#everything is a choice everything

[c-rowlesdraws]

Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence

[ronanxing]

harana

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[dreadfuldevotee]

Ruby: Yeaaaah, The Doctor just constantly trauma dumped on me starting from the day we met

Yasmin Khan, who has finally been convinced to come back to companion support group after finding out that The Doctor settled down with a family 48 hours after leaving her: I have to leave

[oneofthedrunksattheoverpass]

they could have picked literally anything else to be the point of contention between that father and son but no, they intentionally chose to use going against traditional ideals of masculinity and what it means to be a man to be the thing that starts getting eddie to do some self reflection on his own roles as both a father and a son

[mischiefbuckley]

eddie “I just hate being forced to date. feels like I hate to perform” diaz we will have you out so soon don’t you worry

[why-is-it-always-autumn]

Love a self-inflicted time loop. The main character isn’t trapped.  They can stop whenever they want.  But how can they when things aren’t perfect yet?  They can do better than this.  They need to try again.  They can get it right this time.  They just need to try again.  They can stop anytime they want.  Just one more time.  They can fix this. They just need to try again.  There are still things to fix.  They just need to try again.

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs

[mobius-m-mobius]

#happy anniversary to remembering this actually happened 😘✌️

Loki S2 Anniversary x Episode 5 - “Science/Fiction”

[anexplosionofchaos]

THE WAY HES SPEAKING INTO HER HAND. ohh my god hes literally kneeling begging for her to listen

this frame is so beautiful and devastating

i genuinely cant exist anymore how am i meant to survive in these conditions

i understand how via must feel right now for her to do this (unwanted, lied to) and i know she has a right to be angry but. god. tears are running down my face. genuinely i want them to be okay. i NEED them to be okay.

maybe someday :(

[maynardotheratman]

I love how Jinx is all sad and shit because she lost her entire family and then moments later a child quite literally falls into her lap and basically follows her around until she’s forced to adopt her

[zealfruity]

Blorbo

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[reality-detective]

Dr. Carrie Madej explains how to detox from the va<<ine.

Her website you can download the video 👇

It's up to YOU 🤔

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[morganbritton132]

I’m thinking about Steve’s mom in the context of this AU I’m (apparently) creating where Steve is the affair baby that broke up his much older half-siblings’ family.

Put yourself in the shoes that his mother would’ve been in. You’re nineteen. You have no education and you’re working your first real job. You start an affair with your boss - who is the father of the friend that got you the job - because you’re young and you think you’re in love, and you don’t think of the consequences.

Suddenly, you’re pregnant and he’s leaving his wife for you, and you still think you’re in love so you follow his lead. You’re nasty to his first wife because he is and you’re insecure because she nothing but nice to you. Her children hate you but Richard says that they’ll get over it so you believe him. They never do.

Then you’re married and you have access to more money than you’ve ever had in your life, and you’re in love. And you’re a mother. He sleeps through your delivery but everything is okay when you hold your little boy.

You know that things have changed now. That you’ll do everything in your power to make sure this little boy makes it in the big scary world. You promise yourself that you’ll do anything for him.

The baby cries, and you cry, and you thought things would be different and that you’d know what to do, but you really don’t. You don’t feel a connection with your baby beyond wanting to protect him, and you hate this. You hate being a mother. You hate this constant failing.

Richard is never home. He still works long hours but you’re no longer at the office with him. He seems completely disinterested in being a father and less interested in you playing mother, and you’re not stupid.

You know he left his wife for a younger, more attractive woman. You know he fell in love with you because you’re passionate, you’re fun, and you haven’t been that in a while.

You stood smug and happy by his side while he tried to take everything in the divorce, and you know his first wife has more money and influence than you. You know she has lawyers and you don’t. You don’t know what happens to you if he wants a newer model. You don’t know what happens to your son but you think he’ll try to take him from you.

Richard doesn’t want to be married to a mother, so you stop being one. You have to for the marriage to survive and it feels like guilt to be relieved by that. You’re not his secretary anymore, but his assistant. You travel with him and you join the right committees. You join the walking club and you shed the last of the baby weight, and he loves more than he ever has.

And you’re happy but you’re not in love.

It was too easy to pass motherhood onto Richard’s daughter, onto the nanny. It was easy to sidestep into the role of ‘friend,’ so you befriend your son.

Not a close friend. Not in any way that would make Richard feel like he wasn’t your world, but you’re there. You know the drama currently happening on the basketball team but not that your baby is failing English. You go on spa dates and make a whole day out of getting your hair cut together, but you don’t discipline him. Richard does that.

Then one day, you come home from the Poconos and your son has bruises on his face and bandages on his fingers, and a haunted vacant look in his eyes. He job was a pile of burning rubble when you drove into town. You asks what happened and if he’s alright, and he’s gives you the same smile you’ve been wearing for years, “Everything’s great, ma.”