#fics i am going to love forever

[consistentsquash]

Your GoT recs are impeccable! Please do more of those, I am begging you! 😭 No other fic threw me for a loop the way Rubicon did. I am still floored and speechless and numb months later. I hated Rhaegar before reading this fic. He is the ultimate card-carrying loser for Targaryen gender fluidity and identity. Rise up to meet her! 😭Rhaegar and Elia characterisations deserve all the praise. Oberyn, parted in thirds. 😭 The scorching chemistry Rhaegar/Oberyn turned me into an unashamed fujoshi

Sorry for the super slow reply. I was awol for a couple of months.

Yay! I feel like a successful matchmaker when somebody loves a fic that they found from my rec :D It's the best thing ever <3

Also I got one more Rhaegar/Oberyn rec for you to celebrate your new fujoshi club membership :D The Consort by Miss_M from Fandom Growth Exchange collection. Miss_M is one of my fav multifandom authors. 100% guarantee you are going to love this :D Arranged marriage trope with perfect execution.

Also I am the opposite of you :D I really love slash fic. Het fic is kind of not my thing. I got sold on het with Rubicon.

Rhaegar and Elia are absolutely brilliant characterizations. Rhaegar is so loser like the worst but also the best. He's just insanely lovable. He is literally 40% anxiety 40% analysisparalysis 20% recklessness. But also scary intelligent. I feel that intelligence/sensitivity/anxiety balance makes the characterization. Definitely the best I read for them. Also agree on Oberyn. The Rhaegar/Oberyn fics really went underappreciated but they are the best slash fics I read this year. Gosh love those <3 The series really defined those characters for me.

Also yeah! Rise up to meet her and parted in thirds. Cat62 forever <3 Of course. Unforgettable!!

But I really feel what made the series was the Aerys characterization and the interplay with the other characters. The whole Grendel/Grendel's mother/Parthenogensis dark concepts. That plus the survivor guilt trope the fic does really, really uniquely also just puts it kind of outside the big genres making it super hard to rec or describe. Living after a big mistake which directly caused a lot of death/war/suffering is a bigger punishment than death. Like how do you live with consequences of that mistake. Ofc love isn't enough to fix that type of guilt. This is somebody who has got to wake up everyday and literally everything/everybody reminds him about the huge cost of the mistake. It's literally the death of the ego again and again and again a billion times and you still keep rooting for the loser :D I feel the true power of the fic is how the characters are super relatable. Like it can go full this v. that which generally gives closure because we can pick a side but instead it just made things a billion times worse by going for the sustained bittersweet. Cry smile cry smile cry heart broke because hope doesn't get to die cry smile. Yeah, that fic <3

[starmocha]

His love for you had always been true and steadfast. When you looked back on your years together, it seemed he was always there, always yours. The boy who was promised to you and you to him. An oath had been formed between two powerful families long before either of you came into the world, but perhaps it was always meant to be, because never once did either of you seemed to rebel against your destiny. You grew up alongside him on the grassland, running barefoot and riding horses across the endless green pasture under the sun. It was a rich childhood filled with laughter and smiles, skinned knees and clumsy first kisses, with the boy who had carried you on his small back home. With the boy who had promised to grow up and become the strongest warrior on the grassland. With the boy who had sworn he would always keep you safe and protected. The same boy, one day, had become a man, who had unwittingly stolen many young maidens’ hearts, but his own he had safeguarded and kept for you alone. The man who would always find his way back to you no matter how far his duties may take him. The man who would soon become your husband, the promise made so long ago between two families would now be honored. You tightened your hold on his hand, and he smiled down on you. That smile alone seemed to have banished any lingering insecurities you had. As you stared into his eyes, falling deeper and deeper, you knew nothing could ever sway him, could ever tear him from you. Likewise, there was no one else in your eyes and heart. It was always going to be him. — Elysium, Sylus/Reader. 16K words. Masterlist. AO3

[miss-allsundays]

if you criticize stolas for his ignorance towards his privilege, then you should do the same when it comes to bee and ozzie— and i think mastermind did a fantastic job in proving that.

i know many of us were happy that the two sins came to blitzø’s defense… but did they really? yes, they voted in favor of hearing him out, and tried to speak for him, but they didn’t really put that much effort in, especially considering it’s someone they know who’s getting executed.

i have mentioned this a couple of days ago, but the real reason as to why blitz survived is because the court didn’t really care to find the real truth being the crime.

they just wanted a scapegoat to punish, and in that case blitzø, the lower class hellborn who tried to climb the hierarchy, was the easiest option. that’s why stolas’ ‘confession’ worked so well, despite being so vague, and so, so clearly made up. (he even used fake words !!! lol)

the trial was a lot of hearsay— they didn’t have concrete proof of IMP using the grimoire, or of committing any other crime. which means that anyone of a higher status could have said anything even slightly convincing and it might have saved blitzø AND stolas at the same time.

let me give you an example: since (as i said before) there is no proof of the grimoire being in the hands of IMP, asmodeus could have claimed they had actually been using one of his crystals the whole time. and the crystals was ON BLITZØ’S ARM!!!! which meant, that whatever andrealphus said after, would have been either:

a) him accusing a sin of lying!!! someone of higher status than himself!!

b) it wouldn’t have hold a candle against real, physical proof of the claims of said sin

but he didn’t do that, because blitzø was not worth it. and i’m not trying to demonize ozzie, but if it were fizzarolli, this trial wouldn’t have even started. the same thing could be said for bee and vortex.

asmodeus and bee, like the other sins and royals, prefer maintaining their status and cordiality with their peers rather than fight for someone that, at the end of the day, is not a central piece of their lives.

fighting would mean risking their comforts and privilege, and it is a concept so foreign to them, who have lived their entire lives like that, that it doesn’t even come up as a possibility to do more than the bare fucking minimum.

because have you seen what happened to stolas?

why would they risk losing their powers and status for someone they’re not close with?

(even though this trial is clearly rigged against him. even though a demon is going to lose his life, even though a daughter is losing her father.)

being complacent benefits them more than speaking up, and despite being marginally better than most royals, they still don’t care to show empathy to those that aren’t like them—even if they’re doing subconsciously.

[tinglingfuckingsensation]

Un Ami (Ennio Morricone, Daniel Beretta) || Renée Lemaire x Eugene Roe x Babe Heffron

(Translation under the cut)

Si le ciel entend ma prière, If heaven hears my prayer,

mes amis ce soir je chante, my friends tonight I sing,

pour toux ceux qui n'ont rien, rien sur la terre, for all those who have nothing, nothing on earth,

pas d'amis pour les attendre, les comprendre chaque jour, no friends to wait for them, understand them every day,

leur donner un peu d'amour. give them a little love.

Le bien et le mal se ressemblent, et les hommes s'y laissent prendre, The good and the bad resemble each other and men let themselves be taken (fooled)

Je ne sais plus quoi faire et il me semble, I do not know what to do anymore and it seems to me that hell is on earth,

Les amis qui m'entourent, des amis d'un jour. The friends that are around me, friends for a day. Le bien et le mal se ressemblent et le ciel s'y laisse prendre, The good and the bad resemble each other and heaven lets itself be taken (fooled)

Un ami reste toujours un ami quand la vie n'a plus d'amour, A friend will always stay a friend when life has no more love.

Depuis toujours ma prière c'est d'avoir sur terre Since always my prayer has been to have on earth, Le dernier soir de ma vie la main d'un ami On the last evening of my life, the hand of a friend,

Pour dire adieu a la vie, les yeux d'un ami. To say farewell to life, the eyes of a friend.

[oldmanfuckerbrigade]

please tell me you're going to expand on why the newsies movie is perfection and the musical is ass, I'd love to see it

(because you are right)

yknow, i was gonna save my rant for my imaginary video essay but it’s too in my head now so i might as well do the deep dive here. you asked so i shall deliver! (Be forewarned this is long as fuck i didnt know how much i needed to say until i started writing this)

Newsies is a (Gay) Love Story and That’s Why The Musical Fails™️

Ok. So. First and foremost, let’s talk about Newsies 1992. To be fair to my own biases, I have a very strong personal connection to 92sies, it was the first musical I ever saw on screen - one of the first movies I ever watched PERIOD - and some of my first memories are of listening to the soundtrack. So you could, on a certain level, chalk up my vehemence about its quality to my fondness for it, and I will gladly admit to that.

BUT. I have now been on this earth for 20 years, and in those 20 years I’ve watched a lot of movies, and a LOT of musicals (and am now studying film full time yippee for me). So I think I can say confidently, with my broadened tastes, that Newsies (1992) is a goddamn masterpiece of a movie musical.

It succeeds spectacularly in both regards, as a film and a musical. It had a stacked deck going in honestly, with directing and choreo both done by Kenny Ortega of High School Musical fame, as well as music by the inimitable Alan Menken. You know this shit was boutta pop off. From a filmmaking standpoint, it’s beautiful. Gorgeous matte paintings in the wide shots, fantastic set work and costume design, as well as the lighting and cinematography being on. fucking. point. every damn time it’s so good it makes me sick. You don’t even need me to say anything about the acting, cause we already know it’s phenomenal.

As a musical, it’s also right on the money. Every tenet of musical theater is respected, we have our intro ensemble number, introducing us to the world, the people within it, and the stakes of the story that we’ll follow. We have our absolute fucking BANGER of an “i want” song which Christian Bale puts his whole Baleussy into. And ofc we have some fantastic call-to-action, come-together, and uplifting songs and dance numbers.

But most importantly, every song does the one of two things any musical theater number should do: advance the story or give us insight into a characters thoughts and feelings. Let’s talk about them all in order (i promise this is gonna tie in to the stage show in a second just bare with me):

The Music

Carrying the Banner is ofc our opening theme, introducing us to the world and characters. Where and when are we, who are the heroes of our story? This is the “known” part of our hero’s journey, the home base and the place to which we will return. This is our Normal Time.

Santa Fe is, as we all know, Jack’s “I want” song, the song that tells the audience the hopes and dreams of our main character, so we can understand, well, what he wants. We can discover through this song what Jack’s character is all about. Through both what he has, what he lacks (or perceives he does) and what he hopes to gain. Jack has no family, he’s alone, but he has seemingly given up on ever being NOT alone, so he pins all his hopes for a better life on the mirage of Santa Fe. If he can pave his own way in the world, leave the city which has done nothing but take from him, maybe he can feel whole again. He’s a dreamer, despite his rough exterior, and he dreams of a life of freedom, beyond what he can find in New York. So there we get, all wrapped in a tidy bow, the essence of Jack Kelly’s character. a deeper look beyond what we have seen up until this point. Ok moving on.

In between Santa Fe and The World Will Know we have a small song which Medda sings. While that song in and of itself isn’t terribly important (it’s just part of her show), the scene that it’s in is VERY important. This is where we have an introduction to one of the few people we could consider part of Jack’s family, as a sort of mother/aunt figure. Overall it serves to give Jack more humanity, therefore giving our audience surrogate David (and hey i’m gonna go off about Davey just gimme a minute) more reason to trust Jack, and thereby the audience can trust him as well. We also get a little interaction between Jack and Davey that was pretty much ripped wholecloth from the movie and supplanted on Jack and Katherine in the show. It’s literally the same shit, Dave and Katherine are mistrustful of Jack and his intentions, they argue, it’s homoerotic as fuck, and it all takes place at the theater. (And also we get the one scene in the movie that does a weak ass attempt to un-gay David by having him drool over a pretty lady. It does not work lmfao).

The World Will Know is a standard call-to-action, but it by no means is mid-tier in any way. This shit slaps. HARD. We have Jack as the voice of the people convincing the gang of erstwhile children to band together with him on this, and stand up for their rights. This is also the first real time we get Jack and David teaming up to achieve a goal. Jack may be the voice of the people, but it’s David who’s the brains behind the operation, knowing what to say and do, while Jack has the respect and tenacity to put it forward. THIS IS VERY IMPORTANT. BECAUSE THE STAGE SHOW ALL BUT BRUSHES OFF DAVID’S INVOLVEMENT IN THIS SCENE, SO IT NO LONGER SERVES IT ENTIRE PURPOSE. A big secondary point of this scene is to illustrate that while Jack and David are strong boys independently, they work so much better together, and are able to achieve what they wouldn’t normally, alone. And the musical does not understand this. But i’ll get to that later.

Seize the Day is David’s first step towards standing in his own power. The newsies are losing steam on the strike train after Brooklyn refuses to join so David is the one to raise everyone’s morale and bring back their fighting spirit, getting all the other boys to take up the call, preaching brotherhood and community, the strength of standing together. Here is your come-together song. But this is the important thing: It’s David who does it. The song becomes an ensemble number as it goes on but HE is the one who STARTS it. David was hesitant to really rally behind the strike at first, but now he’s all in, he’s connected with the boys and he believes in the cause (thanks to the spirit that Jack brought to it, and how much Jack believe in it cough cough). He does start it in the musical as well, but the tone is very different, it’s only after Jack’s urging that he says anything. Bro didn’t even have to say shit in the movie. But whatever moving on.

King of New York is a hard song to mess up. It’s just good. and fun. and I like it. It probably has the least to do with moving the plot forward or giving us an internal look on any specific characters. It’s an ensemble and dance number. I do like it better in the movie rather than onstage, though that’s mostly personal preference. The stage show kind of beats it to death, like why is it 10 minutes long I swear to god. They know it’s a good song and they wanna capitalize on it, which makes it all seem kind of transparently cynical to me. it’s still like, good and the dancers are on top of it but….its too much y'know. The movie just has a good time with it. Because it’s a good time. Also Jack is there in the movie and he’s not in the stage show for some reason, I forget why. Probably because of some plot contrivance they got from trying to shove new elements into an already lock tight story. sorry ok back to actual critique.

Once and For All is like maybe my favorite song of the whole soundtrack. It just eats. Every time. This is the song we should play while smashing in the heads of the capitalist pigs that run our stupid fucking country. It’s a banger. AND it moves the plot forward, which is always a slay. Let’s make that underground pape and radicalize all the child workers being abused across the city!! yeah!!!

And then we got our TWWK and CtB reprises to tie up the ending in a neat little bow, bringing us back around the our beginning, a la the hero’s journey. We’ve completed our circle and are back to the beginning, changed but better for it, with our characters at transformed equilibrium, the evil vanquished, and bright days ahead. Jack realizes that he doesn’t need to chase the illusion of Santa Fe when what he really wants and needs is to be with the people who love him, the family that was right under his nose the whole time. David is a full fledged newsie, has come out of his shell, become more confident in himself, and his relationship with Jack is assured. So. Let’s talk about Jack and David.

Jack and David

Historians would call them “good friends”. This whole section is gonna be me preaching to the choir, so to speak, so I’ll try and keep this concise. We all know they’re gay, everyone and their mother knows they’re gay, so why is it important? It’s not like that shit is actually baked into the story right? WRONG. Jack and David are at the heart of the story of Newsies. Jack may be the “““main character”””, but David is the impetus for the events of the story, the driving force behind the plot. He is, in essence, the call to adventure that our hero Jack receives at the start of his arc.

He is also the audience surrogate. It’s through him that we learn the ways of the newsies, the ins and outs of the newsboy life, the trials and tribulations. It’s through him that we come to know Jack’s character on a deeper level. We only get Santa Fe after Jack has met Dave’s family (talk about U-Haul lesbians like my god he knew the guy for a DAY and he was already meeting the parents), and we get to see how seeing David’s loving family is painful for Jack, how he grieves that lack of connection but copes by pinning his hopes on Santa Fe. Most everywhere we see Jack go, we see it because David goes too. (MOST. There are exceptions, like his talk with Pulitzer. But of course, David is still RELEVANT in that scene). We see the story through David’s eyes.

Which is why the musical fails.

Because in the musical, David is so far removed from the narrative you could replace him with any guy and it would still work. He is an after thought, all but scrubbed from the script, and for why???

This I don’t have an answer for, which is really frustrating. My best guess is that it was a well-intentioned but misguided attempt to tighten up the script by placing Jack as the main character. And to make room for Katherine.

Oh Katherine….I used to really vehemently hate Katherine, and her addition to the story. I’ve obviously grown since then, I can recognize her importance as a woman within the story, and how that is important for young people to see in media. But also. She is unnecessary. TO THE PLOT. I won’t speak to her necessity from a larger, misogyny-on-the-world-stage level, but to the actual plot itself she is completely unnecessary. And you know how I know? Because they took movie David’s whole personality and just copy and pasted it onto her.

Ok now hear me out, I KNOW that it is not 1:1, but it really doesn’t have to be. If you step back and look at the bare essentials, it is the same shit. Jack and Katherine have the same enemies to lovers type dynamic that was Davey and Jack’s in the movie. There’s the initial mistrust, the dislike, she’s very professional, and kind of a know-it-all. Jack is the charming street rat, all dry wit and golden retriever energy. They tease and bicker and snap at each other. Exactly like Dave and Jack did in 92. Watching both versions back to back made this almost glaringly obvious to me. Like it was actually kind of shocking how obvious it was.

And the thing is, I understand why they did it! Sarah was such a nothingburger character in the movie (sorry Sarah, love you in fics, hate your actress with a burning passion) that they knew they had to add SOMETHING more to any potential romance subplot, and if they were conveniently sidelining David’s character anyway, why not take some cues from the most powerful relationship in the film? I understand the logic behind it, I really do.

But. That still leaves David, flopping around the script like a severed limb, with nowhere to go and nothing to do to help the plot. Cause here’s the thing, his and Jack's relationship is what makes the movie. I don’t care if I'm fandom-goggling this my tin hat is ON I have a MASTERS in FUJOSHI STUDIES. The movie is at its core, about brotherhood and community. It’s about boyhood and friendship and banding together with your peers to achieve great things. They give us this theme through Jack and Dave.

Dave is an outsider, unfamiliar to the ways of the street kids and working within a community like that. Jack is old hat to it, born and bred in it, it’s his home and his family. They come together through a twist of fate, Jack initially thinking only about what’ll earn him the most money at the end of the day, and Davey rightfully mistrustful of him. But they end up forming an organic bond through the strike, finding common ground with one another, and realizing if they team up they can accomplish great things. We see them struggle together, and break apart for a bit. We see Jack realize he’s gotten too close to this boy, brought him into something dangerous and now he genuinely cares for him which is even worse. David goes so far as to break Jack out of jail, but not before Pulitzer can get to him and threaten him with the one thing Jack will take seriously: David. Jack is forced to destroy David's and the rest of the newsies' trust just to keep them safe.

But through all this, facing incredible adversity, dangerous circumstances, gaining and losing a close friend, David is forced to come into his own, take on a role of leadership and stand up for what he believes in. In this way, his own character arc is fulfilled, by the end of the movie. And the one thing that gets Jack back to the newsies? Why David being in trouble, of course. The one thing he hoped to avoid by agreeing to Pulitzers terms. That’s all it takes for him to take it all back, the prospect of David being in danger.

BRO. WHEN I SAY. THAT THEIR RELATIONSHIP IS WHAT DRIVES THE PLOT. I FUCKING MEAN IT.

And y'know they make their own paper and radicalize all the kids in the city, they go to Pulitzer TOGETHER. BY THE WAY. TOGETHER. Which the musical cannot seem to understand. It’s only as a united front that they are able to beat Pulitzer and win fair terms for the newsies. And then jacks like ahhh yeah im goin to santa fe so long fuckers and then is like never mind actually i wanna come back and kiss Dav- I mean Sarah.

Which is also a hilarious fucking scene to me like that whole last interaction between Dave and Jack is so damn romantic in tone that the only way for the tension to break was with a kiss, so they had to have Sarah come in out of nowhere to kiss Jack 💀 like they knew that shit was leading to something but they couldn’t have the boys kiss obviously so they had to throw a woman in there real quick.

-

So. tldr. I meant this to be a lot more organized and make a lot more sense than it did but oh well. The reason the musical fails is because it fails to recognize that Dave and Jack are EQUALLY both the main characters, you can’t have one without the other, their partnership is the core force of the plot and story, without both of them you are left with something resembling the story you once knew, but with none of the heart and spirit of the original.

Other Technical Things That Are Bad

i wanted to take a second and just touch on some smaller details that also stood out to me, but are less connected to my central thesis.

//

Costumes. Oh boy did they fuck that one up on stage. Now to be fair, I’ve only seen the 2017 pro shot and one (1) local children’s production. Not any of the other runs or anything. So I'm only talking about what I’ve seen here. But what I’ve seen is Not Good. There’s already a lot of names and faces flying around in the movie which are hard to keep track of as it is, but everyone looks different enough from the person next to them that you know who your main players are. Each kid has his own way of dressing, unique color palette, accessories, and other styling choices that make them stand out. If you know who you're looking for, you can pick out any named newsie from any of the major ensemble scenes. You can't do that with the show. Everyone is wearing a variation of the same bland shirts and pants, and the color palette is dull gray-brown across the board. I'm not saying you have to go crazy with colors and shit, the costumes in the movie are believably period accurate, but I can still tell Racetrack from Mush without having to squint. (Also hey shout out to whoever decided to do that little red/blue color palette motif on movie Jack and Dave. I see you, and I appreciate you.)

//

The new songs suck but what can you do :/. Sorry to Alan Menken you ate with the movie my guy but you were just not on your A-game with this one. I didn’t even know it was still Menken doing the music in the stage show honestly, with how different and sucky the new songs were. Personal taste on this one I guess. But I don’t like them. Why does Pulitzer need a song. Literally why. If they had to give any pre-existing character their own song it should've been David! Like literally no question about it, it should have been David. Also why are we doing Santa Fe at the opening?? Did we forget how musicals work?? We never open with the "I want" song! ESPECIALLY if it's a ballad!!

//

The set. Yeah I’m really here to tear everything down ig, I didn’t know I had this many gripes until I started writing this sorry guys 😭 But yeah it’s not as gooood. And I'm like. ok. I know they were never gonna be able to do anything close to the movie. It’s onstage. They had to make sacrifices. But tell me why it all had to be cool toned?? The movie's color palette is so nice and warm, it feels antiquated but also real, it’s homey and nice. But also unforgiving and rough when it needs to be. They could’ve done that with lighting and shit onstage, changing the tone when it needs to, but instead they opted to throw out the warm tones for mostly cool gray steel backdrops. Whatever. I’m not a set tech. They know better than me.

//

THAT KID. IS SO MOTHERFUCKING ANNOYING. I AM SO SORRY. BUT IT IS HOW I FEEL. No hate at all to the kid playing Les in the 2017 pro shot, he was just a child he was doing his best not his fault at all. I’m choosing to blame the writing. But also goddamn if that kid's choices for delivery did not grate on my ears. His voice. just. did not sit right with me idk. Les in the movie is such a cute and endearing kid, I always adored him as he reminded me a lot of my own younger brothers. But this kidddd. is so unlikeable it’s like, going PAST annoying unfunny comic relief character straight into “how the fuck did anyone think this was a good idea”.

//

The ending suuuuuucks boooooo it’s bad I don’t like it I'm kinda running outta steam here but I still got shit to say so fuck it we ball. it’s so over explained that it’s just. just dumb. It just becomes dumb at a certain point. Jack going to do cartoons for Pulitzer??? What??? Don’t get me wrong I actually really love them giving him artistic talent I think that really adds some actually GOOD dimension to his character, but this????? Really????? Everything is just so like *perfectly* wrapped up that it totally destroys my suspension of disbelief. In the movie it’s definitely very wish-fulfilling and unrealistic, but it’s from the perspective of kids. It’s exactly as a kid would perceive it. And we don’t see exactly how the conceding of Pulitzer goes down and we SHOULDN’T!! Because then it gets all bogged down with the logistics of it all which is exactly what happened to the play! We don’t need all the details, we just need to know they won.

//

This one isn’t a gripe actually because I apparently DO have love in my heart: I love musical Crutchie. I love him, I love him so much my sweet boy. I love him being Jack’s little brother I love them having that deeper connection. I love Crutchie in the movie so to see him getting more screen time (so to speak) is just lovely. The one change I agree with. I love you forever Crutchie.

ok i’ve been writing for hours and my hands gonna fall off so im done now. if i think of anything else…well, you’ll just have to wait for my video essay i guess.

[hotchipsauce]

psst pspspsps u should totally talk about grebbymints more ... i am enabling u......

AAAAAA bro….. my dude…. the thing is i always feel crazy talking about them together bc i think like they’ve only publicly interacted like 3 times? LOL (i have watched and documented every interview minty and grebby has appeared in for the leafs/marlies. it’s so bad. me being sick has actually helped me not be as weird about it since i had less screen time in general)

but even then me and @tufzy just constructed this whole separate reality in our heads for months about how like they prob got closer after getting called up and minty is the only familiar guy for grebby there due to being on the marlies together + no russian player on the leafs to fall back on for help so grebby is just sticking to minty’s side the whole time, and minty even tho he’s a lil popular with the leaf boys he still is looking out for his linemate. even when they get sent down they’re still drawn to each other out of habit. but i’m always like second guessing like wow this is pure delusion like maybe they don’t even fuck with each other like that it’s just coworker friendliness this rpf shit is truly a disease fr fr 🙏

and then the videos started dropping. they’re goofing off and pushing each other around during sewer ball. and then i see a single frame of minty next to grebs during the one rare tiktok that he shows up in. and the delusion starts anew

[shikai-the-storyteller]

It's taking me ages to write this chapter because every time I look through old VODs / notes to check something, I come across moments like this that make me want to lie down face-first on the floor:

[Context: Pac commits to the idea of taking the Happy Pills so he can create a cure. He's about to write a note to Cellbit to explain his plan.]

Pac: If Cellbit puts himself in this position, it's worse for everyone, because Cellbit is smarter when it comes to coming up with strategic plans, so he is the thinking mind of the Favela Five group, so if he no longer has the mind, he’s not capable of solving this whole problem, you know? But if I put myself in this position to help Cellbit so he can get the cure... You understand? It's better if I'm the bait. Right? I can't- I can't carry things alone guys, I've already lost Mike [...] if I lose Cellbit and I alone had to carry things, I won't be able to. But I think Cellbit can manage better. He is more independent, and he has Roier. He has a husband. I'm trying to– to be lucid here, understand? That's all.

Date: September 11, 2023 || Timestamp: 03:10:10

[lovesickeros]

lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...

it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy

also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]

gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.

anyway.

there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.

imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.

a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.

the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?

but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.

[gaybearwedding]

hi hi hello i have been gone forever due to various reasons such as “work” and “mental illness” and “having developed a kpop hyperfixation that has been occupying most of my attention recently” but i need everyone to know that i saw off book live twice last week (in philly with a friend and then in nyc with my girlfriend) and it was truly so everything. i didn’t get many pictures but i did get a few and none of them are very good but one of them is of jess’ amazing stool balancing act and that’s all i need really

[ghostbeam]

October is near….vampires are heavy on the brain currently

[bittersweetresilience]

i'm so insane i'm so insane i'm so insane i'm so insane please read lies of attrition chapter eleven now. NOW

@ladyofthenoodle @wackus-bonkus-maximus it's two in the morning and i'm still thinking about it feverishly this is like as time goes by chapter eight levels of brain meltdown i want reparations

NOW. NOW. NOW

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D

[thedarkestgreys]

your violent overnight rush

a fexi euphoria au by thedarkestgrey

act two master post fezco VII lexi VII fezco VIII lexi VIII fezco IX lexi IX fezco X lexi X fezco XI lexi XI fezco XII lexi XII fezco XIII ashtray interlude

[starredforlife]

If you fucking morons cared one ounce as much for palestine as you do for this horrid little show.

[cosmic-d1ce]

I just read through the entire fml tag, and holy shit this is what I've been looking for. I understand people having fun with fluffy Philever, but I've been craving toxic philever so much. I'm not a huge fan of Stockholm Syndrome, but I think you've been doing it so well!

I look forward to seeing it be posted!!!!!

i am a big fan of stockholm syndrome i love my little fucked up aus im glad you also enjoy it

i love my toxic boys look at them go

and yeah okay they could be sweet and nice but thats what missa is for

forever is toxic, missa is fluffy and fit is horny take your pick

[tathrin]

Do you want to read about some feral Mirkwood elves fighting their last war against the long dark Shadow on their trees?

Because boy do I have the fic for you...