#favorite was the first death though!

[yvesbuprofen]

just finished watching x WHAT THE FUCK WAS THAT

[captainhysunstuff]

22 more images (with some saucy shenanigans and immature "seduction" tactics towards the end) below the cut:

Ryuk makes his grand return and is brought up to speed with Light and L's immoral union. The date seems pretty successful~.

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Transcript

[crybaby-bkg]

cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst

When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.

It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.

“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.

“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.

“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.

“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.

“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.

“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.

“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.

“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.

[moeblob]

Marin is just the town's cat. She can be found lounging about in the sun and knocking stuff off of roofs (it's not her fault if you put stuff that high up). She arrived in the town on her second life and then just. Opted to never leave. She gives a lot of people nicknames (such as Ren is Renke to everyone else and he will throw a punch if anyone else tries calling him Ren)... and despite her willingness to help people, she is very respectful of secrets. If she sees things she shouldn't "know" then that's fine, she won't tell anyone. So everyone in town lets her do whatever and wherever she wants.

[twentyfivemiceinatrenchcoat]

sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream

[jfkisonthemoon]

they honestly couldve done so much with junpei beheaded/dismembered and im disappointed that it ended up just being mira. so much of his character and his relationship with akane is characterized by his lack of bodily autonomy, and him being openly beheaded during the nonary games would be the ultimate example of this. its perhaps the most brutal death in the game, and it never really gets explained or developed beyond the one puzzle that we get with it. junpei has been shown repeatedly to be subject to akane's plans or follow her blindly and i just think that would have been a really interesting angle to approach his beheading from. junpei has willingly signed up for nonary games in two different timelines just because he knew he would see her. he was infected with a deadly virus trying to find her. he grew desensitized to death as he took underground jobs to try and find her. his safety always comes second when shes in the picture, and his beheading wouldve been a prime opportunity to 1. exploit his willingness to let himself die/be injured for her and 2. make akane confront the fact that her confidence that junpei will always follow after her is not necessarily a positive thing.

[darkxsoulzyx]

IM BACK INTNHE FUCKING BUILDING RAAAAAH (SUN AND MOON SHOW DOODLES PART WHATEVER IM ON AT THIS POINT—)

God I think my favorite dynamic rn is the twins and Eclipse XDDDD

They just are so silly and so evil and mean towards each other haha Lunar is a little goblin baby and all, but GOD DO I ADORE THESE THREE SO MUCH

I hope nothing bad happens to them. I hope nothing bad happens to them.

[I ignore the last several days. I am in so much denial. No one touch me—]

[july-19th-club]

love season 2. i'm concussions! and i'm psychic visions! the headache brothers

[turtlespancake]

me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU

[caterpillarinacave]

Since you seem to be the person to go to for TID recs... I'm missing Sophie a lot rn and am looking for some fics. Do you know of any? I'll take most relationships, but I'd like Sophie/Gideon, Sophie & Tessa, or Sophie & Charlotte best. <3

*opens trench coat revealed to be full of AO3 bookmarks* You’ve come to the right place. Take your pic.

*These are strictly AO3 fics since AO3 is the easiest to search. FF. Net likely has a few but I haven’t checked. Worth noting there are several TLH “unwritten scene fics” with a lot of Sophideon primarily in regards to Christopher’s death, with some about Barbara. I don’t love reading those, but I did include one that I found interesting in that vain.* I’ll start with my personal favorite to get it out of the way:

TID era canon Compliant Sophie/Gideon:

Sophie/Gideon canon compliant, very similar to the above two but with an angstier vibe *link was being weird but it’ll get you to the right place:

https://archiveofourown.org/works/37587529

Canon compliant “how Sophie got her scar”. Pre-TID, Sophie and Charlotte, *tw for Sophie’s former employer*

TID group as a whole (somewhat AU-ish features herongraystairs prominently):

Cute little modern Sophideon coffee shop AU (one of several available actually):

[fen-the-space-dragon]

Mmmmmmmmm… your honor, they’re gay.

[qwuilty]

[flugame-mp3]

SEASON NINE FINALE WAS WILD. I HAVE MANY MANY THOUGHTS. WHAT JUST HAPPENED. A FUCKING ROLLER COASTER FOR SURE

[probablygayattorneys]

Though, on the subject of Kira… I liked her breakdown but it felt weirdly familiar. I’m probably just being silly, though. When has someone named Kira ever laughed manically and made crazy eyes as they tried to cover up that they have magical powers that they used to kill multiple people at once? That would never happen, right? Completely unrelated, but has anyone here ever heard of the Death Note musical? It’s pretty good.

[crest-of-gautier]

got the badges for gone fission evp 400 + evp 600 yesterday! .52 gal, l-3 nozzlenose, dread wringer, and squiffer make for quite the synergistic team!

my peak was EVP 810 (appx 300-310% HL). my high score of 151 eggs was obtained somewhere in evp 300...? i'm pretty satisfied with how it went, even if i didn't get HLM or 9s.

some thoughts/reflections on good freelancing teams/traits to develop when trying to rank up in evp under the cut:

i think grinding this rotation was pretty fun- all of the weapons have excellent mobility and i think they cover for each other really well! the l-3 was not my favorite weapon going into it but i think i really enjoyed the accuracy and mobility of it, so it's a bit more favorable for me now :)

i ended up reaching a skill wall in EVP 760-780 where i could not get past wave 2 or 3 (usually for quota related reasons, the quota is BRUTAL! we'd miss it by like 4-5 ish... ofc this partially relates to how well bosses are handled).

the grind for evp was a mix of freelance and grouping up (freelance for 230 -> 440s, grouping up for 440 - 750~, and then testing myself in freelance for that last bit).

i enjoyed the bits of freelance i did, and from my playtime i think these were some of the key traits/practices that indicate "good salmon run skills" to me:

players that know their weapons role(s) and target the appropriate salmonid (but also being willing to break that when priority targets haven't been taken care of)

knowing when a teammate needs help (with a boss or being revived) or when the teammate has a situation under control (e.g. someone's already on the fishstick, you can do something else)

proactive use of specials when problem targets appear, preferably with no overlap (e.g. tri-strike and inkjet activated on the same flyfishes is not the best)

using specials like booyah bomb, triple splashdown, and reefslider to clear basket area in the last 30 seconds to help eggs get in (especially important past evp 600)

teams that paint the walls first thing (especially whoever had the dread wringer). all interior walls for fission can be painted within the first 10 seconds imo

forwarding eggs closer to the basket after splatting static bosses (throwing one egg, and then swimming up with one)

players with good judgment; knowing when to lure (mostly for initial boss spawns), and knowing when to leave the big shot cannon

being able to figure out which directions snatchers come from and what eggs they can help you collect

i think these practices all stem from having good awareness and being able to collect information about the shift. it helps with making snappy quick-fire decisions, and it just gets more important the higher up in EVP you go. camera positioning/control is essential for this (you can't figure out where bosses/teammates are if your back is turned to them).

for me, every 7-10 seconds, i like to rotate my camera around to the opposite side of where i'm currently looking to make sure there isn't any bosses i'm missing. i'm hardly in one place longer than 5-10 seconds and i try to always be on the move. the spawn direction where salmonids come from are always changing, so it's essential to rotate around the map proactively rather than reactively. i think this also helps a lot with shotcalling in groups too (since you can be someone else's pair of eyes).

other than boss spawns/teammate locations (for revives), i think it's also important to notice when certain bosses haven't been taken care of for prolonged periods of time too, so that a special can be popped. to me it's usually a sign that someone whose ill equipped to deal with that boss has been forced to deal with them because the people with the "right" weapon are focused on something else... (no fault to them, of course, everyone has different priorities and you can't always communicate clearly in freelance)

in situations where squiffers were chased by a pack of scrappers, perhaps a booyah bomb or splashdown can be popped to help if you don't have the time to stun and splat them manually. maybe the fish sticks were left unattended by the shooters, so a triple inkstrike or a crab/inkjet shot can help clear them out.

awareness also extends to meeting quota, which imo involves paying attention to the timer + where eggs are located. i find that it's nice to check in with the timer/quota at 50s and 30s respectively so that you can start forwarding eggs closer to basket. and when everyone's going crazy about quota not being met i try to make sure i'm not overstepping anyone else's egg pile so that no one goes "wait no thats the egg that i wanted to pick up fuck i have to go back and get a different one."

i think this is why sometimes playing in groups is easier. if you have more sets of eyes that you can communicate with, it alleviates the need to have awareness of "everything" (provided that you can comms effectively). someone can be attuned to different things (e.g. my friend always tells us where snatchers come from and if they're good, i'm personally attuned to where people need to be revived, etc.). you also know what specials you have access to, unlike in freelance where you're not sure what others have until they use them.

the other part of completing shifts successfully (to me) is being mechanically sound with your movement, mostly in regards to how you use the terrain (walls) to get around the map and escape situations. the more you play a map the more you'll figure out how you can move around on it.

some examples, using the location callouts from salmonrun.ink: there were a few times i'd go on the harbor but i could escape any salmonids in the bridge area by climbing the walls there and squidrolling out as needed. sometimes on high tide i would swim from the perch to the left plat.

sub-strafing is also good to know too, especially when you want to rapidly collect the basket eggs at the end. i still need to integrate it into other parts of my gameplay, but it's helpful!

uh. this was way longer than intended because i have WAY too many thoughts about salmon run. TL;DR: The key to succeeding your shifts is having good awareness which comes from good information collecting practices, and having the mechanical skill to act on that awareness without hesitation.

there's definitely a lot that goes on in sensory overload the game™, so it will take time to build these muscles and reaction times. i think while at every rank of salmon run you may face a wall of "i'm overwhelmed by the bosses," the exact fix needed to get past it usually varies, so it's important to figure out what information you were missing or what actions you could've taken (more efficient movement or special usage, usually).

or if you're struggling with quota, try to practice forwarding eggs or take a look where snatchers come from (even if people splat them, it's still a good practice 2 develop for later evp. source: i don't fucking do it and it's biting me in the ass)

and most importantly, recognize when you're in the midst of a loss streak/skill wall, so that you can take a break and focus on other things that energize you! even if there's a certain goal you want to meet, grinding for higher levels of EVP and getting better at the game can be a very exhausting process. you can always come back to the grind later, whether if it's after a 30 minute break, or just a different rotation!

[tvrningout-a]

so!! now that i'm back from dinner, i'm gonna tell y'all about some of the gods i have in mind for rin's lore! only sunna has a name bc these are still rough ideas!

sunna, goddess of creation, life, and rebirth: she is the original mother, having created the mortal realm and birthing the gods and goddesses; after her divine children were born, she then created the original humans for them to nurture and shape. she is associated with flames, having risen from them the first time one of her children attempted to kill her. they succeeded only to witness her rebirth and watch as she used the very same flames to seal them away.

slá, goddess of the forge and construction: one of sunna's original children, she helped shape the terrain of the mortal realm, carving out rivers and molding mountains. wanting children of her own making, she carved the first dwarves out of stone, and sunna granted them life. as the mortal children grew, they forged the tools and gifted them to the mortals so that their lives might be easier.

líf, goddess of the wild, protector of flora and fauna: another of sunna's original children, she planted the first trees, created the first flowers, and cultivated the first harvest. aside from sunna herself, she is one of the only other gods capable of creating life; she created the first animals and created the first elves as the guardians of the forests and plains. they were created in sunna's image as líf greatly admired her mother, though current mortals debate this heatedly. after all, would sunna's own mortal children not be created in her image?

endir, god of the afterlife and death: life cannot exist without death, so sunna birthed him. he watches over the mortals' souls until they are ready to be born again, and he punishes the souls who commit heinous acts. to always be surrounded by death and the pleas of souls who want to live so badly is a heavy burden, so sunna granted him the ability to allow miracles every so often. some souls leave their body only to return within a span of minutes, and it is always his doing.