#fantasy deities

[theiravelproject]

In the Beginning, there were two beings that looked upon the world. They watched the inhabitants and gave them magic. They were the Yaidaseyii.

The yaidas is the realm of magic. It is where the yaidaseyii came from to watch Praxon and its lifeforms. Very little is known about the yaidas, as it is not a place that can be reached. Power comes from the yaidas.

The energy channeled from the yaidas is charged, or positive magic energy. This magic can create things in the physical world. It can manipulate matter, or create matter. Natural magic, life magic, anything that can have a tangible effect on the world comes from the yaidas.

[time-woods]

a nighttime routine

[talkingattumble]

Actually I had another poll idea so never mind THIS is the last one for the day

Sorry for the weird choices, I wanted to be a bit more creative with this one and I’m also pretty tired. Have fun! Also, reblog with the option you choice and why if you want, it’s fun to see people’s reasons and choices (and of course it gives the poll a larger sample size).

Edit: thank you for participating everyone! Even though the polls over, I’m happy that people are still reblogging with their choices/why, it’s really fun to see.

For more animal themed polls like this, check out my side blog @lynx-polls

[houseofheroesau]

Mother's Rage

This was a little gift for my friend @musical-chan. Glad you liked it!

Being the nerd that I am, I have come up with lore and backstory for things that won't really impact the plot. To condense it, the Fierce Deity mask can be worn by anyone, and while it keeps core elements like a cooler color scheme and armor, each form is unique in its own way.

Although you will not be left alive long enough to admire it.

Character @ House of Heroes. Do not tag as other AUs.

[natjennie]

something about "your anger isn't scary to me" is making me so emotional. something about as above so below, cassandra as a mirror of kristen. something about "I've been dropping the ball a lot lately" and kristen's struggles with adhd. something about teenage girls and rage and fury and justice. something about adaine's vision of ruining fallinel and the sylvaire looking for revenge. something about sadness and doubt and anger and love. something about "I choose to understand" being the absolute core theme of d20 in general. something something.

[satisfactuality]

i love watching brennan hinge big supernatural introductions on emily or ally bc they react so differently to them

brennan will put the most monstrous, evil creature in front of emily and she'll meet it with compassion and empathy

brennan puts a sublime deity in front of ally and they talk to it like someone they accidentally bumped into at the mall

[filurig]

sekuuti and akestur, deities of the rau-kakse and crakam

LONG ASS CREATION/ORIGIN STORY OF THE RAU KAKSE AND CRAKAM HERE

the sun and moon both have important roles in northern basilisk religion, and are interpreted as two deities: sekuuti (sun) and akestur (moon).

both seen as patron deities of their respective people (rau-kakse aka basilisks and crakam aka harpies). their eggs were originally stars in the sky that fell and hatched in the world below.

at first, there was only pure spirit. something known as "tukaarti" (which is an unconscious but all powerful driver of all things) - the "natural force", arose, and began create shapes from this spirit, polarities, warmth, energy eventually the forces shaped this spirit into The World, which was barren at first, amorphous, but this shaped energy began to solidify, first into mountains, then into lakes, rivers, flora etc etc. but the water did not stay liquid long for after the formation of these things, and a brief flourishing period, the World cooled down, and fell under a great winter, as it had no sun. the sky is basically where tukaarti resides in its rawest form still, and stars are "concerntrations" of it, and the only light source. the stars began to fall eventually on occasion into the world, and that would spawn Creatures. early on when the world was still fresh after this was when the eggs of sekuuti and akestur fell, they were among the last creatures to fall onto the world. prior to them similar animals had hatched from other eggs, but they all perished trying to survive on their own.

both sekuuti and akestur were lonely and struggled on their own - persecuted by hostile ancestors of other creatures. not only was it difficult, most of all, it was lonely.

sekuuti was so lonely that she desparately wanted children, but as she was the only one of her kind she prayed to tukaarti for a way to achieve that company she desired. she was heard, and granted the ability to shapeshift to any creature that she found. this also was something tukaarti needed, as it lacked a way for spirit to go from the World back to tukaarti, and by "collecting" bodies to learn as forms, sekuuti would also return their spirit to tukaarti. with this ability, she resorted to courting different birds that she transformed into and bearing their young. and she did successfully hatch them. her children would not only inherit a lot of her features and shapeshifting ability, but they also inherited the plumage and some other traits from their other parents, and she loved them all the same. this also means that according to rauk-kaksian lore sekuuti "has no comparison" and doesnt look like an extant bird in particular, but interpretations vary. these children were the first "rau-kakse". the most important established trait of her depictions though is that it seemed that the glow from her egg ("star") never faded, and her plumage glowed strongly and brilliantly.

akestur, meanwhile, sought company with birds in a different way. he found flocks of corvids, flocks of nightjars, and found certain comfort with them. but he was frustrated with the fact that they could not communicate, he prayed for the ability to "hold a conversation" with his new contemporaries. and the tukaarti granted him his wish - the flocks that he had become familiar with were granted a blessing, but with that blessing, they also changed in morphology - they became harpies (crakam), and gained sapience. he was reminded, however, that he had gotten this wish without cost - and that the forces counted on him to do what they wished in return if they so needed it. they only cryptically let him know to "not keep his eyes off of the flame". akestur is thought to have looked like a harpy slightly, but with a different face, black as night, but with brilliant glowing white eyes.

again, the world during this time was pretty barren and harsh due to an eternal winter, as they had no sun. sekuuti, while having found comfort in her kin now, was unhappy with the state of affairs - especially as many young would die in the harsh conditions. akestur, too, hated seeing his new contemporaries suffer.

the two groups would meet one day, sekuuti and akestur leading them. the two were fascinated by one another - sekuuti brought warmth to akestur and the crakam, while akestur brought a certain darkness, that while somewhat discomforting at first, also shrouded both groups from other hostile creatures, theyd come to find out. there was safety in his darkness. sekuuti and akestur grew very close and became partners (according to most legends).

sekuuti wanted to change the state of the world and set her eyes upon the sky, wanting to become a sun and bring warmth to all and end the eternal winter. akestur was hesitant, for he did not want to lose her, and her children needed her. when seeking the guidance of tukaarti - they discouraged her from it, urged her to stay and perform her duty as a bringer of spirit from corpses of this plane back to tukaarti. but she was insistent, and one day, decided to simply go for it. she flew so fast, with such force, that she caught flame, but her will was so strong that it didnt bother her and she became one with the flames eating her as she flew up to the sky.

akestur was too late, and only realised she was gone once she had lit up the sky. betrayed, upset, but most of all - realising that he had failed tukaarti. he had let his eyes off his flame. as a punishment, tukaarti undid the blessing it had granted his people for half of them, leaving half of them as regular birds again.

sekuuti lighting up the world had done something - it had taken away the eternal winter, but the problem was - sekuuti had nothing to temper her up there. the world was beset by a devastating drought with no end in sight. akestur, trying to lead his people as well as the basilisks, then realised what he had to do.

before leaving his people, he urged them "to not take their eyes off the flames", meaning the basilisks in this case, and then, he also set off for the sky. instead of setting ablaze, his eyes seemed to burst with the pressure of the speed of his flight, engulfing him in a cold, bright light. once he joined sekuuti in the sky - the heat was finally tempered.

however, sekuuti, both overwhelmed with love but also guilt and shame over abandoning akestur, fled him. but he, loyal and also overwhelmed with love, began to follow her. and basically, the day/night cycle is their eternal chase after one another - and on occasion, they meet, during eclipses :,) perhaps they also realised that their chase is what brings the world balance. and perhaps its a bit of a punishment from tuukarti for disobeying it.

[drawnfamiliarfaces]

if time was a religion i would be its most devoted follower 🕰️ 🙏🧎

;3 extras +

full design sorta + original sketches with CW's hadonkabadonks that i sadly had to cover with his clockface 😔

also here is the inspiration - Doha the priest from 'I thought my time was up' on webtoon 😳😰😰

[bacchuschucklefuck]

prayer of the day:

[tobuzzu]

Perception, goddess of truth and lies. I like to imagine the nightwings worshipped the moons at some point, so i wanted to make a design of what one would look like as a deity!

[bonefall]

Splashtail and Atheism

Hello. I am an Atheist and I call Splashstar an Atheist because he is based on widespread bigoted depictions of godless people like myself. There have now been several posts about this written as if they're trying to "correct a misconception," and I am tired of vagueposts completely missing the point of the criticism to get caught up on arguing semantics.

The misanthropic, god-hating "Atheist" character in Christian propaganda, which I feel Splashstar has some alarming similarities with, does not come from the writer's correctable "misconception" of irreligious labels. It is born from a hatred of nonbelievers.

Specifically, my point that Splashtail is a mashup of two popular anti-secular tropes common in religious media;

The assertion that there's no such thing as a "real" nonbeliever, and that Atheists are just "rebelling" against God because we're mad at him, want to do bad things without guilt, or have "lost our way."

The belief that morality itself stems from faith in a higher moral being, asserting that the irreligious are "evil" in contrast to the faithful.

Even passing familiarity with the arguments of Christian apologia seen in Chick Tracts, Pureflix films, PragerU videos, and so on, will have put these tropes in front of you. They are false and harmful, and they target Atheists.

For more on this, TVTropes has an entire article dedicated to the Hollywood Atheist and its sub-tropes. Note how many of these Curlfeather and Splashtail fall into, regardless of if you're arguing that they are "real atheists" or not.

Those that hate us do not care about semantic labels. To them, we are without God, A-Theistic, and they do not actually care what is at the core of your beliefs if it contradicts their narrative.

But, even worse, the "Splashtail Can't Be An Atheist" crowd isn't even totally correct on the semantics they're trying to have a pedant battle about.

Most atheistic organizations and online atheists define Atheism as "one who does not believe in God" and attempt to push a sliding scale of "agnosticism" on how hard of a "maybe" you're feeling about your lack of faith. In the sliding agnostic scale, Agnostic Atheists are a "probably no god" and Gnostic Atheists are a "definitely no god." Others describe that scale as "hard" and "soft" Atheism-- but there is NOT universal agreement on that definition.

There other definitions of an "Atheist," and even those who reject the "agnostic scale" completely (I am one of them). "Atheism" was historically the catch-all term for what we might now call "Irreligious," and more.

The Encyclopedia of Philosophy explores its many meanings, and proposes that what defines an Atheist is an active choice to distance oneself from faith; "Someone who rejects the premise of gods either based on lack of belief, or meaninglessness of the question." Matt Dillahunty, a prominent educator and activist, intentionally refers to himself as an Atheist when others (including religious people!) have tried to pressure him into using the label Agnostic, for reasons he covers in great depth. Historically, "atheist" simply meant anyone who denied the gods or acted impiously, evolving into use as a broad label for irreligious practices around the 1500s, until attempts to narrow it to "nonbelievers in deities" in the 1800s.

By EoP's expanded definition alone, Splashstar qualifies as an Atheist. The rejection does not have to come from a belief that Theism is false, but that the question is meaningless. He doesn't have to "believe" in StarClan any more than you have to "believe" in a total stranger. He rejects faith in it and lives without their influence.

But even more than that, "atheist" is a broad, stigmatized term with a history you can't erase. Hundreds of combinations of philosophies, spiritual beliefs, and logical positions have been called "Atheism."

"Atheist" can refer to Agnostics (those who aren't sure if there is a god or not), Antitheists (opposition to the belief in and/or worship of gods), Igtheists (those that feel that "god" is such a nebulous term that the question of belief is meaningless), Apatheists (people who just don't care), practitioners of Non-Deistic religions (such as Humanistic Judaism and some sects of Buddhism), and even heretics who spoke against religion like Diagoras of Melos (gay guy who chopped up a statue of hercules and used it to bake beans. king.)

In a fantasy universe where gods are provably, visibly real, the term "Atheist" is going to look a lot more like those historic and expansive uses.

Unless you want to argue that "atheism" by the narrow, popular definition of "believing in deities" can't exist in such a setting. So, arguing that Cloudtail stopped being an Atheist when he saw demons in OotS, in spite of this not affecting his spiritual practices. Or, dancing around using one uniting term, you could specifically say Curlfeather is a Misotheist, Splashstar is an Antitheist or Agnostic, Mothwing is Deist, etc.

You could have a discussion about how applicable these words even are in the setting. Or make up terms that satisfy yourself. You could do this forever. But I choose not to.

I think it's counterproductive to push people to learn a bunch of terms for hyperspecific branches of irreligious philosophy just to discuss clear anti-secular sentiment within the text of a book, actually. Or push people to abandon a useful word because fantasy isn't exactly the same as real life. Functionally, imo, all of those aforementioned cats are Atheists within this setting, living "without god" by rejecting belief-- and many of them invoke real world bigotry, with tropes much older than WC itself.

So the simple fact is; Calling Splashtail an "Evil Atheist" immediately communicates the narrative tropes I am criticizing.

Either by authorial accident or on purpose, Splashstar's lack of morality being tied to his rejection of StarClan invokes the demonized atheist trope, very much like the ones seen in PureFlix's God's Not Dead or Jack Chick's The Last Generation.

All the arbitrary wishing that the terms were more narrow and exclusive will not change the reality that those characters are intended by bigots as atheists. The terms of the discussion reflect that. Trying to tut-tut the fandom for calling a spade a spade is a smug way to phrase you completely missed the damn point.

[thuun]

Blinky, winky, wiggle~ Tealix finally finished this monster! Thuun, as always, a handsome cutie.

[writingwithcolor]

Sri Lankan Fairies and Senegalese Goddesses: Mixing Mythology as a Mixed Creator

[Note: this archive ask was submitted before the Masterpost rules took effect in 2023. The ask has been abridged for clarity.]

@reydjarinkenobi asked:

Hi, I’m half Sri Lankan/half white Australian, second gen immigrant though my mum moved when she was a kid. My main character for my story is a mixed demigod/fae. [...] Her bio mum is essentially a Scottish/Sri Lankan fairy and her other bio mum (goddess) is a goddess of my own creation, Nettamaar, who’s name is derived from [...] Wolof words [...]. The community of mages that she presided over is from the South Eastern region of Senegal [...] In the beginning years of European imperialism, the goddess basically protected them through magic and by blessing a set of triplets effectively cutting them off from the outside world for a few centuries [...] I was unable to find a goddess that fit the story I wanted to tell [...] and also couldn’t find much information on the internet for local gods, which is why I have created my own. I know that the gods in Hinduism do sort of fit into [the story] but my Sri Lankan side is Christian and I don’t feel comfortable representing the Hindu gods in the way that I will be this goddess [...]. I wanted to know if any aspect of the community’s history is problematic as well as if I should continue looking further to try and find an African deity that matched my narrative needs? I was also worried that having a mixed main character who’s specifically half black would present problems as I can’t truly understand the black experience. I plan on getting mixed and black sensitivity readers once I finish my drafts [...] I do take jabs at white supremacy and imperialism and I I am planning to reflect my feelings of growing up not immersed in your own culture and feeling overwhelmed with what you don’t know when you get older [...]. I’m sorry for the long ask but I don’t really have anyone to talk to about writing and I’m quite worried about my story coming across as insensitive or problematic because of cultural history that I am not educated enough in.

Reconciliation Requires Research

First off: how close is this world’s history to our own, omitting the magic? If you’re aiming for it to be essentially parallel, I would keep in mind that Senegal was affected by the spread of Islam before the Europeans arrived, and most people there are Muslim, albeit with Wolof and other influences. 

About your Scottish/Sri Lankan fairy character: I’ll point you to this previous post on Magical humanoid worldbuilding, Desi fairies as well as this previous post on Characterization for South Asian-coded characters for some of our commentary on South Asian ‘fae’. Since she is also Scottish, the concept can tie back to the Celtic ideas of the fae.

However, reconciliation of both sides of her background can be tricky. Do you plan on including specific Sri Lankan mythos into her heritage? I would tread carefully with it, if you plan to do so. Not every polytheistic culture will have similar analogues that you can pull from.

To put it plainly, if you’re worried about not knowing enough of the cultural histories, seek out people who have those backgrounds and talk to them about it. Do your research thoroughly: find resources that come from those cultures and read carefully about the mythos that you plan to incorporate. Look for specificity when you reach out to sensitivity readers and try to find sources that go beyond a surface-level analysis of the cultures you’re looking to portray. 

~ Abhaya

I see you are drawing on Gaelic lore for your storytelling. Abhaya has given you good links to discussions we’ve had at WWC and the potential blindspots in assuming, relative to monotheistic religions like Christianity, that all polytheistic and pluralistic lore is similar to Gaelic folklore. Fae are one kind of folklore. There are many others. Consider:

Is it compatible? Are Fae compatible with the Senegalese folklore you are utilizing? 

Is it specific? What ethnic/religious groups in Senegal are you drawing from? 

Is it suitable? Are there more appropriate cultures for the type of lore you wish to create?

Remember, Senegalese is a national designation, not an ethnic one, and certainly not a designation that will inform you with respect to religious traditions. But more importantly:

...Research Requires Reconciliation

My question is why choose Senegal when your own heritage offers so much room for exploration? This isn’t to say I believe a half Sri-Lankan person shouldn’t utilize Senegalese folklore in their coding or vice-versa, but, to put it bluntly, you don’t seem very comfortable with your heritage. Religions can change, but not everything cultural changes when this happens. I think your relationship with your mother’s side’s culture offers valuable insight to how to tackle the above, and I’ll explain why.  

I myself am biracial and bicultural, and I had to know a lot about my own background before I was confident using other cultures in my writing. I had to understand my own identity—what elements from my background I wished to prioritize and what I wished to jettison. Only then was I able to think about how my work would resonate with a person from the relevant background, what to be mindful of, and where my blindspots would interfere. 

I echo Abhaya’s recommendation for much, much more research, but also include my own personal recommendation for greater self-exploration. I strongly believe the better one knows oneself, the better they can create. It is presumptuous for me to assume, but your ask’s phrasing, the outlined plot and its themes all convey a lack of confidence in your mixed identity that may interfere with confidence when researching and world-building. I’m not saying give up on this story, but if anxiety on respectful representation is a large barrier for you at the moment, this story may be a good candidate for a personal project to keep to yourself until you feel more ready.

(See similar asker concerns here: Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction, here: Representing Biracial Black South American Experiences and here: Am I fetishizing my Japanese character?)

- Marika.

Start More Freely with Easy Mode

Question: Why not make a complete high-fantasy universe, with no need of establishing clear real-world parallels in the text? It gives you plenty of leg room to incorporate pluralistic, multicultural mythos + folklore into the same story without excessive sweating about historically accurate worldbuilding.

It's not a *foolproof* method; even subtly coded multicultural fantasy societies like Avatar or the Grishaverse exhibit certain harmful tropes. I also don't know if you are aiming for low vs high fantasy, or the degree of your reliance on real world culture / religion / identity cues.

But don't you think it's far easier for this fantasy project to not have the additional burden of historical accuracy in the worldbuilding? Not only because I agree with Mod Marika that perhaps you seem hesitant about the identity aspect, but because your WIP idea can include themes of othering and cultural belonging (and yes, even jabs at supremacist institutions) in an original fantasy universe too. I don't think I would mind if I saw a couple of cultural markers of a Mughal Era India-inspired society without getting a full rundown of their agricultural practices, social conventions and tax systems, lol.

Mod Abhaya has provided a few good resources about what *not* to do when drawing heavily from cultural coding. With that at hand, I don't think your project should be a problem if you simply make it an alternate universe like Etheria (She-Ra and the Princesses of Power), Inys (The Priory of the Orange Tree) or Earthsea (the Earthsea series, Ursula K. Le Guin). Mind you, we can trace the analogues to each universe, but there is a lot of freedom to maneuver as you wish when incorporating identities in original fantasy. And of course, multiple sensitivity readers are a must! Wishing you the best for the project.

- Mod Mimi

[fhtagn-and-tentacles]

ALLMOTHER

by Dariusz Kieliszek

[ben-phantomhive-trash]

"Change"

Day 26. Faithful CareGiver, follower of the Changebringer

[anokibuu]

Death and their silent messengers.