#finally some lucy love.
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heartfilsia · 3 months ago
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the animators must really love lucy because why does she always
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look
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so
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goddamn
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beautiful?!??!?!?!
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in each and every shot
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misc-obeyme · 1 year ago
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There are times when Lucifer is acutely aware of how much he needs you. For so long, he survived without you. How many years had he spent working, fighting, protecting his family, all on his own? He hadn't needed you before. When had you walked so freely into his heart?
Lucifer couldn't be sure when it began. Perhaps it was the day you first made him hell coffee and the bitter flavor exploded on his tongue. The revelation of your feelings was enough for him to realize his own - the acknowledgment of a fondness that had been creeping in ever since he first saw you.
Now he felt it every time you sat beside him in his office, keeping him company late into the night as he tackled his mountains of paperwork. He would look up from his desk to see you there, content to simply be in his presence. He couldn't deny the way his chest became warm when you inevitably sensed his regard, looked up to meet his eyes, and smiled.
Lucifer felt it every time you accompanied him to the store, keeping track of all the things his brothers requested. Things he would have forgotten if not for your consideration. The way you so effortlessly moved with him, working in tandem as though you had but one mind.
He felt it whenever you brought him a glass of Demonus as he sat in the music room, listening to the latest cursed record he had obtained. How you would linger in the doorway with the glass in your hand, giving him the chance to turn off the record if it was one you couldn't listen to before you came in.
For so long, Lucifer had believed he didn't need anyone else. Until you came along and stood beside him as though that's where you had always belonged. And the longer you stayed there, the more difficult it became for him to pretend he didn't need you.
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masterlist | Thank you for reading!
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angel13xo · 3 months ago
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see guys natsu saying sorry to lucy in the recent episode IS A BIG THING RIGHHTT???
like im not crazy that should've been a way bigger, more serious moment!!!! (why'd he make that weird ass joke after he's never made any joke like that before 💀😭)
and i'm pretty sure he doesn't say sorry often or even at all (he probably does and i don't remember *goldfish brain*)
BUT LIKE CMKOOOONNNN HIM BOWING AND SAYING SORRY THAAAAATTTT IS A NALU MOMENT NOT THE GROPING AND THE WEIRD JOKES PLZ GUYSSS i understand (kind of - not really) that it's funny and it's a gag in the show but ITS BEEEN YEARS PLZ GET SERIOUS A LIL BIT MORE IM DESPERATE
NALU WAS LITERALLLLYYY EVERYTHING IN THE GMH AND FINAL SEASON AND TARTAROS ARC SO WHYS IT LIKE THIS NOW CMOOOONNN WE CAN DO BETTER THAN THISSSSSS 😭😭😭💀💀
(sorry for the rant - i'm also not caught up in the manga - not a manga reader really but maybe one day - )
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averlym · 1 year ago
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litany of the martyrs (click for better resolution!)
#at some point i wanted to make an illustration for each character but in retrospect maybe each is multiple song-coded..#drew the sketch for a quincy thing after a chat with a mutual reminded me this song existed dfsghjkl and then spent weeks rendering this#quincy cynthius martin#adamandi#i'm finally done with this! the saints especially were joys to paint and the halo a menace.... this has been the most ambitious one so far.#but it also took quite long because i only worked on it <engages with quincy> when mentally okay to deal with the themes. i'm not religious#but i do identify with the irrational(?ish) guilt + family legacy + academic achievement + disregard for self. also more complex thoughts#about love [but depsite quincent being a large part of quincy's character this piece deals with mostly the Rest of it. so another time..]#anyways! in the original sketch- the saints had heads bent towards quincy so the halo spikes pointed at him. but this worked better! halos#of the saints implying/creating one for quincy was a concept from the start though. in the show they don't touch him directly here but#differences in mediums i think- i don't have time in an image to craft a narrative so everything has to be happening. also artistic liberty#misc inspiration for this includes stained glass windows. i might have maybe misinterpreted the saint costume but i think i logic-ed it out#as the cloth part following a nun's habit w the hood. and then halo above. the material is also more transparent originally but i had. um.#too much fun painting fabric folds.. if you look closely you can see the basis of faces though behind the cloth; but only the vague shapes#because smth obscurity + inhumanness// cassian is the only one i gave a mouth though. that stems from melliot's post about the saints and#st cassian as spokesperson (<- did research teehee!) that's also how i found out which costume = which saint. speaking of which.#left to right: 'st lucy take my hand' // 'st lawrence give me strength' (presses quincy forward; but hand on shoulder connotates guidance)#/'st cassian help me smile' (quincy's mouth is btwn a grimace and a smile; tilts up at side. also no direct touch bc added insidiousness.)#//'st jude [...] i hope your causes burn' (jude's hand is in two places to show movement- nearing the flame and then snatching back; burnt)#other notes: at the midst of the flame the core is shaped like a human heart /the saints and their wax are all melting like the candle for#fun visual effect and also this way they are even less tangible <real>. perks of painting as a medium i guess. // also insp from icarus?#wax and burning imagery; looking at the halo and rays as parallel to sun that burns. too close to the sun; melting; hurting; hurtling //#candles at bottom are a nod to the frankly gorgeous set// also the entire composition kind of stems from the lyric <what use is a candle if#both ends aren't burning>; the two sides between the concepts of catholic guilt and academic perfection that spur quincy#the halo above (saints and guilt; litanyofthemartyrs) and the 'halo' below (academic papers; insp from choreo for perfect at school)#the papers were originally supposed to be more glowy. but i like the idea of it now being a reflection of how quincy's priorities shift#also of note is that <candle> in centre = quincy; w burning candle + aforementioned heart in flame -> most human; idea of love + passion#last thoughts: kneeling + hands close tgt = prayer //wax dripping onto the red As make an effect that looks like blood. because i like#hiding that within the adamandi pieces :OO continuity!! // i've run out of tags but yeah! had fun with this one! every so often i go a#little insane in making art and the final result astounds even me. ngl i'm quite proud of this one. pretty colours <3333
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livelovecaliforniadreams · 2 years ago
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2hoothoots · 2 months ago
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Revisiting P2 since the docu epilogue dropped and your AMV (<3) popped up as a sign for me to ask something that hopefully you haven't already spoken about years ago: What did you think of the in-game psych explanation for Maligula, that she's the primitive savage part of the mind? P2 is a weird mix of sketchy Freud/Jung concepts that Tim likes meshed with modern psych, and Maligula's deal seems like something they probably wrote a lot of different versions of but never quite solved elegantly
yeah, i think you totally hit the nail on the head - it's always felt like one of the parts of the story that they couldn't quite give enough polish to before they had to finalize it and move on with development. like - i went to go get my artbook to see if it had any insight into the writing process, and did you know that Nona and Maligula being the same person was apparently added way later in development? that's wild! i didn't know that until literally right now! i may or may not have skipped straight to my favourite characters when my artbook arrived and then put it on my shelf without reading the whole thing
ANYWAY, retrospectively i think it being a twist that was added later actually makes a lot of sense in the context of everything you mentioned. the Maligula problem, to me, is the fact that they're trying to juggle a bunch of different things that she has to be in the story. there's Maligula, the ruthless big bad, and Nona, the beloved grandma, and if you suddenly have to also make them both the same person... well, it ends up being kind of a thorny writing problem to make that work, haha.
here's some art i made so this isn't just a wall of text, rest of the answer under the cut
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i think one thing they could have done when they needed to rehabilitate a mass-murderer into a lovable old lady was pull back on either end of the spectrum. make your villain softer and more sympathetic, or give grandma a mean streak like she's one bad day away from a tragedy at the crochet club. and to give the story credit, i'm really glad they didn't. Nona is relentlessly sweet and endearing - and that's great! she needs to be in order to make the audience care about her, otherwise the emotional beats are never going to land. likewise, Maligula is a great villain, she's vicious and ruthless and at the culmination of her arc we see she simply does not give a shit about murdering hundreds of people. i love that for her, honestly, you go girl
but then, like - how do you connect the dots? how do you frame grandma having a violently murderous streak in a way that doesn't make the ending of "but she's over it now" feel kinda weird and hollow? and how do you do that while also being sympathetic to the game's themes around mental health? Maligula's informed by the traumatic things that happened to Lucrecia during the war, but she can't just be a manifestation of trauma, because the moral of the story being that trauma makes you a mass-murderer (until you beat up your trauma and shove it in a giant pit) would feel... really tonally dissonant!
so i think you're totally right that the sprinkling of pop-psych concepts we get ends up feeling a little bit like an awkward band-aid. Maligula's story is about how the horrors of war can shape you into a terrible person, who does terrible things - ...but there's also, like, special circumstances, so it doesn't feel weird that she goes back to being Raz's sweet grandma afterwards. special psychic circumstances! she's not just any war criminal, she's the fight or flight response gone out of control!
which - i dunno, i think that line in particular always stood out to me, because that's not really what the fight or flight (or freeze or fawn) response is, right? it's a temporary boost of adrenaline to the system to rev you up for getting out of a dangerous situation. an overactive fight or flight response is called chronic stress and anxiety. i know the games are pop-psych and not actual science, but it always stood out to me as a little awkward.
if it were me in the writer's seat - with the benefit of all the time in the world to workshop it, and no looming deadlines, and the hindsight of having a full completed game in front of me to think about - i might have tried to frame it around connection. i think you could swing the lens to instead focus on how violence, stress, trauma etc., make it harder to understand and empathise with the people around you. the tragedy of Lucrecia's story is that she came home to try and help her countrymen, the people she cared so dearly about. but the more time passed, the less she cared, the less she was able to see them as people. after Marona's death, the Maligula that remains is one who's unable to even care about killing her own sister. the alternative is too raw, too painful - instead, she sheds her last vestiges of remorse, and throws herself into the easy relief of violence. (we see this again, when Nona "awakens" as Maligula - when confronted with the baggage of her past, she chooses to wash it all away with force, unable and unwilling to care about the people she used to call friends.)
and i think shifting the focus like that ties it in thematically, too. a big theme (of both games, but especially the sequel) is how important connection is, how being able to understand and reach out to and rely on other people is a lifeline during hard times. PN2 touches on how there aren't really "good people" and "bad people" - everyone has the capacity to do wonderful or terrible things, and i think Raz's line to Maligula about how "everybody's got something like you" works. Lucrecia was never a monster, no matter how everyone tried to pretend she was. she was just a person, the same as everyone else - and just like everyone else, she could be pushed to extremes under the right circumstances. it just feels kind of odd when the implicit context is "everybody's got a mass-murderer hidden in the primal recesses of their brain", hahaha.
but like, again, that's the privilege of hindsight, right? i've definitely also been on the other side of the creative process, stuck with something i suddenly need to make work in a story and having to come up with a solution that feels like a band-aid. sometimes you just gotta call it good enough, and move on. and i think the game is overall much stronger for having Nona and Maligula be the same person - it plays into the wider themes, it sets up some great emotional beats, and i think it's overall well-executed, even if there are one or two hiccups in the writing.
anyway, great ask! thank you for the invitation to ramble, this is something that stuck out to me on my first playthrough of the game and it was fun to sit down and get my thoughts in order
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ittybittyluci · 6 months ago
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Okay but imagine this.
SIX the musical is actually canon in Hazbin Hotel and the and Henry VIII’s wives are in a girl band up in Heaven. And why do I feel like if Luicfer ever got his hands on the album or a recording he would absolutely love it. Like. He woukd be a DIE HARD “SIX The Musical fan and you can’t tell me otherwise.
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bumblebeehug · 3 months ago
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Lucy in episode 7💛
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edmione · 1 year ago
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The universe has it’s favorites, I guess…
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leslieseveride · 2 months ago
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you know what would make a really good storyline in an episode of the rookie? if lucy, and tim's nephew tyler were in a sticky situation, just the two of them. because you know she'd go through absolute hell and back to protect him.
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krisssssssy · 9 months ago
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anghraine · 4 months ago
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My daily kudos digest always brightens my day (upside of having written so many fics even if I haven't posted or updated anything on AO3 only started a WIP on DW, shh in a year). However, kudos on shorter fics I'm personally very fond of, but which aren't my "major" fics in terms of popularity, are always particularly nice and today was like... a red-letter kudos day :D
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ffxvheadcanonsnooneaskedfor · 8 months ago
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I will always #husband whenever reblogging/ posting older Noctis from here on out
#sorrynotsorry
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devereaux · 1 year ago
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SIMONE KESSELL as FAITH COOPER (part 3 of ? because i have no self-control) My Life Is Murder | 3.10 - Killer Fashion
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missregality · 1 year ago
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Catching his majesty from a floor down...
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livelovecaliforniadreams · 2 years ago
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5x1 | 5x19
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