#everyone else is side characters

[mike-haters-dni]

‘SENT TO THE GULAG’ IS KILLING ME

okay yes hop has probably atoned for his sins by now and his monologue at rock bottom was really good but it still pisses me off sometimes idkk. im just waiting for the payoff of seeing him actually DO better this time😭

and exactly! the angst in s2 is like- messy- but that’s good television! it gave us a top 5 millie preformance how can i even be mad

men in stranger things are weird sometimes cuz you have to overlook their CRIMES, (i’ll be like “omg jancy!” then i REMEMBER…) it’s weird when a character is randomly at their worst for a scene or a season just to meet the story’s requirements

jopper can scream at each other all sam and diane for nostalgia in s3 but when you look at it in a larger context it’s kinda dicey. like how weird of hop to doubt her when he already knows to trust her instincts.

and also it’s just like- nobody drags him enough for me! he’s so loved- male characters can do ANYTHING kinda- so i have to get him. out of principle. and i see that hopper (and like david harbour) is too important to kill off in the show and that him and el’s relationship isn’t all lows, not even in s2. i think i’m just bitter that 1. st tiktok treats el like she was SO unreasonable in that scene>:( (i need to stop going there it makes me want to rant on tumblr) and 2. how much time was devoted to bringing him back last season like my cali boys were so neglected. :( (after 2 failed prison escape attempts i was like (why i am still looking at this insanely bruised man) so-

but yeah i need to stop typing now cause i have a million thoughts in my head about hopper and the way that he is. and the way the show treats him. (how funny is it that even the viewers can have a complicated relationship with him. maybe i’m not giving the writers enough credit in that regard)

: )

-No like, I agree 100%. We forgive but we never forget

-I have a hard time even being really mad at Jonathan for the Incident cuz like, that was such a weird ooc moment that was clearly just so the plot would happen. Like he got possessed by the spirit of the writers to do that shit. And like I can't even be mad at the writers either because like, the plot they were servicing is really fucking good? I might be the only person in the world who thinks this but I think this show is phenomenally written esp from a plot structure perspective. Near perfectly even. Like this show single-handedly instilled a sense of how to do super satisfying setup and payoff, and how to have every scene push multiple things forward, and how everything seen on screen needs to be relevant to as much as possible. Its so tightly written that its like...yeah Jonathan had to do that shit. It allowed like 3 perfectly intersecting plotlines to play out. There was no other option. And like there probably was and maybe I'm coping or whatever but like...idk it's perfect to me :) But still we forgive but we never forget. And we only forgive after they display a marked change in behavior. And we still never forget <3 (side note: remember when El dumped him and Mike ((and Lucas)) went full andrew tate for a second? That's the one thing he's ((they've)) actually ever done wrong lmaooo ((tbf they were also 13 so like)))

-Who tf is saying she was being unreasonable??? child???? traumatized??? isolated in a tiny cabin for a year?????? With Hopper?????? A cop????????? HellO?????????? Bro ppl HATE her bro this needs to stop

-I think the biggest problem with the Russia plotline is just that it's not fun? Watching Hopper get tortured in a labor camp is not fun? I came here for 80s vibes, friendship and supernatural shit and it only delivers that whenever Joyce and Murray are onscreen (who are really fantastic together tho) and once the monster finally shows up way too late into the proceedings. There should have been inklings of monster throughout to add some intrigue and let us know that this was all going to have a point that tied into the plot of Stranger Things the 80s Monster Show. But alas.

[jojaxcola]

post-wipeout patch up on a tuesday afternoon (embarrassing) [electric guitar]

[hootyhoowoo]

A little 15 min doodle but first post of the year has to be Bingqiu!

[jellynotbees]

I decided to give lamb a nickname! I realized for like 95% of the story they won’t be using their actual name (and would react poorly to anyone using it) so I needed Something for Narinder to call them because he’s kinda nosy and wouldn’t believe they had forgotten their name at this point

This will tie into a future comic :)

[cosmicredcadet]

"This fandom is so queer friendly!" This fandom literally hates, bisexual, trans, nonbinary, and aspec people but ok.

[usertoxicyaoi]

"Senpai ... what's that supposed to mean?"

HIDAMARI GA KIKOERU (2024). EPISODE SEVEN.

[sunnymainecoonx]

How many people witnessed softie food addict horror who needed something in his mouth or he would actively kill and turn to cannibalism 🧍‍♀️ or was that just me.... anyways honestly it was silly.. he'd maybe get along with cook horror... I just like fanon crossovers guys*sadge

Anyways canon horror is also silly(really silly. What an asshole, man)(no seriously he's actually such an asshole.. I might love him for that but-) I don't think he would get along with the others(loser)

[akirathedramaqueen]

The bias is not always conscious

And that's the case with Stolas. That's it, that's basically the post, so you can count it as your tl;dr, but let me elaborate. :)

(A little gratitude note! Sorry @tealvenetianmask, I failed being concise here, but I thank you for encouraging me to put it all together :3 I also thank you for our conversations about Stolas and about museums in particular which heavily contributed to it)

I think there's some misunderstanding when people get offended by the suggestion that Stolas acts classist/racist. It seems that people assume we’re implying he is malicious and intentional with it, but the actual problem is that he doesn't think.

S2EP2, Seeing Stars, 1:29

The problematic behavior we're discussing is reflexive and internalized. Stolas was raised in an environment where the lower demon class is looked down upon, and while he believes he expresses nothing but deep respect for Blitzø and treats him as an equal…

Goodnight, Blitzø. S1EP7, Ozzie's, 14:50

And while you can see from this bow that this intention is sincere, which is both wonderful and fascinating—he preserved this profound gesture ever since he was a kid, despite being actively discouraged from doing so!...

[Stolas]: I'm Stolas! It's nice... Ouch! [Paimon]: Don't bow to that one! He bows to us! Idiot! S2EP1, The Circus, 7:40

He was still raised in privilege and influenced by the narratives around him. For him, it's acceptable because that's what he was taught is fine. It's part of his everyday speech, and he never actually asks Blitzø, or anyone else, how they feel about the literally belittling nicknames (like literally—do you notice how often he uses the word "little" when referring to imps?).

I mean... there's a lot, okay? I'm just going to pull out some examples off the top of my head. All of them are from Season 1, and I'll explain why later.

I was hoping you brave little imps would accompany us! S1EP2, Loo Loo Land, 5:15

Ugh, that's better... Where's Blitzy? He's my knight in shining armor, not you, littler ones! S1EP2, Loo Loo Land, 13:22

And it [grimoire] isn't supposed to be lent out to itty-bitty imps like yourself. S1EP5, The Harvest Moon Festival, 0:30

Greetings, tiny Wrath Ring imps! S1EP5, The Harvest Moon Festival, 8:22

[Stolas, in the background]: Who dares threaten my little impish plaything? S1EP6, Truth Seekers, 18:20

How the fuck did you get caught by humans? Are you little creatures not being careful up here? S1EP6, Truth Seekers, 19:38

He also takes pride in being part of Ars Goetia. That pride seeps into his mind whether he wants it to or not. He lives in a huge palace, never worries about money, can arrange a seat in a club that’s always booked out, and gets admitted to a hospital immediately, while hellhounds wait five years for a Hellbies shot.

Being part of the Goetia family is rather valuable, you know. S1EP2, Loo Loo Land, 4:39

Most of these examples come from Season 1 because, after the disastrous Ozzie’s date, Stolas begins to unconsciously cut back on this language. He seems to sense that something is wrong, though he doesn’t fully understand why. However, he is acutely aware of the problems with the transaction and the unfair dynamics it creates, and he is serious about putting Blitzø on equal ground by providing him with the means to run his business independently of Stolas.

And still, he maintains full control over the conversation during the Full Moon meeting, immediately dismisses Blitzø after one mistake, and throws him out. He continues to impose his narrative on Blitzø and…

I don't look down on you! How many times do I— When have I ever?! S2EP9, Apology Tour, 2:45

When have you ever indeed, Stolas? You literally look down on Blitzø saying that. This moment illustrates the problem clearly. He isn’t lying when he says he doesn’t look down on Blitzø because he genuinely believes he doesn’t.

Despite all said, Stolas is making a tremendous effort and is progressing, and he is far ahead of Stella, who is openly classist/racist and very conscious of her biases. So I believe—no, I know—he will get there one day. But not today.

This is something I take quite seriously, and I think people need to understand how dangerous this subtlety can be, as it happens all the time in real life too.

How often do you ask yourself why medical research groups are predominantly represented by white, cis, upper-middle-class males, and how this affects the efficiency of treatments suggested in these studies for everyone else—women, people of color, non-binary folks, and those who struggle financially?

How often do you visit museums and see art created by wealthy aristocrats who defined what constitutes 'fine art,' while 'folk art'—often created by marginalized communities—is overlooked and lost to time?

I could elaborate further on how deep and cruel this bias is, but I’ll stop here. I just ask you to consider why you might get offended when someone points out Stolas's subtle bigotry and why you might downplay it compared to the loud, aggressive Blitzø, whose anger and avoidant issues are obvious.

Just sit with it.

[keywhole]

ok crawling out of my cave rq bc this is driving me crazy (mouthwashing spoilers since this game is kinda new at the time of posting) i see you guys supporting and loving anya as you should but we all have to consider something. especially the people who don’t like anya because “how can u be a nurse and be afraid of blood 🙄” hey do you remember she’s pregnant. do you know that adds to the the mass of her nausea. do you know within this game she is 2+ months pregnant. do you know what that does to someone psychologically. not only that, but she is in a literal nightmare scenario. i feel like not enough people are talking about what that can do to anya’s psychology and how she deals with certain things

[kiwibirbkat]

Dick: So you ever just want someone to hug you? Like, just because they WANT to. They actually care about you and don't have an ulterior motive. And I know a lot of people have aversions to touch, and that's why they don't hug me very hard or at all, but sometimes I just want to be pulled into a bone crushing hug because they CARE about me and not because they're trying to hurt me, or manipulate me, or stop me from escaping. Is that weird?

The justice league (-Bruce), who get physical affection often:

Bruce, who has not hugged Dick in years to not overstep his boundaries:

All his siblings (barring Tim and Damian), who thought he was the most mentally stable:

Tim, who knew something was wrong already but didn't wanna mention it in case of upsetting him:

Damian: ... *Slowly walks up to him and hugs his leg. (He's short)*

Superman: *Flies behind him and pulls him into a bear hug probably strong enough to suffocate someone without Bat-Training™*

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[biblically-accurate-dca]

day 18: old art redraw

i redrew this :] and bonbon's actually in it this time !!!!

[mealfreak]

I shall contribute to the oc contagion by sharing these very old drawings of me and beth's ( @telltailheart ) lotf oc Enver. He loves fake people, he loves games, he loves drama, music means nothing to him. He is not a chill guy and if you fuck with his friends he will help you do it.

[nabaath-areng]

I have way too many alts that I keep to myself (which is why I generally refrain from posting them), but I'm going to ignore that habit for a moment just because I'm feeling particularly insane about this guy.

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[geeky-nightphilosopher]

🦇Batfamily🦇

Jason: *Talking about clearance books* They are very condensed classics. They have pictures. Which I thought you'd like.

Steph: 😐😑😐

Jason: *without missing a beat* You know, so you can follow along.

Steph: 😮

Jason: You know, because you can't read.