#everything just feels stuck

[transexualizeyourself]

Too much light pollution to see the stars, AI making art while humans do the work, endless advertising, only thing in theaters are cash-grab remakes or sequels or adaptations, no third spaces, everything is an aesthetic or a -core when really it’s all the same shit in a different color pallet, “millennial grey”, etc etc etc.

has anyone noticed theyre taking away what it means to be human

[poorly-drawn-mdzs]

The musical episode.

[First] Prev <–-> Next

[forgettable-au]

Sans do you ever feel that something might be missing?

Maybe he felt like that at some point, maybe for a long time. In the present, I think he's made some kind of peace with it.

Also, I really like the ask blog format, but I don't really mean this to be an ask blog.

So when writing questions, try to refer them to me instead of the characters. That way, they don't have to break the fourth wall lmao. I really wanted to answer this one tho

-

[rapidhighway]

guy who's been everywhere and knows everyone

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[deoidesign]

I met the me who made different choices

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[thatonedudeinthecorner]

They were just kids.

[napping-sapphic]

i’m so tired….i want someone to lay next to me so i can cling onto them like a koala

[minty364]

DPXDC Prompt #94

Danny falls through a portal to the DC world from a natural portal that opened up while he was in mid fight with Skulker a fight that began at Vlads where the creep put a collar on Danny that kept him in ghost form, Vlad thought he’d force Danny to reveal his secret to his parents by taking away his human form. Looking around he’s in a dark city with dark smog colored skies. Unfortunately he’s stuck here as the portal closed leaving him trapped. He tried to find help but no one can see him in his ghost form. He starts tailing the vigilantes of this world and eventually follows one onto this space station through this tube (possessing inanimate objects sure comes in handy). He wasn’t expecting for the random British guy in a trench coat to see him.

[lotus-pear]

finally started p5 royal ‼️‼️‼️‼️

expect some royal trio art soon they are my dearly beloveds (minus akechi i hope he dies in this reality too)

[torchstelechos]

Yall think about the last few hours of the loops where Siffrin asks the King if he's the one trapping them there? Y'all wonder what Odile and Isabeau think that means in relation to the quest or country? Do you think Mirabelle flinches at the question? Do you think Bonnie wonders why Siffrin seems so numb to everything? Do y'all wonder what they all thought of Siffrin asking a question that can only be described as heartbreaking and astonishing in nature? What do they mean trapped, what do they mean "here", what does he mean? In the end, they'll never get to ask and get a full answer because those loops are gone. They never happened. But do you think of those last few hours?

[mourn-and-watch]

no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.

and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.

the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.

and none of them was celebrating.

mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.

and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.

for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.

but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.

the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.

i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.

how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.

and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.

it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it

[ganondoodle]

seeing a speedrun of botw all dungeons and even like that .... its so strange how soulless totk feels to me when botw didnt, allthough it feels much flatter to me now since i know there wasnt any thought put into the things i thought were meaningful and that it will go nowhere in the end

and yet still it feels like its got soul that totk just hasnt; botw is far from perfect, like everything really, but totk to me really feels like a clunky grind game with no trust in the player at all, be it puzzles or 'story', and a fundamental missunderstanding of why botws world design and structure worked well as a whole in the end

i honestly still cant quite understand how on earth botw got totk as its 'sequel', all the things that needed work in botw where neglected or made worse totk while it also failed to follow up on literally anything in a meaningful way- when i still think the changes it needed where so OBVIOUS and the directions to follow up and expand on things to enhance not just the sequel but also botw in retrospect where so plenty and ready for the taking, it hurts me still even to think about it not being done and everything really being actively thrown away for NOTHING or things that make it AND botw WORSE in retrospect instead

i wont ever be able to forgive that, and some part of me hopes that this is the worst that they will ever do so at least we will get better games again in the future

[mllenugget]

Breakfast Trio ft 춘식

Part 1 ────────────────────────────────────────── Support all the admins that spoke out (& do your daily click) ──────────────────────────────────────────

[Closeups and general yapping under the cut]

(Check first post for headcanons first lol)

For Breakfast Trio, since they originated from Egg Island I wanted to slightly alter the base design that I usually go with with the other eggs (large plantigrade feet, long snouts & droopy ears) and went with thin digitigrade legs, large frills, round muzzles & no external ears

Additional comments regarding each individual designs :

I had pretty clear views in my head of how I wanted Sunny and Pepito to look, however I completely winged Em' as I went. "Oh I guess we're doing cobra now, alright"

As for 춘식, I looked up gats and from there I ended up with a very abundant canvas filled with references and videos of how to properly wear a hanbok and before I knew it I had a 춘식. Happy birth 🎉

And since 춘식 was brought up to the island by the Fed, I gave him the original dragon base that I gave the others.

Yes 춘식 is the youngest, yet I drew him the tallest of the bunch. Yes I'm going with that take. (I don't make the rules, that's how youngest child privileges work /j)

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)