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puella-1n-somn10 · 1 year ago

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🕊️Puella Magi Madoka Magica x Team Fortress 2: Medic and his Witch Form🕊️

word count w/o intro text: 10,651

(Over...two...months...of writing; thank FUCK I've managed to get this all down right on time for Halloween!)

This has been a long time consideration, and, according to one of my last few polls, ya'll really wanted to see how I would interpret Medic's witch form! Well, after a long-time wait, here's the rundown of how Medic's witch would look like in my mind!

Before we start, I highly recommend that you look at the list of trigger warnings present in the tags; the Team Fortress 2 universe, both in-game and outside of it, is no stranger to gruesome elements, so I strongly urge you to take a long look at them before proceeding. If any of the mentioned makes you uncomfortable in whatever form, look away now for the sake of your own health.

As expected, spoilers for Madoka Magica, Kazumi Magica, Tart Magica, Magia Record (especially the anime), and the Team Fortress 2 comics ahead! We are going to talk about one of the many stingers of the Puella Magi universe, after all! On top of that, there will be mentions of Heavy x Medic x Engineer, so if the ship doesn't sit right with you, I must sincerely apologize in advance; it is recommended to click away from this post if said ship is not your cup of tea at all.

With all that being said, let us begin with this mess of an analysis/ficlet post!

-The Wish, Possible Powers, and Soul Gem-

"Oh ho hoh! I have been in zhe wrong profession. I must learn zhis magic!"

Let's be blunt here for a second- he's already laid waste to whatever concept of "morals" present within the human consciousness that would prevent him from furthering his medical and experimental endeavors, and he's done so much without the use of an incubator's powers; from granting his teammates invincibility to bringing them back from the clutches of death. Ludwig's immoral, sickened mind, coupled with his medical skills and treatment of the human body as an art canvas, has allowed him to play God.

On the other hand, though he did align himself with the opposing Classic team for some time within the comics, he explained to the newly-resurrected Sniper that it was purely for financial reasons, and that he never harbored any ill-will towards his teammates. In fact, it would be safe for us to assume that he, in his mind, genuinely cares for his team, and made it one of his missions to turn them into unstoppable killing machines- into gods. He cherishes his fellow mercenaries...albeit in his own twisted, inhumane, and silly way.

Building upon the above, it is also clear that Ludwig is a responsible pet owner and genuinely cares for his doves, especially Archimedes. Yes, he does resort to using animal organs - especially the exotic kind - when fit in order to further his experiments and enhance his teammates' performances, but the contrast between that and his care for the birds is kind of a testament to how he treat other humans - especially the classic team - vs. how he treats the mercs and others close to him. For goodness' sake, he's put Classic Heavy's demands on a back burner and allowed Sniper to escape while he was too busy reviving Archimedes! Ludwig does have a heart and the capacity to care, but not much in terms of morals, if at all.

Wow, he would definitely get along with Alina Gray, huh?

So, right off the bat, it wouldn't be farfetched for Medic to be curious over Kyubey's wish-granting skills; he did make a deal with the Devil himself on two separate occasions within the official Team Fortress 2 comics (though the initial deal's conditions is still unknown to us), after all. How he came to figuring out the existence of the incubators is anyone's guess at this point due to his unpredictable nature, but, in my opinion, it can range from old folklore surrounding the species or simply finding out that one of the mercs had already contracted (my personal bets are either Heavy or Solly). I recommend going off the walls with this one; for all we know, he could have managed to detect spikes in magical activity around the base/island and forced himself into the world of Magi, Witches, and wishes- all the while a certain little bipedal fiend began to showcase an equal amount of interest in him for reasons we are going to dive into soon.

On to the main topic of his wish, it's quite simple, really; it would be related to his hunger for power/knowledge and furthering his research/scientific endeavors; promptly dissipating whatever is limiting his experimental pursuits (maybe even financial, as presented to us in the comics).

Another possible wish that he could have made might be rooted to the bonds he had formed with the mercenaries and the surprisingly deep respect he had shown to each one them on numerous occasions. Such fascination towards his teammates is even presented to us within the beta version of Meet the Medic, where he made his goal of enhancing them and turning them into beings akin to the divine as clear as daylight. I won't deny the fact that this man just keep on finding out new ways to break both the Hypocratic Oath and Geneva Conventions with each passing minute - and it's usually for his own amusement -, but he also seeks to sculpt each mercenary into the best versions of themselves not just as a testament to his own prowess, but also because of his fascination towards them; he just likes those goobers around him and sees the mercs as his fellow pals.

With all that being said, I personally don't believe that whatever power he gained as a result of these wishes would be on a similar caliber as his canonical healing skills; after all, even without Kyubey's interference, he has shown to be exceptionally skilled in his craft to the extent that he had deemed himself to be a god on multiple occasions- and none of them were without reason. Instead, I believe that the core theme of his new magical powers relate to limits- whatever barriers that prevented him from unlocking his and the rest's full potential, and fully dissipating them. Perhaps he can manifest organs, transfer them at high speeds, all the while making his surgeries a little easier for himself. The option of him being able to create little animated "familiars" of his own from the remains of both ally and enemy alike is also there. If you guys have better ideas, please don't hesitate to share; I'll have to admit that this coming up with wish-related powers is a personal weak point of mine, and I will be accepting any and all criticisms coming my way.

Finally, to close this section and move on to the next, I would also like to discuss the matter surrounding his soul gem, and how I would personally interpret it. I am unsure if what I am going to say next has been backed up by canon or not, but a nice detail that I have noticed whilst looking into the soul gems present in canon is that they often correspond with the eye colors of their respective magi; which brings to mind the idea of eyes being the windows to a person's soul. Even if it's not a mandatory rule for when it comes to designing a Magi (especially when we take Nagisa Momoe into account), we can still see this metaphor being at play on numerous occasions throughout the Madoka canons, and where else is it more evident than within Kazumi Magica and the Magia Record anime?

Putting it briefly, aside from just looking at their soul gem, another indicator of a magi's slip into witchhood is by looking into their eyes during their final moments; Michiru Kazusa's sclera turned completely dark as her pupils began to shift into scribbles, and Kuroe - poor, sweet Kuroe - had the same corruption her soul gem was undergoing being displayed from within, you guessed it, her eyes.

So, while I do believe that red could be a nice color for Ludwig's soul gem, as it would also correspond with him being on the RED team - as presented to us on the cover of Fight Songs -, I can also see that a striking blue could also fit our crazy bastard.

As for the emblems present on his soul gem's egg form and its shape upon transformation, I'm gonna be honest; this is gonna be a little more complex than the color part - especially with the soul gems of Tart Magica and Magia Record in mind -, but I will do my best to summarize it to the best of my abilities-

To make this easier for my sanity's sake, the red cross he is already associated with in-game will be present as the emblem on top of his soul gem, though the the one on the middle would probably be based on either his bonesaw, the Ubercharge, a realistic heart (as a tie-in to how the Ubercharge works), or his doves instead. The actual shape his soul gem take on upon transformation, on the other hand, would resemble a large, anatomical heart placed on the center of his chest - connected to the rest of it and his shoulders through glass arteries and veins - due to its sheer size; usually, a magi's soul gem is only large enough to fit within the palm of their hands, while Medic's could be as huge as his curled-up fist or even an ostrich's egg.

The cause behind this peculiarity will be thoroughly explained soon enough, but, for now, let us close this chapter up and move on to the next...

-Descent Into Despair-

Before we kick off this angst fest and start hypothesizing, we're gonna need to take a good look at the nature of the soul and how this ties into the existing similarities shared between Kyubey and Ludwig- yes, this will get wild, especially if you're in only one of those fandoms from the outside looking in, so it's best for you to buckle up, hon, 'cause we in for a fucking joyride.

According to multiple religious and philosophical texts, the soul is a vital, non-physical part of a human being; it is an individual's very core of existence. The soul isn't exactly abstract, per se, as it's believed to actually exist between the lines of this plane of reality and that of the intangible world, and that each person has a unique soul that is distinctly theirs; it is, by definition, metaphysical- that person is the soul, as much as the soul is them.

Despite the limitations placed upon us by the very nature of the soul, it can be treated as a tangible and even physical object within both the TF2 and PMMM canons; in the latter case, Kyubey was able to turn them into magical gems for the sake of both efficiency and "incubation" - the goal of turning his victims into despair-riddled witches that spread the very misery they are drowning in -, all the while, in the Team Fortress universe, they are treated as nothing more than organs that can be removed and then reapplied at will by the very hands of, you guessed it, our very own Ludwig Humboldt for the dual purpose of conning the Devil out of the ownership of his soul and, in turn, extending his own life span.

This brings us back to the very moment where Ludwig made his wish with Kyubey; as presented to us via both Sayaka Miki and Homura Akemi, the process of making a wish and establishing a contract with Kyubey is proven to be quite the painful procedure, as they were able to feel their souls being pulled right out of their bodies by Kyubey in order to remold the very cores of their whole existence into these magical jewels known as Soul Gems; shining with the wishes that bind them to the life of a Magi until they inevitably reach their grisly ends.

Medic, of all people, would absolutely be the first to know exactly how painful it would be to have one's soul be forcefully ripped out of one's own body; he had already done so to 8 other people before grafting the extracted essences into himself. As result of this forced amalgamation, the size of his soul gem would be, as already stated, much larger than average. As for Medic himself and his reaction to his accumulated souls being turned into this grand artifact of magical potential, he would be in a state of shock, awe, and perhaps even a tinge of conflict - from the pain alone, he knew that his souls were tampered with; extracted and reforged -, but they were miniscule when compared to the wave of amazement that washed over him as he held the newly formed symbol of his status as a magi in his hands, shining a brilliant red with the wish he made with the white devil before him.

If Medic had to be honest, he would say, without a shadow of a doubt, that the incubators sure knew what they were doing; despite the tinge of bitterness regarding his souls being torn out of him, it was undeniable that having his life essences be turned into an all-powerful jewel was rather efficient, especially when stranded within the chaotic, unforgiving battlefield. Besides, this deal not only granted him what he desired most in life, but it unlocked a whole new world for him to explore; the realm of the witches.

After his first witch hunt went off without a hitch, he looked at his soul gem...yes, it had dimmed a little, and, according to his newly-formed, four-legged acquaintance, its brightness reflected what magic he had left; the very power he had gained from their infernal deal. This knowledge, combined with the grief seed taking in the impurities he had accumulated, had sparked inspiration within him, and, inevitably, that little glimmer turned into a raging, uncontrollable wildfire.

As his lips curled into that deranged smile of his, he arrived to the conclusion that he needed to research both his soul gem and these otherworldly monsters. Oh, was he was ever-so excited; a whole new world of possibilities had unveiled before him! He knew he had to learn more about these witches, for they were prime candidates for new observations and experiments...

Besides, if things were to go awry, he would have his backup plans as safeguards. He looked at the large jewel on his desk, its light reflecting on his glasses, with a look of complete confidence- after all, he was Ludwig Humboldt, the RED team's medic; he had already played the classic team like the money-hungry fools they were, defied all known laws of life, death, and nature on the regular, and bested the Devil in his own game! What bases of morality and human decency were little more than etches on the wall to him, and he was willing to go above and beyond to ensure his own and the rest's survival.

He cackled; oh, there was no need for any worries, my friend! Whatever that may come to pass, he shall find a workaround. So, with his lips curling into that toothy smile of his, he went to work-

Just like clockwork, it didn't take long for his signature obsession to dig its talons; day by day, he would salvage what parts of these unfathomable creatures and bring them back to his infirmary- even going as far as to capture their familiars and the smaller witches to bring back. After all, killing these wicked creatures outright would just cause them and their barriers to fade away, so he had to think of workarounds in order to harvest as much useful parts of them as he could.

All that, and that is without even getting into the details of the bargain he had made with the little pale ferret- why, that rascal Kyubey could be considered a new good friend of his in his eyes! He had even experimented on the bipedal fiend, and the Incubator held no grudge towards the quack doctor (hence how he came into the knowledge of his entire species and the fact that they were a hivemind). Back on topic- yes, the contract in itself was agonizing, there was no denying that, but at least he had gained a myriad of benefits from their mutual agreement.

Yet, as the saying goes, the higher they soar, the harder they fall.

Within every enforced law and in every deal made, loopholes were an inevitability- Ludwig and Kyubey knew that all too well as the roles of the recipient and contractor respectively. Time and curiosity have worked hand-in-hand in order to nurture their individual experiences and wisdom surrounding this unwritten rule of the universe. As several blazing days turned into howling nights, Ludwig's intrigue towards the limitations set before him as both a mercenary and a Puer Magi grew; his souls being turned into a singular, portable trinket was effective, yes, especially with the magic he had gained and his more than impressive healing abilities making both jobs a lot more easier, but, of course, so much could go wrong in the long run-

Ah, and these witches- at this stage, he had accomplished what many had deemed to be either impossible or far too risky; lining up the walls of his laboratory, amongst the butchered appendages and organs of their kin, were the captured forms of smaller witches and familiars- some were still struggling to be set free, while the others have resigned themselves to their fates. Whenever Ludwig wasn't on either battlefields or experimenting on his teammates, he would be slicing and chopping these poor souls away- trying to see how they functioned, or even analyzing their individual reactions to his little tests. Each of these curse-driven monstrosities' very existence brought forth a cluster of enigmas that only Ludwig could unravel, and the answer to these riddles must be tied to the very core of these beings- whether we're talking about how they would function as a living organism...or their grief seeds.

Besides...in his mind, there was nothing wrong with getting a few more benefits for yourself, was there? So long as such a possibility could help him continue on with both his life and work without any worries over the unknown, he was willing to take that chance. He was more than willing to rise up in the face of these hindrances- even if it took nearly pushing his soul to its breaking point, or unleashing what horrors mankind is not ready for once he manages to crack open a grief seed, he was certain he would find his way through this maze.

Unfortunately, his trickery of the devil himself had rendered him too confident. This unassuming little creature was no devil.

The further he descended down the inferno, the more barricades he had encountered on his way; wounding and injuring him to no end. Even with his soul gem on the edge of shattering, the grief seeds he had gathered were torn apart, watching as his own teammates neared their own limits as he caught up with them during their own witch hunts- the result was the same; he needed to research this even further. The fact that the two objects were apparently made of the same material had led Ludwig to several hypotheses - even coming close to the truth himself -, but, let us be real here for a second- if he did manage to figure out the truth behind the witches, which, logically speaking, he would, would it even come close to bothering him?

In fact...who was to say that, by learning the origins behind these creatures, that he wouldn't embrace the corruption of his soul gem? That he wouldn't lay his old vessel to waste, and treat his ascension to a higher plane of existence as a new experience for him? If that wasn't the case, then wouldn't he also inadvertently boost the process by going through meaningless hoops in the attempt to prevent his pre-written fate?

When looking at a man like Ludwig, a man already too far gone, only cold insanity and sadism irradiated from him- possessing an uncaring glee over the prospect of being able to experiment on the less fortunate souls who got in his way. His insistence on carrying on with his research came to the shock of almost nobody; such was his habit, and the mercenaries got used to his antics over time- yet, as time passed, his grip on his frustrations, desperation, and ever-growing drive continued to waver; everything about this new perspective on life filled him with a sense of wonder, even the countless roadblocks he had encountered still gave him a sense of awe...

His soul gem was as large as it was powerful, yes; it would take a larger accumulation of filth in order to actually affect him in any way or manner, and the reserves of magic he had- oh, how brightly must his gem shine when at its peak! Yet, one must consider at what point will the accumulated filth become...irreversible- how, at a certain threshold, the process of gathering up enough grief seeds to make sure it stays at its brightest at all times will yield more drawbacks than prospects of restoration? That the net value of the magic restored will inevitably hit zero if not the negatives?

How many times must this cycle repeat itself in order for the magi to inevitably give up on keeping their own soul completely pure at all times?

Ludwig still managed to keep his magic reserves somewhat afloat; though his cheerful and friendly mannerisms haven't wavered a bit, he couldn't keep his attention away from the developments that were unfolding before him. The experiments he had conducted on both his soul gem and the grief seeds he had gathered up did not help at all; further damaging and tainting his core only to satiate his own curiosity. He saw no issues as darkness slowly consumed his soul gem- it was simply another phenomenon to experience and document, no? It wasn't like it was hurting him or anything- if anything grim were to occur, he had his backup plans...if he could find one that actually worked...

No matter what Ludwig did, it appeared that his core was strictly bound to this jewel; he wasn't able to separate the souls within it, and, no matter how many times he would place another soul within him, it would just fade away as soon as he reached for it- purifying his soul gem in the process and leaving Ludwig as hollow as he was before the tests.

...He needed to study this further.

Ludwig's worries and starvation for answers gnawed at him. Within his glass heart, shades of ebony and crimson danced around one another, with only a small glimmer of light flickering through the veins existing to provide any form of luminescence, and his eyes-

Mikhail felt a lump on his throat as he gazed into the medic's soul through them- his once bright, fear-inducing blue eyes were beyond bloodshot, and, by his life, he could have sworn he saw the particles of his overheals float amidst the chaos. Still, Misha gulped down his worries as he placed the sandwich on Ludwig's desk and expressed his concerns over his health- to which the doctor thanked him - for both the meal and his considerations -, and assured the Heavy Weapons Guy before him that it was really nothing to flutter his feathers over, in his own words.

It was all going to be worth it soon. He knew it.

Tensions within the RED base grew with every passing day, and nobody sensed it more than Mikhail and Dell Conagher; though Ludwig would insist that he was alright - that it was all a part of the usual routine - and how close he was to a breakthrough, the two couldn't help but look out for the well-being of their medic. For the last few weeks to come, the two would keep a close eye on him- checking on the guy every now and then - as much as they could -, and making sure he hadn't completely lost himself.

His answers were becoming more cryptic as time passed; no matter how much Dell would ask and express his concerns, Ludwig would still act nonchalant, even as his eyes continued to darken with and his health evidently took a nosedive. This was no need for the concern, my friend; he continued to promise the engineer that it was all working out fine, and that he'll be okay once it's all over. Dell still kept his guards up; worried that, one day, Ludwig's gonna go completely off the rails- his and Mikhail's resolution to keep that man safe grew with each conversation they had with him. Something just ain't completely sound here, and he'll have to be there for him when that time comes.

What a hollow vow.

Days blurred with one another in Ludwig's mind. Each passing second held little to no significance to him anymore. No, he had to continue on with his hunts- he needed to. His doves looked at him with worried expressions; the lab was a mess, with papers and feathers scattered everywhere, the lights burnt out, and Ludwig himself slouched on the chair- illuminated by moonlight, and still carrying that damned gem.

And...he was never as satisfied as he was right at this very moment.

He looked down at his beaten-down, darkening soul gem- it was all worth it, no? He gazed into the flickering crimsons as though he was in a daze. He was exhausted, unable to get up on his feet, but he didn't mind that at all. His team will understand soon enough...

The light within his soul gem went into a frenzy- he smiled from ear to ear, for it was finally time; the hour of revelation had dawned upon him. Like a grand supernova, it collapsed into itself.

Ludwig tilted his head backwards, still fascinated by what was happening before him even as all life escaped his eyes. He embraced the corruption consuming him, and, with a crack and a flash of bright light, the entire RED base was sent into chaos.

-The Witch's Nature-

In short, this is tied to the personality/aspect of a magi that did them in; what drove them to slip into despair with their skulls cracking wide open upon impact. To provide a few set examples; Homulilly's was Self-Sufficiency (closing herself off from others as both Moemura and Cool Homu), Oktavia's was to Fall in Love (the infatuation with both Kyosuke and the ideal of a Magical Girl marked poor Sayaka's end), and Candeloro's was inviting (Mami's coping mechanism to deal with her loneliness- and the irony of her dragging innocents into the life of a magi). It can also reflect the intent behind their wish (Sayaka and Madoka) or how they would cope with the life of a magi and the responsibilities that come with it moving forwards prior to their demise (Mami, Kyoko and Homura).

Unfortunately, it is rather....difficult to describe the traits and convictions that cause such complex characters to do what they have done in a single sentence, much less a word or two. For all anyone would know, any of the mentioned above - cause of their wishes, how they cope, and what finally marked their ends - could have been driven by a multitude of a magi's traits and goals, and Ludwig was no exception.

To make this easier on everyone, myself included, I have divided most of the traits that have pushed Lud over the edge into separate segments. The suggested natures listed below are in no particular order; one can fit the bill more than the other. Though I have chosen only one of them for the witch card, ya'll are free to reinterpret it with any of the other suggested natures.

Desperate

Cunning

Wonder

Sadistic

To Experiment

Observant

Curious

-The Witch's Appearance-

"I have a bird head! You're dominated! We're both having a bad day."

This might either be the most fun or the most agonizing segment of the entire thing. As a matter of fact, aside from his descent to despair, this part took me the longest to conceptualize, and it's still not 100% complete in my eyes, oh dear oh me-

Right off the bat- the witch has to be gruesome. I am not placing heavy emphasis on this one just because this is Medic we're talking about and how we're all aware of his...peculiar views on his job and the human body, but it's also due to the aforementioned souls he's surgically implanted into himself prior to contracting. Let me state this again- before managing to find and ensure a contract with Kyubey, the man had already managed to turn the abstract concept of a soul into nothing more than an organ that can be grafted into himself; that ferret's nifty trick is no longer special.

To showcase exactly why the topic of Lud having multiple souls is so integral here, we have to recall that, throughout the Puella Magi canon, we have witnessed witches fusing with one another via various means; it has been stated that Walpurgisnacht was a singular witch who fused with others over time, and Kazumi Magica's Hyades Daybreak was an artificially-created witch born from the fusion of multiple soul gems. You could argue that Madokami is another such example thanks to Homura's resets and wish having her as the main focus; thus binding her to multiple iterations of herself across numerous timelines (as is it made clear to us with Madokami's transformation sequence in Magia Record).

The point being is that not only is Medic's witch's stupidly powerful, but I doubt it would be pretty to the eyes; unlike Madoka, those souls weren't originally his, and the way that he fused himself with said souls is thanks to his, let's say, bizarre surgical skills, and not due to whatever logic is behind the witches' ability to fuse with one another. Think of the core of his very being as an amalgam; whether he's retained his original soul from the Devil's ownership upon contracting or not is up to you, but the idea still stands nonetheless. It wouldn't just be some Frankenstein-esque monstrosity with stitches, additional appendages, and mismatched skin, either; the organs representing the souls he had stolen are there for all to see just beneath his unassuming, reliable, and even charming exterior.

Now that we've gotten some key details written down, we are going to have to examine his role, self-image, history, and the impact his actions had on the rest of the team in order to actually, well, design the bastard's personification of obsession and despair; these four elements are crucial for when it comes to designing a decent witch that would not only fit in the world of Madoka Magica, but also drive home the idea that these witches were once Magi themselves- with their own dreams and goals.

We'll kick this off by looking at Ludwig's role in the canon of Team Fortress 2; he is the de-facto healer, but he's less interested in actually helping the ill and is more into the idea of tinkering with the human form- going as far as to use animal organs for his whack scientific endeavors for the goal of satisfying his curiosity. His healing abilities are also stated to be side-effects of his knowledge regarding human anatomy- even the Medigun wasn't initially supposed to be healing the mercs, according to the lore provided for us.

While on topic, I should also bring Medic's gameplay onto the table; though he is one of the weaker classes when speaking in terms of strength, making sure your team's medic stays on the map for as long as you could is crucial. Think of him as the king piece on a chess board; once your doc out of the picture, not only will your team start to drop like flies, but you'll lose some of that sweet, sweet Uber time. There is a reason as to why Medics tend to stay around the more resilient classes rather than glass cannons like Scout; survival and defenses.

Next up, we'll talk about his self-image and how he is perceived by the rest. As we can tell, he takes much delight in his work and his experiments on other human beings- he doesn't see anything to worry about his interests and the peculiar way he goes about it, no matter how extreme it is. Obviously, the man's not in-tune with the concept of human morality- going as far as to see these unwritten rules of humanity as nothing more than roadblocks on the way of his life.

In spite of his...screws being more than loose, as I already stated above, it isn't like he sees his fellow mercenaries as lesser beings when compared to himself; he does like them, albeit in his own amoral, gory way - he wouldn't have granted them the power of invincibility otherwise, among the other feats in modern science he had accomplished in order to save his team's asses -. Yeah, he does experiment on them, but, at this point, that's just how he says "hello"- and, when compared to what he did to the Classics, the adjustments made were for the active benefit of his team (...most of the time).

From all this, we can tell that his witch is on the more dangerous side (AS IF THE EXTRA SOULS DIDN'T DO THE JOB?)- with a dash of grace, of course; a reflection of his friendly exterior hiding away his twisted interests and "job"- and, fellas, he adores his work. He holds no regards for the safety of his patients and how outlandish his experiments are; he already kept an enemy Spy's head alive in a fridge, for corn's sake. Nonetheless, he is still a competent doctor- more than competent, in fact; when given the right tools, organs, time, and budget- death is no more than a small hurdle to him. He also genuinely cares for his fellow mercs, even going as far as to call them his friends; maybe that's how the witch will see his own familiars? What if he also tries to smile, joke around, and sing lullabies as he cuts open his human victims?

By looking at this being, only unfathomable, suffocating dread surrounded you- for you were in the presence of he who holds the thread between life and death. This creature before you- no, that isn't right...this deity looked down upon his next patient; surrounded by the lifeless husks of his familiars and their victims, he was rather annoyed over the prospect of having his work be interrupted, but he was also more glad that a living being had wandered into the operating room. Yes, he knew it now; a sadistic sense of glee beamed from the monster as he knew that the next medical trial will be a lot more interesting than he had expected.

Finally, to wrap things up, we glance at his history. Now, I am going to give you guys the heads-up in advance, because not only will this segment be composed of speculations for the most part, but we will be discussing themes of ethn1c gen0c1de. If this topic is in any way triggering, scroll down to the part where we talk about either the latter part of his design, his barrier- or just skip right to the Witch's Card. Clicking away from this post altogether is also highly encouraged.

Much of Ludwig's history is currently kept wrapped under shadows- we were told of Mikhail's, Tavish's, Jeremy's, Dell's, Mundy's, and even Jane's lives before they joined RED/BLU and partook in the Gravel Wars, but, aside from the enigmatic Pyro, Medic was the only one whose backstory was never clearly given to us. All we have to go off of are the bits and pieces peppered across the official website(s) and several official cosmetics-

We all know that he was native to and lived in Germany "during an era where the Hippocratic Oath had been downgraded to an optional Hippocratic suggestion" until he had escaped it by hijacking a catering van during a prime minister's wedding for reasons currently unclear to us - it has been speculated it was due to him having stolen a man's whole skeleton, but he had stated that he lost his medical license soon after the incident -. In the Two Cities update, one of the signs present in Rottenburg, his hometown, was that of a pharmacy advertising a number of...odd products, one of which being Baboon Hearts (leading to the speculation that his name has to be Humboldt- as it was the name of said pharmacy and the confirmation that Medic descended from a line of mad scientists like himself). We also know that he had found and then adopted his doves, namely Archimedes, as he escaped via grand theft catering van.

These should be all he scraps we were given in regards to Ludwig as a character outside of his job and the mercenary business, right? Weeeeeeelll....not quite. There is still one more jigsaw puzzle we should piece together, and, when combined with the time period TF2 takes place in, it does not paint a pretty picture of his life prior to becoming a mercenary. Folks...

We have to talk about Ludwig's Jewish coding, and the implications it has in regards to his backstory when combined with the timeline of the Team Fortress universe.

Though it was never explicitly stated to us, several aspects of Medic do shine a light towards this specific direction; to make this easier for us all, I'll just be listing down the evidence present across the canons of both the game and the comics-

The theme song of his bird, Archimedes, that plays during his surgery on Heavy in Meet the Medic is Klezmer music- Yiddish folk music

His pronunciation of "Danke Schon" is the Yiddish way

In the Gargoyles and Gravel comic, he was dressed up as the openly Jewish Albert Einstein for Halloween

The most damning of all, Valve's insistence that Medic is NOT a N-zi; especially with how fanmade cosmetics that portray him in such a way are often taken down almost immediately

Now, I do understand the fact that Ludwig is far from a saint, but...you have to understand the sheer, vile evil the N-zis and their ideology embody- and, unfortunately, he was also another target for their venomous rampage. Add in the fact that it was at full swing back when Lud was a young adult and he probably witnessed the rise of the heinous ideology when he was a little sap, and...there is no way I can say this lightly-

Ludwig had lived through dark, heinous years. Maybe he's always been this crazy, maybe what was left of his sanity had shattered to brittle pieces thanks to what he and countless others were forced to experience- perhaps he was already insane, but the slaughters and oppression were a whole other degree of evil to him; of course, until the writers at Valve say otherwise, all this falls upon how you personally interpret Medic as a character and how he coped with his backstory.

Though this is all just simple speculation based on what bits and pieces of the man's background we were given officially, it does bring into question what Lud had experienced outside of his medical endeavors. Besides, topics surrounding the second world war have already been explored in the world of TF2- Heavy's backstory is one example, where he and his family were sent to a gulag following the imprisonment and execution of his father, a counter-revolutionist; they only managed to escape once it had burnt down. The trauma of the experience still lingers within Mikhail, as was shown to us in A Cold Day in Hell, so such a backstory for Ludwig is not out of the realm of possibility.

With all that in mind, one must wonder about the kinds of thoughts that were running through Ludwig's mind during that time, and place his escape from Germany under a different light. I must, once again, repeat the statement that Ludwig is not a good man, but did that justify whatever he possibly went through? He even went as far as to crash a political figure's wedding in order to flee; was it because of the hilarity factor TF2 and Medic as a character are well-known for - namely after he stole that dude's skeleton -? Or was there another aspect at play- one of utmost urgency? After all, leaving one's home country for good has got to be a difficult decision- he didn't even return to Rottenburg when Grey Mann took over, implying that, unlike the rest, he didn't have anything waiting for him back home...

Ah, it wasn't like it mattered to him nowadays, anyway; nay, he dared not to think about it any further- all that mattered to him now were his research...his experiments...

So, with all the complicated stuff set on the table, let's move on to the simpler bits of a witch's design- the glue that tie all these bits and pieces together!

Where do we start? With the Magi's own design, of course! After all, Oktavia's knightly theme didn't just come from Sayaka's desire to become a hero/Kyosuke's knight in shining armor, and don't get me started on Homulilly's final form. I am certain that there are other witches that would also help get the point across, like Charlotte, but let's not extend this segment too much.

Upon taking a closer look, we can see that Ludwig's design invokes the imagery of a dove - just like how the little nubs on Nagisa's hat are reminiscent of mouse ears (and we all know how her witch form looks like) -, especially with the ends of his coat resembling a dove's tail feathers. Several cosmetics of his that are present in the game also boost this specific theme of his, especially the Blighted Beak mask, the Wings of Purity, and, of course, the infamous Medimedes bird head.

Of course, this might be a reference to the doves in his lab - there we go, simple as that -, but I don't think that's all there is to it; remember, for an amoral, crazed man like Medic, he is still represented by holy themes, much like any other healer in most media. When you think of a healer, you think of a person who swore under the oath of not doing any harm, and have devoted themselves to the life of pacifism...everything that Medic is not. In fact, Medic himself invokes the fear of being before the almighty; how small and utterly insignificant we are in his eyes, and that, to a being with a mind like Ludwig's, our lives are in the palms of his hands to toy with.

Ah, sacricore and holy themes- don't we just love them? The idea of a savior is definitely written down; a brilliant being with evidence of the slaughter staining his hands. Doves are also gonna be heavily referenced- what kind of Medic-related design are we working on if we didn't give him a pair of wings or two?

As a matter of fact, who is to say that the witch isn't a mad, humanoid-ish dove? With his crooked, bright smile and unfeeling red eyes being hidden by his aura and brilliant, white feathers? You think you might be in the presence of a god of hospitals and medicine, and he even approaches you with such a cheerful demeanor; happy to see a patient stumbling into his lab! That is, until you see how red the ends of his feathers are, how wide that smile is under that plague mask of his, and his eyes...

Hang on- is this a plague mask to begin with? As your eyes finally focus...you can see that it is jutting out of his skin- it's not a mask, but a part of his skull.

Next, we are going to focus on the magi's weapon and what powers they had prior to witchification; now, I am aware that their weapons and their powers are not always reflected in their witch designs - coughs coughs, Kriemhild and Homulilly -, but it does appear to be an "either/both/neither" case for when it comes to analyzing and designing them - I mean, just look at Ophelia -. Besides, Team Fortress 2 is a combat-oriented game, so it would be of great disservice to the game if I did NOT incorporate the main vessel in which you would use to bludgeon your enemies to smithereens with.

Once more, the Medic's main shtick is healing and granting your team a wide number of buffs depending on the medigun equipped; the Kritzkrieg grants a 100% crit chance upon activation, the Vaccinator provides immunity/reduced damage against several damage types, and don't get me started on the number of buffs a Medic can grant their team alone in the Mann vs. Machine mode. For now, we'll just be focusing on the classical Medigun, and how it grants invincibility to both himself and the person he is healing upon activation.

As seen in Meet the Medic, this was possible due to the adjustments made on each of the mercs' hearts- or, what replacements they have received in place of said organs, considering that even HEAVY'S had burst from the pressure caused by his medigun's rays. It is shown to us that the heart begins to pump at an accelerated rate upon activation, likely to spread the influence of the medigun at full power through the subject's veins; turning them into a bulletproof behemoths ready to turn the enemy team into a pile of mush.

From this alone, we can pinpoint the idea that hearts are an important motif in his witch's design. I'd also wager that he'd also possess powers that aren't unlike the functionalities of his medigun; allowing him to heal himself, his familiars, and even other witches at close proximity- bloodthirsty, erratic mercenary or not, he is still the team's doctor. Once the witch starts glowing red, you only have a few seconds to either find a weak point as soon as you could or make a break for it.

To further build upon this theme, attached to his back, not looking too dissimilar to how his medigun backpack, are vials filled with fluid that each resemble the lights of a soul gem at its limit. Within them, he stores his victim's souls, blood, guts, and organs for future usage. How did they get here? Why, with his other appendage hidden inside his forearm; resembling a combination between a saw and a needle. It is easy to use a surgical knife, yes, but some patients are...less than cooperative.

Before we unveil the finalized-ish idea for the witch, I should also take a second to talk about his hypothetical barrier and possible witch's kiss/warlock's whisper. It is true that the most powerful witches in-canon don't exactly need to hide in their barriers - case in point, Walpurgisnacht, Kriemhild Gretchen, Hyades and Shitori Egumo -, but, if we go by the concept art pertaining to Kriemhild Gretchen, we can see that they do have labyrinths they call their own. Even Walpurgisnacht has a pocket space she calls her home; it's the none other than the monochrome hallway Madoka was running through during episode 1, as confirmed by the PSP Game. If neither Walpurgis nor Kriemhild were exempt from this rule, then it shouldn't be surprising to see that this also applies to Ludwig's witch.

As stated in the January 2012 issue of Dengeki Playstation, a witch's labyrinth represents "the magical girl's mental landscape before they became a witch"; Oktavia's was a concert hall- resembling the one where she would watch Kyousuke play the violin, Candeloro's a tea party for one- representing how she would cope with her loneliness and the fact that she arranged her meetings with Madoka and Sayaka as tea parties -, and, according to the aforementioned concept art, Kriemhild's barrier is an obsidian and magenta void full of floating furniture- specifically those of her and her mother's rooms.

From these examples, we can assume that the barrier represent core memories of the magi before they fell into despair, and are either tied to the reason behind their wishes or how they coped with their lives after contracting:

Madoka had a healthy family life in comparison to the other members of the holy quintet, and it is thanks to the environment she was raised in that she ended up becoming the merciful, selfless girl that we all know today

Everything about Homulilly's barrier just represent how much Madoka meant to Homura, even if she didn't exactly see her perspective 1:1; as such, the rundown state of Mitakihara City not only represents her time loops and how it is the setting for all her time loops, but also how she failed to protect Madoka in the end and to grieve the normal life they could have had- had it not been for the universe and everything it stood for standing against them (it might also foreshadow the choice she had made at the end of Rebellion; trapping her team and the rest of the city in a gilded cage so that the incubators will not have a chance at hurting Madoka ever again)

Nagisa didn't have much of a social life outside of school, her run-down home, and visiting the hospital where her mother was at- and it is within that hospital that she proclaimed that she was done with being the perfect daughter to someone who barely deserved it; that it was her turn to take control

We can even tell that Sayaka watching Kyousuke's concerts was such a pivotal moment in her life because of how this specific memory was shown to us at least twice during the series; when she explained what happened to him and the cause behind her wish, and as soon as her soul gem had reached the point of no return- albeit for a split second.

Of course, this is not necessarily a strict rule to follow for when it comes to designing and deciphering witch labyrinths; H.N Elly's barrier resembles a snow globe in composition - according to production notes -, Charlotte is having a tea party with a doll in which both of them are unable to respond, and...I am not 100% sure on what to make of Ophelia's barrier- though I will come back to it later. Barriers don't have to be based on actual locations that are significant to the magi's life; rather, they can be manifestations of their desires prior to witching out- Elly wished to preserve a happy memory that gave her a shred of respite in the midst of the stressful life of an idol; and the tea party symbolizes the relationship Nagisa craved from her mother, that she was the timid one of both parties- silent as a doll, and how ultimately hollow that wish is- in the end, it's just a toy; it cannot respond to her even if she could speak, nor could it comfort her.

Unsurprisingly, I can see that Ludwig's barrier could be an infirmary...no, that can't be right; after all, Ludwig does what he does not out of compassion for the sick, but because he could. He seeks to change and perfect the mercs; turning them into unstoppable killing machines forged by his own hands and mind. He usually does all this to satisfy that itch in his mind and the excitement whatever results he gets from these surgeries bring him. It looks like a place of respite for one's health, but it is a death trap, first and foremost.

As a reference to his escape from Germany, maybe Ludwig's doves are still flying around the barrier; blood and feathers staining the floors and hallways, and themes of uprooted trees are peppered in as paintings and ruined potted plants. This represents the panic setting in and high speeds of the van, on top of how he came to discover and adopt these feathery companions of his, while the uprooted tree symbol suggests that he has nothing waiting for him back home in Germany; the other mercenaries went back home after the events of Rings of Fired (sans Pyro and Engie) except for Medic, after all. Maybe he was just lucky(?) enough to immediately land a job amongst the classic mercs, or perhaps...he just couldn't go back "home", not after everything.

Going back to the canonical barriers for a sec, one part of when it comes to designing a proper labyrinth is that, sometimes, a person can sway your heart so much they could change the trajectory of your ideals and influence the way you look at both your actions and the world around you.

This is most evident in Ophelia's barrier, as seen to us in Madoka Magica Portable; though it's hard for me personally to decipher exactly what it is, there's a fuck-ton of symbolic elements literally swimming around there, including musical notes floating from the ground and into the air. I don't think I need to specify exactly what said notes represent here.

Since there are multiple rooms within a barrier that can serve different functions, perhaps there's an outdoors segment where the magi first end up in; a frigid winter wonderland threatening to turn this labyrinth's visitors' limbs into unfeeling, darkened blocks of frozen meat falling off their bones. The only salvation from this bitter cold is to enter the interior segments of the barrier, and, even then, you are still not at all safe; his familiars are still on high alert- whenever they aren't "looking after" the other patients present -, and the infirmary in of itself is nothing more than the lure of an anglerfish- fooling the humans who have stumbled into it and punishing them to a fate worse than death.

The conveyor belt stretches through the halls of the labyrinth and leads right to the center; the operating room. There, the doctor awaits either his next batch of organs - human or otherwise - or a new patient. Ah, how everything runs smoothly; the bloodshed, the violence, the screaming- such fine melodies, they nearly compelled him go and play a tune on his "bone" saw at this very moment.

Another small detail that I want to pepper in is that there are the sounds and vibrations of a heart beat that echo through the halls of the labyrinth's interior sections. Perhaps there are slices of lavish wedding cakes (the van), pretzels (Germany), and all manners of bread (the mercs and that bread monster) that are being served in the canteen- and, before you ask, no, I would not recommend eating them. I know I already said that hearts are a core theme of the witch's design itself, and maybe the canteen thing is a bit too farfetched, but, hey, a nice detail is a nice detail.

Finally, so we can wrap this whole segment up already, we'll discuss the details of his witch's kiss/warlock's whisper. Now, Witch Kisses in-canon are...weird; they hold less consistencies than the witches themselves and their barriers, so it is hard to draw out the necessary similarities needed to create a decent design. Some witch's kisses are tied to the witch's type (Uhrmann, Homulilly), designs (Oktavia, Elly), and their grief seeds (Kriemhild). Sometimes, I have no idea on what they represent at all! (CANDELORO) I'm just gonna go on a limb here and just...wing it.

-BADUM TSS-

Okay, okay, that was horrible, I'm sorry. Indeed, wings will be a key theme- specifically 6 of them; not only are they reflective of him being a dove, but also to boost the holiness theme he has going on and to symbolize his earlier deal with the devil. In the middle of it, a clawed, red hand grabs on to an anatomical heart; whether he is handing it out or taking it for himself is unknown. Upon closer inspection, one can see that it is affecting the victim's veins, causing the area around the whisper to turn into a deep, glowing red; remember how the ubercharge works, people.

Finally, finally, after two months of hard work - two months of AGONY -, we have it; the moment we have all been waiting for...

-Witch Card-

Asclepius, the Warlock of Reconfiguration. His nature is wonder. A revolting, mad avian who conceals his sickened mind with the appearance of a plague doctor, and a charming, silver tongue. Upon gathering up those who would become the volunteers and patients for his latest medical trials, his very own ward begins to choir and hum with every slice and stitch made on his victims' bodies; readjusting and mutilating their forms to fit what piqued his mind at the hour.

The leftover organs are then either stored for his future endeavors, swallowed whole by the warlock in order to improve upon his own self, or are kept alive - perhaps even conscious - within his barrier as a testament to his prowess; eternally trapped and wailing for the liberation of death.

-Familiars-

Galatea. Servants of the Warlock of Reconfiguration. Their duty is to worship. The warlock's beautiful creations- the culminations of his medical curiosities. Right out of the operating tables, they would test out the enhancements blessed to them, and continue to be of good use to the warlock by defending his infirmary and the operating room. Those who cross paths with the Galateas will not see a hint of hesitation- they are willing to keep the bloodshed around the labyrinth ongoing for the sake of their doctor, even at the cost of their own lives.

Though the warlock prefers the blank slates that are the humans who get admitted to his infirmary, he would still pick apart at and experiment on his Galateas, whether in order to fix them, enhance them using the organs of his victims, or to salvage as much of their parts as he could- perhaps in order to rebuild them in the future.

(Familiars are said to be "projections of a magi's heart before they became a witch"; as result, their duties can range from directly serving the witch - the Holgers representing Sayaka's desire to be in the center of Kyousuke's attention, and the Anthonies are tasked to care for the roses Gertrud cherishes from the bottom of her heart -, to becoming obstacles to all, sometimes even to the witches themselves - the Klarissas' only task is to dance around Oktavia, Anja's stated to have been separated from Albertine, and dare I talk about how the Clara Dolls represent Homura's self-loathing over her inability to save Madoka? -. It isn't uncommon to see that a familiar can be based on significant key figures in the magi's life, especially if they were either related to the wish they made or the cause(s) behind their despair.

These buggers here symbolize Ludwig's love for not just mutilation, but also reinventing the way his teammates' organs function- and, as I mentioned before, his deep trust in the mercenaries. He also compared himself to the divine on numerous occasions and is followed by multiple holy motifs in spite of his little deal with the devil going on; he was even followed by a choir and his doves flying behind him as soon as he stepped into the battlefield in Meet the Medic.)

Hubris. Servants of the Warlock of Reconfiguration. Their duty is donation. Bound by their hauteur and the broken bones of their bounties, these pathetic prisoners of the warlock have been chained and are treated as nothing more than livestock by both their master and his other servants. Watching their own organs and other body parts be pulled apart from one another before regenerating once more for the continuation of this cycle has drained all hope of ever escaping their punishments from their eyes- not with these atrophied limbs and sore boils.

Their stringy, rotting flesh provide little to no sustenance for neither the warlock nor his other familiars, and are too fragile to use for his medical trials - hence the need for human patients -. Nonetheless, they are bound to these spare operating tables, awake at all times, as the claws of the other servants pick apart and toy with each and every one of their fibers. The warlock finds humor in their agonized howls.

(They resemble misshapen versions of the TFC team - barring their own medic -, since we are going with the assumption that he took their souls rather than those his own teammates. Why I went with the idea of the classics themselves becoming his familiars is and are not just projections of how Medic saw them during his time working with them is due to how both Walpurgisnacht and Hyades Daybreak had their respective original forms re-manifesting as their own familiars.

Yes, Cheavy gets the worst of it.)

Archimedes. An old friend of the Warlock of Reconfiguration. His duty is attendance. As he glides through the bloodstained halls of the infirmary, this dove, whose pristine feathers have long since been soaked with a deep crimson throughout his master's countless trials, would not only take part in the warlock's surgeries as the role of a willing audience, but he would also stand by and even assist (Asclepius) - all the while satisfying his own morbid, sickened curiosity -. Of all familiars, the warlock treats this one with the most respect, understanding, and fatherly affection.

(Not a familiar that looks like the bird, not a familiar that is inspired by the bird- it's the fucking bird itself.)

-Inspirations-

In-game:

His doves, and the fact that Archimedes was a WEDDING DOVE before Medic found him

Him hijacking the chancellor's van during his wedding in order to escape Germany (and eventually finding then adopting Archimedes who was within it)

His silver tongue clashing with or weirdly complementing his deranged personality and actions; would it translate into his witch looking more humanoid, among other traits? Well...

His usage of animal organs to compensate for the fragility of human organs might make the humanoid aspect of his witch sort of moot

His bonesaw and how he plays it like a violin (non-conventional musicals?)

The Vita-saw

Ubercharge

Him playing cosmic systems like a damn skipping rope to his advantage (reviving Sniper and having multiple souls sewn into himself in order to scam the Devil out of their deal). This does not work with Kyubey, like, sir, your surname ain't Kaname, if memory serves me right

The Blighted Beak cosmetic; its Vibrio Cholerae style specifically, as it would better fit Inu Curry's art style

Medic's gameplay in both the vanilla game and the V-Script Zombie Infection mode

"And no wonder! For even the devil disguises himself as a being of light." - His association with themes that are considered "holy" and "good" in Meet the Medic and several of his own cosmetics...yeah, no need for me to go into detail as to how ironic this all is

Outside Influences:

The Greatest Living Show by Itoki Hana and Toby Fox (wow, I have an addiction to Itoki Hana's songs, don't I?)- evident especially with the heart beats in his barrier

Repo! The Genetic Opera

German fairytales- especially with how some of them revolve around mortals dealing with otherworldly beings

-Closing Statements-

To be completely honest, I wish I was able to actually draw this shit and not make ya'll read through this drag of a document and leave the gist of it up to your imaginations. I also have to apologize for how rushed it is near each segment's ending; I initially wanted to publish this around the start of October, but it was far, FAR from finished by the time it rolled around.

This has been a wild 2 or so months; constantly looking up references and refining the concept time and time again along the way, and it is still not perfect (especially with how the description of the warlock's appearance), but, overall, I am very happy to have managed to deliver it during spooky season.

I should also give a huge thanks to @bluethepearldiver! Not only did they support me incredibly so throughout the process of writing this in ways I cannot write down so easily, but they've also helped me with the names of his familiars and that RAW line ("Unfortunately, his trickery of the devil himself had rendered him too confident. This unassuming little creature was no devil.")! So, please, do give them the support they deserve ;0;

Once more, I am more than willing to listen to suggestions and criticisms; I'm aiming to not just improve upon Asclepius, but also the other mercs' witch forms when the time comes (I even have a concept for Scout's)! Do not be afraid to send an ask or even tag me regarding the matter- I'll do my best to reply (if Tumblr gets its head outta its ass and does its job notifying me for once)!

Thank you all so, so much for reading all this! I appreciate any and all engagements and feedback coming my way.

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koalatydm · 3 years ago

Text

Hot Brown Morning Potion Podcast Episode 5 - The Deluxe Elf Interview with Devon Giehl and Iain Hendry

Transcription Part 1 of 2 (includes Wonderstorm questions and Kuno's questions)

[Transcriber's Notes: This took me SO LONG to transcribe, like multiple hours and I'm only halfway done... But I will make it through at least this one episode because I want fellow Moonfam enthusiasts to have a text source, not to mention make it easier for deaf/HoH people to follow along. I guess I'll tag @kuno-chan since she said it was OK at the beginning of the podcast, sorry if I'm bothering you!]

KUNO: Hi guys, so I have a personal request for this particular podcast episode if you guys could tweet, post, both at least one piece of information that you learned from this particular episode, that you love, that inspired you, that you thought was cute, whatever. Like, I really—one thing that really tends to happen is that people listen to the podcast and they kinda just go about their day. We don’t actually see the information circulate through the community, which we really try to have creative questions—questions that are fun and explore the characters in different situations. And it would just be really, really cool—it would mean a lot to me to see this actually circulate through the community, actually circulate through the fandom, and see, you know, it would be awesome to see it be inspired—to inspire fan works, fan fiction, fan art, especially fan art. I just—we talked like a solid hour at least—really like a solid hour about Runaan, Rayla, Ethari, that family, um, and Moonshadow elves a lot. We talked a lot about that. And I think this is information that a lot of people really wanted, even if it’s in largely headcanon form. But Devon and Iain were so gracious and we talked so much about that family, and including Ruthari, and of course some Rayllum in there. So if you guys could live tweet, or even just one tweet, at least one tweet. Tag us, tag me, tag Hailey, tag @HotPotion, even if you send it directly to me on Tumblr, that’d be awesome and we’d retweet, reblog all your stuff. It would be good for the podcast and I just really want to see this information circulate through the fandom, so at least one tweet. Alright, um, let’s get to the episode though. Thanks! Hope to see you guys on social media about this.

—————

KUNO: Alright, hey everyone, this is the Hot Brown Morning Potion Podcasts with your hosts Tamika and Hailey, and we are here with Devon Giehl and Iain Hendry, two writers on The Dragon Prince at Wonderstorm, and Devon being actually the recently announced lead writer at Wonderstorm, so say hi everyone!

DEVON: Hi!

IAIN: Hi, this is Iain…

DEVON: Hi, I’m Devon… (laughs)

KUNO: And so we have a ton of stuff to get through today, um, a lot of questions, so—but we’re going to ask Iain and Devon a little bit about themselves first, since I think—I’m not sure if this is the first interview they’ve really had, personally, so uh, Hailey do you want to start—head that?

HAILEY: Um, yeah, sure. Uh, could you tell us about your roles at Wonderstorm?

IAIN: Uh, sure, uh—I’m also a writer at—official title “Senior Writer” at Wonderstorm. I was one of the writing team on the show, not quite as early as Devon, who was basically employee 1 after the founders but um, I joined sort of, end of 2016 when season 1 writing was really starting to get rolling, and was you know part of the process all the way through all the seasons. Uh, and since this—it’s such a small start up company, all the writers take a bunch of other, like, production roles on the show. Like, throughout all three seasons we’ve done, like, continuity notes work, we’ve given feedback on like every step of the production process. And then the other kind of side things we have, like you know, very top secret game that we’re making in here. And like, kind of straddle the line between the show writing and the game so that that’s all kind of on point and feels like it’s in the same universe with the same characters as The Dragon Prince, but ah, can’t say too much about that just yet.

DEVON: Iain does a lot of—a lot of secret work (laughs). Um, yeah as for me, I’m also a writer on The Dragon Prince and my—I was a Senior Writer until very recently, and now I’ve been made into a Lead Writer, which means I just get to flex a lot. Um, but I started in, I think the very, very end of 2015 when Wonderstorm was first getting off the ground as like a tiny, tiny startup. And we were basically four people in a room about, I don’t know, like 20 ft by 10 ft. It was really, really awful—

IAIN: Really smelly.

DEVON: Really smelly, really tiny, like only a skylight for a window, it was great. And I—so I was involved in like the earliest of brainstorming for the show. I helped sort of like put together a lot of the pitch deck when we you know took it around to studios and like, I named like most of the characters—is like my most self-indulgent claim on the show cause I got to do a lot of really silly stuff. Um, but yeah, and then I like help out on a million other fronts at Wonderstorm too because we’re a small company and—yeah, the funny thing about the—the small tasks we have, like you mentioned continuity checks. Um, we often had to make sure that Callum’s backpack and book and Rayla’s bindings were always correct, and that was kind of, the funniest and most intense, like, stage of production ever. Cause you would, you know, watch one shot and then the next shot would come up and Callum’s backpack would have disappeared. So we had to be like, “OK, let’s give Callum backpack back on.”

IAIN: Yeah, and it’s not just for accuracy, but like, the way fandoms operate, like, we just knew if Rayla’s binding reappeared sometime, it wouldn’t be viewed as an error. People would be like “WHAT DID THE KING GET UNKILLED WHAT HAPPENED OVER HERE”.

DEVON: No it was just the—

KUNO: Oh, yeah.

IAIN: Woo!

DEVON: —continuity’s way harder than anyone thinks it is (laughs). It’s a lot.

KUNO: Oh bless you guys for knowing that though cause we—we totally would. Like, think, there was a point I remember saying that they changed Viren’s eye color because they didn’t want too much continuity with Rayla’s eye color and I feel like we were really that close to having a ‘Viren is Rayla’s real father’ issue. We really were. Somebody had to have thought about that issue (laughs).

DEVON: I actually think there is—there’s still at least one shot in the show where Viren has the wrong eye color and if you can find it, congratulations (laughter in background). That’s where we missed—missed it. So it’s in there somewhere.

KUNO: Xadia CSI (IAIN laughs). So you two are married, um, can you tell us what it’s like being married writing partners?

IAIN: You wanna go?

DEVON: Um, yeah, I mean it’s—we actually knew each other professionally before we dated, so it wasn’t like we—it’s sort of like, it was easy for us to—to remain work partners because that was how we existed in the first place. Like I met Iain when I interviewed him for a job and I—he was great (IAIN laughs), he was fun, he was all right.

IAIN: Apparently I passed.

DEVON: But um, so yeah we had a professional relationship before we had a dating—‘dating’ relationship. Um, so it’s strange because a lot of people will say like, “Oh, that’s probably terrible. You probably, like, become absolutely sick of each other” but somehow we’ve managed to—to have like, two relationship patterns where when we’re at work and we’re working on writing stuff we have this very professional thing going on and then at home, we’re just married idiots and we have a lot of fun. So like, I don’t know, I’m never tired of you, personally.

IAIN: No, (DEVON laughs) yeah I mean when we’re writing it’s generally like, Devon’s the one on the keys uh, you know, putting the words in and so on, and it will kind of bounce back and forth between like, I’ll have the idea for the—how the scene should flow and I’ll kinda narrate bits and then we’ll go back and smooth things over. But I mean, I could imagine that with some people it would get tense, but I think Devon and I, we’re just absolutely the most comfortable with each other and neither of us takes it personally when it’s like, “that line that you pitched isn’t working” or “this joke could be funnier”, anything like that.

DEVON: It’s usually Iain who’s—cause I usually type cause I type really too fast.

IAIN: She’s really too proud of her typing (laughs).

DEVON: I type super fast, it’s my only real talent, but—like I’ll just sort of go off on some sort of like incredibly unnecessary, long description of something and Iain will sort of let me get about like four or five lines into this unnecessary nonsense and he’ll just sort start going like, “OK so like, do we really—do we need that? I mean, you know, could we sort of parse this down a little, a little less, a little less”. And then I, just like, “Ugh, fine” (laughs).

IAIN: But um, every word she writes is great.

DEVON: Mmm (skeptically)

IAIN: It’s perfect.

DEVON: Completely not true. Also in our scripts I think like—

KUNO: Aw.

DEVON: —in terms of the way that we work professionally, I think like a lot of my strengths are in—in really almost self indulgent levels of drama and he can kind of pull me back from being too indulgent on those fronts. And then I think that Iain is objectively absurdly funny and so when you kind of look at our episodes usually everything that’s pretty funny and lighthearted and like the sense of levity often comes from you and then if there’s anything that just feels really painfully sad it’s probably me?

IAIN: I’m the funny one.

DEVON: (laughs) It’s true.

KUNO: Aw, I feel such a connection to you Devon, because I’m actually, episode 3 was actually one of my favorite ones because I love all that like domestic stuff. I love just kind of like—oh, I don’t know what you call the trope, like a safe house trope where you go somewhere, you’re still kind of in the adventure but we’re in a space right now, a narrative space where people are safe, if that makes any sense. Like you—if you’ve ever seen How To Train Your Dragon, like (T/N I don’t know what was said here, sorry!), the base is the safe place, that kind of thing. So, I totally get that, I actually see—episode 3 was one of my favorites outside of pretty much every episode where Rayllum was a thing. (laughter from multiple people)

HAILEY: The whole season basically (laughs).

KUNO: Pretty much the whole season, um. I think there was one more question about two.

HAILEY: Yeah sooo.

KUNO: Before we get to the elves.

HAILEY: Yeah, definitely. Uh so it was mentioned that you’re now lead writer, Devon, and can you tell a little bit more about what that entails if you can, and how that’s been going?

DEVON: Yeah, I mean… I actually don’t know what I can say about it, um… I think it—it means that uh, for future Dragon Prince stuff I’ll sort of like take a bit more of an active role in leading the—the development and the storylines and things like that. It also means that from a company perspective um I’ve been kind of involved in some other side stuff that Wonderstorm is quietly looking into developing and um I help a lot with other IPs that we would love to make a real thing someday and that’s kind of all I can say about it I think or I’ll get in trouble.

HAILEY: All right, that’s great, that’s good to know, thank you.

KUNO: The Dragon Prince 2 (laughter from multiple people). I’m totally joking everyone that’s not a thing so don’t take that for—

HAILEY: Wow.

KUNO: I’m joking.

IAIN: Two dragons.

DEVON: The Dragon 2 Prince.

KUNO: Yeah. OK also if there’s anything that you guys say that you want redacted this is probably not going up for another week because I have to get our reaction episode out. So anything you guys think about that you’re like, “Maybe I shouldn’t have said that” just message us and we’ll redact that. Yeah, cause we know that—

HAILEY: Or just say it. Just tell us, like, what’s—

DEVON: Hopefully we have some self-control but—

KUNO: Okay, so we are going to get really indulgent here and I think this is going to be really in Devon’s wheelhouse. We have a lot of questions and a bunch of the scenarios so try to get through as much of it as possible. Um so the first question is can you tell us more about the Silvergrove? What is the government system like in Silvergrove? Who runs it? If you could tell us that is that the only—at least like the leadership role? Um, is that the only Moonshadow elf village? And also do they actually get any real daylight because I noticed when the illusion thing happened it just got shady and I’m like, “They might be taking this Moonshadow thing too far”. Like the elves—do they really like that much? So like tell us about the Silvergrove and where Rayla grew up.

IAIN: So I guess it’s probably worth just starting off with a kind of blanket like, ‘if it hasn’t been in the show, we can’t say it’s 100% fact. A lot of this is just gonna be what kind of we thought, rough shape of things happen in our heads—‘

KUNO: Yeah, absolutely.

IAIN: —going into the writing and so on. So you know, don’t come after me with any, uh, fandom lawyers, anyone. But um yeah, I guess like it’s sort of—it’s most useful for us to think about it in comparison to how the Sunfire elves, like clearly they have very structured society. They have a queen, obviously, and they have large cities and so on whereas we think Moonshadow elves live in, as you saw, much smaller communities. And I think the Silvergrove is not the only one of those, it might be one of the better known ones where clearly the best assassins come from. But uh, I think are other ones out there, um, and maybe even Moonshadow elf people do not know where all the other ones are. Obviously the Silvergrove is hidden and maybe they don’t even have access to all the other ones. So I think there’s a sort of community run vibe to things. I think you know when they decided to—to ghost Rayla, and before that Rayla’s parents, I think that was probably a ‘let’s all come to a consensus before we make a decision about something like this’. I think, Devon, if you want to talk about the kind of like sunlight vibes things, because that was a big part of your driving force behind how this episode looked and felt.

DEVON: Um… well… first, I will say that it was potentially from the top down a complicated visual decision to have episode 3 take place in a Moonshadow elf shady forest grove and also the kingdom of sunlight.

IAIN: Yup.

DEVON: It created a couple production problems in terms of like the way we wanted the Silvergrove to look was very like evening themed and cool colors and you know shaded. And I had this really sort of self indulgent thing where I really wanted it to be as close to night time as possible and yet the story line in Lux Aurea was clearly taking place in the middle of the day. So we came to this sort of compromise that you know it is technically daytime through the whole day and there is enough tree cover that it’s already pretty shadowy but also I think there is some magic at play that’s sort of like generally um shrouds the whole thing in more of like a night time vibe. And my inspiration for that was I’m a big World of Warcraft player, or was I don’t super play a ton anymore but I really loved Ashenvale and some of the night elf regions and they had that similar thing that no matter what time of day it was it always felt like at least dusk or like this sort of like ever—ever shaded feeling. And I indulgently kind of wanted that to be where Rayla came from. So that’s what that’s about.

IAIN: Yeah and I think they’re magical beings. They don’t need vitamin D from the sunlight or anything like that. They’re totally fine if they just get moonlight every so often.

DEVON: But yeah, don’t write a script that has, you know, moon themed place and sun themed place at the same time. It was a… questionable choice (laughs). But I think it turned out—

KUNO: Yeah, ‘cause I was wondering—I was wondering—I was like “Okay” because a lot of the stuff you run through—you run the okay, if I were to write a fanfiction how do I use this. So it’s like, do they just never like—if they like—if Callum were to say live in the Silvergrove would he just have to get used to the fact that like it’s just never totally bright daylight or unless you leave the Silvergrove in the forest, uh, and like—that type of—is that what’s kind of like going on, they just like their shade?

DEVON: I think they like their shade. It’s like Scotland in the winter.

IAIN: Oh yeah, except we all get miserable by around about February when we haven’t seen sunlight in several months. But um yeah, I think it’s kind of like yeah, a combination of ‘oooh, magic’ and also just extremely, like, thick tree cover in the deepest parts of the forest. But I don’t think you have to travel too far. But uh, I think there’s a reason why everyone in that town was a Moonshadow elf and there were no Sunfire elves or random humans just like, chilling and living there. I think only the most goth of kids would be able to live in the Silvergrove without going a little bit mad.

DEVON: I mean you only have to go as far as the adoraburr field which clearly still gets a significant amount of daylight.

IAIN: Yeah.

KUNO: And you said there’s not really like a leader. They do as a community, but is there anyone that like makes decisions, like is there anybody that like if they were to go to somebody, like if they have like village leadership decisions. And obviously, um, blanket statement that all this we assume is kind a little bit of headcanon so it doesn’t have to be like for gospel, but you know for purposes of writing stuff.

DEVON: Um the way I thought about it—well, to back up a tiny bit, there was actually a version of the story where there might have—this was super, super early on, we were thinking about how the story might play out and we talked about there being potentially another Moonshadow elf leader type character that they would meet who, you know, was the one who ultimately called for the Ghosting decision. But that didn’t really fit the sort of, like, very personal nature of the story we wanted to play out with Rayla specifically. Um but thinking about that and the way that we were, you know, trying to shape it—I would imagine that like the assassins are sort of like a specific group that live in the Silvergrove which is otherwise—it’s not all assassins, like, not everybody there is an assassin. And I think that means that like you know Runaan was the leader of the assassins so he might consult with the leader of the blacksmiths who may be someone over Ethari but maybe it’s him now who might consult with the other general leaders—I don’t know. Like I think it’s more of a counsel of different groups than one single authority. It just seems like that would be a better fit for Moonshadow elves than the sort of like very, very strong-army, structured, high-and-mighty feeling that the Sunfire elves have, so, does that make sense?

KUNO: That totally makes sense, a little bit like an oligarchy, I think I had the idea that like they sound like they like a counsel. Like it sounds like a elven conciliatory.

DEVON: Yeah I think like someone might say, like obviously something horrible has happened and Rayla is exactly the person we thought she was. I’m calling for a—a ghost vote. And then you know—

IAIN: With a cooler name than that.

DEVON: No I think it’s canonically, I’m sorry—

IAIN: Ghost vote?

DEVON: The canon is “ghost vote” now.

IAIN: Okay.

DEVON: But yeah, they would all sort of like weight in kind of like a town hall scenario about of like why this is obviously the correct call and they would all sort of like have to come to some sort of agreement about what to do versus the Sunfire queen just being like “mph, time for the light, light decides!”

IAIN: Yeah.

KUNO: Okay um the next question being almost a little on that, does Ethari regret, um, what does he—does Ethari regret doing the banishing spell now that he knows the truth about Rayla?

DEVON: Oh absolutely 100%. But I don’t think he would have the power to—to reverse it. Like I think he could do a quick charm to help reverse it in the moment just to speak with her but ultimately it would take a lot for him to undo it and I’m not—we haven’t talked about what he’ll get up to in the meantime, but I don’t know he would be able to pursue it so directly—I’d have to talk about it, I think it would be an interesting side thought to think about how he might pursue redeeming her in the eyes of her people knowing what he knows, but—

IAIN: Yeah I think given that we said it would take everyone to do it collectively and make an agreed decision it would similarly everyone would have to understand the truth and go back on it and ‘oh I saw her one time and she said she didn’t do anything wrong probably isn’t enough to overturn that. But yeah I think he probably felt some regret even at the moment, but you know he’s in some of the worst grief of his entire life and he’s not going to make perfect rational decisions. And I’ve seen you know some people were slightly upset that he got so angry with Rayla in the moment of seeing her but I think like when you first see the person that you’ve tried to convince yourself sort of took the most important person in your life away from you, you’re gonna feel a big mess of feelings and it will bring up some grief that maybe you thought you were just—just starting to get over, so ah. Yeah I think hopefully he can turn that around in the years to come but they’ve all had a rough time. They’re at war. It sucks (DEVON laughs). Don’t go to war, kids.

KUNO: Hailey did you want to ask the next one or did you want me to?

HAILEY: Sure I can ask it. Could you—so I mean—you mentioned a stuff—a couple things about their government system and whatnot, but is there anything else you could tell us about Moonshadow culture, like what their day to day is like, and what it means to be a Moonshadow elf?

DEVON: Um I do think that a lot of the fandom I’ve been pleased to see has picked up on this sort of idea of a fairly rigid culture and you know there’s a lot of importance placed on things like honor, loyalty, and the ability to commit to things. And um I think that could come off as pretty strict but I actually think it comes from the place of valuing a close knit community. And I think, like, to the idea that we said like they probably have some kind of counsel instead of some single authority kind of ruler. It’s—I think their day to day would be very much going about their business in ways that support each other you know? Like does that make sense? It’s—you go to the blacksmith and he does work for you and it’s friendly and conversational but it’s productive—it’s all very for the good of the community.

IAIN: Yeah I think early on in season 1 even Rayla says that you know they’re not really meant to show their feelings. So I think everyone kind of commits to doing their task for the good of the village and doesn’t gripe about their day to day until something bad happens as the entire series to this point has been driven by. But um yeah I think they uh—they’re just committed to having a good, small, close knit village life and all supporting each other the best they can. And then occasionally the dragon queen tells you to go kill someone and that’s your job so you better go do that without complaining about it.

DEVON: I think we use the words “reclusive yet intimate” in the article we put up about the two moon creatures, the moonstrider and the shadowpaw. And I liked that a lot because I think they’re reclusive in the sense that they’re a little bit shut off from the wider world and they’re um isolationist in their preservation of their own culture but they are very close to each other and that is something that they hold at such an—like a preciousness level but it’s also a bit extreme, like if you betray that in any capacity like obviously they take that very seriously. And so it’s a double edged sword if you will, to have a community that supportive and that close but also your ability to perform all of yourself for the good of that community can be your undoing so—

KUNO: No I actually kinda get that um ‘cause I’m Pacific Islander so I think we’d call that what you’d call a collectivist society where it’s like the needs of the group supercede needs of the individual so I kinda like I—it’s not the extreme I think that they are because they’re very like reclusive but um I kinda live like that in a little bit of way. It’s what I grew up with. So I actually totally get that which might be why I like that so much (multiple people laugh). Um so the next question would be how does the banishing spell work that, um, that was used on Rayla politically and magically? I think we’ve talked a little bit about politically already but magically is—I’m assuming it’s a collective decision or does each person, like, opt in? Like could Ethari have opted out of doing it or did we—did they all have to agree?

DEVON: I think everybody have to agree?

KUNO: And how is it broken?

DEVON: I don’t think you can opt out?

IAIN: Um I think ‘how is it broken’ is something we definitely want to save for—for the future uh we really hope that Rayla manages to undo that. In terms of I think that it’s just culturally ingrained that you wouldn’t opt out. Um I think they would probably just argue forever until they manage to come to an agreement. So I—yeah I don’t think there’s you know half the elves in that village who are seeing Rayla and were like “Oh hey Rayla how’s it going?” I think uh they all came to the collective decision. That’s kind of the political angle. Um sorry, what was the other part? Magically how it works?

KUNO: Yeah? How would you do it?

IAIN: I—again, you know if it’s not in the show it’s not canon, but I sort of inspired by how the entrance spell works where they do a dance and there’s a ritual and I imagine it’s kind of similar. Like I think there’s a lot of that kind of like ritualistic style of magic and it’s kind of like what you see when they put the flowers out onto the water as well. There’s you know a collective dance probably involving a lot more people, a lot more cool intricate runes that happen only with a much more somber mood than the fun, happy times of Callum and Rayla dancing around in the forest. Um so yeah it’s probably—I would imagine it’s probably tied to some whatever the saddest phase of the moon is and that’s when they all get together and really somberly and really sadly uh commit to never seeing this person again. At least that’s the part of the plan. An interesting question that I think could be something that fanfiction writers such as yourself could get into is has any one of these ever been broken before or have they all been pretty sure that they would never need to go back on it? Is that going to be something that Rayla is going to figure out for the first time ever or is there a precedent for this happening. And we don’t have an answer right now but I think that would be a cool story to think about and write.

DEVON: Oh man I love the saddest phase of the moon idea. Imagine if they do it at the new moon because it’s like the moon’s face is hidden forever. Whoo.

IAIN: Whoo.

DEVON: Sad.

KUNO: Maybe we’re birthing things while we’re doing this interview. I actually think it would be like Callum does the Historia Viventum thing and it would be so—cause now I’m just imagining this whole village doing this sad dance which is the Banish Rayla dance essentially. And like that would be so sad for Rayla to witness that just for the drama of seeing her entire village decide to just not see her ever again. And that’s like wow, I’m so sad now.

DEVON: I love sadness.

IAIN: Yeah Callum just crushing a series of Moon Opals to show such a clip show of all of Rayla’s saddest history moments (laughs).

DEVON: Oh god.

IAIN: That’d be great.

DEVON: Thanks Callum.

KUNO: Thanks Callum. Um, she’d love him anyway. But um okay so some of my favorite stuff, what was it like for Rayla when her parents had to leave her to live with Runaan and Ethari and what was that transition like for them all? How old was like Rayla too?

DEVON: This was one that we’ve had a couple different ideas about so this is another one that’s like heavy not quite canon bubble. Like if we actually end up doing a story that involves some of these details it’s likely to change and be slightly different but the versions that I’ve liked have involved her being pretty young. And because honor is such a you know key part of Moonshadow culture I think like overall it was something that she felt you know sad about because she knew that she wasn’t going to be directly seeing her parents very often anymore. And—but it was uh such a huge honor that she felt you know pride in what her parents were being selected to go do. You know, act as Dragonguard and serve as these sort of like honorific, um, warriors that left the collective of the Silvergrove to go represent Moonshadow elves in the service of the Dragon Queen. And I think she had—she grew up being told what an honor that was and how much pride she should have in her parents because that is such a special thing. And then I think like it speaks a lot to how proud she was when she believed that they ran away and abandoned that duty because you know, how could they? If that was their reason for leaving her when she was a child and then they ran away from that job, like, how important could it have really been? And then you know, I’m sure that makes her feel very, very small. It made her feel so hurt that she told Callum at first that they were dead so she took it pretty hard.

KUNO: Yeah.

DEVON: But I think the other thing about it that we’ve sort of kicked around is that like, Runaan and Ethari were Rayla’s parents’ close friends and I think she was familiar with them enough that she didn’t feel like she was being you know left with two strangers. It’s sort of just like, you’re going to be under the care of people who are already very, very close to you and care about you quite a bit.

IAIN: Yeah I think with like Moonshadow elves in general the thing I think about a lot is like the good and evil that comes from suppressing your true emotions to show a different face to the world and I think we see a lot of that in Rayla. Like I think she probably committed pretty hard to Ghosting her parents because she had this like big mess of like sadness that she’d left but at least the soft landing of Runaan and Ethari to live with and so on. But believing like this sadness is worth it because they’re doing something so noble and then the betrayal of that—it just came out in kind of a messy like toxic way, right, where now she’s committed to becoming an assassin at a really young age in a way Ethari doesn’t agree with and so on. But I mean on the other side I think having a strong handle on your emotions is often one of Rayla’s strengths right? Like we saw in episode 5 of this season after she’s going through a whole lot of stuff, both her family situation and this new development with Callum, she’s just able to like operate as a cool badass extremely cool assassin without letting any of that affect her. But you know I think there’s balance in how you handle your feelings and how you externalize them in a good way that people can learn from, but sometimes you gotta—you gotta work (laughs).

KUNO: That makes sense. Oh well yeah I always had this personal headcanon which I kind of like incorporated into my fanfictions where she felt abandoned by her parents so in a way it’s kinda like slightly—kinda like that except it was all those feelings that have been repressed from years and years basically came out when she felt like—like the abandonment came to like the head when she felt like they had left because they had ran away—they kind of like ran away like from her.

DEVON: Oh yeah, absolutely.

KUNO: In a way—their duty to—

DEVON: I think that validates the suppressed feeling, you know.

KUNO: Yeah, since their duty to the Dragonguard was in it’s own way more important and that’s something that was like okay because it was an honor but since they ran away it’s like obviously it was more important in a terrible way, if that makes any sense?

IAIN: Yeah I mean I think it’s like she did her best and she’s trying to be a grown up but it’s hard at a young age to accept that you know there are meant to be higher callings than a bond between parents and children, right? Like that’s hard for her to grasp and she probably didn’t express that openly ever really. But I think it really did help that she had two genuine loving father figures ready to accept her with open arms even if one of them did train her to become the best assassin of her generation, which again I wouldn’t advise to—to most parents out there.

DEVON: I do think like even that was considered, you know, honorable. It was you know, you’re going to—not only are you going to get to live with Runaan and Ethari, like Runaan is the leader of the assassins, or at least maybe at that point in time he wasn’t the leader but he was very up and coming. I don’t know, it could be either or, but that I think was probably something that she fully embraced and fully wanted, like you know, ‘this is my purpose in life, this is my calling, my parents have gone off to do their calling and it’s a great honor for them, and this is my path and what I’m going to do with myself’. And that didn’t end up being true but it was probably a comfort to her at the time.

IAIN: Yeah.

KUNO: That makes a lot of sense. Moving on, okay, this, we’re getting real indulgent now—do you know what Ethari and Runaan’s wedding was like and what are Moonshadow elf weddings are like in general?

DEVON: Um, I have a, so a lot of the dancing stuff is because I have an enormous soft spot for tropes involving cute dances, like, just a huge, huge soft spot. And the thing that comes to mind is, if you’ve seen the movie Prince of Egypt, which is such a weird reference—

KUNO: Yeah, I love that.

DEVON: —the scene where he and the girl, I forget her name, they do the thing—

KUNO: Tzipporah.

DEVON: —with the ribbon and they do the cute little dance with the ribbon. For some reason that’s what I think of when I imagine what a moment in their wedding would look like would be a dance with a ribbon that they sort of use to—you know, Moonshadow elves love ribbons, I guess, but this is a good ribbon! It’s a love ribbon. But anyway, that’s just my idea. I love that specific—that song that, “Through Heaven’s Eyes”, it’s during that sequence but that—

KUNO: Yeah.

DEVON: —would be my go-to inspiration for like, it’s like that and then you know, everybody dances with them because Moonshadow elves like to dance.

IAIN: Yeah, I kind of like the idea of the—there’s a lot of these symbols that are sometimes extremely sinister. I mean I think Ethari even kinda calls this out when he shoots the—the Shadowhawk arrow to inform the queen that her son is in fact alive. But like, Moonshadow elves believe that death and life are not good and evil, they’re mirrors of each other and an important part of the cycle. And you know, the moon has cycles and that’s an important part. So I think thinking about all the rituals and stuff that they have, which initially you’re introduced to as ‘let’s go murder someone party’, like if that was—there was a kind of inverse to that that was a big part of their wedding ceremony I think that would make a lot of sense to Moonshadow elves because this is two people binding their lives together forever. Binding for a shared purpose in a good way and not the grim ‘let’s go kill Prince Ezran’ kind of way.

KUNO: Yeah. Cause naturally this is involving like several ships so I’m like, I had to ask that. And on the piggyback of that, as detailed as possible, can you describe courtship customs for Moonshadow elves?

DEVON: Oh man.

KUNO: I mean like dating—dating customs, like a headcanon even if it’s just headcanons.

IAIN: Devon is deep in thought (laughs).

DEVON: I’ve never—like for some reason the—the headcanons that I’ve thought about are more specific to like, Runaan and Ethari than I’ve really sort of like branched out into thinking about how Moonshadow elves do this in general. So I imagine there’s intended—there’s some formality to it, I would imagine, in that like, because they’re so, you know, purposeful and thoughtful with how they express their feelings if at all, I think it would be, you know, exchange of gifts like small favors and making your purpose known in a way that starts small but has purpose. So I think like, there’s versions where Ethari would put extra detail into the work he was doing for Runaan which you know, could be perceived as a sign of affection or Runaan was coming to Ethari asking him to work on his weapons or metalcraft stuff a little bit more than was necessary and—stuff like that, where it’s a bit stiff and difficult but I think like once—once there is clear reciprocation I think there can be more of an open discussion about it, does that make sense? But I think Runaan probably struggled with this a whole lot, like, ‘cause he’s—did I, it might have been you who I responded to on Twitter but someone asked me something along these lines and I think Runaan had a really hard time even with this first sort of like simple offerings of affection because that’s just him. Like he sort of takes that aspect to an extreme. Like he has a hard time being like “here is the way I wish to express myself in a soft way and not with a—a sharp object. So I think Ethari had an easier time because he’s just more naturally soft (laughs).

IAIN: Yeah I sometimes think that Runaan is the most Moonshadow elf of all Moonshadow elves, but like, you know, it’s—

KUNO: I was gonna say that.

IAIN: Yeah, um, you know when they have such a hard time showing their feelings and they sometimes feel like they’re not supposed to and so on, and so Runaan is trying to pick up on the tiniest possible hints through professional exchanges and so on. And I think when it’s actually time to confess that there’s a feeling there you would, I think especially Runaan would have to be 100% sure and then do it entirely in private, the most private situation possible where there could be no possible spies who could see this if it was going to go wrong because that would just be the end of his entire life, obviously.

DEVON: Yeah he would bind himself to his own death (laughs).

IAIN: Yeah, that’s it. Gonna assassinate myself because I confessed love and it didn’t get reciprocated. That’s that.

DEVON: It’s over.

IAIN: So yeah, lot of—lots of awkward advances where they’re trying—trying to have the escape hatch of “Oh I didn’t really try to suggest that I liked you, this was just me asking you for a professional favor by let’s never speak again”.

DEVON: And then he comes back the next day (DEVON and IAIN laugh).

KUNO: Oh my goodness. Uh I felt—I—I kinda like headcanoning now that Ethari tells Rayla all this “how I met, you know, your surrogate dad” kind of stuff. Like, and that’s how she—she’s like, this is how you do love apparently.

DEVON: I do think that like, yeah, he had a much easier time and probably picked up on stuff. And to me there’s a side of Ethari that you don’t really get to see in the episode because he’s very sad. I think he’s a—he does have a playful side and I like to imagine that while Runaan was doing his, like, really just not-the-best attempts to display affection early on, like Ethari would pick up on them but not necessarily give the full signal back. And he played a little bit oblivious but he absolutely was—he’s just more emotionally in tune. So I think, “Oh hey, you’re back again, wow. I thought I did fantastic work on your blades last time. I cannot believe they’re already dull!” Like and he just sort of like, he knows—he knows there’s something there.

IAIN: I think like this kind of gets echoed in Rayla, like where Callum in an effort to pick her up and be honest about how he feels that she’s just an incredible person. Like to her that’s like, ‘person being entirely open with their feelings in a positive way? That’s a love connection!’ And then it goes wrong for one entire episode and then it turns out that Callum was also not fully aware of how he was feeling and so on. But I think like, yeah, I think that’s why she was like immediately “Wow, this is clearly meant to be romantic and this is—this is going exactly the way I want!” and then it didn’t. But then it did! So we’re all happy.

DEVON: Aww.

KUNO: I am! I’m certainly happy. Um—uh let’s see—the next one is—okay. What was Rayla like as a child growing up in a household she did—household? Um, she mentioned going to school and we’d love to know how baby Rayla fared as a student and just a child growing up in the Silvergrove and what that experience is like for a Moonshadow elf child?

DEVON: You want—you want me to do this one?

IAIN: Go for it.

DEVON: Yeah, um, I think Rayla was feisty (laughs) in a word. I think she—for some reason there’s a scene in the beginning of Korra where she’s already mastered like, three elements and she like comes out punching. I kind of think about that when I think about baby Rayla. She knows she’s—there’s that end credit scene where she’s got the two sticks and she’s posing with them and Runaan’s sort of lifting one of them up and I’m thinking like, okay so sheg’s like, from a tiny, tiny age thinking like, “I’m gonna be the coolest assassin the Moonshadow elves have ever seen!” and she’s like rambunctious about that almost, because you know, as a child you don’t really understand what the ramifications of that are but it’s considered like a highly, highly valued, honored position and so she’s obviously like, “Yeah I’m gonna do that and I’m going to be the best at it and there will never be any complications whatsoever!” In terms of Moonshadow elf childhood, I think with the way that I would think about it is—we talked about the sort of community aspect. I imagine Moonshadow elves have pretty, like, what’s the word, like, a lot of general education, sort of, like, “this is what weaponsmithing is like and this is gardening and raising crops and things to provide for the community” and so I think they would have a lot of ‘school’ that covers a lot of just like, life basics because you are expect to find a place that contributes to the collective whole. Does that like—?

IAIN: Yeah, I think like it’s also lucky for Rayla that a big part of Moonshadow elf culture is what we would call PE. Like I think she excelled at striving to be an assassin warrior and so on. Especially like, she’s trying to live up to her parents who at first were honored Dragonguard and you know, Runaan as well. I think in terms of like, more academic stuff like if there was Moonshadow elf history lessons and “let’s go out and understand the, you know, ecology of the Moonshadow forest” and stuff I think she was probably a bit kinda like, rambunctious and not super paying attention and running off and not really giving it her all and so on. Um, you kind of get that impression from early on where she knows what Primal sources are and she’ll explain that to Callum but like, when she’s talking about ‘how do you do that Moonshadow form thing’ she’s like “I don’t know, it just feels right”. Like I think that’s—she did everything very intuitively and focused on the things she cared about and understood and kinda did what she—did what she could on the other subjects, I guess, but didn’t care as much.

DEVON: Yeah I feel like if you imagine the kid that is going to grow up to be an artist is doing doodles on their math homework and just sort of like doing the math homework but—but you know, clearly the effort is being placed elsewhere. I think it’s that but she was excelling at PE and assassin training and therefore fell very, very easily into her supposed path.

KUNO: The—this isn’t on the thing, but did—did she ever—did she ever really have any friends? ‘Cause she doesn’t really mention—ever mention friends. I—maybe that has to do with the whole assassin thing where if she wasn’t learning being at school she would probably doing assassin stuff with Runaan or assassin training stuff—I guess not really assassinating. But um did she have really friends growing up?

IAIN: I think if she had friends they were not super close. And I think she valued her alone time. There’s a sweet moment early in—well end of season 1 where she like tries to cheer up Ezran by saying that fitting in is overated and I think she felt that a little bit. Um and you know I think there’s some amount of when you’re being trained in the art of an assassin like you’re probably somewhat taught to—to keep people at arm’s length a little bit, right? And I think she—she took that to heart. So I think that’s a big part of why when she was first traveling with Callum and Ezran there wasn’t that much trust between then and it was kinda like, it was Ezran honestly that bridged the gap being most empathetic number 1 child. And yeah, I think having a close friend is relatively new to her.

KUNO: Makes sense. Like just few, not the many. Um okay then next question before we get to Hailey’s batch of them are um, what are Runaan’s feelings toward Rayla as of right now and everything that’s happened since season 1? I understand he’s in a coin, he’s in a finacial crisis, he’s probably not thinking about it too hard—

DEVON: Oh my god (laughs).

KUNO: But you know, like he’s gotta be—you know he’s not doing anything right now, I’m assuming, so like what would be his feelings about her at the moment?

DEVON: I mean he’s got a lot of time to think, wherever he is. I think like—I got into this a little bit on Twitter in a self-indulgent rant at one point where I think he went through a lot very quietly during the first few episodes of the show where he very, very much wanted Rayla to succeed, even if he wasn’t necessarily like being the dad on the sideline of the soccer game, like, cheering for her. But he thought this was her moment, this was her time to prove that she really was more dedicated to you know, her cause and her people than her parents were because they had, you know, been the subject of such shame. And then ah, everything goes the way it does, I think he has a brief crisis of, “Is this my fault? Did I fail to train her well enough? Like, was Ethari right?” Because he always thought she had, you know, a softer heart. And I think like those are the types of things that he’s still stewing on, um like did—”did he overstep? Was it something—was he so eager to give her the opportunity to prove herself that he, you know, ultimately put her in a position where she could not succeed?” I think like, the other thing that I mentioned on Twitter was I think he took her off the mission both because he very, very much wanted to give himself and the others a chance to complete the mission even if it meant their deaths. But it also meant that Rayla had the chance to survive even if it was potentially going to be misinterpreted and she’d get slapped with the Ghosting, I think he believed that her alive was better than everybody being dead. So I think like, he’s got a lot—a lot to work through and I think like—I think he feels guilty. I think there’s the smallest part of him that he has the—again, a lot of time to potentially stew on and reflect on is he does feel like he put her in a position that was, you know, not fully taking into account the type of person she was and more projecting onto her the type of person he wanted her to be and gift he wanted to give her of redeeming herself in the eyes of her people for her parents. And I think he’s gonna have to work through that. Poor dude.

KUNO: That’s so sadly heartfelt. That’s so sadly heartfelt. Here I am thinking that he’d be, like, maybe a little angry with her, ‘cause obvious reason, but now it’s like, oh he feels guilty. Like, “Oh, okay, let’s just slap the angst on, okay”.

DEVON: I mean, I think like—

KUNO: Yeah, mm-hm.

DEVON: Sure he’d have some anger, like, “Awgh, I gave her everything. I gave her the exact opportunity she needed”. But I think like the guilt and the reflection leads to the “Maybe I—maybe it was me who stepped too far here”.

IAIN: Yeah, I mean another part of it is like, we don’t know what it’s like being trapped in the hell coin dimension, right?

DEVON: Oh I do. I—I mean—

IAIN: Oh you do?

DEVON: It sucks.

IAIN: Oh it sucks?

DEVON: When it happens to me on the reg (IAIN laughs).

IAIN: But you know, does it feel like an eternity is passing? Does it feel like no time has passed? Is he in eternal pain? Because if it’s like real bad—

KUNO: Oh my god.

IAIN: —in there I can imagine that like yeah there’s definitely some of those kind of anger feelings that you don’t want to feel in but you do sometimes, right? Like it’s like, if he has a snap moment of “I wouldn’t be in here if she hadn’t gone off and disobeyed our orders and, like, lied to me and so on”. So if he ever comes out uh don’t know what side of the emotional coin he’s gonna land on.

DEVON: Ohhh, please leave.

KUNO: Oh my god.

DEVON: Get out, oof, ouch.

IAIN: Finger guns.

DEVON: I do think like that sort of complex—

KUNO: It sounds—

DEVON: —emotion is just, I don’t want to give any time to that pun, we’re moving on. Like that sort of complexity of emotion and relationships is something that I really like in the show overall. Like you said earlier, you saw some people that were a little bit upset that Ethari was so willing to lash out at Rayla at first and I think like to me that was always part of the big, big thematic of the show, which is this sort of endless cycle of people being willing to hurt each other and not forgive each other and not, you know, accept that you can choose peace. It’s, you know, it’s—Runaan having that impulse to anger is a very natural thing and it doesn’t—I don’t think it necessarily makes him a bad person for feeling that. And I don’t necessarily think that Ethari having his moments of grief lead him to actions that are ultimately like, regretful, like I don’t think he would want that to define him in the long run. Like those are very human things but those are the things as we acknowledge them and as are—so long as we are capable of recognizing how flawed we are and how violent and…

KUNO: Messy.

DEVON: Messy! Thank you, that’s like, I was going to say like churning, messy is good. Like messy emotions can be and how they can like, dictate the way we treat each other, um, but forgiveness and patience and acceptance are ultimately just so much more powerful than those negative perpetuating lashing outs. That was an inelegant way of ending that screed, but yes.

KUNO: I actually really love that um ‘cause I from the beginning I’ve loved their father-daughter relationship so I love how complicated it is, ‘cause the truth is you know every parent-child relationship is a little complicated, except theirs is a little more complicated with assassination going on in the works, the family trade. So I love that it is this complicated ‘cause I know I remember in the beginning where people were like you know—you know she does have a dad. And it’s like I know she has a biological dad but until I am told otherwise that’s her father. I don’t care and I love their relationship so I love that that really reflects that. Another—the next question out of me before we get to, um, Hailey’s, which are all about different elves, is um, course I have to ask, my policy is one Rayllum question per interview. Um what are Runaan’s feelings—whah, no, whoop, how would Ruthari and Runaan react to Rayla’s relationship with Callum considering he’s not only a human but a human prince? ‘Cause as far as we know Runaan really hates, um, humans and I’d love to see that story later, both individually and as a couple. Because as far as I know, Ethari probably doesn’t know that their in a relationship unless he sensed it?

DEVON: Oh man, I—I think you should take this one, but I do want to say that I saw one comment on Tumblr at one point where someone said that they wished that Ethari had said something to Callum along the lines of like, “Take care of her”. And I want to travel back in time and pretend that was in the script ‘cause I think that would have been really, really nice. And I do think like, he picked up on the fact that Callum was important to her even if it—he didn’t necessarily read it as romantic right off the bat. I think he mostly was like, “Oh this guy is kind of like a cute—he’s a human but he’s, you know, a friend to someone I care about and that in and of itself is valuable and there’s something there”. So I think—pretend that was in the script. I wish I had thought about something like that but—

KUNO: I will (DEVON laughs).

IAIN: Yeah.

KUNO: That’s canon as far—as far as I’m concerned that’s canon.

IAIN: I think uh it would be best for everyone involved if they found out together, uh, because I think Runaan’s impulse would not be good immediately. I think like, when you spend so much time as an assassin and you drill into your head that the people that you’re meant to kill are not people, they’re the enemy right? Like I think that’s—sometimes that’s a thing he turns on to do the job and so on, but I do think that’s gonna bleed into his personality and it’s—you know, especially given his extremely recent history he’s not got the best feelings about humans. So I think it would inspire an immediate negative reaction in him that would not be pleasant for Callum and Rayla, but I think Ethari just has a much softer heart and that is where Rayla kind of got that side from. So I mean I’m not going to say that he would immediately—you know, they’ve been at war for hundreds and hundreds of years with humans and they’ve been told all through their history that humans committed the original sin of dark magic, et cetera et cetera, but like, I think it would take not that much time of seeing Rayla and Callum together for Ethari to see that there’s something there and then I think Ethari would have the ability to ah, to talk Runaan down pretty quick. But I also think that like, Runaan might not even show any of this, there might just be a kind of seething resentment that he’s not really talking about inside. Um unless it was like on the battlefield or something and he was like, “That’s a prince that I’m meant to kill” or something like that. But overall I think Ethari would sense that Runaan was not like—was not taking this well and they would be able to talk it through. At least that’s my gut.

DEVON: No, that sounds right (DEVON and IAIN laugh).

KUNO: I feel like poor Callum is just always on the edge of “Am I going to die tonight?” while he’s there, “Is this gonna be it?” Just gonna be like, “Oops sorry I had an accident—hey I had an accident in the middle of the night, you know, just a knife to the throat, that’s all”.

IAIN: I mean, he’s doing pretty well, like he said as they were about to meet Ethari and Rayla was like, “Remember Runaan?” He was like “Oh yeah, that guy who tried to kill me as soon as he met me? Cool guy”. Callum’s doing pretty well on the acceptance front these days.

DEVON: I do—

KUNO: Yeah.

DEVON: I do want to say that I think Ethari and Callum would get along really well because I think they both have sort of like a soft hearted friendliness to them that they would have a fun rapport. And that’s the sort of like “Trees to meet you” line is definitely supposed to be like—they’d you know, crack some goofy back and forths and I think that would soften Runaan too because he couldn’t ever hate someone that Ethari liked.

IAIN: Yeah, I think it’s a weird—

KUNO: Aww.

IAIN: —reversal where like Callum’s the one doing the dad jokes and Ethari’s like humoring them and Runaan’s like, “I don’t understand. Trees do not meet.”

DEVON: “Please stop saying ‘trees to meet you’.”

KUNO: Aw it never gets old. I love that. Um alright, Hailey, take it away. Your turn.

#The Dragon Prince #Hot Brown Morning Potion Podcast #HBMP Podcast #TDP #Ruthari #Moonfam #HBMP Podcast transcription #TDP interview transcription #my posts

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