#finally have a name for this series

[izztreme-art-n-stuff]

Enough about The Quiet Man, what about the other characters and villains? Well, here's Professor Shane Wurst and Adam Jusbab, two rival scientists of Professor Roberts who's been trying to snatch the Molecular Sampler ever since they first discovered it and been fighting Morphman for it ever since (unaware that it's literally physically attached to him)

And yes, they are very much based off Shane and Adam from Rerez because why not.

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[tainebot01]

So… how we feeling about these new names?

[poorly-drawn-mdzs]

Get Their Ass.

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[greatgoddyke]

time to make your choice only you can be the one

[drawingoddessy]

Here’s som concept art from my spin on @chaotickit au!

[aroaceleovaldez]

i stand by that a better, more sensible, and more intriguing plot for TSATS would have been, instead of retconning literally everything:

Bob is dead (because he was very explicitly absorbed/killed by Tartarus Himself in House of Hades, alongside Damasen), and nobody is going into Tartarus to save him. He made his sacrifice and is gone. However. Remember how the Titans, including Bob, were just kind of kicking around for several years? Particularly. On a cruise ship full of mortals. And Bob happened to be kicking around in general for an extra year versus all the other Titans. And he mythologically sometimes has a mortal demigod son who partook in the Calydonian Boar Hunt (Dryas of Calydon). Yeah.

So turns out, Bob/Iapetus leaves behind a demigod (demititan?) child. And because Nico was pretty much his only friend, he named Nico his child's godfather. And while he's not being left in charge of the child, as a son of Hades and godfather to this kid, Nico is duty-bound to fulfill Bob's last will and go find this like 2 year old to make sure they're safe. So Nico has to undertake this very unusual quest (that raises many questions, such as "demititans are a thing?" and "DOES THIS MEAN THERE'S POTENTIALLY MORE-?!" and "SHOULD WE BE CONCERNED ABOUT THIS?") and is kind of freaking out because. He's the son of Hades! He's notoriously bad with living things, and animals, and definitely small children! Even if he does find this kid and assure they're safe, he is the last person who should be undergoing any kind of quest involving even potentially having to babysit. Fortunately, his boyfriend is the human embodiment of sunshine and calmness and good vibes, and also once helped a nymph give birth, so he feels Marginally More Confident in theoretical demititan babysitting and offers to come along on this Epic Journey of Figuring Out What In Hades' Name Is Up With This Demititan Baby Business.

Proceed with wholesome epic shenanigans quest of Nico and Will scurrying around trying to locate this random OP baby while Nico has an existential crisis about the nature of his powers because he doesn't want to let Bob down! Both for Hades Kid Honor Reasons and because Bob was his friend! But what if he's destined to fail this quest just because of who he is? Because he's simply not built for hanging out with the living/mortals? And Will reassuring him that He Will Probably Not Traumatize The Weird OP Titan Baby And It'll Be Fine, and simultaneously getting a peek into the weird other life Nico leads hanging out with immortals much more than the average demigod, which Nico considers his norm. Bonus shenanigans of both of them getting caught off-guard and culture shocked from where each other's respective worlds (Nico's mostly-immortal versus Will's mostly-mortal) cross over and learning to navigate those for each other - Nico finally starting to make some mortal connections and get glimpses at modern mortal American life, and Will trying not to get his brain literally incinerated while Nico's happily casually catching up with some of his old friends who happen to be literal gods.

[13o7billionyearsinthemaking]

Aight , since I'm beginning to have free time again with more knowledge on arting , I'll start with a warm up before I get into the bigger projects.

One of them cuddles nicely :) and the other has a mugshot <3

[justaz]

Keith “He’ll tell me his name when he’s ready” Kogane vs Lance “You can’t keep calling him ‘Wolf’ otherwise that will be his name” McClain FIGHT

(Lance has a realization while lying in bed that Keith’s dad, Kai, Keith’s mom, Krolia, and Keith, Keith, all have names that start with k. He decides that the space wolf, the wolf from space, the wolf that fell from the cosmos, should follow the same family tradition they have going on. He settles on the name Kosmo. Keith thinks its dumb. Lance doesn’t care. Kosmo is already responding to the name. The rest of the team call the space wolf Kosmo. Keith is seething.)

(When they get to earth, Lance snatches Keith’s garrison paperwork and jots down the name ‘Kosmo’ for the wolf so in the eyes of the government, the wolf’s name is Kosmo. Keith threatens to feed Lance to Wolf. Both Lance and Keith know that Kosmo adores Lance. Keith is also annoyed by this.)

(After they get together and move down to Texas, they have to take Kosmo to the vet and Lance insists on doing it. Keith doesn’t understand why until he sees the paperwork on the counter later that day that shows the wolf’s name as Kosmo. Keith is grumpy. Lance uses his new tactic and kisses the scowl off Keith’s face. Keith is less annoyed.)

[todayisafridaynight]

[d1sc01nf3rn0]

I'm seeing a lot of people with neurodivergency, specially under the autism spectrum say that "Laios is annoying, never shuts up, is insensitive, and I can't stand him"; and the irony is not lost on me lmao.

[cronxl]

NAMEMC SPOILERS ‼️‼️

EVERYONES A ZOMBIE?? i mean. xcept cleo whos now a human, etho who cant change his skin i think, and whatever the hell ren has going awn. (i think he lowk misses martyn. just a guess tho)

is this a repeat of the boogie apocalypse (? i think thats what it was called. idk my memory is shit) in secret life ⁉️ xcept yk. zombies n allat

THEY ALL LOOK SOOSOSO COOL. LIVE LIFE LOVEHLQNW

ALSO. LOOKLOOKLOKOLOOKSKWJ

GEM?? GEM WHA. GEM HAS A HOOD. SHE HAS A HOOD LIKE. LIKE PEARL. WHTA THE FUCKKSKKS. NOW I CANT WAIT FOR SATURDAY TO VOME AROUND?? WHAT IS GOING ONNNNDJQV. MURDER CAMEL ⁉️ IF THIS ISNT A SIGN THEYLL GET REMARRIED ILL CRY. ONLY 3 DAYS TO FIND OUT IG?? AND MAYBE WHOS GONNA WIN. LIFE SERIES FANARTS GONNA GO WILD (pun intended lawl) THIS WEEK 🔥🔥

[mephistopheleswasrobbed]

We've entered into the secon half of the series and an end to the torture is nowhere in sight. What is in sight however is gay shit so let's talk about it.

1

Let's get the biggest thing out of the way first. The show was very clearly asking us to draw a parallel between Home and Peach, and Phoom and Vicha. You know, actual, explicitly in gay love couple Phoom and Vicha.

Their story obviously resonates a lot for our boys. Here is Dr. Phoom, a man who - is kind of responsible for the death of the man he loved - had somewhat moved on with his life only to find out later that said man he loved had died because of him - is here now, even later still, to apologise for that to the man who died. If that's not something Home can relate to, I don't know what is. On the other side we have Vicha, who - was abandoned and left to die by the man he loved - was unable to hear that mans explanation because of his interfering family, that was more worried about reputation than his happiness, and because he was in the moment too overwhelmed by the betrayal to give him a chance to explain. Which clearly mirrors Peach's story. (Thers's also the parallel of the class difference as Phoom seems to be at least middle, likely upper middle class by birth while Vicha seems to have lived at the dance school which would imply him to be the instructor's son or an orphan/otherwise family-less kid the instructer took in. Either way he was certainly not rich.) (And I guess Vicha knowing more about cooking than Phoom is also a parallel and also another indication of their different economic backgrounds.)

Dr. Phoom apologises for not being brave enough to tell Vicha what he wanted to tell him (which was also Home's problem)

And then Dr. Phoom finds out Vicha finally heard his apology but he's still sticking around and he says that's enough for him which prompts Home to look at Peach (again) because that is kind of what he hopes for. That he gets to properly apologise to Peach and that Peach will still be around afterwards.

Just like Dr. Poom he doesn't want to exocise his ghost, he wants to talk to him.

2

Home fully acknowledges Pangpang as his baby sister (in law) in his contacts.

3

Pangpang's viewers are devastated at their ship having sunk.

4

They're being annoying talking by way of Pangpang even though they stand right next to each other. Which is also a classic trope for fighting couples (though it does admittedly also get used for friends sometimes)

5

Fully adult man Dr. Phoom knows a lover's quarrel when he sees one.

6

Peach knows that to facilitate communication between two lovers he needs to at least somewhat communicate with his own.

7

For some reason their solution is to cosplay as dance students. And then they, of course, proceed to look at each other while making the "love" gesture.

We had previously seen Vicha do the same.

Looking at them doing that prompted Dr. Phoom to think of his own young love. He has definitely clocked what's going on here (though obviously he has more important things to worry about than some strangers relationship problems)

8

Now this is certainly not something you'd say if the end goal was friendship

9

Peach is using the same pic for Home's contact as Home is using for his, just zoomed in on a different place. And he has Home saved as DANGER DO NOT ANSWER! They're so annoying.

10

Pangpang is very happy her parents might be getting back together

11

Meanwhile Home is sitting at a bar, crying about calling Peach like he got dumped. (Which he did. For good reason.)

12

We've seen so far that the ghosts are very limited. They are not fully concious and aware beings, rather they are "caught" in their desires at the moment of their death, they pretty much move solely with the goal of fulfilling their last wish. More like a broken record stuck in a loop than a living being that has multiple options to act and react to whatever happens around it.

It is noteworthy therefore that Home's ghost continued his journey to Peach as that makes this his biggest desire at the moment he fell into a coma.

Unfortunately it seems that he can't speak. Although Peach wouldn't be able to hear him anyway, so maybe all he wanted was to see Peach one more time. We'll see next episode how similar or not Home's ghost is to the others since Home is not completely dead. For now the biggest difference is that he still looks normal.

No Lesbian Corner this week because they didn't interact. Kan was gone being shady for most of the episode.

[swaggins-of-swagend]

WIP of a certain very angry noldo

[brittie-frog]

I'm so down bad for Maddox and Ashlyn that my three favourite scenes are:

3. The Redlyn breakup - the chillest break up, Red supporting Ashlyn going after Maddox and the most insane storyline of Red realising he's bi because he kisses Seb

2. Just the entirety of Maddox during opening night - having an existential breakdown over your love life that you break the sound controls and then just give up on your stage manager duties and disappear (probably to help quinn)

1. The confession - a scene I want on repeat: the explanations of how afraid they are of how much they like the other then the "should we just stay friends?" Before having such a love induced make out their just completely ignore Carlos being there. (Also Maddison giving up and telling Maddox to stop coming back to her when she clearly likes Ashlyn... my baby just needed that push)

I love all my queer children but these two are the wlw so I love them just slightly more.

[acourtofquestions]

The fact we changed from “My name is Celaena Sardothien and I will not be afraid.” to “Once upon a time, in a land long since burned to ash, there lived a young princess who loved her kingdom… very much.”

Because she is no longer Celaena Sardothien, nor does she live in fear of being afraid. She is done running, done with that mask that isn’t hers, because it doesn’t hold any comfort anymore. The only comfort she has is in who she really is; and that is no longer terrifying to her.

While both remind her who she is, remind her why; why she is here, why she will not break, why she is still fighting.

The first reminds her of what she had loved and lost. Of loving words that carry on, (of why she carries on) but that is all. All Celaena had was remnants; of someone, something… even herself.

The second, however, is something else; while it is still a dream, it is real… even among nightmares. It lives in her past, yes, but it is also the present, and any future. It is terribly beautifully true. And it is more; more than grief, and memory. Carrying on, finding ways to exist, survive. More than a dream, or words… even more than she is.

Because Aelin has something Celaena never did. Yes, she has a cause to fight for. She has her strength, her power, and rage; vendettas for things she could focus a fight to defeat; and a still terribly looming fate. The queen has a kingdom she adores. She has many things, she is many things… even Celaena still. But that’s not what I’m talking about, no, mostly, it’s that she has friends. A family. A Prince. She has a life not just an existence, a love with a beating heart, something worth dying and living for. And even if it is all gone to ash (“even when this world is a forgotten whisper of dust between the stars”) that is still hers; not a mask, not a facade, but something real.

In accepting who she is… there is the terrible truth of accepting that she is very much afraid (the fact Fenrys even felt the need to make the word “liar” in their code; because she is not alright, he knows, she knows, we “the reader” know… it’s more so the way we ask “how are you?” as a greeting. Sometimes even in terrible places like a funeral; when we know damn well that no-one there is really “good” or “alright”, but it’s the way we say “hello” and “I want you to be okay” and “are you at least surviving this”). It is being terrified of her acceptance in the first place, because part of being Aelin is the price it holds; because she was “promised” for a fate manipulated by gods before she even had the chance to draw breath… and there’s a doomsday in it that she’ll have to rage against one day… but not yet… not in this place. For now, she just has to exist, survive, live. And only Aelin can do that.

Because it’s not Sam’s words she needs anymore; it’s Rowan’s. And even more so, it’s her own.

It’s the words she said to him, but it is her story (Perhaps even the one she tattooed on her spine? Just a theory of the exact words.) because that, is still hers. Real. Living.

And as any reader knows (it’s why I love these books) you should never underestimate the power of a story.

[colebegins]

“i never came to the beach or stood by the ocean;

but you brought be here, and i’m happy that you did

because now i’m as free as the birds catching the wind”

- herne bay malibu

thank you @aliceoseman for creating these characters <3

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