunges for the hug. This ties to her conversation with Vi during this ordeal before she gives up her rifle. In which she is speaking on her belief that Zaunites and Topsiders are all just people. She does not see them as different.
The Firelights:
To me this is a massively important point for Caitlyn for a few reasons.
Caitlyn & Vi: They start off bickering. Blaming each other for what they have played close to the vest. But as soon as Vi is taken away what does Caitlyn do? She is concerned and afraid for her. And when she sees Ekko she demands Vi be released and offers herself instead.
in General: She speaks to her desire to see an end to the killing. Its clear she hasn't known how bad things actually are with the enforcers and the undercity, and is understandably resistant at first. But after only a few moments, she acknowledges Ekko would be within his rights to keep the gemstone but "The Cycle of Violence Will Never Stop" (sound familiar?). She quickly agrees to let Ekko be the one to give the stone to the council, still believing in peace and trying to play a part in making it happen.
**Side note: I didn't do a whole point on it because it's really about Vi and Jinx. But we need to make note that before this Caitlyn has her second interaction with Jinx in which Jinx shows herself to be paranoid, unstable and violent**
The Bridge:
The attack on the bridge is immensely impactful on Caitlyn's character and what I like to think of as the true beginning of Caitlyn's destabilization, leading to her descent into the dark. Thus far, we have watched this extraordinary young woman weather some truly insane events when you consider the life she has lead until now. Even still, she has remained poised, brave, respectful and open. Of course she has heard talk about brutality of her people toward the undercity. She has admitted it was wrong and wants to see things made right. But that is very different than the highest member of her organization shooting her new friend in the chest and getting ready to kill her. Its a sudden and violent in-the-moment thrusting of reality upon her that she has no choice but to believe. Furthermore, we mark her next interaction with Jinx, who has now almost killed her a third time, as well as almost killing Vi and they believe having killed Ekko and who knows how many enforcers.
Testifying To The Council:
So I know I am repeating myself some here. But that is intentional. The show is driving home for us that Caitlyn is truly a good person. Everything she has been through up until now with Vi is intense, scary, and destabilizing. She and Vi have very real feelings for each other and we end this section with very sad moment in which it seems hopeless for them. But its leading up to that I want to discuss. Caitlyn stands before the council of Piltover. The richest and most powerful people in her immediate world. With her mother on the council it feels reasonable to assume she knows these people. They probably have watched her grow up. And yet in her early twenties after earning the knowledge the hard way what does she do? She stands before them and calls them out for their failures. Including herself in that. She takes a stand against the neglect by Piltover that made the people of the undercity vulnerable to dangerous criminals. She commends Vi for putting herself at risk in helping Caitlyn, and never throws Vi under the bus as Jinx's older sister. And when Vi gets upset and leaves Caitlyn tries to get her to stay still insisting their must be a way.
Abduction From Home/Dinner Party:
In her next interaction with Jinx, Caitlyn is taken from the safety of her own home, and held hostage until Jinx initiates her dinner party with Vi. The events of the dinner party set the stage for the next chapter of the story dramatically affecting every character we meet, and Caitlyn is no exception. As this is the end of season 1, a brief refresher of who we have come to know up until this point is in order:
Clever, bright and loyal young girl who will defy convention to stand up for those she loves
Tenacious and dedicated teenage girl who doesn't want to earn her victories and is pondering things like who she is shooting for
Dedicated rookie enforcer who will not be deterred from investigating wrong doing and corruption no matter the cost
Open minded and trusting young woman in her early twenties who saves someone she barely knows life, even at the cost of her prized weapon and her own safety multiple times
Displays her desire to see peace with the undercity multiple times and verbally equates the undercity and topsiders in terms of humanity going against the classist behavior of characters like Marcus for example.
Treats Vi with tenderness, loyalty and trust even before they really get to know each-other.
Now. The reason I ran that down again is because THAT young woman in her early twenties is the person you see in the GIF above you. Jinx has now tried to kill her repeatedly. Killed her fellow enforcers. Tried to kill the woman she is having feelings for, even though that woman is her sister. Has abducted her from her bathroom naked, and now has her here. She looks utterly and completely terrified and I don't blame her. And to top it all off, after hesitating to take a shot at Jinx due to her feelings for Vi, Caitlyn is knocked out violently and THEN HAS TO WATCH JINX KILL HER MOTHER.
RETURN TO PILTOVER:
Caitlyn and Vi return to the upper city in the wake of immense tragedy and we see Caitlyn trying to hold it all together. Her whole world has gone black & White except for Violet(s). She is trying so hard to keep it together but already we can see the cracks forming. Even with all that has happened she maintains her testimony of Jinx being the only issue which is instrumental in preventing more violent Piltover retaliation. But we must also recognize her (totally understandable just jarring) desire to end Jinx's laugh forever, Mel's comments to Jayce regarding Caitlyn hiding it well but being in "So Much Pain", and Caitlyn asking Vi to put on the uniform of an Enforcer, when she knows Vi's history. Caitlyn is suffering and trying to hard to hold things together.
The Memorial Attack:
Caitlyn is drowning in grief. Her relationship with Vi is tenuous. She is expected to rise to meet her mothers role in city. She is holding on for dear life to her ideals and perceptions of reality that have shaped her as a person. Now the attack on the memorial is incredible as a fan for many reasons. But for Caitlyn we need to keep two things in mind as we move forward that at extremely impactful in understanding her:
There is no reason to think she and the others would not assume that Jinx had ordered this attack, or at the very least assisted in some way. The last they saw of Vi's sister she had just struck at the very heart of Piltover's government and its entirely reasonable to assume this attack is an extension of that. So I think its fair to say we can consider this Caitlyn's next interaction with Jinx even if its all mental.
Up until now, Caitlyn has never used any broad-stroke negativity toward the people of the undercity. She has addressed individuals, or perhaps a specific group of people in the undercity such as Silco's goons. But never called them Trenchers, Sump rats or any of that other stuff. Here in her rage, we see her refer to the people who attacked as Animals. Now in the moment, its entirely reasonable when pertaining to the attackers. But it is a noticable shift in her that tells us she is already (quite understandably) being swallowed by what happened.
The Strike Team:
Caitlyn leading the strike team into Zaun and utilizing the grey has been the source of much controversy. Its a clear escalation in her willingness to do violence against the undercity but when you consider everything we have talked about its hardly a shock. However, this show does a good job of letting us know Caitlyn is not totally lost to her pain. All we have to do is think critically:
While the use of the grey is extremely dark and absolutely morally questionable, the fandom's decision to portray it as mustard gas/sarin/pick your lethal poison is nonsense. We have seen multiple characters exposed to it multiple times and live. Its debilitating in the moment and uncomfortable and I'm sure is unhealthy over long exposure. Its tear gas.
Caitlyn's small targeted force is the alternative to full-scale invasion with hex tech armed enforcers. As I have said in various posts, by this point in the story Piltover retaliating is not an if. its a when and how bad. Caitlyns plan is the only reason an army of Enforcers does not march into the undercity at this point.
All that to say this. While she is clearly heading down a dark path, excising the hyperbole of the fan-base determined to demonize her and taking into account the whole of the circumstances surrounding this part of the story we are shown Caitlyn is still in there. But she is losing the fight with her inner-demons.
The Kiss:
We all cheered here. I did. You know you did. But I think we all knew the heartbreaking truth here as well. It was far too late for her to keep her promise to Vi. And in truth, it wasn't a fair thing for Vi to ask (BEFORE YOU COME FOR ME- Vi is my favorite character, and I have written extensively in her defense against the absolutely inane criticisms people have been levelling at her character). It's not Vi's fault, she has lost everyone she loves and is terrified watching the last person she has left be warped by the darkness in their lives. But when you consider the totality of paradigm-shifting suffering Caitlyn has endured since meeting Vi, I don't know how anyone couldn't change.
I have seen people say that Caitlyn was wrong to promise Vi. Wrong to kiss her in this moment. Those people are holding these characters to unreasonable standards in the extreme. We are seeing Caitlyn trying for the woman she loves. She sees the vulnerability and fear in Vi, the woman she loves so much, who she has been through so much with (and who has donned the Enforcer uniform for her) and of course she has a surge of love and a desire to comfort Vi. The love and tenderness is undeniable. But when you take in the context of the situation, It feels like we are waiting for the floor to fall out from under us. AND BOY DOES IT.
The Battle/The Break up/The Rise of the Commander:
I group these together because really its the transition of Caitlyn as we know her into "The Commander". This whole section is in a word, heartbreaking. We see Caitlyn fighting tooth and nail against Sevika, she likely saves Vi's life as it seems like Isha's gun was going to go off (whether the child meant it to or not), and Vi stops Caitlyn from taking the shot. Leading to Caitlyn lashing out in the worst way, telling Vi she is no different than the woman who killed Caitlyn's mother (AKA the version of Vi's sister Caitlyn knows Vi carries immense guilt over) and ending her status as the only enforcer never to abuse Vi, leaving her holding her stomach and crying on the floor while Caitlyn abandons her. We then see Caitlyn chosen as the commander, taking her place by Ambessa's side, becoming someone who would betray everything she used to stand for .
Its easy to look at this, and feel anger at Caitlyn. Especially as someone who has always connected with Vi's character and as someone who really loves their love story it leaves you feeling violated. But that's the thing, it should. We are not watching Caitlyn choose power out of a desire to destroy her enemies or because she thinks she deserves it. We are watching the tragic culmination of this brave, compassionate, brilliant and tenacious young woman being swallowed by the darkness. What's the line from Hamilton? "There are moments when your in so deep, it feels easier to just swim down". She has lost her mother, her sense of safety, her belief in the system of law and order she has lived her whole life by, and now the woman she loves. And in swoops Ambessa, a warlord. A woman renowned for her cleverness and manipulation. She takes this vulnerable, grieving, isolated and angry young woman and tells her she will get her justice. Caitlyn never had a chance.
**A small pause to discuss grief and peoples absolutely insane take on Caitlyn's handling of hers**
I am going to take a second here before we move on because due to the rushed pacing of season 2 Caitlyn doesn't get the detail she should have after this point, and because the discussion of her loss and grief is essential in understanding how this all happened. This is one of those things I have written about before but peoples dogmatic opposition to media literacy continues so here we go! "Ku Klux Kirraman!", "Oh the people of the undercity live in constant pain and death but Caitlyn loses a single family member and starts gassing kids?!"
To put it simply my friends. Grief is not a contest. Yes, of course the people growing up in the undercity have a much better understanding of death and grief than Caitlyn. up until the events of this story, she has lived a life of peace, and privilege, and comfort . And that's not a bad thing. ideally all children would know such a life if we could work our will upon the world right? But what it means for her is that when she does experience that loss, to say nothing of it being at the hands of a woman who has tried to kill her repeatedly, tried to kill the woman she loves, killed her peers, and abducted her naked from her own bathroom, Caitlyn's entire world is shifted. I have mentioned multiple times during this whole thing. She is only in her early twenties. That is so young.. so fucking young to have your world shift SO VIOLENTLY in such a short time. And in the standard incredible fashion of this show, they have addressed this concept already. Remember this?
Vi is angry at Jayce for bowing out due to the under city child's death. And for her, for the way she grew up she is totally justified in feeling that way. She grew up surrounded by death. But its just too much for Jayce.
I sincerely hope all of you reading this never have to cope with the loss of a loved one but we all know that's not reality. So if you are one of the people demonizing Caitlyn for what happens here because Zaunites have it worse I'll ask you this. The last time you lost someone, did you chastise yourself because someone somewhere has it worse? No. Because that's unreasonable, illogical, and would be a cruel standard to hold yourself to. Grief is achingly, agonizingly personal to each of us. And while it does not justify Caitlyn's actions, you are simply blind folding yourself to the humanity of this character by ignoring it
Months as the Commander:
As I said unfortunately we don't get to see a lot of Caitlyn "as the commander" but we do learn some things. There are check-points in Zaun, they are imprisoning people, and under the oppressions she has allowed to flourish the Noxians are able to do things like violently arrest people for having a non-violent rally in the Undercity itself. THINGS ARE NOT GREAT. But there some things of note I want to discuss in understanding Caitlyn's state of mind during this time:
The top GIF is not long enough but watching the scene you can see how distant Caitlyn is, how cold. She is not a "happy-go-lucky" facist gleefully imposing her will. We are actively watching someone in so much pain and so buried by her mistakes she doesn't know how to find her way out.
2. All is not lost however. She discusses her issues with the Noxians behavior, she openly questions Ambessa, she has forbidden the use of the cells where she found the love of her life, and despite her mentor's glee over the opportunity to utilize Singed and his knowledge. Caitlyn knows him for what he is, a monster.
Reunited With Vi:
The pacing just takes off at a dead sprint once Vi and Caitlyn find each other so I will touch briefly on the various points I want to for this section. I will say this, I know we all have feelings on how they handled Vi and Caitlyn's reconciliation. I am of the opinion that it was justified by what they showed us completely, but it was still rushed. Like they got the right answer on the math question but only shared the basics of every step to solving it if that makes sense.
Saving Vander
Vi and Caitlyn have this first interaction after so long and its so clear they have both changed so much. But what matters is this. Even after everything Caitlyn has done, Vi trusts her with the truth (Because Vi refuses to give up on those she loves), and Caitlyn immediately is on board. This happens so quickly and we only see them discuss it a little, but we need to think about what this means. Caitlyn finds out the "Weapon" is Vi's dad, and she is ready to turn on Ambessa, the enforcers with her, and the whole system. All for the woman she loves
2. The Battle of the Commune:
So I couldn't find a good GIF for it but even before this moment while Caitlyn is angry when she sees Jinx she doesn't make a move toward her. Then we hit this moment here. If you flash back to the battle that ended in Caitlyn breaking Vi's heart, Caitlyn wanted to take a shot that very likely could have killed a child if it meant hurting jinx. Now Jinx is running with her back to Caitlyn and ALL she cares about is getting to Vi
3. Taking Accountability:
We find out in this confrontation that although Jinx is in jail, it is because she surrendered. Not because Caitlyn ordered it. We also have a few key examples of Caitlyn owning what she has done:
"I KNOW!"- when confronted by Vi over letting Ambessa poison her heart
"We can't erase our mistakes"- She doesn't say "Jinx" can't take back her mistakes. She says "We" and "Our". She is clearly remorseful.
This rolls directly into her conversation with Jinx in which we see even more that Caitlyn knows what she has done:
"No good deed can erase OUR crimes"- Once again holding herself to the same standard as the woman who killed her mother. Holding herself accountable
"I've hated myself"- This could literally not be more clear
*On Cait and Jinx*: I've touched on this before but the parallels between these two are phenomenal. Broken, vulnerable, isolated grieving young women taken in by older, cleverer mentors with their own agendas but who care about them directing their pain for their own purposes. They then both have to learn to end the cycle, or the killing will never stop. Damn this show is so good.
Freeing Jinx:
Caitlyn made a lot of mistakes. That's not a secret. There were reasons as I and many and others have explained. But in this moment, she has intentionally paved the way for the woman she loves, to free her little sister from Jail. This comes after Cait admitting she doesn't want to hate Jinx any more. The cycle has to end. And Caitlyn admitting she has made mistakes, she has hated herself, she has lost herself to the darkness she now knows she has inside as well. And on top of that, she is here showing Vi that Vi is not alone, that Vi is loved, and that she knows Vi so well she knew what she would do and tried to help. its beautiful, its heartwarming, and after watching who Caitlyn was be shattered into pieces, we are now seeing her re-forged, stronger and more beautiful.
Commander Indeed:
Here we have Caitlyn becoming the commander she should have been. I believe I saw a post that one of the voice actors of the show suggested Caitlyn did nothing during the final battle and got her happy ending. Lets recap shall we:
Leads her troops from the front
Tries to take out Ambessa early and spare bloodshed
We have the bad-ass scene of her fighting with the mask taking out multiple soldiers
Even with a rifle at the back of her head she disables Maddie and tries to take out Ambessa
With a knife in her side and exhausted and scared she challenges A WARLORD OF NOXUS to a fight. "Shut Up and Fight!"
Sacrifices her own eye to take Ambessa out of the fight.
This is all pretty clear cut but I mean god damn. Her character evolution is absolutely staggering.
The End:
Caitlyn ends her story (for now anyway.. looking at your Riot) with the woman she loves. She has surrendered her spot on the Council to Sevika officially granting the undercity a place at the table. And we see her pondering the hex-gate ventilation system, perhaps giving us some hope that Jinx will return as well. I totally understand there are things people wanted to see with Caitlyn that we didn't get to see. But all we can control is what we were given. And when you look at the story of Caitlyn Kiramman, Born in wealth and privilege but with dreams of helping people, to being swallowed by grief, to finding common ground with the woman who took her mother from her, to rising as a leader who doesn't ask her people to fight when she won't and who willingly sacrifices herself for those who look follow her, I'd say she has one hell of an arc. I hope I did her some justice. This actually ended up being longer than i planned but man the more I think about her the more in-depth her story gets. I appreciate all of you.
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i fucking LOVE the way you draw/write jesse, as someone with a chubby/buff build i kind of struggle with insecurities about my size but the way you draw him makes me feel very good. idk im describing it badly but i wanted to ask if your design for him is more chubby or muscly?
Dude thank you ���🩵 You described it very well.
It really depends on which time frame I'm drawing Jesse in actually.
In the beginning, I imagine Jesse is quite scrawny. I mean did you see his work out routine in the beginning? He was was doing sit ups and punching flowers. He was definitely lacking muscle (but had enough to be able to lift Reuben up and down that ladder) and as the first couple episodes progress, he stays scrawny but progressively becomes more scarred up until the Portal Hallway episodes.
The Portal Hallway episodes, it takes place many months after the events of the Witherstorm. Jesse and his friends are going on many more adventures, really honing their skills that they acquired over the past few months. Jesse is much more built now. He's buff and tough with the true heart of a hero. Although, once he and his friends get stuck in the Portal Hall, that's when things take a really devastating turn for him. Feeling hopeless and lost for weeks on end, he begins to feel withdrawn from the positivity he was feeling before he ended up stuck here. Traumatic events keep occuring, and with these events, Jesse is of course drawn to remember and replay the events of Reuben's death in his head. He keeps the most of these feelings to himself because his group is already feeling so disheartened about their current situation that the last thing he'd want for them is to know that he's breaking emotionally, so he ends up taking less care of himself. He starts eating with the idea that he has to stay strong for his friends, but even those moments are rare. Food is scarce depending on what portal they are in, so when he finds food, he'll take anything that will keep his energy and strengths up.
By the end of it all, he's actually put on a significant amount of muscle. But it's kind of like a 'at what cost?' scenario.
Things get a bit better for him between then and Season 2 where he's eating better again and keeping all that muscle, but once Season 2 comes and goes, and with everything that happens in the Sunshine Institute and the Underneath, he loses a lot of weight.
It's only after Season 2, where he stays in BeaconTown and eventually finds a love life with Lukas when he really begins putting on weight once again. He's done with hero work. He's done with going on crazy life threatening adventures. Now he just wants to live life for himself rather than putting others first. Lukas helps him a lot through this, with body positivity and lots of love and affectionate touch, it's all the reassurance Jesse has ever needed to feel okay with being himself again. So he ends up putting on that happy weight that couples typically adopt over time when they're in a healthy relationship. Lukas treats him so, so unbelievably well. Finally Jesse gets to eat food for himself without the idea of needing to keep himself strong and powerful once he's finally retired. He indulges himself in his sweet tooth and loves to eat cookies, cakes, and other baked goods that Lukas will bake or bring home. He also really enjoys the fact that he doesn't have to eat alone anymore. He loves sitting at the table and enjoying a meal with his hubby. And the best part, which is something Jesse was horribly self conscious about, is that Lukas loves and adores his pudge. He is so supportive of Jesse's eating habits, but he doesn't hesitate to sneak veggies and fruits into Jesse's lunch box for work.
So yeah uh Jesse is chubby, buff and loved at the end of it all 😍
Here's some lil doodles of him I have lying around. The first one is pretty old and could probably use a touch up since now I don't see much of a difference, but you get the point ☠️
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An Analysis on Season 2 Vi
SPOILER under the cut
I have SO many thoughts about how they wrote Vi this season. So I get that they wanted to go with a more vulnerable Vi this season compared to the tough character we had in season 1. I was excited for this direction for her character, that’s why I’m kind of disappointed that she felt flat and more one-dimensional this time around.
Firstly, I felt like in season 1, Vi was such a centerpiece to the show. From her relationship with Jinx and following Vander’s legacy. She actively moves the plot with these two elements.
But in season 2, I barely see her do anything that contributes to the plot actively and takes a much more passive role. This time, Caitlyn and Jinx are taking the lead on shaping her goals (whether this is her becoming an enforcer or her saving Vander). As a viewer, I do empathize with Vi. We see time and time again that she is a character that values loyalty and keeping her loved ones close to her, and she keeps getting betrayed.
But we never see these arcs get resolved, at least in a satisfying manner. We never see her find strength in her vulnerability or regain courage to find herself again. And this is an arc that most, if not all, characters in Arcane had. All of them had some sort of redemption and willingness to make things right.
We never see Vi try to grow beyond her comfort zone (which is using her fists / brawling). We don’t see her use her vulnerability as a new way to show toughness to her character.
For instance, the argument with Caitlyn. Now I enjoy this ship as much as the next person but I felt like the conflict got resolved a bit too quickly? It’s clear that Vi’s trauma of betrayal and abandonment runs deep (man, I feel so bad for her tbh).
My interpretation of this last shot of Cait and Vi (after Caitlyn asks “are you still in this fight, Violet?), in my opinion, also reflects this lack of resolution, where Vi generally looks more closed off. There is no raw vulnerability that Vi displays. She never expressed how hurt she was with Caitlyn’s actions. Even when Vi says she is the “dirt under Cait’s fingernails”, her expression looks quite pained and tired.
Then we have the argument with Jinx. Their sibling dynamic is the key plot of Arcane and is a heavily emphasized theme but their resolutions feel underwhelming both times.
The first time was when Jinx locked her up in the cell. I mean the fact that Vi didn’t immediately go look for Jinx given that she was depressed felt a bit out of character for me. Like she gave no emotional reassurance to Jinx who was obviously guilt-ridden from Isha’s death. Again, no vulnerability. And the placement of the Caitvi *cough cough* scene was questionable, considering it was right after Jinx expressed her anguish. Yes, she wants Vi to be happy, but wasn’t Vi’s character this whole time shown as one who is happy when she can take care of the people she loves?
Like if I were to draw a parallel to Jayce and Viktor, where Jayce says that he just wants his partner back, they could’ve had done something similar between Vi and Jinx. Vi could have expressed that she just wanted her family back. She needed her sister, which is something she never expressed because the dynamic was always of Jinx needing Vi.
Anyways back to that scene, I felt like it would have been more impactful honestly if Caitlyn even encouraged Vi to find her sister since I think that is quite fitting to Caitlyn’s arc as well and adds more depth to her feelings towards Jinx. If they had a bit more emotional resolution, I feel like her final scene with Jinx would have been more impactful. (And probably would add more emotional weight and spiciness to the Caitvi scene too iykwim)
That brings me to the second scene when Jinx sacrifices herself. The aftermath felt too rushed for me. When we have Vi acting like “normal” right after Jinx’ sacrifice, it diminishes their relationship in my eyes. Granted, I doubt she’s normal. In fact, I think Vi looks really resigned in her final scene but again, this is a bit difficult to pick up if there are no context clues.
Like in terms of the concept, I get it. I believe the writers were trying to make a full circle moment where Vi, who was the protector of her little sister, is now the one being protected by Jinx, who is now all grown up. It’s just the execution that doesn’t sit too well with me. Maybe it’s the pacing because I feel like as a viewer, you have to digest so many emotional scenes at once.
I just wish we had more opportunities to see Vi be vulnerable and show that as a source of new strength and as a way to reinforce her relationships with Jinx and Caitlyn. But unfortunately, her character development ended up static. And honestly she’s such a tragic character that had that potential. They showed her trauma even in the final scene with Vander/Warwick and how she couldn’t even bring herself to move despite Jinx’ warning. Like show more of that!! Let her be the one that needs to be protected by those she used to protect, instead of just following them around and beating up their enemies. As a result, I felt like she didn’t really add much weight to the finale (low key Maddie had more of a plot). Like this show is still a 10/10 with solid writing but this, after processing the show, I believe is its weakest point.
They can never make me hate you, Vi, you deserved a better character arc :(
#arcane#arcane s2#arcane season 2#arcane s2 spoilers#arcane season 2 spoilers#jinx arcane#arcane jinx#arcane season two#arcane vi#jinx#vi arcane#arcane caitlyn#vi and caitlyn#caitvi#caitlyn and vi#caitlyn kiramman#caitlyn arcane#jinx and vi#vi and jinx
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On Oct. 29, 1920, the temperature in Detroit reached a high of 60 degrees, and the Detroit Free Press reported that “Northwestern High’s football eleven” was preparing to face Eastern High School the next day for a much anticipated Saturday matchup at the Joyce athletic field.
Julia Esaw had not yet arrived in Detroit to enjoy the game and the pleasant weather, but the longtime member of People’s Community Church was born on that day — more than 100 years ago.
And this past Tuesday, on Oct. 29, the same Julia Esaw celebrated her 104th birthday in Detroit.
“If you could see my face now, you would see a great big smile,” Esaw announced by phone at 3:27 p.m. on her birthday, a day that was fittingly even warmer in Detroit than the day she was born.
Asking the exuberant centenarian to take a second call by FaceTime so that her beautiful smile could be seen was not an option. That’s because Esaw was in a rush to quickly take in the sun and 76-degree warmth that radiated at that moment near her Detroit home, not far from her beloved People’s Community Church — 8601 Woodward Ave. — before she was to be whisked away to a secret location for a family birthday celebration.
A 104th birthday is a rare occurrence. But Esaw says that from a very early time in her life she came to expect good experiences in Detroit.
“Detroit has had a lot to offer and I have no complaints,” said the 1939 Cass Tech graduate, who came to Detroit with her family when she was 2 years old from Columbia, Mississippi.
During the afternoon of Monday, Oct. 28, with vivid recollection, Esaw reeled off some of the early Detroit streets she lived on, including High Street, Division, Brewster, Hedge, Trowbridge and Taylor. However, it was a discussion about a destination that Esaw visited recently that brought out an excited tone a little more than eight hours before her birthday. That destination is 2978 West Grand Blvd., home to the Detroit Department of Elections, where Esaw dropped off her absentee ballot with a vote cast in the 2024 presidential election for Democratic Vice President Kamala Harris. And Esaw left no doubt that even with all of the history she has seen during her long lifetime, the opportunity to cast her vote for Harris — the first Black woman to head a major party’s presidential ticket — holds a special place in her heart.
“I’m happy and it makes me feel great!” declared Esaw, who was born just 72 days after the ratification of the 19th Amendment which legally guaranteed women the right to vote.
Then Esaw went on to explain that her happiness this election season is tied to progress she has witnessed during her lifetime.
“After high school, I wanted to study to be a dietitian. But as a young Black woman, there was no place here that I could go to get the training and my mother didn’t want me to go away,” lamented Esaw, who says she still owes a huge debt of gratitude to two “tough” teachers in Cass Tech’s home economics curriculum that prepared her well for life. “Blacks didn’t have the same kind of power we have today. But if we all get together now, we can put her (Harris) on the top seat.”
Although Esaw was unable to pursue a career in health care, her journey as a beautician actually began in close physical proximity to a prominent Detroit health institution.
“I started as a beautician at the Streamline Beauty Shop on Forest and it was right across from Women’s Hospital (now Hutzel Women’s Hospital),” said Esaw, who was married to the late Tuskegee Airman Burkes Esaw Sr. “Because we were so close to the hospital, I had more white trade (clientele) than Black. It was the same thing for many years when I was running my own shop.”
In the roles Esaw carried out as a beautician, block club president, wife and mother of four children who were taught at home to value education and healthy eating, she says race was not a barrier to success. But Esaw’s recollection of a revered Detroit landmark — the old downtown J. L. Hudson Department Store — may be a bit different from what is recorded in many history books. Esaw explained that there was a time when the shopping experience for Black customers at J.L. Hudson, which grew to be the tallest department store in the world during its heyday, was mostly relegated to the basement level due to a Northern version of Jim Crow.
Esaw’s earliest memories of Hudson’s were shared without a hint of bitterness in her voice and with a tiny chuckle thrown in because, as Esaw went on to explain, she has never accepted a “basement” view of life due to her faith. And because of her faith, Esaw says the fact that a Black woman (Harris also is of Southeast Asian descent on her mother's side) has a very legitimate chance to become the nation’s first woman president is not really a big surprise to her.
“I was always taught that we (Black people) were God’s children too,” said Esaw, who noted that she starts each morning with a bowl of assorted raw fruit that she prepares for herself. “God made us and we’re somebody, too. And we can do anything that anyone else can, including being president.”
And in an equally succinct manner, Esaw laid out what she would expect from Harris as president.
“I want to see her reach out and touch everybody, because we’re all God’s children,” Esaw stated. “And then I would like to see us all work together as a team.”
Next to Esaw as she spoke from home on consecutive afternoons beginning Oct. 28 was her only daughter and constant companion, 72-year-old Berneta Esaw, a retired Detroit Public Schools math teacher. Berneta Esaw was with her mother when she dropped off her election ballot, and she also was by her mom’s side on Oct. 12 at the Detroit Golf Club when Berneta Esaw’s 1969 Cass Tech graduating class held its 55th reunion, which Julia Esaw used as an opportunity to celebrate the 85th anniversary of her own graduation from Cass.
Berneta Esaw says she is holding out hope that there are other living people that will come forward who graduated from Cass Tech in or around 1939 to allow her mother to enjoy a reunion experience to the fullest. But in the meantime, Berneta Esaw is more than happy to share lessons for living a long, fulfilling life — which she has received with love directly from her mother.
“Mother doesn’t look anywhere close to 90 — most people start at 70 when she asks them how old they think she is. But she has worked hard to look like that,” said Berneta Esaw, who has grown accustomed and accepting to people that want to hug and touch her mom when they become aware of Julia Esaw’s age. “Living with mother, you knew you were going to get your fruit in the morning, and salad with lunch and dinner, because mother knows that when you eat fresh, raw fruits and vegetables the body works better.
“Mother is a blessing, and I feel blessed that I was born to two parents who were extremely knowledgeable and intelligent, and they gladly passed down their knowledge to my siblings and me, and others in our community.”
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And just like the sun, we will rise - Lewis Hamilton
warnings: slight mentions of nudity, w14, Mercedes team post 2021, angsty
wordcount: + 1k
a/n: This is my first fic here. I have been reading somethings here for a while now, but never quite really had the courage to post. So, kind of doing something I never thought I would.
Please, do send me thoughts, notes, ideas, corrections, anything really, I would love to hear you guys.
You walked into the en-suite defeated, head hanging low, throwing your shoes, bag and computer in the nearest surface, deep breath finally leaving your lungs after what felt like a lifetime of holding it in.
You all went into Sunday on a high, Lewis’ pole felt like a dream finally coming true after 2 years. Your promise to him finally a reality. A light at the end of a very dark and twisty tunnel, at last, shinning bright enough to be followed.
But, like it had happened for the past 2 seasons, the race came and the car showed its true colors.
A meeting with Toto and the legal team of AMG got you stuck on track longer than Lewis, so a quick hug and hushed kiss before telling him to go rest was all you two shared in the very public and busy garage.
You got to your hotel only hours later and in need of a good shower, a crappy tv show, a snack and something to make the guilt less pungent.
You found him laying peacefully asleep in the sofa set in the corner of your bedroom, still in the pants he left the circuit. His phone, open on Instagram, on his hand. After tough races he’d usually crash like that, especially the ones neither of you would return home the same day, that night in hotel rooms reserved to the both of you only, you and him and whatever it was that was weighting on your minds and hearts.
You lightly ran your fingertips in his arm, watching as his eyes fought to open and focus on you, a lazy smile spreading through all his features.
“Hey, go to bed”
“Hi there, stranger”
“Things took longer than expected, I’m sorry”
“It’s okay.” He mumbled while getting up and pulling you tightly into his arms the second he steadied himself, that was before he felt you stiffing up at his touch.
“Hey, you good?”
“Not really, but I’ll be better after a shower, promise.” You pleaded into his neck, cutting him mid-sentence, hoping he would let it go, just this once, and ignore the unbearable ability he had to read right through you.
You sneaked from those strong arms, with quite some resistance, and gave him a sad smile in return before heading to the quietness of the bathroom, the safety of the shower pouring scorching water on your skin until the prickling sensation numbed your mind.
He was so quiet you only really realized he had gotten into the shower with you when he cleared his throat behind you. You sighed; you knew he wouldn’t let it go that easily, not after today.
“I can’t promise to have all the answers, but please let me in” his voice made even smaller by the sound of water hitting the stone flooring.
“I got way in over my head” You whispered after a while, turning to him and letting him really see you for the first time since that morning. He was met with a serene look on your features, a certainty he was certainly not expecting.
“I promised you something I can’t physically give you Lew. I can’t guarantee the team’s going to be back in winning ways, I’m sorry, I really am.”
Your statement didn’t really shock him, he had contemplated that quietly a few times before. But for the first time since he’s met you were openly admitting to him, in the secrecy of that bathroom in a hotel somewhere, that you were giving up.
“Talk to me.” He knew how to handle with angry, moody, sassy, overjoyed, happy you, but his fiercely headstrong girlfriend giving up wasn’t something he was used to.
You had thought about that from the moment the w14 got beaten right after the first corner of the race and it had eaten at you for hours until you couldn’t hold it in anymore and had talked to Toto in between meetings. He didn’t look surprise by it, he didn’t even seem sad, he had known from the get go in 2022 Mercedes wouldn’t be able to breach the gap and give Lewis the title he’d been stolen, at least not in the time the AMG board had set for Lewis.
“We don’t know where to go from here, losing those 3 positions at the beginning just showed we don’t have a p1 car anymore. We haven’t had one in a while huh?! I – I’m not sure we’ll get one in time… for you.” You serenely put you realization before him, looking at his features and posture, trying to read his reactions before he shook his head and took the step to close the distance between you two, bringing you out of the water and into his naked torso.
“That title dream was lost in 2021 babe. I told you that already. I’m in the sport for something bigger, and we – I, I need you with me on that, okay?”
“Okay” You whispered looking up at him, the certainty in his features enough to get you by that night.
Hours later, in the mess of the sheets, his warmth and the first rays of sunshine signaled the worst was over, and the tattoo on his back made sure to remember you that someday you two would, eventually, still rise.
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a tough as balls year for little old me, but as the old proverb goes, no matter the horrors there is always ao3 in bed. writing and reading.
doubled down on my love for hockey and feel like i understood the game better, imbued more of the narratives, and discovered more players to be stupid about.
stopped trying to fight being an f1 girlie and threw myself in head first. what a gorge little community of freaks (affectionate) who like to watch the zoom zoom.
here are some things i wrote. not sure if i love them all, but they were all glorious distractions and so i'm hopelessly fond. not a single word could have happened without @crunchycrispy, the eternal muse.
hockey stuff
🐶 got that dog in him | E | 7.1k | the connor mcdog fic haha...oh boy. the good news is i am not alone in thinking how much connor looks like bowie and the bad news is, we're all going to hell. despite living in fear someone is going to cancel me for bestiality, i loved writing connor/bowie pov and imagining my life as a pampered little pooch, beloved by all. on my wishlist for 2025, tbh.
💦 warm ride | E | 2.3k & wrap me round your wedding ring | E | 6.8k | William Nylander/John Tavares | eurosleaze 4 DILF captain shame writing willy is a true joy, thoroughly recommend everyone have a turn. this was darker that i usually go because i don't like to hurt my own feelings but i'm happy with how wet and pathetic JT turned out and the whole structure of part 2. 😈 love drunk off this hump | E | 8k | Frederik Andersen/Auston Matthews | the gang's all here and they are fucking idiots this might have been the most fun thing i wrote this year? just good vibes, silly times, a thrilling ensemble of dickheads being stupid hockey bros. everyone should jerk off with the homies, the thesis.
🥛 no use crying | E | 38.6K | Brock Boeser/William Nylander | milk bar fic sex-worker AU ummmm, look. i just wanted to write boys with big milk jugs. do these fellas know each other? no. does the world make sense? nah. did i have a fun time, YES.
🦷 different kind of buzz | E | 3.5k | Macklin Celebrini/Will Smith | | pain, teeth & horny 4 hockey | those fucking rookies, goddamn actually can't believe we are witnessing the birth of a new pairing right under our noses, but it's happening. we are living in the historical moment! thank you to all the sickos who are writing willmack, posting the content, thinking the thoughts. the real MVP of this season, along with @fast-burn for making it spesh.
🏒 let's call this the playoff hockey coping strategy collection 🏒
absolutely bonkers time where i dealt with playoff hockey through fanfiction. actually do not remember half of these, so that's cool.
say it, say it again | E | 4.1k | Leon Draisaitl/Connor McDavid | soft dick fic.
but close ain't close enough | E | 6.3k | Leon Draisaitl/Connor McDavid | get your captain pregnant with help from your girl
go ahead and try a little crazy on me | E | 4k & don't you even try and explain | e | 12.1k | Leon Draisaitl/Arturs Silovs | winner's room goalie fucking | whomst among us was not enchanted by arty during that series? probably the most enjoyable voice to write, i do really want to write a part three where everyone gets freaky in spain so someone bully me until i do it.
better put that business to bed | E | 2.8k | Leon Draisaitl/Connor McDavid | voice kink
just the touch of your hand | E | 3.4k | Leon Draisaitl/Connor McDavid | McDepression and spanking
if i could make a wish | E | 2.8k | Leon Draisaitl/Connor McDavid | omg, MORE McDrepression?? Get a new theme, girl!
i'm gonna tell you right now, they're all i'm thinkin' about | E | 7k | Leon Draisaitl/Connor McDavid | you are never gonna believe there's a THIRD McDepression fic out there by moi. This time with a cute outfit!
🏎️ f1 stuff 🏎️
👀 unsafe release | E | 18.2k | Alex Albon/George Russell | when that childhood friend becomes hot and weird and scary it's your girls first f1 fic! started life as a quinn/petey fic lol okay who is she? this was HARD to write. new fandoms are tricky, there's so much to learn. but good to be sobbing into the google doc at a million am, it builds character etc etc
🌪️ a lasting advantage | E | 18.7k | Alex Albon/George Russell | okay but actually i wasn't done with these bitches more of the same, but with extra mental breakdowns and lashings of shame! buttsex, finally, and a beloved OC.
💬 hot rookie slagsss | M | 5.7k | Alex Albon/George Russell/Lando Norris | horndogs in the groupchat i just wanted to write something with dialogue so i didn't have to bother with all the bits in between and text is so fun for that. so fun to thrash this out with @latecomersprivilege and @ctimenefic. it takes a village, y'all.
flippin' hell. when it's all laid out like that it's really something. what's next? i literally have no idea! how fun! thanks to anyone who interacted with me this year, the likes and comments and stupidity keep the motor running. open mouthed kisses for all xx
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⁽ 𝘱𝘪𝘤𝘬 𝘢 𝘱𝘪𝘤 ⁾ 𝘣𝘭𝘦𝘴𝘴𝘪𝘯𝘨𝘴 & 𝘭𝘦𝘴𝘴𝘰𝘯𝘴 𝘧𝘰𝘳 𝘤𝘢𝘱 𝘴𝘦𝘢𝘴𝘰𝘯
a look at what’s coming your way for capricorn season 🪄🚪⌛️💡
please only take what resonates, listen to your intuition closely. don’t second guess that gut feeling!
pile 1 - blessings: king of pentacles, five of cups, four of coins, eight of swords. lessons: seven of pentacles, six of wands, four of cups, page of wands.
a tough and brave energy is radiating from you this capricorn season, pile one. i’m seeing that whatever you were dealing with before this energy shift is less intimidating now, as if you realize that it’s not as scary as it seemed in the first place. your blessings are a sense of personal power, a confidence to overcome what seemed impossible before.
whether that be going after a career, studying a field or just a project you’ve had your sights on for a while but didn’t quite have the motivation? your blessing will be that final burst of strength to crack the cocoon so you can fly.
you’re excited aren’t you, pile one? as you should be. life looks like it’s taking a turn for the best, your applied efforts being met with recognition (maybe even that boost of self esteem/self recognition).
overall, your lesson this season is that things aren’t as bleak they seemed, your inner and outer world getting brighter and easier.
pile 2 - blessings: six of pentacles, seven of cups, ten of wands, the fool/king of swords. lessons: three of swords, seven of coins, ten of pentacles, four of swords.
ready for rest aren’t we, pile two? well please be assured, your blessings for this capricorn season is the balance of relief where you may have been overworking yourself (physically, mentally, emotionally). you’ve been doing a great deal of inner work haven’t you, pile two? it’s okay to allow yourself to celebrate, you’re in the final stretch.
you seem to be energetically wedged right between capricorn and their watery cousin, cancer during this season. but do remember that cancers tarot card is the chariot of completion and victory through righteous willpower. and capricorn is associated with the devil tarot card which often represents systems of power, self destruction and control.
with that being said, your lesson is embracing this more powerful cancerian energy of moving past that heartbreak of feeling trapped by your circumstances or delays and trusting you’ll succeed at what you’ve worked hard at.
embrace your self-understanding and know you’re headed in the right direction, pile two! your lesson is knowing your effort will never be fruitless if you’ve given it your all.
pile 3 - blessings: king of swords, page of swords, two of cups, eight of swords. lessons: nine of swords, three of cups, queen of cups, nine of cups.
looking sharp, pile three! you’re being blessed with an ardent venture in one way or another. there could even be something specific here that you may have been pursuing already but there is incoming information about it- a development of some kind that will reveal its full potential and make you even more sure about it.
almost as if you have already been fulfilling that capricious energy and now is the time where you can actually cut to the bone of your efforts.
it’s a very exciting and assured energy that is coming from you. you are ready but i feel that you may not even realize the actual magnitude of this pursuit! like you’re already like ‘yeah! i’m gonna do this, and this, and this-!’ and then it finally comes and you’re like ‘oh wow, that’s so much more than i expected’ in the best way possible.
overall, the lesson here is that you deserve the stuff you’ve been wanting. not only that, it looks like it’s finally a chance to actually relax this year (and the upcoming). like, this feels like the biggest christmas present you’ve ever received, pile three. i mean seriously, i’m seeing fun and abundance that will genuinely blow your mind lol. stay excited and focused, and expect the best, love!
that’s it for now, hope this helped and you got everything you needed! & please remember to like/reblog!
#pick a card#tarotblr#tarotcommunity#pick a picture#pick a pile#tarot reading#pick a reading#pick a pic#pick an image#pick a photo#pick a deck#capricorn#capricorn season
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Say TT, what would be your top 10 T-rexes from media?
Ooo, tough one. I don't know if I can even rank them - I think I'll just share ten I love.
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We'll start with the queen, the goddess, my inspiration, the T.rex(es) from Jurassic Park (and its sequels). An elegant design with so many iconic features, from the angry eyebrows to the overbite and of course the iconic roar. The franchise itself stops treating the T.rex with respect from the third movie on, but that doesn't stop it from being its flagship creature.
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As villainous rexes go, I don't think any have surpassed that bastard Sharp Tooth, who channels the raw horror of the most fearsome fighting animal in the fossil record.
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Every single moment of the T.rexes in Prehistoric Planet filled me with delight and childlike wonder - yes, even when one got chased away my quetzalcoatluses. It was just nice to see a dino documentary where T.rex doesn't die for once, and seeing rexes be tender and social was also something I deeply crave but rarely get to see in dinosaur media.
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For dino documentaries that break my heart, the Walking With Dinosaurs rex reigns supreme. I know it's not a particularly accurate reconstruction (and in fact kind of mind bogglingly weird if you look at the details closely - what is going on with the area where her skull meets her neck?), but the story they tell with the rexes here is so tragic that it's burned into my mind. There's the one scene of a rex howling alone in the forest in search of a mate, where the narration notes that it's unlikely anyone will answer the call, that's just lodged into my memory as the ultimate illustration of romance-based loneliness. I feel that rex, man. I feel that howl into the empty woods.
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I know it's not a "good" movie, but fuck it, I love The Last Dinosaur. I love the suitamation, I love how the T.rex is presented as this borderline supernatural threat in the vein of Moby Dick, I love that it actually gives us a T.rex vs. Triceratops fight (an odd rarity in dinosaur media despite it being a matchup that 1. happened a LOT in reality and 2. pits two of the most popular and fearsome dinosaurs against each other - "T.rex vs. Triceratops" is, like, someone who's so hot that no one ever asks them out because they think they have no chance).
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There's a Japanese kid's movie about a girl who's trying to reconnect with her estranged paleontologist mother and ends up adopting a baby T.rex, and it's very cute and deeply emotional and has scenes of a baby T.rex in a Christmas cape and Santa hat evading the Feds because that's just what you have to do when you're a weird animal companion to a child. It love it. It's called Rex: A Dinosaur Story and I watch it illegally every year because there's no US release of it.
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You Are Umasou is another Japanese piece of paleomedia aimed at children with a deeply emotional story about strained parent-child relationships that involves a T.rex - several T.rexes, actual, one of which invents the art of kickboxing to style over his opponents - and l also used to watch it illegally, but luckily Discotek Media released a blu-ray collection of it and its sequels (called "The Heart and Yummie Collection" in an atttempt to translate the pun of the original title that only kinda works), so now I can just watch it whenever, to my delight.
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Fang from Primal is one of the most well-rounded T.rex characters in media and I love her so much, even if I can't watch the first episode of that show ever again. It's a shame that show never got a second season, I would have loved to see more of Fang's adventures in a prehistoric world full of dinosaurs and monsters. A damn shame that they didn't continue it - they certainly wouldn't have made the show be about ancient human civilizations with almost no monsters and a weird scene where a woman sleeps with a caveman covered in third degree burns.
Speaking of tyrannosaurs who get a great deal of characterization and team up with cavemen to fight dinosaurs and monsters in a fantastical prehistoric world, none have ever done it better than the original Devil Dinosaur. He lost all of that characterization and, like, any agency at all really when Jack Kirby stopped writing him, sadly, but at least he had a fun team up with Godzilla before he was reduced to a mindless brute and/or glorified pet in subsequent Marvel stories.
Finally we end with Gon, the star of the manga of the same name, a tiny little T.rex (well, arguments could be made he's more of a generic theropod, but he's been called a T.rex enough for me to count him here) whose anthology series tells some of the most dramatic, emotional stories about animals surviving in the harshness of nature without a single line of dialogue. Gon's stories range from the humorous to the downright tragic, and you can always tell what this little dinosaurs is thinking and feeling without him saying a goddamn word. Also he personally beat the shit out of every single fighter in Tekken, which basically makes him as powerful as twenty Gokus.
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#19 for person of interest and #2 for willow rosenberg
#19 ... one behind-the-scenes trivia fact I've learned somewhere and my thoughts on it.
I honestly don't really know that much trivia about Person of Interest. One thing I think I remember reading somewhere once is that the writers originally cast Amy Acker to play [a version of] Caroline Turing and only quite late in production decided on the twist that Caroline Turing was actually an alias for Root [at which point, presumably, they renamed her character, because she probably wasn't called 'Turing' before that].
Which is kind of amazing to me, if it's true: Amy Acker as Root is such a huge part of the show that's it's strange to think it almost didn't happen [and, presumably, the show itself would have gone off in an entirely different direction in Season 2 without Root: we'd have seen a lot more of Alicia Corwin for a start].
But, well, I can't find the original claim now and even if I did it probably didn't have any particularly solid proof to back it up. So maybe it's not true at all. (I think it's obvious that the writers hadn't yet cast Amy Acker as Root in Season 1's Root Cause, but that's a much less interesting claim to me).
#2 ... ...how I would have chosen to change their story from canon
Not an original take, I suppose, but to me the big problem with Willow's arc is the way that everything the show has been building up to since (at least) Becoming gets utterly derailed by the Willow-as-a-metaphorical-drug-addict subplot in Season 6. And, yeah, I can see arguments for this subplot: magic had been used as a metaphor for drug abuse before, and it does fit with Season 6's wider theme of exposing the characters to more bleakly quotidian problems like bills and dead-end jobs and (metaphorical) battles with social workers. But it just doesn't work for Willow or her arc. Willow's descent into villainy ends up being almost something that happens to her [because of bad actors like Amy or Rack or Warren] rather than something that evolves naturally from her own flaws.
And that's frustrating, because the show's already spent a lot of time setting up Willow's character flaws and how they will surely lead to tension between her and Tara and her and Buffy. We know Willow has self-image problems ["I'm not your sidekick!" she snaps at Buffy in Fear Itself], that she's afraid that people won't like her if they see the real version of her [see her dream in Restless for example], that she compensates for this by trying to help everyone and make herself useful ["I want to help", she tells Buffy in The Harvest, "I need to"].
We know Willow is prone to being jealous when other people get attention despite (in her eyes) not working as hard for it as she's had to or when they threaten to come between her and the people she loves [see: Faith in Season 3, Anya in Season 5]. We know Willow is very often unsympathetic to other people's problems if she can't personally relate to them [see ... well, many examples, but in particular Buffy in Dead Man's Party].
We know that Willow's been getting into magic to an extent that worries all the other sympathetic magically-aware people we know. We know that Willow has a strong sense of herself as a 'good person' despite the fact she often does things that are illegal or dangerous or unwise. We know that Willow is proud of her intelligence and her accomplishments and that she often ignores advice she doesn't like or lashes out at people she thinks are talking down to her [see, for example, the way she talks to Tara in their fight in Tough Love]. We know Willow has had trouble respecting other people's wishes and that her first reaction to relationships going wrong is to try to work out how she can "make" people forgive her [how she reacts to Oz discovering her with Xander in Season 3, for example].
None of this has anything to do with Willow being tricked into being a magical drug addict by a girl who used to be her pet rat. It just doesn't.
In my ideal version of Season 6, Tara still leaves Willow (for much the same reason she does in canon: Willow not respecting her boundaries, using magic to mess with her memories to 'resolve' arguments they have) and Willow still reacts terribly (and manages to de-rattify Amy). But Rack doesn't exist and more generally Amy is not at all the person she is in canon who pushes Willow to use magic more and more because she's some sort of self-destructive hedonist.
Amy should be more or less the same person she was halfway through Season 3. She shouldn't be luring Willow into drug dens [drug dens which she shouldn't even know about!]. She shouldn't suddenly be recast as a Bad Influence. She should be more or less the person she was in Gingerbread. She should be (honestly) amazed by how much better at magic Willow's gotten since high school. She should think of Willow as her friend and try to 'stand up for her' because she (thinks she) knows that Willow lets people push her around too easily. She should (unintentioally) feed Willow's ego: tell her that she's perfectly in the right and it's everyone else who's over-reacting to her growing magical strength.
And yes, maybe eventually she should start directly encouraging Willow to misuse magic (to help her 'fix' her relationship with her Dad, for example, or to get back into college despite technically not finishing high school). But it should be a gradual process. It shouldn't be something that starts fan theories about Catherine Madison somehow posessing her again. And the narrative should [and I can't stress how much it doesn't do this] care the slightest bit about Amy herself as a person, and recognize that she has gone through something awful and traumatic.
Amy's role in the plot of Season 6 should be to encourage Willow to keep telling herself she can use magic all the time whatever anyone else says because she's a good person. She should enable Willow, sure, but not intentionally. She's been a rat since she was 17; she shouldn't know things about the world she didn't know three years ago (except rat things, I guess). She shouldn't force Willow to do magic or trick her into it, because then what happens to Willow is no longer a consequence of who Willow is as a person.
You can make Amy a catalyst for Willow's continued bad behaviour without making her deliberately evil. You just need to make Willow the more active partner in their relationship. Wilow should be the one to decide to keep using magic but just keep it hidden; the one who keeps finding excuses for why she can treat people like objects and still be a good person; the one who keeps redefining where the line is everytime she steps over it. Until eventually Willow goes too far even for Amy, and she has to reckon with what she's been doing all this time.
And that makes Season 7 Willow works better too, because she's actually got something real to feel guilty about. She's not just sorry that after Tara died she reacted by temporarily going a bit crazy and having a relapse into her former addiction [and then being persuaded by some bad magical energy she absorbed into wanting to end the world]. She should be sorry about what she deliberately did to Tara (and to Amy, and to Buffy, and to Dawn, and to everyone else), not what she almost did to the world when she wasn't in her right mind.
I mean, sure, you can keep Warren killing Tara if you want [I'm not sure I would, but...]. Play up the parallels between Warren and Willow, even. Keep Willow killing him and trying to kill Jonathan and Andrew. Keep her trying to end the world, too. But the fundamental moral agency should be Willow's.
Her arc shouldn't be a temporary drug habit she's tricked into by her Bad Friend followed by going cold turkey for a bit and then relapsing after a random horrible event. She shouldn't decide to end the world because a coven of witches we've never met use Giles as a proxy for some elaborate and almost self-defeating 11-dimensional chess game (I quite like Grave, all in all, but that particular twist is infuriatingly stupid). Willow should drive her Season 6 arc by being Willow, only worse. By being the same "callous and deeply strange" Willow we know from the high school seasons, just more so, one who ignores Buffy's advice from Ted to "use [her] powers for good".
The writers shouldn't be afraid to acknowledge that Willow Rosenberg (who, to be clear, is one of my favorite characters in fiction) actually does have the capacity to be a bad person without external factors forcing her into it.
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Our Flag Means Death’s season-two finale has it all. There’s a declaration of true love between our favorite criminals, Stede Bonnet (Rhys Darby) and Ed, a.k.a. Blackbeard (Taika Waititi). There’s also a heartbreaking death (RIP, Con O’Neill’s Izzy Hands), a pirate wedding that ends with the words “You are now officially mateys,” and some big-time fight scenes. “Mermen” packs a tight punch in only 30 minutes. The episode is both thrilling and satisfying, so even if Max makes the grave mistake of not renewing the series, fans will feel closure in a way that they didn’t with season one’s sendoff. And Our Flag Means Death creator David Jenkins already has some fun ideas brewing for a third season (and beyond!). The A.V. Club spoke to Jenkins about his plans to evolve Ed and Stede’s relationship, potential spin-offs, and how everyone on the show is handling its passionate fanbase.
The A.V. Club: First of all, how dare you kill Izzy Hands? Was that always the plan when you mapped out season two?
David Jenkins: [Laughs] Yes. I felt that Izzy had reached a point where he broke through a lot of his major patterns. It was fun to give him a season where he got to do everything and where Con O’Neill got to do everything. Well, I won’t say everything, because Con can do light years beyond what I think he can do, and I do think he can do anything. We wanted to show the depth of that character. Izzy is one of my favorites. He’s like middle management who is in a sort of love triangle [in season one]. He got his wish at the end of the first season by breaking up his boss and his boss’ lover. He got punished as a result, and he had to come out on the other side, which felt like a good journey.
AVC: Despite everything that happens in season two, including Izzy’s death, the finale ends on a happy note with Ed and Stede living together. Why was it important for you to show that?
DJ: Season one ends on such a tough note for them. As you said, after what they’ve been through, they should get a moment of happiness. I won’t say however fleeting. They are going to have challenges ahead. They’re both not the most mature yet. I think that’s the fun of it, to leave them in a place where it’s a good kind of stasis. They’ve sent the kids off in the car, so to speak, and now they’re going to have to really grow if they’re going to start an inn. It won’t be easy, but I like that they’re going to try.
AVC: “Mermen” has all the elements necessary for a season finale. Did you partly add all that as a way to provide closure in case this is the end for OFMD?
JD: What’s important to understand is that you never even know if you’re going to get a second season. Maybe if you get picked up for two right away, and even then, but especially right now, who knows? I think with season one’s end, it was a gamble to leave it the way it was. Everybody stomached through it. Now if it turned out they didn’t want us to make more, I just didn’t want to have another story where the same-sex love story ends in tragedy, unrequited love, or if one or both of them are being punished.
AVC: I actually love that about Our Flag Means Death. It reminds me of Schitt’s Creek in a way because the love story just exists and is perfect; there’s no questioning it as right or wrong.
JD: That’s such a nice compliment because I also think Schitt’s Creekdoes that really well.
AVC: You’ve previously said you want Our Flag to have only three seasons. Is that still true or do you feel like the show has scope to continue beyond that?
JD: I feel like Stede and Blackbeard’s story is a three-season story, but the world of the show could go beyond that. It’s a really rich world with so many stories to tell and really good performers to tell it. I do want to see how Ed and Stede become a mature couple in the next season. They’re a couple who is like in their late twenties right now as opposed to being teens at the end of season one.
AVC: So if OFMD continues in some other form, are there characters you’d like to focus more on or other historical references you’d like to include?
JD: Yeah, a lot, because it’s such a rich ensemble. How do you not want to see more of Joel Fry, Samson Kayo, Ewen Bremner, Nathan Foad, or Vico Ortiz? Any one of them could carry their own show. It’s fun to think about that and the storylines we can do with them, mixing and matching all our characters. Vico is incredible, for example, and I especially love watching them in an action sequence. This is a weird comparison, but there’s a Harrison Ford and Sigourney Weaver vibe they put out. I’m such a fan of what they do.
AVC: You also really like parallels and coming full circle as a storyteller.
JD: Yeah, I do.I knew I wanted to start season two in the Republic of Pirates and end by coming back there. Stede goes on an amazing journey between the episodes. He’s thrown out of there initially, but then he comes back as a hero. I like the symmetry of that. And then the Republic of Pirates gets destroyed; it dies. It’s not just Izzy; it’s the place too. It was important to have a home, this stronghold for everyone, be destroyed. But the characters are not crushed. They’re going to try to move on.
AVC: One of season two’s new characters is Zheng Yi Sao, played by Ruibo Qian, who quickly becomes an integral part of the crew. What was the casting process like for her?
JD: Ruibo is an amazing find. One of our incredible casting directors, Cindy Tolan, she had Ruibo in mind immediately for that part by the time it got to her. And we had looked and looked before talking to Cindy. Ruibo has her own fascinating story because apparently, she had a couple of strong premonitions that she’s going to play Zheng Yi Sao. She had a modern take on the part without it being strained. She’s incredible. She’s a trained theater actor with a lot of chops. She has to go toe-to-toe with Taika and Rhys. She did it with such grace.
AVC: Season two takes Blackbeard on an interesting turn of denouncing being a pirate. But in the finale, it’s almost like he’s reborn as one, especially with that gorgeous shot of him coming out of the water. What was the thought process behind this arc?
JD: Thank you. Blackbeard is a guy in recovery when he comes back to the ship when he’s wearing the jumpsuit. He’s trying to hang on and find some kind of footing. Who is he if he’s not a pirate? Meanwhile, Stede is on his way up and wants to experience the rockstar life of a pirate, while Ed as Blackbeard is over it. It was an interesting tension of, which one gives up their dream? A lot of times in relationships questions can come up, like who is going to give up on their dream to take care of the kids? Obviously, no one wants to, but someone ends up giving up more than they want to at some point. What’s wonderful about a mature romance, and what I’d want to see more of in season three, is Ed and Stede making these tough decisions.
AVC: Stede and Ed’s relationship has led to a passionate, vocal fandom, which you didn’t have as you were writing season one. While working on season two, how did you avoid doing fan service and focus on meaningful storytelling?
JD: I never anticipated the strong reaction to season one. It’s incredible it happened. Everybody is buoyed by it in the cast, crew, and the writers’ room. To be perceived on that level with such enthusiasm makes us want to make more of it. A lot of the things the fans love are not different from things the writers love. We are fans of the show. We’re writing fanfic, but it’s called fic when we write it. The big thing for us is to make sure we’re writing beats for the characters that feel true and have moments where all of us go, “Ooooh, we have to do this.” If the beats stay true, it won’t feel like we’re simply pandering.
AVC: How do you break down those beats for Ed and Stede’s relationship as they go from wanting to take it slow to sleeping with each other this season? And where do they go next?
JD: It’s challenging with them because most rom-coms end with couples getting together. They don’t then stay with them and say, “We’re together now, but it’s turbulent; how is that going to work out?” We thought, “Okay, let’s look at our relationships in the room. What have we encountered? Who’s been dumped? Who has had to forgive somebody?” These questions were fun for the second season. I think for the third, it would [be], “Okay, who’s had a relationship for over 10 years? What things do you have to work on?” It’s fun to watch two people like Ed and Stede go through this experience.
#our flag means death season 2#ofmd s2#ofmd s2 spoilers#spoiler#our flag means death#ofmd#david jenkins#interview#av club article
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fragile - matthew tkachuk
matthew tkachuk x gn! reader
summary: after back to back losses, all matty needs is some words of reassurance from his favourite person
word count : 0.8k
warnings: maybe some angst but mostly fluff, sappy, hinted at nsfw themes for 2 seconds, not edited
you were almost asleep when you heard the door, as matthew finally got back to the hotel. you hadn’t been at the game, staying back with a headache this time, but you had watched it on tv; it wasn’t good. you listened as he kicked off his shoes with a sigh, and heard the soft thud of his clothes and bag landing on the floor. the bed dipped next to you and his arms wrapped around you, pulling your back against his chest, nuzzling his chin into the crook of your neck.
“hey, baby,” you murmured softly.
“hey,” he sighed, his eyes closed.
“i’m sorry,” you sighed; you hated how helpless you always felt watching the team when they were down.
“you watched it,” was all he said. you rolled over in matty’s arms, placing soft kisses up his throat. “is there anything i can do to cheer you up?” you hummed, gently creating a love bite under his jaw. sometimes the best way to improve his mood after a tough game was quite simply to let him take his… frustrations out on you, and you were never going to complain about the more dominant side of him it brought out; but tonight was different.
“i just want to hold you,” he replied, and you were a little surprised, but your heart fluttered just the same. you snuggled into his chest as his arms tightened around you.
“is something else bothering you?” you asked.
“besides the back to back 4-0 losses, you mean?” he laughed bitterly.
“matt-“
“what if it’s me?” he asked, and to say you were at a loss for words was an understatement. matthew tkachuk was someone with a great deal of confidence, often mistaken for arrogance by some; either way, self doubt wasn’t the usual thing for him. you pulled back slightly so you could look at him, his blue eyes sad and missing their usual playful gleam.
“matthew that’s ridiculous. where is this coming from?”
“have you seen my stats? i’m supposed to be this star player, and i can’t even score a goal.” you reached up to gently hold his face, the light stubble on his chin tickling the palm of your hand.
“so you’re off to a slower start than expected- it happens. and besides, you guys are a team; one person doesn’t win or lose, you guys do it together,” you said, admittedly not used to having to comfort him like this. “you guys have been doing great; two games isn’t the end of the season.”
“what if i’m holding the team back?”
“you’re not-“
“what if i am?” he insisted, his eyes that had until now avoided your gaze finally locked with yours. his eyes searched yours with a pleading hopefulness for any kind of sign that he was wrong; that it wasn’t all his fault.
“matty you broke your sternum six months ago; you’re being extremely hard on yourself. you are not some kind of dead weight, and i don’t ever want to hear you say anything like that again,” you pleaded. “it’s amazing that you’re back to playing as well as you are so fast after what happened. i know you’re used to being one of the best - because you really are - but i think you just have to settle for being ‘pretty good’ until you’re back to the place you were at in the playoffs.”
“what if i never get back to that level again?”
“you will. if anything you’ll be better because you want it more.” you promised, and he was silent for a second, as if thinking over everything you’d said.
“what did i do to deserve you?” he asked, shaking his head slightly as the first hint of a smile appeared on his lips.
“i ask myself that about you every day,” you smiled, pressing your lips to his. you hummed softly as his hands slid up your back to deepen the kiss, and you tangled your fingers gently in his soft curls, his hair still slightly damp from the post game shower.
“i love you,” he mumbled against your lips, and you smiled into the kiss.
“i love you too.”
you laid your head back down on matthew’s chest, and felt him press a kiss to the top of your head as you tangled your legs with his under the blankets. the familiar scent of his expensive cologne lingered on his skin as you kissed his collarbone in response, and whispered a quiet ‘goodnight’, already feeling yourself drifting off to sleep.
“goodnight angel,” matthew mumbled, feeling slightly better as he replayed everything you had said in his mind. he knew deep down that you were right; that he was expecting the world of himself, when at the end of the day, he was just a person. but to you, he was home, even in a city miles away from it.
disclaimer: all screenshots, events, and/or interactions depicted in this are a work of fiction. i have no association with any parties mentioned
#matthew tkachuk fic#matthew tkachuk#florida panthers#nhl fic#nhl#hockey fic#hockey#matthew tkachuk x reader#real person fiction
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heyo! loving the steddie dads. was wondering if either of them suffer from nightmares or ptsd after everything they've been through? and how they might deal with that on a day-to-day/anniversary basis.
Hi friend -- took some time on this one because this is a Topic for me.
Short answer – yes, 100%. I don’t think any person on the planet could experience that kind of thing and not come out of it with some serious issues to work through.
Longer answer, and not to abuse my psych degree, but it’s really tough to say how they would be affected 10, 20, 30, etc. years down the line because PTSD and trauma are both so unbelievably complex – for many reasons, but in part because PTSD can do two things (sort of) simultaneously.
Wane over time
Completely and permanently alter the “wires” (neural pathways) in your brain
I think that there’s sometimes this perception in the ST fandom that every character in the show who experienced a trauma would have PTSD by default, but that might not necessarily be true. Stats actually show that the majority of people who experience trauma in some capacity will in fact not display PTSD symptoms. I think Mike and Dustin at the onset of season 2 are a fantastic example of how two people can go through the same events together and come out of it affected very differently.
(Sidebar: I think Stranger Things has a fantastic opportunity to show how varied the effects of trauma can be. Granted, I don’t think that’s the story they’re telling, but they totally could.)
Experiencing a traumatic event is not necessarily a one-way ticket to PTSD symptoms and/or a PTSD diagnosis – to be clear, this doesn’t mean that there are not lasting negative effects from that traumatic event, but it is still distinctly different from PTSD (in its official definition) – and right now it’s not clear why this is the case.
I have individual thoughts about each character as it relates to what they specifically experience and how I think they would be affected by it long and short-term, HOWEVER I also recognize that I haven’t answered your actual question, so I digress.
Rather than dive into whether or not I think Steve and/or Eddie have PTSD, we’re just gonna call it capital-T Trauma and move along. You’re welcome.
Anyways, by the time Steve and Eddie (as they exist in this ‘verse) are in their fifties, I doubt that any residual effects of their Trauma would still be anywhere near debilitating. Generally speaking, they can go about their day-to-day lives without thinking about what they went through all that much.
I do think that those effects may temporarily worsen around anniversaries, but even that really isn’t all that noticeable by the time they hit the 2020s.
They’ll still occasionally have nightmares and I don’t think Steve ever fully lets himself believe that it’s truly done in a way that Eddie doesn’t relate to because he never had to experience what it’s like for it all to come back.
(Small potatoes, but I also don’t think Steve could ever own a dog no matter how much his daughters campaigned for a puppy when they were in elementary school).
I think the Trauma that Steve experienced shows itself in his adulthood when it comes down to raising kids.
I’ve talked before about how Steve has a moment when Moe turns ten where it kind of clicks for the first time just how young Erica had been when he allowed her to get caught up in everything. He hadn’t been able to see it until he was a fully-fledged adult raising a ten-year-old, but he gets really hung up on it, and then he spends the next few years being like – Moe’s eleven, that’s how old Eleven was when she broke out of the lab; she’s twelve, that’s how old Will was when he got stuck in the Upside Down; she’s thirteen, that’s how old Dustin was when he almost got eaten by demobats in those tunnels.
Then the girls start hitting their high school years and Steve starts realizing – oh, it wasn’t just the younger ones. I was also a kid still and put in a really fucked up position. It’s the thing that makes him truly see how few adults he had in his corner.
Eddie has a similar moment when Moe graduates high school and he realizes that his oldest daughter is as old as Chrissy ever got to be.
That being said I also don’t think Eddie gets as torn up over Chrissy as the popular opinion suggests but i’m a little afraid to voice that one lol
I definitely think Eddie and Steve never let themselves forget how Max, Chrissy, Patrick, etc. were vulnerable to Vecna’s curse because of a very specific circumstance – they were grappling with something internally that they didn’t feel they had the resources or people they trusted enough to address outwardly. Sure, they know that their kids aren’t at risk of being possessed and murdered by an evil monster, but the notion of bad things happening when people don’t have the support that they need is a very real phenomenon with very real consequences. By no means was that exclusive to Hawkins and it certainly didn’t go away with the Upside Down.
I think that this becomes the crux of Steve and Eddie’s mentality behind parenthood – to make sure that their kids never feel like they can’t go to their dads for support, to never allow their children to be in a position where they have to suffer in silence. That, to me, is absolutely rooted in the parts of their Trauma that re-wired their brains irreparably.
Anyhooooo this is really just the tip of the iceberg imo but this is long enough already lol (but if anyone wants to hear more about the Stranger Things-Trauma paradigm, let me know because I could probably talk about it for hours).
#sorry anon you tapped into a subject that i could probably give a ted talk on if asked nicely enough#liv’s steddie dads verse#steve harrington#eddie munson#tw: trauma#tw: ptsd
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Proving how easy it is to write BASIC compelling arcs for Sam LaRusso (2/2)
This last season's (and others) treatment of Samantha is unforgivable, I did this out of spite whenever I had the time to write, so here goes. (part 1)
main conflicts for season 6 especifically .
TORY TRAUMA — Tory is finally on Miyagi Do, she and Sam can slowly rebuild from the mess of those two last years. Yet, the mess is just too great for a simple talk and cordial looks to fix. Sam is relieved and happy that Tory escaped Cobra Kai's toxicity and is giving Miyagi Do a chance. This however creates two big anxieties: The perfect friend. Sam knows how tough it was to get on Tory's good side, she knows how important it is to keep her as a friend, so she overworks herself trying to make this work. She's overly nice, overly attentive, overly self-sacrificing. She lets Tory win when they sparr, she laughs at her jokes even when she doesn't get it, she smiles and plays the gentlewoman all the time, she opens doors, helps to carry things, keeps checking on her to make sure she's alright, and all of this is made out of extreme anxiety. The other side is her fear. Sam knows what Tory is capable of, she's felt it for too long. Doesn't matter how much psychological development she gets, the trauma is still fresh, still burns on her skin, is still felt on her scalp. Tory is just a lot of scars that are forever marked on her skin, and this she can't change with smiles and a good talk. So, despite her optimism and relief, she still fears, she still watches carefully. She puts herself close to Tory to try to make her happy all the while being unconsciously terrified that the blonde might simply turn around and attack again. Still, no matter how much it triggers her, she will work hard and quietly to make this new thing work.
SEKAI TAIKAI — I believe it isn't a stretch to suggest that Sam might've competed in Karate Championships as a child when she still trained with Daniel and Mr. Miyagi. We know Mr Miyagi doesn't like competition, but Daniel wouldn't let that chance pass. So Sam might've collected a few trophies and medals as a kid when competing only meant a big Karate game and she got to fight different new kids. Nothing psychologically damaging or heavy. That is until the AVT. Then there's Robby's injury, Miguel's change of character, and competition becomes something serious and unjustified. Sure, her first AVT was to save her dojo, but she was probably already uncomfortable with the kind of stakes those championships were holding. It wasn't fair and it wasn't right. Her defeat on the AVT shattered her confidence and likely set her off into a spiral of insecurities, self-hatred, and deep shame. She failed her dad, she failed Robby, she failed her friends, and in a way, she feels she failed My. Miyagi. Now, they're in for a world championship, despite having very little competition experience in general. Among all the teens, she's likely the only one who went through championships the most, but even that wasn't relevant because she was too young and never competed internationally. Sam isn't stupid, she knows they're about to bite something much greater than they can chew, yet, it's her chance to fix every mistake she made on the AVT and attempt to restore the pride of her dad and her team.
development .
TORY TRAUMA — Tory is also putting on work to try and convince Sam she's not a threat anymore. Maybe Tory notices how hard Samantha is trying, and even pities her for it. She wants to make this peace last too, she's ready to overcome her unfair distaste for the girl and start some proper healing. Her small actions help to diminish Sam's fears, they do create a new collection of supportive moments that should slowly help both to experience a much better new chapter. If we keep the death of Tory's Mother, it would definitely be the hiccup in their development. The moment Sam learns of it and how senselessly Tory was fighting in the Captaincy duel, she's both heartbroken for the girl, but also hyper-aware that her skills have to be sharp, Tory is showing every sign she's about to get back on her bad habits and Sam would suffer for it. Suddenly Sam isn't just going to the Sekai Taikai thinking only of redeeming herself for her dad and her team, she has an unresolved journey with Tory.
SEKAI TAIKAI — With the addition of Tory back in Cobra Kai two of her biggest conflicts pile up again. It's a new rendition of the AVT, the very thing she wanted to escape. Her anxiety does get the best of her a couple of times, but Robby is there, her friends are there, her dad is there. She begins to notice their support did not depend only on her wins or her success, they loved her anyhow, now she's more than ready to give a win to them, out of gratitude and just have a good time doing the thing she learned to love again. Hopefully Tory is back on their team by this point and Sam can make a new identity for herself beyond her mistakes from High School.
#cobra kai#sam larusso#samantha larusso#daniel larusso#robby keene#tory nichols#there it is#easy as pie
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Ngl the Netflix Avatar: The Last Airbender show was kind of a mixed bag of great and iffy kinda like a delicious food but it’s missing something almost perfect, but still I loved the show so far.
What i didnt like:
*The gaang/ trio doing adventures alone by themselves
*The blended/ mixed episodes
*Pacing
*King Bumi’s new personality, his issues, and how his true identity was revealed very early.
*Sokka and Suki’s fast chemistry, (well I kinda like their love story a little, it was sweet, but i think their rushing it).
*Also Sokka kissing both Suki and Yue kinda feels like hes cheating on Suki, they already had a good time and now Yue?
*The Secret tunnel scene which only happened on book 2, ofc I was happy the first minute they showed it but this was Aang and Katara’s moment, they changed that into love between families or siblings but it’s about love between 2 couples Oma and Shu, wish they just did that on season 2.
*Aang didn’t talk to Hei bai or explain about the forest will grow back in time and just buried the seed.
*Kyoshi teaching Aang a lesson by traumatizing him with her merciless past, (thats not how you teach an innocent child).
*Zuko didn’t saved Zhao at the final episode, (in the original he saved him, because he still has that kindness and compassion in him just deeply hidden)
*Aang didn’t really learn how to waterbend, there was this scene were Aang and Katara were playing with water splashing each other I thought after that scene it was skipped to Aang finally progressing on his practice but he learned nothing at all, (well atleast he learned how to contact the spirit world with his past lives and loved ones). Probably at season 2 he masters it already but is skipped.
*About Katara’s necklace, Pakku didnt talk about that and the past.
*Gordon Cormier/Aang and Kiawentiio’s/ Katara’s acting skills.
What I really liked:
*Cgi, visual effects, the animals 10/10
*Martial arts
*Costumes
*New lessons
*Some of the backstories including the introduction.
*How they interpreted Koh the face stealer.
*Aang’s conversation with Zuko after getting captured by Zhao.
*Zuko’s backstory and the 41st division.
*June and Iroh
*Why Ozai can be evil, “yall remember Evil is made not born” he probably had a tough time when he was little, he just doesnt know what he’s doing is not discipline its abuse. Just like what Iroh said it’s in the fire nation’s bloodline on sometimes being harsh and world dominating.
*Azula’s obsession with perfection and her dad’s approval, I liked how hardworking she was until she reached her classic blue flame, she had to go through alot of pain too.
* Dallas Liu’s acting skills as Zuko is amazing, I could literally feel his emotional state, anger and rage.
*Yue’s spiritual abilities.
*Aang meeting Gyatso at the Spirit world broke me.
*Iroh’s backstory along with Zuko broke me.
Let’s just say atleast it’s better than that movie that never existed.
7/10 Imma say its perfectly balanced.
Also forgive me if my english is bad.
#netflix atla#netflix avatar the last airbender#netflix avatar#avatar aang#avatar the last airbender#atla#aang x katara#aang#atla aang#atla zuko#prince zuko#zuko#katara#atla sokka#sokka#reaction#uncle iroh#iroh#netflix#avatar#tv series#netflix series#artist on tumblr#small artist#aang the last airbender#waterbending#earthbending#firebending#fire nation#air temple
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List of Thai BL dramas i've watched with short opinions about them i guess :P
Thai BLs that i finished:
A Boss and a Babe. It's cute for what it is, i loved the gaming friendships and i'm a sucker for forcebook. 7/10 need more unhinged energy from book.
A Tale of Thousand Stars/Our Skyy 2 : Bad Buddy x A Tale Of Thousand stars. this show reminds me a lot of early to mid 2000s lakorns. it's a beautiful by the book love story, i appreciated that a bl got to take a spin on this kind of quiet thai story. 8/10 loved it but still too vanilla for my taste.
Bake Me Please. Guide Kantapon is the cutest man alive and CAKES! that it, that all i have for this show. 6/10 it's a show that exist.
Be My Favorite. damn fluke gawin is so pretty what was this show about again? :P i'm kidding, i actually really liked this show. i watched it when i had zero knowledge about bl industry, i was oblivious about krist's controversy and i find krist acting to be charming and think kawee is very relatable as a cringe fail human myself. 8.5/10 this show made me want to collected weird thingies.
Cherry Magic (Thailand). oh boy this show. it's was everything to me also the only show so far that i've written extensively on this site. here is my personal feeling about this show. 9.5/10 would kill for taynew.
Cooking Crush. what! the fuc$! look look, i just learned that both offgun are older than me. when i first saw the show i thought they were some rookie actors with how young they looks. watching cute bl is gonna be the death of me. anywho this show is supercute don't have a lot of thought about it though. 7.5/10 cutting half a point cause of no samsee x metha.
Cutie Pie/Naughty Babe. what a fuckin legend of a series. all the characters have zero braincells and somehow all the rich pretty boys are engaged to each other and by arranged marriages nonetheless. wtf is this fanfic version of thailand and where can i get hit by a truck and get isekai to it. 7.5/10 still haven't watch Cutie Pie 2 U, i hope it get dumber.
Enchanté. this show is so dummmb it should've go full camp reverse harem yaoi nonsense but it didn't and ended up being kinda boring. 6.5/10. meh, i'm still a sucker for forcebook.
Last Twilight. UGHHH!! i'm still so mad. this show was going to be THE SHOW for me then ep 11-12 happened i legit mentally check out halfway through ep 12 and i basically blocked the ending from my mind. this show came out at the right place and the right time for me, the first 9 episodes helped me through a very tough time in my life. the story of two people helping each other finding their way out of the dark was very compelling to me. ughh. 5.5/10 (9/10 for ep 1-9) P'Aof why are you like this!!
Laws Of Attraction. yassssssss this show slay(literally :P) the show is a breath of fresh air for me despite how very lakorn of it is. i'm glad that there is a bl that feel this soapy and campy cause like i do love my angsty and innocent school bls but the industry really need show like laws of attraction. jamfilm also were very great in their roles espically film, charn is the most babygirl corrupted cute evil lawyer of all time. 9/10 no note headempty only charn's evil smirks in my mind
La Pluie. now, this is a romance. this show is one of the most romanctic media that i personally have experience. i loved that the show took the cheesy premise of soulmates and work it so well to do both deconstruction and exploration of the trope. i think using rain, thing that isolated people as a narrative tool for love connection is absolutely brilliant. last but not least pat is just the perfect bl love interest, he's an very idealized character but he do feels like an actual person. i want to give a shout out to Pee Peerawich the way he said "มันหนาวอ่ะ" in ep 8 sent me, the raspy voice, the eye twich and combo those with a back cuddle, sir! you just commited a mass murders with that move. 9/10 plz i need season two with my baby boy tien.
Love in Translation. the unhingendness of that first meeting is probably my favorite bl meet cute. look if you don't get into a fistfight with the guy you destined to be with then what is the point of life. this show fake date is very well done it's doesn't feel forced like in a lot of other bls and it make the growing attraction feels very genuine and it pay off in one of the best sex scenes in all of bl, yang is such a freak and i loved him for it. 8/10 the last two episodes did got slightly off the rail for me but i still enjoyed the show.
Moonlight Chicken. one of the most beautiful shows i ever watched. when watching this show i can feels, smells and tastes everything it depicted. from the comfort khao man gai to jim's loneliness, from alan's heartbreak to liming and heart's midnight motorcycle ride. this show gave me all the feels and i still can't completely shake it off. 9.9/10 this show is a healing.
My School President. These boys!!!! i can't, i loved these boys so much, all the boys, YES ALL OF THEM! this show is on the opposite spectrum of Moonlight Chicken for me. while MC give me the good heartaches this show give me unbridled joy it's like heartstopper on cracks. i absolutely adored tinn and gun and the show relentless optimism about thier first love. love is awesome no matter the romantic, familial or platonic kind and i think this show hit the marks with all three. 10/10(i'm super bias but fuck it idc i even liked the singing) this show made me started watching thai bl and it always will have a place in my heart.
My Ride. this show is lacking in intimacy but making up by being all heart. could this show be better if they fleshed out and explore more of tawan and his cheating bf's relationship, maybe but i'm happy for what we got. 8/10 mork and tawan were very cutie patootie, i don't remember much about the het and the side couple were just st ok.
Step by Step. man trisanu is exactly the same height at me and i want everyone to know that is the only reason i started this show🤣 . i feels like this show have a lot to say about stuff but i kinda got lost staring at man trisanu while watching. one thing i really loved is the very fem *ตุ๊ด coworker who got to be a real character not just a jokey sidekick and having a loving relationship with a hottie. 7.5/10 can i get more man trisanu in bl plz.
Triage. asshole doctor stuck in a timeloop for him to find the meaning of life, yes plz give it to me. i loved stories about assholes who need to better themself for love and other junk. tinn and tol are both grumpy bitches and i just loved that the show use the timeloop to soften these nerds. at the end i just want to wrap them in blanket and let's them cuddle each other forever. 8.5/10 the last ep is bit convoluted but i forgave the show for that cute clocktower kiss.
You're My Sky. i started this show for my boy suar and he did not disappointed. the pining and the longing for an older boy who been there for you most you life, chef kiss. this show also very beautiful to look at. 8/10 i'm kinda meh about the side couples, i do think they all got the "good ending" for their stories.
Thai BLs that i didn't finish or gave up and skipped to the ending:
Bad Buddy. Oh boy, am i gonna get murder for this??? sorry but idk why i didn't wholeheartedly love and give this show my undivided attention. i watched this show very weird and out of order, i started with the last ep than just watch other episodes in bit and peice. i think i've seen 70% of this show. plz forgive me this is the first thai bl i tried to get into but can't. maybe i need to give this show another chance and watch it properly. or idk maybe cause the way i watched it, it's ruined for me forever. 6.5/10 i loved the rooftop kiss plz don't kill me.
Dangerous Romance. this show is trash and not the good kind, how this show depicted relationship between a rich asshole and a poor boy feels very gross to me. i fast forward a bunch and gave up after the not just dumb but very cruel breakup. 4/10 it's watchable if you ignore the plot and the chatacters.
Hidden Agenda. wow this is the most nothing show that ever nothing for me. it's a perfected white noise while playing chill video games. i stopped watching after ep 8 cause look like there going to be a dumb break up, i have no desire to revisit this show. 5/10 joongdunk were kinda cutes.
The Miracle of Teddy Bear. this show is too god damn long with too many side plots the one and a half hour per episode killed the momentum for me. i liked the show and do think i want to revisit and finish it one day. 6/10 for now.
Vice Versa. why are they giving jimmysea this show. this show is so boring for me, i gave up in episode 6. 4/10 gmmtv give my babies better shows!!
Thai BLs that i've watched all the sex scenes and have no intention of watching the actual show:
Kinnporsche: heheehehhehehe everyone were so hot, too bad i don't like rich mafia story. mile being a nepobaby also significantly killed the mood for me. 55555/dead bodyguards (idk how many there are but i don't care) the ost are bangers though.
Venus in the Sky and Love in the Air. cringe gay sex for the wins. 69/420.
ok, whoo that was a lot. gonna pin this cause i don't think anyone want to read all that in one sitting. i think i'm gonna make another post for non thai BLs in the near future. thanks for reading my unhinged opinions hope i'm not gonna get moider for it 55555555.
#thai bl#bl drama#bl meta#bl shows#i think i got all of them#but idk maybe i'm missing one or two shows#i shouldn't written and posted this at 5 am after staying awake all night but fuck it#dumb boy rambles
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