#exhibition identity

[paradiseisinthemind]

Krecidade indigenous Brazilian art exhibition at the Brazilian Consulate in Amsterdam. I designed the poster art and catalogue

[moonlarked]

idk why people think light would be transphobic/homophobic in ways other than internal biases passed down that everyone has. if light met a trans person he wouldn’t give a fuck. if he acted weird to said trans person it would be because he’d be checking for security cameras and wondering if L set this up and wondering if Kira would be transphobic

[cloudcountry]

it really sucks when people are in such desperation to make characters lgbt that they end up enforcing the very gender roles the lgbt community wants to break so bad.

[ilyabazhanov]

[youkaigakkou-tl]

What do you think when Tanamai drop the Haruaki+Amaaki=Seimei and just go teehee anyway, look at our hatanaka and ibara holding hands (not complaining for this tho) and not elaborate any further. SHE CANNOT DO THIS TO 😭 Tanamai when i catch you tanamai… Like what did Amaaki inherit from Seimei…? His personality? But he’s more chill and normal (even his brocon is more tolerable than Ebisu) than a neutral sadist like Seimei. Maybe some of Seimei’s memories are in Amaaki? Maybe he’s been dreaming about it and just thought “dang what a crazy dream i have”. Also does that mean Amaaki is also Seimei’s reincarnation? But the three gods target only Haruaki, are they unaware of the presence of Amaaki, Haruaki's twin brother? The three gods already have eyes on Haruaki but since when? When he met mii-kun? Or maybe when he’s much younger? But they never set an eye on Amaaki. Maybe Amaaki is Seimei’s back up plan if shit goes wrong on the Kyoto arc? So that the four gods cannot revive Seimei? Just who the hell is Amaaki? Just another descendant or a reincarnator? He doesn’t even have any exorcist powers like haruaki, the reincarnation of Seimei. Or maybe he has it but never awakened it? Or maybe he just doesn’t have it at all. But the Abe family has that power but grows weaker every generation. Does that mean their father has some? You cannot leave us hanging here…

Come here Tanamai I’ll dissect your brain to see what you’re hiding from us.

most sane ame enjoyer

i also think theres an appeal to ame not having anything going on, hes so just-some-guy <3 his just-some-guyness has endeared me <3

but also i think if he does have a stake in the seimei stuff he would be so distraught about getting roped into the nonsense it would be so funny <3

[brbuttons]

We're excited to announce that- for the first time- we're a part of an art exhibition! Our work is featured in 'Transmission', amongst the art of a selection of incredible trans artists from the local area. Our two pieces are:

• 'My Evil Alters' - A Dissociative Identity Disorder awareness mini-zine showcasing some of the most common stigmas, plus their corrections. • 'Elly.' - a love letter to our beautiful, brilliant fiancée. A portrait of her confidence post-transition, surrounded by little notes of love and thanks and pride, each from a different alter in our system. (sneak-peak above!)

If you're around Plymouth (UK) over the next week, please do pop into Ocean Studios in Royal William Yard!

[saturnisms]

hey who the fuck is running mopop and are they asleep at the wheel. there was that whole thing recently where some placard about cobain said that he "un-alived himself" .... and then yesterday on the radio they did a spot for the keith haring exhibit that just opened. and they called him. an "LGBTQIA+ artist." 🤨🤨🤨 OH REALLY? HE WAS ALL SEVEN? AT ONCE?

[pedroam-bang]

Star Wars Identities: The Exhibition (2012)

“What forces shape you?”

[brooklynmuseum]

Throughout the 1970s, Jimmy DeSana created campy portraits of his extended circle of friends and collaborators in New York, which included musicians, filmmakers, writers, artists, critics, and curators. 

Performance artist and fixture of New York City’s downtown scene Stephen Varble, shown here, was one of DeSana’s repeat subjects. DeSana captured many of the performances staged by Varble whose guerilla practices served as commentary on gender identity, class, and capitalism. These performance-based and ephemeral events would continue to inform DeSana’s work in photography throughout the 1970s and 1980s.

📷 Jimmy DeSana (American, 1949–1990). Stephen Varble, 1975. Gelatin silver print, printed later. Courtesy of the Jimmy DeSana Trust and P·P·O·W Gallery, New York. © Estate of Jimmy DeSana. (Photo: Allen Phillips)

[pinktinselmonstrosity]

alright i have a mild dilemna that i need advice on

on my course we have to post these weekly self-reflection things responding to the themes of the week's class and some questions about it. i posted last week's and yesterday the course convenor replied to it in a way that implies i was wrong (in my SELF reflection) and just generally misunderstands my point/takes it in bad faith. i've shown these posts to others on the course and they agree that my original post adressed the things her reply asks about and that she has misinterpreted me, in quite a "cheeky" way

my issue now is: do i reply and try to explain myself better? or is it better to just let it go?

i don't want to dig myself in deeper if she's really opposed to my viewpoint, but at the same time i do feel like i answered the questions thoroughly in the first place and the things she's accusing me of aren't fair

[timharrold]

Jaywick is a small community near Clacton-on-Sea on the North Sea coast of the county of Essex in England, UK.

[rbrooksdesign]

I am honored to be in Esther Ong Estelle’s “Beyond Binary: Exploring life beyond data” virtual exhibition that just opened and runs through Nov. 30, 2023.

It’s also a delight to share such a creative space with Jeanyoon Choi and John Cheung! Both of these artists present intriguing works that go beyond traditional borders. The clean, pristine presentation of the virtual gallery gives maximum presence to each of the works individually. Very nicely done! 

LINKS:

Introduction. https://beyondbinaryexhibition.com/

About. https://beyondbinaryexhibition.com/index.php/about/

Artists. https://beyondbinaryexhibition.com/index.php/artists/

Works. https://beyondbinaryexhibition.com/index.php/works/

Virtual Exhibition. https://beyondbinaryexhibition.com/index.php/virtual-exhibition/

Come take a look and please leave any comments to Esther Ong Estelle in the contact form. Thanks!

[vignellicenter]

Open Houses are back this week! 

Theme: TypographyWed 2/22/2023-Thu 2/23/2023 10am-4pm each day. Free and open to all!

On February 22, 1991, “A Few Basic Typefaces” exhibition opened at the School of Visual Arts (SVA) in NYC. Massimo Vignelli was awarded their annual Master Series award which included an exhibition. He chose to highlight work in only a few typefaces: Bodoni, Century, Garamond and Helvetica. This week marks the 32nd anniversary of this exhibition.

SVA’s Masters Series began in 1988 as “an annual award exhibition to honor great visual communicators—designers, illustrators, art directors and photographers—of our time.”  Massimo Vignelli was the 3rd person to receive this honor. 

“It was a polemical exhibition to protest the inflation of meaningless typefaces polluting our world.“ Vignelli: From A to Z, p. 187 

For our Open Houses this week, we will be revisiting this exhibition and invite you to think about designing type and designing with type. You will be able to view many of the artifacts from this 1991 exhibition plus some designs done after 1991 that includes these 5 typefaces.

From the exhibition records, we found that the exhibition plan originally included designs using Times New Roman as well. You will be able to see these works too. Along with images of the original exhibition, the original exhibition checklist, and other documentation. Plus numerous OTHER typefaces, many custom, that appear in the Vignellis’ work. Futura. Optima. Didi. Bloomingtype. Our Bodoni. Our Futura. 

Plus numerous custom alphabets for architectural graphics, logotypes, etc. And we’ll have examples of designs using type that might seem very “un-Vignelli.”

 More details about Open Houses can be found on our website: https://www.rit.edu/vignellicenter/events

[arteraceaye]

[afrosarah]

Can't stop thinking about the wizard from work

[eucanthos]

Deborah Roberts (US, 1962)

The Evolution of Mimi, 2018 exhibition poster

The Spelman College Museum of Art is showing "Deborah Roberts: The Evolution of Mimi" through May 19, 2018. The exhibition features work Roberts has made in the last half-decade, work that uses collage and girlhood to examine issues of race, gender, and America's present condition. It was curated by Andrea Barnwell. San Francisco's Jenkins Johnson Gallery just opened an exhibition of Roberts' work called "Uninterrupted." It's on view through March 17 2018

https://3rd-spot.blogspot.com/2018/02/modern-art-notes-podcast.html