#feels slightly better

[magerightsmagefights]

Nothing Rook can say to Solas will ever be more savage than Spite looking him in the eye and going “Hmm. Smells like lies and crying.”

[bigfatbreak]

Birds of a Feather previous / next

[hinamie]

playing around w slightly different hair renders

[benevolenterrancy]

Scholarly peak is catching up on recent literature

[puppetmaster13u]

Prompt 207

Danny does not come out of the portal. 

In fact, he’s lost. Very lost. He just wants to go home and is getting scared of everything around him because he doesn’t know what’s going on. But! But he’s found an (admittedly also terrifying) castle or keep or whatever they’re called that all the ghosts avoid!

It never exactly enters his mind that they might have been avoiding such a place for a reason. 

In unrelated news, the first thing Fright Knight sees after his sword was (accidentally) knocked free from its prison is not a blob ghost- they’ve done it a few times over the eternities- but a ghostling. A newborn ghostling, who promptly bursts into tears to his genuine horror. What did he do?!

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[bet-on-me-13]

Sam is Adopted

So! Have you ever noticed how Sam doesn't look like either of her Parents? Her Mom and Dad are Blonde and Ginger, and neither of them have Purple Eyes. How would Sam ever come from either of them?

She tells people that she dyes her Hair and wears Contacts, but the reality is that she was adopted as a baby by them. They had just found out that Pamela was Infertile and they wanted an Heir foe their company, so they decided to Adopt a kid.

But the Adoption Agency didn't have any kids who would realistically look like them, so they just got the first kid they found.

She had been left at the Orphanage by her Mother citing an inability to raise her and an unstable income. She never told the Agency her name, but told them that the baby's name was Sam, named after her Grandfather.

Sam was raised knowing that she was Adopted, but never really put much interest into it. Until one day when she decided that her adoptive Parents support of the Anti Ecto Acts was a step too far for her. She took an Ancestry DNA Test to see if she could find her Bio Mom to get away from them.

The results came back, and she found out that her Mom was a woman from Metropolis named Lois Lane.

[u3pxx]

kim!!!! kim!!!!!!!!!!!!!! kimmm! :DD (old doodles from when i was first figuring out how to draw him)

[solbellaria]

IT'S BEEN 84 YEARS

I missed boat boys so much 😭

[sunclown]

Quiet

[alc0h0lic0]

Sketches ^_^

[francy-sketches]

sorry I got posessed by the wattpad demon I'm normal now (lying)

+alt version that didnt fit the #aesthetic but it better represents my #vision of them ^_^ hashtag couplegoals

[princescar]

Ultimate Fashionista... Mikan Tsumiki??

she doesn’t like this one very much

[peachphernalia]

whole hugging a cow because i like whole & i like cows

[5-pp-man]

no you don't get it. i literally love stories where they dive into people's hearts/minds (literally or figuratively) sm it's my favourite type of storytelling.

[sparrowlucero]

Why don't you like the sea devil design from Legend of the Sea Devils? It looks just like the originals

Unfortunately it's probably my least favorite nuwho imagining of a classic monster, mostly because a lot of it's flaws don't feel like intentional art direction but just a failure to get what the classic one is going for. I think the original (right) was clearly working off of concept art that was referencing animals very closely to attempt to create a natural looking design (as was the case with many of the pertwee era designs), whereas the newer one (left) seems to be working to replicate the original as closely as possible without quite understanding the anatomy or considering how to better realize it with the resources of modern fx:

I think this original is a much more thoughtful creature design in general - I think the eyes look more like a real sea animal, I think the lines in the face look nicer when they're much more subtle, the lower beak is a little narrower which I think looks better. look at, for instance, how comparatively natural the bone structure of it's frill and the slope of the head is.

and you know on top of that I just don't really want to see a 1:1 recreation of the original, even if it had been perfectly replicated; I would really hope the show would take the original design and create a new version of it with modern, more versatile fx. Oh well. (also: as I mentioned earlier, I just flatly don't think it's good looking or even workable fx. There was some sort of public falling out with the big established studio that had been doing practical fx work for the show since 2005, and they brought in a new, much younger studio to do the final season. I absolutely respect their work as artists but unfortunately, I don't really gel with their style and I think that their relative lack of experience - iirc this was their first job - shows with all of their creatures to some degree. It's especially notable here as, to my knowledge, they were working on bad crunch time and ultimately weren't able to get the sea devil head to function as intended. So, you know.)