#fic; no more choices

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs

[shadowbends]

Looking through your Ao3 bookmarks and seeing that little “This has been deleted, sorry!” is like finding a gravestone, but the writing’s too worn down to read what it was standing for anymore.

What were you, Bookmark #336... What stories did you tell? Which words were it that once left a mark on my soul?  *touches my laptop screen like it’s text from an ancient ruin*

Cowabummer. 

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[stars-obsession-pit]

Tim has found his soulmate (not a soulmate AU, just in the like “i think we’re totally meant to be together” way). Well, okay, it’s entirely one-sided so far, but he’s sure SpecterNova will reciprocate once they’re in proper contact.

He’s already found everything he publicly can on the youtuber, but he’s still digging deeper. It’s weirdly difficult—his love must like his privacy!—but he’s making headway.

On the other end, Danny is getting nervous about the dedication of his new internet stalker. Even with Tucker’s help in setting up his online security and the scrambling effects of ectoplasm, they can tell that the person is still making progress. They don’t seem like they’re a part of the GIW, but that doesn’t mean their search can’t harm him in some other way.

He really hopes he doesn’t have to change identities again. Having to do it the first time to flee the GIW was bad enough, and he’s been liking his current life.

[circusmilkk]

new system just dropped

[mysterycitrus]

I totally understand your decision not to write/post the Dick & Jason road trip fic, but I was wondering if there are any tidbits about it you'd be willing to share? It sounds so good! No pressure, though!

never to be finished bit about mothers immediately following a blowout argument…….. wrow……

[0vergrowngraveyard]

fan art for @skimmingmilk

tails was so real in this scene. i too would be extremely overwhelmed by someone like charmy

[peaches2217]

“You’ve gotta take a nap, bro.”

“Then I’d have to stop looking at her.”

“She’ll be here when you wake up.”

“But I gotta make sure, yeah?”

“That’s what I’m here for, you big doofus. You know I won’t let anything happen to her!”

Luigi knew better than to take it personally, his brother’s protests and the silences between them. Reasoning with Mario when he was short on sleep was always an ouroboric cycle; the key to victory was to wear him down, tail him relentlessly in endless verbal circles, until at last he was tired enough to believe that dropping everything for a quick break was his own idea, at which point he would happily concede.

He’d always been stubborn like that. And as Luigi was quickly learning, the only thing more stubborn than an exhausted Mario was an exhausted Mario with a sleeping newborn in his arms. But he’d procured a nap himself and was armed with an endless supply of coffee and a foot-tall stack of Better Toads and Gardens. He could play this game all night long.

When another silence fell over them, he peeked over from an article on propagating winter roses and watched for a moment. Nothing new to observe. Mario still cradled his daughter’s head to his heart, his thumb stroking her cheek; his eyes were heavy yet soft and full of wonder, an equally soft (if slightly dopey) smile on his lips.

Luigi felt a similar smile creep onto his own face. He’d be lying if he tried to deny how precious the sight was, or how it made him want to melt into the loveseat they shared like gooey candy left too long in the sun. Fatherhood looked good on his brother. He’d always suspected it would.

Of course, it would look a lot better once Mario wasn’t visibly on the verge of passing out. And maybe after he took a razor to the stubble prickling his chin and cheeks and neck. And a good shower wouldn’t hurt, either. But for now, one hurdle at a time.

“Remember that talk we had?” Luigi leaned to his opposite side to fetch his drink from the end table, overcrowded with magazines. “You’ve gotta take care of yourself if you’re gonna take care of anyone else.”

“I know,” Mario groaned, dragging the last syllable out like a petulant child who’d been asked to clean his room, “and I’m gonna! You know that! But I gotta make sure she gets rested up first, yeah? All these new sounds and sights; that’s hard work, taking it all in! She’s too little for all that excitement.”

That dopey smile widened, and as Luigi polished off his fifth cup of coffee, Mario began cooing beneath his breath: “Sì che lo sei! Mia bellissima principessina! Mia albicoccetta sonnolenta! Papà adora così tanto la sua bambina! Sì! Sì!”

That was a good sign. A babbling Mario was a Mario desperately trying to keep himself awake, and thus a Mario mere minutes from giving into sleep. Luigi set his cup back onto the table and draped his reading material over the loveseat’s arm so he could commandeer baby duty at a moment’s notice.

“You can barely even keep your eyes open. It’s not safe to fall asleep holding a baby,” Luigi reminded him. “I’ll hold her for you. She’ll probably still be snoozing away by the time you wake up!”

Mario’s smile gradually faded, and he squinted down at his little girl, as if contemplating every divot of her visage. Luigi swore he could hear the squeak-squeak-squeak of rusty, overworked cogwheels rotating deep within his brother’s brain.

“What if she isn’t?” Mario eventually asked.

“Isn’t what?”

“Snoozing. You know? What if… what if she wakes up before I do? What if she needs changed, or…”

“Then I’ll change her. No sweat.”

Mario shook his head. “I can’t do that.”

“Mario, I’m a plumber. You think dirty diapers scare me?”

“No, I mean—” he gulped, catching a quiet, heavy breath. “Won’t she be scared? If she wakes up and she needs something but her mama’s asleep and her papa’s asleep, she’s gonna think she’s all alone, and—” His voice cracked as he spoke, and as soon as he stopped talking, his bottom lip began to wobble, fat tears pooling in his eyes.

That was also good. A weepy and irrational Mario was a Mario on the precipice of surrender. This would be over soon.

“No!” Those tears leaked out as he buried his face into the crown of her head, planting little kisses to her hair between affirmations. “No no no, Papà non andrà da nessuna parte, albicoccetta! Non ti abbandonerò mai!” Mwah! “Mai!” Mwah! “Mai!”

“Stars’ sakes, Mario, you’re not abandoning her.” Luigi made a point to keep his voice even and sympathetic as he scooted closer, draping an arm around his emotional brother’s shoulders. “I can wake you up if she needs anything,” he promised. “But you know she’ll be okay! As long as she’s clean and cozy, she’ll sleep like a— well, you know.”

Mario sniffled. “You’ll keep her cozy?”

“The coziest. She’ll be so cozy she won’t even know you passed her off to me!”

“...But we don’t smell the same! She’ll smell you and know it’s not me!”

“Bro. She’s a baby, not a dog.”

“But she’s so talented! So smart!” Mario hiccupped and turned to wipe his face across his shirt sleeve, already stained and crusty from the fifteen times he’d used it as a snot rag prior. “She stopped crying as soon as she heard her mama! She opened her eyes when I talked to her for the first time! She knows these things!”

If she already knows your smell as well as she knows your voice, then you really need that shower. Luigi bit back a chuckle and cleared his throat. No, he’d be every bit as incoherent and emotionally raw in Mario’s shoes. Comfort now. Snark later.

“Look at me, bro.” He pulled back just enough so that Mario could look up at him, and that alone was a victory, because he hadn’t looked away from his daughter in hours. And looking into his eyes now, red from tears and foggy with fatigue, Luigi knew with even greater conviction that he was on the right track. “If she wakes up — the second she starts acting scared or sad or needy, I’ll wake you up.”

“You promise?”

“On Polterpup.”

“You won’t just grab a nurse, or make Peach—” Something like horror flickered across Mario’s face, and suddenly he leaned in, his brows scrunched and his tone sharp. “Swear you won’t wake Peach up. No matter what. Don’t even think about it! Swear that on Mama’s grave!”

Luigi blinked. Well, if he’d been entertaining thoughts of waking a new mother after she’d spent all day in labor (which he wasn’t, at least not too seriously), those thoughts went flying out the nearest window. Mama Mario would personally descend in a chariot of angels to smack him with a rolling pin for committing such an act in the first place; what wrath would he incur if he also spited her name in the process?

Yeesh. That was an intense request, even (or maybe especially) for Mario.

Still, he clapped a hand against his brother’s shoulder, nodding firmly. “Sulla tomba di Mamma. Lo giuro.”

Finally, Mario’s face softened, and he lowered his head with a sigh. Luigi met him halfway; he cupped the back of Mario’s head and touched their foreheads together, and there they savored a moment of quiet resignation, taking in each other’s calming presence.

Wow. It had only taken three hours to reach this point. Honestly, Luigi was quite impressed with himself.

“Alright.” With one last sigh, Mario broke free and turned his attention back to the bundle in his arms, kissing her forehead gently. “You be good for Zio, okay, sweetie? He’s gonna take good care of you.”

Even in the weariest depths of acute oxytocin intoxication, Mario knew (with minimal convincing) that his own child was just as safe with his twin as she was with him. Luigi cleared his throat again, some fluttery but not unpleasant feeling bubbling in his chest. He knew better than to take that for granted.

Zio. Oh, he loved that title.

He found himself uttering his own stream of soothing nothings as he plucked the baby from Mario’s arms, leaning back against the couch cushion so he could prop her against his chest. Stars Almighty, she was her papa’s spitting image. Her chubby cheeks, her strong jaw, her dark hair — she was Mario if he had Peach’s eyes and nose and shaved off his mustache and was also thirty years younger. A little Mini-Mario.

Luigi clicked his tongue softly at his precious little niece, resting peacefully in his arms, entirely unphased by the transfer. Another trait she’d picked up from her father, it seemed: she was one heck of a heavy sleeper.

He would tear down the sky and blow up the stars for her. Funny, how quickly one can devote their entire being to something so small.

“C’mon,” he said, facing his brother again, “let’s get you somewhere more—”

Mario was out cold. He hadn’t even laid back or made himself comfortable; he just slumped forward, his mouth open slightly, his eyes lightly shut.

Great. Speak of the devil…

“Hey.” He glanced back down to the infant in his arms, ensuring her neck remained stable as he nudged his brother with his shoulder. “Come on. Don’t do this! There’s a perfectly good sofa literally right across the room!”

His rationale went unheard. Mario swayed in place for a moment, eyes still closed, and then slouched into Luigi’s side, his head landing square on his shoulder. A quiet snore escaped him as he made contact, and then nothing.

Luigi stared down at his unconscious twin in stupefaction, eventually casting a longing gaze at his gardening magazine, still open and waiting for him on his opposite side. Mario wouldn’t be moving anytime soon. He could, in theory, free himself, but given how the hypervigilant dad-to-be had trained himself these past months to startle awake at the slightest sudden movement…

Well. Their shared moment of resignation hadn’t just been for Mario’s sake, then.

Ah well. Best not divide his attention while babysitting. With a lighthearted huff, Luigi carefully repositioned himself, pulling his legs beneath him and leaning against the loveseat’s arm (and creasing his poor abandoned magazine in the process) so he could more appropriately support Mario’s bulk. Both father and daughter remained undisturbed as he shifted into a more comfortable position.

“Starai una rompiscatole come Papà?” he whispered to the bundle in his arms. He tried to sound annoyed, if for no one’s sake but his own, but he couldn’t possibly drop the grin that tugged at his cheeks.

His niece smacked her tiny lips, nestling a bit deeper into her blanket with a quiet noise. At the same time, Mario snored again, settling against his brother in his sleep.

A Mini-Mario indeed.

“Oh, sì!” Luigi nuzzled his nose into the crown of her head, planting little kisses to her hair as she snoozed. “La rompiscatole preferita di Zio! Sì che lo sei! Sì!”

[myokk]

Eloise🥹💓

[scarredlove]

I bring you more food... And they're bangers~

For the Children - @ayyy-imma-ninja & @moonlit-dreamers Sun and Moon

Royal Jesters AU - @head-in-the-icloud Eclipse

All that Glitters AU - @just-a-drawing-bean Razzle Dazzle

Dealer's Choice - @certified-handler Sun and Moon

Part1 / Part2 / Part3 / Part4 (YO!) / Part5 / Part6 Without white text:

[muffinlance]

It's Sunday. I had plans. Clean the house, do some laundry, some life admin, the gym, find a body of water to enjoy what's presumably the last hot day of the year. Instead, I stumbled across 'Salvage' this morning and I have not done anything else but read it all day. I dont even go there, to quote the ancient Gods. I have not even seen a single episode of this show. But I cannot stop reading it. It's so so so so good. But I have no AO3 account so I can only leave Kudos there. So here's my comment: ARGHHDUWHAULA THIS IS SO GOOD I WANT TO CLAW MY FACE OFF!!!

But if Claw Face Off, how can Read More Fics?

(I have 19 Avatar fics posted, if you do get an account. Only 2 or 3 for those not logged in.)

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[theminecraftbee]

Just reread the whole scs tag and now I want to see Three's first meeting with Etho (Iirc the clip of Grian being scared of Etho sneaking around and then seeming to teleport outside the ice shop is Grian's first meeting with Etho? (And it was season 7.) And I think the "two nervous animals stare at each other" vibes could fit.)

Three is nervous.

It has heard of Etho before. Etho is very high on the threat rankings it had memorized; Etho is considered more of a threat than is currently worth taking out; Etho is, apparently, a legend even around Players who do not understand quite how much of a threat he is. There are standing orders and plans still programmed into Three on how to take him out in a way that would not make a martyr of him. Three thinks many of these plans are stupid.

Three--

Three is nervous. It has heard of Etho before, and it does not know if Etho would have heard of a Blade before, or if any of that would get in the way of it conversing with Etho. Three is relatively confident it could beat Etho in a fight. For all Etho is a threat, he is merely a Player, and Three is a Blade. That had never been why Etho is a threat. That had...

Mumbo had promised Etho was not mean. Three had asked Mumbo what that had to do with anything. Mumbo had mumbled something about how, well, if Three was worried about Etho yelling at it, then Etho wouldn't. Etho would actually also worry, Mumbo assured Three. Etho seems cool at first, but he's actually kind of awkward, Mumbo assured Three.

Three had commented that 'seeming cool at first but actually being kind of awkward' is, apparently, a common problem. It can understand why.

None of that really solves why Three is nervous, but going over the ways Etho is a threat, and the plans it has to mitigate that threat is... nice. It should not use them, because Mumbo has promised that Hermitcraft is safe. Three finds it does not want to be the reason it is not safe. Three will not mitigate the threat of Etho. Three should not have to mitigate the threat of Etho.

Three is nervous because it wants something from Etho, and doesn't have anything to offer in return.

It stands in the jungle and waits. It sees Etho arrive, because it is watching for him, but Etho seems surprised, backing away nervously on seeing Three.

"Oh. Um. Hello there. You're Mumbo's scary friend. The new one he brought here. That one. That needed help? Um, I'm Etho."

"I know. Does Mumbo describe me as scary?"

"Not usually?" Etho says.

"Oh," Three says. It does not give away its disappointment. Etho is not a handler and not another Watcher, but it is best not to give away emotions like disappointment when it wants something from him anyway.

"Is there a reason you're, uh, lurking in my base?"

Three does not fidget. It is too well-trained to. "I am here to ask a favor."

"Shoot, uh, I guess I can hear it," Etho says.

"You are making your base out of interiors, you said, in the meeting," Three says. "I--I want. I want to do that. I want--I want you to show me how to do that." The words are harder to pull out of its mouth than it thought they would be. "I do not have much to offer you. I could take care of one of your enemies, but Mumbo says Hermitcraft is safe, and I do not know if I want to do that, I just know that I want..."

Three trails off.

"Apologies. I am unclear. Will clarify," Three says.

Asking for things it wants is--hard. It's still hard. It is not good at reporting on what it wants. Etho is staring at it. Three stands perfectly still, because it is well-trained.

"Most builders aren't a big fan of interiors," Etho says slowly, "let alone a base entirely out of them. That's, uh, a big favor you're asking. Can I ask why?"

Beneath the mask, Three opens its mouth. It closes it again. It does not know how to say: because I am the thing that replaced someone who built big empty shells. Because I filled one of those empty shells. Because I could have been one of those empty shells. Because I do not want to leave behind empty shells. Because if I am gone, I want the things to leave to be knit socks and cozy rooms and laughter, not a big empty temple with a farm in the middle. Because I am Three, and I am a person, and I want the world to remember that.

What Three says instead is: "I can pay you back. I am useful."

Etho looks at Three. He rubs the back of his head. "You know, normally no one is dumb enough to give me an IOU this early in the season?" He laughs almost nervously. "Sure, man, I can teach you to make a base out of interiors. Why not."

"Thank you," Three says, and its shoulders do not slump, because it is well-trained.

"No problem. Say, what do you think about pranks?"

"I would like to learn to do those too," Three says promptly.

Etho also wears a mask. This does not stop Three from being able to tell the man is smirking.

"You know what? We're gonna get along just fine," he says. Strangely, Three believes him.

[evilkitten3]

one pet peeve of mine in founders-era fanfics is when madara's whole,,,, everything is solved by izuna just being there

like maybe this is just me, but i don't think izuna surviving or even coming around to the idea of a truce with the senju would've been enough to keep madara from the path he ended up on.

izuna wasn't the reason he left - he was definitely part of madara's issues, but he wasn't the why. even if izuna had stuck around, and even if that had been enough to keep the uchiha clan from losing their faith in madara, i think he would've still come to realize konoha wasn't what he'd hoped it would be.

best case scenario, i think izuna's survival might've caused madara to stick around a bit longer, but i don't think it would've lasted. honestly, even then, that might've just made the inevitable break-up between madara and hashirama even more agonizing (particularly for izuna)

it's a fun idea to play around with for sure, but frankly i don't think canon!madara could've ever been 'saved' from that path. certainly not if the hidden village system ended up getting set up in the same way.

[anistarrose]

My current version, of my ever-evolving theory, on what constitutes "aromantic stories" is that first off, there's absolutely a wide spectrum between 1, "this is explicitly undeniably about aromanticism," and 2, "there sure is a noteworthy amount of aro subtext, but representing aros clearly wasn't the author's intent." But the spectrum is best completed not as a straight line, but as a triangle, where the 3rd point is "the story probably wasn't created with aromanticism at the forefront of anyone's mind, but was created with subverting particular expectations related to romantic relationships in mind." And in my experience, a lot of juicy aromanticism-related experiences that are underrepresented in their own right can lie in that third option, regardless of whether the characters are aro-spec or allo or kind of whatever you headcanon.

So, what does make a story on this spectrum "aromantic?" IDK, I wouldn't necessarily include all or most of the firm 2s (unintentional subtext) under the aromantic story mantle. But when you get into the gray areas that inch a little closer to 1 and 3, let alone the gray area between 1 and 3 where intent is ambiguous but ultimately may not matter, it makes sense that different people will have different takes.