#exhibition design

[conformi]

Carlo Scarpa, exhibition design of the Sicily's Regional Gallery, Palazzo Abatellis, Palermo, Italy, 1953-1954 ph. Jacopo Famularo VS Leonardo Da Vinci, The proportions of the human body according to Vitruvius, 1490

[designeverywhere]

 I said ‘Auf Wiedersehen’

[pepryll]

Union Hack Zine (2022)

A zine that facilitates the breaking of the paywall, encouraging university students to share information and resources that are locked behind tuition.

[ilyabazhanov]

[germanpostwarmodern]

On the occasion of its 50th anniversary the Calouste Gulbenkian Museum in Lisbon with the exhibition „Art on Display 1949-69“ in 2019 took a retrospective look at its own as well as other museological display solutions after WWII. Together with Het Nieuwe Instituut in Rotterdam the curators Penelope Curtis and Dirk van den Heuvel put together an exhibition and the present catalogue highlighting the layout and concept of the exhibition spaces at the museum, designed by Franco Albini and Franca Helg, as well as groundbreaking exhibition designs by Lina Bo Bardi, Carlo Scarpa, Aldo Van Eyck or the Smithsons.

Especially the latter case studies provide additional context to the groundbreaking permanent installations at the Gulbenkian and show that novel ways of presenting art in a museum often were only temporary. Aldo Van Eyck, himself friends with many artists, for example designed the first CoBrA exhibition at the Stedelijk Museum in 1949 and dynamically placed the paintings on the walls and in the exhibition spaces in order to relate pictorial subjects and display. Later he also introduced a decided urbanism to exhibition design when he designed a pavilion for the Sonsbeek sculpture exhibition in Arnhem in 1966.

Against the background of the ongoing discussions surrounding the museum as institution as well as the often still very traditional presentation of art the retrospective view at exhibition designs and displays shows what has and will be possible in open-minded institutions. A democratization of the museum may also be reflected in the way the art is presented as Lina Bo Bardi’s legendary displays at the MASP in São Paulo showed: she wanted visitors to meet artworks on eye level with the possibility to walk around them and perceive them as literal works of art.

„Art on Display“ is a wonderfully designed and thought-provoking catalogue that I warmly recommend to anyone interested in radical and intelligent exhibition design!

[rodhunt]

Humayun's Tomb Museum Illustrated Map Mural

Rod Hunt was commissioned by the Aga Khan Trust for Culture to create a huge and detailed illustrated map of the Humayun's Tomb World Heritage Site, Nizamuddin Basti and the Sunder Nursery for the new Humayun World Heritage Site Museum in New Delhi. The aim of the map was to help visitors understand the world heritage site, its dense ensemble of medieval monuments and its immediate setting. Rod worked closely with Ratish Nanda CEO of the Aga Khan Trust for Culture to create a detailed an accurate representation of the restoration and conservation of the historic tombs, monuments and wider site. This hugely complicated map illustration had to accurately depict the tombs and monuments architectural features down to the smallest detail. The final mural is printed at 12m x 4.5m in size and is installed in the vestibule gallery of the museum. 

View full project here

© Rod Hunt 2024 rodhunt.com

[probablyemery]

Designing for art exhibitions my beloved--

The art is by William H. Johnson and the typeface used is Martin by Vocal Type Co.!

[annaloumeyer]

Bachelor Work „Das Büro“ exhibition design (2023)

[vignellicenter]

Open Houses are back this week! 

Theme: TypographyWed 2/22/2023-Thu 2/23/2023 10am-4pm each day. Free and open to all!

On February 22, 1991, “A Few Basic Typefaces” exhibition opened at the School of Visual Arts (SVA) in NYC. Massimo Vignelli was awarded their annual Master Series award which included an exhibition. He chose to highlight work in only a few typefaces: Bodoni, Century, Garamond and Helvetica. This week marks the 32nd anniversary of this exhibition.

SVA’s Masters Series began in 1988 as “an annual award exhibition to honor great visual communicators—designers, illustrators, art directors and photographers—of our time.”  Massimo Vignelli was the 3rd person to receive this honor. 

“It was a polemical exhibition to protest the inflation of meaningless typefaces polluting our world.“ Vignelli: From A to Z, p. 187 

For our Open Houses this week, we will be revisiting this exhibition and invite you to think about designing type and designing with type. You will be able to view many of the artifacts from this 1991 exhibition plus some designs done after 1991 that includes these 5 typefaces.

From the exhibition records, we found that the exhibition plan originally included designs using Times New Roman as well. You will be able to see these works too. Along with images of the original exhibition, the original exhibition checklist, and other documentation. Plus numerous OTHER typefaces, many custom, that appear in the Vignellis’ work. Futura. Optima. Didi. Bloomingtype. Our Bodoni. Our Futura. 

Plus numerous custom alphabets for architectural graphics, logotypes, etc. And we’ll have examples of designs using type that might seem very “un-Vignelli.”

 More details about Open Houses can be found on our website: https://www.rit.edu/vignellicenter/events

[a-dinosaur-a-day]

Do you prefer museum exhibits with lots of open area or fitting as much as possible into the available space?

look, I'm a Large Person, I need at least some space to get around. I'm disabled, there need to be benches. Wheelchair users need to have accessibility. A balance between the necessary open space, plus extra for safety, and filling the rest with specimens to have as much as possible within the space is the best possible design.

[internet-archivie]

wall from exhibition design in 23’ x bianca censori via ye instagram

team_anisa brook_mi

[sheltiechicago]

Machine Hallucinations: Coral - Temporary Exhibitions / Exhibition Design

By Refik Anadol Studio, United States

Creative Communication Awards

[julirobert]

Where to get Bespoke Illustration and Exhibition Design services?

When it comes to finding bespoke illustration services, there are several avenues you can explore. Below are some popular options where you can find talented illustrators who offer customized illustrations tailored to your specific needs.

Online Freelance Platforms:

Freelance platforms like Upwork, Fiverr, and Freelancer are excellent places to find bespoke illustrators. These platforms allow you to browse through portfolios, reviews, and ratings of illustrators, making it easier to find a suitable match for your project. You can post your job requirements, receive proposals from illustrators, and choose the one that best aligns with your vision.

Illustration Communities and Directories:

Online communities and directories dedicated to illustration are valuable resources for finding bespoke illustrators. Websites like Behance, Dribbble, and DeviantArt feature portfolios of numerous talented artists. You can explore their work, contact them directly, or post a job listing on these platforms to attract illustrators who specialize in bespoke services.

Social Media Platforms:

Social media platforms such as Instagram, Twitter, and LinkedIn can serve as effective channels for discovering talented illustrators. Many illustrators actively showcase their work on these platforms and may provide contact information or links to their websites. By searching relevant hashtags, exploring artist profiles, or joining industry-specific groups, you can connect with illustrators who offer bespoke services.

Design Agencies and Studios:

Design agencies and studios often employ illustrators who can provide bespoke services. These companies have a team of professionals with diverse skill sets, and they can match you with an illustrator who specializes in creating customized illustrations. You can search for local or international agencies/studios and browse their portfolios to assess if their style aligns with your requirements.

Art Schools and Institutions:

Art schools and institutions can be excellent sources for finding talented illustrators who may be interested in taking on bespoke projects. Graduating students or alumni often seek freelance opportunities to build their portfolios and gain experience. Contact local art schools, attend graduate showcases, or explore online platforms specific to art and design education to connect with aspiring illustrators.

Referrals and Recommendations:

Word-of-mouth recommendations from friends, colleagues, or other professionals in your industry can lead you to talented illustrators who offer bespoke services. Reach out to your network and inquire if they have worked with or know of any skilled illustrators who can cater to your specific needs. Personal recommendations can often provide insights into an illustrator's working style, reliability, and quality of work.

When hiring an illustrator for bespoke services, it's crucial to review their portfolio, discuss project requirements and timelines, negotiate pricing and licensing agreements, and ensure clear communication throughout the process. Don't hesitate to ask for references or testimonials to gauge the illustrator's reputation and professionalism. Ultimately, finding the right illustrator depends on your project's specific requirements, budget, and aesthetic preferences.

What are Exhibitions and Presentations?

Exhibitions and presentations refer to events or displays where individuals or organizations showcase their products, services, ideas, or projects to a target audience. These events are designed to inform, engage, and promote a specific subject matter or theme.

Exhibitions typically involve the physical display of items, such as products, artwork, scientific innovations, or cultural artifacts. They can take various forms, including trade shows, art exhibitions, science fairs, industry expos, or museum displays. Exhibitors set up booths, stands, or designated areas to showcase their offerings and interact with visitors. These events often provide opportunities for networking, business promotion, market research, and knowledge sharing among industry professionals, enthusiasts, and the general public.

Presentations, on the other hand, focus more on conveying information, ideas, or findings through verbal communication and visual aids. Presentations can be delivered in various formats, such as lectures, seminars, workshops, conferences, or webinars. They are commonly used in academic, professional, or corporate settings to share research, educate an audience, pitch a project or proposal, or provide updates on a specific topic. Presentations often include slides, multimedia content, demonstrations, or interactive elements to enhance audience engagement and understanding.

Both exhibitions and presentations play important roles in disseminating information, showcasing innovations, fostering collaboration, and promoting products or ideas to a targeted audience. They are valuable tools for communication, marketing, education, and community engagement.

Where to get Exhibition Design service?

There are several options available for obtaining exhibition design services. Here are a few places where you can find such services:

Design Agencies: Many design agencies specialize in exhibition design and offer comprehensive services to create engaging and visually appealing exhibits. These agencies often have experienced designers who can assist you in creating a customized exhibition design tailored to your specific needs.

Freelance Designers: Freelance designers who specialize in exhibition design can also be a great option. Platforms like Upwork, Freelancer, or Behance allow you to browse through portfolios and connect with talented exhibition designers who can work on your project.

Event Management Companies: Event management companies often offer exhibition design services as part of their overall event planning and execution. They have expertise in creating captivating exhibits that align with your event goals.

Trade Show Organizers: If you are participating in a trade show or exhibition, the organizers often provide exhibition design services or can recommend trusted vendors who specialize in exhibition design.

Referrals and Recommendations: Ask for recommendations from colleagues, industry professionals, or other companies that have previously organized exhibitions. Referrals can help you find reliable exhibition design service providers who have a proven track record.

Remember to evaluate potential service providers based on their portfolio, expertise, experience, and client reviews. It's also important to clearly communicate your requirements and budget to ensure a successful collaboration.

In conclusion, bespoke illustration is a highly valued and unique form of artistic expression. It involves creating customized and personalized illustrations to meet the specific needs and preferences of clients. Bespoke illustrations offer a range of benefits, including exclusivity, originality, and the ability to capture the essence of a particular subject or concept.

One of the key advantages of bespoke illustration is its ability to convey a distinct message or story. By working closely with clients, illustrators can understand their vision and translate it into a visual form. This collaborative process ensures that the final illustration not only meets the client's expectations but also captures the essence of the subject matter in a way that is meaningful and engaging.

Another significant advantage of bespoke illustration is its exclusivity. Unlike stock images or generic illustrations, bespoke illustrations are created specifically for an individual or organization. This exclusivity adds value and uniqueness to the artwork, making it stand out and resonate with the intended audience. Whether it's for branding purposes, marketing campaigns, or personal projects, bespoke illustrations can help create a strong and memorable visual identity.

Bespoke illustration also offers a high level of artistic quality and craftsmanship. Skilled illustrators bring their expertise, creativity, and attention to detail to each project, ensuring that the final artwork is visually stunning and aesthetically pleasing. This level of craftsmanship sets bespoke illustrations apart from mass-produced or digitally generated images, adding a touch of authenticity and artistry.

Furthermore, bespoke illustration allows for customization and flexibility. Clients have the opportunity to provide input and collaborate with the illustrator throughout the creative process, ensuring that the final result aligns with their vision. This flexibility extends to various styles, techniques, and mediums, allowing for a wide range of artistic possibilities. From traditional hand-drawn illustrations to digital artwork, bespoke illustration can be tailored to suit different preferences and project requirements.

In summary, bespoke illustration is a highly personalized and creative form of artistic expression that offers numerous benefits. Its ability to convey a distinct message, exclusivity, artistic quality, and customization make it a valuable tool for individuals and organizations seeking to create unique and engaging visual content. Whether it's for branding, marketing, or personal projects, bespoke illustrations have the power to captivate and leave a lasting impression on viewers.

[pepryll]

Union Hack (2022)

"An exhibition that infiltrates, bridging the gap that occurs between those with tertiary educations and those without. The exhibition utilises anonymity, speed and autonomy to share knowledge and resources within the creative communities through a collaborative zine and hijacking of space.

Conceptualised in conjunction with the 'Say It Loud Naarm' program."

[alexlipscomb]

i want to shed my skin and be born anew:the skin i live in, collages, and model, 2023, digital and foamcore

[nodataism]

Όψεις της δραστηριότητας των ελλήνων μηχανικών. 1880-1940

Ιστορική έκθεση από το Ινστιτούτο Μεσογειακών Σπουδών σε συνεργασία με την Εθνική Βιβλιοθήκη. 2015-2016.

Ερευνητής: Σπύρος Τζοκας