#expect some stuff when i finish the game
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onebug · 1 year ago
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night in the woods please!!!!!!
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i wasn't ignoring you i have been spending most of my available time playing this horrible terrible game so that i could appropriately answer
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heartdrop · 26 days ago
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i like you more than soup 🍜
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kudakii · 4 months ago
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why must they be made to face the horrors
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olivewormz · 5 months ago
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soo... we got a tactics demo, huh
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velvetjune · 3 months ago
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i played the remastered alan wake a while back and am replaying the original on steam, and, honestly, they’re so similar, I couldn’t tell which is which if you held up comparisons. ive come across reviews about the game looking outdated and bad (mostly compared to other releases in that time), but the original looks great and I like the hazy dark lighting for both this and awan
#might delete#I can’t wait to run into all the product placements#like yeah I know it’s not. top graphics of that year. but I’ve stopped and looked at the environment So many times. it’s pretty!#this is because im biased but I *loved* AWANs choice of scenery. although I wish it was as detailed and expansive as the original games#all of remedy’s games do pretty great in terms of the environment. ignore controls terrible map and the Oldest House is an incredible space#to navigate just by following signs and all the little details. the atmosphere!#don’t even need to explain how aw2 is good with that#but even Max Payne 1 has this beautiful eerie quality where everything is this fever dream of grungy or old environments#even before the literal nightmare sequence it felt like navigating a dream of this Not New York City. like of course it’s likely born from#the limitations the developers had when making it. but the emptiness and placement of npcs added to the experience#QB so far is my least favorite in its style and environment but it’s still had some good moments. the use of flashbacks + time overlapping#onto abandoned and destroyed environments was genius. the college campus itself and the train(?) cargo(?) area was neat to go through#there’s some really good stuff there! *im also. not done with QB so im still hoping things get more wild!!#im honestly more forgiving of QB as a whole and find it interesting since it went through a lot of hell in its development#this might seem negative but it’s not! it’s a shockingly beautiful game. graphics exceed expectations#the style and some locations is where it’s more boring for me. but still good. im so tempted to buy it on steam to finally finish it#endless apologies if u opened this and ur entire page opened up an essays worth of tags
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toastedclownery · 4 months ago
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Yeeeah. My ass is not built for artfight. Sorry
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13eyond13 · 8 months ago
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#here's some of the classics on that list i have beef with btw:#i have tried to read A Confederacy of Dunces several times and it's funny but it's also so cringe and Ignatius is so obnoxious#that i find it too difficult to finish like i just feel depressed and bad for everybody around him too much#i tried reading Infinite Jest like a decade ago and i got like 200 pages in and i remember thinking it felt like#such a slog the entire time because he's just so gd wordy and also i stopped liking DFW after i heard the abuse allegations against him#frankenstein i didnt read that long ago but i just remember finding it so boring for some reason?? i feel i might need to read it again#dracula ngl i feel like im cheating a bit saying ive completely read it because i loved the beginning and then HATED so much of the rest#the characters were just so boring and melodramatic hahaha i just liked the part where jonathan was doing a travel diary#and trapped in the castle tbh and after that i skimmed quite a bit#i almost flipped my shit when i saw ender's game on there because I ALWAYS mix it up with ready player one by ernest cline#which i bought the audiobook of a while back and hated every minute of it i dont think its good at all#but it wasnt that so phew my faith in this list is somewhat restored#i read most of the first game of thrones book and was disappointed tbh maybe because id seen the show already#so i was like 'this feels almost exactly the same except worse?' because i'd been expecting it to give me more depth and insight#into the characters but instead it felt exactly the same and i still didnt love any of the characters enough to feel attached to them#also i am fully aware me not personally liking or vibing with a book doesnt mean it doesnt deserve to be considered great btw#but i think if youre gonna be like me and force yourself to go through a bunch of lists like this very seriously then you also need to just#let yourself be like 'yeah not for me' without feeling too bad about it sometimes too#often times i dont particularly love the classics or 'important books' but at the same time#i still feel like im getting more out of reading them than just grabbing the newest hyped up books that also dont do anything for me#maybe not in a 'wow i loved reading this' way but in like a#'i now have first-hand knowledge of this thing that is so influential / so frequently referenced'#or 'this challenged me and i feel like i did a mental/emotional workout or gave me some new food for thought'#or 'made me more aware of what gaps in my knowledge and reading skills and what my tastes are too'#sort of way...#it really just depends on what you're reading for and why and what you're hoping to get out of it a lot of the time maybe#it's like the homework i give myself to go through these lists that i also intersperse with the stuff i read more just for fun#p
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buttercupshands · 2 years ago
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skrunksthatwunk · 2 years ago
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my beloved older brother has slotted yakuza 0 pretty high up in his video game queue and every time he mentions he's gonna play it i start shaking, vibrating with motion over it,, I'm so excited heehee
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archaeren · 5 months ago
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How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
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infamous-if · 2 months ago
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✭INFAMOUS UPDATE IS HERE ✭
238K -> 457K WORDS
Please read this post before playing! It's finally here! After five months of writing and rewriting and salvaging and crying and sweating and bleeding I finally finished sort of kind of! Firstly, I want to thank you for your patience and understanding over this duration of this rewrite. It was stressful at times but I'm happy with the end result and I hope everyone else will be too :)
This will be the last chapter I release without beta testers/other sets of eyes so expect errors. I can playtest until my fingers turn blue but I'm just one person </3 I'm bound to have missed stuff.
Please let me know of errors! I tested it a few times with no problems but we know how it goes lol
IN THIS CHAPTER THREE UPDATE:
drama
mayhem
chaos
some betrayal
some surprises
just...read it lmao
PROLOGUE - CHAPTER 2 CHANGES:
**chapter two was too large of a file to upload on dd so I had to split it last minute and I uhhhh dont know how that translates in the demo but it should work lol please let me know if its wonky!**
fixed up grammatical errors and typos
expanded some scenes and added some more choices
you can now choose that your mc has "changed" in some way (drinking, no longer drinking, partier, no longer a partier, negative, positive, attached, detached, or a general default. I was asked to add an MC who "gets around" or hookups a lot but I'm still debating on whether I'll add that since there's already quite a bit lolol)
you can choose to have changed your band's genre before/after seven
TECHNICAL CHANGES:
you will be able to explicitly state your sexuality in the beginning. this was a big ask and I apologize for not doing it earlier! I wasn't good at coding when I started and I knew I always wanted to make the genders separate from MC's sexuality but I didn't know how to do that at the start :) So you can still choose the genders of the ROs for story purposes and variety. IF YOU DO NOT SEE ROMANCE OPTIONS THAT IS NOT A BUG. You simply chose a RO gender that doesn't correlate with the sexuality you chose for your MC. Having said that, if you do see a romance option available and it's not supposed to be there please let me know! That means I may have missed it coding-wise.
the stats have been all fixed! I've added all the necessary variables and such. The stat portion of the game has been updated with the appropriate pages but they're not finished. Still, the stats should be fine.
You will now have confessionals in the stat page! The feature still isn't a thing yet because I haven't come up with the confessionals lolol but you can click on it to see what it's about. Essentially, as you progress through the story you will be able to see confessionals from the cast of Infamous throughout. They disappear and appear periodically so if you miss it, THAT'S IT! You won't get a chance to see them again until MC watches an episode where it's relevant.
There is now a: Discography page, Infamous wiki, botb cast and staff page, and other characters page for organization. Those are not finished but they're there!
I changed a few stat names but their functions remain the same.
You will be able to choose how you would like to be described (masculine, feminine, neither, both).
O is officially gender-selectable.
You can set the genders of the ROs at the start or wait till you meet them.
PLAY HERE
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cosmosis · 1 year ago
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based on this image from @fr3akingtf0utrn
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MOVED TO @seratopia
miguel o’hara x reader (fluff) - office life
how miguel o’hara slowly makes you fall for him check out my miguel o’hara masterlist here!
Miguel O’Hara doesn’t fall in love with just anyone.
But... every time he sees you around the office, his hands almost inch towards you like a moth would a light. Something ignites in him that he can’t explain, but he can’t help but want so much more of you. 
He likes to give you bagels and coffee during your breaks. (haha) Your work almost seems to magically disappear, and you’re a lot of the time left to finish up the easy stuff. Somehow, he’s even managed to sit with you for lunch, the rest of the spider-people in the cafeteria staring at the two of you while you eat. 
The entire building, all of the spider-people seem to know the happenings between you and Miguel, and they love it. It’s become somewhat a staple gossip within the workplace.  
Anyone bold enough would pass by Miguel in the hallways and say, “We’re rootin for you, boss!” In which Miguel wouldn’t know how to feel, whether it’d be angry or happy. 
As of now, the two of you have been flirting around, evidently more than just coworkers. He’s yours, and you are his. To you, though, he’s the absolute sweetest. He takes work off your plate, he’s kind, and he adores you. 
You’ve noticed Miguel getting a bit touchy lately, which you aren’t necessarily complaining about. Whether it’d be on your arm, a gentle hand on your neck to guide you through a crowd, or just being generally close to you, Miguel has been making his advances on you after Lyla spilled how it should be fine to do. 
His touch makes you shiver a little; he’s extra warm and so very gentle. You almost always lean into his touch, and Miguel loves it too, he just doesn’t admit it upfront. 
“You did great today, Miguel.“ You say. 
Both you and Miguel just headed back to Nueva York from a mission, taking out another stray anomaly that wouldn’t come without a fight.
 Miguel’s stomach flutters a little. Rarely, he ever gets praised by anyone. He’s the boss, the CEO; most of the time, he feels like it’s expected of him to do the best job. But, praise tastes much more sweeter when it comes from you. 
“You did well yourself, sweetie.“
Miguel’s mask dissolves away, leaving behind his pretty face. You don’t think you’d ever get tired of it. He gives you this look of adoration, one that the rest of the office has never, ever seen in person. 
You’re in Miguel’s office, well, more like your shared office. Miguel insisted that you’d move into his office, claiming, “I don’t want to go through the entire building just to find you for something.” which is code for, “I can’t live a day without being near you.” 
So now, you have your own desk and work area. You’re both alone, no one to bother, (except maybe Lyla, but she knows better.)
You’re at your desk, and Miguel steps up behind you. His big hand slithers to your lower back, running his fingers against the curve of your spine. He’s warm, you can still feel the heat radiating off of him from the previous mission. 
You feel him lean in, discreetly nosing his face into the top of your head. You lean in back, bumping your upper back into his chest. 
“Is this okay?“ Miguel mumbles, serious heat trailing up to his neck and ears. 
You nod. “Yes.”
And it was sealed from there. 
Now, Miguel rubs your back too often. His hand fits into place with your back like a puzzle piece, Miguel always finding some kind of way to lay his hand where it belongs. You love it. 
In the office? Yes.
During lunch? Yes.
Even on missions, he pulls you by your lower back to usher you away from a hit, and you both play around with that. He’s all fun and games when on missions, flirting, teasing, kissing. 
Now, it almost feels wrong when he isn’t touching you. 
. . .
“Hey, girl, look at this!“ 
Lyla pops in, automatically pulling up an internet article on your desk screen. It’s a web article; “The Science Behind Courtship in Male Spiders”
“Lyla, what does this have to do with anything?“ You ask.
Instead, she just scrolls into the article, highlighting a quote; male spiders give “back rubs” to seduce their mates. 
You raise your eyebrow. 
“You wanna know why Miguel’s been rubbing you so much? It’s cause of that!“ Lyla exclaims, as if she’s discovered this new scientific theory. 
“I guess you’re kinda right on that.“ You mutter. But, the more you start to think about it, the more it makes sense.  
Now every time Miguel palms your back, you think about the article. 
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© 𝒄𝒐𝒔𝒎𝒐𝒔𝒊𝒔.
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chipistrate · 11 months ago
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I don't know how to explain it but do you understand why I think this line could support your theory
wait wait wait hold on. i was brewing a crack theory for hw2 but it actually sounds like something
since hw2 is supposed to be somewhat of a job simulator, what if it was an actual game that used to be in the old pizzaplex?
in tales from the pizzaplex, there are multiple stories that focus on the VR games inside the pizzaplex, or at least reference them. for example drowning, tiger rock, etc etc im sure theres more but i cant think of them. whatever
its very plausible that hw2 could've been one of those games! kids and guests could play the game to explore what its like working at the pizzaplex. but since the mimic was spread around the pizzaplex through the storyteller tree, it probably got into the VR games, and with that the employees would have to remove them.
and if the mimic is now in the games, its gonna be looking for more followers..
this is how GGY prequel can win trust /hj
#Chip Chatter#pre help wanted 2#“oh but it refers to you as an employee in the description as well”#cause you're in a simulation playing as an employee#like- it says WE'RE an employee- *real world* us- and we're not *actually* going to train to work for Faz Ent- it's just a game.#is this anything#I support this theory#It'd explain the inclusion of stuff like Sister Location or Fnaf 6#those aren't things that you'd normally expect in a training simulation where you train to work at the *Pizzaplex*#it'd make sense in my mind at least#those are included cause this is just a game for guests anyways- they aren't *actually* training employees to deal with animatronics and#locations where they won't be working- it's just a bonus for the guests that want a taste of what it was like to work at one of their#*older* past locations#and it'd follow the theme of the first game being just a game that anyone in universe could buy and play#you got a feel of the first 3 locations plus the underground fear experiment facilities in the first game#then the second is to get a feel for the later two facilities *and* the most recent location; The Mega Pizzaplex#Probably not- but it could theoretically also've been some PR move#drive up hype for the location right before or right after opening by making a game about working there. Maybe even get a few people that#loved the simulation enough to actually apply for a position#It'd ALSO explain other levels that have nothing to do with working- like the Bonk-A-Bon level! You don't fix anything there- you just play#Bonk-A-Bon and then move on to the next level. And the teased Fazerblast level could be similar- they could be added into the game to try#and get people to visit the Pizzaplex to play them outside of the simulation- therefore getting them more business#and why would you need a fortune teller like Mystic Hippo when you're training for a job- how's that supposed to help prepare you.#AND it'd explain why Foxy's Log Ride was included when it was never finished!!! Cause they were drumming up hype for an attraction that was#supposed to be opened soon but never did!!!#sorry sorry- this just answers a lot of my questions about the choices for minigames in HW2 I'm Insane#Anyways whatever GGY prequel stays winning#this is how GGY prequel can still win trust Vanny
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lo-sulci · 2 years ago
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damn they werent lying those cultists really can simulator
#just finished a run that took  over half of my current (4 hour comma so not much) playtime#her name was sylvia and she started off with money but then her dad died which i think always happens with that class#she coasted for a bit with that creepy patron lady#but hit a roadblock and ended up getting a desk job#until eventually she was able to start doing art and got paid really well for it#she lasted. way longer than i was expecting#there were a couple spots that i was sure were the end but then she managed to just barely eek by#eventually the paintings stopped bringing in cash and she got a commission that she couldn't do#but lack of funds isnt what ended her run#despair was#right around when the last painting was sold she went out with a girl named dorothy#things were going well until sylvia was summarily rejected#at which point. wish i was kidding. but at which point the despair clock started its final countdown#she found some contentment and staved it off for a little while. but not long#she was probably a bad cult leader i think#she spent more time painting her followers than doing much supernatural stuff#(altho she did def do some supernatural stuff)#she painted all of them once except for dorothy who she painted twice#in the end i think she died of a broken heart#...hey this game wasn't supposed to make me feel things!!#curse my assigning emotions and character to faceless avatars#anyways god damn. this game is a shining example of ludonarrative harmony#it's a good time so far!! interested to see where it goes#anyways pour one out for sylvia.#it must be hard being a lesbian in the eldritch 1920s#and finally meeting another gay woman#only for her to tell you to fuck off because you worship the grail instead of whatever thing she did#glad nowadays we live in a society where there are many different gay people who devote themselves to forces beyond the veil#so getting rejected because of your grail passion isn't a big deal#just ask fate/ fans!!!!
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vanteguccir · 5 months ago
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── ୨୧ ! 𝗧𝗥𝗔𝗜𝗧𝗢𝗥
         𝒎𝒂𝒕𝒕 𝒔𝒕𝒖𝒓𝒏𝒊𝒐𝒍𝒐 x reader
SUMMARY: Y/N and Matt are in a complicated relationship, where Matt is still stuck in the past with his ex. In an angsty pathway, Y/N suffers when she realizes that Matt will never love her as she wants.
WARNING: Crying, panic attack, comparison, ANGST.
REQUESTED?: Yes, by anon
AUTHOR'S NOTE: That is my work, I DON'T authorize any plagiarism, copy, or "inspiration"! | English isn't my first language, so I'm sorry if there's any grammar error.
Part 2
   ༻✦༺  ༻✧༺ ༻✦༺
Y/N adjusted her stunning dress in front of the mirror. The bright red silk fabric hugged her curves in a way she knew would make heads turn that night. Her hair fell in perfect waves over her shoulders, meticulously styled by her curling iron, and her makeup highlighted her features impeccably.
There was a palpable excitement in the air, an expectation of Matt's reaction; she always expected to receive showers of praise from her boy, just as she did for him. The party they were about to go to - a fancy one that celebrated the launch of the new Space Camp line - would be the perfect opportunity to show everyone, and especially him, how hard she worked to be perfect.
The low sound of the bedroom door's handle turning sounded through the silence, Matt's figure appearing through the wooden frame, and all Y/N could feel as she watched him through the mirror's reflection was her racing heart. He looked stunning in his black suit, the crooked tie relaxing the seriousness of his attire.
She waited for the compliment, for the spark in his eyes that would confirm that all the effort had been worth it.
"You look beautiful, Y/N." Blue eyes traveled over her body for some seconds, but before she could absorb the joy of that moment, he finished. "Did you know that Amanda has a dress similar to yours?"
Y/N felt her stomach tighten painfully as her heart felt like it was being broken by a hammer three times its size. Amanda. Always Amanda. Matt's ex-girlfriend was a constant shadow between them, a specter that Y/N could never completely dispel.
She forced a smile, swallowing the anguish rising in her throat.
"Oh, really?" Was all she could say, trying to keep her voice steady, her hands shaking slightly at the side of her hips.
Later that day, the party continued with Y/N ​​by Matt's side, but her mind was far away. Every time someone praised her, she remembered Matt's comment. Even surrounded by people and with Matt by her side, she felt incredibly alone.
Her thoughts revolved around a single question: Why couldn't he see her for who she was instead of always comparing her to Amanda?
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A few weeks later, a new day brought a new blow. Matt was in his shared room with Y/N, sitting in his gaming chair with his upper body resting on the wooden surface, his hands on his Macbook, busy answering emails sent to the triplets' mail.
Y/N entered quietly, carrying two glasses full of fresh watermelon juice, knowing that Matt would definitely be thirsty and hungry after hours of sitting there. But as she got closer, she saw his computer screen. The messaging app was open, and the open window wasn't just any texts — it was old conversations between Matt and Amanda.
He read them with a melancholic smile, his eyes shining with a longing that Y/N knew all too well.
"Matt..." Her voice came out in an involuntary whisper, the broken tone sounding louder than it was expected.
The boy startled, closing the laptop quickly.
"Babe, hey, you scared me!" The boy turned around suddenly, clearing his throat and laughing awkwardly, trying to look casual. "I was just... clearing out some old stuff."
Y/N just nodded, the pain growing inside her chest.
"It's fine. Here, I made this for you." She raised her hand that held the fullest glass, smiling brokenly and keeping her eyes open, taking note on how Matt didn't notice the tears shining in her orbs or pretended not to.
She knew he was lying. She knew he was stuck in the past, that Amanda still dominated his thoughts and his heart. But once again, she chose to ignore it, to stifle her own suffering out of love for him.
Because losing Matt was a fear that outweighed any pain she might feel.
Right?
Right! Until things reached an unbearable point.
Y/N had an appointment at the beauty salon, something she did to feel a little more in control, a little more beautiful in a reality where she always felt insufficient. Matt said he couldn't accompany her, claiming he had videos to film with his brothers. She understood, or at least she tried.
It was Saturday, they didn't film on Saturday.
Sitting in the salon chair, while her nails were being done and her hair was treated, Y/N took out her phone to pass the time, holding the device awkwardly for fear of smudging her sparkling nail polish.
Scrolling through Instagram while her ears caught some conversations around the salon, her heart almost flew out of its place and up her mouth when she saw a photo that one of the celebrity gossip pages had just posted.
Matt was in a coffee shop with Amanda.
His smile was radiant, a kind of joy Y/N hadn't seen on his face in a long time. He looked so… complete, so genuinely happy.
Y/N felt the world come crashing down around her. Tears burned her eyes, but she held them back, looking around at all the other radiant women before turning her attention back to the news, clutching her cell between her left fingers, a low "sorry" scaping her lips when her right hand trembled against the manicurist ones.
She didn't give a shit that they were talking in a cafe, she didn't mind if they wanted to be friends again - even though she had destroyed Matt, and Y/N was the one to put him together again -, it was something else that bothered her.
Matt had lied to her. He said he was going to film. What the fuck was he doing out with Amanda?
But the truth was right there, raw and painful: Matt would never be fully hers. No matter how hard she tried, no matter how much she sacrificed, he would always be stuck in the past in the love he had for Amanda. He would always go back to her.
Y/N took a deep breath, forcing a smile as the manicurist applied red nail polish to her nails on her left hand. The color perfectly matched the feelings she felt at that moment; dark.
Every move by the salon professionals seemed like a desperate attempt to beautify her for someone who would never see her true beauty. No matter how hard she tried, she couldn't stop her mind from going back to that image of Matt smiling with Amanda. It was a smile she could never get out of him.
"You look amazing, Y/N!" Cintia, the girl's hairdresser for years now, praised excitedly, straightening the last strands of hair just finished and turning the chair so that Y/N could see herself in the mirror. "Matt will love it."
Y/N looked at her reflection, but all she saw was an improved version of herself that, despite all her effort, would never be enough for Matt. She would always be just a shadow, a pale substitute.
"Thank you..." The girl tried to say, but her voice came out hoarse, almost a whisper, fighting to keep the tears at bay.
The room around her seemed like a golden prison, full of mirrors that only reflected her internal pain. Every compliment, every word of encouragement, sounded hollow, meaningless, because the person whose opinion mattered most was, at that very moment, laughing and smiling with another woman; the woman he truly loved.
When Y/N finally left the salon, she felt exhausted, as if she had run an emotional marathon. She walked slowly to her home, opting not to call an Uber.
Her hands fished her phone out of her half-open purse, and, with trembling fingers decorated in red, she sent a text to Diana, her best friend.
"Diana, are you home? Can I sleep there tonight?"
As she waited for the answer, her mind wandered through a whirlwind of thoughts. The pain was constant but mixed with a new resolve.
She needed to get out of there. She needed space to breathe, to think.
"Of course, babes!"
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Getting home was an automatic process. The house she shared with the triplets seemed colder and more hostile than ever.
Y/N walked past the living room where Chris and Nick were sprawled awkwardly on the gray couch playing video games, their excited laughter, and screams a cruel contrast to the pain she felt.
"Y/N!" Nick smiled brightly when he saw his best friend out of the corner of his eye. "Want to play a round with us?"
"No thanks, Nick. I'm tired." She murmured, smiling wide and fake - even though he wasn't looking at her directly -, trying to appear normal.
She walked slowly down the path between the living room and kitchen, each step a reminder of what she was about to do.
Her hands worked automatically on the door, entering her shared room with Matt, closing it behind her, the sound of the lock clicking echoing like a period in her mind. She looked around, taking in the details that made the space a home - the photos on the wall, the personal items, the memories. But now, it all felt empty.
She grabbed a suitcase stored at the back of their shared closet and began filling it with her necessities. The simple act of opening the suitcase caused a wave of despair to hit her.
Every piece of clothing and every object that her hands roughly touched and threw blindly into the suitcase was a small stab in her heart. The tears finally started to stream down her face, and she didn't try to stop them. Reality was imposing itself in a cruel way.
Her movements became slower and slower, while her thoughts became more chaotic.
"I'll never be enough for him."
"I'll never be her."
"He'll never love me the way I love him."
"I'm destroying myself for someone who cares little about me."
"What did I do wrong?"
These thoughts repeated like a cruel mantra in her mind. She felt her breathing quicken. Her lungs seemed unable to take in enough air. The room, which had always been a refuge, now felt like an oppressive cell. Panic began to set in. Her chest felt tight, her hands shook, and the air seemed to escape.
The tears flowed like hot, relentless waterfalls. The suitcase was open in front of her, half full, but it seemed like an insurmountable abyss. Y/N tried to take a deep breath, but each attempt only resulted in more despair.
The sobs came strong and uncontrollable. The girl stopped in front of the bed, standing, after throwing the last piece taken by her hands, bending her upper body over the suitcase, gripping the edge of the thick fabric with such strength that it made her fingers take on a whitish color, fully throwing her weight on her arms as if they were a lifeboat in the middle of a storm.
"Why am I not good enough?"
"What is wrong with me?"
"Why can’t he love me?"
She felt completely alone, drowning in her own pain. The panic attack took over, stealing any trace of control she still had.
The walls of the room seemed to close in on Y/N, the contours of the furniture becoming indistinct and threatening as her breathing became increasingly rapid and shallow. Her heart hammered in her chest with an almost painful force, each beat ringing in her ears like deafening thunder. The air felt thick, sticky, and impossible to inhale properly.
"Am I really that hard to be loved?"
"I wish I was her."
"He was never mine, right?"
Her hands shook uncontrollably, her fingers tingling over her suitcase as a feeling of numbness spread through her arms. Sweat dripped down her forehead, leaving her feeling sticky and uncomfortable, while the cold began to spread throughout her body, generating incessant chills.
Her vision blurred, the edges of the room distorting into restless shadows that danced and pulsed, transforming the room into a place strangely familiar and frighteningly alien at the same time. Each sound seemed amplified and distant, the ones of laughter and the clicks of long and simple kisses played in memories in her head like a record player at its highest volume, creating a surreal echo that only intensified the feeling of isolation and despair.
Exhausted, Y/N let herself sink to the floor, her sobs echoing in the empty room, an expression of the pain and loneliness that she felt suffocating herself relentlessly. Her legs folded in front of her body, the front of her thighs sticking firmly against her stomach as her arms served as a shield for her head, her hands involuntarily going up to her own hair, gripping the strands tightly, trying to ground herself.
Meanwhile, Nick ran towards her and Matt's room with quick, excited steps. He had just finished the last round of his video game with Chris and was looking forward to seeing the outcome of Y/N's salon day, hoping it would make her happier after noticing the inconsistency in her voice when she got home.
His closed fist lightly knocked on the door before opening it, the smile on his face instantly disappearing as his eyes met the scene before him.
Y/N was on the floor, curled up in a fetal position, her hands now grabbing her arms in a desperate hug. Her face was wet with tears, her eyes wide and fixed on a distant, indistinct point. Her breathing was ragged, labored, as if she were trying to pull air through a narrow, clogged straw. The sound of her panting was interspersed with heavy sobs, creating a symphony of anguish that made Nick's heart tighten in his chest.
"Y/N!" Nick called, his voice thick with panic. But to Y/N, his words were like distant whispers, drowned out by the deafening noise of her own frantically beating heart.
Her mind was in a whirlwind of chaotic, disorganized thoughts, each competing for attention and increasing the feeling of panic. She felt trapped in an endless cycle of terror, unable to escape the downward spiral that consumed her.
The feeling of suffocation was overwhelming, as if an invisible weight was pressing down on her chest, making every desperate attempt to breathe difficult. The seconds seemed to stretch into a torturous eternity, each second carrying a new wave of fear and despair.
Nick ran up to her, the panic on his face intensifying by the second. He knelt beside Y/N, trying to find a way to reach her, to bring her back from that abyss of despair. His hands shook as he gently pulled her close, enveloping her in a tight, protective hug.
"I’m here, Y/N, I’m here." He repeated, his voice choked with emotion, praying to whatever was watching them to make her listen to him. But she didn't seem to be able to do it, lost in her own spiral of panic.
Nick closed his eyes for a moment, fighting to stay calm. He knew he needed to be strong for her, and he needed to find a way to calm her.
"Y/N, look at me, please." He pleaded, voice softer, trying to break the invisible barrier that kept her trapped in her own fear. The brunette held her face with his hands, forcing her to look into his eyes. "Breathe with me, okay? Breathe slowly."
He began to breathe deeply, exaggerating his movements so she could follow. He breathed in slowly and deeply through his nose, holding it for a moment before slowly exhaling through his mouth. He felt Y/N tremble in his arms, but he kept pace, trying to convey calmness through each breath.
"That's it, keep going, you can do it." Nick encouraged, feeling a small change in her breathing. Her panting began to synchronize with his, although it was still irregular. He continued to whisper words of comfort, repeating that he was there, that she wasn't alone.
Slowly, very slowly, he felt the stiffness in her body begin to ease. Y/N's breathing became a little steadier, although she was still shaking. Nick kept the hug tight, feeling her heart beat against his own chest. He knew she was still scared, still trapped in her mind, but she was starting to come back.
"You're safe, Y/N. I'm here." Nick said once again, his voice firm and reassuring. He didn't let go of her face, maintaining eye contact, grounding her to reality. "Let's get through this together, okay?"
Finally, after several minutes that felt like hours, Y/N began to breathe in a more controlled manner. Her sobs subsided, and her eyes, once wide with terror, began to focus on Nick's. Her blurred vision cleared a little, the walls of the room seeming less threatening.
Nick sighed in relief, still holding her tightly, feeling the tension gradually ease in her muscles.
His own heart was still beating fast, but now, for a different reason. He looked around, trying to understand the situation better, when his blue orbs stopped on the open suitcase above the bed. The sight of the packed suitcase made his heart sink. Confusion and fear settled in his chest. What was happening? Why was she packing her things? The thought of Y/N leaving caused him his own panic, an intense worry that he tried to suppress, deciding that the questions could wait.
With a conscious effort, he looked away from the suitcase and focused on the immediate task of taking care of Y/N. He stood up slowly, maintaining eye contact to ensure she didn't feel abandoned for even a moment. The boy grabbed the pink bottle of water from the bedside table on her side of the bed and quickly returned, sitting next to her on the cold floor again. The hard ground beneath him was a sharp contrast to the softness of concern he felt for Y/N.
"Here, drink some water." He asked softly, handing Y/N the bottle.
The fragile girl took the bottle with hands that were still shaking but managed to open the cap and take a few small sips, each one firmer than the last. Nick watched her every move, his mind still spinning around the suitcase. The silence in the room was heavy, filled with unspoken words and unasked questions. He waited patiently, without pressing, standing by her side like a pillar of support.
After long seconds of silence, Y/N took a deep breath, her gaze shifting from the bottle to the suitcase on the bed. She knew she needed to explain. Nick deserved to know what was going on, especially after helping her get through that panic attack. She straightened up a little, trying to find the strength to speak.
"Nick..." She began, her voice still trembling. "I... I'm packing because I need to get out of here for a while. I can't stay here any longer, the way things are between me and..." Her voice trailed off into the air before she could mention the name of the boy she loved most in the world.
Nick felt a lump form in his throat, but he remained calm, waiting for her to continue. Y/N took another sip of water before continuing, her words coming out in a halting, painful stream.
"I saw Matt with Amanda today, you know? They were together, and he looked so happy… happier than I've ever seen him with me." Her voice cracked again, but she took a deep breath and continued. "It made me realize that no matter how much I love him, he will never love me the same way. And I can't keep destroying myself like this. So, I'm going to spend the night at Diana's house. I need some time to think, to calm down. Get away from here. Get away from him. And maybe make him miss me... Or finally notice that I'm not what he wants." The last part came out in a broken whisper, her gaze lowering to her crossed legs.
Nick felt a wave of relief upon hearing that she wasn't leaving his life forever, but the worry and sadness over her situation still weighed heavily on him. He wanted to say something, anything to ease her pain, but the words seemed inadequate. Instead, he just nodded, offering silent support.
"And please, Nick, don't tell Matt anything yet." Y/N asked, her eyes pleading. "I need a little time to understand what I'm going to do. He really hurt me, but I can't act on impulse."
Nick held her hand firmly, offering her an expression of understanding and support.
"Of course, Y/N. I won't tell him. I promise." He murmured sincerely. "You can have all the time you need. And I'm here for you, no matter what. I love my little brother, but I won't defend him when he's in the wrong end. You deserve someone who sees you for who you are, Y/N. Someone who loves you completely, without shadows of the past."
They sat there for a few more minutes, sharing that moment of stillness and understanding. The cold of the ground seemed less intense with each other's comforting presence.
Eventually, Y/N stood up, with Nick helping her place her suitcase on the floor. She took one last look at the room she had shared with Matt, pain visible in her eyes but also a growing determination. She knew she needed to step away to heal, to find her own strength again.
"Let's go." Nick's voice woke her from her reverie, his hands picking up her suitcase and walking it to the door. "I'll uber you to Diana's house."
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Matt returned home with a beaming smile on his face, his heart still racing with the joy of the friendly encounter he had had. He had spent the afternoon with Amanda, talking and laughing like old times, and the feeling of familiarity and happiness was undeniable.
The boy climbed the stairs of the house with quick steps, eager to see Y/N and share his good mood with her. He wanted to hold her close on their bed, bury his nose in the curve of her neck, and smell her soft and natural perfume as he told her about his day.
But when he opened the bedroom door, a strange feeling of tension in the air made him stop. The environment felt different, as if something had changed, but he couldn't identify what it was. He entered the space, leaving the door open behind him, turning his body and letting his eyes roam the four walls, trying to find what was wrong. Nothing seemed out of place at first glance: the bed was made, his clothes were in the same place, the books were on the shelf, and the computer was on the computer desk. But there was an absence he still couldn't understand.
It was when he opened the closet that reality began to form in his mind. Y/N's side was almost empty. Where her dresses, skirts, and t-shirts once hung, now there were just a few lonely hangers. The empty space where her suitcase sat now felt like a black hole, sucking in all the light and joy he had felt moments before.
Matt felt his heart stop for a second, a feeling of panic starting to take over his chest.
"Y/N? Hey, baby? Are you cleaning out the closet by any chance?" Matt's broken voice sounded through the room in an echo, seeming to escape out the door and travel the entire floor of the house, his blue eyes still fixed on the empty hangers as his mind created the expectation of hearing the sweet, melodious voice back.
But nothing came.
Nick appeared silently in the doorway, watching his younger brother with a serious expression. Matt was so absorbed in his desperate search for answers that he didn't notice Nick's presence until he heard his voice.
"She left."
Matt turned abruptly, his wide, confused eyes meeting Nick's. The older triplet's expression was one of deep sadness, mixed with calm determination. Matt felt a wave of despair rise up inside him, like an overwhelming tide ready to swallow him.
"What do you mean 'she left'?" Matt asked, his voice trembling accompanied by an expression of terror. "Where- Where did she go?"
Nick sighed, taking a step forward, eyes shining with suppressed anger.
"That doesn't matter now. What matters is that you need to decide what you really want, Matt. She saw you with Amanda today, you know?"
Matt felt the ground disappear beneath his feet. He looked around the room again, this time with a clear understanding of what was missing. Y/N, the constant, loving presence in his life, was gone.
"I don't understand..." Matt muttered almost to himself. "I thought we were fine."
"Only you saw this. Seeing you with Amanda was the last straw for her. She loves you, she really does, but she can't keep living like this, Matt, not when she knows that you still have feelings for your ex." Nick scoffed, a disgusted tone echoing with his words, shaking his head and rolling his eyes in suppressed anger. "And you can't continue like this, dividing your attention between Y/N and Amanda. This is destroying Y/N, and you don't even realize it."
"But I... I was just trying to be friends with Amanda again. I don't have feelings for her anymore." Matt spluttered, confusion and guilt beginning to mix in his chest.
"Then why do you keep seeing her?" Nick countered, with no softness in his words. "Y/N loves you, Matt. She loves you so much that she is destroying herself because you don't treat her like you should. She needs you, and you're here, acting like nothing's wrong. And if you continue like this, you will permanently lose the only girl who has truly stuck by your side through thick and thin."
Matt felt a lump tighten in his throat. He tried to speak, but words failed him. The image of Y/N, the woman he loved, suffering in silence because of her insensitivity, was unbearable.
He felt foolish and insensitive. How had he not realized how much Y/N ​​was suffering? All he wanted was to be able to hug her now, tell her that he loved her, and that she was the only person that mattered. But at that moment, he realized how late those words could be.
"I didn't cheat on her, Nick. I really was with Amanda, but I didn't… I didn't do anything wrong." Matt's voice sounded choked, tears beginning to well up in his eyes as anxiety rose through his body like rafters.
"You think you didn't, Matt. But sometimes, it's not about what you do but about how you make the other person feel. And honestly? Giving priority to your ex, the girl who broke you and made you suffer for days on end, over Y/N, who you say you love oh so much, is low blow. Right now, Y/N needs space to breathe to understand her own feelings. And you need to truly analyze what you did and recant with her when she is ready."
Matt walked with shaky steps towards the double bed, sinking onto the edge of the mattress, burying his face in his hands. The weight of guilt and regret was crushing. All he could think about was how he wanted to turn back in time, do things differently, show Y/N that she was the center of his world. Never have lunch with Amanda.
"I need to talk to her." Matt tightened his fingers around the brown strands of her hair, sniffling. "I need to tell her that I'm sorry, that I love her. I really do, Nick."
"I know. But give her a little time, Matt. Forcing a conversation now might make things worse. Let her process everything, and then you can try talking to her." Nick advised, watching him closely before he turned, walking towards the door. "And next time, treat her like the wonderful woman she is, not like a replacement."
Matt nodded slowly, begrudgingly, knowing his brother was right, the despair turning into a silent, constant pain. The room around him, which had once been a haven of love and shared memories, now seemed like an empty, desolate space. The mattress beneath his body, where both of their bodies lay together just the day before, now felt like an icy surface, sending horrible shivers through his body.
His mind betrayed him by making him remember the moments when he had treated Y/N with indifference and neglect, moments that he now saw with painful clarity. Each memory was like a stab to the heart, revealing the depth of his callousness. Y/N's smiles that he had taken for granted, the nights she waited up for him while he lost himself in thoughts of the past, the comparisons...
He could now see the small changes in her expression, the way her eyes sparkled less, how her smile became rarer with each passing day. She was withdrawing, and he was blindly contributing to that withdrawal.
Sitting there, now alone in the room, Matt felt the weight of his own guilt and regret. He realized that he had never made Y/N feel like the most important woman in her life. Instead, he had relegated her to the background, allowing the shadows of his former relationship to contaminate the present. Y/N's love and dedication towards him contrasted painfully with his own indifference.
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silksongeveryday · 1 month ago
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Drawing Hornet everyday until Silksong comes out - Day 600!
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Here’s a quick 30 min doodle to celebrate! :D
Man time really flies huh
Thank you guys for 3.1k btw!!!
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And big thank you to those who have joined me in this wild journey of daily doodles no matter how long you’ve been here. Truly did not expect what started as a joke to make it this far lol
(more stuff I wanted to talk about under the cut)
-A few updates-
General Stuff:
Well, life has been generally pretty busy. And while that’s made it a little more challenging to do daily doodles as of late, it’s been alright for the most part. Some of you may have noticed though that a lot of my daily posts have been showing up as much as 1-2 hours later than the regular time. Unfortunately with all the stuff I’ve been taking care of lately, putting a daily doodle/drawing on top of the pile means it’ll be late very often. I kind of have an unofficial job irl now so this stuffs hard to juggle sometimes.
Hornet’s Strange Adventures:
Initially I was hoping to get a lot of stuff done for this game during October but some recent job stuff is making that pretty hard to do. I probably won’t be able to make any significant progress on this game until very late October and into November. So if you were looking forward to big updates on progress, it sadly won’t be for a while, sorry. Outside of that though, I can at least say that all the routes have been thoroughly planned out from start to finish including the secret route. This includes rewriting some choices that have already been seen during the game’s time on ssed.
About Doodle Requests
I haven’t had them open for a while anyway, but I’ve finally come to the decision that I will no longer be taking doodle requests through tumblr asks/inbox. As fun as it was in the beginning, I often found myself trying to fulfill requests on the daily and that was stressful. That being said, it doesn’t necessarily mean I’m stopping requests entirely. I just don’t really want to do them for free anymore. Since I’m on Hornet Journal Series still, it’s a long way away before anything happens, but there’s a likely chance I’ll only do commissioned doodle requests whenever they re-open. We’ll see as it gets closer though.
Thoughts on taking an actual break:
I’ve mentioned this a lot in the past both here on ssed and on my main blog, but I’ve been seriously considering taking a break. Like a real one. Not just a “I’m gonna stockpile a bunch of doodles and pick it back up when I run out” kind of break. Especially with the way life has been going lately (mostly positive at least), I feel as though I may have to retire from daily doodles somewhat soon if there is no official news by the time this blog hits its 2 year mark. Don’t get me wrong I’ve loved doing this for the almost two years that it’s been going but at some point I’ll have to move on from this whether I like it or not. Does this mean that activity on this blog stops altogether? No. I just won’t be doing daily doodles anymore. There’s a more likely chance it would end up being weekly, or possibly monthly. Just not daily anymore.
Whatever the case, that decision will be considered more when 2 years gets closer. Until then just enjoy daily doodles while they’re still here!
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I think that’s all I can think of to say right now. Might post more thoughts on my main maybe?? We’ll see
Thank you again to all the lovely people that have been here during this crazy journey, you guys are awesome :D
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