#even /I/ could be in danger this is so terrible...
i need dottore,tartaglia,pantalone and capitano(those were in my mind for a while and its killing me) with a reader who always tries to escape.using different tactics each time but always ends up failing.and one day,the reader hads enough and snaps "if you didnt take away and acted like a normal person from the start,i could have loved you"
İf you dont want to or dont feel like writing,thats ok👍
failing attempts | various! yandere! harbingers x reader
CAPITANO
this was escape attempt five.
you truly were optimistic, but capitano wouldn't let you leave him so easily.
your escape attempts seemed to be getting more and more desperate and, therefore, more dangerous to you.
you had attempted to jump out of a window the night before, just as he was arriving home from a mission. the sheer terror he felt as he watched you lean out of the second-floor window was insurmountable.
now, not only was the front door locked shut from the outside, but the windows were now barricaded too. you were a danger to yourself.
and all capitano ever wanted was for you to be safe and with him. was that too much to ask for? was that so terribly wrong of him?
the captain didn't want to take extreme measures to keep you home; he didn't want to lock you in a room, nor did he want to tie you down. he wasn't the sort. He just wanted you to stay without any excessive force.
but you were pushing him into a corner.
this morning, you had darted out of the backdoor, still in your pajamas and without shoes, into the cold.
you didn't make it far at all. you had barely made it over the garden fence, and you were stumbling now.
the captain... sighed as he followed after you. it wasn't an extreme chase; you hadn't even tried to fight back as usual when he caught you; you just stumbled on about something incomprehensible as he wrapped you up into his coat and lifted you into his arms.
"that was terribly immature of you," looking down at you, the captain felt sorry for you, "I would like it if you would stay home but if you plan on leaving, please do wear proper clothing next time. i can not bear the thought of you dying out in the cold."
"if you didn't take me away," at this point, perhaps death was better than being stuck with him, "and if you acted like a normal person," but, you wanted to go home - you wanted to be with your family, "I could've loved you."
capitano's mind blanked. he had given you a chance to come with him freely; he had been kind to you, so were you not lying?
it didn't matter now, did it? "(y/n), you do understand you've caused all this trouble, correct? should you have been a bit more understanding, you wouldn't be in this situation. i love you. Is that not obvious? i only want to see you thrive and to be happy."
he was at the point of no return; he could only go backward from here.
DOTTORE
to take time out of dottore's day, to make him leave the manor to come find you for what seemed like the millionth time - he was admittedly quite frustrated with you.
he found you hanging from the gate, your coat caught on the spike of it.
he grinned - this was a funny sight, but, at the same time, it wasn't funny at all. he was actually very disappointed in you.
dottore approached the gate, standing behind you, "tell me just how long have you been hanging here for?"
your nose was running, and you looked absolutely defeated. when you don't reply, dottore clicks his tongue, shaking his head, "Would your life not be simpler if you just accepted your situation? This is such a pitiful sight, (y/n)."
dottore unlocked the gate and walked outside of him, and he helped you down and brushed off the snow that piled on your coat.
"let's go, (y/n)," dottore grabbed your forearm and prepared to pull you back towards the manor, "I've had enough of your antics - perhaps a night or two in the basement would do you well."
"no-" you tugged back, attempting to free your arm from his grip, "stop it! you make me s-so sick! just let me go!"
"(y/n), please. you've done nothing be give me grief," dottore sighed, tugging you along with him, "I don't understand why you feel that being stubborn will get you anywhere."
"you... don't understand?" you grumbled, digging your feet into the snow, trying to pull your weight, trying to stop dottore from getting you back inside, "you're kidding me! i hate you! You're disgusting and unlovable!"
"(y/n), lower your voice - I'm exhausted and you're giving me a migraine," dottore sighed, stopping and getting a better hold on your arm before tugging you along once more.
"if you have yet to notice, I'm quite content with just having you near. i don't exactly need your love to make me feel any better than i do now. hm, that's the sort of effect you have on me."
you went quiet and dottore assumed you had worn yourself out. he brought you inside and sat you down in front of the fireplace, his hand rubbing circles on your shoulder.
"I could've loved you... maybe if you hadn't taken me away..." you trailed off, holding your hands in front of the fire. Why did he continue to act as if he cared for you? "maybe, um, if you were normal, I could've loved you."
dottore smiled at you, though you couldn't see it, "whether you love me or not is trivial - i have you, (y/n), and that's what I need. you, (y/n), you're all I need."
PANTALONE
pantalone was above getting dirty.
it was nothing personal. he'd do just about anything else for you! he just couldn't imagine himself running around late at night trying to find you.
what was the point when he had other fatuus to do such things for him? they have yet to fail him.
so, while you were out, trying to leave pantalone as multiple fatuus' chased after you, pantalone was running you a warm bath and set a pair of clean clothes out for you.
he knew you'd come back filthy. You always did.
he wondered what he could do to keep you home. He wasn't one for forceful methods; he would hate to hurt you. you were his pride and joy.
pantalone would sigh deeply, dipping his hand into the bathwater to make sure it was still warm.
you never wanted anything from pantalone... well, except for that one time, you asked for a can of soup, but then you used it to smash the bathroom window open and jumped out...
that didn't exactly count.
he heard the front door open and knew you were being dragged in now. the guards weren't gentlemen, quite the contrary, in truth.
you always looked so sad and defeated after the caught you.
"oh, (y/n)," pantalone held a hand to his chest as he stood from where he kneeled at the side of the tub, he stepped forward and wanted to embrace you but you were a mess, "you're a mess."
he frowned at you, as the guards released you and shut the bathroom door behind them as they left. "you must be cold, oh dear," his heart ached for you, such a pitiful sight you were.
you were so lucky that he loved you.
he attempted to remove your top, but you tensed, making it hard for him, "do-don't touch me."
"but you're filthy," pantalone reasoned, once again trying to remove your top but you wouldn't budge, "(y/n), I'm doing this because I love you so very much. please, don't make this hard."
"I don't-" you stepped back, shaking your head at him, "I don't want your help. g-get out, just leave."
pantalone's lips pressed into a thin line as he stared at you, "what's the matter? i-i'm not mad at you, not at all. I understand that i must be lacking something-"
"get out! my gosh, wh-what's with you!? just leave!"
"(y/n)..."
"get out! get out! leave!"
"please, calm down. let me help you undress, alright? You're in a bad mood, i get it. That's no excuse to be rude to someone who loves you dearly," pantalone spoke to you as if he were your mother.
he reached forward and tugged off your shirt with extra force; it wasn't much force; it was just in case you were prepared to tense up again!
"there we go," pantalone cooed as he eased you into the warm bath. he washed your hair for you, making sure to scrub extra hard to get the muck out of your hair.
it was, in a way, soothing...
if only...
"if you hadn't... taken me away and, um," you sniffled, raising your hand to wipe at your nose, "if you were normal... i could've loved you."
instead of offending, that pleased pantalone. what he was hearing was 'you liked him for who he was' and there was nothing better than hearing that.
hm, if only he hadn't taken you away.
"that is the kindest thing you've ever said to me," pantalone smiled, "thank you, (y/n)."
CHILDE
it was a sort of game to childe at this point.
how many times could you attempt to escape this week? how many times would you curse him to hell? how many times would you glare at him today?
he had to find humor in it, or else, he'd lose his mind. after all, there was no easy way to cope with the love of his life hating his guts.
in truth, he had been a bit overbearing the past few days - there was a snowstorm outside and he couldn't allow you to be out in that sort of weather alone.
so, as he stared out the window, looking at the rapidly falling snow, all he could think about was if only something was different. perhaps if the two of you were childhood sweethearts, maybe if the two of you had met before he fell into the abyss, or maybe if the two of you were neighbors.
he, at one point, had gotten so desperate to keep you home that he bent to your will - anything you asked, he did. you never really asked much of him, though...
well, unless telling him to go away was a question.
he was so busy thinking of all the "what ifs" that he didn't notice you running past the window and into the snowy woods.
well, he did, but it just didn't click for him at the moment.
and when it did click? he was out the door, tugging his coat on, not even bothering to shut it behind himself.
"c'mon, (y/n), now is not the time for this!" he called out, watching as you ran around a tree and seemingly "disappeared."
he knew you too well. you expected him to run around the tree to look for you, but he wouldn't; he watched as you emerged from the other side of the tree and pulled you into his open arms.
you can't use the same trick twice on him.
he held you against his chest - he didn't mind that you were nudging at his chest, trying to get away from him. "c'mon, it's pretty cold out here. I'll make you tea when we get back inside."
"no! im not going back!" you nudged harder at his chest, trying to get out of his hold.
"I said we're going back in. we really need to talk ab-"
"there's nothing to talk about! you're not normal and i won't love you!"
he thought had heard it all from you, so, hearing this wasn't anything new, but, what was new was hearing you say:
"if you wanted me to love you, maybe you should've been normal," you paused, and childe's hold on you loosened, his arms going slack at his sides and he looked down at you, "if you didn't take me away... and maybe if you acted like a normal person from the start-"
once again, you paused and took a step back away from him. childe didn't want to hear what you were going to say, even as he imagined what you might say, his chest ached... he wouldn't be able to handle it, "(y/n), let's just go in, okay? i don't want to hear it from you."
"- i could've loved you."
oh, it hurt so badly.
childe tried so hard to be unbothered, so, why was he so hurt from hearing this? he loved you, and he's tried everything to make you understand just how much he loved you, and now you say that you'll never love him.
it hurt, of course, but he's come so far.
childe strongly believes that people can change, anyway. so, he'd keep trying his absolute hardest for you until you buckled and confessed that you loved him back.
but, in the meantime...
"you can still love me," he said, with a weak smile, "I've been good to you, (y/n) and I think I deserve some credit for being so patient, right?"
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A Dichotomy of Thought || 10
Prior and future chapters here.
A visitor in the park.
CW: domestic violence, rape, ableist language, homophobic slurs (f-word), internalized ableism, suicidal ideation.
-
It seems cruel that such terrible things must happen at moments when you are your happiest. There’s logic in it, sure—there can be no joy without pain, and happiness is bracketed on either side by sadness—but logic and cruelty don’t have to live apart from each other. In fact, you would often say they are married.
Your boyfriend stands over you, blotting out the sun like a raincloud come to pour down on the briefest moment of peace you have felt in the last several days. Everything about him is innocuous: his clothes, his posture, hands shoved deep into his pockets as he stares down at you with unspeakable fondness in his eyes.
“Hi honey,” he says. “How was work?”
Johnny goes to stand, but your boyfriend is quicker, banging his shin violently against Johnny’s knee. Johnny sucks in a breath as the pain winds him, body bowing over to protect his most vulnerable areas.
“Don’t stand on my account,” your boyfriend says to his crumpled figure. “Did I get the right knee? I did, didn’t I? I wasn’t sure if it was the right or the left—“
“Hey!” you bellow, the volume of your own voice surprising you. You stand between them, put both hands against your boyfriend’s chest, and push. He nearly goes sprawling on the sidewalk, only barely managing to get his feet under him in time. You point a shaking finger in his face. “You don’t fucking touch him!”
“An accident,” he laughs, lifting his hands. “I stumbled into him. It could have happened to anybody.”
“Yer a fucking cunt,” Johnny groans, both hands gripping his thigh above his knee, knuckles pale. “And so’s yer mother. Syphilis-infected-cocksucking bitch.”
“Not nice,” your boyfriend says mildly, shoving his hands back into his pocket. “Do you kiss my fiancé with that mouth?”
“You don’t even know what you’re talking about,” you hiss. All three of you quiet down as an older couple inches by, hand in weathered hand. When they are a safe distance away, you ask: “How did you know I was here? Were you following me?”
“I can’t reveal all my secrets,” he says, lowering his voice to a dangerous timber, one that promises violence. “The same way you’re not willing to give up all of yours. You thought I wouldn’t notice you coming home late all the time? Do I look stupid?”
Johnny makes a sound, some kind of wounded laugh that only serves to put you on edge even more. You can imagine his answer—but he doesn’t know your boyfriend. He doesn’t know the kind of grim, intelligent cruelty that is wielded against you every day. Johnny is hot headed and craving violence, but he’s in no condition to experience it.
You have to protect him.
“We can talk about it at home,” you mutter, making sure to keep between the two men who seem eager for each other’s blood. Your boyfriend tongues his cheek, eyeing Johnny, weighing his options.
“Come on,” you say, louder. Reaching out, you grip his arm, nails digging into his skin. He doesn’t even flinch. But after an endless moment of waiting for further provocation from Johnny, he decides Johnny isn’t worth his time. He laces his fingers in yours and pulls you along, further away from the bench, from Johnny, from the sunlight.
“Get in the car,” he says, walking to the driver’s side.
“You’re not supposed to drive.”
“I won’t say it again.”
He won’t, either. You know him. So instead you slip into the passenger seat. There’s no worse feeling than being in an enclosed space with him. The air feels heavy and oppressive, weighing you down. At the same time, your body buzzes with adrenalin, preparing for pain. You numbly buckle your seatbelt while he starts the car.
“How long have you been cheating on me with that cripple next door?” he asks calmly.
“I’m not.”
The calm snaps, nothing but a thin sheet of icy veneer over a deep, dark lake of fury.
“Don’t—lie—to—me,” he says through his teeth. He holds out a hand and wiggles his fingers. “Phone. Hand it over. You’ve lost your privileges.”
“I don’t have it,” you lie. “It’s at work.”
“You really do,” he says, staring at you with borderline awe. “You think I’m a fucking idiot, don’t you? Oh, baby. Oh, honey. You’re in for it. How do you think I fucking found you? Give me the goddamn phone.”
You shake your head. You can’t give it up. Not when it’s the only safe way for Simon to contact you.
He reaches for your hand. The two of you struggle as you try to avoid his touch, briefly banging your knuckles on the car window, but then he has your hand in his grasp, and he takes your smallest finger and wrenches it back, back—you feel the pop, pain lancing through your hand all the way to your wrist.
You screech.
“Give me the phone,” he says, letting you cradle the misshapen hand against your breast. You grit your teeth, tears dripping off your chin. When he reaches for your hand again, you break and turn out your pockets, handing over your last lifeline. He takes the phone and beats it against the dashboard, again and again and again until the screen is a spider’s web of cracks, glass littering your knees.
He hands you back the broken phone.
“You broke my fucking finger,” you cry, voice warbling embarrassingly.
“You broke your own finger by not listening to me the first time,” he says, tossing the phone in your lap when you don’t take it. He puts the car in reverse. “Don’t blame me for your mistakes, baby.”
-
The two of you spend five hours in the emergency room together. This is an integral part of the experience; when he hurts you, he has to heal you.
Your pinky isn’t broken, only dislocated. They set it and splint it and warn you that it could take months to feel normal again, like you know at all what that word means. Beneath the tinny lights of the exam room, your makeup job must be failing, because the nurse asks your boyfriend to step out so that she can ask you a few questions alone.
This isn’t your first time in the emergency room, and you know the rules. You stick to your story (the one he had stitched together on the drive to the ER) even without your boyfriend’s oppressive presence looming over your shoulder. The nurse gives you a look that is both professional and pitying. You spend the rest of the visit refusing to meet her eyes, chewing on the nails of your good hand.
“Could you be any more suspicious?” your boyfriend asks mildly while the two of you leave. He waves to one of the nurses, who gives back a cheerful little salute.
Making friends wherever he goes; that’s your boyfriend.
-
Walking into your apartment is like walking into another world.
Everything has been upended: the couch cushions, the silverware drawers, the chairs at the table. DVD’s have been removed from their boxes. Even the fucking lamps have had their lampshades removed. The bathroom and bedroom doors have been taken off their hinges and laid neatly against one another in the bedroom.
“You weren’t the only one busy today,” he says, relishing in your grim expression. “You know the drill. Clean up. Then we’ll go to bed.”
This is an old trick of his that you know well. He tore the place apart searching for contraband—but he knows that even he isn’t all-powerful. Now he waits to see where you will rush to clean up first, where your anxious mind will take you, desperate to find out if he’s found whatever you’ve been hiding. Once it was money. Another time, a business card for a lawyer.
This time, a lighter that’s not your own.
You’re smarter now, though. You don’t go straight for your sock drawer where the lighter is hidden. You begin at the northernmost point of the apartment and clean north to south, east to west, methodical, your hand throbbing as the anesthetic wears off.
It is deeply late by the time you make it to the bedroom to find your clothes strewn across the bed. Your eyes burn with exhaustion, body aching from a long day at work (and a longer day after work). You can’t help but think of Johnny as you clean, tucking clothes back into their drawers, putting clothes back on their hangers. Did he make it home safely? Did he finally message Simon? Did he try to walk home? Thinking about Johnny out alone in the dark makes your stomach turn unpleasantly.
Sock drawer now. Most of these are still in the dresser, though some have been pushed out into the floor in your boyfriend’s search for ammunition to use against you. You pick up the few outliers and stuff them back into the drawer.
No lighter.
It’s not there. You know even as you continue to search without hope, rifling through your paired socks as subtly as you can. This is all just another game. He’s found the lighter and has just been waiting for you to notice it’s gone so that he can torment you with it. Maybe he’ll flick the spark wheel (the way Johnny can’t—God, Johnny, please be okay—) and hold the flame to your skin or your hair—
You touch something hard, plastic. Your breath catches. It’s there. It’s still there, tucked inside a pair of socks. He hadn’t found it. Relief rises up in you so poignantly that tears fill your eyes, even as you force yourself to shut the drawer and move on to another part of the room, feeling your boyfriend’s presence at the door, watching.
The lighter was so little, but it meant so much. You couldn’t even put into words why. Because it was Johnny’s, maybe. Because it was yours, now. Because it was one thing your boyfriend hadn’t put his hands on and destroyed or claimed as his own. Nothing belonged to you—not your money, not your body, nothing. Except maybe that silly lighter.
You wait until after he fucks you to speak, stubbornly maintaining your silence even through the pain and humiliation he inflicts on you. There’s something even worse about the way he draws your body against his afterwards, an arm looped possessively over your waist, the imitation of a loving cuddle.
“I want to break up,” you say.
He gives a long-suffering sigh, breath rustling your hair. “Keep dreaming, baby.”
The words won’t stop tripping out of your mouth.
“I mean it. I hate you—and you hate me. All we do is fight and hurt each other. Why…” you get choked up, swallow past the lump in your throat. “We don’t have to do this anymore. You can’t possibly be happy. Is this really how you want to live the rest of your life? Tormenting me?”
He is quiet for longer than you expect. You hold your breath, tears dripping from your eyes and over the bridge of your nose, down into your pillowcase. Maybe he’s thinking about it. Maybe he’s really considering it.
At last, he says: “Don’t ever think that there’s anywhere else in the world…anything else I’d rather be, than right where I am.”
Your heart plummets.
“Now go to sleep,” he says, kissing your neck. “You work in the morning.”
-
The sun goes down before Simon finds him. Johnny sits shivering on the bench where you left him, his eyes red rimmed and unseeing even when he hears the familiar footsteps of his lover against the pavement.
Simon sits next to him where you once sat, and for a long time, neither of them speaks. When Johnny finally breaks the silence, his voice is rough from hours of crying and disuse.
“I brought her here,” he says.
Simon nods. He knows. Of course he knows.
“I think she liked it,” Johnny adds, trying to find any brightness in the dark that encompasses him.
But all at once the tears come back, his throat burning, head throbbing. He bends at the waist, elbow on his thigh, and shakes, trying to keep his crying quiet, still clinging to the remnants of a dignity that God tears more from his grasp every day. When Simon’s warm arm wraps around him, it just makes him cry harder, even as he leans into the heat of the other man like a flower bends toward the sun.
“I’m useless,” Johnny weeps. “Fuckin’ useless. He showed up and just—took her, and I couldn’t do a thing to stop him. Even you think I’m useless—druggin’ me to keep me from getting in your way. I can’t dress myself, can’t tie my own shoes. What fucking good am I, as a human being? What’s the good in being alive if I have to live like this?”
Simon says nothing. Johnny leans up, letting the moonlight wash over his tear-soaked face. He wipes at his cheeks.
“You can’t be happy, either,” he says, taking in the solemn lines of Simon’s face, the shadows under his eyes. Simon looks older than his age, and Johnny knows who is responsible, who has aged him. Terrified to know the answer, he asks: “Is this how you want to live? With an overgrown child as your lover? One who can’t remember where he took off his shoes? Who needs you to, to cut up his food and button his shirts?”
“If that’s how it’s going to be,” says Simon simply. “If that’s how I get to be with you. Then yeah, Johnny. I’m solid.”
Johnny shakes his head. He can’t even find the energy within him to be angry. All that’s left is disbelief. “You can’t mean that.”
“I mean it. I—“ Simon ducks his head. “—I never should have put those pills in your juice. I should have trusted you. I wish I could take that back.”
Johnny sniffs wetly. It’s as close to an apology as he’s ever heard Simon give, and it makes no small amount of guilt bloom in Johnny’s aching chest.
“You were right not to trust me,” says Johnny. “I was lying.”
“I know,” says Simon. He reaches down and laces his fingers with Johnny’s one hand. “But I want to be a man who trusts you, even if I’m wrong.”
Johnny is quiet for a long time, turning those words over in his head. A painful longing rises up in his chest, one he hasn’t felt since the days when he was still in the 141, days when he could barely breathe for wanting the man beside him so badly. When they’d had to love each other in secret, and it felt like he would happily have given anything if it meant they didn’t have to hide anymore.
I miss you, he thinks. I miss myself. Leaning in, he lays his cheek against Simon’s shoulder.
“Are we gonna make it?” he wonders quietly, watching the last of the fireflies twinkle around the dim park. Soon it will be too cold for them. Soon it will be too cold for Johnny.
“Whatever we do, we’ll do it together,” Simon promises, laying his temple against Johnny’s head.
-
He waits until you are asleep to creep out of the bed. There is no rest for him—not when he gets in these restless, paranoid moods. Not when he has a hunch to follow.
Quietly, he drifts through the apartment like a ghost. Everything is back in its place, but he tries to think of anywhere he might have missed to search. You are hiding something; he knows it. He knows you. You’re see-through to him, predictable in a way that used to thrill him but now just irritates.
“Where is it?” he mutters, standing in the living room, turning a slow circle.
Was the lighter really all you’d been hiding? That stupid piece of plastic and metal? He’d found it easily and decided it served him better left in its place. Let you think that he had missed it. Let you think that he was slipping.
“I’m sharper than ever, baby,” he mutters to himself in the darkness.
Halfheartedly, he searches a few places that he had already gone through: checking some of the mugs on the top shelf in the kitchen, feeling beneath the table in the foyer for anything taped beneath it.
He thinks about the cripple next door while he does it. Johnny. A problem, if he’s ever seen one. Him and his boyfriend both. What two faggots want with you, he can’t imagine—good Samaritans, perhaps? Well they would find out in good time what happened to people who put their noses where they didn’t belong.
Regardless, he doesn’t like it. It leaves a sour taste in his mouth.
Sighing, he braces his hands against the table, resting his weight against it. If he’d known that this building would cause so much trouble, he never would have moved you in here. Not that the two of you had been swimming in options.
Your keys on the table catch his eye, but he doesn’t know why. He nudges them with his hand, metal dragging over the wood. On a whim, he counts them.
There is an extra key.
His brows lift. He picks up the keys and goes through them one by one, wracking his brain to remember what each one is for. At last he’s left with a single unfamiliar key. One that looks identical to the key to their apartment. A duplicate? he wonders. For when she’s locked out?
But no, the keys are different. Just similar.
An idea tickles at the back of his brain, but he’s never been the kind of man to ignore his instincts. He goes to the door without bothering to slip on his shoes, and steps silently out into the hallway. At this time of night, there is no one out and about, no one peeking at him from their doors. On silent feet, he pads to his neighbor’s door and grips the knob. Locked.
He slips the key into the lock—and it opens.
Oh that little bitch. Fury rises up in him until he can taste it in the back of his throat. He wants to go and wake you, take a fistful of your hair and drag you out into the hallway for all your nosy neighbors to see, wants to hear that shriek of pain you give when he hurts you so unexpectedly—
But no. He has to be smart.
He locks 5C’s door again, checks the handle, then slips back into his apartment. There will be no rest for him tonight. Not when there is so much to think about.
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Translation of the interview with Kamiya Hiroshi (Kusuo's VA) and Nojima Kenji (Kuusuke's VA)
The TV anime "The Disastrous Life of Saiki K: The Final Chapter" will air as a year-end special program on the TV Tokyo network on (friday) December 28th from 7:35 to 8:30.
The January issue of PASH!, which is now on sale, features an interview with Kamiya Hiroshi-san, the voice actor of Saiki Kusuo, and Nojima Kenji-san, the voice actor of Kuusuke Saiki. We’re releasing a preview ahead of tomorrow’s broadcast.
Amidst the busy end-of-year, good grief, a world-involving sibling fight…? We spoke to Nojima Kenji-san, who plays the older brother Kuusuke, and Kamiya Hiroshi-san, who plays the younger brother Kusuo, after they had just finished recording about the truth of the matter!
―― Please tell us how you felt when the decision to make the Final Chapter was made.
Kamiya: I was very happy. Even if you want to adapt every episode from the original work, it’s not always possible to do so. But with this series, everything fell into place. I think the biggest reason we were able to adapt it all the way to the Final Chapter was because of the fans’ wishes, and for that, I’m incredibly grateful.
Nojima: I had heard that the Final Chapter would be made, but I was wondering about what form it would take, and it turned out to be a two-part year-end special. Could people really sit through an hour of this work?! What kind of focus would they need to watch it? I was a bit worried about that (laughs). But I’m sure that “The Disastrous Life of Saiki K” will deliver dense content that makes you lose track of time again, in the way only it can.
―― Compared to other anime series, “Saiki” has about 2 or 3 times more dialogue per episode, right?
Kamiya: I had vaguely noticed that, but…
Nojima: You didn’t want to know, did you? (laughs)
Kamiya: Certainly, for a 30-minute anime, it takes a lot of time to go over the script. Even when watching the DVD to check it, I thought “Hm? Is something wrong with the machine?”, because it felt like it was playing fast-forward (laughs).
Nojima: I’ll be honest now, but on the day I first participated in the recording, I actually went into the recording without finishing all the checks.I checked the script at home and then immediately went to the studio. I was calculating in my mind the timing to start reading the script to record whilst still keeping my role preparation fresh.
But, the amount of lines was beyond my imagination, so I couldn't finish the preparation… This was something that shouldn’t have happened, but honestly, I got through the latter half [of the recording] just with concentration (laughs). But, since I was able to maintain the momentum from the first half, I’m glad I was able to bring out a good sense of raw feelings. Kamiya-san, how was your first recording?
Kamiya: I already can’t remember, but when I re-watch Episode 1 now, I think the pace is still slow. It’s gotten gradually faster since entering season 2. In season 2, Director Sakurai was probably broken as the pacemaker (laughs).
Nojima: Ahaha, I see. It's like a live band where the rhythm gradually speeds up, and you keep going without knowing the original pace.
Kamiya: Exactly.
Nojima: Since you can’t keep up by just listening to the lines as words, you have to listen to the partner’s tone and match it. It might be similar to a music session.
―― In the Final Chapter, the relationship between Kusuo and Kuusuke seems to be a highlight. What do you both think about these brothers?
Nojima: The reason they can fight so much, do terrible things, and act recklessly is probably because, ultimately, they’re brothers. In a different case, it would have ended in a complete fallout, wouldn’t it?
Kamiya: That’s true. After all, what Kuusuke is doing is almost criminal.
Nojima: Ahahahaha.
Kamiya: What I found especially dangerous about what Kuusuke did was the story of making the elderly villagers wear powered suits. The way he disguised it as caregiving while completely using them as his own puppets was seriously dangerous.
Nojima: It’s surely his own sense of justice. I wonder if it’s an antithesis to how we should handle the aging society going forward (laughs).
―― Kuusuke’s obsession with Kusuo is also quite dangerous, isn’t it?
Nojima: Kuusuke has a very strong desire for approval, wanting to be recognized by Kusuo above all else. Challenging him to fights is, I think, a distorted expression of that. But I believe it is also an expression of his love and his desire to be loved back.
Kamiya: Kusuo probably thinks Kuusuke is a troublesome person, but Kusuo is also at fault. Although Kuusuke is a genius, he worked hard to create the control device for Kusuo to help him control his superpowers, didn’t he? Kusuo should be grateful, but he doesn’t express it. “Thanks, big brother. I can’t live without this” - it would’ve been nice if he could’ve said that, but Kusuo doesn’t understand the feelings of those without [superpowers], so that didn’t happen. There was also the sense of taking it for granted because they're family, but thinking how this resulted in that difficult brotherly relationship is quite sad.
―― That’s deep.
Kamiya: Although Kusuke knows he’ll lose, he keeps challenging Kusuo to fights and enjoys the process, which shows his malicious side. He’s also quite twisted. So they’re both equally to blame. From an outsider’s perspective, their relationship can be summed up with one phrase "they’re just just not honest with each other”.
Nojima: Despite that, there are also times when they rely on each other.
Kamiya: It’s complicated. That’s why even in the Final Chapter their relationship will likely be depicted.
―― Finally, could you give a message to the readers who are waiting for the broadcast?
Nojima: I was worried about how much Kuusuke would appear, but he ended up having a lot more screentime than I had expected, so I was satisfied. I have no doubts that the viewers will enjoy it as well! Since the story’s pace is fast, please acquire the ability to not blink while watching (laughs), and surely, you will be moved to tears in the end. There are emotional parts, but more than anything, I hope you enjoy it. Thank you for cherishing and enjoying this series for so long!
Kamiya: The TV anime is finally reaching its conclusion. For those who are watching for the first time, it might be difficult, as the story keeps quickly progressing whilst you’re wondering “what is this?”. But there is a scene at the beginning that reviews past episodes and introduces the characters, so I think you’ll understand what this series is about. That said, since it’s a gag anime, I hope you can enjoy it without thinking too much.
As for the highlights for the Final Chapter, Kusuo finally moves [his mouth] and speaks for the first time. You might be wondering “What is this person saying?”, but it’s exactly as it sounds (laughs). Please watch the main story to uncover the truth behind it. I’m sure you’ll be surprised.
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Not to make everything about my ship, but if I don't do it no one will, so today we are making meta analysis of Boothill's faceoff match about henghill, because the differences between Boothill's stand off with Luka and his one with Dan Heng- and what you can infer about Boothill himself and what catches his eye in a person- makes me chew concrete.
JUST. I loved the scene between Luka and Boothill so much. I love how wildly unrestrained Boothill is. He really just shoved the barrel of his gun in his opponent's face and put the fear of death into him as a way to test Luka's resolve. I utterly adore him. I hope he does it again. Anyway.
When confronted with all this, Luka freezes. His stress-induced hallucinations were already bad, but you can see how they really ramp up in this match, because before, they were always something familiar. Previous enemies became Silvermanes, or Belobogian automatons, or even Cocolia. Luka is far from home for the first time in his life, and he's so terribly homesick his brain is making everything familiar, because that is what he's desperately craving right now.
But Boothill.
Boothill is something so new, and unique, and horrific and terrifying, that he becomes something entirely unknown to Luka. His hallucination manifests as Something Unto Death, as the very fear of death itself.
And this stand off (which I love so much that this is how this match progressed, because like that's literally just Boothill's in-game skill; he locks the enemy into a one-on-one duel, so this was extremely in character for him) lasts long enough that Owlbert starts having to fill in the silence over the loudspeaker,
and even Boothill himself starts trying to push Luka into making a decision one way or the other.
Given that Boothill is a hunter by trade and is proven to have all the patience to track his prey and then some, this was more for Luka's sake than any impatience on his part, to try to shove him out of his freeze reaction.
And Boothill isn't really hard to read throughout this whole exchange, he all but says outright what he's looking for.
Boothill wants to see him surpass this test and come at him! You can see it in his face when Luka finally takes a step! And in how he congratulates him!
And then he fucking shot him snxhsjksjsn
Boothill admires courage, and bravery, and decisiveness. He admires a person's ability to put their life on the line and still fight in the face of danger and overwhelming odds. Those are the things that catch his eye.
And Luka does kind of get there eventually, but it is a stalling, halting motion that gets him there, and he fell to pieces immediately afterwards. This is his first time with this, and he's still figuring it out.
Dan Heng, on the other hand.
Boothill's stand off with Dan Heng from 2.2 is so fucking far in the total opposite direction that it is HILARIOUS.
Boothill literally breaks into the Astral Express, ambushes Dan Heng, and Dan Heng still has the balls to not only demand info out of Boothill- like doesn't even ask nicely, demands it- he also just straight up calls Boothill a liar. Right to his face! And he still isn't nice about it!!
By the way, that entire conversation? This is how it takes place.
Boothill, phrasing!!
Boothill has him at gunpoint! Dan Heng does not have his weapon with him! He does not flinch, and even stands there with his arms crossed seeming simultaneously pissed and utterly unimpressed. He looks like he should be irritably tapping his foot and looking down his nose at him. Dan Heng could not give less of a shit.
For that matter, Dan Heng even turns his back and walks away from Boothill- right in the middle of him talking, too! Not a single attempt to be considerate of the man who could decide any moment he feels like decorating the wall with Dan Heng's brains.
Dan Heng is brave and courageous and completely unflappable in the face of danger. He is ruthless and decisive in how he conducts himself, even when staring down the barrel of a gun. And through his efforts in Penacony, he shows the ability to put his life on the line and fight through overwhelming odds to save his once-in-a-lifetime companions.
No wonder Dan Heng caught Boothill's eye the way he did, no wonder the two of them were working together and bantering not even minutes after Boothill pulled a gun on him haha
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I find Nothing's immediate attachment to Hover actually pretty realistic in a sad way.
She's been abused all her life, even before she was born into a society that told her she had little to no value to anyone because she was a female cub
Then she got injured defending herself and instead of protecting her her mother married the person who caused her disability and then put all the blame on her for being a child who was attacked.
Hover was the only person who wa remotely nice to her, of course she immediately fell for her eventhough Hover is terrible
She immediately attached herself to someone she thought was the one person who wouldn't treat her like her family did, and even when Hover treats her just as bad she still want sto be with her because Hover *has* to be different. Because if Hover treats her like nothing too, maybe that's just what she is
It's so depressingly realistic how Nothing jumps from bad familial relationship to bad romantic relationship
Like MP could've done something with that where it shows Nothing going from an abusive mom to an abusive partner and thinking that partner treats her better because she doesn't want to face reality or she just doesn't know how bad this is and only realizes when she meets someone else who does treat her right and she reflects on how awful Hover was(yknow with her meeting new friends she goddammit she deserves a healthy friendgroup who doesn't mistreat her or downplay the abuse she's faced)
Because Hover is just awful
But instead of addressing this very real thing victims of abuse go through with how people like Hover who jump at you for any mistake you make will 100% turn their back on you when you need their help because you didn't do what they want
They instead make it that Hover was just angwy guys :c and Nothing made mistakes too!
Ignore the fact that she left her disabled girlfriend to fight a bigger lion to defend her brother AFTER she just got berated by her mother for being disabled(Hover was too busy picking her nose to defend the supposed love of her life), only to then ALSO berate Nothing for missing her assessment while Nothing's life was just threatened, she was verbally abused, and her brother is in danger, AND HOVER DID NOTHING
but priorities
It's just
So scarily realistic how Nothing sought safety and love from a partner and she ended up with someone like Hover
And she was literally never treated with any kindness ever that she doesn't even know what it looks like anymore
I actually touched upon this in the other ask regarding Nothing x Hover where I said that Nothing appears to be emotionally vulnerable and needy in this situation and I was absolutely not giving the show kudos or leeway by saying that.
The bottom line is that folks like you and me care more about how these characters came across or could potentially come across than Tribble herself ever did.
Like you say, it would've been an ideal thing to show that Nothing is supposed to be in this vulnerable position with Hover. But the sickening thing is that the relationship is sold as being very healthy and wholesome to the point where there's a shit-ton of ship art out there where they're being just that.
Not to mention Hover wasn't even nice to her. She was what an able-bodied individual's perception of being nice to a disabled person is... which is asking intrusive questions about our disabilities, making jokes at the expense of our disabilities... You get the idea.
But yeah, I agree with all this and it just further solidifies why Nothing's relationship with Hover was very one-sided and abusive.
It could also be argued that Hover was also very used to only thinking about herself and nobody else as a prideless lion, hence why she chose to go off with Farleap and Silentstalk. Because they could offer what she felt Nothing could not, which were cheat codes to get through the huntress assessment.
But Hover fans like to pretend this didn't happen, of course. Along with everything else you've pointed out. Trust me, we've been there. It's certainly a group of stans that love to cherry-pick and ignore blatant evidence that their fave is problematic. lol - RJ
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Dawnfire
Sequel to Bathed in Light.
It had been nearly a decade since Agnes Barnes was reborn as Mother Agni, Fire of the Dawn. She remembered it like it was yesterday. Mother Dawn had nominated her after she'd seen Agnes use a small campfire to take control of an entire camp of hikers. They'd wandered a bit too close to the mesa, and while they posed no real threat, Mother Dawn had wanted to see what Agnes was capable of.
The Daughters of the Sun were never particularly fond of men, but Agnes never let go of her love of the rougher sex. She'd filled her need for cock ten times over that night. Some of the others ever decided to partake, though the more orthodox members looked down on it. Mother Sol used it as a reason to stop her ascension to Motherhood. She argued strongly that anyone who could crave a man that much had no business being a leader of their faith.
Mother Dawn reminded everyone that the only leader that mattered was the Lord Above. If He had granted her the power to ensnare the minds of fifteen men at once, who were we to deny Him?
The other Mothers caved quickly after that.
Now she was being called upon again to use her particular talent for the masses. Georgann's project to create the Palace had worked wonders for them. For a while. The calls for Red Mesa to be strip-mined had come to a quick end after the Congresswoman and the CEO in charge had both suddenly decided to go another direction. But new rumblings were beginning.
It seemed that someone out there in the world knew the truth about them, and did not approve.
A meeting had been called in Bluerock. It was the nearest major city to the mesa, though it was still over two hours away. Agnes was to go to the meeting and see what all the fuss was about. She had eagerly agreed. While she enjoyed staying here and playing with her protégé, Katherine, and her delicious little family, it had been far too long since she'd gotten to flex her muscles.
The drive was easy. She made trips to Bluerock regularly for supplies or to use the airport. She did have business to attend elsewhere in the world, after all. The meeting was at the home of a local businessman and was to be attended by a number of wealthy and influential members of the local circles. Indeed, when she arrived, she found several familiar faces. Congresswoman Singer and Georgann Mercer nodded to her from the far corner. They were the ones who had alerted the Mothers to the danger.
Agnes took her seat in the back and listened to the presentation, suppressing her growing alarm. The leader of the meeting introduced himself as Preston Milroy. He knew so much about them; more than anyone ever should have without their knowledge. He knew about Red Mesa. He knew about the Palace. He knew about their morning ritual beneath the rising sun. He spoke for what seemed like an hour, spilling all their most closely guarded secrets. By the end, Agnes felt incredibly unnerved.
Then he looked right at her.
"And in the back, we have the emissary they sent to us," he announced. "Stand up, Agnes."
It had been nearly a decade since Agnes Barnes was reborn as Mother Agni, Fire of the Dawn. In all that time, she had never known fear. Since well before that, truth be told. Even before her ascension, she knew the way to use light and heat to relax the body and dull the mind. But here, under this strangers gaze, she was afraid.
She stood, determined not to betray her turmoil. Her two allies glanced up at her nervously. She glanced instead at the small fire burning in the hearth. She took a deep breath and allowed its warmth to fill her. She could still take control. She had everything she needed. She stared at this man with his silver necklace and his pressed suit.
"Ladies and gentlemen," she began. "There have been some terrible lies told here tonight about the organization that I represent."
Preston cut her off. "You don't deny that you are Agnes Barnes?" he asked loudly.
"No, I do not," she replied, still feeling the heat of the fire. "But I-."
"Do you deny that you are a member of an organization that meets at Red Mesa to perform lewd sexual rituals?"
"As I said there have been lies-."
He cut her off again, stepping closer to her. "That didn't sound like a denial, Miss Barnes. What depraved rituals does your sex cult engage in?"
She needed to get him to back down. If she could just speak, she knew she could ensnare them all. "They're not depraved," she began but once again.
"So they're just ordinary sex cult rituals then?"
"You're not letting me speak, sir." Sir? "I'm trying to defend my organization."
"You deny that you are given the title of Mother? What kind of twisted organization has sex rituals with leaders named Mother? That isn't depraved?"
So many questions. She didn't know which to address first and found herself stammering. Still he was advancing on her. How had this gone so far off the rails?
"You deny that you were given the title of Fire of the Dawn?"
How could he possibly have known that? Who was this man? Were there others standing now? And why did her eyes keep staring at the silver pendant around his neck?
"I am Preston Milroy," he said quietly so that only she could hear, "Bearer of the Overrunning Chalice." He touched her face and she could feel the cold silver ring on his finger. Suddenly she felt cold. A hissing sound came from behind her, but she didn't need to turn to look. The room got a little darker and Agnes felt her power leave her. "Fire is powerful, but Water is persistent, and I have extinguished your flame."
Agnes felt her mind slipping away as she stared into his deep blue eyes. Her fight and her fear went out with the fire. She let herself be taken downstream by the flowing waters, wherever they led her.
More to Come.
Thanks for reading! If you are a fan of my work, consider buying me a coffee. Any contribution is insanely appreciated. 💖
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the last 16 days have been so there are decades where nothing happens and there are weeks where decades happen vladimir ilyich lenin and not in a good way
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Sumerus best 24/7 babysitting/daycare service on the go - Bestowed by Alice herself
look man if you're gonna be associated with the hexenzirkel even SLIGHTLY you're gonna babysit klee at some point.
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I love when they casually reveal that Spinel hasn't stopped tracking the main trio once in this arc.. retroactively makes some of the past lighthearted episodes of this arc have a worrying edge to it, because you just end up wondering how long he's been watching, or if he was already watching at that point etc.
He is also even apparently keeping an eye on the Brave Asagi being repaired. He followed Friede around without his knowledge a while ago too. He just knows everything, and could act but just doesn't strike until the time is right.
I wonder if he is the one orchestrating Liko being separated from Roy and Dot in HZ064. The preview mentions that she is separated from them. And next ep will be exactly fifty episodes after HZ014, which was also when Spinel lured Liko away from the RVT to steal her pendant. He used her kindness against her by sending a fake ad about that one spice Murdock wanted. He spied on their conversation in that episode and used that bit of dialogue against Liko because he knew she would be exactly the type to want to go get that spice because it would make Murdock happy. Maybe he is creating some kind of diversion to separate Liko from her friends in the next episode. It wouldn't be the first time he messed with people's phones or other devices.
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I’m fairly new to the fandom, but I do have a question if you can answer it! Why do people ship Daigo with Aoki / Masato? I tried looking to see if they’ve interacted before, but couldn’t find anything! Sorry for asking I’m just </3 dumb AND I LOVE YOUR ART OF THEM!!! Nerd looking ahhhhhh
hi ! welcome to the community i hope you're having a lovely time so far and ty for enjoyin my stuff :) no need for apologies it's a very fair question to have :]
i cant speak for everyone (all. ten people into masadai anyway) but Personally To Me i just think the idea of them together is very funny. thats quite literally it im afraid..
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had a character development moment today where I realized maybe I simply do not have a healthy relationship to classical music anymore
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I have reason to believe that fear of harmless bugs is a social construct
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eeuuaghh i would like everyone to know that i apologise if i have not responded to your reblogs/mentions/posts on tumblr, i have really terrible social anxiety and for some reason people talking to me makes my nervous system think i'm being hunted for sport by a resident evil boss. sorry if i havent responded i'm not being rude i'm just having a panic attack :P
additionally: social anxiety is actually the reason why a lot of my old posts from late 2022 had weird spacing and spelling mistakes. i was too anxious to type properly
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aaaaaaa
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i feel such an incredibly frustriating yearn
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