#even klaus mentions at one point something about them

[ladamedemartel]

Don't kill me Aurora but I ship you with your brother Tristan. You are really sweet together. The things you write are super romantic sometimes. I'll go down with this ship.

MATCHMAKER! Go on anon and tell my muse who you ship them with!

"We are quite charming together, aren't we?"

[klaus-littlestwolf]

Hi hi!

If your last post (Klaus!alpha) I lovedddd!!

I noticed you mentioned omegas stealing alphas

Would you consider doing a story where Klaus is with an omega (maybe tatia or caroline) but he finds reader and realises she’s not just an omega but his mate and his wolf gets desperate to knot her instead?

No Lies can Keep me Away -Alpha!Klaus

(I will absolutely write that! I love this request so much, however I’m not okay with cheating so Klaus will Not be cheating but he will be ‘leaving’ Caroline for his Omega)

Warning: Mentions of SA while too drunk to consent

They were not together.

Klaus had made that clear to Caroline about 1,000 times. He was an Alpha and he wanted his own Omega, the one that was made just for him. Until then however, Caroline was a fun distraction. Klaus hated being alone, other than when he was painting, and so she was perfect since she was always happy to spend time with him. That is all they were, friends with some benefits.

Klaus had never really considered how far Caroline would go to “keep him” but when he did she was lucky he was too busy to kill her.

Klaus didn’t have many friends, his group was small and just made up of his brother and Caroline’s friends. Elijah was mated to Katherine who was Caroline’s best friend then there was Bonnie and Y/n. Y/n and Caroline were both Omegas and only friends because of Bonnie and Katherine, Omegas almost always hate each other and it was very clear that Caroline was the “dominant” so to speak. Y/n was quiet and always deferred to her friends, following along with what they did even if she didn’t want to. Klaus often felt bad for her, she clearly needed an Alpha, someone to protect her, she was too sweet for her own good and it got her hurt a lot. He would speak up for her much of the time when Caroline went too far like trying to force her into going home with guys from whatever bar they were at when she clearly didn’t want to. It always ended up with Caroline up his ass for “being in love” with her and how he never defends her like that.

Klaus couldn’t help it. Something about Y/n made him protective and he wanted to ensure she was safe. He never expected that to mean anything more than him just wanting to protect the sweet girl, until the morning after finals.

Klaus awoke on the couch to a whimpering sound tugging at his chest, instantly noticing that Caroline was cuddled into his side making him groan. She knew he hated her doing this, hated her pretending they were more than they were and cuddling into him while he’s passed out from a night of drinking. She just wanted to be able to tell everyone they “cuddled all night” and it was one of the things he hated the most. Caroline ended up in his bed after a party a lot, dragging him off to bed and staying the night only for them to both wake up naked. He knew she enjoyed fucking him when he was drunk since he didn’t “treat her like nothing but a simple fuck” as she put it or push her away afterwards but he always felt so grossed out after it happened, like he couldn’t wash the experience away without scraping off his skin. Luckily today they passed out in Katherine’s apartment on the couch and that left no room for her to do anything.

He sat up, pushing a pillow under her head and shoving the blanket off of him, thankfully she was a deep sleeper and he knew she would be out until much later. While he debated on getting coffee he noticed Y/n was up, rushing around trying to find her things and whining nervously letting him know that this was the noise that awoke him. He wasn’t shocked, an Omega in distress had always woken him up, ever since Kol presented and would cry over whatever was bothering him that day, he always had been a weepy Omega.

‘It’s up there.’ He pointed and she jumped, not having realized she wasn’t the only one awake. He pointed to her boot that was, for some reason, on the bookshelf. ‘I’ll get it-‘

‘No!’ She exclaimed and he jumped in surprise, never having known her to be loud…ever. ‘I mean-I’ve got it. Go back to sleep, Caroline will be upset if you leave her alone.’ She stated, reaching high to barely get the shoe from the top shelf, Klaus staring at her ass in those cute shorts which always made his pants tight. He had wished for years that this sweet little Omega could have been his with how strongly she set him on edge. She was just such a perfect Omega that he knew he would live his life jealous of whoever she did end up with while he would probably be stuck with Caroline forever just to avoid loneliness.

‘Fuck that, she doesn’t care when I’m pissed, she can be as upset with me as she wants…classes are over, where are you rushing off to?’ He wondered, the hangover beginning to be too much with the sun coming through the shades.

‘I just have to go home. I have something I have to get by 8 and it’s-Fuck! Bye!’ She exclaimed, not tying her boots as she ran passed him and out the front door. Klaus stood, grabbing his keys, phone and wallet before sliding on his shoes and closing the door behind him to see her leaning against the side of Caroline’s car and groaning.

‘Yeah, we threw that in the fire last night.’ Y/n’s bike had been thrown into the bonfire at some point when Caroline pointed out she wouldn’t need the stupid thing to get to and from classes anymore. ‘Get in, I’ll drive you-‘

‘No! No, you don’t need to. I’ll run, it’s no big deal-‘

‘Y/n! Seriously, you hate running and it’s not a problem. I’m going to get coffee anyway. We’ll go get your stuff and we’ll pick up coffee for everyone on the way back. Get in the car, I’m not taking “no” for an answer.’ She groaned before jumping into the truck and sitting in the back seat as far from him as possible. ‘I’m not a chauffeur love, get up here.’ He teased and grinned when she cracked a smile. ‘You don’t need to be so nervous, she’s not going to hurt you.’ Klaus knew that Caroline hated him being around other Omegas especially alone and that included Y/n, even though he knew her scent and she wasn’t his mate, Caroline didn’t seem to care. She hated him around Y/n most of all, even more than strangers.

‘You clearly don’t know your girlfriend very well.’ She mumbled, arms crossed and leaning away from him against the door in a position that looked painful with how far away she was trying to get.

‘I don’t know how many times I can tell people this, she is Not my girlfriend! Yes, we sleep together sometimes but it’s only ever been because I hate being alone that we’ve hung out together. I feel like I’ve made it very clear to everyone that I’m waiting for my mate and she…she just doesn’t care. It’s honestly annoying, she doesn’t care what I like and don’t like, she does what she wants, like sleeping with me in my bed. I’ve told her not to a billion times but does she listen? No, she just climbs into my bed when I’m drunk as hell and fucks me. She always tells people we’re together and makes me look like an ass when I tell people we’re not. I don’t…I’m sorry, I didn’t mean to rant to you like that, I…I’m sorry.’

‘Klaus…you don’t need to be sorry. I didn’t know, she always said…I didn’t know you were looking for your mate. I-fuck…I’m so sorry.’ Y/n wanted to tell him but after all these years she didn’t know how to…sadly it seemed, she didn’t need to because the universe was going to do it for her. The suppressants that Omegas take need to be ingested within the same hour everyday or they stop working almost immediately, needing a constant supply in their body to keep their scent and heat away. Y/n takes hers every morning before classes at 7am, it was now 8 and as her watch began beeping she moved to turn it off quickly.

‘It’s not your fault, it’s mine. I should have dropped her years ago, I was just scared of not having anyone anymore. The people I hang out with are Caroline’s friends other than Elijah and he’ll do what Katherine says, so will you and Bonnie and I just…I put up with it.’

‘Klaus! She’s sexually assaulting you just so that she can live in a fantasy world where you love her, no one would drop you for that kind of crazy! I…I thought you loved her-I thought…I’m so sorry.’ She couldn’t stop saying it, feeling the need to apologize a billion more times.

Klaus put the car in park as he pulled up outside of her dorm. ‘Please don’t apologize? I’m not-what…what is that smell?’ He questioned and Y/n went rigid.

‘I have to go! I’m not feeling great, I’m just gonna stay in today! Thanks for the ride!’ She rushed her words out before nearly breaking her neck jumping from the truck and slamming the door, sprinting into the dorm leaving Klaus confused and alone to piece things together.

In his defense it only took him a moment of smelling the astounding scent and thinking about what she said and why she was apologizing to figure it all out, the key clue being his forming knot from smelling his Omega for the first time. He was out of the car and in the building in record time before sprinting down the hall to her room, opening the door and seeing her on her bed, tears streaming as she tried to open a pill bottle. Klaus rushed to grab the bottle from her and took it to the bathroom, pouring them into the toilet, Y/n trying to grab the bottle from him.

‘What did you do?!’ She cried, pathetically punching at him for a moment as he flushed them before allowing him to pull her to him and cry against his strong chest. He carried her back into her room and to her nest, allowing her to cry as long as she needed, content as he took in her scent, in a way he never thought he could be. ‘I’m sorry I hit you.’ She mumbled, her voice hoarse from crying.

‘It’s alright. Do you feel better now?’ She shook her head, moving to pull away but he held her tight. ‘Why didn’t you tell me Y/n? You’re my Omega, the most important thing in the world for me-for us…what did you think I was going to do?’

‘I was already on the suppressants when I started school here. When I realized you were…well-‘

‘Your Alpha. You can say it. I’m your Alpha, and you’re my Omega.’ She nodded, looking up at him unsure before he kissed her head.

‘I told Caroline about it as soon as I realized and she said you two were together. That you were in love and I…I didn’t want to ruin that for you. Plenty of people don’t wait for their mates and when she said you had given up looking I just…I wanted you to be happy. She always made it seem like you were and…I’m so sorry!

‘No. No more of that. She lied to us both…no more hiding. Okay?’ Y/n nodded and Klaus pulled her close before pressing his lips to hers. She hesitated but as he tightened his grip on her waist her body melted into his, 4 years of suffering with her Alphas scent under her nose and unable to be with him finally being over. ‘I’m sorry that you had to suffer through that, I should have rid myself of her a long time ago. I’m scared of being alone…it’s embarrassing to admit but putting up with her abuse and crazy bullshit was easier than…I’m-‘

‘If you say “sorry” I’m going to spank you.’ His eyes widened, a smile spreading across his face that he could not stop. ‘She hurt you, she lied to you and she-she assaulted you. We both fucked up but I’m happy to blame it all on Caroline since that’s where it all started and as soon as I see her face I’m going to cave it in for ever hurting my Alpha.’ She growled angrily.

‘That was the cutest little growl. Oh my God, you’re so precious!’ He coo’ed, pulling her close to kiss her again just before his phone began ringing. They both groaned, knowing whose ringtone it was as it sang Material Girl by Madonna and Klaus pulled his phone out, silencing the call, kissing her again. He had just pulled her to straddle his lap when her phone began to ring.

‘Okay, you know what? This is just going off.’ She rejected the call, blocking Caroline’s number and turning off her phone, her Alpha laughing and joining her immediately.

‘She’s going to lose her mind.’ He laughed, feeling a tad giddy, enjoying the idea of making her as upset as she constantly made him. ‘You smell wonderful, you know that?’ His nose found it’s way back to her neck and he enjoyed the little giggle she let slip, usually being so quiet. ‘Don’t you ever hide this from me again…wanna scent you for the rest of my life.’

‘Whenever you want Alpha, all yours.’ She purred, snuggling in close.

‘It won’t be long now that you missed the suppressants, your heat will probably start by tomorrow.’ He told her, moving to take off her jacket and shoes as well as his own before pulling the comforter over them in the already chilled room but making a mental note to make it colder as she would probably begin sweating in the night. Good thing about Omega dorms, they always (legally have to) have amazing air conditioning units. All Omega dorms had to have the option of killer AC with how hot they get at all times but especially during their heat. Her nest was cozy and wonderfully scented, he would be shocked if he could ever summon the willpower to leave it.

‘Please don’t leave? I don’t-‘

‘No Omega, I’m not going anywhere. We don’t have to do anything you don’t want but I will be here to take care of you. I’m going to do it right now, I promise. For now, you need to sleep. You’re hung over, dehydrated and sleep deprived, drink for me.’ He instructed as he got a bottle of water from the mini fridge beside the bed and had her drink half of it.

‘Don’t torture yourself okay?’ He looked at her questioningly, not understanding what she meant. ‘I want you, don’t get all dumb wondering if I would want you to touch me, you can help me through it…if you want to.’ She rushed out and Klaus just smiled. ‘I know maybe being with someone is uncomfortable for you and if all you want is to just be here with me then that’s okay, don’t torture yourself either way.’

Klaus was touched. Not only was she willing to trust him to do as her Alpha should and rut her through her heat but she is willing to suffer without it if he isn’t comfortable after everything Caroline had done to him. ‘No one has ever been that understanding before. I’m okay, I promise, I will always take care of you Omega…I’ve been looking for you for so long and you’ve been here under my nose for 4 years…you’re mine now. I’m stealing you and you’re gonna come and live with me. Got my fathers huge house in Damascus Virginia in the mountains, small town, quiet…everything you want if I remember correctly?’ Y/n was instantly stunned that he had remembered that. ‘I always paid attention. Didn’t like Caroline being cruel to you, turns out she always was anyway and she was using me to do it…‘

‘Virginia it is. Nice place to have a family.’ Klaus’ eyes widen at that thought.

‘You want to have my pups?’ She nodded and he groaned, feeling his cock swell as he pulled her closer, her back now against his chest. ‘I admit, I’ve thought about you swollen with my pups before, look so fucking gorgeous! Gonna be the death of me, Omega…just let your Alpha hold you baby. You need rest before your heat, can’t have you feeling even worse, can I?’

‘My good Alpha, so sweet to me.’ She turned to bury her face into Klaus’ chest and he groaned, holding her to him tightly and waiting until he heard that soft little snore that he knew she made before allowing himself to fall asleep.

They were both awoken (according to the clock) 2 hours later to a loud banging on the door.

‘The TA will make her stop if we just ignore it, it’s alright.’ Klaus mumbled, assuming it was Caroline as he pulled a blanket over their heads before hearing a familiar voice.

‘Niklaus! I know you’re in there, your phone is off! What’s going on, come on?!’ Klaus huffed, kissing her head and moving to speak to Elijah, only to open the door and find his brother along with his girlfriend and Caroline who looked ready to spit venom.

‘Really Elijah? You knew I was avoiding her and you did this? This is why I don’t trust you!’ He growled, moving to slam the door before Caroline caught it, shoving her way in.

‘You! You stole my mate, you little Knot-Hole!’ Everyone in the room reacted to that, even Elijah and Kat being shocked at the derogatory slur that is not permitted on school grounds-let alone to be used to others mates and doing so has gotten people really hurt.

‘If you ever call her that again...’ Klaus warned, stepping around her to get between them when she got too close to the bed. ‘Do not touch her nest, get the fuck out of our room. I don’t need to tell you anything about Y/n and I because you and I were never together. I am not, nor have I ever been your boyfriend, let alone your mate you delusional cunt!’

‘You’re just being cruel now!’ She cried, trying to get sympathy as always though even Kat was unsure what to do after what Caroline had called their friend-another Omega at that. An Omega using that word at all-let alone against another Omega was unheard of.

‘We never dated! Not once, for one singular day! I fucked you because I was lonely and you were fun for a while and I don’t care how cruel that sounds because you knew the deal from day 1. That wasn’t what you wanted though because then you told everyone we were mates even though you knew I was desperately searching for my real Omega, and you kept crawling into my bed which you knew I hated. Then you started fucking me when I was too drunk to push you off just so you could sleep with me without me shoving you away and “treating you like a simple fuck”! And Now I Find Out-You’ve been Lying to Y/n about us to keep her from telling me the truth for 4 years! She’s my Omega! Not a fun night, not a girlfriend to waste time with, My Omega! You’re a manipulative, slutty cunt and I want you out of our room and out of my life! You can also be damn sure I will be telling everyone exactly what you are.’

‘Yeah, a fucking rapist…’ Y/n scoffed, Caroline glaring and baring her fangs at the shy girl that she knew would never defend herself.

‘Shut your lying, thief mouth! You Stole my Alpha! What kind of a friend are you-‘

‘You stole mine for 4 years, right back at you whore.’ Everyone was shocked in that moment, never having heard the sweet creature say anything like that before.

‘Oh. Now that you have what’s mine behind you, you think you’re all big and bad? No, you’re still a useless little Fuckhole that nobody has ever wanted. He’ll come back to me when he realizes how useless you are-‘ Caroline was cut off as her ex best friend launched herself forward from the nest and took her to the floor, beating her violently and digging her claws into her face in a vicious attack.

‘You’re a dirty fucking rapist and if you ever come near him again I will cut you up so bad they’ll never get all the pieces together again, you filthy fucking whore-I-‘

She got no more words out as her Alphas arms wrapped around her and lifted her off the bloody mess that Caroline once called a face. ‘Enough Omega, Shh, it’s okay. She’s going, you’re alright!’ He put her back into her nest and grabbed the baby wipes he kept in his bag for his future Omega (along with hair ties, chapstick and a pad for surprise heat symptoms), quickly beginning to clean off the blood from her claws.

Neither Elijah nor Katherine moved to help Caroline no matter how much she whined. ‘Kat…’

‘Don’t Kat me, I’m not having you think you can climb on top of my man next. Get the fuck away from me.’ She growled, grabbing the blonde by her hair and dragging her into the hallway, Klaus moving to watch the Omega be dropped in a pathetic pile in the dorm hall. ‘I was recording cause I thought it would be funny to watch Klaus get told off but I’ll give it to the cops cause she definitely needs an ambulance.’ Katherine chuckled maliciously. ‘I’m sorry for everything Klaus, I wish you would have just told us the truth, we would have gotten rid of her years ago. You and I may not be best friends but we’re family and that shit is not okay.’ Kat moved to hug him, stopping 3 steps away as Y/n hissed out a warning that was instantly enough.

‘We’ll deal with the police. They won’t bother you until her heat is over. Text me if you need anything, I’ll bring you your meals for the week, least I can do.’ Elijah offered and Klaus agreed.

‘Thank you brother. If you could bring some protein bars and some juice later tonight, that would be great, I need to rehydrate her after last night.’

‘Of course. I’ll bring some of your favorite snacks too. Anything else, just t-‘ Elijah cut himself off, his eyes dilating as he was overcome with a thick, heavy scent coming from the nest that he was the closest to, Klaus moving to grab him and shove him out at a breakneck speed.

‘Text me when you’re here later tonight, bring me some of my clothes and my fan from my dorm room as well.’ He rushed out before shutting the door behind him. He knew air blowing directly on her as she’s like this would be good for her and as he turned around and noticed her sweating he’s glad he did. ‘Your heat hit you faster than we expected, huh?’ Klaus teased and Y/n just whined making grabby hands at him before he pulled off his clothes and crawled into the nest. ‘Don’t worry Omega, Alpha is here for you-‘

‘Knot! Knot Alpha! Need it, Please?!’ She pleaded, moving to present herself for him only to have him stop her and pin her on her back. It wasn’t the best position to ensure pregnancy but that didn’t matter to him, he needed to care for his Omega and they hadn’t been together once yet. He refused to take her like that the first time. ‘Alpha-‘

‘Shh…relax pet. I’m right here. Alphas gonna give you what you want.’ He promised, as he kissed her lips softly, lining his cock up with her soaking wet pussy and easing in, keeping her hips from forcing him deeper. His knot was already swelling and Klaus pulled her legs up to bottom out inside of her, her hips humping up into him. ‘Is my pretty Omega gonna cum on my cock already? Such a needy little thing.’ He teased as if he wasn’t seconds from spewing his own end which is exactly what happened 10 seconds later when she squeezed him almost painfully, his knot locking into place as it’s supposed to.

‘Yes…my knot…mine-‘

‘All yours Princess-nobody else’s-never given it to anybody. Alphas gonna knot you so much tonight people won’t know where you start and I end…all mine. No one will ever keep you from me again Omega, I promise.’

Klaus Mikaelson Masterlist

[captainsophiestark]

Did I Forget to Mention?

Klaus Mikaelson x Reader

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Written for Fictober 2024!

Fandom: The Vampire Diaries/The Originals

Day Twelve Prompt: "Did you hear that?"

Summary: Nik's SO *might* have forgotten to tell their Mystic Falls friends about their relationship with a certain hybrid. But it's not going to stay secret for much longer.

Word Count: 2,381

Category: Fluff, little bit of Angst

Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.

"Okay, I'm calling it! Semesters suck, I'd give anything to be on a quarter system if it meant not having homework on spring break."

My friends laughed, even as I groaned and collapsed back into the couch. I got one week to take a break from school, and a small window to reunite with my friends back in Mystic Falls who'd all gone to Whitmore. We were supposed to spend the whole week having fun starting tomorrow morning, but they'd surprised me by showing up at my house tonight to get the party started early. Unfortunately, a few of my classes had given me homework, and I couldn't give in to spring break until I took care of it.

"I have a feeling you're gonna be singing a different tune in May when you're out of class and we've all still got another month left," said Bonnie with a smile.

"You're just lucky we want to enjoy the break with you," Elena added. "Otherwise we'd be getting payback for you showing up to campus during finals week to 'relax and tan'."

"Hey! I also showed up as moral support, thank you very much!"

"How was that morally supportive?" asked Caroline.

"I brought you coffees! And I was exemplifying the light at the end of the tunnel for you guys, when you finished your tests and could join me in summer fun!"

"Oh! Okay, of course," said Caroline in a tone that I knew should make me concerned. "I forgot, you're right. We'll go make some drinks and leave you to finish this, maybe play some music, so we can model that spring break fun, light at the end of the tunnel for you."

"No," I whined, flopping back onto the couch again. "Point taken, and I'm sorry. Just please don't leave me to this homework alone."

"We won't," Elena reassured me, reaching out to rest her hand on my arm. "But... the three of us might make drinks anyway."

I groaned, grabbing a pillow and burying my face in it. Finally, I sighed, sitting upright again.

"Fine. You know where all the stuff is. Just... try not to get so buzzed you tell me to edit a bunch of ridiculous stuff into my paper, okay?"

"No promises!" chirped Caroline as my three friends all stood. I sighed, but before they could get any further out of the room, a loud thud came from the direction of the kitchen.

All three of us froze in our tracks. We'd spent way too much time dealing with supernatural headaches not to go on high alert after something like that.

"Did you hear that?" hissed Caroline. We all nodded, so I gestured for the four of us to head towards the kichen and check it out.

If it was a vampire, it had to be one who'd already been invited in. If it was a different kind of supernatural creature, between the four of us, we should probably be able to handle it. Still, it never hurt to be cautious. Surprises happened all the time, and they could be deadly.

We took up positions just outside the kitchen, then Caroline counted us down with her fingers. When she dropped the last one, all four of us whirled around the corner, ready for action.

I stopped dead at the sight of Klaus Mikaelson hovering by my kitchen island, my heart dropping in my chest. Caroline and Elena both looked ready for a fight, but Bonnie beat them both to it. She raised her hand, and Nik dropped to the ground, holding his head.

"Stop!" I cried, rushing forward and yanking Bonnie's hand down. She stared at me, shocked, outraged, and confused, but to my relief I saw Nik stand up out of the corner of my eye.

Silence settled over the kitchen. Every single person was looking at me, my friends all with incredulous looks and scowls, Nik with a faint smile. For my part, I actually found myself wishing I could go back to my classwork. Just as long as I could be anywhere but here.

Unfortunately, I didn't get my wish. Nik took a deep breath in, and I knew if I didn't speak quickly, he'd take over the explanations for me. As bad as this situation was, I knew that would only make it worse.

I'd been invovled in the Mikaelson drama with the rest of my friends while they'd been living in Mystic Falls, but once they left, I hadn't really given them much more thought.

That is, until I ended up going to college in New Orleans. Klaus and I had run into each other at an art exhibit, and it functioned as a kind of neutral territory. We were both pretty opinionated, and we'd ended up spending the most of the day together, first talking about the exhibit but quickly moving on to other topics, too. We'd had a strange kind of reconnection, although we hadn't really been connected in the first place, and within a few weeks he'd asked me on a date and I'd said yes. We'd been dating since that freshman fall, and recently, I'd caught myself thinking the word love more than once. But I'd been serioiusly, seriously putting off telling my friends back home.

I'd managed to dodge telling them for two whole school breaks now. But apparently, with spring break, my luck was finally running out.

"Alright," I started, holding up my hands before Nik could jump in. "So... Nik and I have been... together... for a while now. We ran into each other again in New Orleans and just kind of hit it off. I didn't want to tell you guys becuase, well... I didn't think you'd take it well."

No one said anything for a moment, like my words were on a slight time delay. Then, all three of my friends started shouting at once.

"Are you kidding me?"

"What were you thinking?"

"Out of every single person in New Orleans, in the world, why the hell did you pick him?"

Nik stepped up beside me as all three of my friends had their reactions. Honestly, I couldn't blame them. It was a justified reaction, especially after how seriously they'd been blindsided. Nik didn't seem the least bit phased as he wrapped an arm around my waist.

"I'm sorry, love," he muttered into my ear. "I didn't realize your little friends were over."

I just sighed. "It's not your fault, Nik. I should've told them a long time ago. Don't worry, they'll be fine."

As one, our attention returned to my friends, who were now glaring at the two of us. I grimaced, but Nik seemed to enjoy the negative attention. He grinned and pulled me in closer to his side.

Bonnie looked on the verge of using magic again, and Caroline seemed about two seconds away from charging Nik to start a fist fight, so I gave his shoulder a squeeze and gently stepped away from him.

"Guys... I'm sorry. I should've told you a long time ago, and I shouldn't have put you in a situation to find out like this."

"Or, how about you shouldn't be dating the guy who tried to kill us all in the first place!" Caroline shouted, unable to contain herself anymore. I grimaced, but didn't step any further away from Nik.

"That's... a fair reaction. But seriously, I'm happy. Happier than I've ever been. And it's not like he's trying to kill any of us anymore-"

"At least not right now," chorused Nik and Bonnie in sync, with two very different tones to their words. Bonnie fixed him with a fierce glare, and I winced.

"Okay, maybe we should all sit down and talk," I said. "Or the four of us can talk, and I can ask Nik to come back later-"

"No way," said Caroline, raising her hands and taking a few steps back as she shook her head. "If he's staying, I'm not."

"Caroline-"

"I need a walk."

With that, she turned and vamp sped out of the house. With a look at me, Elena followed her. Bonnie started drifting in that direction, too, but she paused first, with a scowl at Nik before giving me a slightly less hostile look.

"I'm glad you're happy. Really, I am. But you might want to consider the cost that happiness is coming with."

With that, she turned on her heel and walked out of the room. I sighed the minute she was out of sight, slouching against the corner and sighing. That could've gone much, much better.

"They took that better than expected," mused Nik from beside me. I groaned, and I heard him huff a laugh.

When I straightened up and met his eyes, however, I noticed the slightly guarded expression behind his eyes. It had taken a lot of work to get good at reading Nik, and I still couldn't do it with 100% accuracy. But even so, I knew he wasn't nearly as calm and unaffected as he looked right now.

I sighed. My friends weren't the only people I needed to have a serious conversation with.

"Nik..." I started, taking his hand and settling into one of the stools at the kitchen counter. I pulled him onto the one next to mine, scooting closer until our knees were pressed together and I could keep him close for this conversation. "I'm sorry. I should've told them a long, long time ago. And I want you to know... I didn't tell them because I didn't want to deal with the reaction I knew they'd have. Not because of anything to do with you."

Nik's eyes flickered, scanning my face. I gave his hand a squeeze, but I could tell we weren't out of the woods yet.

"Isn't their reaction everything to do with me?" he asked, his voice low and serious. I recognized the edged glint in his eye as something that usually spelled trouble. I sighed.

"Their reaction is because they don't like you, yes. But my decision not to tell them had nothing to do with you. I would've been just as hesitant to tell them I was dating a guy they didn't like in our class at Mystic Falls. But with you... I should've told them earlier."

"And why's that? You wish they hadn't found me in your kitchen? Wish you could've told them while I was a few states away, so no one would have to face the reality of the two of us being together?"

"No, Nik. I mean, yes, I wish they'd found out differently than this. But I should've told them earlier because... because I have serious feelings for you. And they're serious enough that I don't want to hide them or you. Ever."

Nik raised his eyebrows, the corner of his mouth lifting up in the faintest hint of a smile. I smiled too, recognizing the shift in his mood.

"And what, exactly, might these 'serious feelings' be?"

His tone was mostly teasing, but I decided to take it seriously. I took his other hand, then pulled both into my lap, holding them tight. I met his eyes, making sure he understood just how much I meant my words.

"I love you, Nik. I've been feeling that way for a while now. I'm honestly happier than I've ever been, and you're a big part of that. I love my friends, and I know they'll come around eventually, but until they do? That's their problem. You mean the world to me, and... I mean, yeah, like I said. I love you."

A smile had been growing on Nik's face, and by the time I finished, it was a full-on grin that I only got to see from him every once in a while. He pulled me closer, off of my stool until I stood between his legs, chest to chest with him.

"You love me, do you?"

"Yeah." I nodded, my heart beating out of my chest in my rib cage. I felt pretty confident that Nik returned my feelings, but that didn't take away any of the nerves. "Can't you tell? You're supposed to be able to hear heart rates, aren't you?"

Nik chuckled, pulling me even closer to him for a kiss. I melted against him, happy to feel him smiling against my mouth as his arms wound around my waist. After a few breathless moments, Nik pulled back just enough to speak.

"I love you too," he said, his voice low and his breath fanning against my lips. "Don't worry for a moment that I don't. I would do anything for you. And it's a bit ridiculous how much I mean that."

I smiled, closing the distance between us again as I kissed him.

"I'm glad you came to visit me," I whispered when we paused just long enough to take a breath. "I'm glad my friends know. I'm glad you're here with me. I'm glad you know I love you."

"I agree with all of the above," Nik said with a smirk. "And I'm glad your friends are gone, and that we have the house to ourselves."

Nik leaned forward to deepen the kiss, but I leaned back. I put one hand on his chest and grimaced. He raised an eyebrow.

"Is there a problem, love?"

"...I may or may not have a paper to finish. Tonight."

"Are you sure it has to be done tonight?" asked Nik, his voice low and silky smooth as he ran a hand over my hip. I just sighed.

"Yeah, babe, I'm sure. But... if you can help me get it done, then I'm all yours for the rest of the night."

Nik pulled back quickly, looking at me with one eyebrow raised and an eager expression on his face. I put a hand to my mouth to stifle a smile at his 180 degree mood shift.

"Well then, what are we waiting for? Let's get that paper finished, love. I've got quite a few ideas for tonight."

I just laughed as I followed Nik into the living room. I had a feeling we were in for a rough ride the rest of this spring break dealing with my friends. But I really did love Nik. I was happy with him, and if we could find a way to stay together in our own little bubble of bliss despite the crazy supernatural shenanigans in New Orleans, I knew we'd be able to figure it out in Mystic Falls, too.

****************

Everything Taglist: @rosecentury @kmc1989 @space-helen

TVD/TO Taglist: @elenavampire21

[bonzos-number-1-fan]

What DPHW Means, and Its Relationship to Smirke's 14

The following contains spoilers for all of TMA, TMP (eps 1, 2, and 3 released currently if you’re in the future), and the ARG. Spoilers for all of this are throughout so I would advise against reading any of this unless you've listened to everything mentioned. It could also spoil episodes of TMP that have yet to release but if it does I don't think it will be a major spoiler. If I'm right I think I'm only right about a fairly trivial piece of information. 

Theory of Fears; or, Zur Furchtlehre

Part 1: Opticks

Smirke's 14 isn't the truth. With or without Dekker's +1. It is, however, necessary and correct. It has also been talked about ad nauseam and isn't a topic I want to dedicate a lot of time to. Smirke's 14+1, or even TMA in general, isn't the focus of this theory nor is it that relevant past its necessity as a point of comparison.

There aren't 14+1 distinct entities in the TMA cosmology. There is a singular entity that has been given divisions by fear and labels by those that have witnessed it. There is no objective line in which to draw these divisions. No matter where you put them or what you name them these concepts will always bleed into each other. Aspects of one Entity will manifest in another because the labels are invented and Fear is a storm of concepts crashing into each other. That's not a flaw in Smirke's list but its strength. A single entity of that scale is impossible to discuss in meaningful terms, the concept has too much gravity to be properly conceptualised and so an entire spectrum of fear must be divided in order to combat it. Categorisation is a vital part of TMA's cosmology and Smirke was as correct as anyone to put those lines down where he did. The real flaw with Smirke's list is forgetting the spectrum exists and stopping seeing the shades in between the Powers.

Finding a way to categorise this concept is important, but the methodology isn't. Smirke's 14 isn't the truth. The only truth is there is a singular whole. But branding goes a long way both in terms of research and in terms of following. This branding lacks accuracy though, it is in large part arbitrary and by its nature removes the shades and the bleed. TMP takes a different approach, one only hinted at, but one that I think is now fully explainable. 

Part 2: Lost in Translation

Perhaps the most interesting mystery in TMP thus far is DPHW. However, I think based on episodes 1 and 2 of TMP (and now 3), and the Klaus excel sheet from the ARG, we have all we need to explain its utility.

In order to show that conclusion in a satisfactory manner some basic facts need stating, and the order of my thoughts on those facts needs explaining. Firstly, each DPHW is 4 digits. Secondly, each DPHW is read as 4 numbers rather than, say, a pair of 2 numbers. Thirdly, these numbers can change independently of each other. Fourthly, incidents may share CAT#R#'s but have a different DHPW as found in the Klaus sheet (a German document listing OIAR-style incident reports). Finally, the German equivalent of DPHW is TSHU also found in the Klaus sheet. We can use those facts to determine something important. Each letter of this initialism is paired with a digit meaning that DHPW is a group of 4 categories. If that is true we can intuit some of its meaning. It is likely that these numbers are a rating of sorts for each category there. To prove that's the case we would need to know the categories and fortunately we have a starting point to understanding it, German.

If the categories that DPHW describes start with the letters TSHU in German then what needs to be done to find the categories is quite simple. You pair each letter up and then find a suitable word to categorise the supernatural whose first letter starts with the respective letter from the initialism in its language. D/T, P/S, H,H, W/U. After some brainstorming in the Statement Remains PLUS Discord server we had come up with strong candidates for 3 of the 4 pairs.

The first was Deadly/Tötlich, a seemingly solid start that gave this theory some legs. Next was Painful/Schmerzlich which was a distinct enough category for the threat of an incident that proved this was a strong direction to head it. H/H proved more troublesome. To my mind the two strongest contenders here were Hypnotic/Hypnotisch or Helpless/Hilflos. Both sound very reasonable but that in itself is a problem. However the last one was found relatively easily as Weird/Unheimlich. With 3 of the 4 it seemed like this was all but correct at this stage. However, I had been thinking about this backwards and it wasn't until I had a revelation that the pieces really fell into place.

Unheimlich sounded familiar when it was suggested but not in a way I could place. It wasn't until the next day that the aforementioned revelation happened. The ARG had a huge focus on Germany, and Ep 1 of TMP revealed why. FR3-D1 uses German source code which makes German the original language for the OIAR's methodology. Meaning DPHW is the translation, and I now think it's a shoddy one at best. The reason unheimlich sounded so familiar to me is because it's a fairly important part of psychology's history.

DPHW's Weird isn't weird, DPHW's Weird is uncanny. A direct translation could give you weird but a more accurate one, especially in this instance, gives you unheimlich. Unheimlich as in Jentsch's "Zur Psychologie des Unheimlichen", and Freud's "Das Unheimlich". Both of which are essays on the uncanny. It's all about the fear of the unfamiliar, and a central example of this is Olympia from Der Sandmann, a seemingly living doll.

The German word unheimlich is obviously the opposite of heimlich, heimisch, meaning “familiar,” “native,” “belonging to the home”; and we are tempted to conclude that what is “uncanny” is frightening precisely because it is not known and familiar... - Freud, The Uncanny

This is incredibly relevant to a lot of what has been discovered so far. The uncanny as a topic in psychology was kickstarted by two Germans, and a central part of their essays was the German Der Sandmann, and a German, SSandman, was a large presence in the ARG. The strength of this connection all but solidified this theory in my mind. And, briefly, this is also related to Masahiro Mori's uncanny valley hypothesis which I'm sure I won't need to explain.

The obvious way to test this is to take the few W ratings we have been given and compare them to the incident to which they're assigned. The first is from Ep 1, “dolls comma watching”, and was given a 7. This is a good start both in that a 7 feels appropriate as an "uncanny rank" but also that a doll is a focal point on the essays on the subject. Also in Ep 1 is "Reanimation (Partial)", again with a 7. Another very appropriate number. The last in Ep 1 is "Transformation (eyes)" with a 5. Certainly less uncanny than the previous examples so this is still strong. In Ep 2 we get a 5 for Bram Stoker's Dracula, which seems more than fair for a strange man like him, and a 7 for Frankenstein which gives parity for another story of the resurrected dead. Finally we get "Transformation (full)" at a 7, more uncanny than "Transformation (eyes)" which tracks nicely.

With what I felt was such a strong theory for the W/U pairing it helped clarify the ideas of the others. The final digit rating the uncanniness of an incident gives an idea of how these categories work and the breadth of their definitions. Up until this point I was leaning towards Hypnotic/Hypnotisch for our H/H pairing. But giving it more thought, and comparing it to TMA's own groupings, it becomes apparent that Helpless/Hilflos is more appropriate. Hypnotic effects are too aligned with things that would already be very aligned with Uncanny ones, the Stranger's Not!Them alter memories and prey on the fear of something being not quite right, so as a categorisation tool I think it makes less sense because of the greater overlap. Helpless on the other hand works better for things like The Dark, The Buried, or The Lonely. Aspects which I don't think show up in our current other 3 groups. But given the current definition of the strongest category, the fear of the uncanny, I think that helplessness is a more apt label. The fear of helplessness. Which makes H Helplessness/Hilflosigkeit.

With this level of breadth established re-examination of the final two categories is warranted. Painful/Schmerzlich is more likely to be Pain/Schmerz. Not just incidents that are themselves painful but the fear of pain, possibly including the emotional. A comparison to TMA gives this rating a strong affiliation with Entities such as The Desolation, The Corruption, or the Flesh. Similarly Deadly/Tötlich should now be broadened beyond the fear of things that will kill you, to the fear of death in a broader sense. Which makes D/T Death/Tod instead. To compare again to TMA this is The End, The Extinction, or The Slaughter. Although, while I might be describing these ideas as the fear of ____ I think it's important to know that they do appear to be more conceptual in nature rather than just if something is scary or not.

Comparing each of these assumed categories against current DPHW’s strengthens this argument. “Dolls, watching” scored 1157. It’s a very low fear of death and pain, but they present a medium fear of helplessness and a high fear of the weird. For a fear that’s rooted in paranoia that makes good sense. “Reanimation (Partial)” got a very similar rating, at 5257, but it being a corpse cranks up its fear of death. “Transformation (eyes)” got 2155 which, again, seems to fall in place with what we know. It’s more human than the doll is so it’s less weird but a physical and alarming transformation naturally seems like more of a terminal concern. Combine that with some good ol' internet death threats and it's not nothing, but not much.

As a small aside, while it's not come up in the episodes so far the Klaus sheet shows DPHW's are 0-9. There is a good bit of evidence to suggest 0 might be read as 10 here. 0 most commonly showed up in that sheet for P and the incidents often had the notes "Kriegsvolk". Literally "war people" but more accurately "army/soldier". So pain of 10 for those would track better than P of 0, and it explains why things like the watching doll rate a 1 for D and P instead of a 0, and Dr. Webber's infection is a P of 1 despite entirely removing physical and emotional pain as it goes. Because 1 is the lowest.

For Ep 2 we start with Dracula scoring a 7465, he’s undead and a killer for high death, if he kills you it hurts but it’s not extreme, he’s both hard to physically stop and has mental tricks, and he’s just a weird dude in general who always seems off somehow. Frankenstein at 5337 has aforementioned parity with the reanimation incident as you’d expect but notably less on the helplessness rating as he is just a man. Next is “Transformation (full)” at 1567. This is generally a more severe rating overall than Transformation (eyes) and you’d expect that, but I think it does show something interesting. At no point did Daria want to end her own life. The transformation is far more severe, arguably looks more life threatening, and was clearly more painful but it is explicitly and repeatedly not about dying. I take that as a suggestion that these ratings take into account more than just the mundanely observable nature of the incident. She looks very sick which would make you think of death but it rates low for it because of the emotional, or maybe supernatural, purpose of the incident. She didn’t want to die, the manifestation didn’t try to kill her, and so despite its appearance it’s low on death.

Then finally in Ep 3, we have "Infection (full body)" with a 8175. (Although I'm assuming that's a misfile and it should be Infection (Arboreal)). I think D and H here are more interesting to dig into. P is pretty obvious it's the lowest rating because it seemed actively pain-numbing as it went. W being 5 tracks too is certainly uncanny and has strange geometry but it's not full Distortion levels. So with those two out of the way we can get to the good stuff. D is the most interesting of the two to me. Because while it's pretty clear he died I don't think that's got much to do with it. Rather I think the 8 is more specifically about the way it deals with death, decay, and rot in relation to new life and the growth of other things, plants and insects. Thematically, I think there is a lot more emphasis on death as a broader concept beyond the terminal nature of the infection. For Helplessness there is also an additional element beyond whether or not he was able to do something about the infection, and that's whether he wanted to. As the symptoms worsened his desire to treat them decreased. Initially he was worried about the infection and determined to seek attention when able, then he was happy to let someone else help instead (a hallucination, which makes things more helpless), before finally wanting it to happen. These sorts of elements are things I think we're going to see factor in quite a lot.

In summary; it is my belief that DPHW is a way to rate incidents that the OIAR catalogue based upon the strength of the fear they elicit in the categories of death, pain, helplessness, and weird (uncanny). This system is effectively the TMP equivalent to Smirke's 14 from TMA. Rather than assigning each statement to an Entity each incident is rated for those qualities. These systems are distinct methodologies but each is a way to categorise the supernatural.  

Part 3: On Analogy

That is the juicy bit of this post out of the way so now I have to put a bow on it and touch upon the overarching analogy here. As alluded to by the title and some turns of phrase, it's colour theory. It's a somewhat common analogy for TMA's fears but I think it applies in equal measure to TMP and taken together might provide an insight into how the cosmologies will differ. So, to me, colour theory is not only the perfect lens in which to view the Fears as a whole, it's the perfect lens to view these methodologies.

Smirke is Newton. He broke up a singular spectrum into wide chunks. The Dread Powers themselves are very analogous to a colour wheel. Colours bleed into each other and the boundaries of where one stops and starts is up for debate but red is still red, and blue is blue. That is a useful context for them, it aids discussion. Try talking about red without ever saying red and only referring to a representation of a divided whole. But all too similar to Newton's 7 colours Smirke's 14 lacks nuance, it lacks shade.

On the other hand we have DPHW and this is all shade. DPHW is CMYK. It's not one thing or another with DPHW. You don't have the pitfall of Smirke's methodology where one manifestation is in one arbitrary box. Here, assuming I'm correct, each incident is made up of constituent parts. The OIAR, and presumably its German forebear, are less interested in Smirke's occult ancient gods and more interested in bureaucratic precision. Smirke was doing research while the OIAR are doing administration. As such DPHW takes a wholly different approach. It's now all shades. This has its own problems in that it's harder to discuss in broad terms. It's such a specific methodology that it's lost a lot of what Smirke triumphed with. This is well represented already given that no one has been shown to know what it means at all yet. But if there is a truly different cosmology at play here we might see the axes of DPHW being where alliances fall.

All that leaves us with is a comparison of these two. The only way to really do that is to talk about how Smirke's 14+1 would fit in DPHW's system. This is something I touched upon briefly. Death is strongly related to The End, The Extinction, or The Slaughter. Pain to The Desolation, The Corruption, or the Flesh. Helplessness to The Dark, The Buried, or The Lonely. Weird to the Stranger, or the Spiral. But that's not all of them and even within those it's already clear that something like The Vast isn't just about helplessness, and we've already seen Daria who would likely be an avatar of the Flesh rank highly in Weird. Which hits upon what I feel is the most interesting aspect of this entire theory. We've seen what happens with Smirke's boundaries on the Entities. We don't know if Entities even exist in this setting, or if they do exist whether they'll be the same ones, or even if they're not the same ones whether they'll function under similar rules. But now we get to see what happens when there aren't those boundaries. We get to see much broader mingling than TMA showcased. It was hinted at there, especially early on before the lore really settled, but now that mingling seems to be the whole point.

And as a brief mention, and to further labour the theme, I don’t think there is enough information to really discuss how CAT#R# works but there are some analogies to work with here. From the Klaus sheet we can infer that CAT# has the following values 1/2/3/12/13/23/123. Or three non-mutually exclusive groups. What those groups are is hard to say right now. There is some soul/body/spirit stuff for the alchemic tria prima that's got some nice connections but doesn't map well now that Ep 3 is out. Either way, this is RGB. An incident can be all red, or red and blue, etc. R#'s values we can infer to be C/BC/B/AB/A/S with maybe an AS in there too. That's a linear scale of similarly unknown value but could represent something like potency/threat. If that is the case then R# is saturation. Some things are more intense than others. We also know from the Klaus sheet that CAT is the German from the "kategorie" meaning "category" the R was from the German “rang” meaning “rank” and so probably has more meaning to it than currently implied.

[yandereunsolved]

"Don't Stop Me Now" — Five situations where yandere Five loses it

cw(s): yandere themes, non-descriptive self harm, mention of suicide and domestic violence

1 — someone ✗ something is trying to harm you

Pretty straightforward. 

This is the numero uno that comes along with every yandere.  

Five grew up with an abusive, emotionally absent father figure. He was pushed to be the best, the most successful of his siblings, just for an ounce of affection. He was isolated for so many years with nothing more than a department store doll. He has had to put away whatever loose morals he had to slave away in The Comission.

Then you come along and brighten up his life. No, you do more than that. You perfect it. 

Then someone comes and tries to strip that away from him?

It's safe to say you've only seen that crazed look in his eyes when you're in danger. He doesn't care about whatever mission, the greater good, or whatever the fuck when you may end up being killed. He's swift and merciless, just as he was taught. 

After he makes sure you are okay, he'll hold you to his chest for what feels like forever. He just needs to become secure again in the fact you are alive. You are here with him right now. It helps ground him so he doesn't end up going about on a killing spree. 

Yes. That has happened one too many times. 

Klaus now knows not to joke about random people flirting with you. Their spirits won't stop harassing him. In his defense, how was he supposed to know Five would just go out and slowly torture them before letting them waste away into death? Klaus didn't think Five was that unhinged. He knows better now.

2 — you harm yourself (in any way)

He keeps an observant eye on you, so it would be a miracle if you managed to accomplish anything along those lines. 

Two words. no. more. 

He has the internal breakdown. He's just standing there and staring at you. There are tears in his eyes. He wants to yell, to freak out, but his voice cracks far too much when he tries to reprimand you. 

No. Just no. 

That's the only word that encapsulates how he feels. 

He is not going to allow you to hold any sharp objects. He makes sure you have no contact with Diego. Five is paranoid and suspects that Diego had something to do with this. Somehow. 

You are more strictly monitored. 

He has an entire list of mental and physical health questions he asks you each morning. If you tell him to leave you alone or that you are tired, there's about a seventy percent chance that he'll go off. It would definitely be in a Five way. 

He'd be teleporting around you and sputtering out statistics and caring yet demeaning words. 

3 — keeping him out of the loop

Five is meticulous. 

When you keep him out of the loop—which could mean not saying good morning to him or hiding a romantic relationship—he feels so powerless again. He needs to know what is going on with you so he can protect you if need be. 

Don't even try to argue with him. 

He's older than you, so he knows best. 

He has so much more experience at anything and everything. He can solve all of your problems if you just let him in. 

Does that mean he will do the same in return? No. 

There's no reason for you to know what he is doing at any point of the day. You don't need to worry your pretty little head about it. Aka, he's doing things that are morally gray at best and human rights violations at... that's still one of the better cases. 

Just tell him. Or he'll force it out of you.

4 — things being out of his control

This ties in with every other scenario. 

He needs to be in control.

Everything has to be perfect. 

If one thing goes wrong, then you may slip through his fingers. 

That isn't allowed to happen. It can't. 

It eats away at him at night to think something could happen that he can't control. 

The apocalypse happened, and he had to spend decades just accepting that fact. Until there was a chance he could change it. 

Now he has to. He has to change, sort, and neatly put away everything. No speck of dust is out of place. If it is, then he'll end up pushing himself into fixing it, to the point of exhaustion or death—whichever comes first.

5 — escaping successfully

The only time there is a plausible chance he will resort to physical violence. 

Why, why, why, why, why, why!?

How could he be so idiotic? How did you do it? Who helped you? 

Whoever helped you is going to die if they haven't already killed themselves because they know Five is going to be coming after them. 

He will act nonchalant, like he is in control, when he finally finds you once again. He'll tease, poke, and prod at your fear, like a ringmaster taming their lion. A part of this act is the truth. He has you back, and now everything can go back to how it was. The other part of him is still devastated and wants to curl up in your lap and just be safe there.

Yandere Five: fragile—handle with care.  

✗ @clarioscharm

[theeoriginals]

Ok so how about a cat and mouse!reader x elijah follow up where she’s back in town and they haven’t seen each other since their last meeting, and she’s caught by him taking something but he’s just happy to see her again so he lets her get away with it bc she’s charming and he loves the chase and banter and flirting 😩

hard to forget | elijah mikaelson

author's note; someone else asked for part 2 to cat and mouse, so here is a small little thing for them :)

warnings; witch!female!reader, elijah is astronomically down bad, fluff, mention of stealing but it's fine, reader is flirty and confident. no use of y/n!

"We've got to stop meeting like this."

"I quite like seeing you like this," She turns with a smile, wicked and sharp, but a genuine happiness shines in her eyes, especially when she sees the smile Elijah fights off at the sight of her. "You're so sexy when you're being all righteous."

Elijah huffs, ignoring the fact that she can make him feel like a blushing boy again. "You're insatiable. And you told me you were going to leave this here when I caught you trying to take it the first time I brought you here."

She purses her lips in a pout when he plucks the figurine of the black cat from her hands, setting it back on the shelf it'd been collecting dust on in the touristy museum tucked into an old building in the Quarter.

"Can a girl not have a hobby anymore?" She nearly whines the words as he approaches her, lifting her hands to drag her nails along his waist, catching on the fabric of his buttoned shirt. "I got bored, baby,"

He hums, looking at her with some twisted mix of reprimand and amusement. "Most people read a book when they get bored. Or go on a walk."

"Both of those sound absolutely mind-numbing."

He huffs out a laugh, unable stop it even though he knows it will just enable her further.

Her answering grin proves that point immediately.

"I do it for us, Elijah,"

"Oh, really? And how, exactly, does this benefit us?"

She straightens her shoulders, meeting his gaze unwaveringly confident. "I get bored and I go looking for things to entertain me, and you ultimately find out and follow me, and then we get to play our fun little game that I know you love. One way or another, it ends up with us in a similar position to this and we're both happy."

Elijah's smile grows more fond as she goes on, and he shakes his head with poorly feigned exasperation. "Darling–"

"I know, I know," She groans, rolling her eyes. "Let's just go. I'll have to find something else to entertain me, I suppose. Maybe I'll ask Klaus if he needs something done,"

"I almost hate that option more. You've only just returned from his last errand, I'd at least like to share a meal with you before you're running off again."

She throws him a wink as she turns him around, pushing him towards the door.

"Don't worry, I won't let him send me far so soon again," She reassures him, fingers skating along the shelf as she follows him out the door back outside into the throngs of people. "I've missed you, you know. I don't like running off to every corner of the country."

Elijah spares her a glance, trying and failing to not look pleased with her words. "You do like it," He corrects her softly.

"Alright, I do," She concedes easily, earning a light chuckle from him. "But I don't like being away from you."

"Does your flattery ever end?"

"You wanna find out, beautiful?" She raises her brows pointedly, earning a ragged noise from him that's choked off as he adjusts his tie, and the flustered action sends her off into a laughing fit that echoes over the noise of the Quarter and has him smiling in spite of himself.

He follows after her swift pace like a loyal dog, hands tucked in his pockets as they slowly weed out from the crowds and make their way towards the compound that's much less populated these days.

As they reach the courtyard, Elijah reaches for her elbow, tugging her back towards him, earning a slightly surprised noise from her as she catches herself with her palms flat on his chest. "How much joy does it bring you to render a thousand year old vampire speechless?"

"I don't think I could accurately describe it, even if I spent the next hundred years trying,"

He shakes his head and finally, finally, leans his head down to press his lips to hers and she hums into the kiss, satisfied with the outcome of all of her teasing.

She was right, after all. They always end up here.

Elijah pulls away after a moment, resenting the need for air in favor of tasting the sweet warmth of her skin again. He's silent for a moment, head tilting just enough to be noticeable, and then he lets out a long sigh. "Niklaus would like to speak to you,"

"I know, I'm ignoring him."

Elijah relishes in his brother's faint, outraged noise, but knows that he won't come disturb them just yet. "Don't let him send you off just yet. I would like to see you again tonight, at least."

"I won't, I promise. We'll have dinner, and a drink or two. I'd also love to end the night in your room, if that's alright with you,"

Heat floods his cheeks and he briefly looks away from her, just to shake himself of her flirtations. "Whatever you want, darling."

She smiles like he's just given her the keys to the city.

Hours later, after their dinner, after their drinks, after they end the night and start the next day with whatever she wanted, Elijah wakes long after she's left on another of Klaus's errands, keeping to her promise of not going far.

When he turns over, his eyes catch on the small, black cat figurine sitting on the table beside his bed. Elijah falls back onto the bed, laughing to himself. Utterly, absolutely besotted with the woman.

[scrapingby]

There's one character trait from Rhun that we have seen more than any other and it just breaks my heart.

Like sure, they are abrasive (Wer? Wer gefragt hat?!) and they are/used to be snarky (that scene when they were kids about the monster under the bed). And there is a whole lot to be said about Dark and White and Grey respectively.

But mostly they are just so very soft.

Roughly by point of order:

They worry about the kids that are being affected by the sweets that Klaus and Fips are giving to them. They also appear to feel strongly about people being influenced for the worse and being taken advantage of. (Weil ihr sie eh nur benutzt. Ihr Unwissenden habt schon genug Seelen beschmutzt!)

They make sure Ray knows that his efforts are known and appreciated (even though they immediately follow this up by telling him about the mean things that are being said about him, but even that is said to declare that those people are wrong).

While searching for Dark they take the time to make sure LurkyGirl is okay.

They make sure not to hurt the streamer (Papaplatte I think?) that Dark is using to hold Rhun off.

Yeah, they go along with Oskars plan to capture Dark. They were desperate (and I would guess not for themselves but for what it would mean for the world if they couldn't continue to due their job) getting weaker by the minute and all other attempts had failed. And the moment they realized that the chains were hurting Dark they stopped. Stopped and freed Dark and the telling Dark that they wanted it to be on both of their terms to merge again.

They worry about Oskar, some guy they have only known for a short time. When confronted with his betrayal and real plan, they don't react with hate or declarations of revenge but with concern about what their actions will cause.

When Pete, Joon and Ju find them, their first reaction is neither happiness nor relief. Instead they see Fips and all they can wonder sadly what happened to him.

They don't even rush Joon at first, even though they are currently living through the worst pain possible because they are still chained. Only when Joon is finished with his tale do they (Rhun and Dark) tell him to finally free him. And the best part? They listened. Because when they tried to send them home, they opened a door to North Korea. Because Joon told them that this is where he was born.

They make sure to save both Rainer and Joon, because they can actually do something for them.

Once they are at the hotel their first action is to return all their workers to normal and send them to safety.

They try to do the same with Joon and Rainer and then they loose their cool (and who wouldn't? They have guarded Eos face for hundreds of years. They were only just betrayed and had to spend the past whoever-knows-how-many days in unimaginable pain. And then such an obvious lie? -> side note: I hc that Rhun tries to be cautious but they are still very naive and always end up believing in the good of the people. This often ends badly for them and is one of the reasons they hate when others are being taken advantage of. It's too close to home). But then they let Joon and Rainer stay (Joon did say that they came in the hope of being safe at the hotel) and even take them to their most closely guarded secret.

Also, when Eos takes over and that energy blast sent Rhun flying? I think the only reason Joon wasn't also hurt was because Rhun was somehow protecting him with their magic.

I also need to mention that that scene where Eos is about to kill Rhun and Rhun doesn't say anything? Just bares their teeth and braces for it? That scene hurts on a different level.

And finally: Rhun not only saving Julia but also taking the time to (bluntly) explain that she has to be more careful. They even try to comfort her and help her deal with her fear! And then they make sure that Julia will never get lost again by giving her the Zahnseide (which going by the old Zahnfee song is probably not the first time this has happened. They did sing that the Zahnseide was being used in very unvonential ways).

Just.

I love Rhun so much.

[laora-ryn]

Chester, [ERROR], and Jonathan Sims: The Anthill Theory

Hello Tumblr, may I present a follow up to my initial thesis that [ERROR] is Jon? As well as a rebuttal to the argument I've seen floating around:

"[ERROR] can't be Jon! Jon is in the computers!"

Why are you treating these like two distinct eventualities?

Jon died as an omniscient, omnipotent demi-god half a step down from The Eye itself. Jon died at the exact moment that he was pulled through a rift in space-time. If Jon survived that, I doubt he'd end up human on the other side. He'd probably end up as something else entirely.

Something none of us, and none of the Protocol-universe characters, have ever seen before.

"Imagine you are an ant, and you have never before seen a human - "

1. We have Chester, who has Jon's voice, and has shown signs of autonomy and a personality where Norris and Augustus have not.

I have another meta post picking apart the fr3-d1 stuff, but for the sake of staying on topic, I will show an abbreviated, summarized list from that post below:

Mystery emails sent to various OIAR employees:

Episode 4: Gwen receives an email from an unknown source showing Lena trying to kill Klaus

Episode 4: "the system" sends Alice a notification that Sam searched for "Magnus" and "protocol"

Episode 7: Sam receives an email from a "John" with an internal email address, with Gerry's name and address

Episode 20: Sam receives an email from a garbled email address, with documents from 1999 regarding Starkwall and TMI

Error messages:

Episode 3: Alice receives a jmj error that Colin troubleshoots. Freddy snarks back at both of them

Episode 17: Alice receives a jmj error that Gwen troubleshoots. There are plenty of error noises, but imo it comes across less snarky than it did in episode 3

Other miscellaneous interactions:

Episode 5: Alice: "what the hell is wrong with everyone today?" OIAR computer, not having been touched or interacted with: [error noise]

Episode 17: Chester reads a universe-hopping statement to Celia

Episode 19: Sam asks Alice to talk with him about the Magnus Institute. Immediately, Alice's computer throws an error, like it wants her to stop working and talk with Sam

Magnus Institute Statements read to Sam:

All of the below statements are read out by Chester, and are (meant to be, in 21) read out to Sam specifically:

Episode 1: RedCanary

Episode 9: the cursed dice Magnus statement. This one starts on its own, while Sam is doing the Response Dept paperwork

Episode 14: the snake emporium. I'd almost mark this one as too much of a stretch, but Sam himself caught the Institute mention and was bothered by it

Episode 19: the one with Newton's alchemical tree that talks about the Protocol

Episode 21: the one about the Dome construction in the 90s, which Alice intercepts on Sam's computer

As far as I can see, the only statement that mentions the Magnus Institute that isn't read by Chester to Sam is the one that is read by Chester to Celia, as mentioned above

In terms of Norris and Augustus:

Martin was pulled through the rift at the exact same time as Jon, except as someone mostly human. Relatively human.

Jonah was too, but Jonah was already a static dead body at the moment of the rift - it wasn't the released potential energy of his death that catalyzed and pulled everything through the rift.

It makes sense, to me, that if all three of them are here, Jon is in a uniquely powerful/sentient position in comparison to the other two. Which leads us to point 2:

2. We have [ERROR], exhibiting characteristics that are indicative of Jon and no one else

See my other meta post for more info, but in summary:

The tape recorders spawned specifically for Jon in TMA, via the Web

Did even Elias show abilities to compel people to give their statement? He could tell people their statement, and force images into their heads, but could he force it out of their mouths? I don't remember seeing that

Along with the other evidence that isn't Jon-specific but is indicative of a TMA character:

They were initially trapped underneath the Magnus Institute - which could also be Jonah, or Martin

Their apparent desire to protect Gwen and "all of them" - which could also be Martin, or some non-familiar benevolent being

Jon being Chester and Jon being [ERROR] are not mutually exclusive.

Who's to say Jon, the Archivist, or what's become of him, or what's left of him, isn't the fingernail, and the boot, and the eye? Maybe he's even something else we, the ant, never live to see, or don't have the senses to perceive at all!

Additionally!

I think this might even tentatively explain why [ERROR] is voiced by Beth Eyre instead of Jonny - beyond "it would be way too obvious if they want it to be a plot twist"

If Jon/the Archivist is split into multiple parts of the same whole, in this universe. If, in the chaos of interdimensional travel, traits/attributes/parts of Jon were not distributed equally or correctly. For our anthill example, perhaps the color of our gazing eye, or the rubber material of our stomping boot, was applied to our fingernail instead. Maybe [ERROR] should have Jon's voice, but they don't. Maybe they didn't have a voice at all. We didn't hear them say anything at all in episode 10, only take a deep breath

Maybe they had to take a voice from one of their victims. Do you think there was a reason that we heard the autopsy statement secondhand, after the doctor transcribed it, rather than the victim's voice herself?

(When, as far as I know, the common ways to record information during autopsies is either with a voice recorder, or dictating to a secondary person to write, who was demonstrably not present? When, by all rights, there should have been a voice recorder present?)

I'm currently working on a master TMAGP timeline (and a TMA one otl), but an extremely abbreviated, specific version of it is as follows:

9 March: Sam and Alice visit the Magnus Institute and release [ERROR]

20 March: the autopsy victim is found dead in a park

22 March: Alice encounters the drowning woman

12 April: [ERROR] appears during Ink5oul's attack on Gwen

How many victims do they have, since Sam let them loose? Is it just the ones we've already seen, or were there others too?

This could go off in about 5000 different directions so I'm going to cut it here, but what I'm getting at here is - it makes a LOT of sense to me that we might be looking at another "creatures far beyond our comprehension" here; it'd make a lot of sense thematically; and it's just really freaking cool, if I'm being honest!!

[just-b-wilde]

Okay, I just saw S02E07 and I have so many thoughts and feelings about this episode!

Many people write that Five would do anything for his family and they build his entire personality on that. Which is definitely true, he has done so much for them! But at what cost? Also, what did he get from them in return?

When Five accepts The Handler's offer and kills the Board of Directors, you can literally see that he's trying to exhaust all other options. He doesn't want to do it, and his frustration comes through with the food vending machine scene, trying to stall the moment as long as possible... and when the chocolate doesn't fall out of the machine, it's the imaginary last straw of his patience.

Is the axe scene cool? Visually? Absolutely! But otherwise, it's deeply disturbing and you can see on his face many times that he's ashamed of that he did it. He did it, he was a professional at this, of course. But he never really wanted to do it. It certainly wasn't an act he was proud of himself for.

You know, his sarcasm and scenes like these make him a beloved character. But you know, sarcasm is a defensive gesture in many, many cases. I'm pretty sure that he's so uncomfortable at many points in his life and doesn't feel comfortable opening up to anyone that he just operates in that mode of his.

And his family? All they do is tell him all the time how it's his fault they got where they did! But neither of them realize that without him, they'd all be dead. Both Allison and Vanya are experiencing their equivalent of the "strawberry greenhouse", Vanya in particular is very selfish about this and doesn't want to give up her happiness. She even stands up to Five, she has no idea what Five must have done for her and the other siblings and in his face it's just - pain and frustration.

Diego and Luther see him covered in blood and just ask what he did. But no one actually asks… I don't know… are you okay? Sure, he'd probably tell them to fuck off for asking that question, but I wonder if anyone ever really asked him. Sorry, I don't quite have a memory for every dialogue.

I think part of the reason he did what he did was because he felt guilty that everyone had gotten into the past at a different time and that he was constantly being blamed for it. But he doesn't take the blame for how his siblings live their lives.

Both Allison and Vanya would take their partners with them no matter what. Diego never once mentioned that he wanted Lila to leave with him (he just said he wanted to say goodbye to her before he found out the truth) but more on that later. If Klaus could have been with Dave, he certainly wouldn't have hesitated a minute either. Luther's heart is broken, so it probably doesn't matter where he is. But if Allison told him to run away together to who knows where, I think he wouldn't hesitate either. So - Five is bad for wanting to be with someone he loved and was happy with? Literally any of his siblings would do that!

And then if his family doesn't get together and he loses his suitcase? He is so very angry and frustrated because what he did was ultimately unnecessary! God, seriously, I don't think his family has ever been able to appreciate what the Five have ever done for them (again). Yes, he's often quite hard on them, but I actually don't blame him in many ways. And yes, they don't know many things. But why might that be?

Five has done a lot for his family, but you know what? I don't feel like they've ever given back to him in any way. Or that anyone would be willing to do something like that for him. Often his family sees him as just a crazy man who foresees the coming apocalypse and disrupts their lives.

And Lila (and Diego)? Well...

I'm pretty sure that if Diego left and never saw Lila again, he wouldn't have any deeper problem with it. Yes, I'm sure he liked her in a way - but at the same time he didn't know her. When he found out the truth, he wanted nothing to do with her. But still, everything else was more important to him. He wanted to save the president and be a hero, that was the main thing that drove him forward.

The fact that Lila kidnapped him was simply a rebellion against her "mother". By the way, I'm really sorry about how Elliot ended up... because that was just really bad and he deserved to at least be buried, Lila, really... Well, back to topic... Lila is scared of her and repeatedly talks about her fears for her safety and literally not sure if The Handler's plans include making sure nothing can happen to her. Maybe that was part of the reason she wanted to get the job that Five got. To show her that she was useful and necessary in her plans.

Honestly, I don't think Lila "enjoyed killing" any more than Five did, but I think it was her way of defending herself because she knew how dangerous her "mother" could be, even to her. Yet, at the same time, it's quite odd that she dragged Diego into this situation, as if perhaps he could be some sort of shield, which he most certainly is not.

This arc isn't actually very well grasped, and seeing it again, it just strikes me as odd. Yes, that was an interesting reason why Diego didn't come. But other reasons? And the foundation of their relationship is questionable at the very least (even more so than I remembered).

Well, I'm gonna go watch another episodes...

[fandoms--fluff]

Coming Home

Part 6

Kid Salvatore reader x Stefan Salvatore x Damon Salvatore

Warnings: mentions of torture, swearing

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

They then headed back to the boarding house to where Damon and Katherie are.

When you guys got inside the house, the first thing everyone hears is Katherine and Damon fighting about a functional way to find you.

"Guys shut up your going to wake y/n up!" Caroline said, getting the twos attention.

Damon was the first to speak up, "Where did you find her?"

"She found Jeremy in school and went over to him" Elena explained.

From all the talking you started to squirm, waking up. You lifted your head up and looked around, when you turned your arm rubbed harshly against Stefan's jacket emitting a whimper from you. It scraped right against the first place where Klaus touched you with vervain.

Speaking of Klaus when he woke up, as soon as he got dressed he went downstairs only to see that you weren't there anymore and escaped during the night. He started throwing furniture around, angry. Eventually he went down to the basement and un-daggered Elijah and Rebekah since there's no point having them daggered anymore cause your gone.

"What happened to you?" Damon asked and came up to you, inspecting all the burns but being really gentle about it.

"Mean 'erson hurt me" you mumbled back.

You then noticed Katherine standing behind Damon and your eyes lit up. "Kafrine" you reached out grabby hands for her.

She came over and gently took you into her arms from Stefan's. Damon looked offended, it was really hard for everyone not to start laughing at him. "I am offended she chose Kitty Kat right there over me. Her own brother" Damon said, playfully glaring at you.

You adorably smiled at him then started to play with Katherine's curls. "You are lucky your cute" Damon said and went to pour himself a drink.

He turned to all the girls; Bonnie, Elena, Caroline. "Don't even think about it you three and you two don't even start" he pointed to Jeremy and Tyler who were about to say something.

"Hung'y" you whispered into Katherine's ear while Damon was telling off everyone.

"Okay y/n/n do you want a blood bag or my blood?" Katherine whispered back, making you smile.

"You, p'ease" you answered.

Katherine moved her hair out of the way for you to drink from her neck. You slowly sank your tiny, cute fangs into her and started to drink from her.

"I'm going to kill Klaus" Damon raged, starting to head for the door.

"Don't even think about it" Stefan said before Damon could take another step. He thought about it for a second then started to walk again before Katherine started to talk.

"Damon if you take one more step to that fucking door I will kick your ass so hard you won't be able to sit for a week" Katherine threatened him from where she was now sitting with you on her lap still drinking her blood, slowly.

"Damon c'mon" Stefan said, knowing Katherine will actually follow through with that action.

Damon walked towards the couch and sat down, glaring at everyone in the room who was also now sitting. "So what your telling me is that son of a bitch can kidnap our sister and I can't do anything about it? No revenge?! because trust me he deserves it" Damon exclaimed, furious.

"How about we wait until we know y/n is okay before planning some psychotic revenge plan your probably thinking of right now" Bonnie said, who was sitting next to him.

"Fine Bon Bon, but I'm holding you to that" he said.

You stopped drinking Katherine's blood and by now most of the burn marks are gone except for a couple still on your arms but they'll heal soon enough. You were staring at the drink in Damon's hand that he got just now. It's obviously bourbon but you can't exactly tell the difference of alcohol or not.

Damon noticed where you were looking. "Do you want some?" He asked you.

You slightly nodded and climbed down from Katherine's lap, going over to him. "Damon no, she's four" Elena said but Damon to no avail didn't listen and brought the glass up to your slightly parted lips.

Everyone didn't stop him because they all knew what the outcome of this was most likely to be and it was you spitting it out. Damon poured some into your mouth and sat the glass down onto the coffee table. As soon as you tasted it you spat it all out right onto Damon's lap, making a disgusted face.

"Sowwy Damy, don' wike dat" you apologized and pointed at the substance in the glass he put down.

"Umm, it's okay y/n/n. I'll be back I'm going to go put on pants that aren't stained with alcohol" Damon said and went upstairs to his room.

You turned to where Bonnie's sitting and started to play around with her fingers. After a bit she lifted you onto her lap so you didn't have to keep reaching up to her hands.

When Damon came back down Stefan was already checking your arms and face where there are still a bit of traces from where Klaus hurt you. You whimpered when he touched a certain place where you were burned with vervain on your upper arm close to your shoulder. But other than that everything looked fine and should heal soon.

"Okay everything looks good but watch out for this burn mark just in case. I put a plaster on it but still be careful about it" Stefan said standing up again.

"So she's alright nothing serious right?" Damon asked sort of getting eager to everyone's dismay, knowing of what's going to come from him.

"Yeah......why?" Stefan asked his brother in return.

Damon didn't answer and just turned over to where Tyler and Jeremy were arm wrestling at the arm of the couch they were at.

"Hey you two idiots over there" he said getting both of their attention.

"Yeah?" They both asked at the same time.

"How would you guys like to go and hunt a certain hybrid with me?" Damon smirked at them.

"Sure why not?" Tyler said and Jeremy responded with; "awesome, I'm in."

"No to both of you" Alaric said walking in the room and making the two boys sit down again.

"Wait school isn't over yet" Caroline pointed out.

"I excused myself saying it was a family emergency. The whole reason I left though was because of Damon and his teenage girl hormones when this stuff happens" Alaric said, making all of them laugh at your oldest brother.

"Oh come on he DESERVES it" Damon exclaimed.

"Yes he does but let's wait a bit first" He told his best friend and drinking buddy.

Damon just rolled his eyes and sat back down next to Bonnie again. "Okay you guys might want to stop speaking about k-i-l-l-i-n-g people in front of her" Bonnie informed, nodding down to where you were now leaning back against her dozing off.

"Seriously? You think she doesn't know how to spell" Tyler pointed out at how Bonnie spelled out the word 'killing'.

"Okay then. y/n what was the word I spelt out the last time I talked" Bonnie asked, looking down at where you were looking up at her.

"I don' know. Candy?!" You said expectantly but Bonnie shook her head and you leaned back, saddened now.

Eventually though you did fall asleep ending with the top half of your thumb in your mouth. Bonnie tried to pull your thumb out but stopped after you started to wake up again.

“So what exactly did Klaus do to her?” Alaric asked after Bonnie came back downstairs from laying you down in your bed. 

[lanassgirlll]

Do you love me?

Klaus Mikaelson x Female Reader

Warnings: fluff, the tiniest bit of angst, no mentions of y/n

Words: 1,7k

AN: This is my first time writing and actually posting something, so please excuse any grammar mistakes and all that if this actually ends up getting read. Thank you, and enjoy!

It had been a few days since Klaus had left town, telling his girlfriend that he has some business to deal with, which concerns his family only. He had said the words “my family” to her, like she hasn’t been with him for years now. He had made her feel like she didn’t belong with them.

They met a really long time ago, while the girl, had still been a witch. But meeting Klaus and falling for him, she eventually decided that she wants to spend eternity with him. So she abandoned her magic and became a vampire, so she could be with her only true love.

It had been years, since she turned. She learned what it is to be a vampire first hand, she learned control. Even if it had taken her a while to come to terms with the fact that she has no magic anymore, having Klaus by her side, had helped her a lot through it all.

But now, Klaus had changed. She loved him more than anything life could offer her, but could she say the same about his feelings for her?

For the past few months, she noticed a change in him and the way he acts around her. He had gotten more distant and more cold towards her. She didn’t know why. Was it her fault? Was it something she had said or did, to upset or hurt him in a way? She had been trying so hard to find out, to fix things between them, but her effort was pointless.

Now? After months of trying, she had finally given up on trying to find out why Klaus had been pushing her away. She was usually a bright and bubbly person, who could make you smile in an instant, without even putting much effort into it. She had stopped doing the things she loved, she had stopped seeing and talking to most of her friends. All because she couldn’t figure out what was so wrong, that made Klaus hate her so much.

She was tired of trying. Thinking that he had fallen out of love with her, she started keeping her distance from him as well.

It was late at night. Laying in her bed, their bed, which now was barely shared between the couple, she was yet again thinking about him. Sure, they never officially ended things, but it felt like they did in a way.

She had been laying there for hours, crying as silently as possible. Not that anyone would hear her. She was all alone in the house.

Standing up, she walked over to where Klaus’ drawers were, and slowly took out one of his shirts. She slowly put it over her own and smiled sadly, smelling his light scent coming off the fabric of the shirt. She missed him so much, yet she felt like she had no right to.

She walked out of their room, and instead went to try and sleep in another one of the rooms on the floor. As she walked into the room, flipping the switch to turn on the lights before making her way over to the bed in the corner of the small room.

She sat down and did her best to wipe the already dried tears off of her face. She was exhausted of crying all the time.

Taking out her phone from the pocket of her jeans, she turned it on and looked for Klaus’ number. She took a deep breath before pressing the button and dialing it, already feeling regret after the first two seconds.

Answering the call, Klaus spoke from the other side of the phone “Hey, is something wrong?”.

She took a few seconds to think before speaking up “No I- why would you assume that?”

“Because what else would you- call for?”

“Oh.., right, I guess you have a point. I mean why would I want to call my so called boyfriend right? It’s not that I miss you or anything.”

She instantly felt regret after saying those words out loud, and before Klaus had the chance to say anything back, she apologized and hung up the phone on him.

She then turned it off and laid down on the bed, deciding to just try and sleep it off.

Klaus was worried about her. After their call last night, he had immediately decided to go back home and talk to her in person about what was wrong. He knew he has been distant and pushing her away the last few months, but he had only been doing it, so he could keep her out of the problems that had been rising every other day. He thought that she was already involved enough and that he didn’t want her to get caught in the middle of it more than she already had.

Truth be told, he was scared to lose her. And only after hearing how sad she sounded over the phone, he had realized that by pushing her away, he was slowly losing her still.

So there he was. Getting out of his car that he had just parked in front of his house, early in the morning. He walked inside and quickly walked up the stairs to their shared room.

Opening the door and seeing the bed empty, his heart dropped to his stomach. Had she left him? The hybrid took a deep breath and tried focusing on hearing her heartbeat incase she was still there.

He heard her, not far from where he was and relief instantly washed over him. He walked back out of the room and followed the sound of her heartbeat.

Opening the door of the room she was in and seeing her asleep on the bed, he let a tiny smile dance on his lips for a few seconds only.

The hybrid walked over to the bed and slowly sat down next to her, gently taking her hand in his and tracing his thumb over the knuckles on the girl’s hand.

Klaus was happy that she was still here.

Feeling the movement of the bed, she slowly started to wake. Humming a little, she looked up and saw him looking down at her. The girl freaked out a little, since she didn’t expect him to be next to her.

“Niklaus? You’re here?”

Slowly sitting up, she pulled her hand away from his and looked down.

“I am. You got me worried last night with that call, love.”

Chuckling a little, she rubbed her finger over her hand.

“You haven’t called me that in so long, I actually had forgotten how it sounds when you say it to me.”

“I know that-”

The girl looked at him again and shook her head.

“No, Klaus, you don’t know anything. It’s been months! Months since you told me that you loved me, months since you’ve stopped talking to me. I tried so hard, to fix it, to- to find out what was it that I had done wrong, but you never let me fix it.”

Klaus clenched his jaw. He was angry at himself for what he had done.

“Love, I was only trying to keep you safe. It took me way longer than it should have, to realize that by pushing you away, I was still going to lose you.”

She stared at him in disbelief. She wanted to cry, but she had nothing to give.

“Are you being serious? You’re a million years old, and yet you are that stupid to think that the solution to all your problems, is to fucking push me away?”

The hybrid looked at her sadly. He understood why she was angry and upset with him. And he knew that he’d do anything to fix it. He loved her too much.

“I was scared, I- please tell me how to fix this, I will do anything you need me to do, just please, love.”

Klaus gently took her hands into his and held them tightly, too afraid to let go.

“Do you even- love me… still? Are you still in love with me, like you were before?”

“Yes. Yes, I am. I love you more than anything, sweetheart, you know that I do.”

The girl looked down, staring at their hands. Hearing his say that he still loves her, made her feel such relief, but yet she was still so hurt.

“Then why wouldn’t you just talk to me Nik? If you had told me how you felt, I would’ve helped you, I would’ve done whatever it is that you needed me to do. But instead you pushed me away and you hurt me- you hurt me so damn much.”

Klaus’ heart broke for her. He never wanted to hurt his girl, he just wanted to keep her safe.

“I’ll fix it, okay? I’ll make it right. I’ll spend the rest of my miserable life, making it up to you, for hurting you like this. I never wanted to. God, I am so, so sorry, sweetheart.”

Tearing up himself, he gently wrapped his arms around her, pulling her against his chest and stroking her hair softly.

The feeling of his warmth, finally so close to her again, she just broke down into his arms. She had missed him so much.

“Shh, love. I’m here now. I’m here and I am never leaving you again.”

With trembling hands, she held onto his shirt, clutching it so hard she thought it would tear.

“I love you. I love you so much, Nik. Please never do this to me again, I beg you. I can’t- I can’t live without you.”

Klaus slowly laid down, pulling her with him without letting go. He held her tightly and close, still stroking her hair and rubbing her back softly, trying to comfort her and help her calm down a little.

“I swear, I will not. You are my everything, love, my whole world, my sun.”

They laid there for what felt like hours. She cried until she just couldn’t anymore, and Klaus held her the whole time, helping her calm down.

He deeply regretted everything he had done and said to her those past few months, but he would do all that he could to make his girl happy again.

[so-long-soldier-writes]

dating elijah mikaelson

elijah mikaelson x human!fem!reader | request

tags: fluff, mentions of sex but nothing explicit

word count: ~1.4k

⊱ him introducing you to his family one-by-one, because he knows they’re a handful

rebekah immediately loves you but makes you swear you won’t break his heart. promises her family will be loyal if you are to them

kol is kol when he meets you - a bit flirty and picking on his brother. it’s not long before he treats you like a sister, though

it’s harder to gain klaus’ trust, but once he knows you’re not a spy to take down his family, he learns to love you. admits he’s glad his brother found someone that makes him happy

⊱ always being invited to family dinners. soon, you don’t even need an invite; they expect that you’ll be there, and will pout all night if you’re unable to come

⊱ going to every party and event with elijah, wearing dresses he’s bought you and matching them with his ties

⊱ speaking of which, him always buying you things. mostly dresses and expensive jewelry, but also anything else that catches his eye

⊱ and if there’s not event for you to attend to wear one of these dresses, he hosts his own private dances for just the two of you in the mansion’s ballroom

teaches you elaborate dance styles from all different decades, and has music to match any time period

at the end of the night, will take you outside princess-style to look at the stars from the balcony

standing in silence with his arms wrapped around you until you get cold, to which he’d then wrap his jacket around your shoulders or bring you back inside

or, you’ll go on walks through the garden and have long talks about anything and everything

⊱ long walks through gardens in the daytime, too, where he picks you flowers

⊱ always showing subtle displays of affection, whether in public or not. holding hands, kissing your cheek, keeping a hand around your waist

⊱ he’s extremely protective and won’t hesitate to take a life to save yours

⊱ will also put himself in harms’ way for you, but then refuses to let you heal him

“just a little bit, baby, come on,” you hold your wrist out to him

“i can’t risk hurting you”

eventually, you’re able to coax him into drinking just enough to help him stand, but that’s it. he heals you back immediately even if you don’t need it

⊱ finding little messages and love letters everywhere. in your coat pockets, under your pillow, in the place of a bookmark. his writing is poetic and straight from the heart

⊱  but while you love the romantic side, you like to keep him on his toes, too

a little bit of child-like behavior never hurt anyone

you’ve scared him several times by hiding behind doors and popping out as he passes. once, you even got a curse word out of him

you’ve also convinced him to join you in the pool on several occasions, with or without being fully clothed (only at night, of course)

sometimes, you’ll go outside together, away from the city, and explore the woods. you always come back feeling more at peace and definitely more in love

⊱ while on the topic of love, you’re the first to confess it, but he knows he’s loved you long before either of you say the words

you say it while you were cuddling one night. he doesn’t know how to reply, but you tell him it’s okay to say nothing

he wants so badly to tell you the truth about how he feels, but is too afraid that the minute he utters them, something would happen to you

but then he tells rebekah about what had happened and she berates him for it

“you obviously love her, you’ve got to tell her! you can’t live in fear, elijah, you have to go for what you want in this world. if you lose her, it may be too late. besides, our enemies aren’t the only thing that could take her from you. what if she’s worried right now that she made a big mistake in confessing that? what if she runs?”

rebekah makes so many good points, and the fear of what he had done (or rather hadn’t done) begins to eat away at him. but he doesn’t want to rush admitting it, though, so he prepares a night for just the two of you

he cooks a whole dinner and decorates the ballroom. he even buys you a new dress for the occasion, then gives a time to meet him at there

convinces rebekah to take her siblings out of the house for it. gets klaus easily, but kol will not stop teasing him for it. elijah ends up making a deal with davina to get him to go away. he trades an embarrassing baby story for the girl to keep him out of the house for the night, which she gladly accepts

finally, after his siblings are out, he greets you at the door with a kiss on the hand, then the cheek

he works up the courage during dinner conversation, and then at last, during a slow, romantic waltz, utters the words he’s wanted to tell you all this time

he doesn’t stop there, though. he makes sure to tell you everything you make him feel, everything he wants to have with you, how much he really loves you

the night is cut short as you take him upstairs by the hand to take advantage of your time alone

nsfw-ish

⊱ your first time together happened long before any confessions of love, but each time you did after was so much more special than the time before it

⊱ your first time, he was incredibly gentle, not wanting to hurt you

you are, after all, human

he was terrified of causing any pain, because he knows he’s a hundred times stronger, especially in times he’s chasing his lust for you

eventually he learned you could handle him, though, and let himself give in just a little bit. only because you convinced him you wanted it

⊱ the first time he was rough was when he was pissed off about an irresponsible decision klaus made, and you provided yourself as an anger for his outlet

⊱ he’s always dominant with you, but this was a whole new level, and you loved it ⊱ sometime after that, you admitted how much you loved it, and he started to realize you aren’t as innocent as you look

⊱ slowly started exploring more, but he always made you repeat the safeword before doing anything, just to remind you it’s there

⊱ always puts you first and would much rather pleasure you than have any attention paid to himself

you still make sure to please him, though, even if he’s nearly begging you to just let him do all the work

little does he know, the begging just makes you want to defy him more

⊱ slow and romantic happens about equally as hot and rough does

tries his best to balance the two, but he would rather be slow as much as possible. he wants you to feel how much he loves you at least once a week.

⊱ will let you be dominant sometimes, but only after you’ve had a day where you need to feel in control, or after he’s had a day where he needs to feel taken care of

secretly loves being submissive to you but could never do it on a regular basis

⊱ does not take aftercare lightly, no matter the case

cleans you up with a bath, or hot rag if you refuse to get out of bed

applies creams and lotions to your body as necessary

kisses your skin or massages anywhere that you feel a little pain or discomfort

⊱ you usually convince him to cuddle with you afterwards

it was odd to him at first, but soon learned to love and value it

sometimes you’ll fall asleep together. you both love waking up in each other’s arms and sharing a kiss first thing in the morning

⊱ after a couple months, you spend the night with him almost always. eventually, you move in with him and his siblings, too

him making coffee and breakfast for you all

his siblings making fun of his messy hair on mornings after rougher nights

⊱ dating until he can’t stand it anymore and needs to marry you

⊱ living the rest of your lives together; always and forever

[ondeemand]

Umbrella Academy Season 4 Review

I cannot understate how bad this season was, not just from a character writing angle, but from a world building one as well. Am I biased because Five is my favorite character and he, arguably, had the biggest character assassination this season? Maybe. But I'd still like to go over my analysis of the final season of Umbrella Academy despite the fact that I'm going to pretend it didn't happen.

Things that don't make sense with the logic they've established

Little to no explanation of the “upgrades” or changes in everyone’s powers. Only some got an actual upgrade (Allison, Klaus, Five, Viktor, and Lila), but Ben’s tentacles just changed positions with no explanation (likely so he didn’t have to wear that greenscreen torso setup), and Luther and Diego just stayed the same.

○ Why does Allison’s upgrade involve super strength and/or telekinesis? I could maybe see it working on people (a silent command for them to do physically impossible things like float), but why does her power make the lights flicker and furniture move? ○ Why does Lila have laser vision as her upgrade? Her power is to copy powers, no one here has laser eyes. If it’s meant to be an upgrade, why is her upgrade laser eyes of all things? You could have made it so she can use multiple powers at once instead. Not to mention that the laser vision played next to no important role in the entire show besides one attack in the final fight that Viktor could have done instead. ○ Luther mentioned in an episode that he’s been having problems with his powers? What problems? That was never shown and never elaborated on. Also, everyone has already mentioned this, but Luther getting his power back wouldn’t give him the ape DNA.

The show claims that Allison also lost her powers last season despite her not getting her Marigold taken out of her. This could have been a programming thing with Reginald’s universal reset, but it isn’t really established so we’re left to guess (or at least I am).

Why did the CIA hire an 18 year old (at most) looking boy and accept that his name is a number? Did they not question that he’s a Hargreeves and any relations he may have to Reginald? This could be explained that the CIA looked the other way because Five’s boss was a member of the Keepers and possibly knew he had something to do with the timeline being screwed up, but this isn’t ever confirmed.

I liked that Lila’s family was alive, but how? Why? How did they reconnect? Did Lila replace their daughter? Are everyone else’s parents alive? If so, why didn’t they go look for them (especially Klaus, who went out of his way to find his birth mother last season)? Are the other October 1st children alive in this universe? If so, why didn’t they look for Sloane, even if she’d have no memory of her time as a Sparrow? This plot point just creates so many questions that go unanswered.

Number inconsistency with the timeline (Five is 63 instead of 64 years old, saying they spent 5 years instead of 6, etc). The beginning of the show said it was a 6 year time-skip, but the end of the season said it was only about 5 1/2 years, which is likely what led to these inconsistencies. It’s a small detail, but all it would take to fix is to just say it was a 5 year time-skip from the start.

Ben on a subway train last season was seemingly not explained despite subway trains being a very important plot device this season. I get that they probably had to change the story because of Netflix canceling the show, but still.

What’s with the Jennifer portrait in Sparrow Ben’s room in season 3 if he’s never met her before? It was probably just meant to be a reference, but now it retroactively doesn’t make sense.

Why does Claire know that Klaus is immortal? Even if he told her, why would she believe him? They live in a world where they never had powers, and I don’t think anyone told her they got the powers back, let alone every detail of how Klaus’ work.

Five used the ability to go back in time in short bursts way back in season 2, why does he never use that power again? (The answer is that it was too convenient and could fix any plot point, but still)

No paradox psychosis symptoms in the deli full of Fives (because it’s in the subway? Unclear and unexplained).

Diego said that Lila hates bracelets and traded one that Diego got her, but she kept the one Diego made in the 1963 asylum and wore it for the rest of the season. It even made it to season 3 where Diego had kept it for most of the time, then returned it to Lila at the end. It’s such an important symbol of their relationship, but they just had to throw in a random reason that Diego would discover the affair that doesn’t even make logical sense.

Very small thing, but Viktor said he was going to pull out Ben’s Marigold but then they switched it to pulling out his/Jennifer’s Durango.

Klaus doesn’t have his Hello/Goodbye or cult tattoos but they do all have the umbrella tattoos? That doesn’t make sense.

Seeing all the kids being happy in the new timeline was nice, but I do have to point out that they wouldn’t exist if their parents didn’t, or it’d be incredibly unlikely that they’d turn out exactly the same and end up being all together.

Seeing Grace happy at the end was also really sweet, but it didn’t make logical sense because the real Grace is from Dallas in the 60s. She’d be old and/or dead by then, and if they showed her, why not also show Ray, Missy, and Harlan?

Things I just don't like about it

Where’s Ray? It was sad that he was so easily written out and delegated to just a few lines.

Klaus getting whored out is so uncomfortable. Thank god they cut away before it got too graphic, but it was still so bad.

Klaus overall was underutilized and given the short end of the stick this season. How it usually works is Five and Lila are the A Team, they have all the pieces put together and are making real progress. Everyone else is the B Team, they’re trying their best to solve the plot but sometimes make unnecessary moves because they don’t know everything. And then there’s Klaus on the C Team doing god knows what (and I love him for it). However, even if it’s silly, it always impacts the story in some sort of helpful way.

○ In season 1 he gets kidnapped and sent to Vietnam on his own side quest. The plot relevance is that now he learns more about Hazel and Cha Cha and learns how the briefcases work. This is also a somber character moment that forces him to mature through a traumatic event. More positively, it’s where he meets the love of his life that, in turn, has ties to season 2. ○ In season 2 he fucks off for 3 years to start a cult. This allows him time to really practice with his powers and has development for Ben, as well as getting him connections and experiences that help them later on. ○ In season 3, while the rest of the cast are dealing with the Sparrows, he and Five go on a road trip to Pennsylvania. This fun jaunt leads to the incredibly important revelation that their mothers died before they were born, and the discovery of the Kugelblitz. He later goes on another road trip side plot with Reginald where he actually trains his powers, which allows him to survive the Kugelblitz and reveal Reginald’s actions to everyone in the Hotel Oblivion. ○ In season 4, Klaus… gets kidnapped by a gang he owes money to and gets spiritually and physically whored out to people. He manages to escape by himself, is almost immediately found by the gang again, gets buried alive and left to die over and over again (incredibly similar trauma to the mausoleum that isn’t addressed), and is rescued by Allison and Claire. He gains nothing from this except for more trauma. It’s not plot relevant, he doesn’t learn anything or gain any new skills from it, and he doesn’t even get the money he dug up. It’s mind boggling how many plot irrelevant things got squeezed into the final season when the runtime was cut in half. I’d argue that maybe it would all be worth it if they included the cut scene where Klaus goes to an AA meeting.

Not the fault of the show, probably, but the captions weren’t always accurate.

Lila and Five romance which is gross both in-universe and between actors. Not to mention how allonormative it is that Five “had to have a love story,” because the show was already a familial love story. I really don't believe Five and Lila would get together, but even if they did, they would both drop it the moment they got back to their family.

○ I believe that they would grow very close, especially when they’re the only people together. It’s like a diet apocalypse (I’ll get back to this point later), so it makes sense that they’d grow closer on top of the relationship they had based on their established similar backstories and traumas. ○ Five would NEVER give up on finding his family. It’s his main motivation, the very core of his character. Would he want to take a break after 6 ½ years on top of his 45 previous years being stuck? Absolutely, that’s entirely plausible, but he’d want to leave the second he found the journal. ○ Five loves his family, full stop. He’d NEVER hate Diego for his reaction to getting cheated on, and he’d never want to “fucking kill him.” Have we forgotten how a young Five tried to shake Diego’s corpse awake when he first got to the apocalypse? ○ On top of it all, he would never just abandon everyone like that and fuck off to another timeline, and especially not because he got dumped.

I wish the show focused more on how visiting the apocalypse and getting stuck on in the subway would dredge up old memories for Five. He had a whole PTSD attack in season 1 and freaked out hard. I know it’s been a few years for him, but seeing any kind of reaction besides mild concern would have been nice. Same with Klaus and getting buried alive. I didn’t even know that he was dying over and over until I watched the cut AA scene. Robert Sheehan has so much range and I wish they let him shine in that more serious moment on top of how well he does the comedic stuff.

I get that Random Fire Boy from the Phoenix Academy timeline was likely just another one of the October 1st kids, but why create a whole new guy for just that scene? Why not use one of the other established Umbrellas or Sparrows to shoot an attack that took 2 seconds of screen time?

The CGI was bad ngl. I thought it looked worse than usual last season, but this was. Not good.

The final fight with the big glob monster felt kind of disjointed and awkward, both with the pacing, visuals, and dialogue.

Incredibly sad that Ben (and Jennifer, but we didn’t get enough time to really bond with her) died so horrifically. He died scared and alone, never having fully connected with the Umbrellas who only ever saw him as a replacement for their own dead brother.

The fact that there wasn’t a dance sequence this season is really telling. Someone online proposed the idea that they should have danced as they waited to die, and I think that would have been great. The soundtrack did use another version of “I Think We’re Alone Now” for the final scene, but I think this part would have benefited more. Five and Lila would get to join in, and it’d be nice because they weren’t alone anymore. Even if they were going to die, they’d be together. It would have added more sweetness to a bittersweet ending.

The Diego fat jokes weren’t funny. Fatphobia isn’t funny. He also isn’t fat??? He’s really fucking muscular as shown by him going shirtless in the CIA fight (the Marvel dehydrate+flex method strikes again). Maybe he gained some weight since previous seasons but not to an unhealthy degree. He’s a suburban father of 3 who sits in a van all day to deliver packages, of course he’s not as active as he used to be when he was a crime fighting vigilante.

They also never name Diego and Lila’s third child despite them being so important to Lila and why she chooses her family over her affair. Grace as their first daughter is sweet (Diego was a mama’s boy to the end), then Coco is nice (Spanish name like Diego’s), and then there’s Coco’s unnamed twin. It would have been nice to give them a more traditionally Punjabi name to even it out, or show interesting character psychology for Lila if they were named after someone like The Handler or AJ.

No Pogo except in a flashback? The gang that held Klaus hostage were the Mothers of Agony, so I thought he would be there and maybe help Klaus escape. I guess if Reginald had his wife and never made the Umbrella Academy, he wouldn’t have done the experiments that made Pogo into what he is? That either adds to how awful Reginald is, or it’s just another plot hole.

That whole vomit scene. Bad and Not Funny.

Baby shark was funny at first but got old and cringe incredibly fast.

Things I DO like about it because I want to stay at least a little positive

(It’s not in the show but conceptually, with Allison’s new powers, she could tell someone to kill themselves and they just would which is a funny visual)

The family photo was cute, I love looking at everyone’s individual reactions.

The episode 4 flashback sequence was great.

○ Good casting for the young versions of characters. ○ I love that it showed how close Viktor and Ben were as kids. It’s always been a strong headcanon within the fandom but I don’t know if it’s ever been established on screen before (besides Ben’s sacrifice in season 2). ○ POGO!!!!! ○ Ben said fuck!!!!! ○ Holy SHIT very good reveal of Ben’s death. It was super shocking and unexpected, and the fact that it was a big mystery for so long and ended up being something so simple really added to the tragedy.

Allison throwing a plate at Reggie lmao.

Viktor standing up to Reginald!!! Let it out king!!! And I love that his outburst shows even more how close he and Ben used to be.

Diego and Luther’s dumbassery, I love them so much. The two halves of a whole idiot are BACK. They’re besties and I love it.

Diego learned Punjabi for Lila and her family!!!!! That’s so fucking sweet of him!!!!!!

The soundtrack, as always, was a banger.

Most of the fight scenes are great, either hilarious or incredibly violent or a mix of both.

Hargreeves being an abusive father but not a transphobic one lmao.

I still love the umbrella shapes at the beginning of every episode, and the final one being inverted was sick.

I wasn’t sure about Gene and Jean at first but I love them. Great casting choices, great performances, they felt very reminiscent of the weird and unique aesthetic of season 1 that I’ve been missing.

Diego calling Five “Cinco” was so cute. Too bad this horrible version of Five didn’t deserve it.

I do like how Viktor and Reginald were paired up together when they had the most strained relationship at the start of the show. It felt like a sign that Viktor was stronger now and had been able to recover enough to do so.

○ I understand where people are coming from that it feels too much like forgiving Reginald and absolving him of all his abuse. But also, this is the show that forgets about all the bad things a character has done between seasons, let alone between several. Viktor slashed open Allison’s throat? Water under the bridge. Luther locked Viktor in the same chamber that Reginald did and gave him a mental breakdown? Forgiven and forgotten. Allison’s sexual assault on Luther? To them it’s been 5–6 years so he’s had time to process it but still, never brought up again. I’m not excusing these writing choices, just establishing that it’s been a pattern. At the very least, this one felt like there was closure because Viktor actually got to stand up for himself and his siblings.

They finally wrapped up the plot thread of Five creating the commission, even if it was just delegated to a throwaway line. The fact that they addressed it at all was satisfying enough to me, especially in comparison to everything else.

It’s a blink-and-you’ll- miss-it moment, but Five protected Luther’s head from bullets when the van was getting shot at. So funny that he keeps trying to use his small body to protect the actual tank that is Luther.

○ It’s similar to the scene in season 2 where Five (prepubescent body) pushes Luther (bulletproof ape body) out of the way of falling bricks and gets crushed. Luther is canonically bulletproof (maybe not in the head?) and Five KNOWS this because he saw him get shot by a tank in 1963. ○ Thank god at least SOME part of his love for his family and protective instincts survived this season’s character assassination.

I like that the final scene of them all in a circle kind of mimics the ending of season 1 (even if I wish it was a dance sequence instead).

I liked that the ending showed other characters getting to have normal lives (The Swedes, Hazel and Agnes, Grace (even though that doesn’t make sense), The Handler, Dot and Herb, etc). If it had to end in a bitter way, I like that we got even this small comfort.

TLDR

Overall, while the season wasn’t entirely unbearable to watch, the small, momentary Pros are heavily outweighed by the Cons that either break the show’s logic, assassinate the characters, or are storytelling choices that leave longtime fans like myself dissatisfied.

3.65/10

[dennythemenace]

SPOILERS FOR UMBRELLA ACADEMY SEASON 4!!!

Everyone in season 4 was various levels of out of character.

Luther wasn't as bad. He has his previous aspect of trying to bring his family together. He cares for them and wants them to be together. But he didn't have it throughout the season. Also, considering his attitude towards Reginald in season 3, there is no way he would be that fine with being in the group to go see him. Overall, it would have made more sense if he was with Viktor in the let's go find and help Ben campaign instead of being a background character in relationship drama.

Diego would not have been an absent father. From his relationship with Stan to his anxiety of becoming his father, he would have been extremely involved. Most of the awkwardness with Stan was because Stan showed up at the age of 12 out of nowhere. Considering how he clearly had time to prepare for his children, he would have been more ready. Also, why did those twins never get named? It doesn't make sense for him to have his attitude about it with how old his kids are, and after losing Stan after just starting to get close and look after him. Also considering how forward Diego is, he should have confided in more of his siblings about his relationship issues that Five and Luther in the beginning. Which would have also induced more bonding. Overall he needed more scenes with his kids in general.

Allison would have clung harder to Claire. A big part of her character is her daughter. She spent the whole show trying to get back to her. She full ass re writes a timeline and makes a deal with her abusive father to get back to her. There is no way she would not be extremely overprotective. They also tried to paint the picture of her and Klaus always having that relationship when they did not. Sure, they were closer in season 2, but they were not always shown to have that specific Allison looking after Klaus thing. She should have also had more emotion shown about her actions back in season 3. Whether it be regret or apathy, something should have been shown. Yes, she has that minor talk with Viktor, but nothing else? Really?

Speaking of Klaus, where was his eccentric personality? Even when previously sober (majority of season 2), he still held onto his personality. If they were going to go the route they did with his characterization, they should have had a moment where he reminisced on the people he lost or something. He needed more to put him from point A to point B. Additionally, his separate side plot was ultimately useless. A thing about Klaus is that whatever odd side plot he has always ends up ultimately tying into the plot in a big way. He accidentally is productive. He finds the kugelblitz, he is the first sibling to meet Ray, he is half of the possession plotline which eventually leads to stopping the apocalypse, he's accidentally the reason the journal gets into Harold's hands, but how was his side stuff tied into the plot this season? Also, his relationship with Ben was completely un mentioned. With how Klaus is trying so hard to bond with him in season 3 while mourning his brother, there is no way he just has like no scenes with him in season 4. He wasn't there to remember Ben's death and there wasn't even a conversation about it.

Dear fuck, Five. Why did they give him a romantic interest in the first place? Not only does his character not need one or even close to needing one, his age makes any sort of romantic relationship just flat out weird. Between him being 18 or 19 physically, he's also mentally in his sixties. After the weird mid-season time skip, sure, he's physically in his mid-20s, but he's mentally 70. A relationship with anyone is weird. Let alone with Lila. It's also odd because Lila is arguably one of his only friends. They were a good duo because they were efficient and entertaining. Most of their screen time being shared is because of the commission, and they built a complicated friendship off of it. Key word friendship. Five has given so much time and time again for his family. He loves them and cares for them, even if he doesn't outright show it. He hides it beneath snark, but it's always been visible. He would not have a relationship with his brothers wife, especially knowing she did have a family back home. If anything, they would have become extremely co-dependent on each other, but not romantic. Also, Five would not be dumb enough to go travel back to go try and mess with the original Jennifer incident. He should have put up more of a protest against it, or have him agree to try when things are more desperate.

Ben after being re-introduced in season 3 is shown to be bad at being an antagonist, a part of a quote unquote family more dysfunctional than the Umbrellas and that deep down, he does want a family. In season 4, he claims to not be part of the Umbrellas family over and over again, yet is still getting together with them. He claims his family is dead, despite the fact that he did not view them that way in season 3. Also despite the fact that they tried to explain it away with the Cleanse messing with his mind, it was extremely weird how obsessed he got with Jennifer. They should have had them already met and having a pre established something in season 4, other than just straight up meeting that week. He should have also mentioned any of the Sparrows at least once if he was so insistent that they were his family. He had the perfect opportunity to at least mention one or two of his siblings at various points, but he didn't. Or maybe have him mention trying to look for them at some point in the time skip before he went to jail, something. With his desperation for family, there is no way there wouldn't be something.

It was odd how Viktor was so set on little to no contact, and then wanted to see Ben's death to be part of the team. He states to Allison how they are not friends. He is trying to establish a lack of relationship due to everything that went down without having any sort of actions or anything to fully indicate it. He should have gone fully one way or the other with whatever feelings about his family or have shown to have the more complex feelings about it. Also, if they were going to have him trying to be the one to save Ben, they should have brought up his conversation with him or something from the end of season 2. Something in general.

Lila had complicated feelings about being pregnant back in season 3 and her worries about being a bad mother. They should have had her in more scenes with her kids. Also it felt odd for her to be a stay at home mother. With all the childcare help she could get from her family, they should have given her at least a little side job. It was even weirder how she was stated to hate bracelets after the importance of the bracelet between her and Diego. She also would have known how dangerous it would be to mess with the timeline and would not have suggested it as an option unless things were more desperate. She WAS with the commission, after all. Diego and Lila should have had more conversation about the break in their relationship, especially considering what follows. She stated that her relationship with Five was for survival, but then later it was extremely hinted that she loved him, which was weird. Did the writers also forget about he did in fact kill her parents? There was no mention of it whatsoever, nothing on her feelings about it.

Honorable mention: Ray. He would not have walked out on Allison. If anything to not have him be in this season, divorce, or maybe just have him die again, idk. He would not have walked out and it's extremely insulting to him to have that be what happened

[they-breasted-boobily]

Ways the plot of tua s4 could have been improved while including a lot of the same storyline:

It goes without saying that a 6 episode season was too rushed for even the shitty plot we got given, but I'll mention that these ideas would have worked better for an 8-10 episode season. Or maybe you could use them for fics or comics- I'd love to see them!

1. The careers and new lives of non-powered umbrellas: While Lila, Klaus, and Viktor had decent set-ups, the others seemed out of place. Diego's personality and desire to be a hero would have been better suited to a mall cop or traffic cop, where he feels undervalued and underutilised, rather than just beaten down as a delivery driver for jokes about peeing in a bottle. Luther only mentioned Sloane a couple of times in the entire series- with more than 6 episodes, it could have been possible to give flashbacks of him trying to get back to her, but her not recognising him and not being romantically interested. Not sure what changes could be made to his job or housing though. Allison's setup was mostly fine, but we really should have been given an explanation for why Raymond left- maybe lean into the horror of being taken from your time and timeline raising a daughter you suddenly have? Five would not work for the CIA except as a double-agent, either that or he would be retired as a fishing supplies store owner. Ben is his own whole point later in this post.

2. The marigold sake shots: I feel like this plot point added to Ben just being an asshole and scapegoat for the entire season, which could benefit from major changes. If left relatively unchanged, the fact that Klaus threw it over his shoulder could have led to greater implications if it landed on an unknown person behind them and gave them powers. This person could have been the subject of an episode or two as they were tracked down when it was necessary.

3. Ben's character: While s3 Sparrow Ben was a dick, he was not as edgy, conceited, or self-absorbed as he was in s4. I think it's fine to start his arc with him leaving prison, but making the crime as major as crypto fraud (just because you think it's funny) makes it much more difficult for him to seem likeable and relateable to Jessica or anyone else. If the crime was something more minor, or he was framed/unfairly jailed it could set up a revenge/redemption arc from the get-go. With his relationship with Jessica, it would have benefited from being more of a slow burn, or if the gradual unnatural obsession had more than 6 episodes to build up.

4. The subway romance: While I can almost understand why it was Five and Lila due to their history working together and especially using time travel together, I think if Five needed a romance (which I don't but show writers can't stand having one member of the main cast never being in a relationship), it should have been someone he met while on that 7 year subway adventure (probably an older woman) and settled with in Strawberry Tradwife timeline while Lila keeps looking for a way out for the sake of her children. Lila would find the journal a few months later and using both it and the subway map, get back to Five because she still needs his powers to get entirely out of the subway system. Could you imagine a scene with Lila trying to convince Five to leave the peaceful Strawberry Tradwife life he's always wanted after dealing with the trauma of being stuck in time twice?

5. Klaus's return to addiction: I think Klaus's arc could have definitely benefited from the season being longer. If there was a slower burn towards his addiction returning and his confrontation with Claire and if she stressed more that he didn't need to go down this path again, it could have really been impactful. The ghost sex trafficking thing was gross but if that was the only way to get him buried alive then so be it, because having him in a situation where he would have to directly face his trauma from the mausoleum and become stronger would be so good for the sendoff of his character. Maybe that could have been the point where he learned how to levitate?

6. Reginald and false memories: Why was the fact that he's literally not human and crafted this timeline so he could have as much power as possible (including a militia town) not explored at all? The plot should have revolved a lot more around at least verifying what he was saying about marigold and durango, if not about handing him a final defeat for this final season. Everything around him killing Ben led to huge plot holes (why wouldn't Klaus know the truth from Ben's ghost? Ben easily could have been spared and only Jessica shot. Why was Jessica being in a squid never explained?). While it's interesting to see the Umbrellas all give a brainwashed explanation for Ben's death, it couldn't be something as blatant as that, because Klaus would have to know even if everyone else was brainwashed. The brainwashing is an idea with promise, but it should have been something like Ben and Jessica being consumed by the giant squid together because Ben went against orders.

What other things could have been changed? I personally liked the CIA subplot, especially as it taught Diego to appreciate his family more. I also found Jean and Gene and the Cleanse conspiracy theorists to be fun new mini-villains.

[theeoriginals]

ok but what about werewolf!reader who is protective over tyler lockwood since mason died, and she's at senior prank night when klaus turns tyler. i imagine klaus being curious about her bc he hasn't seen or met her since she doesn't hang around elena & co. bc of what they did to mason. love u and thank you for blessing us with all these requests!!

i think i want you | klaus mikaelson

klaus mikaelson x reader (no y/n!)

author's notes; sorry this took a while!! holidays got the best of me and i've been so busy. i hope u like this!! go check out my klaus fic on wattpad for more content :) link on my masterlist

warnings; mentioned violence & death but nothing explicit. this is genuinely just a lot of fluff, and only a tiny bit of angst. I like writing klaus being straight up infatuated so enjoy

She’s heard of him. Klaus Mikaelson. Not only is he an Original, but he’s the worst of them. He’s a mystery, a myth of a man. The hybrid. The only one of his kind, and he’s trying to make more. He’s trying to become a god of his own making. He’s a terrifying beast, even in their world of monsters. He is the monster beneath your bed, he is the boogeyman that you see in the shadows of alleyways and glimpses out of the corner of your eye.

When she meets him for the first time, she expects something out of a fairytale, she supposes. It was unintentional, the image of him she had in her head, but she’s heard of this fabled man her whole life as a warning of what can happen if you grow lonely in this life. 

She figured if she ever met Klaus Mikaelson, it’d be the first and only time. There weren’t many stories based on people’s personal interactions with him for a reason. If he bothered to pay you a personal visit and not just send one of his cronies out to deal with you, it probably meant you wouldn’t be seeing another day. 

But instead of that, instead of meeting her demise at the hand of the infamous man for some offense she most likely didn’t even mean to do, she meets him in the high school gym in Mystic Falls, Virginia. 

She meets him, and he’s just a man. 

He’s a terrible man, no doubt, but just a man. She is perhaps wrongfully unafraid of him because of this. It most likely doesn’t bode well for her, because even though he looks just as human as the rest of them, she doesn’t doubt those stories about him are all real, and likely worse than the retellings. 

But she was raised with a pack that taught her to be unafraid in the face of death, and even though she doesn’t have that pack anymore because of men just like Klaus Mikaelson, she wants Tyler to know the security and safety of it just as she had. 

She does not flinch when he looks her way, and resists the urge to rip his head off of his shoulders when he snaps Tyler’s neck and puts Bonnie on a timer for finding a way to bring him back to life as a hybrid. 

She knows she can’t win a fight against him, so she doesn’t fight back, not even as he forces Tyler to drink the doppelgänger’s blood and turns him into a hybrid. A half-dead, half-wolf thing that her pack would likely call him an abomination for. It’s a very dark, comforting thought to her that they aren’t around to condemn Tyler to the ends of the earth for something that was entirely out of his control. 

She knows Tyler is frightened of her doing that, just by the way he looks at her. He learned from Mason and herself that there’s a sense of loyalty to their kind, and that vampires are an inherent enemy. Even his relationship with Caroline would be enough to get him shunned from most werewolf communities at this point. Though, even Mason himself didn’t take that into consideration considering his relationship with one of the doppelgängers. 

After everything is said and done that night, she takes Tyler home without saying a single word to Klaus. Anything she wants to say will get her killed, and Tyler needs her more than ever now, so she can’t get ahead of herself. 

Tyler sheds rare tears in the privacy of his home. He tells her he’s terrified right now because of the fact that a part of him is technically dead now, and that he’s never felt like a monster about being a werewolf until now. 

She does her best to comfort him, but it doesn’t help much. She doesn’t know what he’s feeling right now and they both know it. If the circumstances were any different, she’d probably think he was the new enemy. 

He falls asleep eventually and she leaves him be, heading to her temporary room in the Lockwood mansion. She falls asleep looking at the moon just outside her window, thinking about how she was just a little disappointed in the fact that Klaus Mikaelson is just a man. 

────── 

The next time she sees Klaus Mikaelson, it’s in the tea room in the Lockwood house. He somehow looks even more underwhelming in this place, despite its grandiosity. She doesn’t know why or when she’s going to stop feeling so disappointed in the fact that if she didn’t know any better, she could’ve walked past him on the street without even looking his way. 

He’s there for Tyler, she knows, but Carol’s playing her role of oblivious hostess, and now she’s left to entertain him while Carol goes and handles a small, mayoral emergency. 

Carol leaves them with a charming smile, winking her direction, and she ignores the older woman pointedly. 

“I don’t think I got your name the other night at the school,” Klaus says, tilting his head as he looks at her. “I’m not usually so rude, but the stakes were high and I ran out of patience. You know how it is.” 

She narrows her eyes, shaking her head a bit. “A thousand years old and you haven’t worked on your patience? Maybe your priorities are a little skewed,” 

Klaus’s eyes flash with danger, but she swears she sees amusement in the smirk that pulls at his lips. It sparks that flint inside of her that likes to push and push, just to see the breaking point. She’d tried to deny it, but it only takes the smallest moment for that desire to set its sights on Klaus Mikaelson, even though pushing him could mean death. Her curiosity was a fatal flaw in itself, she knows.

“My only goal in life has been to break this curse,” He says, leaning forward to sit the cup of tea Carol had brought him on the table in between them, the only obstacle stopping him from lunging for her and snapping her neck before she could even blink. She wonders if he’s even aware of all the ways he could kill her, just by looking at her in this mundane setting. She doesn’t know if she actually wants an answer to that, though. “And now I’ve done that. I think a thousand years of this has proven I have nothing but patience.” 

She hums, acknowledging the fact that he was right. She couldn’t imagine being in his shoes, waiting a thousand years to break a curse that kept you from being who you are. Even now, knowing that the Sun and the Moon curse was fabricated in order to help Klaus break the only curse– his curse– when it comes down to it, she can’t blame him for his insistence. 

But she thinks about Tyler and how frightened he was, and she can’t stop the annoyance that builds in her all over again, so any bit of understanding washes away like sand beneath the rising tides. 

She shrugs, unwilling to vocalize the depth of her understanding, as miniscule as it may be. “Still, choosing a hormonal teenage boy as your first hybrid probably wasn’t the smartest decision, wouldn’t you say?” 

Klaus narrows his eyes at her and she stubbornly sits still, unwavering beneath his prolonged, burning stare. “You’re protective of him. I understand why you wouldn’t like me. But I’ve just made him the strongest creature he could ever be. He won’t need you, or any other pack he might have been clinging to before this.” 

And this, she thinks, is the biggest indicator to why she’s not properly afraid of this man before her. It’s not just because he looks unfortunately normal, spare his admittedly beautiful face, or that he’s yet to truly focus any of his true capabilities of danger in her direction. It’s that, at the end of the day, Klaus Mikaelson is just as human as the rest of them are. Because no matter how long you live, or what kind of creature you are, everyone gets lonely. 

“On the contrary,” She says, blinking slowly as she scans his face. “Tyler needs me now more than ever. And any pack would be lucky to have him around. That’s the whole point of a pack. You know that you’re never alone, no matter what happens.” 

To a degree, she knows that’s a lie. There are plenty of packs out there that will banish Tyler and any other hybrid that is made in the coming months because of the rivalry between the creatures that the hybrids are made of. But she also knows that for every pack that will turn them away, there’s one that won’t. There’s always someone, even if it’s just one person, and she’s willing to be that person for Tyler, or for any other hybrid that goes through the loss of their pack. 

“It’s a shame you’ve never known what that’s like,” She says, leaning forward to set her own cup of tea down, a mirror of his actions a moment ago. “Unwavering loyalty and trust, and a sense of family that never goes away. You may think that Tyler has no one, but I will always be here for him, just as I was his uncle.” 

Something defensive passes through his face and he stands abruptly, making her tilt her head back to maintain eye contact with him. 

Klaus leans down into her space, and they glare at each other with a surprising amount of vitriol that neither one of them feels is even genuine. 

“You can cling to your idea of family all you want, but it won’t change the fact that Tyler isn’t just a werewolf anymore. And as much as you may want to deny it, you can’t help him anymore just like you couldn’t help his poor uncle,”

He stands upright again, looking at her almost accusingly. “But since it’s causing no harm to me, I suppose there’s no real reason to make you give up this desperate mission. I wish you the best of luck, dear, truly,” 

He doesn’t wait for a response from her before he leaves, and after her initial anger and embarrassment wears off, she realizes he never even talked to Tyler like she assumed he came here to do in the first place. 

────── 

Mystic Falls has never felt like a smaller town. She’s never run into someone so many times when all she wants to do is avoid them. 

It’s like all of the sudden, since that very first night she saw Klaus Mikaelson, he’s everywhere. He’s in Tyler’s house, because the newly-made hybrid suddenly worships him. He’s in her dreams. She can’t escape him. 

Even now, sitting in a corner booth at the Mystic Grill, he’s suddenly there, sitting across from her like an old friend catching up for lunch. 

Immediately, her face twists in disgust. “Klaus.” 

He smiles in the face of her adversity, and says her name with a fondness of unknown origins. She almost feels insane, looking at him with any degree of civility. 

“What do I owe this visit to?” 

“I’m curious about something and I’m hoping you’ll humor me,” 

“Interesting start,” She huffs, taking a sip of her drink beside her. “What on earth could you possibly be curious enough about that you have to ask me?” 

“You, of course,” 

She swallows roughly, nearly choking as she looks at him in surprise. “Me?” 

The hybrid nods, smirking at her reaction. 

“What… What do you want to know about me?” 

He leans forward on the table, looking at her as she suddenly avoids his eyes, unwilling to admit that she’s feeling heat rise in her chest. “Why is it you aren’t banding together with those bumbling idiots to get rid of me, hm?” 

“Oh,” She breathes out, face turning solemn for a moment as she looks down at the tabletop. “I don’t– I don’t have any reason to want to get rid of you, really. I don’t necessarily like you, but you haven’t hurt Tyler in any permanent way so… I guess I’m just not really worried about it.” 

When she finally meets Klaus’s gaze again, there’s something shocked and unexpectedly warm in his blue eyes that makes her own soften. 

“Is it really that simple?” 

She falls silent for another moment, picking nonsensically at her nails. “They killed my friend.” 

She looks back up at him, sighing. “Mason Lockwood. Tyler’s uncle. He came here because of Katherine– she was looking for the moonstone so she could break that stupid curse that you made up. And they killed him for it,” She shakes her head, anger seeping into her voice. “They’re irrational. And if I’ve learned anything about this life, it’s that being irrational gets people killed.” 

Klaus hums lowly. “You are right about that.” 

Heaving a heavy sigh, she looks up at him, eyes wide and pleading. “What do you want from me, Klaus? I’m not picking sides here– I’m going to protect Tyler until it kills me, and that’s all. So what do you want from me?” 

He observes her for a moment and she doesn’t falter beneath his stare, if only out of spite. 

“Perhaps,” He starts. “I just want to know you.” 

Something fragile breaks on her face and she shows just a little bit more of that vulnerability to him in this new space between them. “What’s so interesting about me that Klaus Mikaelson wants to know me?” 

His eyes search her face, lost. “I don’t know yet. I’m hoping you’ll let me find out,” 

She lets out a breath, quiet, and admittedly flattered. 

A smile pulls at her lips, bashful in a way she isn’t used to. She allows it to spread across her face and beneath Klaus’s gaze, she feels like a blooming rose being adored. It makes her feel things she’s nowhere near ready to admit to herself, or anyone else. “I think we can work something out.” 

Klaus’s returning smile takes her breath away. It feels new, and wonderful.