#feeling kinda big here

[discodummy]

New underwear!

Don’t look at my pile of laundry

[dizzybizz]

KAEYA BIRTHDAY ??? ?? i love you mr alberich sir i love you oh so so so much.

uh dialogue for this one but more legible under the cut (and a messy ragbros page)

Klee: Kaeya! Come down here! Kaeya: Oh? heh. What is it, Spark Knight?

Klee: Happy Birthday! It is today? Right? I even double-checked with Albedo and everything but I don't know... Klee: It's a Calla Lily! You like those, right? Kaeya: I certainly do! Thank y- Klee: Oh. Klee: OK OK OK- Kaeya: Hm? Klee: Kaeya you have to promise to not tell Master Jean about this one! Kaeya: You can count on me to keep my lips sealed.

Klee: OK! Close your eyes- eye- and hold out your hands! Kaeya: Mhm! Klee: OK! You can open them! TA-DA~!

Klee: I made a bomb for you! It even has an eyepatch! He can look after you when I'm somewhere else. Take good care of him! Oh yeah- He explodes if you- Kaeya?

Kaeya: Thank you Klee! Thank you very much! Klee: You're VERY welcome Kaeya!

a lil ragbros too.... kaeya and his red siblings amirite (bursts into tears).. also i am so obsessed with chibi diluc saying "bring em in..."

[buttercupshands]

I started drawing this next day after I finished Act 6

13 or so days and it's finished!

Main things are traditional and Loop's body was edited digitally after

Unedited it looks like this

I've been torn on how to do Loop's body for the entirety of lining, also

A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines

I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)

I even finished the beans before it so they were a moral support, because if you let me things like this take a year

[yukipri]

feelin kinda sad so eating an obscene amount of pasta

[sillywoyscreenshots]

[noxious-fennec]

A redraw of an old thing because exam season is the only time i get creative energy ig

[flowerakatsuka]

Osomatsu-san x Harimaware! Koinu The Chara Shop ( 2024 )

[prince-liest]

It's kind of a weird (not sure if good or bad or just neutral!) experience to realize that a lot of the personal headcanons I've written into my own writing have become well-known enough that they're treated as general fanon with a lot of people using them and not realizing that they, like, originated from a specific place rather than just being ambiently popular. Every once in a while I come across a fic where there's an AN that says something to the tune of, "Oh, I saw this popular headcanon that [insert something really specific from 666: Live On Air!] and wanted to[...]" without attributing it to me - or, most likely, even realizing that it came from me!

It's an interesting feeling! I think the times that actually bother me are when it's people that know they got the headcanon directly from me and choose not to credit me (or in one weird instance, credit me, then edit their stuff to bury the credit to be really hard to find for some reason - y'all, I do notice these things even when I don't comment on them).

I've been straight up plagiarized many times before. It's ranged from friends in RP groups stealing my characters because I wasn't using them often anymore, to more recently someone ripping out chunks of one of my Hazbin Hotel fics and rewriting it as their own. It's a uniquely horrible feeling, and I think it makes me sensitive to feeling uncredited as a result even when plagiarism isn't occuring. On the other hand, this is literally how headcanons evolve and I'm actually so fucking happy that specific things that I was outright nervous to post because I thought people would (and in a few cases, people did) react very poorly to them are now, like...fairly common fanon.

Anyway, I don't think it's wrong for people to carry forward headcanons to the point where they don't even know where they came from. I also think most likely some concepts became convergently popular when more than one person had the same thought! It's how fandoms work and I know for a fact I've done the same... but it does very much give me the warm and fuzzies when people that use my ideas do give a nod in my direction for where they got the inspiration! In return, I try to make a point to do the same.

[afreakingmilkshake]

[radiocrypt-id]

I got- I can't!

Imagine being 15, you've grown up your whole life with this one belief in this one God and you were told you were Chosen by Him, for Him. And you're 15. You believe so fully in the spirit of your religion, not necessarily the word, that you want to go to a non-religious school to try and help other kids maybe find your God because you genuinely believe that could be helpful to some of them, because it's all you know, and it's helped other strangers (human trafficking victims she helped in the black pit before) so why not other kids her age? You're 15 and all you can think about is helping others. And you start thinking about your religion, and reading books, and asking questions and you come to the conclusion that maybe your God and His Father aren't actually all that great. Maybe the church you're in has done some really bad things that you can't possibly make up for. Maybe that church is still doing bad things. And then you find out your family is actually in a cult for that God, not just part of the normal church, and you suddenly have to undo all the cult shit in your brain you were raised with, while that cult stuff you know about is actually useful to your friends, like having that knowledge is helpful for them! You're 15 and you stop going home. You have no real adult supervision or carer, just your other 15 year old friends.

Imagine you're 16, you're gay and figuring that out on top of navigating your first full romantic relationship and being the sole creator and cleric to a new God that you honestly find to be very two dimensional and empty. You're on a quest to find an evil being and stop them. You nearly die. Your friends nearly die. You're 16. You're 16 and feel something calling out to you, you know it's divine because you've felt that sort of pull before, but you've never felt one like this. You find memories and hints and pieces and you figure out that the evil being you have to stop, isn't evil, she's just hurting. She's hurt and She's a God. She's your God, and she's so happy to see you, and she has so many ideas, and so many hopes.

You're 17. You've spent your rest time (summer vacation) tearing across the world chasing down and defeating another evil thing that you and your friends accidentally released in the first place. Your God is with you, you have no time for Her. No time for anything but trying to survive and stay sane. You know She's disappointed in you, but you're one person -ONE PERSON- and you're 17. You missed your birthday. again. You've saved the world; again. You're so fucking tired -like always. You're Chosen, and alone, and have no idea what to do with your life, let alone your God. You aren't very good at school, but you go to every class. You're drowning as you try to rewrite your understanding of the world from what you grew up with, having no idea how to do anything without a book and godly hand to guide you. You only ever followed before, your new God is demanding you Lead. You don't know how. You're only 17. You see your horrible, abusive parents spitting abuse and racist rhetoric at your baby brother, who you haven't seen in two years, on the front steps to your school and for the first time ever you are filled with righteous fury. Your God answers your call, not knowing what you need but so eager to help, eager for your attention, she starts talking to you but you're busy -why can't she understand that you're fucking busy? trying to not die, trying to be safe, trying to keep your friends alive, trying to navigate a world that hates you, you're 17 and you're busy goddammit just wait!- and she snaps back at you and flees. The next time you see Her, maybe an hour later, She's got a creature with Her that nearly destroyed you and your friends last year sitting in her lap, so smug to see you again.

You're 17- no, 16- no, 15 years old and you're expected to build and carry the world on your shoulders, Chosen from birth, raised a lamb to follow a Shepard, not to be followed behind. You have no one and nothing and everyone expects everything and you can't back up, you can't pause because if you do someone dies and doesn't come back. You have to be a hero, a chosen, a saint. The steps behind you crumble to dust with each step you take forward and the new one is already cracking under your weight. There are only wrong choices. There's no hand reaching for you. God, you were taught, will save and guide you. God knows best. Why is your God looking to you, a mortal human, to be saved, raised and guided? You're a child.

You're just a child.

You just want to go home, wherever that is. You thought it was your God, but She's not exactly helping you out either, is She? She's just disappointed. Like everyone else. Like you.

You're 17. You think it would have been better to never do any of this. It would have been easier to stay, blind and naive. Sometimes you think you should have stayed in heaven. Sometimes you think about the God you killed by not being good enough for it. Sometimes you lay on the floor and stare at the ceiling and pretend you don't exist for awhile. Sometimes you work your body so hard you forget it's there and your mind shuts up and you exist without being you. Sometimes you wish you never asked any questions or read any books. You're 17, but sometimes you wish you were 15, with no idea yet.

You're 17. You wish you were good enough.

[mel-loly]

-Thank you to everyone who is still here liking, commenting and reblogging my content, even though I'm not posting much “fandom stuff” anymore, you're still here! And I really appreciate that.. (and that makes me so happy, that as I showed in the “comic”, it moves me, so- thank you, really!!) :]💛

Also- a tip: there are also many other blogs that don't post fandom stuff, but when they do, they get more likes and reblogs than the original/other content.. So also give love to those people who have your original content, reblog, like, comment, because that's what they need! Recognition for your original content! And I know you won't regret it, and it won't hurt you to do what I said! In fact, you will be doing good and giving such love that many wanted and deserve.

A big kiss/p and a hug! Even for those who only like it when I post fandom stuff, I still love you so much, and I won't stop making this type of content, ok? I just want to give more voice to what I have to give as original, because that's what makes me happy and well ^^

-Melissa, Designer.

[lookmomitsmytmblr]

OKAY so I am re-listening to "Death and The Queen" again and I am having Thoughts™.

I can't find any info about when this drama takes place continuity-wise, but my personal placement would be after "Planet of The Ood" (4x3) and before "The Sontaran Stratagem" (4x4) because 4x4-4x6 take place directly following each other with Donna stating at the end of 4x6 that she plans to travel with the Doctor forever. Donna's determination to continue traveling w him is in keeping with the conclusion of Death and The Queen, where she comes to the decision that the Doctor IS her "happily ever after," as it were. Placing the drama after "Fires of Pompeii" and "Planet of The Ood" also makes sense with Donna's desire in the audio drama to have a break from "the extraordinary" of traveling with the Doctor (specifically, horrific death and destruction,) which adds understandable context to her seemingly being so willing to leave the Doctor after searching for him for so long.

 (Don't talk to me about the ending of Forest of The Dead. It's unlikely Donna would have left the Doctor even if she found Lee. Donna's desire to confirm whether Lee was real could be easily contextualized by her wanting to know how much of her experiences inside CAL were a fabrication, and what the supposed "perfect husband" persona would have said about her if it was drawn from her own mind. Also it was written by Moffatt so it shouldn't count anyway.)

ANyway, what I actually wanted to talk about. Notably, considerable emphasis is placed on Donna enjoying her role as Queen and especially caring for her subjects and having power to help people. A greater amount of text is dedicated to her talking about how as Queen she can care for her subjects than her love for Rudolph, even before the reveal that he is human(?) trash. Her attachment to the role of Queen that marrying Rudolph will grant her is established to be largely based upon her passion for helping people rather than luxuries associated with rank, especially in view of the montage of how royal life on Gorotainia is not as glamorous as she hoped but is still enthralled by being Queen. Later in the story, when danger has appeared, her main role in the story is sacrificing and taking the lead to protect her subjects.

Notably, when things start going downhill and Rudolph starts talking to her about the difficult choices that he must make as royalty she comments that Rudolph is “just like HIM” (the Doctor) and that she went with Rudolph to escape these darker aspects of her travels with the Doctor, specifically the hard choices that go with the role the Doctor plays in the universe (while she doesn’t connect these concepts directly, these two statements are placed very close to one another textually.)

Only when her relationship with Rudolph and role as Queen seems like it will involve some of the same dark choices that her travels with Doctor did does Donna decide she doesn’t want to be involved anymore, which is quickly reversed when she finds out she needs to become Queen in order to protect her people. (I love Donna. In case you can’t tell.)

The narrative has established that a large part of Donna’s attachment to her relationship with Rudolph is potential authority to help and guide people, and that her main interest in pursuing a life with Rudolph rather than her travels with the Doctor was her perception that her role as Queen of Gorotainia would not involve the same death and destruction she has seen with the Doctor. Perfectly understandable after experiencing something like Pompeii.

Donna’s compassion and empathy have been essential components of her character since her introduction, with her wanting to protect the Doctor despite being irritated with him and feeling sorrow for the children of a Rancoss that wanted her to be eaten in “The Runaway Bride”, her taking the time to mention Stacy in “Partners In Crime,” and literally everything in “Fires of Pompeii” and “Planet of The Ood’. Donna has always taken the time and the energy to think of others and work to protect them, even this early in her run. In view of how deeply she feels the pain of others, it is understandable that she would find the idea of a world where she could help others from a position of power without all of the death and chaos and destruction appealing, and her outrage at Rudolph for once again putting her in a position where she has to witness (and potentially be responsible for) terrible things happening to innocent people is believable. He proves that being a Gorotainian royal is like being the Last of The Time Lords. On a smaller scale, sure, but still. 

So the text (and Donna) have set up the idea of Rudolph being similar to the Doctor in role, so what is the difference? Rudolph doesn’t much care about people. He is willing to sacrifice his own people quite coldly.

The Doctor does care about people. How good of a person he is, or how good of a job he does caring for people is up for debate, but he cares.

Which all leads me to this quote from “Beautiful Chaos,” that I cannot believe is cannon and real and published.

Why does Donna love the Doctor?

"I wish you could see what I see. We've been to places, to worlds, to futures and pasts you could only dream about. I think half of them I dreamed up because they can't be real. But they are. And everywhere we go, we make a difference. We put things right, we make people happier. That's what the Doctor is all about. He finds a way for the universe to make sense. And I love him for it.”

Donna Noble wants to make a difference. No matter where she goes, she cannot escape the death and pain and suffering and chaos and nonsense that is the universe, and she can’t help but want to help. And right there beside her, the Doctor is working to put things right too. And she loves him for it.

We have this entire drama dedicated to Donna wanting to make a difference, while also escaping the darkness of the universe, and she learns she can’t. There are no happily ever afters.

Except with the Doctor.

I have so many feelings guys.

[francy-sketches]

wanted 2 compare my old joffrey design w the way I draw him now...not much changed besides the fringe but I feel like he has a different vibe now idk

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal

[theghostofwilburtheworm]

iiiiit was my birthdaaaayyy

[xxplastic-cubexx]

not to be myself on main but im still here