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#executive-level
portalmonsterrr · 2 years
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Nahida brings home a stray kitten
previous parts: here and here
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my-autism-adhd-blog · 5 months
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Autism & Fluctuationing Support Needs Part 2
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Lil Penguin Studios/Autism Happy Place
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keets-writing-corner · 7 months
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Love how Lucifer just manhandles Adam during their 'fight' despite everyone else getting their asses kicked. Plus him effortlessly destroying him when Charlie's in danger is really sweet.
gawd me too anon me too
that was everything me to me. like everything. It was built up so well too
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we spent the whole season building up alastor as this massive powerhouse, eldritch, nobody messes with him. Only one who tried picking a fight with him (Vox) got utterly humiliated and everyone else was clearly outclassed. Except for Lucifer where Alastor merely just went with annoying instead of power challenging. Like we got vibes okay yeah makes sense that the King of Hell isn't intimidated by anyone, even if it's alastor, but Alastor got TWO wtf moments in Dad Beat Dad one with Husk and one with defending the hotel
other than that, it was pretty much, nobody messes with him cuz he will mess you up
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and he fights Adam evenly sorta for a bit before Adam pulls out the "I'm an angel which is stronger than any demon" card and alastor gets his ass handed to him.
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Like what a way to set up how strong ADAM is, having him beat Alastor. And then no one else in the hotel is as strong as Alastor was, so everyone's struggling. Charlie at least gets one good hit in but her inexperience kicks her in the ass and then Lucifer just shows up and
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like hot DAMN that was just one hit! He broke Adam's mask, the force was enough to send him FLYING across the roof top, and bounce so hard against the billboard he BROKE THE SKYLIGHT
That was just a "HANDS OFF MY BABY" warning too, like LOOK at that face, that's not a "fight me" face it's a "if you touch my baby again, I will screw you so bad your bones will need therapy and you never recover"
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Lucifer not even .2 seconds later, just upon seeing Charlie
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and then yeah, Lucifer was NOT taking the fight with Adam serious at all, like the dude was taunting him, mocking him, dodging all of his attacks, just shapeshifting like Adam was a joke LIKE LOOK AT THIS
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Lucifer isn't even scared, he's just "oh there's a wall there"
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His FACE IM DYING he's legit like "wowwww you just tried shoving me into a wall? really? didn't have any other ideas? Soooooo original of you. I will mock you now"
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HIS HANDS ARE BEHIND HIS BACK HE FOR REAL SAID HE COULD TAKE ADAM WITH BOTH HANDS BEHIND HIS BACK
rewatching rn for the screenshots, he's legit just shapeshifting for the fun of it. 70% of the time nothing has happened, he's just dodging adam and shapeshifting while doing it, like he doesn't need to be doing that this is 100% mockery.
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And then the iconic
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like omgggg this is soooo satisfying and amazing to watch. Like the set up of Adam being powerful was great, and then we just get this absolute trolling from Lucifer cuz he really doesn't care about Adam
And listen the trolling is great and all, but when Adam makes the mistake of not heeding Lucifer's warning of messing with his baby, and then does it a second time
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RIP Adam just getting one shot-ed like that but hnnnnnggggg we got to see Lucifer fully pissed and it was GREAT
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And somehow my favorite part wasn't even watching Lucifer go absolute ham on Adam, it was that even at his absolute most rage fueled moment, snarling like a beast where he was going to and fully intended on making good on his threat about messing with his baby
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just one shoulder touch from Charlie and he's immediately chill. Like it's instantaneous, like how much do you love someone to be able to be absolutely livid, about to incinerate someone levels of rage only to immediately be "o oki! No more violence!" the second that person touches you???
Ugh I love them so much! Like everything about that fight, but especially how Lucifer can just go from absolutely the most dangerous person in one second and then OWO SOFT the next just by looking at Charlie
oops this post got long... IMSORRYYYYY other than "More than Anything" and the phonecall with charlie this is one of the scenes I replay the most, I love them so much
Characters going absolutely feral over loved ones is just aasdfadffalklkmafdjalsg 👌👀👌👀👌👀👌👀👌👀 good shit go౦ԁ sHit👌 thats ✔ some good👌👌shit right👌👌there👌👌👌 right✔there ✔✔if i do ƽaү so my self 💯 i say so 💯 thats what im talking about right there right there ʳᶦᵍʰᵗ ᵗʰᵉʳᵉ mMMMMᎷМ💯 👌👌 👌НO0ОଠOOOOOОଠଠOoooᵒᵒᵒᵒᵒᵒᵒᵒᵒ👌 👌👌 👌 💯 👌 👀 👀 👀 👌👌Good shit
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batsplat · 12 days
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Austria 2018: Bradley Smith, Andrea Dovizioso, Marc Marquez, Valentino Rossi, Jorge Lorenzo and Miguel Oliveira design their ideal circuit
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seasickzig · 26 days
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Executive dysfunction caused by Autism makes me so mad.
People always talk about it with ADHD, and I always hear people being grateful that their executive dysfunction is fixed with meds.
I cannot be fixed.
And executive dysfunction isn’t just the “Go go chemical” that allows you to get started/follow through on projects, it also impacts your ability to organize thoughts, make plans, prioritize tasks, manage time, and make decisions.
I cannot get out of bed. It has been four hours since I woke up. Meds will not fix this.
I cannot do chores. I must be prompted. Meds will not fix this.
I cannot make plans. I’m autistic and NEED plans, but I can’t make them. Meds will not fix this.
I cannot think straight. Every thought echoes in my head with no conclusion. Meds will not fix this.
I cannot make decisions. People ask me things and my brain goes blank. Meds will not fix this.
I cannot do anything for myself. Executive dysfunction has stolen control from me. Meds will not fix this.
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bogdanovics · 8 months
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rawliverandgoronspice · 9 months
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I think what chronically upsets me about TotK is that. So much of it could have been so good with so little change.
I am into Zelda as a sacrificial, wondrous and silenced creature who must literally carry the blade of the hero as a wound inside her forehead and silently wait to be humanized again --and the injustice of a kingdom built on such a premice doomed to repeat itself, especially if the kingdom was founded on such dubious grounds to begin with. I am into Ganondorf forcing the present to reckon with the past through the most violent clash, forsaking everything that made him a person while sinking down into petty vindictiveness until no connection and no humanity remains, even though independance was what he was trying to protect in the first place. I am into Link as somebody trying to hold onto his most important connection to the world he once knew being used to force him into a conflict that has ultimately nothing to do with him (sure that's SS again but, it could have been explored even further). I am into Rauru as this self-important, self-made king who used his own association to godhood to live out a power fantasy that refuses to ever be acknowledge as such, maybe compounded by the fact he is one of the last of his species and feel, himself, the crushing weight of their fading heritage?
I don't know, the Tears of the Kingdom or something????
But, it all tragically depends on one crucial thing, which is to allow hylians to be wrong sometimes.
And it's wild to me how all of this incredible potential to comment on the series' history and the characters' role in it is just. Flattened into nothing, because Good must be Good and Evil must be Evil, and Hyrule must be righteous at literally every cost --even if it means nervously rewriting their own history through convoluted logic that rejects conflict and depth and vulnerability at every turn.
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I love morpheus because sometimes he looks like an ethereal deity, alien in his perfection, and sometimes he looks like a middle aged man with a punk band that never got off the ground in the 90's, sitting at the bar drinking margaritas at 3pm on a Wednesday and the only thing that seems to guide his choice in the matter seems to be vibes.
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not-poignant · 4 months
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I know I'm still burnt out because my executive function is so bad at the moment I make like a million mistakes every time I put up a new chapter, which is demoralising and makes me feel extremely pathetic.
Anyone who says ADHD is a superpower needs to just spend some time in a bin.
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fromtheseventhhell · 1 month
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I can tell I'm Arya-pilled to the max because I'll see other Arya stans talking about the questionable morality of her executing Daeron and I'm just like "That was so Lady of Winterfell-coded"
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fumifooms · 3 months
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Did you notice that in the anime chilchuck blushes when he sees marcille in the red dress? I skimmed through the marchil crumbs master post and from what I saw you didn't mention it
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Also its not from the ale since he wasn't blushing right before that
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Ah yeah, don’t worry it’s because part 8 of the crumbs masterpost isn’t out yet, I’ve been lazy with it but it’s been overdue ever since the second half of season 2 started, and it does have a buncha stuff don’t you even worry lol my god… I just need to get out some stuff for it first. Ahh good times
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On this though: I personally don’t give it much weight but it’s valid to read into it.
What we know:
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Against: - Kui does make characters blush both when they’re drunk AND when they laugh. - Chil is confirmed drunk/tipsy in that scene because in the picture above his little mood chibi is drunk lol. - The point of the scene is that he laughs at her, the joke is that he laughs at her. If there’s subtext it’s still very much secondary and easy to miss and ‘besides the point’ anyways, buut does this subtext exist? Well…
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For: - In the dating sim cover, the other option was "tell her she looks pretty". None of the choices seem outrageous for his character so it’s not random throwaway lines, though of course the reasoning behind it may be as simple as ‘it’s formality’. In the chapter cover, Marcille’s section is the one on top of every other one at center stage, which makes sense since it’s for bicorn chapter and bicorn chapter is THE Marcille & Chil chapter. In all of the choice dialogue bubbles on the cover, out of the 7 ones the hand is always over the choice he picks except for Marcille’s and Falin’s, indicating he might have hesitated. - Short of being a half-foot with a sultry face, Marcille is Chilchuck’s type. - The face he’s making in his little mood emoji in the dating sim picture lol? You may be drunk but pull yourself together omg - Chilchuck does deflect his more compromising feelings so this would be in character. Marcille is the only character he teases so much so often and it’s implied to be because he finds her reaction fun, full with shojo filter and sparkles all around her with his mind. Do with this what you will… Schoolboy pulling on the pigtails of the girl he like’s pigtails.
Neutral: - we don’t see the milisecond of realization on Chil’s face in the manga. - we don’t see his face after spitting out all his ale in the anime lol. - what could be "canon" in the manga may not be in the anime and vice versa.
Also whatever the hell this is. We all know not to give too much weight to VA’s takes but also what!! I always thought in the manga that Chilchuck wasn’t the one calling frogsuit Marcille cute so that was already a steel chair to me but lol the point of him saying that in the scene was still very much to follow through on the bait she took lmaoo. I don’t thiiink Chilchuck would think the frog suit genuinely makes Marcille look cute idk. Kigurumi enjoyer Chilchuck confirmed… And I feel like if this is true then Chilchuck wouldn’t have much problem giving her a casual compliment over her looks in the golden kingdom scene either. But also?!! 👁👁
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Chil’s jp VA has also said that Marcille is cute (Marcille’s jp va said Chilchuck is cute too but that’s besides the point. 16:05 here). And got into some trouble for acting overly familiar with Marcille’s VA, somewhere in this haven’t looked myself yet. So there might be a whole unrelated thing there?? I’ll cover it more fully in the crumbs masterpost hopefully, after some more investigation. Gdbdg so yeah several layers of putting crumbs under magnifiers like they could be fake gemstones to appraise their authenticity and thus value
Stare. Play it cool.
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I love it when he does this it’s so cute. Cheers, raising my cup to you
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numbuh424 · 6 months
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people have pointed this out before but I love how the death note jdrama highlights how needlessly cruel L is capable of being..... calling Light (and the other Kira suspects) early in the investigation to falsely accuse him of being Kira just to see how he'd react, taunting Light relentlessly while he was imprisoned and interrogated, and of course the mock execution. all while knowing no one can really stop him. the jdrama really said "btw don't forget this guy's an ASSHOLE"
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wonder-worker · 6 months
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I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
#(the quote is by Richard Woodville in his deathbed will; he was the last of the Woodville brothers to die)#elizabeth woodville#woodvilles#my post#to be clear I am not arguing that the death of an English gentry family name is some kind of giant tragedy (it absolutely the fuck is not)#I'm trying to put it into perspective with regards to what Elizabeth may have felt because we know her family DID feel this way#writing this kinda reminded me of how I am just not fond at all about the way Elizabeth's experiences in 1483-85 are written about#and the way lots so many of the unprecedentedly horrifying aspects are overlooked or treated so casually:#the seizure and murder of two MINOR sons and the illegal execution of another;#her sheer vulnerability in every way compared to all her queenly predecessors; how she was harassed by 'dire threats' for months;#how she had 5 very young daughters with her to look after at the time (Bridget and Katherine were literally 3 and 4 years old);#how unprecedented Richard's treatment of her was: EW was the first queen of england to be officially declared an adulteress;#and the first and ONLY queen to be officially accused of witchcraft#(Joan of Navarre was accused of her treason; she was never explicitly accused of witchcraft on an official level like EW was)#the first crowned queen of england to have her marriage annulled; and the first queen to have her children officially bastardized#what former queens endured through rumors* were turned into horrifying realities for her.#(I'm not trying to downplay the nightmare of that but this was fundamentally on a different level altogether)#nor did Elizabeth get a trial or appeal to the church. like I cannot emphasize this enough: this was not normal for queens#and not normal for depositions. ultimately what Richard did *was* unprecedented#and of course let's not forget that Elizabeth had literally just been unexpectedly widowed like 20 days before everything happened#I really don't feel like any of this is emphasized as much as it should be?#apart from the horrifying death of her sons - but most modern books never call it murder they just write that they 'disappeared'#and emphasize that ACTUALLY we don't know what happened to them (this includes Arlene Okerlund)#rather than allowing her to have that grief (at the very least)#more time is spent dealing with accusations that she was a heartless bitch or inconsistent intriguer for making a deal with Richard instead#it also feels like a waste because there's a lot that can be analyzed about queenship and R3's usurpation if this is ever explored properly#anyway - it's kinda sad that even after Henry won and her daughter became queen EW didn't really get a break#her family kept dying one by one and the Woodville name was extinguished. and she lived to see it#it's kinda heartbreaking - it was such a dramatic rise and such a slow haunting fall#makes for a great story tho
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jq37 · 4 months
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FH Junior Year Post-Season Thoughts
With another season of Fantasy High in the books and my recaps all finished, I wanted to do an overview of my thoughts on the season as a whole. Even though I feel generally positive about my experience with the season, there are a few things I think maybe could have been done differently narratively or mechanically. This isn't to criticize the way the season went down or to backseat DM/Play. More my combined ten years of college for textual analysis and storytelling bleeding through, haha. 
I first want to start with the things I thought worked really well.
Fantasy High has "High" right in its title but, in past seasons (and especially Sophomore Year), not as much time as you'd think was spent actually at school and even if it was spent at school, there wasn't much time spent in class or engaging with the realities of being a student. This season really dug into the academic consequences of skipping your classes all the time and the realities of needing to do a ton of extra stuff to try for a scholarship and I think that was a refreshing thing to highlight for a change. Being more scared at flunking out than the dragon that's trying to eat you feels very emotionally resonant. Real "High School Is Killing Me" vibes for anyone who's a fan of NPMD. 
Even though Fantasy High is a show that has some deep emotional beats and strong character arcs, it's first and foremost a comedy show. From the jump, everyone was generating bit after bit that had me cracking up as usual. "Little girly dog collar" is one of the funniest combinations of words I can think of. I think it was Siobhan who said that this was the goofy season and, having seen it, I'd have to agree with her. It never failed to make me laugh and it was always a highlight of my week.  The cast just has great table chemistry that I love to watch no matter what they're doing. 
Watching some of these high level combat encounters is as close as I'll get to understanding people watching sports. Even though combat is generally my least fave part of D&D, I think the cast really killed it this season with how cleverly they played and Brennan came up with some really great combat encounters. Special shout outs to Baron's Game and The Last Stand for their unique mechanics.  
This is going to be one that's on the other list as well because my feelings are mixed, but I genuinely do like the downtime mechanic and how it forces hard choices. I think it's an interesting way to connect a mechanic to the story and cultivate stressful atmosphere for the season.
I have problems with the execution but I love the Rat Grinders in concept. I think as early as season 1 I was hoping that we'd meet a party that was like the Bizarro Bad Kids and the idea of a party that's farming XP instead of going on crazy adventures is a strong concept. Likewise, I think a character that's jealous because of your "cool" (read: tragic) backstory is also a fun trait for an unhinged antagonist in this kind of setting.
This is me absolutely showing my bias but I adored the Abernant Sisters content this season. I dunno if Siobhan specifically asked Brennan to not put her on a bus with the other beloved NPCs or what but I'm so glad she stuck around and we got the development we did. It was almost entirely ancillary to the plot but there was this clear pattern of Aelwyn getting softer and sweeter towards Adaine over the course of the season, from the guarded, "Enjoy the nemesis ward," to, full I love you's and, "I'd take them to get you." It was way more focus than I expected considering that Aelwyn completed the bulk of her arc last season and a lot of the time, a redemption arc basically ends after the big gesture (in this case, Aelwyn taking a magic blast for Adaine in Sophomore Year). So the fact that we got to see all of these sweet moments of them reestablishing their relationship outside of do or die moments was such a pleasant surprise. Again, I fully admit I am extremely biased, but this was my top wishlist item and the season overdelivered so there's a baseline happy I'm always gonna be with Junior Year. 
OK, so moving on to things I things I think could have been tweaked.
Even though I liked the downtime system and the pressures it created, it also squeezed out the chance for more casual PC to NPC interactions that would usually be more common because they were semi-locked behind the relationship track and there wasn't an obvious benefit to roll for Relationships (as opposed to something like Academics which was crucial for not flunking out). Making the mechanical benefit more clear would have helped that (even if it meant Brennan didn't get his reveal--which he ended up just telling them anyway so might as well do it early). The other thing is that the consequence of a rage token was so bad that of course they spent all season avoiding getting one. Things might have gone differently if the consequences had been a bit more obscured, like in Neverafter. And it could have been a nice parallel to the Rat Grinders to take this unknown resource that makes things easier for you but is also having this negative effect. Then it could be like dang we did the same thing they did unknowingly. 
I mentioned this in my recap but I'll talk about it again. It is a little confusing to me that we did the Ankarna subplot right after we did the very similar Cassandra subplot. It took up so much time this season which I don't think is an issue in and of itself, it's just that we literally just went through some extremely similar beats last season. Why double up on this same storyline when there's so much new ground to cover? Or if we're going to raise a god, why not make it a different kind of god? One theory I had early on was that the Rat Grinders were trying to raise their own god to one-up the Bad Kids but instead of raising a chill, misunderstood Cass type, they accidentally raised a god who was erased for a good reason and got in over their heads. 
It's fun for there to be connections between seasons but sometimes it's like, OK that's a *lot* of coincidences. Like the god who your rivals is trying to raise *happens* to be the wife of your cleric's god and also *happens* to be the god of the fiend trapped in your friend's mom's chest and that fiend *happens* to be the relative on your bard's dad's side which is *also* the reason she is randomly cursed? That's a LOT of red string connecting plot points. As unhinged as Kipperlilly is about coveting Riz's backstory if I saw that go down I'd be like you have *got* to be kidding me.  
The mystery elements didn't feel like they clicked as well as they did in other seasons. I think that's partially because Porter's plan was so convoluted (seriously, I made another post about how haphazard his plan was) and had all these moving parts and we didn't get clear answers for a lot of mechanical things like how the rage crystals actually work and when they were implanted and stuff. You had stuff like Devil's Honey which I think is super cool as a thing that exists in the world but ended up being an element that just led the players down the wrong path and had a relatively small payoff (that Porter was using it to lie to Ankarna). I think it's plausible that a forgotten god would be willing to listen to anyone saying the right things without introducing this element. (As opposed to, for instance, Ambrosia which has a very clear connection to what's going on and is a solid clue that someone is flirting with aspirations of godhood.) 
The Porter reveal came so late in the season that even though it was a fun/challenging fight, there wasn't a lot of emotional weight behind killing him. It was basically just dunking on a teacher Fig has always hated who was also mean to Gorgug so screw him. Which, valid of course. But the Bad Kids were never going to react as strongly to Porter as they were to the Rat Grinders so putting Porter in the prime villain spot isn't necessarily what I would have done if I wanted the fight to be more than just a brawl--especially since we've done "School admin with student minions" already in S1. I don't mind the full circle callback but it would have been nice to pick something else for the sake of variety. We haven't had a child mastermind yet and I think Kipperlilly could have been a great candidate for that. My friend suggested that it would have been fun if Kipperlilly was trying to become a god instead of just being Porter's underling and I agree. "I'm not anyone's chosen one so I'll choose myself," is still within her established jealousy and Type A tendencies. If we want to keep Porter involved since that was Brennan's gift to Emily, maybe have it be that instead of Kipperlilly working for him, he's working for her. Like Artemis Fowl vibes! And the Rat Grinders can be varying levels of on board--from true believe to redeemable. I don't think Brennan planned for the Bad Kids to ever redeem her so might as well go full megalomaniacal mastermind with her and make her The Villain if she's not gonna be nuanced anyway. If My Little Pony can do it and send a literal child to Tartarus for pony treason (or whatever Cozy Glow did), Fantasy High can too. 
Continuing from the above, if we have the Porter fight in place of the Grix fight (a la Daybreak) and don't use Ankarna, that gives way more time for the Bad Kids to investigate the Rat Grinders throughout the season and it would mean that they would have their personalities developed a lot more. With the limited downtime, they Bad Kids didn't have a lot of time to spend on these kids who were just hating on them for no good reason (valid). But if you cleared their plate of the god hunt stuff, they'd have more time for this. And if they weren't all rage zombies to varying degrees, it would be easier to see them as characters. Besides Kipperlilly (and, funnily enough, Mary Ann) we don't really have a good read on what these kids are actually like. The little time we spent with them all season was kind of a wash if them breaking out of rage means their personalities got laundered too. Anyway, regardless of how their loyalties ended up shaking out, it would have been fun for them to be more than the minions that they were in canon. As funny as it is for them to just kinda be XP farming losers, they did have the potential to be more interesting in their own right if they weren't just Porter's minions. And again, we've done adults forcing or coercing children into being minions in Freshman and Sophomore Year already. Lemme see some self-created child maniacs! (Or, peer pressured child maniacs. That's cool too. The Lucy/Kipperlilly dynamic is way more interesting to me if it's like girl, I would take a bullet for you but I CANNOT walk this path with you any further in response to *I* will be a god and you can be *MY* champion.)
Anyway, those are my thoughts! Like I said, I have my points that I think could have been tightened, but overall an enjoyable season and I will be glued to my screen if they decide to close out with Senior Year! 
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sugarcream-sims · 21 hours
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He was excitable and kind, but bad at explaining. You part, uncertain if you just spoke to an alien, or some kind of angel.
Iota for @gloomiegalaxie's Femboy Friday ⭐ Interstellar
first time participant! it was a ton of fun
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carlyraejepsans · 6 months
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for real WHERE does the idea that [utdr humans] are nongendered so that "you can project on them" come from. their literal character arcs are about NOT being a blank slate to be filled in by the audience
i think i understand the assumption on some level for undertale, because there is a very intentional effort to make you identify with the "player character" in order to make your choices feel like your own (the beating heart of undertale's metanarrative lies in giving you an alternative path to violence against its enemies after all, and whether you're still willing to persue it for your own selfish reasons. YOUR agency is crucial).
of course, the cardinal plot twist of the main ending sweeps the rug from under your feet on that in every way, and frisk's individuality becomes, in turn, a tool to further UT's OTHER main theme: completionism as a form of diegetic violence within the story. replaying the game would steal frisk's life and happy ending from them for our own perverse sentimentality, emotionally forcing our hand away from the reset button.
i think their neutrality absolutely aids in that immersion. but also, there's this weird attitude by (mostly) cis fans where it being functional within the story makes it... somehow "editable" and "up to the player" as well? which is gross and shows their ass on how they approach gender neutrality in general lol.
but also like. there's plenty of neutral, non PCharacters in undertale and deltarune. even when undertale was just an earthbound fangame and the player immersion metanarrative was completely absent, toby still described frisk as a "young, androgynous person". sometimes characters are just neutral by design. it's not that hard to understand lol.
anyone who makes this argument for kris deltarune is braindead. nothing else to say about it.
#this is a very difficult topic to discuss imo because on Some level I don't completely disagree with people who make that argument for chara#in SPIRIT. if not in action. like my point still stands characters can just Be neutral. and if that level of customization had been intended#well Pokemon's been doing the ''are you a boy or a girl'' shtick for ages. no reason why that couldn't have been included as well#but i do feel that we're supposed to identify with chara within the story. not as in chara is us but as in we are chara#and i think someone playing the game without outside interferences and (wrongly) coming to the conclusion that chara IS literally#themselves in the story. and thus call them by their own name (the one they likely inputted at the start) and pronouns#will be someone who grasped undertale's metanarrative more than someone who went in already spoiled on the NM route who thinks of chara#(and on some level frisk as well) as completely separate from us with independent wills and personhoods at any time#who treats them as nonbinary. even if their approach is more ''appropriate'' to a gender neutral person#systematic error vs manually changing every measure to fit what you already think is going to be the correct result. ykwim?#of course this opens a whole new parentheses while discussing the game outside of your personal experience#because even if you DO see chara as a self insert then they are a self insert for EVERYONE. women men genderqueer people#i don't call chara ''biscia'' even though that's what i named the fallen human in my playthrough. neither do i use they because i also do#if you're describing the character/story objectively in how they are executed then you're going to talk about them neutrally#because you ain't the only sunovabitch who played the darn game sonny#so like. either way you turn it. even in the most self insert reading you'd STILL logically use they/them so ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯ git gud#answered asks
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