#fic; info

[potofsoup]

Oh look, it seems like there's a Republican-led movement to purge voter rolls in the lead-up to the election! It's almost as if your vote matters and they don't want you to vote! Anyway, I whipped up a quick map (based on this) that shows when the voter registration deadline is in each state. There are a few deadlines coming up in the next week or so.

If you live in a state that regularly purges voter rolls for infrequent voters (the orange ones in the first map), or if you moved recently, it's good to check if you're still registered to vote.

Vote.org makes it super easy to check your registration: https://www.vote.org/am-i-registered-to-vote/

Just put in your address and DOB and they'll tell you whether you're registered. (And they give you a quick link to register online if it turns out that you're not! Only the 9 states in white on my map don't have online registration, and for those they provide instructions on how to do it via mail or in person.) If you want an extra verification, find your state's election website and double-check there.

So yeah, give yourself peace of mind -- do a quick check. :)

[podcast-hemocytoblast]

What if when Michael got Distortioned he/they/it/(?) had just kept showing up to work? Imagine Gertrude comes into the archives and finds a bunch of paperwork filled out in yellow highlighter and folded into impossible shapes, and then Michael-Distortion just walks into the room door-style and sits down at his work computer so it can email Gertrude a phishing scam.

[choccy-milky]

exploring together 🔦

[ghostbsuter]

Danny and Steph had an easy friendship.

Witnessing each other beat the shit out of villains to near ending injuries. They were close.

An easy friendship and an even better understanding on mischief.

For starters, every time they were discussing anything about plans or investigation, Phantom would whisper into her ear of what he heard and she'd interject and add in.

With her own flair.

"Spoiler alert!" She sings, Tim's head snaps up to her, and he focuses. She grins. "The goon were delivering it for Penguin, not Riddler. It was Riddler's, well not anymore!"

She giggles to herself when she sees her friend turn around , looking and searching.

Tim has no lead of how she knows this.

Danny giggles with her.

[lovealwayssay]

I would pay an ungodly amount of money for a Supernatural finale where Dean rescues Cas from the Empty and tells him he loves him too, Eileen comes back to be with Sam, and Jack chooses to live with the four of them in the bunker as a happy family.

[worldwright]

Malevolent Yellow thoughts have been fermenting for months now. It's the nature versus nurture of it all. Is a good person born or made? How much can they choose it in the face of a world that won't let them?

When John first woke up with Arthur, he was terrified. He had no idea who he was, where he was, he had no control over his form or direction, he had no purpose. He defaulted to the survival tactic most familiar to him: manipulation. He wanted to control Arthur -- and thus, his own situation -- without leaving himself vulnerable. It worked, for a time. But his own memory loss made him slip up, and it turned out Arthur was more canny than he anticipated. And yet, when gaps opened in his defenses, Arthur responded with kindness. Understanding, sympathy. He didn't take advantage of that vulnerability. Honestly, even without his month with Lily, I believe John would have opened up to Arthur.

But John's relationship with Arthur had begun on even footing. Neither of them had any memory. Both were lost and confused and desperate for answers. Both were wary of each other, but forced by circumstance to work together. Another place where they could sympathize. They both made compromises along the road as they settled in with each other.

But Yellow?

Yellow is the exact same as John was. Terrified, alone, with no control and no memory. But he was greeted with someone who KNEW him. Someone who his manipulation didn't work on. Someone with all the power over him while he was left with no leverage and no escape. And this person told him who he was supposed to be. Said, I know you. No you don't! The person who you love was grown, not born!

Of course, Arthur realized this eventually. But the damage was already done. Instead of learning to fit together organically, it was stilted and forced, tainted with the expectation that Yellow would eventually be someone he knew nothing about -- someone who both he and John himself would have recoiled from upon first waking!

John and Yellow have a fascinating dialogue about strength and weakness. Yellow claims to know the meaning of strength. Maybe he does. It's all he's ever known. John claims to have earned the power of weakness. Vulnerability. Trust. Yellow never got a chance to find that. It took John time and love and reciprocated weakness to find that meaning for himself, and to embrace it. Yellow was under threat from the first moment he existed. And when -- suddenly, without warning or countermeasure -- he was trapped with Larson instead, he had no choice but to continue using the tactics that kept him safest.

Yellow is a prisoner, first and foremost. He never had autonomy, not even to decide what he wanted. Arthur told him that he wanted to become someone weak. Larson told him that he wanted to be an all-powerful god. One of those tends to have more control over their circumstances, and Yellow chose accordingly.

[soft-pine]

Timeline of Every Anecdote from Dean's Childhood in Supernatural (Full Canon Only)

My other timeline includes stuff from some of the pseudo canonical materials. This one includes only things that happen or are mentioned in the show itself.

winc*sties this is still not for you!

Still super open to feedback and suggestions if I missed something.

Content notes: death, child abuse, alcohol

1983

Dean is 4

John & Mary used to call Dean their “little piglet” because he liked to eat so much. [13.21 (this is technically in a dream of Sam's)]

Mouse Trap is Dean's favorite game. [14.17]

Mary would feed Dean tomato-rice soup when he was sick. [5.13]

Mary would sing "Hey Jude" as a lullaby. [5.13]

Dean really likes Mary's meatloaf. He doesn't know she gets it from Piggly Wiggly. [12.02]

Between May and November John and Mary had a fight and John left home for a few days. [5.16]

November 2 - Mary Winchester dies, Sam is 6 months old. [1.01, 1.21]

Mary's uncle arranges a burial and headstone even though she doesn't have a body. [2.04]

Dean doesn't speak for a while after Mary dies. [1.03]

John Meets Missouri. [1.09]

John leaves a box of pictures in the basement of the house. [1.09]

1984

Dean is 5

1985

Dean is 6

John takes Dean out shooting for the first time, using bottles as target practice. According to Dean, he "bullseyed every one of them." Dean remembers this story as him being “6 or 7." Dean cites this story as one of the fonder memories of his father. [2.06 (date suggested by John's Journal)]

Rufus spent the whole year being nice. It was the worst year of his life. [7.10]

1986

Dean is 7

Dean starts having a crush on Daisy Duke. [11.13]

Bill Harvelle dies. [2.06, 2.14 (year suggested by John's Journal)]

John began the masked vampire case - looking into killings and kidnappings along Route 77. [15.20]

1987

Dean is 8

John takes Dean and Sam on a donkey ride at the Grand Canyon. Dean’s donkey farts a lot which Sam finds very funny. [8.21]

Dean has begun hunting. [11.08]

1988

Dean is 9

John is hunting a Shtriga in Wisconsin when he leaves Sam and Dean alone in a hotel room. Dean gets bored and goes out and comes back to find the Shtriga attacking Sammy but can't steady himself in time to fire at it. John comes back but can only scare the Shtriga off. [1.18]

They know Pastor Jim by this point. [1.18]

Dean: "You couldn't been more than 5— you just started asking questions. How come we didn't have a mom? Why do we always have to move around? Where'd Dad go when he'd take off for days at a time? I remember I begged you, 'Quit asking, Sammy. Man, you don't want to know.... I just wanted you to be a kid... Just for a little while longer. I always tried to protect you... Keep you safe... Dad didn't even have to tell me. It was just always my responsibility, you know? It's like I had one job... I had one job...'" [2.22]

Dean and Sam (5) play dress up as Batman and Superman and jump of the roof of a shed. Sam breaks his arm and Dean takes him to the E.R. on the handlebars of his bike. [9.15 (mentioned again in 11.08)]

At some point before now Dean is given his first beer by Fred Jones in Salt Lake City. [8.08. He also apparently gives Sam his first beer too but it's unlikely it was this same time?]

1989

Dean is 10

“When I was 10, I got my first B&E from borrowing some family's pay-per-view so I could watch the cage match between you and the Tower of Power.” [11.15]

Bobby takes Dean to play catch instead of “practice with the double-barrel” as John had instructed Dean. In the flash back Rufus guesses the year is around 1989. “No, we didn't shoot rifles, as a matter of fact. We threw a ball around. He's a kid, John. They both are. They're entitled.... Yeah, I know I ain't their dad.” Bobby hangs up and throws the phone down. [7.10]

1980s General

(i.e. there isn't a specific date mentioned for this but I'm guessing from context that it happened in this decade)

Sam sticks army men into Baby's ashtray. [5.22]

Dean sticks Legos into the vents. [5.22]

Dean eating all of Sam's Halloween candy sometime. [12.11 & 14.04]

John taking them to see World of Wrestling. Sometime before Dean is ten. Dean calls it “one of the nicest things” John ever did. Sam remembers John getting drunk. [11.15] ("The Hangman": "He was Dad's favorite. Anytime that noose would come out, Dad would be on his feet. It was one of the few times I ever saw him actually happy.")

John takes Dean fishing. When Dean tells Jack, Jack feels from his tone that it's his happiest memory of John. [5]

Dean telling Sam a stupid joke to distract him from ripping off bandaids when he was little. [15.01]

The first beer John shared with Dean tasted like "crap". [15.20]

Sam's memory of Thanksgivings: “We had a bucket of extra-crispy and Dad passed out on the couch. [5.16]

Dean: "I always wanted to be a fireman when I grew up." [1.22]

Dean says he believed the TV ads about Sea Monkeys having families [5.06]

Dean mentions a babysitter, Mrs Chancy, who was obsessed with the TV show Dynasty [5.06], which ran until 1989 when Dean was ten. This could be a lie he's just telling a kid to get him to open up about his babysitter though.

"Alright, here we go. John Winchester's famous cure-all kitchen sink stew. There you go. Enough cayenne pepper in there to burn your lips off, just like Dad used to make." [8.21]

"You used to read to me, um, when I was little, I— I mean, really little, from that— from that old, uh... Classics Illustrated comic book. You remember that? ... Knights of the Round Table. Had all of King Arthur's knights, and they were all on the quest for the Holy Grail. And I remember looking at this picture of Sir Galahad, and, and, and he was kneeling, and— and light streaming over his face..." [8.21]

“You used to take us hunting. Remember? Dad had a case, he'd just dump us on you. Shoot, you must have taught us most of the outdoor tracking we know.” Bobby: “Yeah, what I could get to stick. I never could get you little grubs to pull a trigger on a single deer.” Dean: “You’re talking about Bambi, man.” Bobby: “You don't shoot Bambi, jackass. You shoot Bambi's mother.” [7.09]

“Not young like I was when he actually taught me how to drive.” [15]

Dean says soft rock always put Sam to sleep. [7.16]

Dean talks about learning 101 different ways to make Mac 'n Cheese for Sam at a motel in Scranton while John was off hunting. "ketchup for spice, hmm? Uh, tuna, hot dogs, fluff marshmallow mix." [10.11]

1990

Dean is 11

January - John is injured on a hunt in Windom, Minnesota, and goes to the hospital, where he meets Kate Milligan. [4.19]

September 29 - Adam Milligan is born. [4.19]

At some point Dean makes a sawed off. He's in sixth grade. [3.03]

Dean tries burgers from a seaside shack in Delaware that become his favorite. [4.22]

1991

Dean is 12

December 25 - Sam and Dean are at a motel in Broken Bow, Nebraska while John hunts. Sam reads John's Journal and finds out that Mary's death was supernatural, monsters are real, and that John hunts them. He confronts Dean, who confirms it. Sam gives Dean an amulet. [3.08]

1992

Dean is 13

John buys a Playboy featuring Anna-Nicole Smith, eventually both boys end up reading it. [7.22]

June - Sam tells John he is afraid of the monster in his closet and John gives him a .45. [1.01]

Sam wants to go hunting with Dean. Dean says John said no. John calls to ask Sam to come. [11.08]

1993

Dean is 14

January – Motel Baba Yaga case. Dean says, “I was babysitting you when I was your age”. Sam says "I'm pretty sure that's illegal." Dean sees the nest, a pile of dead kids and has "nightmares about it for the longest time." [15.16]

1994

Dean is 15

Summer - Sam and Dean spend part of the summer being looked after by Donna, a babysitter (and maid at the Mayflower) in Housatonic, Massachusetts, while John hunts. At one pointJohn is gone for two weeks. It is the summer before Sam enters 6th grade, and he assigns himself a summer reading list. Dean possibly has a crush on Donna. [5.12]

October - They are living In Bismark (North Dakota?). Sam has a crush on Andrea Howell & has a really bad experience at her Halloween party, throwing up. Sam hides in the woods until Dean comes and gets him. [14.04]

Sam still believes in the Easter Bunny until close to here. [10.12]

1995

Dean is 16

Dean's first Werewolf. Sam doesn't go to the body burning. "So. I pick up this crossbow. And I hit that ugly sucker with a silver-tipped arrow right in his heart. Sammy's waiting in the car, and uh, me and my dad take the thing into the woods, burn it to a crisp. I'm sitting there and looking into the fire, and I'm thinking to myself, I'm sixteen years old. Most kids my age are worried about pimples, prom dates. I'm seeing things that they'll never even know. Never even dream of." [2.03]

Dean spends two months at Sonny's Home for Boys after being caught shoplifting. [9.07]

April 20 - Dean's award for New York Wrestling Champion. [9.07]

November 13 – Sam's soccer team won division championship. John keeps the trophy. [3.03]

Sam later talks about how John was upset with him for wanting to play soccer instead of learning bowhunting. [1.08]

November 24 - Sam has his first traditional Thanksgiving dinner at his crush Stephanie’s house. He has been attending a school called McKinley for two weeks. [5.16]

1996

Dean is 17

July 4 - Dean and Sam set off fireworks in a field and almost burn it down. [5.16]

At some point when Sam was 13 he ran away for two weeks while under Dean's watch in Flagstaff, Arizona, living off pizza in a cabin and befriending a dog he called Bones. Dean scoured the whole town looking for him and worried he might have died, and John was furious when he found out. [5.16]

1997

Dean is 18

When he's 13, Sam briefly wants to be a magician. [4.12]

Summer - The Winchesters hunt a werewolf. [4.13]

November - Sam and Dean attend Truman High in Fairfax, Indiana, for 3 or 4 weeks, while John is on a hunt that was originally supposed to be 2 weeks but ended up taking longer than expected. Dean is in 12th Grade. It is the third school they have attended since September. [4.13]

1998

Dean is 19

Sam is a mathlete. [4.04]

Summer - While John and Dean are off hunting a Kitsune, Sam stays in Lincoln, Nebraska, and does research for them. While there, he meets a girl and has his first kiss - only to discover that John and Dean's hunt has circled back on him. [7.03]

July - Dean goes on a solo "five states in five days" road trip, but ends up spending most of it in Cicero, Indiana, with Lisa Braeden. In the meantime, John & Sam "tie up a hunt" in Orlando, Florida. [3.02]

Dean meets Rhonda Hurley, she makes him try on her pink, satin panties and he likes it. [5.04]

At some point they spend time with Travis, the hunter. [4.04]

1999

Dean is 20

1990s General

Dean trying to cook Winchester Surprise on a hotplate with food (baloney and sliced cheese) that it seems Sam shoplifted in the rain. John gets home and throws it out. [14.11] In Lebanon John tells Sam he remembers this and apologizes to Sam for it. [14.13]

Sam and Dean visited the Cleveland Botanical Gardens on a field trip. [5.16]

Dean going to CBGB "way underage" and John coming to get him. [10.09]

Hunting the chupacabra in Mexico. Sam is an olderish teenager when he says this happened the year before. [11.10]

John making Dean be bait. [14.14 production draft. Corroborated by 1.20. Putting this in 1990s and not 1980s is very generous imo.]

Dean used to live on “Nerve Damage” (“10 times the legal limit of caffeine”) as a kid. [13.08]

Escalating prank wars? [1.17] Sam mentions a time Dean put superglue in his toothpaste [15.06]

Could be 80s too: Dean: “Remember that wreath Dad brought home that one year?” Sam: “You mean the one he stole from, like, a liquor store?” Dean: “Yeah, it was a bunch of empty beer cans. That thing was great.” [3.08]

Sam performing in Our Town. [1.16]

Sam talks about having to make his own dinner as a kid. [5.06]

2000

Dean is 21

2001

Dean is 22

Sam smokes weed maybe. [11.19]

Pre-2002, 2000s General

Sam & Dean driving 1,000 miles for an Ozzy show. [5.22]

Driving two days for a Jayhawks game. [5.22]

John catches Lee and Dean 'wasted' on a hunt. [15.17]

John plays Dean and Lee “Good Ol Boys” before hunts. “Listen up boys this is real music. [15.17]

Sam used to try to get him & Dean to do 'honest work' rather than hustling pool. [5.22]

The Las Vegs annual trip. [7.08]

Sam ran tech for a production of Oklahoma. [10.05]

John gives Dean the Impala. [1.20] (John's Journal suggests this was on Dean's 18th birthday which would have been 1997.)

2002

Dean is 23

John gives Sam the "hunting is life; you can't have connections" speech. [4.19]

Sam says he's leaving hunting to go to Stanford University. John says if he leaves to stay gone. [1.01, 1.20]

September - Adam Milligan meets John Winchester. [4.19] (This could be any time from now til 2003 but I think it would be now because John will want to feel he can replace Sam or do something right.)

Post-2002, 2000s General

Dean sleeps with Annie. [7.19]

Dean sees Lee while Sam's in college. [15.17] Possibly the 'cult thing in Arizona' 'what that thing did to that family, those kids.' Because Lee does one more job after that in Texas and retires.

At some point Dean hunts a Vetala and learns they usually hunt in pairs. [7.11]

At some point Dean hunts a succubus with Richie. [3.04]

Poltergeist case in Kittanning, PA. [1.04]

John teaches Adam to drive using the Impala (this is after John gave Dean the car for his 18th). He also teaches Adam poker and pool. [4.19]

John "used to swing by Stanford whenever he could. Keep an eye on [Sam]. Make sure [Sam was] safe." [1.08] because he was worried Sam was "alone, vulnerable'' [1.20] and "he was afraid of what could've happened to you if he wasn't around." [1.08]

2003

Dean is 24

Dean dates Cassie Robinson. She breaks up with Dean after Dean tells her about hunting. [1.13] It lasts less than two months. [5.11]

June 21 - Dean is involved in a hunt for the father of Cole Trenton, in Nyack, NY. [10.02]

John gets taken from this year into the future in "Lebanon." He is sleeping in the Impala and Dean calls him and he tells him he'll be back soon. [14.13]

2004

Dean is 25

September 29 - John takes Adam to a ballgame for his 14th birthday. [4.19]

2005

Dean is 26, dude.

September 29 - John buys Adam a beer when he's 15. [4.19]

Roughly October 10 - John cuts off contact with Dean. [1.01]

October 31 – Dean comes to get Sam. [1.01]

Dean: "I must have stood outside your dorm for hours... because I didn't... I didn't know what... What you would say. I thought you'd tell me to... to get lost or get dead. And I don't know what I would've done... if I didn't have you. 'Cause I was so scared." [15.20]

General Comments

(i.e. just quotes and things that are too general to place at a specific time. i've sorted them roughly into themes but all of these themes are also present in incidents above.)

Dean says he's been wanting John and Mary back together since he was four. [14.13]

John's absence

Sam: "You remember the poltergeist in Amherst? Or the Devil's Gates in Clifton? He was missing then, too. He's always missing, and he's always fine." [1.01]

Dean mentions how John would dump him and Sam at Bobby's. [7.09]

Toni Bevell saying about John's drunken rages and weeks of abandonment. Also pointing out that Dean & Sam didn't tell Mary about it. [12.21]

Sam says John would be gone for weeks at a time and "he wasn't exactly a monk." [4.19]

Sam says John "was not around much." [11.05]

Sam talks about worrying when John & Dean would be out on a hunt and he wouldn't hear from them for days. He thought about what he would do. [11.18]

John's drinking

In the pilot Sam comments that John is likely missing because he's drinking. [1.01]

Sam comments that a dad bringing their kid to a wrestling match to distract them while he drinks seems familiar. [11.15]

See also the above [12.21]

Young Sam says John has a temper and you don't want to see him when he's drinking [7.03]

John's parental control

Sam talks about how John was angry with him for not wanting to learn to bowhunt or hustle pool and instead wanting to go to school and live his life. [1.08]

Dream!Dean: "You can still hear your Dad's voice in your head, can't you? Clear as a bell. I mean, think about it …all he ever did is train you, boss you around. But Sam …. Sam he doted on. Sam, he loved. Dad knew who you really were. A good soldier and nothing else. Daddy's blunt little instrument. Your own father didn't care whether you lived or died. Why should you?" [3.10]

Dean: "My father was an obsessed bastard! All that crap he dumped on me, about protecting Sam! That was his crap. He's the one who couldn't protect his family." [3.10]

Dean: “And I get what I've been doing lately, you know, what with the yelling and the acting like a prison guard. It's just, that's not me. You tell yourself you're not gonna be something, you know? But my dad was exactly like this. All the time. It's scaring the hell out of me.” [6.02]

Martin alludes to the fact that John would disapprove of Dean's connection to Benny and Sam's patience with it and "he'd have a mind to take you both out behind the woodshed and show you what's what." [8.09]

Tara also mentions that John would not approve of Dean working with Crowley [9.11]

Sam: “his drill sergeant thing worked with you but it didn't work with me.” [13.04]

“You know kids, no matter what they still want the old man's approval” about an abusive dad. Dean agrees to it. [13.02]

Dean: “I know things got dicey… you know, with dad… the way he was. And I just… I didn’t always look out for you the way that I should’ve. I mean, I had my own stuff, you know. In order to keep the peace, it probably looked like I took his side quite a bit. Sometimes when I was… when I was away, you know it wasn’t ‘cause I just ran out, right? Dad would… he would send me away when I really pissed him off. I think you knew that.” [14.12]

Difficult childhoods

Talking about Charlie as a teenager, Dean says, "Dude. If a shrink interviewed us at that age, you think the report would be all kittens and rainbows?" [10.11]

Cas says, "You were both troubled teens." [10.19]

Dean says he & Sam could have benefited from a mother's dating advice. [11.12]

Sam: "And when we were kids how many times did we tell dad we were fine just to make him happy?!" [14.16]

Dean drinks to “crappy childhoods”. [10.12]

Sam: "I had a kind of lonely childhood." [11.08]

Sam: "I had a messed up childhood." [14.04]

Dean's parentified role

Sam: “I wish I could have that kinda innocence.” Dean: “If it means anything, sometimes I wish you could too.” [1.18]

John: “You know, when you were a kid, I'd come home from a hunt, and after what I'd seen, I'd be, I'd be wrecked. And you, you'd come up to me and you, you'd put your hand on my shoulder and you'd look me in the eye and you'd... You'd say 'It's okay, Dad'... You shouldn't have had to say that to me, I should have been saying that to you. You know, I put, I put too much on your shoulders, I made you grow up too fast. You took care of Sammy, you took care of me. You did that, and you didn't complain, not once.” [2.01]

Dean: "And I… I had to be… more than just a brother. I had to be a father and I had to be a mother, to keep him safe. And that wasn't fair. And I couldn't do it." [12.21]

See also 1988 above [2.22]

Food scarcity

Sam says explicitly that they had to hustle pool to eat. [15.11] Additionally, Sam says John made them learn to hustle pool. [1.08]

Travis: "you ever been really hungry? I mean, haven't-eaten-in-days hungry?" Dean: a 'yeah' so emphatic his voice cracks. Sam: silence. [4.04]

The future

Sam: “Dad always said it was temporary, Dean. He said it for 22 years.” [6.02]

Dean's allusions to liking dancing/wanting to be a dancer. [7.16, 15.20]

Dean: “Jo, you've got options. No one in their right mind chooses this life. My dad started me in this when I was so young... I wish I could do something else... Jo, you've got a mother that worries about you. Who wants something more for you. Those are good things. You don't throw things like that away. Might be hard to find later.” [2.06]

Dean: "You know, ever since you were a kid, you wanted to live in a town like this. Lame, normal…" [15.04]

Dean gets his GED [5.01]

See also 1980's general [1.22]

John spends Dean and Sam's college funds on ammo [1.20]

Hunting

John saying hunter gatherings were trouble and in general keeping Sam & Dean away from them. [2.03, 12.06]

Dean says he and John weren't using disguises for hunting. [1.09]

Sam saying it seemed to him Dean & John bonded over hunting. [12.20]

Dean learned to use CB radios to look for leads from truckers. John used them all the time. [13.11]

“I'm starting to get why parents lie to their kids. You want them to believe that the worst thing out there is mixing Pop Rocks and Coke—protect them from the real evil. You want them going to bed feeling safe. If that means lying to them, so be it. The more I think about it...the more I wish Dad had lied to us.” [5.06]

Gordon Walker meets John "Hell of a guy. Great hunter." [2.03]

John maintains connections with Caleb, Jefferson, and Pastor Jim. Caleb sometimes supplies him with munitions [1.11]

John hunts with and then has a falling out with Daniel Elkins [1.20]

John hunts with and hooks up with Tara but never calls her back. [9.11]

At some point, John and Bobby have a falling out and Bobby threatens to shoot John if he ever sees him again [1.21]

TV

“Growing up on the road, no matter where Dad dragged us, no matter what we did, there was always a TV. And you know what was on that TV? Scooby and the gang.” [13.16]

Dean: “Ah well, growing up it was a… it was always nice to check out once in a while. I like to watch movies where I know the bad guy is going to lose.” [14.04]

The Hustler was John's favorite movie [15.11]

(for the record, I didn't sort and collate every comment about john or their childhoods here. i mostly tried to pick one which were a little bit more detailed rather than just general attitudes. but if you want to see all comments made about john throughout the show, click here)

[spirk-trek]

Nightvisions Fanzine & Novel | Merle Decker, Signe Landon (1979)

Nightvisions, by Susan K. James and Carol A. Frisbie, is one of the first standalone k/s novels published in a zine. It can be read in full here!

[north-noire]

so, uh, i got confirmation that i'm on the spectrum recently so i drew this as a silly joke art ft. my sona, henry and charlie because i also headcanoned them to be on it long before i even got assessed

[heisenbergs-magnetic-dick]

Chris hallucinating Wesker but specifically S.T.A.R.S Wesker because that’s the version of him Chris can’t bring himself to let go of

[faustiantales]

𝖆 𝖍𝖊𝖑𝖕 𝖜𝖎𝖙𝖍 𝖛𝖗

Dark Descent: Info-kun X fem/afab!Reader

Twisted Truths: incest, dubcon, headcanon info-kun name, underaged sex, fingering, vaginal penetration

Synopsis: Kenzo's little sister sought his help for a VR game. Since the game she's playing is an 'immersive' visual novel romance, with his aid, the line between reality and fantasy blurred — as well as the line between siblings.

Shadows Lengthen: 2.6k words

        The room was bathed in the soft glow of the computer monitor, casting an eerie light on [Y/n]'s focused face as she navigated through the virtual world of 'Amorous Abyss.' It was a game she'd heard whispers about, a visual novel rumored to be so immersive it was like living a second life. Her heart raced with excitement as she approached the moment she'd been eagerly awaiting for weeks.

        [Y/n] had chosen her love interest carefully: Kai, the brooding, mysterious hero with a heart of gold hidden beneath layers of angst. His digital eyes seemed to gaze into hers, and she felt a shiver run down her spine. It was time for their relationship to take a steamy turn, and she was more than ready.

        But there was a problem. The game's latest update included a feature she hadn't anticipated: a full-body immersion system that mimicked intimate contact with the characters. The game's description called it 'revolutionary,' but she knew she needed help to authenticate the experience.

        Her thoughts drifted to her older brother, Kenzo. He was the closest person she had to a confidant, and she knew he'd be able to keep a secret. Plus, she'd caught him playing games with mature content before. He'd understand. She took a deep breath and picked up her phone, and the decision was made. Her thumbs danced across the screen as she composed a text message, her cheeks flushing with a mix of excitement and embarrassment.

        "Niisama, I need to talk to you about something...it's kind of weird," she typed, hitting send before she could second-guess herself. The anticipation grew as she waited for his response, the game's romantic background music swelling around her.

        The redhead's reply was swift. "What's up, [N/n]? You okay?"

        Her heart skipped a beat. She knew that her brother was stuck on gadgets 24/7, though she never expected him to reply to her message this fast, especially when he deemed it 'insignificant'. Most of the time, he would just ignore her message or leave it on 'seen' when he's busy doing his shady dealings. Thankfully, this time, he seems free to acknowledge her.

        "Can you come to my room? It's about this game I'm playing. I need some advice," she responded, pursing her lips in anticipation.

        She heard his footsteps in the hallway, and a moment later, her bedroom door creaked open. Kenzo's face was a mix of curiosity and concern. Though the second emotion appeared only for a split second — by the time his narrowed, red orbs landed on her, intrigue and annoyance masked his features.

        "What's going on?" he asked, leaning against the doorframe.

        The girl swallowed hard, feeling the weight of her older brother's gaze on her. Kenzo was always a man of few words, but he had a knack for making his presence known. His arms were folded across his chest, and he waited for her to speak, his curiosity piqued by the urgency in her message.

        "It's about the new VR game I got," she began, her voice barely above a whisper. "I want to... experience it fully, but I need your help."

        The bespectacled male raised an eyebrow, his curiosity piqued. "What do you mean?"

        Her eyes darted to the floor as she gathered her courage. Her older brother's gaze was heavy, but she knew she had to ask. So, with whatever little courage she had, she gathered everything and stared straight at her brother's ruby orbs, which were looking at her intensely, making her feel small and vulnerable. 

        "There's a... scene coming up, and I need a stand-in for the physical part. It's just for the game," she rushed out, hoping he'd understand.

        Her brother's expression morphed from confusion to surprise and then, to her relief, to amusement. [Y/n] felt her heart leaped with hope, knowing that her brother would be willing to listen to her trivial concerns and give her the advice she needed.

        "You want me to... help you with that?" He chuckled, his voice low.

        She nodded, feeling the heat rise in her cheeks. "Please, Niisama. It's important to me. I've never felt this way about a game before."

        He studied her for a moment, his eyes softening as he stepped into the room. "Okay, but you have to explain everything to me."

        With trembling hands, she demonstrated the VR setup, showing him the controllers and the headset. She explained the intimate scenes in detail, her voice growing softer with each word. Kenzo's smile faded, replaced by a look of understanding.

        "Alright, I'll help you," he said finally, his voice a gentle rumble. "But only if you're sure this is what you want."

        She nodded, a spark of excitement igniting in her chest. "I'm positive."

        "Let's get this over with, then," he said, his voice tinged with a hint of something she couldn't quite place. The redhead took the headset from her, his eyes meeting hers.

        As the headset slipped over her eyes, the real world faded away, and she was transported into the arms of Kai, her virtual lover. The sensations began to overwhelm her, and she reached out, her hand brushing against something warm and solid.

        Her heart jumped up in her chest. It was Kenzo, standing next to her, his hand hovering awkwardly in the air. [Y/n] briefly removed the headset, looking at her redheaded older brother with an apologetic expression, which he only responded with an unreadable expression.

        "Sorry," she murmured, her cheeks flushing even deeper. He snickered, his hand dropping to his side.

        "No problem," he said, his voice thick with something she hadn't heard before—desire?

        [Y/n] put on the headset once more and the VR game began to play out, and she felt the digital whispers of Kai's breath against her ear. Her body responded instinctively, her breath hitching in anticipation. Kenzo's hand found hers, and she squeezed it tightly as the scene grew more intense. The fabric of her pajamas felt rough against her skin, a stark contrast to the soft caresses she felt in the game.

        The tension in the room grew palpable, the air thick with unspoken desires. It didn't take long for the siblings to move to the bed, mirroring the scenario played in the game. [Y/n] could feel her body reacting to the sensations, and she knew her brother could feel it too. His thumb began to trace circles on the back of her hand, sending shivers up her arm. Her heart raced in her chest, thudding like a bass in a dance club.

        The moment arrived. Kai's digital hands began to undress her, and she felt Kenzo's own hands mimic the movements. His touch was gentle but firm, his skin warm and real against hers. The game's graphics were stunning, the fabric of her dress sliding away to reveal her naked body. She gasped as she felt her brother's hand cup her bare breast, his thumb brushing over her erect nipple.

        The line between reality and the game blurred as she leaned into his touch. The VR world swirled around them, the only sounds were the sighs of the virtual lovers and their ragged breathing. Her body arched off the bed, and she bit her lip to stifle a moan as Kenzo's hand traveled lower, his fingers slipping under the waistband of her pajama bottoms.

        The game's narrative grew more heated, and the girl felt her arousal mirror Kai's digital passion. Her brother's touch grew bolder, his fingers delving into her wetness, exploring her folds. She couldn't tell if the sensations were coming from the game or her brother's hand, but she didn't care. All she knew was that she wanted more.

        Her hips began to move in time with the rhythm of his fingers, her body undulating like a wave in the sea of desire. The VR world melded with the physical one, and she could feel Kai's mouth on hers, his tongue probing deeply, as Kenzo's kissed her neck. It was as if the two men were one, their passion intertwined in a dance of flesh and pixels.

        The climax built within her, a crescendo of pleasure that she'd never felt before. She threw her head back, her moans echoing through the headset. Her brother's other hand found her hip, holding her in place as he drove her closer to the edge. The room spun around her, a whirlwind of sensations that left her gasping for breath.

        And then it hit her, the most intense orgasm she'd ever experienced, tearing through her like a tornado. She bucked against the redhead's hand, her body convulsing with pleasure. She could feel his arousal pressing against her leg, and she reached out, her hand wrapping around his hard length.

        As the last waves of her climax subsided, she opened her eyes, the VR world fading away. Kenzo's eyes were dark with lust, and she knew at that moment that their relationship had shifted forever. The game had brought them together in a way she'd never dared to dream of.

        But now, as she looked into his eyes, she knew that this was just the beginning of a new chapter in their lives—a chapter filled with passion, secrets, and a bond that was no longer purely familial. With trembling hands, she removed the headset, the cool air of the room a stark contrast to the sultry embrace of the virtual world.

        "Thank you," she whispered, her voice hoarse with desire. Kenzo's eyes searched hers, the intensity of the moment weighing heavily on them both. He leaned in, his breath warm against her cheek.

        "Don't thank me," he murmured, his hand sliding from her hip to the back of her neck. "This is just the start."

        Without another word, he claimed her mouth in a kiss that was every bit as passionate as the ones she'd shared with Kai in the game. His tongue danced with hers, the taste of him intoxicating. It was like nothing she'd ever felt before—real, raw, and all-consuming.

        [Y/n]'s hand tightened around his shaft, her movements growing more confident as she felt him respond to her touch. She could feel his pulse racing through his veins, the beat matching the frantic rhythm of her own heart. His kiss grew deeper, more demanding, and she met him with equal fervor.

        They broke apart, panting, their eyes locked. The air was charged with a tension that could have powered the city outside their window. He stepped closer, and she could feel the heat of his body against hers.

        "We should..." she began, but he silenced her with another kiss.

        Kenzo's hands slid down her body, peeling away her pajamas. Her skin was alive with sensation, every inch of her yearning for his touch. He paused, his eyes raking over her naked form with an appreciation that made her feel like the most beautiful woman in the world.

        "You're so perfect," he murmured, his voice a gruff whisper.

        And then, with a hunger that was both terrifying and exhilarating, he removed his clothes, throwing them across the room like a sack of potatoes. His body was a sculpted masterpiece, a stark contrast to the softness of hers. [Y/n] could feel her own pulse hammering in her throat, her eyes wide with a mix of lust and awe. She could feel the heat of his arousal pressing against her, and she spread her legs, inviting him in.

        Their bodies moved together in a dance as old as time, a dance of passion and need. Kenzo's kisses grew more urgent, his hands exploring every inch of her skin. He knew just where to touch her, just how to make her gasp and arch her back, her body a canvas for his desires.

        And as they became one, the barrier between the game and reality shattered. The digital world of 'Amorous Abyss' faded away, replaced by the very real sensation of her brother inside her, his movements driving her towards another peak of pleasure. The lines blurred until she couldn't tell where the game ended and her new reality began.

        "So this is what you truly meant by help, huh?" the redhead sneered, cleaning his glasses while thrusting into his little sister's tight hole without mercy.

        [Y/n] nodded, unabashed, feeling the warmth spread through her body. Her cheeks were flushed with a perfect pink hue, her tresses damp with sweat and sticking to her forehead. She let out a couple of wanton mewls, her inhibition gone when her brother continued his relentless assault on her poor cunt.

        Kenzo's strokes grew stronger, more demanding, as he watched his sister's body respond to his touch. He'd never seen her like this—so open, so vulnerable, so desperate for release. It was intoxicating, and he found himself getting lost in the moment, forgetting the taboo nature of their situation.

        "Such a slut," he growled darkly, ruby eyes narrowing to a judging glare, his signature smirk adorning his lips. "But you're mine now, aren't you?"

        [Y/n] nodded vigorously, unable to form coherent words as the pleasure built up within her. Her body was a symphony of sensations, each stroke of Kenzo's cock sending shockwaves of ecstasy through her core. She felt his grip on her hips tighten, his pace quickening as he approached his own climax.

        But amidst the whirlwind of passion, a tiny voice in the back of her mind whispered a warning. This was her brother, the person she'd grown up with, the one who'd protected her from monsters under the bed. Yet here they were, sharing the most intimate of moments. Would this change everything?

        The question was forgotten as Kenzo's hand found her clit, his thumb rubbing it in perfect time with his thrusts. She threw her head back, crying out his name as the orgasm claimed her once again. The room was a blur of lights and sounds, their cries of pleasure melding together in a symphony of lust.

        And when it was over, when they lay tangled in the sheets, their bodies slick with sweat, she knew that nothing would ever be the same again. They'd crossed a line, and there was no going back. But as she felt his heartbeat against her chest, she couldn't help but wonder if this was the start of something incredible, something that had been hidden within the pixels of a game all along.

        Kenzo rolled onto his side, his arm draped around her waist, and she could feel his breath against her neck. His cock was still hard, still buried inside her, and she shivered with the aftershocks of pleasure. For a moment, they lay there in silence, the only sound the steady thump of their hearts.

        "That was..." he began, his voice trailing off.

        "Incredible," she finished for him, her breathing still ragged.

        "Should we make this a regular thing?" he teased, humping his hardening cock against her entrance.

        The sensation of his thickness sliding in and out of her was so real, so intense, that she could hardly believe she'd ever lived without it. [Y/n]'s eyes widened with surprise and a thrill of excitement, biting her lips to prevent a shameless moan from escaping her lips.

        "What do you mean?" she asked, her voice breathy.

        Kenzo leaned in, his eyes gleaming with sinister mischief. "You know what I mean. Every time you play that game, I'll be here, bringing those scenes to life. What do you say, little sis?"

        The girl felt a rush of conflicting emotions—shock, arousal, and a hint of fear. But the excitement won out. She nodded, her voice a whisper. "Okay."

📜— Return to the Shadowed Archive

[necrotic-nephilim]

i personally have very complicated feelings on the Gotham Knights video game and the routes it takes with characterization. i think it has a charm to it and it goes in an interesting direction with everyone (especially within the confides of the plot of the game) but it does have certain moments that veer painfully fanon for me. (such as: the dialogue where Tim drinks too much coffee) it's an interesting story for what it is but i don't view it comics-based for characterization and therefore don't care to interact with it much for like. fanfic purposes.

that *said* though. i do have to give the game some kind of credit for giving one of the top five JayTim moments that lives rent free in my mind. every since i played the game, the cutscene lives in my mind daily. it's the specific cutscene where Jason and Tim are arguing about whether or not Jason's non-lethal bullets are too dangerous for the field, and the argument leads to TIm *standing in front of the target* Jason is shooting and telling Jason to shoot him. it lives rent free for me. i never stop thinking about this.

the absolute certainty Tim has that he is in no danger standing in front of Jason, who has a loaded gun pointed at his face. the way Jason *hesitates* for just a moment before lowering the gun. he thinks about it for just a second. Gotham Knights JayTim seem to get along very well and can rely on each other, but Jason still clearly holds a bitterness about his death and Tim that flickers through in some lines of dialogue under the guise of jokes. especially since this game deals *heavily* with concepts of Pit Madness causing an altered state of consciousness, i think it's believable that occasionally, Jason fights the urge to fight and hurt Tim for the feeling of being replaced.

i like their tension so much in this canon. they get along but you can *tell* Tim is afraid of addressing Jason's trauma or even addressing Jason head-on, and Jason leans into spooking Tim about it. which isn't very comics feeling in their dynamic, but it is an interesting way to place their dynamic if you're playing with a more timid Tim who's newer to the role of Robin. (which he seems to be in-game) he really doesn't want to offend Jason, or worse, piss him off. but he'll still face Jason head on for things like this, while completely aware of what Jason could be capable of.

and Jason seems very protective of Tim and respecting Tim as a Robin in typical Jason fashion. if Tim pushes, Jason *will* relent. he knows this is a kid who's proved himself and should be treated with equal respect, sometimes even more than Dick and Babs do in-game.

so for all that to culminate in Tim stepping in front of Jason's loaded gun that he *knows* is on the edge of being too dangerous, just to force Jason to listen? it's the most unhinged way Tim could've gotten his point across in this scene. he was literally daring Jason to hurt him and playing with a very dangerous fire. but he did it anyway bc he believed he could make Jason heel just at the thought of hurting Tim. and he was *right*. they're gay and i'm feral ty.

[johnconstantinesdick]

I get the criticism of the Hunters of Artemis from a narrative perspective—it sucks that it essentially boots interesting female characters out of the story—but it always baffles me when people viciously hate Artemis for *checks notes* doing damage control.

Like. Thalia explicitly goes with Artemis to avoid the prophecy, and I definitely think that’s the reason Artemis tried so hard to get her to join—hell, you can view the hunters trying to recruit Annabeth as a way to get Thalia to join. And Bianca? You can’t convince me that Artemis didn’t guess there was something up there and react accordingly.

If Percy or Nico were even a little bit girl-adjacent you bet your ass she would be all over them to join. No one actually wants to risk the Great Prophecy happening, and Artemis is doing a hell of a lot more to stop it than anyone else.

[bkgexe]

the defiance of a life spent almost in touch

geto x reader ✾ 15.7k ✾ part one of two ✾ ao3 link

info! (canon au, haibara lives and geto never defects.) Your cursed technique allows you to read people—to see into their minds—when you touch them. It's not pleasant, but to jujutsu society, it's useful. Which means you end up in close proximity to Geto Suguru, who you've been avoiding for nearly a decade since seeing just how frightening it is inside his head. Though it's something you vowed never to repeat, it seems that there are powerful people vested in having you read him once again. ✾ tw! reader is scared of geto, typical jjk gore/violence, geto is. mentally unwell. like he didn't defect but he's Wrong ✾ notes! part two should be out end of january!!!

When the jujutsu higher-ups ask you for help, they always send Kento, because you have a hard time saying no to him. 

To his credit, he always looks sorry. You have the number of every other sorcerer you know blocked. He still comes in person because he knows the blow will be softer if you can complain to him after. He drives you to the appointed location, a small town on the border of Yamanashi Prefecture. The ride is mostly silent. When the car stops in front of a small, traditional house, Kento sighs deep, a sound you got so well acquainted with in high school that you can still conjure it in your mind on command. 

A familiar look: why are you doing this. Another: you can say no.

“You know why I have to,” you say.

The sigh again. “Fair enough.”

You left jujutsu society for a few reasons.

The first: your cursed technique is useless in a fight. You had to rely on strength and agility alone, which got you to Grade B—but you saw what happened to Haibara. The higher-ups send lower grade sorcerers out as a test, a toe in the water. They misjudged the grades of so many curses that at a certain point, you started to suspect that they were making it all up. That they had no way to accurately measure the strength of a curse until it had drawn a sorcerer’s blood. You didn’t want to be a body in a hospital bed, cut so deep through the middle that you had claw marks on the inside of your spine.

Haibara lived, but not without consequences.

The second: three men wait inside the house you’ve been called to. The window that alerted the higher-ups, a non-sorcerer passed out on the ground—and him. Geto smiles warmly when he sees you. You used to like his smiles before you saw the inside of his head. Now all you see is fox teeth hidden behind a stretched mouth.

Though your cursed technique isn’t useful in a fight, it’s still useful. Skin-to-skin contact allows you a look into another person’s mind. Just flashes, and nothing specific, but it’s helpful when the only witnesses you have are comatose or otherwise indisposed. You’re allowed a normal life for these few visitations. The higher-ups don’t bother you anymore. Even Gojo stopped asking you to come back and teach somewhere along the line, distracted by things more (or less, knowing him) important than your existence.

Geto never tried. You can at least respect him for that.

He explains to you that six people have been found in the same state as the man in front of you. It’s not a normal coma—something is smothering their soul, stretching it far from their body. As if they’re standing on the sidewalk across the street from themselves, watching the inside of their head through a lit window in the middle of the night. You’d forgotten what Geto’s voice sounded like, all friendly tones and half-hidden condescension.

When you touch the unconscious man, you don’t see anything at first, which is odd. His wrist is clammy and cold, his whole body covered in sweat. You briefly wonder if his soul is so disconnected that you won’t be able to read him.

And then, memories:            noodles in warm broth,          a pair of leather shoes           with buckles,                    a live wire at the power plant,          what it would feel like          to put your hands on it?,          to feel electricity for the first time in so long?,          to take something into you                                                                  r body that was never supposed to be there?,          hands wrapped around spark-soaked copper—

Outside, you throw up behind a camellia bush. Bile burns your throat, the roof of your mouth. The flowers smell of putrid rot when you know they shouldn’t. Cold air digs needles into your cheeks, so you’re stinging inside and out. Kento hadn’t given you enough notice for you to skip breakfast, but the higher-ups hadn’t given him any notice that they’d need you.

People are predisposed to show you either wants or memories. Never both, for reasons beyond your understanding. Memories are worse than wants. They burrow deeper, which makes them harder to expel.

Instinct tells you the hand is coming before it connects, and you dodge contact—Geto at your shoulder, asking if you’re alright. He doesn’t miss that you flinch away from him. “I’d have brought a bucket inside if I knew,” he tells you. His face says: I’m sorry for overlooking this detail. He’s very good at lying with it.

“It’s at the power plant,” you say. “Whatever’s causing this.”

“Do you want to read any of the others before you go?” The question feels cruel. His face says it isn’t.

You shake your head and leave without a word. 

Kento drops you off at your building and you thank him. You could invite him up easily. The two of you have known each other for so long, have experienced so much together, that being with him feels natural. It’s possible to turn off your brain around him, to touch him and only experience the smallest flashes of memory. 

You thank him and say good night.

It would be selfish. You would give anything to be the kind of person that could be a good partner to him. He’s an easy man to love, which is exactly why you can never love him. You’re difficult, a puzzle that comes with a sizable warning.

When you fall asleep in your cramped apartment, you see soup and silver buckles, live wires and burning flesh.

✾

An unknown number calls when you’re at work. You pick up because it breaks the monotony of clicking around account records and absorbing none of the numbers on the screen.

“Are you busy?” the person on the line asks, and you realize you never blocked Geto’s number because you never had it in the first place.

You tell him you’re not, even though you have a project deadline this week. If you sit in this closet-turned-office for five more minutes you’re going to explode all over the walls. You're not sure why you entertain him—why you didn't just hang up the second you heard his voice. There's something about him that compels you. A terrible, morbid curiosity that sometimes, when you're not looking directly at him, overrides your fear.

He meets you at the same house as last time, but today there’s no window. Just you and him. Kento didn’t drive you. For some odd reason, you thought there’d be someone else here, as if jujutsu society at large should know that you always need a buffer when it comes to Geto. A witness. And you realize that despite the curiosity, despite the compulsion, you should never have entertained this man on the phone for more than ten seconds. You shouldn't be here. You keep your keys spiked between your fingers, as if you’d ever be able to stop one of the most powerful sorcerers alive from doing whatever he wanted with you.

“I didn’t find anything at the power plant,” he says, leading you down a wooded path behind the house. You emerge onto a dirt road on the other side, a near-identical house sitting before you, its sloping, tiled roof dripping with excess morning rain. “Have you had lunch?”

You shake your head. He smiles with his hidden fox teeth.

The man you read this time is just as feverish as the other, but his wrist is hot. This isn’t relevant to reading a person, but you notice these things because you touch people so infrequently. Each time you do it’s a research experience, notes taken inside your head, recorded to compare against other studies you’ve done over the years.

The memories are instant:  rough hands that have hardened from years of manual labor, watching baseball with the other construction workers after projects done in town,                     your daughter           moving to Tokyo for college, radishes that she used to grow in the backyard that she boiled and roasted every day after harvest, and           who          will you eat them with now? and who          will grow them? and who          will you make your hands rough for?  you don’t like baseball.

Pulling away from the man’s mind is like extracting yourself from honey in the process of crystallizing. His consciousness clings to you as you leave, trying its best to suck you back in. You’re the only company it’s had in a while.

“I didn’t get anything,” you say, and your voice is rough. Your throat burns even though you didn’t throw up. 

Geto sits in one of the two plastic folding chairs in the house’s main room. He plays with the piece of his hair that’s loose from his bun, twirling it between slim fingers. You haven’t seen him in a jujutsu tech uniform since high school, though you’re pretty sure Gojo still wears one daily. Geto’s always in crisp white or black button-downs, slacks, expensive oxfords. Maybe playing dress-up makes him feel less like a sorcerer and more like a human.

“I can try again,” you say, and you’re not sure why. It’s for this suffering man, you think, even though your savior complex was left behind with the jujutsu world. 

“You don’t have to,” Geto says, dropping the strand of hair and leaning forward. His language is careful. He’s not telling you no. The way he watches you, elbows on his knees, hands clasped in the middle, makes you feel like you’re being tested.

You try again. This time:  getting your wedding ring engraved,          sitting on the porch in late spring sipping on plum wine,          nearly crying when you see your daughter playing with                     the girls that have caused the town so much misfortune,          the relief when            they ’re finally gone,          the relief when your daughter brings new best friends home and          their eyes          aren’t shadowed and sharp and too old for their sockets—

Retching is your second-least favorite thing, right behind actually vomiting. Your body rejects the images you’ve seen, trying to empty your stomach before the memories can begin to digest.

You tell Geto what you saw. 

His question: “Does he remember what happened to the girls?”

“If he does, I didn’t see it,” you say. When Geto is silent, you tell him, “I can’t do it again. I can’t.”

After a tense, quiet moment, he smiles at you. You still feel nauseous, but you can’t tell if it’s because of your cursed technique or because of the bone-deep malaise that spreads into your skin like a balm when he looks at you—when you’re reminded of what you once saw lurking in the corners of his mind. “Of course,” he says. “Let’s get you home.”

✾

Kento meets you at your usual coffee shop a few weeks later. Your throat no longer feels raw every time you swallow. He has a drink waiting for you when you get there—(describing Kento as punctual would be doing the man a disservice)—and it’s your favorite, with all the little add-ons that you get too nervous to ask for at risk of being a burden to the already overworked baristas. You’re positive he tipped heavy after putting in your order.

He asks you what you think about the murder mystery you’ve both been reading. You tell him about your job, the monotony, the fantasies of exploding. He tells you about jujutsu business, even though he’s not supposed to. This has never stopped him in the past and won’t ever stop him in the future.

“The higher-ups are pleased with your work,” he tells you. He doesn’t sound pleased.

“Kento.” A warning.

He hmms at you as if actually considering your warning before speaking his mind. “Having a foot in either world is difficult. It’s impossible to keep your balance.”

Your drink suddenly disgusts you. You taste bile. The cup is hot between your hands as you roll it back and forth with your palms. “Are you saying I should come back to Jujutsu Tech?”

“I’m saying that if you want to leave entirely, you should.”

You consider this: a normal life, surrounded by normal people, with a normal job and normal friends and a normal partner, maybe, if you’re lucky. The higher-ups would never let this happen. If you wrong them, they make sure to wrong you back. “You know why I can’t.”

“I’d take care of it. You wouldn’t be bothered by anyone.” He speaks with such confidence that you could almost believe him.

You tell him you’ll think about it. The coffee stings your palms. A terrible feeling sits in your throat like a weathered rock.

There’s something other than the threat of retaliation that stops you from pulling the trigger—from fully leaving the world you grew up in, as Kento once did. Maybe you’re not as brave as him. Maybe you can’t reconcile how quickly he ended up going back. Or maybe you just feel so inextricably tied to the world in which you were raised that you need to have it in your life somehow, even if it’s in brief, unpleasant flashes of memory and want.

“You can make your decisions for yourself,” he says. He’s not disappointed with you, you’re sure—just worried. The same way you often worry about him. “They’re pleased. Geto found the curse and exorcised it the same day thanks to you. I can see why the higher-ups don’t want to let you go.”

The stone in your throat grows edges, forgets its weathering. His name always unnerves you, but Kento’s words unnerve you more. “He exorcised it—the same day we drove out there?”

Kento nods, sips his tea. “He can be vicious.”

A tremor begins in your fingers and lodges deep in your elbows, your shoulders, your very soul. “He didn’t need me to read another victim?”

Kento’s a smart man. His eyes narrow. “Not to my knowledge. Or anyone else’s.”

You wave off his concern (suspicion, really, but you love to downplay these things), and your coffee is finished, and you really should be going, anyway. “He didn’t do anything,” you lie, standing and folding your coat over your arm. “He called and asked me to come back out, but I said no.”

It’s easy to see that Kento doesn’t believe you, but he doesn’t press you either. He knows that if you tell him half-truths, once you have all of your feelings together, you’ll tell him everything. He’s done the same, and you’ve given him the grace he’s currently allowing you. He puts up with a lot—but that’s the nature of living the lives into which you both were born.

“Thank you for the coffee,” you say.

“You’ll call me soon?”

“You’re on speed dial,” you tell him—and it’s true. His contact is the only one in your phone that’s favorited.

Kento smiles—something you rarely see. You wish it didn’t call to mind the shine of fox teeth.

✾

How you ended up coming into contact with the wants of Geto Suguru: he showed up at Ieiri’s dorm with his ribs visible through his uniform.

You remember very specific things from that day. The heavy knock, the thud of him collapsing, blood soaking the tatami floors. Shockingly white bone beneath torn skin and muscle, his ink-black hair coming undone, silk-soft and slipping across your fingers as you dragged him inside. Ieiri’s hands were shaking. She smelled like cigarette smoke and metal. Pressure here, she told you, ripping away the remains of Geto’s jacket, and when you touched him everything was skin-muscle-bone-blood and: bodies.  bodies of people that have wronged you. people that haven’t.  their blood thick beneath your fingernails          like orange peel.  how easy it is to snuff out each life. to take from them what they have forgotten to value.                      you could kill more.                      you could kill everyone. 

When you pulled away from Geto, his skin was knitting together beneath Ieiri’s shaking hands—hands you knew well, her black nail polish chipped around the edges because she bit at her nails when she was somewhere she couldn’t smoke. His ribs faded from view, and then muscle, and then his skin was pink and shiny, scar-new, as if whoever had done this to him had simply taken a paint brush to his bare chest and drawn a bold X. 

Blood was underneath your fingernails. Orange peel. It’s all you remember about the aftermath. Getting back to your room and locking yourself in the washroom were voided from your memory. Your head was all bodies. All bone. An undeniable feeling of righteousness, completely sure that they hadn’t deserved what you’d taken from them. And on top of that, the most frightening thing: relief that they were dead. 

You washed your hands so much that the skin was raw, peeling, but you still couldn’t get your fingernails clean.

✾

You ignore his calls.

The frequency with which you receive them makes you uneasy. You don’t have his number saved. The first few digits become a bad omen.

In school, he and Gojo had a reputation for toying with people. Mostly women, mostly in a romantic sense. The difference between the two is that Gojo was easy to understand—a spoiled boy-prince that liked the attention. He wanted girls to fawn after him, to beg for more when he finally graced them with a kiss, to cry when he dropped them.

Geto always seemed worse, somehow. He would date girls and leave them behind like candy wrappers, charming them into giving him a taste and only revealing his true appetite when his prize had reached the inescapable vicinity of his jaws. 

It’s more insidious than simply liking attention. He liked power. Having control over someone.

Whatever he’s doing now is insidious in nature, too. You can feel it. So you ignore his calls and keep working the days away until you can’t ignore him, because he shows up at your office with the confidence of someone supposed to be there, hands in his pockets, leaning against the frame of your door.

You jump so hard that your bones creak, almost louder than the creaking plastic of your poor hand-me-down rolling chair.

“Your instincts are a little dull,” he says. “I thought you would’ve heard me coming.”

Standing up feels necessary. You don’t want to feel smaller than him, even though he towers in your doorway. “I’m not supposed to be bothered by sorcerers without advance notice.” 

He smiles. “I tried calling.”

Your heart is pounding like a rabbit at the foot of a wolf, partly torn to shreds but conscious enough to experience the abject terror of what comes next. “Who let you up here?”

“I was hoping you might be willing to humor me without advance notice.”

“I’m calling security.”

“I need your help,” he says.

“Like you needed my help last time?”

He sits with that for a moment. “Is it a crime to be curious about you? What you’re capable of?”

“You lied to me,” you reiterate. “You didn’t need me to read that man. And, what—it was so you could see more of my technique?”

“Yes,” he says plainly, as if it's a perfectly sane response.

“Why didn’t you just ask?”

He chuckles, the sound rich and deep and calm, as if you’re having a nice conversation between old friends. “Are you saying you’d have responded well if I just asked?”

You remain silent, staring at the sticky notes on your monitor with reminders and deadlines written in blue pen. Tanaka account today. Get stapler back from Yoishi!!!! You both know his question is rhetorical.

He crosses his arms, taps his long fingers against his bicep. Is it impatience, you wonder, or his inability to sit still for too long? His face belies nothing. “Would you read me if I asked?”

Your veins feel too tight, constricting muscle. It must be a leading question—he’s suspicious of your aversion to him, maybe. The exterior he’s built is charming and handsome and kind. That’s probably how he got to your office. You wouldn’t be surprised if the receptionist saw a handsome face and caved immediately. It’s not his fault you see through it. If you could go back and revoke your touch, remove the bodies from your memory, you would. But you can’t, and the things in his mind scare you. It’s part of what made you leave. The idea of working with a man like that, who held such terrors in his head, was incomprehensible to you. It still is. You would always be thinking about the ease with which you could become one of those bodies.

When you read people who project to you in wants, it’s usually easier. Makes you feel less sick. But not him. He wanted those people dead, whoever they were. He wanted blood on his hands. He was thinking, concretely, that he could have killed them all. That they deserved it.

The relief was the worst part. Seeing all those people dead, and the resounding thought that outshone everything else: finally. 

He steps forward, hand extended slightly. “If I—”

“No. Just—don’t,” you say, and you stumble a little as your legs hit your chair and push it, rattling, against the wall. Your office has never been this small. You never want to be inside his head again. You'd do anything to get him out of your space. “Tell me what you need my help with and we can go.”

He doesn’t look pleased. It seems people in your life are operating on a theme. Still, his hand retreats, and he smiles, slouches a little, as if to make himself smaller. Less intimidating. “Thank you.”

As you leave your office, you give him a wide berth, though you could swear his body goes taut, as if suppressing the urge to touch you.

The Ueno Zoo is closed during operating hours. This hasn’t happened in the entire time you’ve lived in Tokyo. The woman at the gate is a window—the look she gives Geto is one of recognition, respect. He and Gojo are the most well-respected sorcerers currently active, though you believe entirely that Kento is much more deserving of respect than they are. The window lets the both of you inside without a word.

Geto leads you to the vivarium, just to the right of the gate. It’s a beautiful glass building, the windows fogged with humidity to keep its plant and animal residents comfortable. You haven’t been to the zoo in a long time, but when you used to come with family and friends, you always visited the vivarium before you left. The air was heavy and hot, birdsong piped in through speakers, echoing off the glass walls like prism-dispersed light. Every animal inside moved slowly, heavily, and if you listened closely enough, you could hear the soft slide of scales against stone, the heavy thud of a taloned foot into packed dirt. A haven for living in calm and peace.

Inside, it’s chaos.

Display cases are smashed, plants and trees are torn up from the roots, stone walls have been dismantled and crushed. In the center of the rubble, the strewn dirt and bundled roots: jaws. Alligator jaws, crocodile jaws, all long and horrible teeth, and when you look closer—the jaws of snakes, fanged and dripping venom, and others from what you can only assume would be turtles, small and rounded. 

The skin remains perfectly intact on every jaw. Muscle, bone, blood. You see bodies. You see limbs. You remember: finally.

“Don’t look at that,” Geto says from beside you. “Look at me.”

With a deep breath, you do—though looking at him does nothing to dispel the unrest in your stomach, the pit in your chest. 

“Good.” He’s not smiling anymore. You wonder if he’s decided to drop his disguise or if the orphaned jaws are more horrifying than the wants he carries like stones. “Come this way.”

He leads you away from the viscera, into a small office next to the stairs. A man sits in the single chair, staring into the security monitors on the desk in front of him. His gaze is absent, hollow. His hands clasp and unclasp on his lap. Blood is spattered across his face and the front of his cheery yellow jumpsuit.

“He’s been like this since I got here,” Geto tells you. “I need you to read him.”

Ieiri used to tell you that if humans come into contact with curses and live, you have to monitor them closely for cardiogenic shock—stress and fear mounting to such a peak that the heart can’t handle the pressure. It’s not a peaceful death. “He needs to go to a hospital.”

“I’ll take him after.”

“How long has he been in shock?”

“Read him first,” he says, more curt than you’ve ever heard.

This is the thing lurking under the surface. The wolf peeking through the mouth of the sheepskin. It sits in him waiting to be called forth. You’ve seen it already—it’s no surprise to you that it lives in him still. It is, however, a surprise that he let his facade slip so badly.

He smiles, fox teeth a little sharper than usual. “Please.”

You put your hand on the side of the man’s neck, the only skin available to you. Touching people’s faces horrifies you. Such an intimate thing tarnished by the images that flood your brain. 

Memories on a loop:  guttural screeching,          death cries that couldn’t be conjured by a human mind,          and from the ceiling,          from the ceiling          the jaws                     falling, falling,                                          falling,  blood everywhere          and on you and you can taste it          ???          in your mouth          ???           on your tongue          ???            metal and rot,          and there is something discarding these jaws from the bodies of animals          it eats                    while clinging to the vivarium’s rafters something ???        when you met your wife you knew you were going to propose to her in the zoo in the vivarium because of the beautiful glass the beautiful plants she loves plants something           there is something          there is          something you cannot see          some          thing          ???

This time, Geto has a trash can waiting for you. You’ve gotten very good at gathering your hair up with one hand at a moment’s notice. He puts the trash next to the desk when you’re done, and you tell him everything useful that you gathered on the curse. Everything else, you keep to yourself. You’ve gotten very good at that too.

You wipe your mouth with the back of your wrist. The bile tastes more like copper than usual. “Is that everything?”

He holds his hand out to you and you hide your flinch poorly. “Gum?”

The foil-wrapped stick shimmers green, held between his fingers like a cigarette. You stare at it for a beat too long. It’s your favorite brand, spearmint flavored. 

“It won’t bite,” he says. He tilts his head to the side, eyes crinkling with mirth. As if you weren’t tasting blood just a moment ago. When you still don’t take the gum, he laughs softly and it reminds you of high school. His laughter has always been a little mean, as if it gets harder for him to hide his true nature when amused. It reminds you of a housecat playing with a bug. “I won’t either.”

A funny thing for someone with such sharp teeth to claim.

You take the gum from him, careful to grab the very end so there’s no chance of your fingers brushing his. “Thanks.”

He smiles and nods as if he’s done you a favor. You appreciate the gum, but you’d appreciate him ceasing contact with you more. “I’ll see you soon,” he tells you.

“Get him help, Geto.” 

He smiles wide in response.

✾

You lost your virginity to Kento during your graduating year at Jujutsu Tech.

Haibara was recovering, still in the hospital for the third consecutive month. He had to learn how to walk again, the implants in his spine acclimating to him at the same rate that he was acclimating to them. You and Kento were the only two students in your year that made it to graduation. The two of you felt like celebrating but when you began drinking, you realized it was more commiseration than anything celebratory.

“Do you always see things?” Kento asked. He never drank—saw it as beneath him—so when he did, he was a lightweight. “When you touch people?”

“Yeah,” you said. The both of you sat against the headboard of your bed, passing a bottle of gin back and forth—the only thing you could find in Yaga’s campus stash. It stopped tasting like liquor twenty minutes prior. “I can make it quieter. But I really have to focus. Like—I couldn’t make it quiet now, I don’t think.”

Kento turned towards you and said, “Try.”

And always, you would protest when people suggested this. It was like a party trick to people that didn’t have to deal with the fallout. They all wanted to know what you saw in their mind, whether it was wants or memories that jumped to the forefront, what their subconscious decided was important enough to broadcast.

You didn’t believe at all that Kento was asking for those reasons. It’s why you touched him.

Wedging the bottle between Kento’s thigh and yours, you turned towards him and reached for his face. This, for some reason, was your first instinct. His skin was soft, a little dry. His mouth was set in a nervous slant. 

And you got a few things from him: finishing your favorite book for the third time, going to the beach with your mother, finding out how cold the sea was. Memories, unfortunately. The feelings behind them.

But what you felt was mostly your own. 

You pushed his bangs back from his face, and you couldn’t take your eyes from the slant of his lips, and suddenly you were in Kento’s lap, kissing him, and he was kissing you back, hands on your hips, groaning softly into your mouth.

The gin tumbled off the bed and spilled all over your floor. Your dorm would smell like liquor for weeks. 

It was awkward the way a first time should be for teenagers, misplaced limbs and kisses with knocking teeth. You both tried to take care of each other the best you could while shit-faced and entirely inexperienced. You hadn’t kissed anyone before then—you hadn’t touched someone’s face since you were little. 

You’d been scared. He figured out how to make that okay. 

✾

Gojo is in your office when you come into work, reclining in your chair with his feet up on your desk. He peers at you over his glasses, eyes like jeweled robin eggs. “Running kinda late, huh?”

“I don’t have to be here until nine,” you tell him. “It’s eight forty-five.”

“Semantics.”

“You’re in my office.” You don’t even have the good grace to make it sound like a question—just an admonishment.

“Or is it syntax?”

“Can you please get out?”

“Can’t you pretend you’re happy I’m here?” He pouts, taking his feet from your desk. “I won’t even ask you to do anything. I basically just came here to say hey.”

“That would certainly be a first.” You walk behind your desk and shoo him away from your computer, waking it from its slumber. An orange post-it note on the top of your monitor reminds you that tax reports are due TODAY!!!!!!, and you try to prepare yourself for a grueling eight-to-twelve hours of tax filing, depending on how smoothly things go. Gojo Satoru showing up at your office before you is not your definition of smooth. “You said hey. Why are you still here?”

Gojo slowly spins in your chair, pushing himself in circles lazily with one long leg. Avoids looking at you. “You’ve been working with Suguru a lot lately.”

“Twice.” You open up the tiny K-Cup machine you have on your desk and start preparing the world’s smallest cup of coffee. Three times, technically, but you still don’t know what to make of the second time he called you out to Yamanashi Prefecture. When he lied to you. “That hardly constitutes a lot.”

“Enough that it got back to me.” He slows the chair, then starts spinning the other way. “You got any idea why he’s taken an interest?”

Your tiny mug clatters against the K-Cup machine. Geto is probably miles from here, dealing with important jujutsu business, but your heart beats like a prey animal nonetheless, the way it often does under his gaze.“I don’t think he’s taken an interest.”

“As much as I’d love to be flattering you, that’s not what I mean.” He stops the chair entirely, body directed at you. “You’ve been useful.”

There’s nothing you hate more than being talked about like a tool. Your coffee finishes brewing and you take a sip before you really should. It burns your lips. You lean against your desk and look at Gojo, trying to read anything from his face, his body language. As always, you glean nothing. Though you see Geto as the more insidious of the two, you’re keenly aware that Gojo is just as good at pretending. 

“I’ve been useful,” you repeat. “So what?”

“You don’t think you’ve been pretty unnecessary for the missions you’ve been asked to help with?” Though his glasses are on, it's as if you can sense the intensity of his gaze through the darkened lenses. “Suguru could’ve found and exorcised either of those curses easy. I could’ve done it even easier.”

Every meeting with Gojo requires a mandatory ego-stroking period. You decide to get it over with quickly. “Yes, you’re both very strong. What’s your point?”

“Do you know what happened that night?” he asks, taking off his glasses—and this is what really instills a fear in you that something terrible is about to happen. A full view of eyes like glittering sapphires. There’s no question what night he’s talking about. 

You don’t like thinking about that time in general. You don’t like thinking about Geto’s ribs. You don’t like thinking about the bodies. “A non-sorcerer tried to stop the merger. You guys… neutralized him.”

His gaze clouds for a moment. You’re aware that Gojo carries his burdens, despite his unbearable ego. He’s somewhere else, seeing things that you have the good fortune of never having to see. You briefly wonder whether you’d read memories or wants from him. You’re content with not knowing. “Don’t play coy,” he tells you. “You’re smarter than that.”

“You killed him.”

“I killed him.”

Gojo’s account of the day you read Geto: both he and his best friend so narrowly avoided death that they still remember its taste.

A mercenary whittled down Gojo’s endurance and attacked just as they were delivering Amanai Riko to Tengen for their merger. Gojo stayed back to deal with things. Geto escorted Amanai. Gojo was slit from throat to hip with a blade so sharp he didn’t feel the pain until his blood was already varnishing the floor. Geto was carved apart by that same blade, left alive only because of the curses he stored and their indeterminable state upon his death. Amanai, quick on her feet, made it to Tengen. The merger was successful. Things settled down and another Star Plasma Vessel wouldn’t have to be found for a long, long time.

Gojo shows you the scar on his forehead, shiny rib-white, usually hidden by his hair or his blindfold. Being so close to death changed him, he tells you—he fully understood the limits of his cursed energy and what it could do.

It changed Geto too.

“I’m not telling you all this for nothing,” he says, a disarming smile appearing on his face so suddenly after a serious conversation that the speed makes you nauseous. “I just have one tiny favor to ask you.”

It’s long into the day. The details took a while to get through. Your lunch hour is coming up and your appetite is nonexistent and tax forms sit unfiled on your desk. Gojo asking for a favor is always bad news. You can taste vomit and you wish you had a piece of gum or alternatively that you were born an entirely different person. “I don’t want any trouble—”

“No trouble. Promise.” He lifts his right hand, pinkie out, grinning—as if it’s funny that you, specifically, can’t touch him. “I just want you to read him for me.”

Your heart slams into the base of your throat. “That’s… You know that’s not a small ask.”

He drops his hand, shrugs. “C’mon—look, it’ll give you an excuse to get close to him.”

“Why would I want that?” you ask.

“As if I didn’t clock your embarrassing crush on him in high school.”

“Excuse me?”

“Excused. It won’t even be bad,” he says. “I only need you to read him one time, probably.”

“Why?”

“Just curious.”

“Gojo.”

Weighing the cost of telling you a half-truth versus keeping you in the dark seems to take a toll on him, his smile turning brittle at its corners. You think he knows that you won’t do anything for him without more information. Not that you’d read Geto ever, at all—but Gojo hasn’t always been good at believing people when they say never. Hesitantly, he tells you, “Something happened.”

“Like what?”

“I don’t know, something,” he says, finally a little exasperated. “I wouldn’t be asking if I already had answers.”

There are things he’s not telling you, very obviously. He’s minimizing. Jujutsu sorcerers are good at that. And he and Geto are best friends, two people so closely intertwined that they could count as one. “Why can’t you just ask him?”

For the first time in your acquaintance with him, Gojo is silent.

“He doesn’t know you’re asking me to do this,” you say. It would be a question if you weren’t already so sure.

“Oh, no, he’d kill me if he knew I was here.”

“I’ll call him and tell him to come get you.”

“I’d like to see you follow through on that.” He grins, peeks at you over his glasses. “Bet you won’t.”

Geto answers on the first ring, your name spoken in question.

“Your dog’s in my office. Come pick him up.”

He does.

Gojo could easily leave before Geto arrives, but he doesn’t even try. He sits in your chair, still reclined, surely doing immeasurable damage to the hydraulics. Asking him about his motives would be wasted breath—he’ll never tell you something he doesn’t want to, regardless of how much you wheedle him. He’ll enjoy the wheedling, though, and you don’t want to give him the ego boost of being begged. 

Instead, you shoo him out of the way of your desk and start working on submitting the tax forms, leaning awkwardly over your computer. Gojo hums and your back aches, and you refuse to be curious about this entire situation because it’s none of your business. This is what you do now. Taxes and filing.

Geto arrives at your office once again without needing your permission to come up. You wonder who’s working reception.

“Sorry about him,” Geto says, leaning in your doorway. His hair is loose, strands falling softly against his face. You forget how tall he is sometimes. How handsome. It makes your stomach turn. “Badly trained.”

“I think the fault is more the owner’s than the dog’s,” you say.

He shrugs. “If you tried training the dog in question, maybe your opinion would change.”

“Can you guys stop talking about me like I’m not here?” Gojo asks.

Geto grabs him by the back of the collar. “Walk’s over. Time to go home.” He smiles at you over his shoulder as he leaves, his hair so inky black that it almost blends into his dark dress shirt. You remember how it felt sliding through your fingers years ago. Even though you never touched his wound, you think you can remember the texture of his ribs.

You consider Gojo’s proposition long after you’ve submitted the tax forms, after you’ve arrived home late once again, after you stare out your bedroom window into the night sky and see nothing but storm-cloud gray. 

You expect Geto to be the kind of person to keep secrets. It shouldn’t worry you. But keeping secrets from the one person he views as an equal makes you uneasy. The bodies are in your head. You wonder how close you are to finally. When you sleep, it’s fitful, and you wake in the night to the feeling of silk-soft hair running through your fingers, falling so quickly that it’s impossible to grasp.

✾

Kento is antsy when he comes over for dinner. It wouldn’t bother you if he didn’t also happen to be the calmest man you know. He keeps bouncing his leg as he sits at the little two-top table in your kitchen, drumming his fingers incessantly on the tiled surface. He’s not wearing his glasses—and he usually watches your cooking like a hawk, just in case you make a grievous mistake—but instead holds them in his hand, twirling them back and forth. 

The one-sided conversation you have with him is unbearable. Did you have a nice day? Mmmhmm. No crazy assignments? Just the usual. Should I use soy sauce or sesame oil? Oil. My favorite author is doing a book signing next month. Do you want to go with me? Sure. Is something up? Not at all.

Eventually, you’ve had enough. “I’m going to burn the cabbage.”

He glances over at the pan you’re wielding. “It looks fine.”

“I’m going to do it on purpose and I’m going to make you eat it,” you say, pointing your spatula in his direction so he’s positive that it’s him who’ll have to eat the ruined meal. “I’ll spoon-feed it to you.”

Kento is bewildered by this, his eyebrows raised very slightly—shock has always been a micro-expression for him. “I’m sorry. I’ve been a little absent.”

“More than a little.” You stir the cabbage again. “You know I don’t want to pry.”

He nods. The space you offer each other is a give-and-take. If neither of you are ready to speak about something, there’s usually no pressure to do so. 

But this time is different. You’re worried that the strange things happening around you are begging to connect, veins folding over each other to become arteries, blood flowing into your life and staining the foundations. You need to tell him about everything that's happened over the past few weeks. But first, you need to ask. “Does this have something to do with Geto?”

His leg stops bouncing. His fingers quiet against the tabletop. “So you know.”

You tell him everything. Being called out to the village again, going to the vivarium, the jaws. Gojo showing up unannounced, though that's the most usual thing out of everything that's happened. “He asked me to read Geto,” you say. “There are secrets being kept.”

You told Kento about the bodies only once. The two of you had just recently graduated. You shared a studio apartment in Tokyo for three months before your Jujutsu Tech paychecks started coming in. In his arms, you saw memories of a kind-hearted blonde woman, the scent of coffee and pastries, the cool chill of the air in the mountains of Denmark, and you had to pull away from him, trying not to gag and failing.

When you returned from the bathroom, teeth minty-fresh and tongue burning, he apologized so earnestly. As if he had done anything other than hold you close and thread his fingers through yours. 

It was then you began to understand that you could never be his, though the realization didn’t settle in for a while. You told him not to apologize. You told him that nothing was his fault. And then for some reason, you told him about the bodies and the orange peel and the finally and he asked if he could comfort you and you had to say no because you didn’t want to throw up again. From then on, he was wary of Geto. Maybe not as much as you—though that’s understandable.

Knowing what’s going on in his head is one thing. Experiencing it is another.

Kento sighs, familiar. He joins you in the kitchen, in the heat that radiates from the stove. The cabbage is burning slightly even though you never meant to follow through on your threat. Your attention has been elsewhere. “Let me,” he murmurs, and his hand brushes yours as he takes the spatula from you: fresh bread from the bakery at the end of the block,          long nights at the office alone,          a deep hatred of the word ergonomic—  He begins to peel the burning cabbage from the bottom of the pan. “He’s been quiet lately.”

“Isn’t he usually?” You remember Geto being reserved, but then again, maybe that’s only because your memories of him are often in the context of Gojo.

“He can be.” Kento takes the pan to the trash and scrapes off the burnt cabbage, then returns to where you wait for him, leaning against your counter. He opens the top drawer next to the stove and pulls out the menu of the Indian restaurant nearby that you both like. “He’s exorcising Special Grade curses that he shouldn’t even attempt to take on by himself, no matter how strong he is. There are days where he’s cleared missions back-to-back without stopping to sleep.”

“You think he’s focused on work because something’s wrong.”

“Yes,” Kento says, and chews on the thought for a moment. “I don’t like it when he’s focused like this. He gets… obsessive.”

“Him and Gojo were always odd, though,” you say. Minimizing whatever is happening with Geto feels crucial. You’ve never seen Kento this worried.

He hums. “In different ways, perhaps. Gojo’s obsessive nature is more self-centered. But Geto—when he’s consumed by something, it’s like nothing else matters. He’d raze the world to ash if it meant doing what he felt needed doing.”

“Should I be worried?” you ask.

You should. You already know this.

Another sigh. He can’t quite look you in the eyes. You both think: bodies. You both think: finally . “Biryani for you?” he asks. “Or do you want something different this time?”

“Biryani’s fine.”

“Great,” he says, proceeding to order your food. And you don’t talk about it again that night.

✾

You’ve been a regular at the same coffee shop for nearly half a decade. The times you come in vary, depending on work or your weekend plans. You know the regulars and have seen thousands of faces pass through the cozy little building. Not once have you seen Geto here.

Yet he’s at the back of the line when you arrive, smiling pleasantly when he sees you walk through the door. Almost as if his arrival was timed.

If he hadn’t already seen you, you would’ve left. Even as you step into line behind him, you still consider it: bolting out the door and down the street, sprinting your way home as if he’d catch you if you stopped running. He stares at you expectantly while you think about your escape. It puts a shiver deep into your bones, his handsome face and kind eyes and warm smile, all tactics granted by genetics and lifted straight out of a manual on inviting body language. Instead of doing what your instincts tell you is right, you say, “Hi.”

“It's good to see you.” His smile widens, Cheshire in nature despite not showing teeth. “I didn’t know anyone else knew about this place.”

You almost tell him you live close by, but then think better of it. “It’s Kento’s favorite.”

“Of course,” he says. “Haibara took me here a few years ago.”

Yu is kind to a fault. Neither you or Kento have ever talked to him about what you saw in Geto’s head—mostly because you're scared to tell too many people, but also because of the blind respect Yu has for Geto. As if he's a story-book hero that could never do anything wrong. You care about Yu too much to disappoint him with the truth.

“I’ve gotten the same thing here for a long time,” Geto tells you. He gazes up at the menu, such concentration on his face, pulling at the strand of hair loose from his bun for a moment before turning back to you. You remember what Kento said about him not sleeping. His obsessiveness. Nearly imperceptible purple smudges lurk under his eyes. “Would you like to try something new with me?”

You can’t decide if you say yes out of sick curiosity or the fear of what would happen if you said no. Geto pays for both of your drinks—you insist that he shouldn’t, enough times in a row that it’s rude and very obviously makes the cashier uncomfortable, but his insistence wins out.

Waiting at the drink counter with him is torture. You hate when people buy things for you because it makes you feel like you owe them something. For Geto, it’s time. He paid for your presence, at least for however long it takes the baristas to make your drinks. He asks you about your work. You tell him about the books you’ve been balancing, hoping to bore him. Instead he asks more questions about how you like your office, whether your coworkers are nice, if your boss is treating you well.

“Are you looking for a new job?” You fail to keep vitriol from lacing the underside of your words. “We’re not hiring.”

If Geto is bothered by your attitude, he doesn’t let on. He even seems a touch amused. “I enjoy what I’m doing now, but thanks for keeping me in the loop.”

The barista calls out Geto’s name, and he grabs your drink first, hands it to you. You ordered a cappuccino with a syrup that you’ve been curious about but have never tried. The coffee smells amazing even at arm's length, creamy and strong and a little like cinnamon. 

“Thanks.” You slowly turn to leave. “I should be—”

“Wait,” he says, reaching towards you.

You flinch so hard that a slim stream of coffee shoots from the lid’s mouthpiece, burning hot when it lands on your hand. Geto never makes contact, but his arm is still outstretched, as if waiting for you to calm down so he can go through with touching you. You think of Gojo’s request, of the cases where Geto has asked for your help but hasn’t needed it. Yu might have shown him this coffee shop however long ago, but why is he here now? Why have you never seen him here before if he’s a regular?

“Get away from me,” you snap, stern and quiet enough that your words lace themselves underneath the shop’s easy-listening music. 

He does, hands raised and palms open, proclaiming innocence. Slowly, he lowers them. The barista calls his name again, his coffee still waiting on the counter.

“If you ever make me read you against my will,” you tell him, “I will never forgive you.”

Your forgiveness probably means little to him, but it’s the only thing you can threaten. You don’t know him well enough to understand what he holds dear—but you remember respect being important to him when you were at school. Respect and forgiveness.

“I wouldn’t,” he says. “Never.”

You thank him for the coffee again in lieu of a goodbye. The air outside stings against your face, your neck, the spots on your skin where the coffee burned you, steamed milk already drying to film. You’ll wash your hands when you get home. And you’ll wash them again. And again. Eventually they’ll feel clean enough.

✾

Yu calls you at 3:06 in the morning. “They’re dead because of me,” he tells you, and then he’s crying and you’re already walking down the block, heading toward his apartment in your pajamas and large winter coat.

After his injury, Yu wasn’t sent on more dangerous missions for a long time. Even when he was healed fully, despite the nasty scar that twisted and puckered the width of his chest, the higher-ups didn’t think he would be psychologically ready to take on anything too stressful.

They were right. One of the few things you’ve agreed with them about. Yu had always been the most hopeful out of all of you, the most caring. But he was also the most sensitive. Getting so close to death did nothing but make that worse. 

He’s on the couch when you get there, using your key to let yourself in. You and Kento were given copies at the housewarming party, which had consisted of four bottles of peach soju, the three of you, and Ieiri for a few hours before she was called back to the school. His eyes are red and puffy, and he’s curled into himself, laying on his side. It looks like he’s been crying for the entire evening. The worn leather of the seat is darkened beneath his face.

You’re by his side immediately, brushing hair back from his face, wiping stray tears from his cheeks: i wish i’d known i should have !!!          known how did                                         how did i not know how i wish i “Hey, it’s okay. I'm here,” you say, trying a little more pointedly to keep your fingers off his scalp. The thing he wants, simply: to have done better. “Can you tell me what happened?”

“I messed up,” he says, and you’ve never heard him sound so defeated. Even during his recovery he sounded less broken than this. “I don’t—I don’t know how I didn’t see it.” 

At seventeen, you and your classmates began to receive solo assignments. Yu always got the easier ones—still recovering from his injury, both physically and mentally. He tells you about a mission he had almost forgotten: a curse terrorizing a village on the outskirts of Yamanashi Prefecture. The curse was easily exorcized, easily forgotten—what Yu remembered well were the whispers that came after. They called him a devil, named him unnatural, said that he could see things no one else could because he was damned. Just like the two little girls that lived in the village, their late mother’s otherness somewhere in the same vein.

He thought nothing of it. He would get rid of the curse, and the village would go back to normal. Yes, they were skeptical and untrusting of anything that could be perceived as even slightly supernatural, but most non-sorcerers were. Sometimes you had to protect people that would never thank you—that could never comprehend the things you’d given up to offer said protection. Whatever oddities they attributed to other people would fade away once the curse was gone, and the village would go back to normal. Everyone would trust everyone again.

The bodies of the girls had been exhumed during a construction project aiming to bring affordable housing to prefectures outside of Tokyo. The Hasaba twins, Nanako and Mimiko, reported truant by their school over a decade ago. Their mother wasn’t alive to receive the report. Their father hadn’t been there from the beginning. The town didn’t report them missing—they knew exactly where the girls were. From the remains, bones weak and brittle, authorities determined that they died of malnutrition.

“I could’ve helped them.” Yu’s lip trembles and he bites it so hard that you see the skin around his mouth turn bone-white. “They might have been alive then. If I paid more attention, I just—how could they have done that? How can anyone justify that?”

You don’t know. How does anyone justify anything? How many times do you have to tell yourself you’re doing the right thing before you believe it? You wonder if the inhabitants of that village let out a breath when the sisters had finally passed—whether they, too, had a moment of finally.

Yu cries for a little longer and you hold him carefully. It’s all you can do. You’d call Kento if you didn’t know that Yu would be mortified to cry in front of someone he views as his superior at work, despite their friendship. After a while, he pulls his phone out and opens up a message chain. A groupchat for Jujutsu Tech staff. Ieiri’s text, attached to the official posting from the higher-ups: zen’in clan are holding a service for the girls on sunday. gakuganji wants us there to pay respects so everyone better show up. In the report, there are photos of each of the girls, from Picture Day at their school, judging by the uniforms—and you recognize them. 

You’ve seen these girls inside a man’s memories. A man that you read for Geto. 

Your heart beats so hard that you’re sure Yu can feel it through your shirt, through your skin. When you’ve reassured him as much as possible that he couldn’t possibly be at fault, when he promises you that he’ll be able to sleep without the feeling of guilt crushing him under its heavy heel, you head further into the city instead of back towards home.

The apartment building you come to is sleek, flashy, piercing the night sky like a blade. The doorman lets you in—you’ve been here before. On business only, and never of your own volition. You take the elevator to the top floor and slam your fist against the hallway’s only door, choosing to ignore the shiny golden doorbell and the even shinier knocker. After a few moments of you hitting the wood so hard that it feels like the meat of your palm is going to split, the door opens. 

A terribly annoying grin greets you. “I would’ve invited you up if you called me.”

“Why,” you say, trying your best to be calm, “do you want me to read him?”

Gojo’s expression flickers. A moment, a fleeting instant of concern. He’s without glasses or blindfold—you must have woken him up. It’s probably nearing five in the morning. The first trains will start running soon. “Hello, business,” he says. “I’ve got to admit, I’d hoped I was talking to pleasure.”

“It has to do with the girls, doesn’t it?”

“I don’t ask Suguru about what girls he’s seeing—”

“I saw them, Gojo,” you say.

This shuts him up.

“I read someone who knew them.” You’re not sure why, but it feels necessary to not tell him that you read the man because Geto asked you to. “He didn’t like them playing with his daughter because they were different.”

He stands, silent and contemplating, eyes pearlescent and glowing in the soft shadow that precedes sunrise. 

There’s a terrible phantom that lurks between your ribs, a sticky feeling that slimes along your bones. You think of Geto’s sudden reappearance in your life, you think of Gojo’s intimidating request, you think finally, finally, finally. “Did he kill them?”

His eyes snap to yours, fluorescent, flaring—you had forgotten that the hottest part of a flame is blue. “No.” 

He’s so serious that your heart rate picks up, your body going into fight-or-flight at the coldness of that single word. “Gojo—”

“He wouldn’t.” 

“Okay—it’s okay. I believe you.” You don’t, but you’ll say anything to remove the hardness from his eyes, his tone—the same hardness as when he sat in your office and told you not to sugarcoat things. I killed him. “Then why do you want me to read him?”

“I told you,” he says, and his voice is back to normal but his eyes are nowhere close. “I’m just curious.”

Your hand darts forward on instinct. You want to know what’s inside his head so bad that you can’t control yourself—until you remember exactly who you’re trying to touch and exactly what his power is. Forget being untouchable—he could physically destroy you. He could snap your arm like a matchstick. He could pull at the broken end until the limb splits completely. You step back, but the movement was too obvious to have been anything else.

He grins again. Holds his hand out. “Wanna touch?”

“Good night, Gojo.”

He watches as you get in the elevator, as you press the button for the lobby, as the doors slide shut. All the while, eyes burning.

✾

You’re at a run-down warehouse in Roppongi with a cursed weapon in your hand when you wonder where your life went wrong. Kento called you half an hour ago—cornered, bleeding, his cleaver knocked out of his grip. “I wouldn’t have called you,” he said, “but no one else is picking up.”

It didn’t matter. If he needed you, you would be there. That had been the case for the better part of a decade. 

The warehouse was a storage facility for flour and corn, most likely. The floor is covered in rancid mold. Your knife—Sound Eater, the cursed tool you’d conveniently forgotten to return to the armory when you left Jujutsu Tech—is familiar in your palm. Its handle is worn to the shape of you. 

You feel comfortable like this. More comfortable than at your job filing accounts, at your apartment reading or watching some awful reality TV show. It’s because this is how you grew up, you think. You’re remembering the person you were for twenty years before you became someone else.

At the far end of the warehouse, a stone staircase leads to the basement—where Kento is. Where the curse is. You can sense it, the same feeling as being watched. A specter’s ghostly nails tracing the ridge of your spine. 

The basement smells mustier than the warehouse. A single light blinks ahead, allowing you flashes of the series of hallways that lead deeper into the warehouse’s underground storage. The floor is wet, and the viscous liquid that coats the stone soaks through the soles of your shoes. Your socks stick coldly to your feet. You listen to your weapon to see if you can locate the curse, its energy responding to the curse’s with vibrations and muted shrieks that sing through your bones unpleasantly. The curse seems to be everywhere, spread through the basement like an even layer of butter. 

You find Kento’s cleaver before you find him. It’s deep in the tunnel system—you’ve already been walking for two or three minutes, and there’s been no sign that anyone else is down here with you.

Taking his weapon as a sign that you’re close, you even your breathing, measure your steps—stealth training from long ago functioning like a ghost limb, sending signals through your body despite not having been used for years.

You enter a large antechamber—some sort of production facility—and though it’s quiet, you hear breathing from behind a burnt-out piece of machinery. Slowly, you approach, Sound Eater singing against your skin. This is not the cursed tool’s energy responding to a curse. It can only be Kento. Your heart still beats violently against your ribs, bruising bone.

His shoulder is a mess. Dress shirt torn, blood adorning the fabric and the shiny plastic buttons, face haggard—he’s in pain, and the sight sends you back to your youth as quick as a fist to the face. Group missions, Kento’s injuries, your injuries, the way you started always wearing black because it hid bloodstains most effectively.

You’re at his side quickly, a hand gingerly against his shoulder, checking for damage. He groans. His shoulder is dislocated, but he already knows this. “Help me get it back in,” he tells you. His shirt is still intact enough that you won’t have to touch his skin, which is good. You can’t risk being weakened right now.

Shoulders always relocate with a sickening crack, as if a bone that had been broken is being rebroken and set. A badly healed bone is a liability, Ieiri has told you. Dislocation is easier to fix. You feel a little less sick when the sight of distended skin and incorrectly puzzled bone is straightened out, set right. 

“Details,” you demand.

“A semi-first grade, four-legged,” he says, taking his cleaver from you. “It’s using whatever’s on the floor—sticks you in place. Its left flank is injured.”

The one question that Kento doesn’t seem to be able to answer: where is it?

Sound Eater answers that question for you in the span of seconds, buzzing against your palm, shocks working their way down your fingers. You nod your head towards the north entrance to the production facility, where your weapon is attempting to drag you. Once it gets close enough to a curse, its energy begins to magnetize. The stronger the curse, the stronger the magnetization. You try to ignore the way your hands shake with effort to keep Sound Eater in place.

Kento is up, breathing labored. You hate this for him—that he feels like it’s his duty to deal with this, that his purpose is nothing more than being a jujutsu sorcerer. That knowing what it feels like to exorcise a curse makes it nearly impossible to want to do anything else.

You understand. This is the most alive you’ve felt in years.

In the abridged sign that you and he used to employ during group missions, he tells you, Go right. Distract.

You dart into the clearing, the curse’s eyes immediately finding you from across the large room. They’re yellow, the familiar color of bile, and they shine out from its gray body, the blob-like consistency of a snail on top of four muscled legs, identical to those of a wolf. 

Which means it’s fast.

Your shoulder takes the brunt of the pressure as you roll out of the way of the curse’s first strike. It crosses ground more quickly than you can comprehend. When you right yourself, you can see just how grotesque the creature really is. Its mouth is a wide wound stuffed with teeth. Its eyes are scared, childlike. In its twisted voice, it says hello hello hello? hello who's there hello? and Sound Killer wants to taste its skin.

As it readies its weight on its back legs to strike again, Kento comes down from above, his cleaver hitting the back of the curse’s neck with intense force—almost 7:3. You hear a crack, a hiss, but the curse backs up, head still attached to its body by a thread.

The floor is suddenly very cold. It radiates up through your feet, spiking into your calves, your thighs. You try to move and fail. Sound Eater begs you to let it get closer to its target. 

You’re not sure if the curse can only freeze one person at a time. Kento tries to move forward to strike again and his body jerks and stills, glued to its vulnerable position. The curse readies itself again to strike, its head knitting itself back onto its body. Its wound-mouth opens wide, ready for an offering. 

Sound Eater whistles as you lift it to shoulder-level, as you aim to throw it into the curse’s open mouth before it consumes Kento. 

It’s stupid, Gojo once told you, to lose your weapon on the field if your cursed technique is useless. You got very good at throwing weapons with dead aim, taking out curses with a single slice, Sound Eater a perfect match for you because of its draw to the cores of such curses. Part of you got good at this to spite him. You’ll continue to spite him, even now.

The curse lunges. Sound Eater slices through air. An echoing click fills the chamber as the cursed tool hits tooth, cracking bone but doing no more. The curse halts its attack, scared yellow eyes focused on you now.

And your cursed tool lays beneath its feet, glittering under a layer of pungent slime. You briefly try to appreciate the irony of the situation: if you hadn’t left the jujutsu world, you wouldn’t be as rusty as you are now, and maybe you would have lived. 

Your feet are unlocked so suddenly that you fall to your knees, slime coating your pants, your legs, your hands as you push yourself back up. The curse lies inert in between you and Kento—clearly breathing, but nowhere near conscious. Asleep.

It’s like you can sense him before he speaks, your blood chilling in its well-traveled arteries.

“I’m glad you’re both okay,” he says. Grins without teeth. The same way Gojo grins—confident and so hopelessly self-impressed. There’s a curse beside him, one that he controls, its energy definitely potent but not malicious towards you. It’s familiar, in a way—eyes that crackle with electricity, sparking skin, long claws. You’ve seen it before, but not personally. Geto’s gaze flits between you and Sound Eater on the ground next to the downed curse. “Did Nanami call you out of retirement? Or were you just having a little fun?”

Kento says Geto’s name—a warning. He’s injured, hurting. He doesn’t have patience for games.

“It doesn’t matter why I’m here,” you say, offering Kento help to stand. His body is a heavy weight that pulls at your shoulder, activating muscles you haven’t used since right after high school. “Ieiri still runs the clinic at school, right?”

“Of course,” Geto responds, all fox teeth. He points at the unconscious curse. “First, though.”

You’ve never seen Geto absorb a curse before. You know some details about the process, mostly from Kento and Yu telling you stories about happenings in the field, but you’d never actually witnessed it. It amazes you how the body curls up into such a compact ball of shadow, how it can be contained within the walls of Geto’s cursed energy. The expression he makes while he consumes it is familiar to you. You know that strain, that effort put into controlling every single muscle in your face, veins in the neck straining hard against skin. They must taste awful. You think about the gum he offered you at the vivarium—wonder if he carries it for purposes you hadn’t considered until now. 

He dismisses the other curse with a small movement of his hand, and the energy in the room evens out so quickly that your head feels full of falling sand. Sound Eater goes quiet, and you collect it from beneath a viscous layer of filth. “We should go,” Geto says, gesturing to one of the entrances to the production facility. Knowing him, he probably has the entire compound mapped out in his head. 

“Did you call a car?” you ask.

“I already have one waiting. Figured we might need a quick exit.”

You nod. He still unnerves you, but you’re not entirely without manners. “Thank you.”

He looks at you for a moment longer than you’re comfortable with. Everything seems calculated in his eyes. He never simply sees things—he analyzes them. “My pleasure,” he says. You can't read his tone because he always keeps it even, friendly. But you’re sure that there’s something to read in those words that you can’t quite see right now. “Shall we?”

Despite the way you feel about him, you allow enough tentative trust for him to lead you out of the darkness and back into the sun.

✾

He insists on escorting you home from the school.

There are company cars you could’ve requested rides from—the higher-ups at least owe you a free ride home for everything you’ve done today—but you don’t want to take anything from them that they haven’t already offered. They can be tricky about which of their favors require repayment.

This leaves you and Geto on the last train of the night, alone. He stands despite the long rows of empty seats, leaning back against the Do Not Lean On Doors sign, arms crossed. There’s not even a hint of him trying to hide that he’s watching you intently.

On any other day, you would stand, unwilling to give him any advantage—but you’re exhausted. You need a shower so badly. Layers of slime have dried on you and you feel more disgusting than you ever knew was possible. You sit opposite him, leaning back in the uncomfortable plasticky chair. Meeting his eyes feels foolish. Taking your attention off of him feels even more foolish. Staring at his shoes is a happy medium.

The car rolls steady across its tracks, its wheels whistling slightly when the train reaches top speed between stations. 

“Do you ever see things you don’t want to?” he asks after a three-stop stretch of silence.

All the time. It seems you’ll always be stuck in this cycle of attempting normalcy only to be tasked with experiencing the unpleasant wants and memories of people you don’t know. You’re not going to tell him that, though. Him asking you questions makes you queasy. Your knees feel weak even though you’re sitting down. “Doesn’t everyone?”

“You’re very good at avoiding my questions.”

“You don’t make it hard.”

The train rolls on, and on, and on.

He hooks his arm around the closest stanchion pole, then leans in your direction. The strand of hair that hangs loose against his face sways alongside the train's ebbs and flows. Blinding brightness from the overhead LEDs paint his face in baroque shadows. He could be a devil, or a killer, or simply a man. “Does it scare you?”

Many things about this situation scare you. You ask him to clarify.

“When you read people. I’m sure you’ve seen some… unsavory things.” You think: bodies. You think: blood and muscle and sinew and bone. “It would make sense if those things scared you.”

“They don’t,” you lie. 

He considers you for a long moment, seeming to lean even farther forward, and the idea of him getting closer pierces your stomach like a nail. But the train once again sways on its tracks and his body follows, leaning back on his heels and removing himself from what could have almost been your space. “I always wondered what it was you saw.”

“What do you mean?” you ask. You know what he means.

He smiles, almost condescending—an expression that says come now, are we really going to play this game? The way he says your name in response, so pleasant and even-keeled, makes you feel like a cold stone. Prey trapped in a small space with its most vicious predator. You go so still your blood stops flowing.

Until now, you’d never been sure whether he actually knew that you’d read him. You’re positive he doesn’t want anyone to know what’s inside his head. He paints an image of himself over what he really is, but it’s a faulty veneer. Apply enough pressure and it’ll fracture in all the little places that hold the worst rotted of the flesh beneath.

You know he would do anything to keep this image of himself spotless, whole. You’re sure of it. “Kento will know something’s wrong if I don’t talk to him in the next few days.”

His brows draw low over his dark eyes—first in confusion, and then in a sort of amused incredulity. “You think I’m going to kill you.”

“I think you want to.”

The lights flash in the car as it passes under a tunnel. “What is it that defines a good person?”

“...why are you asking me?”

He grins, and your stomach constricts. “Good and bad are large concepts in a small world. They touch and overlap in more places than any of us could ever anticipate. But we’re supposed to fit neatly into one or the other.”

You don’t respond. You’re too focused on the stretch of his lips.

“So what defines a good person?”

“The things they’ve done,” you say, more to get him to stop asking you questions than anything.

“I don’t remember doing anything particularly harmful to you,” he says—and here it is. What he really wants from you. “It can’t be my actions. So is it my desires that define me as a bad person in your eyes, or my memories?”

Your stomach constricts tighter. Painfully. You’re still four stops away from the one by your apartment. “Geto.”

“It has to be one or the other. Those are the two categories that you can read, right?”

“It was a long time ago.”

“Ten years,” he says. “And you can barely look me in the eye.”

You try, as if you could prove him wrong, but you can’t maintain eye contact with him for more than a moment before you feel a terrible coldness in your gut.

“I’d always wondered if you read me that night, but I was never sure.” He wraps his loose strand of hair around a long finger, then unwraps it. Repeats these movements like a question and answer, like a catechism. “Not until I saw you again.”

“The second time you called me out to the village—you were lying to me.”

“We’ve established that.”

“You put that man in a coma,” you say. "You absorbed the curse that was at the power plant."

He nods, face calm, as if altering someone’s state of being is a normal thing to do. “But I woke him up right after you left and he was unharmed. I paid him for his time.”

“Why?”

“I needed to know what it was that scared you. The situation itself…” he says, holding out one hand flat—and then the other, his hands mimicking the sides of a scale, the second option heavier than the first. “Or me.”

“I’d have told you that if you asked,” you say, and you would have. No point in keeping it from him. “You didn’t have to lie. That was underhanded.”

“I think reading me without my consent counts as underhanded.”

Bone, muscle, blood, sinew. Bone-white beneath his uniform. And the blood, the blood, the blood, orange-peel thick. “I didn’t want to. You don’t understand, you were—I could see your ribs. It was—we didn’t think—”

“I understand,” he says.

“I know you do,” you concede. Because he was there for it all. He experienced it all. He woke up when he was healed and immediately went to search for the body of his best friend, not knowing that Gojo had already woken himself up from the brink of death. “I wish it happened differently.”

“Doesn’t everyone?” he asks, parroting your response from earlier.

Maybe they do. Maybe things could have gone much differently—worse, even. You could know more than his wants. You could have seen them realized.

“What did you see?” he asks, careful. Quiet. There's a weight to his voice you're unfamiliar with. It sounds like more than passing curiosity.

It’s what makes you answer honestly. “Blood. Bodies.” Finally. “Relief.”

“Which of those scared you the most?”

You look at him, jaw tight, because he knows which one it was.

“And that makes me a bad person?” he asks.

“I never said you were a bad person.”

“You just thought it.”

You have. You’ve thought it every day since seeing his true desires. You’re not sure that you’re a good person either, but your hidden wants will never be as gruesome as his. “It’s not that simple.”

“Of course it’s not.” Again, he smiles—but there’s something brittle to it. Gojo, in your office when you pushed too hard. A mask beginning to crack.

The train stills, doors opening. You're still a few stops away from home. No one gets on, no one gets off. It's just you and Geto on the car, filling its silence with more than words.

“If I asked you to read me now,” he asks, “would you?”

Your head jerks up, and you look past him, at the closing doors, at the windows of the train car. The whistling starts again, the train gaining speed. You’re between stops. There’s no exit. “No.”

“It could be different than last time.”

“You don’t know that,” you say, but what you really want to tell him is that it won’t be.

“What if it is?” he asks. “Maybe you have the wrong idea of me.”

You don’t think that’s the case. You’re not going to tell him this.

“I was angry. Hurt. I thought Satoru had just been murdered.” He says these things like easy facts. His tone takes the emotion out of them entirely, as if those factors didn’t contribute to what you’re sure is massive unresolved trauma. “I thought I was going to die.”

“You didn’t.”

“No,” he says—and here you get a flash of something deeper, again unfamiliar. Because he won’t look at you, even though he’s the kind of person that always makes eye contact. He leans back, distancing himself. “Have you ever experienced that? A moment where you know you’re going to die?”

“I haven’t.”

His lips twist into a muted frown. He looks young, the way he used to in high school. He stares out of the darkened window at nothing. At the walls of the underground tunnels. At blackness, pure and complete. The bags under his eyes are more prominent. Because of the lighting, maybe. “You think a lot of things. You realize a lot of things. And none of it is particularly fair.”

This has to be manipulation. He’s good at that. He always has been. But—something about this moment feels vulnerable, and you’ve never known Geto to be vulnerable. Not with anyone. Even on the brink of death, even just recovered, his chest still terribly scarred—there was nothing. He smiled at you and Ieiri before he left, that fox-teeth smile you hate so much. I’ll be back shortly, he told the two of you, as if his blood wasn’t coating the bottom of your shoes, staining the skin of your knees, clotting underneath your fingernails.

You’ve read people for long enough that you’re sure: this moment is different. “Why do you want me to read you?” you ask, so quiet that your voice is nearly swallowed by the sound of the train wheels scrolling across their metal track.

“Because I want to know,” he says, his voice a little hoarse at its core, “what you see.”

You shouldn’t. You’re too kind. Kento tells you this often. 

You shouldn’t.

When you put your hand out, palm up, Geto places his fingers atop yours so gently—a breeze of a touch. And then: bodies. bodies. bodies.           bodies. bodies. bodies. bodies. bodies. bodies. bodies. bodies. suguru          should we kill these guys ? bodies. bodies.           bodies. bodies. it could’ve been different i could’ve been different bodies. bodies.                     bodies. bodies. bodies. bodies. we could do it together          no. i could do it alone bodies. bodies. bodies— You vomit onto the floor of the train.

Geto is on his knees in front of you, clear of the mess, and your fingers are tangled in his shirt, fists bunching the material at each shoulder. You want to let go so badly but you can’t—you’re heaving, sobbing, your forehead pressed against your fist, tears running hot onto the back of your hand. 

It’s just so bad. It’s so terrible. He wants this to happen. He feels like people deserve this. You never should have let him convince you to read him. You shouldn’t have been drawn in by the vulnerability. Not when—not when it’s that in his head, still, a decade later. 

You can’t stop heaving, nearly retching. You can’t stop pulling in breaths too quickly, not deep enough. Your forehead is flush against his shoulder now, and your tears are staining his shirt, and you can’t let go. You’re paralyzed.

He holds you while you cry. Only touches your back, your arms. Not your hair or face or hands. You couldn’t handle it again. You couldn’t handle it again but you can’t move right now.

As you quiet, as your breaths turn slow, heavier, you realize he’s been speaking to you. Maybe the whole time—you’re not sure. Quiet reassurance. It’s okay, you’re okay. Breathe.

You don’t feel okay. You feel more sick than you ever have. “Why would you want that?” you ask, and your words blend into tears. Into panic. 

He’s quiet, one large hand smoothing down your back over and over, as if reassuring you that you’re safe. Safe in the arms of someone with that many bodies in his head. He sighs, tired, and his breath makes your hair flutter, caresses the curve of your ear.

The shock of fear to your system from realizing just how close he is gives you the strength to pull away—to sit back in the seat again, untwine your fingers from his shirt. It’s creased on each shoulder from your vice grip. There’s vomit on the floor of the train to the right of him. He’s on both knees in front of you, hands in his lap now that you’ve freed yourself from his grasp.

Was it real? The vulnerability? The hoarseness to his voice when he told you that he wanted to know what you would see?

“I’m sorry,” he says.

“Why would you want that?” you repeat.

He sighs again. Sits back on his heels, begins running his hand through his hair before remembering it’s tied up. He just leaves his hand on the top of his head, fingers curling inwards until he’s gripping his hair, and you wonder if it feels the same as it did on the night you read him for the first time. “I don’t know,” he tells you.

The train stops again. The voice says something you don't hear. You can't get up. “That’s not true.”

The doors close and there's the whistling once again, the darkness that surrounds the both of you, the speed you can just hardly feel. “Why did you decide to quit being a sorcerer?” he asks.

You don’t want to tell him. “There were a lot of reasons.”

“How is it fair?” He drops his hand. His hair is disheveled, just like his shirt. He looks so un-put together that he hardly resembles the Geto you’ve always had an image of in your head. “So many of us die. So many of us have injuries that take years to really heal. And it’s their fault. Humans.”

“You’re human.”

“I’m a sorcerer.”

“They’re not mutually exclusive.”

“I’m the one that has to deal with the consequences of their actions,” he says, as if that means something. As if that puts him in a different group from them entirely.

“So you want to kill them?”

“No,” he says, quick—because that’s what he’s supposed to say, you think. Then he quiets for a moment and seems to actually consider your question. “No. But—I do think about it.”

You both sit with the admission. Though the train car is empty, you feel cloistered, walls too tight around you.

“It makes me worry that I’m not a good person anymore,” he tells you.

“Did you want me to read you so you could decide whether you’re good or not?”

“I wanted you to read me because when I heard about those little girls that died, Satoru had to talk me down from going to that village and killing everyone.”

The conductor comes on the speakers, announcing the last few stops. It's both shocking and reassuring to have another person so close. You can't believe this conversation is happening in such close proximity to a person that couldn't even begin to understand the nature of its contents. Strangely enough, the admission quiets some of the fear inside you. Because you can understand it, on some level. Those girls were sorcerers. They were also nine.

“I had to see if there was anything inside me that didn’t want to do it,” he says. “Because—if there’s not—”

“I don’t see everything,” you tell him. There's more you could say, but you've never been comfortable revealing the true extent of what you can do. You've been a tool for long enough that you know being more effective begets more use. “I don’t think you should use me as a metric.”

“It’s obvious that what you saw wasn’t very good.”

“They starved to death,” you say. “I’d be angry too.”

And you're not angry, you realize. Not in the way that he is. Two little girls were starved to death for being somewhat different, and you can't get yourself to feel more than disgust. More than frustration. Parts of you have been quelled over time—being a jujutsu sorcerer necessitates this. You can't get angry over everything because everything is unjust, and everything is unfair, and eventually it'll all build up. Maybe into what Geto is experiencing now. If you hadn't desensitized yourself like this, maybe you would have bodies in your head.

It's unlikely. Not to the extent he does. But it's not like you're a stranger to violence.

“Maybe I’m not a good person because I’m not angry the way that you are,” you say.

“I don't think that's true,” he says, smiling, a little slight and a little sad.

It's the only time since you'd read him at the edge of death that you don't see fox teeth—but the smile is still not entirely kind. His words don't speak of reassurance. Perhaps a sort of envy. You're familiar with want. Uncomfortably so. You recognize it even when you try not to. Maybe he wants to feel the way you do. Less angry. Or maybe he does truly see you as good, in a certain context, and he wants to be there on that level with you.

“The first time I ingested a curse," he tells you, “I was so sick I couldn’t stand. I didn’t realize how awful it would taste. There’s nothing I could compare it to. After it was done, I threw up until my stomach was empty, and then kept going. The stomach acid burned my throat so badly that I had to go to the hospital. I was still young.”

You stay still and quiet. You don't want to relate to him so you try not to.

“And sometimes I wonder—would any non-sorcerer ever understand that? Could they?”

You try not to, and you fail at it. “Will you show me?”

He looks at you in askance. You don't tell people that you can do this. Only Kento knows. It's not something you should allow Geto. Not when he scares you the way he does.

“The first time,” you say, because despite knowing you shouldn't do this, it's that sick curiosity again that pushes you forward. And maybe something else—a want. A need to relate. To be sure that someone else has known what you've felt your entire life. “If you really concentrate on the memory—I want to see it.”

To show you, he touches your face: it’s so dark and i’m scared. and mom said to come home soon. but i saw this thing and i want to see if i can beat it                     no. i’m lying to you. there is a way i want this memory to go. i am a good child and i want to go home to my mother but i am so curious.           i am so curious i am so curious. i want to see what that thing looks like when i kill it. i know i can. i know i am different. i scare my mother and father and they still love me very much because it is so dark and i am so scared and i am just a child.           but i am not scared. i follow the thing into dense trees that shadow the park. i play here with my friends. i kill it.           i don’t know how i know what to do but i do and                     !!! oh                               !!! god                     !!! oh god                                                   please.                                                   please.                                                   please. don’t make me do it again don’t make me do it again don’t make me do it again i want to go home i want to see my mother i do i’m sorry it hurts it hurts oh god           oh  i want to be good. i’m sorry. i want to be good. i’m sorry. i want to be sorry. i’m           god. 

The way you come out of a reading is usually like a free-fall without a parachute. One second you’re tumbling through the air, and the next you’ve been abruptly stopped. Being shown something is different. Kento would show you his childhood when you asked, moments with his family, bad parts of missions that he didn't want to voice but still wanted to share. It’s a little easier to stomach.

Usually. 

His hand lingers near your face, resting on your shoulder. He’s so close to you and he smells like very expensive cologne and you suddenly see how tired he is. His smile hides more than you thought it did. Maybe more than you had been looking for.

“Do you have a final verdict?” he asks. “Or should I decide for myself?”

There’s a predilection in him, you think. He’s predisposed to anger, the self-righteous kind. So is every other sorcerer you’ve ever met. And yet it’s different with him—more complex. Something else is very wrong with him. Deeply.

“I don’t like it when people touch my face.”

“I can keep that in mind.”

“I want you to apologize.”

“Of course,” he says, gentle. Was his voice always this gentle? Or is it because of all he’s shared with you on this train? “I’m sorry.”

The doors of the train open and a tinny voice announces that you’ve reached the last stop of the night. You missed your station a long time ago. You’ll have to pay for a cab. “I don’t think you’re a bad person,” you tell him. “But I'm afraid of you.”

He nods. Sits back on his heels again. “Will you be okay getting home?”

“Yes,” you say. “Thank you.”

You make it home just after one in the morning and lay in your bed with your clothes on and you don’t sleep. You don’t sleep at all.

i will link part two here when it is posted!

[luxaofhesperides]

Ghostlights where Phantom saves Duke or the Signal, and a week later (at a Wayne gala or some other place) Duke recognizes the light/aura coming from Danny

Putting off gala prep was perhaps not the best plan. Duke spent the past month insisting that everything is fine and he has it under control. Duke is also a lying liar who lies, and now he’s frantically trying to pick up his suit in time to get it dry cleaned and altered as necessary. 

Alfred would be disappointed in him, but in Duke’s defense, he had to go out of town on a mission to bust a growing drug cartel, and then spent half a week visiting a shelter for metas on the run (unofficial and hidden away) to help everyone find new homes and learn to control their powers. These things take time!

Unfortunately, gala prep also takes time, and since it’s a charity gala for funding the education of every Gothamite student, it’s not one he can slip out of. The entire family is being strong-armed into attending and not making a scene until the donation period in the first half is over. 

Duke knows he’s not the only one who’s scrambling to get ready for a gala that’s taking place in three days, but they’re not helping him, so it feels like he’s the only one messing up. 

“Sorry!” he calls behind him as he sprints through a group of people. 

He could have asked someone to drive him, but he knows they’re all busy and doesn’t want his own poor time management to cause problems for anyone else. Even though he’s sure Bruce is looking for an excuse to get out of a mandatory Wayne Enterprises board meeting that both Lucius and Tim dragged him to.

RIP Bruce. He will be missed.

The Diamond District is full of people walking the streets, sprinting between parked cars and waiting for their rides. They’re all dressed nicely, making him feel out of place. It’s a feeling that’s never left him since he joined the Waynes but it’s particularly bad when he’s left to navigate these spaces alone. Rich people and socialites are a different kind of human, one that Duke doesn’t care to understand; there’s greed in all of them, turning them heartless, and they can give as much as they want to charity but it won’t change the fact that all they do is a performance to make people like them, rather than a desire to do anything good. 

The sooner this is over, the better. He keeps going, hoping that he can still make it to his appointment with the tailor. Alfred recommended the store, then set up the appointment, so all Duke has to do is trust their judgment as they get him fitted. He’s still got twenty minutes until the scheduled time, but some unspoken rule makes it so he has to show up fifteen minutes early for better service or risk being turned away and told to reschedule. 

Duke slows to a walk when he catches sight of the store, the trying to catch his breath and look more composed before he reaches the door. He takes a moment to straighten his clothes a bit, then opens the door and steps in.

The bell jingles pleasantly above his head. The store is empty of any other customers, and the employee at the front counter looks up with a plastered on smile. 

“I’ll be with you in a moment!” she says, then looks down at her phone and types something out before placing it under the counter. A tablet comes out instead and she swipes through a few screens, then sets it down and look at Duke again. “How can I help you, sir?”

“I have an appointment? For a suit fitting. Under the name Thomas.”

She taps on the screen for a minute, then nods and gives him another customer service smile. “Alright, I’ll go ahead and grab the tailor. They’ll be out with your suit soon. Please, feel free to take a seat or browse some of our suits. We just recently got a new collection in from Italy.”

“Sure, thanks. I’ll just… be here, I guess.”

The employee takes her tablet and disappears through a door, leaving him alone in the store. He doesn’t want to sit down, not while his heart is still trying to settle from his sprint through half of Diamond District, so Duke wanders around the neat stacks of dress shirts and vests, pants and belts and shoes lined up neatly against the walls. 

He takes a moment to shoot Alfred a text that he’s at the tailor for his fitting appointment. Steph’s sent him a long string of videos online, and he’s just about to go through them when the bell rings again. 

Duke glances up and watches a guy walk into the store. He looks around, makes eye contact with Duke, then quickly looks down, taking a seat by the door.

Probably another upper class citizen uncomfortable with the fact that someone in jeans and a hoodie is shopping for suits. Shaking his head lightly, Duke wanders deeper into the store to get some distance between them so they could ignore each other more easily. It’s only until the tailor comes out, and then he can go to a fitting room and be done with this whole thing, so Duke resigns himself to suffering through the tense silence. 

How long is he even supposed to wait? He can only look at clothes in one of three colors before he gets bored. 

He goes to another rack, trying to see if he can notice anything different about these shirts. 

And then he hears a shoe scuff against the floor behind him. He tenses up, but before he can turn around, a belt is wound around his throat, pulling him back and choking him. 

Duke drops his weight, tucking his chin and gets a hand against the inside of the belt to try to push it away. His back hits someone’s chest and he’s trapped, focused on trying not to be choked to death while also keeping his vigilante abilities and meta powers secret. 

More footsteps come from behind, and a soaked cloth is pressed against his nose and mouth.

Chloroform, he realizes, familiar with the smell from Bruce’s training. But training isn’t enough to keep him from being knocked out, and he quickly slips away from the waking world, falling to the ground. 

Just before he passes out completely, he hears the employee who greeted him say, “I’m not sure how much Wayne would be willing to pay for him, but let’s start high and negotiate lower. New kid can’t possibly be worth that much…”

Duke wakes up groggily, memories of what happened quickly snapping into place. He’s too out of it still to get up, but he’s awake enough to be offended. Sure he’s the new kid, and barely even a Wayne, but he’s still worth a lot!

Kidnappers these days. So rude.

He doesn’t hear anyone around him, and it feels like he’s lying on a cold concrete floor. Basement, maybe? Warehouse? Storage unit tucked away somewhere? There’s nothing much to see when Duke is able to open his eyes, squinting bareilly at his surroundings. His arms are tied behind him, wrists bound, but they left his legs alone. 

If he could just hit the panic button on his bracelet…

Duke wiggles around, fighting through the lingering effects of Chloroform, and manages to sit up. If he strains his hearing, he thinks he can hear voices outside of the empty room he’s been left in. There’s a window high up, too high for a normal person to reach without help, but if he can use the shadows to travel through it, then he may be able to escape on his own. 

First things first: he needs to free his hands before anyone comes in to check on him.

They used zip ties on him, which is inconvenient. He’s learned how to get out of them, but it’s difficult enough without being drugged and having to do it behind his back. 

He’s feeling the zip ties bite into his wrists just as there’s a crash from outside the room. His kidnappers yell, alarmed, and are quickly silenced. That’s rarely ever a good sign. Duke renews his efforts to escape, ignore the pain in pushing against his binds like this. 

The door opens. Duke hears the small click of a lock disengaging and freezes. Then he gets to his feet, still unsteady, and prepares to ram his head into anyone who comes near him like some sort of deranged battering ram, or a drunk raging bull. 

Duke is ready for the worst: a gang hoping to steal away a Wayne hostage, a Rogue, Gnomon popping in to cause trouble for the sole purpose of getting on Duke’s nerve. 

He’s not expecting another teenage boy, who is literally glowing, to poke his head in and zero in on Duke. He blinks, then smiles; it’s friendly and sincere, nothing like the employee who helped kidnap him. 

“Hey!” he says, coming into the room properly. He’s floating a good foot off the ground, eyes a bright neon green, with white hair that sways as if he’s underwater. “Are you okay? I saw them drag you out of the back of the store and followed them, but I got a bit lost. Sorry for taking so long to get here.”

“...It’s fine?” Duke offers, trying to wrap his head around what’s happening. “I wasn’t expecting a rescue so soon, anyways. Think you can help me out here?”

“Yeah, of course!” he flies closer, then drops down to the ground behind Duke. He hums lightly under his breath, and then Duke feels a cold touch on his wrist and the zip ties are suddenly gone. 

Duke blinks, then brings his arms in front of him. He moves around a bit to make sure he’s not hallucination, and sure enough, he’s free and unbound because a random meta teenager vanished the zip ties into the ether, or something. 

“Thanks, man. Any idea where we are?”

“Not a clue. I got lost coming here, and I was following them. I don’t think you should trust any directions I give.”

“Fair enough,” Duke laughs. “I’m Duke, by the way.”

“Phantom.”

“Well, thanks for the save, Phantom. Can I treat you to something?”

“Like, coffee?”

“Sure. Or brunch, or ice cream. Whatever you want, really.”

Phantom considers it for a moment, then shakes his head. “Sorry, I would love to but going out in public looking like this,” he gestures to himself, “Is not a great idea. Thanks for the offer though. You got a ride?”

Duke pats his pockets, then sighs. “My phone’s gone. I still have my wallet, though.”

“I fly you to someplace you can call someone, if you’d like.”

“You sure? I could probably just walk out of here and call a taxi.”

“I don’t think walking around by yourself after being kidnapped is a great idea,” Phantom says, doubtfully. “Seriously, let me fly you.”

He should just hit the panic button and wait for someone to show up to get him. He shouldn’t go to some unknown location with a meta he literally just met. 

But, you know what? No one else can say they got kidnapped twice in one day, so Duke nods and says, “Sure, sweep me off my feet, Phantom. You gotta commit to this rescue.”

Phantom laughs. And then he does sweep Duke off his feet into a princess carry with a cheeky grin and flies them out the building, which turns out to be an abandoned apartment building slated for demolition. 

“Keep this up and you’ll be replacing Superman in no time,” Duke jokes.

“I think I could manage it,” Phantom replies thoughtfully. “I mean, I’m already prettier than him, don’t you think?”

“Oh, definitely. The glow really brings out your eyes.”

Phantom gets him a few blocks away when Duke recognizes where they are, and quickly directs him into Crime Alley. They land on top of one of Jason’s safe houses, and while he’s sure there’s enough security to take out a SWAT Team, that’s absolutely not going to stop him from breaking in to use one of Jason’s burner phones and eat his leftovers. 

He’s set down on his feet gently, and as soon as Phantom sees that he’s fine, able to walk and everything, he floats back up, just out of reach.

“Be careful, okay?” he says, getting ready to leave.

“I’ll do my best. Hey, are you gonna be in Gotham for a while, or…?”

Phantom gives him a tired smile. “Nah. I’m just passing through. As long as my luck doesn’t get even worse, then I should be out of here in a few days.”

“Shame,” Duke says, giving Phantom a very visible once over. He’s pretty tall, and Duke can see some muscle on him, and the tight black outfit really adds to his look. The glow that comes out of his chest makes him look ethereal and Duke is beyond glad that he got such a charming rescuer.

Phantom doesn’t blush like a normal person. He glows brighter instead, curling into himself a bit as he looks away, unable to stop the smile from growing on his face. 

“I guess,” he shrugs. “Are you really going to be alright from here?”

“Yeah, man, I have a friend who lives here. I’ll just bother him until he agrees to give me a ride.”

“Alright.” Phantom drifts away, glancing behind him before turning back to Duke. “I’ll get going then. Take care, Duke!”

Duke waves and watches as Phantom begins to fly away. Then Phantom… disappears? Or rather, his body does but Duke can see an orb of light making its way across Gotham, almost like a star fallen from the sky.

He stays on the roof until the light is long gone. When he’s finally ready to go in and steal from Jason, the sun has completely set. 

And he still doesn’t have his suit.

Duke sighs, and mentally prepares himself to other day of stressing out about the gala.

Three days of stress and last minute scrambling leave Duke in the Gotham Museum of Modern Art with Steph, Tim, Cass, and Damian. They’re hiding in the photography gallery to avoid other guests, taking a break from being polite and letting thinly veiled, passive aggressive insults slide over them.

.

.

.

“How much longer must we suffer this before we can go?” Damian grumbles, looking like he’s do anything to get his hands on a blade. Which, considering how many people tried to either pinch his cheeks are say some racist remark about him and his mother, is totally fair. Duke would just punch them, but sometimes a little drama helped get the message across. 

“At least two more hours,” Tim says, not bothering to look up from his phone. From what few glimpses of the screen Duke caught, he’s leading a Titans missions through text and clever hacking. Though it may be more accurate to call is a Young Justice mission since there’s no way any of this was authorized by a Justice League member. 

Also Anita, suited up as Empress, is there. If they aren’t on the news for property destruction and absolutely batshit wild shenanigans, Duke will have to check on Tim to make sure he’s not a pod person sent to infiltrate the family. 

“Think we can sneak out without anyone noticing?” Steph asks, looking at the emergency exit longingly.

Cass shakes her head and points to the door leading to the ballroom. When they look over, Dick makes very deliberate eye contact with them and give them a smile that looks stretched across his face.

Tim winces and pushes Duke. “Oh, something went down. Go take over for him and let Dick rest in here for a bit.”

“Man, why does it have to be me?” he grumbles even as he stands. Dick lets out a heavy breath and gives Duke a grateful smile, patting on the shoulder before shoving him out the door. 

As soon as he’s back into the main hallway, the music and chatter swell, no longer muffled by the thick walls of the photography wing. A few people come and go from the ballroom, no doubt looking for the restroom. 

Or more private places for… other things. Things they definitely shouldn’t be doing in an art museum.

He really can’t wait for this night to be over.

Duke joins the rest of the guests, fake smile on his face, and quickly makes his way to the snack table. He might as well make the most of his time stuck out here. Maybe he could even cause another relationship scandal by implying that Bruce is sleeping with one of partners when in hearing distance of a couple. Maybe even both of them. 

Bruce would go with it. It’s hilarious and he also needs something to make these events bearable.

Sadly, he doesn’t see any good targets as he scans the ballroom. A few people are dancing, while others are talking in small circles, closed off from outsiders. There’s an entire table of old ladies with glasses of wine in front of them; Duke considers hanging around them, since they confess to a lot of crimes after a few glasses. It’s fascinating. 

Also, he does kind of miss hanging out with the one old lady who’s declared herself his high society grandmother and told him stories of how she used to go to bars to find racist people or Klan members during the Jim Crow era, seduce them, then poison them and get their addresses so a few gangs she was friends with would fuck them up.

Granny Kaliasto is the coolest person ever. 

Just as he’s about to finish his last mini rolled crepe, Duke catches sight of one of the few teenagers still in the ballroom. The others, mostly stuck up rich kids no one actually likes, have already left to take over some other part of the museum to gossip until their parents decide it’s time to go home. These two are clearly not part of that crew, what with the girl being very goth and in a poofy, ripped dress, and the boy having already taken his jacket off to keep over his forearm, the top button of his shirt popped open.

They might be cool. He’s hoping they’re cool because he desperately needs some company to keep from dying of boredom while the gala continues on.

Duke walks over to them, going around the side of the ballroom, until he’s close enough to hear them talking.

The boy has his back to Duke, but the girl sees him. She immediately scowls and slaps the boys shoulder, eyes locked on Duke.

“Got another comment about my dress?” she says, voice sharp and acidic.

“Another?” Duke repeats. “I was just bored and wanted to talk to people who were my age. Sorry?”

The boy smacks the girl’s arm, then turns to face Duke. “Sorry about her! Sam is just naturally rude and aggressive. Tonight’s been a bit rough, with this crowd.”

Duke goes to say something, but the words stick in his throat when he sees the boy’s eyes shift from deep blue to an electric green. When he focuses, he can see a faint glow in his chest, the same glow he saw in Phantom.

“Dude? You alright?”

Sam looks him over judgmentally. “I guess it’s nice that I’m not being ogled for once, but don’t do that shit to Danny either.”

“Wait, that’s not what I was doing!” Duke hurries to say, snapped out of his shock. “I just… you look a lot like someone I met recently.”

“Yeah?”

“Yeah. What was your name? I’m Duke, by the way.”

He holds out a hand, and the boy shakes it with a small smile. “Danny. I don’t think we’ve met. I mean, I’m only here because Sam wouldn’t come to this gala without me, so her parents flew me in.”

“You from out of town?”

“Sam and I are from Illinois. Her parents are traveling around the east coast right now, and they decided to spend a week in Gotham to talk business.”

“I’d ask how it is, but outsiders tend to really hate Gotham, so…”

Sam barks out a sharp laugh. “Oh please, we can handle Gotham. Our town might not be as big and well known as Gotham, but we got our own shit to deal with there.”

“I do get shot at a lot back home,” Danny adds thoughtfully. “And that’s without the ghosts.”

“Woah, what?”

“Up for a bit of a story?” Danny asks, impish grin on his face. By his side, Sam brings a hand up to cover a manic smile, shoulders already shaking with laughter. 

This is already better than the grandma gang. Duke leans against the wall, getting settled in, and says, “Always, man. Hit me with it.”

The next hour an a half passes quickly with Sam and Danny dramatically narrating some of the things that have happened in their town. Duke listens, absolutely enraptured, and doesn’t even notice the Waynes file into the ballroom again. 

Unfortunately, they bring with them the attention of most of the ballroom, including Bruce and Sam’s parents. 

She cuts the current story about Box Ghost short with a heavy sigh. “Hold up, I need to greet the Waynes properly while my parents are watching.” She steps in front of Duke and Danny, holding out a hand with a pained smile.

Tim takes it first, giving a solid shake, and introductions start. 

Free from the rules of high society, if only for the moment, Duke leans closer to Danny and whispers to him, “Phantom. Wanna get out of here?”

Danny flinches and turns to him looking panicked. “How did you know?”

“I kinda got magic eyes. I see a lot of things normal humans can’t. Don’t worry about it. I still owe you, so you wanna get out of here?”

He watches as Danny glances around the ballroom, then back to him, clearly weighing out his options. Then he nods and says, “Know where to get a good milkshake around here?”

“Sure do.”

“I guess you’re the one rescuing me this time.”

“Not a rescue,” Duke corrects, and casually picks Danny up over his shoulder into a fireman’s carry, “A kidnapping.”

Danny laughs and waves Sam and all the others goodbye as Duke marches out of the ballroom.

“Don’t bother me for the next two hours!” he calls to the Waynes, “I’m going on a date!”

There are shocked gasps and murmurs all through the crowd. But as he spins around to wave at his shocked and easily amused family, he also catches sight of Granny Kaliasto raising her half full wine glass towards him.

She really is the coolest.

He’s definitely telling her all about this at the next event they attend together. It’ll be nice to have a few stories of his own to share.

[mellohiizz]

@saiintvalentiine hello. the npc fic left me absolutely in shambles i needed to draw them.