#everything's good for a few days

[unityrain24]

tumblr please stop with the unfollow glitch and block glitch. please tungle please

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[sanska]

Ariadne explaining how to navigate the labyrinth (and after) to Theseus. It’s important, she’s committing treason for you Theseus, don’t look at her like that.

[allastoredeer]

Ya'll want to know the funniest shit?

I'm researching the era when Alastor was alive right now to get a better idea of both his character, the life he lived before Hell, and to hash out a backstory for him.

And so, apparently, Alastor lived through the Prohibition (which was basically the United States government illegalizing the manufacture, transportation, and sale of alcohol because they thought it was the cause of a lot of domestic violence and child abandonment).

Alastor canonically died in 1933.

Do you know how long the Prohibition lasted?

From 1920-1933.

ALASTOR LITERALLY DIED THE SAME YEAR ALCOHOL BECAME LEGAL AGAIN. CAN YOU IMAGINE HOW BITTER HE MUST'VE BEEN?

The Prohibition officially ended on December 5, 1933, and now my headcanon is that Alastor died December 6, 1933. Literally the day after he could legally drink all the booze he wanted.

I am learning a LOT about New Orleans and the era Alastor lived through (including the gay community in the city at the time) which has been a lot of fun, and I just wanted to share that tidbit because it is so fucking funny to me.

[wishfulsketching]

Was reminded that the clip studio mapping pen is perfect.

[youreastargirl]

Okay okay hold on.

You’re telling me that Derek Hale is living in Beacon Hills owning an auto shop and consulting for the sheriff and having a rebellious teenage son who loves the jeep and in the first twenty seconds of being on screen Derek says to the sheriff “Maybe you should call your son?” Like I literally paused it.

Seriously considering keeping it paused and just writing a fanfic to finish it out because this is a beautiful premise that right now is canon. I accept the first 20 minutes of this movie. The rest we can toss.

[arthursfuckinghat]

I'm at that part of chapter three my friends, so let me be a reminder that Colm O'Driscoll's plan to lure in Dutch after taking Arthur failed because nobody came looking for him.

He would have died being held captive any longer, he barely escaped.

The gang did not come for Arthur.

[overtake]

I’m sorry we need about 5k more words of mechanic Daniel driver max pls and ty!!!

Part One

I’m actually so shocked (but pleasantly surprised and honored!) by people enjoying this verse because I almost deleted it without posting. I don’t have 5k more, but I can offer 1.2k!

I still lowkey hate this - and you can definitely tell I have no vision for where this story would go, hence why it’s just harping on the same 3 details we already knew - but it’s all yours and I hope you have a good time reading it anyway :)

Five minutes into pretending to examine an engine instead of obsess over what Max said, Daniel breaks.

“Did you mention me to Max?” he asks Cyril, trying to come across casual.

Cyril looks at him disbelievingly. “Max Verstappen is in our garage and you think I talked about you at all?”

Daniel lifts a hand to his chest and feigns being shot. “People love me, you know. Guys are all over this.”

Cyril heaves out a long-suffering sigh. “Get to work, Daniel.”

Daniel’s lucky, given his condition, that everything is relatively routine today. He does three oil changes, and he could kiss those people’s feet for it.

He’s mentally preparing himself to slide under a car, wincing at much more congested he’ll be once he emerges again, when Max suddenly appears in the corner of the garage.

“Hello,” he says. He does a cute little half-wave to get Daniel’s attention.

“Hey,” Daniel says, straightening and rubbing his grimy hands on his thighs. “Cyril’s working on your car, so he’ll have any updates you need.”

“It’s not my car, just a rental,” Max dismisses. “No, I just have …” He cuts himself off, turns a sweet pink on the apples of his cheeks. “You sounded sick earlier and looked really pale. I brought you soup.”

He lifts a takeaway bag from the cafe down the street, which usually specializes in ten dollar lattes and sandwiches with names so cutesy, you have to practice five times to order without shame.

Daniel smiles at the idea of Max Verstappen, world champion, saying one of those horrible names for Daniel’s benefit. “You didn’t have to do that. Thank you. Let me pay you back.”

Max shakes his head. “It’s my thanks for fixing the car.”

Daniel raises his eyebrows. “So what soup did you get Cyril, who’s actually doing that?”

Max scrunches his nose in disgust. “You cannot expect me to say the name Noodle Nest Paradise more than one time.”

“How many times did you laugh trying to get that out?”

Max shudders. “I pretended to speak really bad English and just pointed at the menu.”

“So you could’ve ordered multiple,” Daniel points out. Max very blatantly pretends not to hear. He focuses instead on pulling a little bag from the order and holding it up proudly, smiling a crinkly-eyed smile.

“I got you crackers!”

Eating soup with Max Verstappen is an out of body experience.

Daniel’s been eating his soup over the coffee table in the office because it felt wrong to make Max sit at the grimy, wobbly table in the closet-sized corner of the garage where Daniel and Cyril usually change and scarf down meals. This, however, means they’re stuck together on the loveseat. Max’s expensive skinny jeans knock knees with Daniel’s greasy coveralls when they get too into the conversation.

Daniel knows he’s being a terrible conversationalist, especially at first. His normal easy charisma is buried somewhere in the pile of tissues he’s burning through. He’s basically just answering Max’s rapid-fire questions about his life, his job, his family, his non-existent partner (“do you have a girlfriend or boyfriend or anything?” Max had asked, and looked remarkably pleased by Daniel’s answer of no).

Daniel’s about 87% sure he’s being hit on right now. It’s a nice confidence booster given how much of a mess he looks, but it’s not like it matters. Max is Max, and Max is F1, and Max doesn’t live here.

He likes Max, though, the longer they talk. He likes his eagerness, his down-to-earth nature, his total lack of interest in discussing racing. Max delights in all Daniel’s behaviours that usually make people roll their eyes and wait for him to be done, whereas Max leans into Daniel’s dumb songs or drawn out jokes. He likes the long lashes that frame Max’s bright, happy eyes, and soft double chin he gets when he ducks his head into his laugh.

Daniel’s not sure how much time passes before Cyril comes in, but he knows his voice has faded to practically nothing, and he’s having to constantly turn to avoid coughing on Max.

Cyril’s timing is rather unfortunate, entering just as Daniel breaks into a particularly rough wheeze. Max is patting his back gently, which Cyril will definitely have words about later. Presently, however, he seems too concerned about Daniel’s wellbeing to lecture him about appropriate contact with famous customers.

“Daniel. Go home,” he orders, voice kind but firm. His tone leaves no room for argument, not that Daniel really wants to fight him on it. He’s enjoying this, but his brain and body feel as if they’re wading through a pool of thick custard.

“Are you okay to drive?” Max checks. His eyebrows are knitted in sweet concern, like Daniel actually might keel over and die in the ten-minute ride home.

“All good,” Daniel promises. He stands, then promptly has to collapse back onto the couch when black spots dot his vision.

“I’m driving you,” Cyril says firmly.

“I just stood up too fast.” Sure, he’s a little woozier than expected, but he could do this drive blindfolded and half-dead.

“I’ll drive you,” Max says. “I mean, Cyril has work to do, but I’m just sitting here.”

“How do I know you won’t kidnap me or steal my car?” Daniel rasps.

“He’s not worth kidnapping, and selling his car probably couldn’t cover an oil change for the kinds of cars you drive,” Cyril informs Max. He ignores Daniel’s protests, then pushes Daniel back down to the couch when he half-rises from it.

“Stay. I will get your keys and bag.”

The second Daniel’s brain understands that he’s off-duty, that it’s no longer expected to carry him through the day, it mostly blacks out, and everything is a blur from there.

He’s pretty confident Cyril steals his phone to call his mum, which is vaguely embarrassing but perhaps necessary given his current state. He knows Cyril gives Max directions to Daniel’s parents’ place instead of his own. He feels Max’s hands help him into the passenger seat, and he definitely mutters some fever-addled sentences on the drive. That’s about all he remembers until he wakes up in his childhood bed, shivering and sweating while his mum runs a hand through his hair and forces medicine down his throat, before he falls back asleep again.

When he finally comes to enough to make his way downstairs, he finds his parents seated at the kitchen table. His mum jumps up, forces him into a chair and fusses over him while simultaneously lecturing him about going to work sick. His dad just sits there, eyebrows half-raised, until Daniel is settled with food and water.

“So. You had an exciting day at work.”

He slides a piece of scrap paper across the table. There, under some advertisement for gardening services, is a scrawled message in red pen:

It was lovely to meet you (again). I hope the terribly named soup made you feel better! :)

- Max

Under his name, Max has scrawled a phone number.

Daniel runs his finger over the lines, feeling the imprint of each number that Max etched into the paper. It’s neatly written, far more cautious and intentional than the rest of the words, as if to ensure that no digit could be misread or smudged.

Daniel pauses, processes the full note, and double backs to the word ‘again.’

“Yeah,” Daniel croaks through the stabbing pains in his throat. He stares at the word harder, like it might reveal what the fuck Max means by again. “I guess today was pretty interesting.”

[notbecauseofvictories]

any advice for someone who's very bad at keeping friendships? people just up and vanish despite my best efforts, and I don't really know how to meet anyone else (dating apps are the worst/the pandemic ate my education/I work remote). late 20s are basically for feeling unlovable and ruined, I suppose.

Maintaining friendships---maintaining all relationships, particularly with people inconveniently not in the same apartment or office building---is hard. It just is. I've also found there's a steady attrition of freely-available friendship in your late twenties, as people move out of their crowded apartments, shack up, start having children and/or climbing the ladder into jobs that demand more of their attention and energy.

It is tough to be in your late 20s. You realize that you've taken for granted how full the world felt, with people and potential. You're not quite prepared for when you find yourself alone, and someone starts locking doors that you thought would be open forever.

Unfortunately, there is no easy fix to this. The only fix is: you are going to have to pick yourself up, dust yourself off, and do it all again. And again. And again.

"It" can take a lot of different forms. I know "join a group" is the most trite, annoying advice I can give but---do it. Find a group that you think you might be interested in joining, and join. Book club, running club, esoteric interest of your choice club; go on MeetUp and see what's in your area, volunteer for stuff. Ignore (for weeks, if not months) the fact that you feel awkward and out of place, and make it a commitment.

And then, when you've been part of a group---well, it's not so weird to ask if Lisa wants to go to a street festival with you. Not if you've packed lunches for the homeless with Lisa or laughed about a particular book with Lisa or been running alongside Lisa as you train for the upcoming 5k.

(Maybe Lisa will politely decline. Maybe Lisa will come to the street festival, but then has excuses for the next thing, and the next; she's too busy to make a good friend right now. And so---you will pick yourself up. You will do it all again.)

Or you can reach out to those people you've fallen out of touch with. "Hey, James, if you're in town let's grab lunch!" sounds very fake but it's not if you genuinely want to grab lunch with James. Ask Aiden if they're doing anything on Thursday, and would they like to come to bar trivia with you? If they're not in the same city, find some time for calls, or zoom---or hell, go old-fashioned and write letters.

If those ideas sound labor- and time-intensive, hard in the way that making yourself vulnerable always is......yes.

As I said, there's no easy route to this. Relationships take effort and someone has to go first; someone has to toss the ball and hope another human catches it. You cannot guarantee the catch, that's out of your power, so the only way to find people is to keep lobbing balls at everybody's heads and hope they have good reflexes.

[cartoonist-in-theory]

You’re walking down a long quiet road. It’s winter, snow covers the ground, the sky fades gray. All around you are trees that have long since dropped their leaves, cold and dead, waiting for spring. You stop beneath one, eye caught by a striking sight. Amid the bare branches you see a round bundle of stunning green leaves. Hanging down above you are dozens of beautiful little pearly white berries. The fruit tempts you, but you don’t dare touch. Instead you simply admire them. Life among the dead of winter. Mistletoe.

@slocotion Hi, here is my design for slocotion's patreon dyo doll contest. Her name is Haustoria of the Pale. I was very excited to put this together once it struck me. I thought of all my favorite fruits I could have used but then inspiration hit me as I was considering less common fruits and fungi. Mistletoe is used medicinally by some but the entire plant, including its cute white berries, is toxic. Since this is a longer post, I’ll include more notes on my design under a cut but to point out the most important thing, I’ve combined the nature of the toxic berries with some historical+mythological inspiration that I think echoes it nicely.

In Norse mythology, a well known story is that of the death of Baldr. Baldr was the most loved god of the Aesir, so when a vision of his death reached his parents Odin and Frigga, they did all they could to protect him. Frigga sent her servants all over the world to make every creature and thing vow to never harm a hair on Baldr’s head. All but mistletoe promised, too insignificant or too young to make the vow. After it was done, Bladr seemed invincible. Since nothing was willing to hurt him, the gods would sometimes gather around and throw things at him, watching everything bounce off without injuring him. Loki, jealous of the love and affection that was always paid to Baldr, came up with a plan to get rid of him. He had an arrow made of mistletoe and brought it to Baldr’s blind brother Hodr. He gave it to him to throw at Baldr as all the gods pelted him with objects and weapons. Hodr threw the arrow and, since mistletoe had never promised not to harm him, it pierced his chest, killing him instantly... And so Baldr was delivered to the depths of the land of the dead, looked over by Hel.

specific design notes under the cut thank you for looking!

Mistletoe is a very interesting plant to me. It’s not a tree or vine or bush, but instead its an evergreen parasite. The sticky seeds attach themselves to the branches and grow into it with a haustorium, which is a structure that lets them sap nutrients from the host plant. Haustoria’s name is a reference to this structure. “of the Pale” is a reference to not only the color of the berries but the pale gray and white landscape of winter.

Mistletoe berries are heavily toxic but also exist in winter, when other plants may be barren and “dead.” Because of that and their parasitic nature I see them as a sweet little balance of life and death. In addition to that, I use the split colors of the face/mask of Haustoria to reference the goddess of the land of the dead, Hel, who is described as having a body that is half black as death, split down the middle.

The structure of the outfit is inspired by Scandinavian and specifically Norwegian folk dresses, since I’m borrowing old Norse history for more inspiration, it seemed fitting. I also felt the style would be good to accompany the botanical and berry designs attractively.

The twin peaked hood is to further split the design down the middle, with little charms to show life and death.

I included white beads all over the outfit to represent the mistletoe berries themselves so they could stand out.

The dark side of her face is adorned with thorns and has three mournful black tears leaking down from her eye, as well as a hollow half of the center heart.

The light side is blushed and lively with shiny eyes, leaves shaped like the mistletoe leaves, red petals like the mistletoe blooms, three white dots to be the mistletoe fruit, and the center heart is full.

Her cape is white on the inside to represent the white of the berries and also the white of snow.

To cap it off, I do believe mistletoe is fitting for a plague doctor as they are still used medicinally to this day. :)

Thank you for reading everything and looking at my design! I’m very proud of her and I hope she doesn’t stretch the theme. And definitely more than anything else I hope you enjoy looking at her!

[dawnthefluffyduck]

feeling of being watched

[stardust-falling]

One thing about Shen Jiu that is really sad to me is that despite everything he’s been through and everything he’s become, despite how he acts and how he treats others, at the end of the day there’s still a little part of him that wants to do good.

Impulsively, he still tries to save people. Obviously with Yue Qi’s case that could be contributed to the attachment between them, but even with Liu Qingge— both when fighting the well ghost and in his (failed) attempt to save Liu Qingge from qi deviation. This is someone he hates, who he ambushed multiple times, who he has threatened with death over and over again, and yet when it comes down to a split-second decision, Shen Jiu still chooses to save him.

From what he says and how he acts normally, it’s easy to say that he doesn’t care about anyone, and certainly isn’t protective. And for the most part that’s probably true!! But when he has to make a split-second decision— let someone he loathes die or help him— he still tries to save them.

Until he fails, and Liu Qingge dies.

I think that impulse just about went away entirely after that point.

[katabay]

wahoo! my uncle had heart surgery (thankfully dodged the open heart surgery bullet) and so far things are looking alright, so I’ll be taking the weekend to just. do stuff. and then get caught up on emails and whatever else starting monday!

[tinyclowndancer]

I think nervous happens before and after. It's about a control thing, right? You're not doing it so you're hoping like that but once you're on the ice… You know, we're here, that's like great! That's how The Game Awards was. Before I got to Los Angeles I was nervous, and then once I got there and I was with everybody and we were rehearsing together it was just fun, so all those nerves went away. But yeah, it's all about control - but nerves are good. Nerves make you prepare. Nervous gets you focused. You can use nerves as a positive thing, for sure. Don't be afraid of the nerves!

Behind the Voice: Alan Wake Voice Actor Matthew Porretta on Alan Wake 2 & Control (x)

[see-arcane]

Every scrap of paper was gone, and with it all my notes, my memoranda, relating to railways and travel, my letter of credit, in fact all that might be useful to me were I once outside the castle.

Sooo not only did Dracula make sure to take away Jonathan's envelopes and paper so he cannot write home ever again behind his back...

He also made sure that even if Jonathan somehow escapes HE CANNOT LEAVE THE COUNTRY

Case in point why I will forever seethe about how every adaptation drops the ball not just in doing right by the characters and story, but in completely neglecting the psychological horror aspect of Dracula’s threat. He’s a manipulative abusive control freak of a sadist who’s closing Jonathan’s world down into the prison of the castle, one little infringement and cruelty after another

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??