#feeling CRAZY about them

[almond-gallery]

mwah!

[meowmedusa]

thinks abt cassandra being brought back to find their wife is dead, being told that their death is what led to hers, and that they cant even talk about it. their singular saint ignores them while they grieve a partner they cannot speak of and has no idea. they found out their wife died and couldn't do or say anything about it.

[losferatuu]

Last night I dreamt I kissed your feet / and held you on our dusty sheets

[video description: 57-second long edit of Hannah Minnows and Grace Zhu from The Afterparty set to "Blood Moon" by Saint Sister. The tone is romantic and tragic.]

[chloesimaginationthings]

FNAF Michael refuses to be gaslit on “THE BITE OF 83”

[keferon]

Guys. Guys they’re miners. They’re tiny cogless miners. Guys

I blacked out and filled the whole three canvases with sketches of them being itty bitty goobers. Figured Imma show you some haha

[atthebell-moved]

found a pillager outpost in a cherry grove so i remade it in pink

[haliaiii]

reading up on argenti’s lore

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[sealsdaily]

WE GOT ON SOME SORT OF NEWS?

[pemprika]

memories better left forgotten

i was emotionally groveling over how phos and shinsha's last moments together were tainted with anguish and sorrow... 🙂 i think it's interesting to see the progressive shift in shinsha's confidence, indicating how much their resolve grew since their first encounter with phos.

out of the two, shinsha is the only one who remembers their promise and the extent of its deep significance. between letting go of the notebook and crushing the mercury-formed figure of young phos, it felt like shinsha forcibly wanted to distance their old feelings for phos, at least the memory of the version who actively wanted to save them in the first place, in order to protect adamant.

nevertheless, i'd like to think shinsha's efforts didn't fall through considering how clearly they could recall their gratefulness to phos since the last few centuries the promise was made until the very end. ^_T

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[nyaaamato]

orpheus & eurydice

[rystiel]

idk what we’re all calling the concept of fiddlestan working together but i’m calling my version the portal partners AU 🙏🏼

[ewwww-what]

The moment when you find exactly what you were looking for (it was your best friend the whole time)

(close-ups below & my commission info)

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.