#fight with a wall about it
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goosecastle41 · 3 months ago
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Kremy and Gideon are T4T because Gideon is a trans man and Kremy had his egg broken due to all the drag he wore at the Witchlight Carnival
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queerdraws · 1 year ago
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projecting on luffy again. get bited.
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foxstens · 5 months ago
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andrew always being at kevin's side because kevin needs it and andrew driving kevin to night practice and andrew patting kevin down to check for injuries and andrew promising kevin it'll be fine and andrew looking awake, interested because of kevin and andrew conserving his energy for kevin's quiet meltdown and andrew smiling for the first time without the drugs because of kevin and andrew always picking up when kevin calls
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drenched-in-sunlight · 5 months ago
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*SoTE spoilers undercut
This is a continued discussion in light of Marika's newly discovered tragedy. It changes so many things about how we look at the story thus far but more importantly - the DLC story trailer, especially this scene:
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think about how Messmer knows, very acutely, that at one point his mother could have been cut up and put in a jar. and that his other kins were not so lucky....... it gives that scene such a tragic edge.
he wasn't doing this just for the violence. this is his answer to Marika's love and all she has done for him. yeah it's not right, it's not justified, but as something done to avenge for the kind of pain she went through? it won't be logical nor right but it's something he will do again without hesitation.
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the infirmary in Shadow's Keep shows that he's trying to care for and save whatever left of her people. their people.
the line he said in his armor set description hits different when you consider all that. he wants to be the heir to all her sorrow and all of her pain. wishing that he could alleviate even just a bit of the burden of her grief and survivor guilt.
i wonder if, when Marika hid him in the Land of Shadow, fearing people will judge him for the malevolent snake he carried, she raised him in her home village? this will explain why the Tree Sentinels guarding the village drop two Blessing of Marika - the blessing that specifically stated Marika made it for Messmer's sake and him alone. it will also explain how he knew of his Mother's tragic past and took it upon himself to carry out her wish of vengeance for her people.
(also if you wanted to get to Marika's village, you have to perform the O Mother gesture before her statue in his Shadow Keep, implying he's guarding the way to her home village as well.)
One other thing I like is that in the story trailer, the heroic music sounds like it's for Miquella. and it is, in a way. it is his boss music, but the lyrics has "Ave Marika Aeterna" (Hail, Marika The Eternal).
Given that the boss arena is where Marika - the sole survivor of a whole village, walked through to salvage the remains of her people, making them the symbol of her divine ascension, I wonder if that OST is actually for her - the God, the woman whose story is finally realized in this DLC, and those female voices singing in honour of her are the spirits of her fallen kins: cheering on their last hope for justice. Through this girl, those people who had been wronged and died there will live on eternally.
All this of course seems like such a charitable take on all this, after all Marika ended up being just like the oppressors who used to put her people in jars, but I think I just want to appreciate how the environmental storytelling of this DLC is simply amazing. and once you consider that this is, in the end, Marika's story, everything will make a lot more sense.
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densewentz · 2 days ago
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the thing is, Lucanis is already so intense and romantic and funny and passionate even at his worst (absolutely no sleep, high stress, ptsd, world ending, family fucked) but imagine what he's going to be like once things start to settle??? My man's gonna go full Gomez Addams on Rook just watch.
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jaybirdscoffee · 26 days ago
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see everybody loves to talk about orion unnecessarily putting the megatronus decal on d-16’s shoulder, which is entirely valid. HOWEVER i see absolutely nobody talking about d-16 brushing dust and debris off of orion when he climbs out of the cart at the start of the movie. and i have been thinking about it nonstop.
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amid-fandoms · 3 months ago
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princess babygirl in three different fonts . *. ⋆
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watchyourbuck · 5 months ago
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yes buddie marriage yes buddie endgame but you know which fucking fanon hd I will never move on from? buddie fucking in 2x01 right after their pissing match and being unable to keep their hands off each other bc they want each other so badly and it’s messy and nasty and disgusting and so fast GOD
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loquarocoeur · 2 months ago
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btw do you notice the difference between charles's and max's hands or is it just me going insane over this
because charles' hands are so veiny and big (cue how he held baby leo) and max's are a bit small and delicate and soft compared to his whole stature AND did you see how their hands look clasping with each other
sorry im having some very intense feelings im sorry
HELLO omg no, I also have very intense feelings about this and I don't think we talk about it enough!!!
I was actually having a whole pinterest spiral about this the other day, but it was during my self imposed tumblr ban, so I had to suffer alone, but I can yap today, and let me use this ask to do so
Okay, okay, okay so:
Call me delusional, I don't care, but you can kind of see the difference here in this picture with how they're holding their hands, especially with the veins and fingers
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I'm telling you Charles' hand is bigger than Max's, I swear, I think Max just has longer fingers and it throws you off a bit
But Max just has these delicate, pretty little hands and I don't think this fandom talks about that enough, because it's not very top Max coded of him, and there aren't enough of us modern thinkers out there, but I'm here and I can and will talk about Max's pretty hands, and you will listen!!
Because LOOK
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Look at his long, thin fingers and the tendons on the back of his hands looking so thin, and somehow his knuckles are just so ridiculously dainty
He just has hands made for shiny things, and he never wears any rings or bracelets, he's always just walking around with them criminally naked like this
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But now look at Charles' hands, perpetually bedazzled as they should be of course, but oh my GOD
Because no just look at his palms are so much broader and he's got very noticeably thicker fingers that Max I'm telling you LOOK
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It's just asdfghjkl, the forearms, the wrists, the watches, the bracelets, the VEINS
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And I feel like we never get a good picture of them doing the handclap, but this one from Monza is so good.
Like look at how Max's hand is just swallowed by Charles'!!!
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Like okay, call me ridiculous and delusional, and maybe these specific pictures are a bit research biased, but I don't care, this kind of delusion is an essential practice in fandom shipping to me
But idk, there's just something about how every part of Charles is just a little bit smaller than Max except his hands, (unless we talk about shoulders, but that's a whole different spiral)
He's just one centimetre shorter, he's just a tiny bit leaner, no matter how ripped he gets, I think Max's biceps will always be just a bit bigger than Charles', but his HANDS.
And there's also just something about how Charles never gets his fists out for anything, but in the mad max era especially, but kind of now even, Max is always two seconds away from throwing a punch even if he has hands that just aren't made for that kind of thing
I don't know, in that last picture especially, it looks like Charles' hand just swallows Max's whole
I need them to compare hand sizes right now. For science. And gayness. Mostly gayness
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sreppub · 2 years ago
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saw many comments about no one ever believing dc superhero girls brucie could be batman :’) and clark is kind of a dick, so. made me think
dw, he’s still clark and im a superbat girlie; he’ll make it right afterwards :’’’’)
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valtsv · 15 days ago
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“If you want an apology—” “Quite the opposite, actually.” Shrue blinks at her in genuine bemusement. “... I don't follow.” “I thought perhaps we could fight about it.” Val says it as casually as if she's suggesting they take an impromptu late-night stroll. Or: In another reality, Shrue lives, and makes it to the camp of the Children of the Woundtree, where they try with the other survivors to rebuild their lives. Val is there too. They come to blows about it. Or: (Sort of) Repairing your broken relationship with a little percussive maintenance.
finally wrote a fic about these wretched creatures i'm so fond of. you can read it if you want.
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dinogoofymutated · 4 months ago
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Please, when u have the time, more Pietro stuff 😭😭😭 ur writing for him is excellent and I need more!! Headcanons, stories, idc I just need more Quicksilver written by u.
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Enemies to lovers!Quicksilver/GN!reader - pt 2
Here's part 1
It's finally here!! I'm sorry if there are any spelling mistakes. Also, I think the ending is probably the most dialogue heavy scene I've done so far, and I'm not entirely happy with it, but i wanted to post this so bad!! I might go back and edit later though. Hope you all enjoy!! TWS: Fighting, passive aggression, full on aression kinda, logan is a worried asshole big brother, Professor X watching his tragedy not quite repeat. Pietro is kinda an ass but he's a broken ass so its okay.
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You and Pietro had a weird relationship. And it seemed to just spiral into even weirder territories and murkier waters. Each and every interaction tiptoed into something a little more than just enemies, and one night you think the two of you fully crossed the line. You were sure of it, and it was just the start.
    You’re finally starting to fall asleep when there’s a sudden whoosh of air and grunt of pain. It startles you, and you sit straight up in bed, leaning over to flicker on the light. When your eyes finally adjust, you see Pietro standing by the window, hunched over in clear distress.
    “Pietro? What are you doing here?” You ask, But he doesn’t respond. His suit is ripped and bloody, and various deep cuts litter his skin. You swear he’s about to pass out as he stands in front of you, swaying just a little like he did on that day at the beach. Whatever fight he had just been through, it had taken a little more out of him than that fast metabolism could heal so quickly. 
    “Are you okay?” You ask, wide-eyed at him. Pietro grimaces in a way that looks more angry than it does pained, and yet he still says nothing. Unable to deal with the idea of admitting he needs help, you assume.
    He’s sitting on your bed now, naked from the waist up as you stitch his wounds. He’s been silent the whole time, only offering a wince or grunt every now and then with particularly tender wounds. Right now you’re on your knees as you stitch up a rather deep cut on his upper side, his arms keeping his balance as he leans back on your bed.
    “Do you wanna talk about it?” You ask eventually. Pietro’s chest pulls on the stitches just a little as he huffs in annoyance, regretting the action a moment too late.
    “If I did, I would be.” He snaps. You raise an eyebrow at him as you begin a new stitch, piercing the skin perhaps a tad less cautious than you had been before.
    “Take it easy, speedster. ‘Last time I checked I was the one with the needles in my hand.” You snark. Pietro has nothing more to say to that, instead turning his head away so that he doesn’t have to look at you. It doesn’t take a genius to know he’s a bit embarrassed at this whole situation, and you feel a bit bad for him. Out of all the places he could have gone to, there had to be a reason he chose to come here. You just couldn’t tell what that reason was. 
    You’re gentle while you finish wrapping him in bandages, and he can’t seem to look you in the eyes even for a second. When you reach out to brush some dirt off of his face, he finally meets your eyes. He’s a little less guarded than he was before, but the wall between the two of you still remains. There's a quick gust of wind as he moves towards the open window, stopping just before he leaves.
    “...Thank you.” He says after a moment, looking at you from the corner of his eye. You smile at him, a warm feeling in your chest. The difference in his attitude was noticeable, and the fact that he was acting even a little less cold with you was reassuring.
    “You’re welcome.” You reply, and then he’s gone again, having closed the window behind him this time.
The difference between the two sides of Pietro you saw was so jarring. You were so used to the cocky asshole that spent all his effort in terrorizing you, not the quiet, almost angry, and guarded man that stood before you that night- and the many nights afterward.
The second time he showed up, this time woundless and simply laid on your bed to rant, you were surprised but didn’t mind it. Then it happened again, and again, and then came the board games, the nights of talking endlessly, and the midnight snacking. 
And eventually, Pietro started to climb into your bed. He never spoke a word when he did, simply pulling back the covers and pulling you close, pressing his face into the back of your neck. Nights like this were vulnerable, and tender. Quiet. He came to you in need of comfort often, and you were willing to be his safe space for as long as he wanted.
The more he came to you, hurt or angry or sad, the more concerned you became. And you were upfront about it, much to his dismay.
     “You know, I get that we’re on two different sides of things- but you know that the school’s doors are always open to those who need it, right?” You ask, late one night after he had crawled into bed by your side. You were facing him, hand curling on the pillow an inch away from his face, fighting the urge to brush his bangs away from his forehead. Immediately, he has a negative reaction to it. He scowls, recoiling away from you as he glares. You know it should hurt worse than it does, but all you can see is the hurt he's feeling right now.
    “The last thing I need is for another person to tell me what to do.” He snaps, turning his head away from you as he sits up and runs his hand through his hair, aggravated. You sit up on the bed a little further, almost wanting to reach for him, but you don’t.
    “Pietro, You know that’s not what I meant-” You say, softy.
    “Does it matter what you meant?” Pietro practically cuts you off. His tone is sharp, and it hurts you for a second. You frown at him- not that he could see it anyway, and the hurt quickly turns to aggravation on your end.
    "Yes, it does. I'm not bossing you around, I'm just telling you that the X-men- myself included- are here if you need any help." You huff, watching as he practically rolls his eyes at you and stands, looming over the bed as he turns to look at you.
    "The telling part is the problem. Everyone tells me that I could do something, but what they mean is that I should do it." He snaps. You move over to his side of the bed before standing, almost in a challenge. The two of you are now almost uncomfortably close, to the point where you’re sure if you moved an inch your noses would be touching.
    "Well, What if that's not what I’m doing but you're just reading it that way?" You say, meeting his gaze. Pietro was never one to back down from a confrontation, especially not one with you. You don’t think you’ve ever seen him quite this angry at you before, rocky past be damned.
    "So you’re saying I'm overanalyzing?" He says, and you groan at the fact that nothing you said was getting through to him, pushing the palms of your hands into the outer edge of your eye sockets. 
    "I'm saying that I'm not your dad-" 
    "And what would you know about my family?!" Pietro yells, and you’re quick to look back up at him, scowling. 
    "Don't raise your voice at me!” You snap, pushing a finger into his chest. “I know enough to know that your dad controls every aspect of what you do, and that's not fair to you." You tell him.
    "Don't pretend that you understand or care about any of that" Pietro says, grabbing ahold of your hand rather tightly. God! You did not understand why he couldn’t get it through his thick fucking skull!
    "I do care, Pietro!" The words burst out of you, almost uncontrollably. You slam your other fist into his chest, tears of frustration welling in your eyes as you look at him. His eyes are wide, looking shocked and confused. You’re beginning to lose your fight, leaning against his chest, still somewhat caught in his grip despite the fact that his hold on your hand had become light, and still, it felt confining. 
    "I may not understand why you do what you do, but I do care about you." Your words come out quieter this time, blinking away those stupid tears that had started to well. Pietro’s eyebrows are furrowed, eyes searching your own, but you don't know what for. The two of you stand there for what feels like forever for both of you speedsters, but was surely more like a split second. You’re still pressed up against his chest, faces so close they could touch.
    And then they did.
    Pietro is the first to kiss you, leaning in and quickly cupping the back of your neck with his free hand, almost in a possessive manner. Once his thoughts have finally caught up with his actions, he pulls back. He looks at you, wide-eyed at his own actions before you gently pull him back in for another kiss. It only takes a moment to click before he sighs into you, melting into the kiss. His kisses are tender, sweet presses of his lips against your own. After a few long moments, you slowly pull away from him. He rests his forehead against your own, a fond look in his eyes that you were sure you mirrored. 
From that night on, his nightly visits to you meant something more than they had in the past.
That didn’t mean that they went unnoticed by others, however, and one day you found yourself being called into the professor's study. Of course you were a little worried, but you were so sure that there was no way anyone could have noticed, right?
    Logan is standing next to the professor's desk when you enter the room, frowning with his arms crossed. Professor Xavier on the other hand sits rather calmly, inviting you to sit down. You choose to stand instead, cocking your head at them.
    “Wow. What is this, an intervention?” You joke, trying to laugh off the oddness of the situation.
    “Yup.” Logan snorts. You shoot him a confused and slightly panicked look that the professor picks up on immediately.
    “There’s no need to worry, my dear.” The professor says calmly. “We just had a few concerns about-” 
    “We know that Magneto’s brat has been sneaking into your room.” You almost flinch at Logan's accusatory tone, bristling with a sudden flash of embarrassment and then anger at him for what he calls Pietro. “I’ve been smelling his scent on you for weeks.” Logan finishes, and you’re so taken aback you don’t know what to say at first, mouth hanging open in shock.
    “Easy, Logan.” The professor says, raising an eyebrow at the furry man, but Logan isn’t listening, approaching you with a scowl on his face.
    “Have you ever heard the phrase, no fraternizing with the enemy, kid?” He continues, and the close contact has you bristling again, unwilling to back down.
    “Logan.” The professor tries again, unsuccessfully.
    “Look, the first time he came to me he was injured. I wasn’t going to turn him away.” You finally say, fists clenching as you ignore Logan before looking back at the professor instead.
    “I understand that. In fact, I’m thankful that you could be so forgiving towards Pietro, despite the past the two of you share.” The professor states, but his words hardly relieve you.
    “Then what is the problem?” You ask, exacerbated by this whole interaction already. Logan seems to be angry that you’re ignoring him but snorts at your question.
    “-The problem is that you shouldn’t be letting him in your knickers.” You gasp at Logan's accusation, and the professor looks appalled. 
    “Logan!” Professor X scolds as you struggle and scrabble for words, now both embarrassed, mortified, and rather flush in the face.
    “-Excuse you! We weren’t- we’ve never!” It’s a struggle to finally find your words, and even more embarrassing to be so caught off guard. What kind of asshole accuses someone of that out in the freaking open?! In front of your mentor no less?!
    “Sure you haven’t. That’s why your bed doesn’t smell like him.” Logan rolls his eyes, and you refrain from punching him in the face right then and there.
    “Well if your stupid nose was as good as you say it is, you would know that we haven't done anything just by the smell!”
    “Just because it hasn’t happened now-” 
    ENOUGH! Both of you! The professor silenced the argument with a single thought. Both you and Logan feel scolded, and yet still bitter about the other. You cross your arms in a bit of a defensive manner ad the two of you turn back to face the professor.
    “This was never supposed to be an argument, simply a conversation.” He sighs, pinching the bridge of his nose. You scoff at that, sending a pointed look in Logan’s direction.
    “Well maybe, Logan should learn to stay out of my business!” You say, only for the professor to hold his hand up for you to stop, simply hoping both you and Logan would quit continuing to dig this hole deeper and deeper.
    “I’ve heard enough.” Professor X states. “We were simply concerned about the nature of the relationship between the two of you, seeing that you have been growing closer. I know your mind, and I trust you to stay by the X-men’s side.”
    “Then what is this?” You ask, the words coming out as more of a whisper. Logan sighs, looking regretful but ever the stubborn ass. He looks at you, moving to where he can lean against the professor’s desk again.
    “... Look, Kid. we just don’t want you to get hurt. Anything between you and Pietro isn’t going to end well.” Logan says. You feel a little more understanding of him now, but only a bit, with him back to acting like he normally did. He was always an older brother figure to you, but that did not give him the right to air out your business, even if the professor could find out everything that had been happening with the barest glimpse into your mind. Still, you scowl just slightly at Logan, looking away from him. He sighs again, and with a nod from the professor, leaves the room. The professor nods you over to his side, wheeling his way towards the bookshelf with one particular photo on it. One of him and Magento in their college days.
    “You are an adult. I cannot stop you from making your own decisions.” The professor starts. You find yourself tracing the features of the young Erik, finding the image of Pietro in every part of his father's face. The professor looks at you, and all he can see is a face so similar to his own. “I too, understand what it is like to hold affection for someone so distantly aligned from you. It’s due to that understanding that I worry for you. I…” The professor trails off and you turn to look at him with a frown. You knew. You know. The two of you are so different from each other, but surely that didn’t mean you would be enemies forever? He wouldn’t hurt you in the way that Magneto had hurt the professor so many times before… would he? Professor Xavier reaches out to take your hand in both of his own, squeezing it reassuringly.
    “Just be careful, my dear.” 
    “I understand, professor.” 
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seven-oh-four · 8 months ago
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marina designed the bosses in the memverse to represent the biggest traumas of those trapped in the deep sea metro:
- fighting and killing people who look just like them
- being forcibly imprisoned and put under constant surveillance
- 8-ball
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mollysunder · 3 months ago
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This is their dynamic in s2.
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krashlite · 8 months ago
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I think that c!Jimmy liked being a Bad Boy and a Big Dog because for once in this series a role let him be reckless without being mocked/put down by his allies and without truly harming anyone through the risks he took. In this essay I will explore his character through this lens
Jimmy is an extremely optimistic character, almost always seen smiling and laughing about whatever’s going on. Not in the sense that he laughs when he’s nervous, but in the sense that he makes light of whatever scenario he’s in. On a deeper level, this also translates into overconfidence in a glass-half-full type of way. If there’s a chance a plan could go south, he only focuses on the potential benefit. If there’s a chance he loses a fight, he only focuses on winning
This isn’t to say he’s unaware of negative outcomes, he just chooses to ignore them. The result is him making poor decisions over, and over, and over again. Jimmy knows exactly why he did that but from an outside perspective he’s regarded as stupid
This is seen as early as 3rd life, with Scott practically putting him on a leash to stop him from fighting Ren and his army. Specifically when they manage to chase Dogwarts away from Joel’s base, Jimmy goes to give chase and Scott immediately stops him. They’ve won, and he doesn’t understand why Jimmy would push it further. Jimmy, on the other hand, is thinking about how they’ve been chased across the map like rabbits and knows DW will be back unless they establish themselves as a threat. Now’s the perfect time, since they have the upper hand
But again, Scott doesn’t see this. In his mind, the battle is won and they shouldn’t expend more time, energy, or resources on it. Ultimately he doesn’t want to see Jimmy hurt and believes that restricting what Jimmy does will protect him from harm
I think this shows a fundamental difference in how they interact with the world. Scott’s more practical- he only does what he feels is necessary and is humble enough to know when the risk isn’t worth the reward. Jimmy, on the other hand, wants to test the limits and see what he’s able to accomplish through, once again, taking unnecessary risks.
But this is where things get messy
Again, there is a fundamental difference in their thought processes. This causes them to clash, and since Scott is the one who held more “power” in the relationship (being the one to decide many aspects of their base and being the one to make most deals and plans for the both of them), resulted in Scott putting Jimmy down A Lot. This started with Jimmy returning from the desert without several of the armor pieces he left with and continued throughout the war.
Jimmy, in response to this treatment, started acting More reckless as a means to prove himself. He wanted to be seen as just as strong, smart, and capable as the people around him. Ultimately, he wanted to be respected in his own right, and that didn’t really happen this season!
Nor did it happen in LL,
LL was an entire mess for so many reasons and most of it was due to the game mechanic itself. Lives being treated as currency caused rifts in many alliances, especially the Southlands
This coupled with the fact that Jimmy is already back in 3L habits, trying to prove himself constantly, makes an incredibly messy situation. His efforts in monopolizing sugar cane are downplayed and mocked, he spends so much time getting spyglasses just for Mumbo to lose them. These are meant to be harmless jokes (and really, they are) but Jimmy’s coming off of an unbalanced power dynamic and a tiny bit of it eats away at him and he can’t figure out Why.
Jimmy doesn’t understand why he doesn’t feel valued in the team, so he starts looking at arbitrary reasons Why. The reason he settles on is the life count, with Grian’s death making it known that Yellow-Names are on the brink of being exiled.
This comes back to the game mechanic. Jimmy sees Martyn with four lives, with the ability to either a) bring Grian back to Yellow or b) offer a Yellow-Name in the alliance a life to keep them safe, and Martyn Doesn’t. This tells Jimmy that Martyn either doesn’t trust him or doesn’t value him enough to even attempt to protect him
I think this was even voiced a couple of times during LL, with Martyn closely guarding his lives and finding every reason he could to justify it (he was fully in the right for keeping them, even if doing so hurt others). Jimmy backed off, but there was just a small amount of bitterness that lingered
With Martyn, I think Jimmy picked up on the fact that Martyn was more concerned with protecting his Alliance than the people in it. He needed a group around him, but wasn’t terribly concerned with them otherwise
And that’s what fueled his decision to steal the life. If Martyn doesn’t respect him, if he doesn’t trust him, if he doesn’t care enough to protect him, why should Jimmy do the same. Why should he be a human shield for someone who barely looks his way. Impulse and Mumbo could stay if they wanted, but he wasn’t going to
Which makes it hurt so much more when Martyn asks to run away with him, when Martyn says he cares about Jimmy more than anyone else in the alliance. I want to remind you, Jimmy’s an optimist. He looks at the half-full cup. He doesn’t consider Martyn could be lying because he wanted so badly to just be Seen. So Jimmy gives it back
As it turns out, Martyn was lying. He calls him an idiot, and Jimmy is exiled immediately
All the resolve that Jimmy had in stealing the life crumbles then and there. He starts hanging around the Southlands alliance like a lost puppy, basically begging them to take him back. Martyn’s little ruse inadvertently showed Jimmy that, really, all he wanted is to be valued and supported. The life counts stops being an issue because he’s able to recognize the real issue- he feels undervalued and he feels stupid
That’s a factor even after the Southlands reunites, after he’s almost unanimously voted back in but Grian’s insistent on a recount. I think it’s the main reason why he’s so risky when he goes down to red- with him falling for a trap that he easily could have avoided
Again, it’s the same as 3L. He feels disrespected and undervalued so he takes unnecessary risks in order to prove to himself and to others that he’s just as strong, just as smart, and just as capable as they are.
This is later coupled with Mumbo’s extreme bloodlust when he turns Red. On Red, Mumbo was needlessly violent and is basically the only Red to swing at anything that moved. And I do mean Needlessly violent, he got himself and others into several dicey scenarios because he was impulsive and wanted to Stab. He gave the server a reason to be cautious of Mumbo and any other Red-Name. If Mumbo was a loose cannon, how would others be?
Except Mumbo was only aggressive towards Non-Reds (obviously) and was otherwise supportive of those on his side
I think this actually greatly influenced Skizz’s decision to leave BEST behind, with him seeing Mumbo as someone worth defending/standing by. Not only was he a visibly strong ally with a reputation, he genuinely cared for and supported those who were at his side. In Skizz’s case, he offered a source of stability where BEST couldn’t, and I think the same is true for Jimmy.
Jimmy sees this, and sees Mumbo as someone who can both show him how to be dangerous and respect his abilities in this game. Mumbo was respected as a threat and genuinely cared for those in his company. So he’s the perfect ally, right?
Actually, no, and this isn’t where the Skizz comparison ends either. Remember, Mumbo created the reputation that Reds are a worthy threat and that they’re violent without cause (“oh but what about Joel?” Joel was a joke at best and an annoyance at worst. He I think he definitely did influence Mumbo’s actions but that’s another essay entirely). Mumbo influenced Skizz’s aggression this season, with him becoming more bold in who he threatened or even attacked
So how does this compare to Jimmy? Both of them were coming off of alliances where they were unsupported, so they leaned more into Mumbo’s habits- good and bad. Except they didn’t really see it. Good traits were associated with Mumbo, their friend, and bad traits were associated with their shared condition, their Red-Life.
The plan to trap the bunker played on both, but was coupled with Jimmy’s bad habit of shooting for the best possible outcome. Mumbo had previously turned tail and ran whenever a plan went south, but that’s not how Jimmy is. Jimmy only focuses on the possible gain and ignores possible dangers. When the trap didn’t set off, he insisted on pushing Grian into it. And that actually goes back to him trying to chase Ren’s army- he didn’t know when to call it quits
And of course this causes both of their deaths. To Jimmy, his death caused Mumbo’s. He caused the death of the one ally who actually stood by him. I think this is when he fully internalizes criticism from 3L and LL as a whole. He feels weak, he feels stupid, he doesn’t feel nearly as capable as those around him.
And this carries into DL
Except DL was a much different season than the previous two. The soulmate mechanic in DL meant that you and your ally have to rely on each other, you have to support each other because failing to do so will surely spell your doom
Not only that, but Jimmy was finally paired with a supportive ally from the start. They made their base together because they trusted the other to build more than they trusted themself. When Jimmy came back with cows, Tango’s immediate response was to exclaim “you’re amazing!!!” Instead of criticizing him like previous alliances had- even back in 3L!! This is the first time Jimmy got a fully positive response to his efforts. Tango was overwhelmingly supportive towards Jimmy and Jimmy returned the favor. The base didn’t look perfect, but it was theirs. The server didn’t want them to have a horn so they devised a plan to get one.
Tango had also been following a similar arc up until now- with him being undervalued by his alliances. Except in those alliances, he was pushed to the side or physically harmed instead of being an object of ridicule. I think this is part of why it isn’t really out of place for them to meet through dying. Tango was expecting to be harmed and so was Jimmy, so neither of them blame the other
With Tango being pushed to the side, he also shied away from leadership positions, finding it more comfortable to follow. This paired well with how Jimmy typically takes charge of things, with Jimmy making most plans for the both of them (most, not all)
But again, this is where things get messy
Remember, Jimmy uses risks to prove his worth. He wants to see what he can do, but is also still recovering from previous seasons. He still thinks he’s the reason why him and Mumbo died, and doesn’t want to cause the death another ally, especially one who loves him. Instead of staying careful, he devises a plan to steal livestock, to steal Scar’s horse. It’s for the ranch, it’s for Tango
I think Jimmy realizes the problem when the Ranch is burned. He’s forced to confront this when he sees Tango fly into a rage and almost try to fight a group of people he’d surely lose to. Jimmy cannot be reckless here, he has to talk Tango down from the proverbial ledge.
With this, the roles end up reversing, with Tango being the reckless one and Jimmy trying to steer him to be more tactical. And Jimmy is So careful about this too, not wanting to act like Scott or the Southlands. Because of that he never actually tells Tango no on his dangerous plans- ESPECIALLY the plan to release Rancher’s Revenge, the warden- but instead suggests ways to make the plan better
The dilemma here is that Jimmy needs to choose between being risky and being safe. Both would benefit Tango, except Jimmy knows from experience how much it hurts to be bound in bubble-wrap all the time
Jimmy sees no way to avoid risks without hurting Tango. So instead of fighting against that part of himself, Jimmy leans into it. He accepts it as a key tenet of his identity, even as it puts the both of them in harms way. Yes they went down in the end, but they went down together, Always Together.
It didn’t matter if Jimmy was a “worthy” ally, he didn’t need to be Smart, he didn’t need to be Strong, he didn’t even need to be Capable. He learned that he deserved love not in spite of his flaws, but alongside his flaws.
And this is the lesson he carries into the next two Seasons, with both alliances being fully centered on being reckless
The Bad Boys acted dangerously, but they acted as a unit- ESPECIALLY him and Joel. Bad Boys dig straight down, Bad Boys water bucket clutch from the build limit, Bad Boys care about each other not in spite of endangering themselves, but because of it
And this is because Joel had a nearly identical arc. Joel in previous seasons had a habit of acting recklessly in the same way Jimmy did, and was cast aside because of it. In 3L he ended up a Lone Wolf, in LL he was forced into a position where he’s the villain, and in DL he and Etho leaned into the danger in the same way Jimmy and Tango did. Their stories run parallel so it only makes sense that they’re the ones who end up supporting each other in LimL
And Joel was Jimmy’s main source of support that season, with Grian representing the criticism of previous seasons. This gave Jimmy the ability to confront said criticisms through, again, leaning into them. He did something stupid? Yes, but him and Joel were having fun. A plan went south because of unnecessary risks? Yes, but Joel was being risky with him. Joel gave Jimmy the ability to basically cut through the aforementioned “bubble wrap” Grian was trying to put around them
And I think it’s also important to mention Grian did this out of both love and cowardice, not malice. Ultimately he didn’t want to lose either of them and was trying to keep them alive longer. But because Grian never learned the lesson they did- that it’s more important to act together than to survive alone- Grian chooses survival and ends up alone.
Anyways, recklessness being the foundation of Jimmy’s alliances carries into SL as well
Jimmy was on the brink of death for almost the entire season, man was not thriving whatsoever and that was known. Funnily enough, he ends up with Martyn, who again was previously more concerned with his own safety than the people around him
But Martyn is just coming off of a victory, of finally achieving the very thing he’d been working towards and the thing he centered his motivations on. Without that goal, he’s left with his methods- which was mostly having dangerous ideas and seeing them through
With Jimmy, Martyn introduced plans that involved them being risky and in everyone else’s faces. This, to Jimmy, echoed both Joel and Tango’s behavior. He was able to fully settle into the fact that, for him, good things come from being reckless, from shooting for the best possible outcome and refusing to back down
Jimmy maintains his optimism and his recklessness, traits that had previously been challenged but traits he stubbornly holds onto and values in his Life
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t4tcecilos · 1 year ago
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DIVORCE WINS 🏳️‍🌈🏳️‍🌈🏳️‍🌈
Voulez-Vous - ABBA
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