#especially seeing how others interpret the “rules” of it or how some “ignore” these “rules”. have i mentioned pokemon quartz yet

[boxheadpaint]

how do i start coming up w more interesting character designs like urs. they are sooooo cool and i try to make a character like that but it always comes out stinky

if it stinks thats great

[beneathashadytree]

HEY GUYS! LONG POST HERE, BUT PLEASE READ🙏🏽

I am genuinely appalled by the discourse ongoing in the LNDS fandom these past few days—but above all, I am severely disappointed in what had started out as one of the most inclusive and sweet fandoms I’ve ever been in. I have a few things to say, so in this post I’m trying to put all my thoughts to words. Apologies if I sound harsh, but I’m genuinely livid. Also, please ignore any typos. I’m not wearing my glasses while word-vomiting.

First off, for a fandom that is composed of mostly adults, you guys have been acting terribly childishly. It’s 2024, and yet people are still unironically shaming others for “switching up on their favs” as if a person owes 2D characters any loyalty. Let people enjoy things. The novelty of Sylus and how he’s quite literally 6 months behind the other 3 love interests makes people want to catch up on the enjoyment of him all at once. He’s still such a brand new character and concept, so there’s no wonder everyone’s hyped up over him.

I’ve seen people get genuinely mad at other players and writing whole think-pieces about this. I promise you guys, the company making this game is still benefiting whether you’re pouring your money into Sylus or any one of the previous 3. We’re all happy to have an interesting character pop up among the roster now, and we’re taking our time getting to know him. Doesn’t make any of the first 3 any less loved. I genuinely don’t remember this amount of nastiness when solo events for each of the guys used to drop.

In fact, if the popularity thing is worrying you, going off MLQC (the company’s past game) the character who was last added was—eventually, after the initial hype died down—kicked off to the sidelines in most major events and was given the least content, and was the least favorite of fans.

Secondly, and this has my blood boiling, there is an insane amount of entitlement and rudeness I’ve seen on my timeline concerning how people characterize the men—particularly Rafayel.

Absolutely nothing warrants this shitty attitude towards other creators for how they depict characters in their fics. It seems you guys feel protected behind a screen and think it gives you the right to bully strangers online. Fanfiction is for fantasizing about your favs; for letting your imagination run wild. If this were a character analysis, then yes, maybe I’d agree that inaccuracies are aggravating. However, in fanfiction, there are zero rules, especially when it comes to smut.

Sexual preferences are not equivalent to a person’s whole personality—so whether he’s written as a dom, a sub, a switch, or whatever the fuck you wanna call it, this has nothing to do with his kindness, gentlemanliness, passion, power, ruthlessness, snark, or whatever minuscule aspect of his character makes up his lovely whole and matters to you.

I think this circles back to a lack of ability to separate sexual matters and personality, because how else do people interpret fics depicting him in a certain manner as them erasing his character? They might overlap, but they can very well be mutually exclusive. I’ve seen incredibly sweet and gentle men irl who were absolute doms in bed, and I’ve seen powerful and passionate men who were reduced to tears between the sheets. There is barely any correlation whatsoever, and if anything, claiming otherwise is what I consider piss-poor media literacy and reading-comprehension.

My third point is that for some reason, there have been many, many posts and replies on here where I’ve seen people just straight-up spread pure hate for the characters. Maybe this bothered me in particular because I’m an OT3 (OT4 now!) and absolutely adore all of them, but I find no logical reason for “yucking someone’s yum” when we’re talking about liking the characters of an Otome game—a genre of video games which is made to literally cater to the tastes of as many people as possible.

It’s especially disheartening to see when it’s at a time like this, when new content is about to drop, and you find in the replies of every other post/discussion at least a few people spewing hate and disgust at Sylus. Again, so many people are incredibly excited about him. Why is there a need to rain on everyone’s parade, especially in such an unsolicited manner?

This fandom originally started as a safe space for people of all races, backgrounds, genders, sexualities, and personalities to bond over our mutual love for characters. All I’ve seen on my TL lately (in terms of discussion) is negativity, and it’s such a fucking let-down. I hope whatever the fuck has happened to this fandom cools down after a bit. It’s probably exaggerated and very in-your-face rn, cause more and more people are downloading LNDS, so the probabilities of finding people being nasty are increasing. But I seriously don’t want to grow to resent this fandom and find myself distancing myself from it to protect my peace.

Let’s all remember to be kind towards other players, to not act entitled or bratty about the characters, and to try and mind our own business if we see content that doesn’t suit our tastes.

[astroeleanor]

💀⚔️🖤 Zodiac Placements with Necromantic Gifts (The Ability to Talk to the Dead)⚰️🕸️🦇

Hey everyone! Welcome to today’s post. I’ve been exploring some mystical concepts with my best friend (@witchyianuarius), and I can't wait to share with you insights about the Zodiac placements and how they might align with necromantic gifts/necromancy.

🎃 Also, HALLOWEEN ASTRO READINGS are available! Spooky season calls for spooky readings. Grab yours HERE. ๋࣭ ⭑🕸🦇

First of all, what is Necromancy?

Necromancy is a form of magic that involves communicating with the dead, typically to gain insight, predict the future, or harness the powers of the deceased. Historically, it has been associated with rituals to summon spirits or raise the dead in various cultural mythologies and magical traditions. While it often carries a darker, more occult connotation, necromancy in a broader sense refers to any practice involving the dead or death-related magic.

In some interpretations, necromancy also includes working with ancestral spirits for guidance, protection, or wisdom, and may not always be tied to negative or malevolent practices. The term itself comes from the Greek words nekros (meaning "dead body") and manteia (meaning "divination").

SCORPIO

Scorpio placements—Moon, Rising, and Pluto—are often associated with necromantic abilities because of their connection to death. These placements are tied to the power to navigate the boundary between life and death. With these placements, you may be naturally equipped to navigate these areas because you possess the tools to engage with this energy. You live in a psychological underworld where others fear to tread, and that’s exactly where necromantic abilities would thrive. These placements make you a natural conduit for what others consider mysterious or forbidden. It’s not a gift to be taken lightly, but it’s one that gives you the power to see beyond the surface.

SCORPIO MOON

The Moon governs your internal world, so when placed in Scorpio, it opens a window into the mysteries of life and death. Scorpio’s influence means you feel things others are afraid to acknowledge. You have a natural connection to what is hidden—whether it’s your own shadow, other people’s emotional undercurrents, and in this case, even the lingering energies of the deceased. Necromancy, the practice of communing with the dead, finds a symbolic home in this placement because you don’t fear death, it feels natural for you to explore these spaces, even if it's just on an intuitive level.

SCORPIO RISING

As a Scorpio Rising with Gemini in the 8th house, you may have a natural inclination toward transformation and exploring the unseen, including a deep interest in the ways you can communicate (Gemini) with energies beyond this realm (8H). With Scorpio Rising, you may also be drawn toward what others ignore or bury—often involving pain or unresolved issues from the past. This interest can extend to ancestral matters, which ties directly into necromancy: working with spirits and bringing the past into the present.

PLUTO IN SCORPIO

Pluto, as we all know, is the planet of death, rebirth, and transformation. In Scorpio, this energy is amplified to its highest potential. Pluto's placement here suggests a strong connection to the forces that govern life and death. You may feel a drive to control or understand these realms, even subconsciously. Pluto’s influence encourages you to embrace these energies, often leading to personal transformation through encounters with death or crises. This energy pulls you into the depths, demanding that you face death— metaphorically, through constant cycles of death and rebirth in your own life.

CANCER

Cancer placements, especially Moon and Rising, have a deep connection to necromantic abilities because of Cancer’s connection with the past and the unseen. Cancer is ruled by the Moon, which governs emotions, intuition, the subconscious–these qualities naturally align with necromantic practices, which involve communicating with the dead and understanding the subtle energies that linger beyond physical life. Your ability to feel what others ignore makes you a natural conduit for communicating with the dead, though it often manifests emotionally or through visions.

CANCER MOON

If you have a Cancer Moon, your emotional world is tied to memory and deep emotional currents. Cancer Moon is the most intuitive and emotionally sensitive of the lunar placements, making you highly attuned to what’s hidden beneath the surface—emotions, unspoken words, and energies from the past. Necromancy, at its core, deals with the dead, but it also involves retrieving what has been buried, either emotionally or spiritually. Your Cancer Moon allows you to feel these energies, often sensing unresolved issues from the past, whether they come from family, ancestry, or even the lingering presence of those who have passed on. This emotional receptivity makes it easier for you to connect with spirits or the dead because you can tap into these unseen emotional frequencies.

Additionally, the water element of Cancer, associated with intuition and the emotional body, plays a role here. Water signs are known for their psychic receptivity, and Cancer, in particular, has a lunar connection that heightens this. If you have a Cancer Moon, you may find that your dreams are filled with symbols or messages from the past, from deceased loved ones, or even from ancestors you’ve never met.

CANCER RISING

Having a Cancer Rising represents a deep pull toward the past. You’re drawn to ancestral roots  and the emotional imprints left by those who came before you. This inclination toward lineage places you in a natural position to engage with necromantic practices. You intuitively seek to heal or resolve what has been left unresolved.. So, as a Cancer Rising, you might carry the past with you and instinctively work to reconcile what lingers.

You might find yourself emotionally connected to old places, objects, or stories that carry the energy of those who have passed on–your natural empathy makes you a bridge between the living and the dead. You may even feel a pull to comfort or care for the spirits of those who still linger in some form.

8H PLACEMENTS

The 8th house is traditionally associated with death and the mysteries of the unseen, which gives it a strong connection to necromantic abilities. When planets like Mercury, Jupiter, and the Moon are in the 8H, they draw your attention to these themes and influence how you engage with the occult. Mercury gives you the intellectual curiosity to explore and communicate with the dead. Jupiter expands your understanding of death as part of a larger spiritual framework, and the Moon connects you emotionally and intuitively to the energies of those who have passed. 

8H MERCURY

With Mercury in the 8th house, your mind naturally gravitates toward the unknown and the taboo. Mercury governs communication and thought processes, and in the 8th house, it’s drawn to secrets and the unseen realms, including death and the afterlife. Necromancy, at its core involves communication with the dead, so your 8H Mercury can give you the ability to explore these areas intellectually and intuitively. You might even be fascinated by the idea of what happens after death, and you can sense unspoken or hidden energies, which is critical in necromantic practices. This placement allows you to connect mentally with the energies of those who have passed, whether through active rituals or simply an attunement to the energies that others might ignore.

8H JUPITER

Jupiter in the 8th house broadens your understanding of death and the occult. You’re likely to see death as part of a larger, interconnected cycle, or you may feel drawn to study ancient practices or spiritual systems that involve communication with the dead. If you do have necromantic abilities, Jupiter’s influence might also attract opportunities for you to learn or teach about these hidden aspects of life. Overall, I’ve noticed that 8H Jupiter makes for great occultists.

8H MOON

Moon in the 8H pulls you toward the emotional depths of transformation and death. You may sense the presence of the dead on a gut level or feel emotional/psychic echoes of those who have passed. 8H Moon can make you sensitive to the emotional residue left by others, whether it's spirits or the emotional energy tied to past events. You may also find yourself emotionally attuned to ancestral energies or feel that you’re carrying emotional patterns from those who have passed. This emotional sensitivity allows you to tap into the unseen energy that lingers after death.

PLUTO CONJUNCTIONS

Pluto conjunct the Moon and Mercury conjunct Pluto strongly indicate necromantic abilities because these planetary alignments connect deeply with themes of death and communication with the unseen. They allow you to engage with death on both emotional and intellectual levels. The Moon’s emotional depth and Pluto’s transformative energy make you sensitive to the unseen, while Mercury’s intellectual nature combined with Pluto’s power over death helps you articulate or understand the energies of those who have passed.

PLUTO CONJUNCT MOON

This conjunction creates an emotional connection to what others fear: the darker aspects of life, death, and what lies beyond. Having this placement opens up your emotional sensitivity to the energies of those who have passed, into the spaces where life and death blur. The Moon governs your subconscious and instincts, and with Pluto’s influence, those instincts naturally turn toward the mysteries of the underworld.

Pluto conjunct the Moon also amplifies your ability to engage with the concept of death on an intimate, personal level. This placement may bring experiences where you confront death directly, not just in a literal sense but emotionally and psychologically. It can lead to a heightened awareness of ancestral energies or unresolved emotions tied to those who have passed. This deep emotional connection to death is where necromantic abilities start to show themselves, therefore you may have the emotional depth to communicate with or feel the presence of those who are no longer living.

PLUTO CONJUNCT MERCURY

Mercury conjunct Pluto links your communication and thought processes directly to the occult. Your mind naturally gravitates toward the deeper, hidden aspects of life. You’re drawn to mysteries, secrets, and what others avoid discussing—death, in particular. You have the ability to mentally process and understand the unseen, perhaps even receiving messages from those who have passed or intuitively knowing things that others cannot explain.

This Mercury-Pluto conjunction also gives you the power to communicate beyond the physical. Your mind becomes a tool for navigating these hidden realms, making you capable of deciphering hidden messages or energies–and your communication abilities allow you to bridge the gap between the living and the dead, even if that happens more intuitively than explicitly.

NATAL MERCURY RETROGRADE

Mercury governs the transmission of information, while retrograde periods shift the flow of that energy inward, often causing disruptions or delays in the external world. However, these disruptions also open pathways to the past, hidden or unresolved matters, and to what lingers beneath the surface of our usual conscious awareness.

Mercury Retrograde can be seen as a window into necromantic abilities because it draws you into communication with the past—whether that involves unresolved emotions or even spirits. Think of how during a retrograde, Mercury’s usual forward motion is reversed, metaphorically pulling you backward in time. This reversal can make you more attuned to subtle energies, including those left behind by the dead. Mercury Retrograde also slows down communication, and this slowing effect can be useful in necromantic work. Communication with the dead, or with energies beyond the physical world, often requires patience, stillness, and the ability to listen deeply. The external confusion or delays during retrograde periods might be irritating in daily life, but they also create space for introspection and spiritual attunement. When you’re less focused on rapid, clear communication in the physical world, you have more energy to tune into subtle, often overlooked messages.

In archetypal terms, Mercury is the messenger, traditionally seen as the guide between worlds, including the underworld. When retrograde, Mercury’s usual role as a straightforward communicator shifts into a more "shadow-y" one, making it more likely to bring up messages from the unconscious and the dead.

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚˚₊‧꒰ა ☆ ໒꒱ ‧₊˚˚₊‧꒰ა ☆ ໒꒱ ‧₊˚˚₊‧꒰ა ☆ ໒꒱ ‧₊˚˚₊‧꒰ა ☆ ໒꒱ ‧₊˚

Thank you for taking the time to read my post! Your curiosity & engagement mean the world to me. I hope you not only found it enjoyable but also enriching for your astrological knowledge. Your support & interest inspire me to continue sharing insights & information with you. I appreciate you immensely. • 🕸️ JOIN MY PATREON for exquisite & in-depth astrology content. You'll also receive a free mini reading upon joining. :)

˚₊‧꒰ა ☆ ໒꒱ ‧₊˚˚₊‧꒰ა ☆ ໒꒱ ‧₊˚˚₊‧꒰ა ☆ ໒꒱ ‧₊˚˚₊‧꒰ა ☆ ໒꒱ ‧₊˚˚₊‧꒰ა ☆ ໒꒱ ‧₊˚

[autistichalsin]

I know a lot of people find it boring how much Halsin talks about nature, and I do get it- it is repetitive. However, I also find that if you break some of his statements down into what he's implying, you end up with something a lot more interesting. (ESPECIALLY because a lot of these support the "Halsin is autistic" interpretation.)

Take, for example, Halsin talking about his place in the world, specifically relating to relationships:

Halsin: I still have hot blood in my veins. Nature gifted us our desires, and the means to act on them. But we muddied its beautiful simplicity with rules, social strictures... clothes. So, I am not bound to nature. I am unbound in nature.

Halsin: Relationship? Such terms belong to civilisation - a little unfamiliar to my lips. You know what we share is more fluid, more founded in the principles of nature.

Implications: Halsin finds society too complicated. He enjoys nature because its rules are simpler and more sensical; rather than social rules and structures that are beyond him (especially when you take into account the autistic Halsin interpretation), he feels comforted by nature, which is complex in a way that he understands.

There's also Halsin's friendship with Thaniel.

Halsin: I had a friend when I was young, long ago. He played with me in the forests where I grew up... but eventually, I realised no one else had heard of him. It was Thaniel, of course. Nature was my very first friend. I get older, but he hasn't changed a day. I knew then that I had to be more than a companion to him. I had to be a protector.

Implications: Nature, by being Halsin's first friend, has always been what Halsin is comforted by. It has been a steady and comforting presence for him, something he can rely in, in contrast to other people who are unpredictable. Nature is consistent and comforting for him.

Halsin, infamously, is not happy in the city of Baldur's Gate.

Halsin: Too much noise, too many lanterns kept burning... nature's rhythm is ignored here.

Implications: Halsin is overstimulated easily by excessive noise and other sensory inputs. Nature provides him somewhere quiet.

Halsin: I wish... I wish there was a better way. I wish everyone could see the sun, have a full belly, and know nature as a friend. There is a balance that is yet to be found.

Implications: Again, Halsin sees nature- not just Thaniel, but all of nature- as a friend. A source of comfort and companionship.

Halsin: I think on [politics and high art] also. But nothing matches the splendour of an ancient tree.

Implications: Halsin loves the beauty of the natural world as much as anything else. Rather than art or music (which he can appreciate), what he prefers is something that grew rather than being made.

Halsin: I am... less anxious to find myself in a city. So removed from nature's power - I do not know how I will fare.

Implications: Not only does Halsin prefer not to be in the city, but he is actually, to some extent, frightened of it (likely due to how overstimulating it is for him), in contrast with his feeling of being right at home in nature.

There's other things to note as well. If a Dark Urge player embraces Bhaal and then tells Halsin to bow, Halsin has this to say:

Halsin: Nature bows to none. It will fight on and survive, no matter what madness your god has inspired you to undertake.

Implications: Halsin views nature as strength, and admires that very much. He draws a lot of his tougher qualities from this aspect of the natural world.

Or a line where Wyll gently points out that he talks about nature a lot:

Halsin: When you care about something deeply enough, it consumes every thought and word.

Implications: Halsin isn't thinking of little else besides nature because he's "boring"; it's because it's important to him. (A special interest, one might say.) And when something is deeply important to a person, they think of everything else in relation to that thing; think of a sports fan who constantly uses sports metaphors to understand the world around them.

There's another party banter with Wyll that is telling when combined with what he has to say about the city, too.

Halsin: It is most unfair to pour such scorn on rats - they have their place in nature, same as you or I. 

Halsin: I thought cities were supposed to welcome folk of all walks of life. Clearly I was mistaken.

Implications: Halsin feels everyone has a place in the natural world, yet that the city shuns those it deems different. As someone who has struggled greatly with fitting in/finding a place he "belongs", Halsin feels more sympathetic to nature, where all living things belong, than anywhere else.

I think that when you break up Halsin's love of nature into all the little things it implies, it paints a much more interesting picture of him, personally. It also supports the "Halsin is autistic" interpretation, which makes him even MORE interesting.

[sapphoshands]

"We broke every rule we established for the trials and the characters broke every rule given to them but its funny that viewers have different interpretations" not cute actually, Jac. Just bad writing that verges on outright racism by killing off the one Asian character and making the Black character over the top malevolent. Oh and putting the sole (white) man in narrative center. Should've known it was too good to be true.

it is of course extremely déclassé to go into the inbox of someone who is loving a thing and tell them why they should not be loving the thing, but you know, i'm so deep in this show, i'm just like *rubs hands* more time to think about my blorbos! so!

i will do you the courtesy of ignoring your bad faith phrasing to engage with your actual points - and of course, we also have to keep in mind that we're just over halfway through the season, so things may come back in ways we can't yet see. that said, i adore the idea that agatha's punishment in this was to be seen by yet another coven as an object of horror and fear, especially after a few moments where she was seen as a real person. i think that's going to play very strongly into the end of the season and i think it's a very smart bit of writing that plays with the expectations of the characters on screen and the audience watching the show. i got a little seduced by some of the alternate trial theories, ngl, but that is one of the joys of episodic television and i am having a blast watching more of this story unravel.

re racism, i as a white woman am certainly not going to tell anyone how they should receive a story like this. but i feel about alice's death much like i feel about the push for no more dead lesbians, which is that if we erase any sort of peril for any given segment of the population, we are no longer telling full stories about them. speaking for myself, i am a advocate for increased representation of all sorts on screen (and behind the camera), and simple math tells us that having more people of colour on screen means more people of colour will die on screen. so i always ask myself whether the death feels racially motivated, and in this case, to me, it doesn't. we've already lost a white woman to the road and it is important for the show to keep the stakes high. to me, alice's story was gorgeously tragic and a really wonderful parallel to agatha's - you really felt alice, having discovered the depth of her connection to her mother, feeling that lack for agatha. but naturally... you may have a different interpretation.

jen, on the other hand - oh my god, jen, i fucking loved her in this episode. and again you can read her as OTT, although in contrast to agatha i think she's really rather restrained! obviously tropes play differently for Black characters than white, but in the context of the show, in the context of the way the rest of the coven has been portrayed, she fit perfectly. i mean, in jen's trial, agatha tried to sacrifice mrs hart, tried to cheat, tried to literally break out, etc, because she was so determined that her quest was the only thing that mattered to her. i frankly don't blame jen for pulling an agatha and deciding to put herself first, and i don't think the show wants us to blame jen either. totally tracked to me. the retainer moment? exceptional. and alice and lilia were right there with her - it's not like she was the only one pushing this agenda, you know? certainly she wasn't singled out by skin colour.

billy, now... i am not gonna lie. i am a little worried that we're gonna turn this into the billy show. and i do mostly trust jac schaeffer and mary livanos and the whole setup of the fucking show that they won't, that this is about women and witchcraft and queerness and all of my favourite things. but it's a marvel property, right? and we always have to have this fucking fear. but this interview, again, actually made me feel a lot better about that:

obviously this sounds like it was really early in the room and things change throughout the course of development, but it is really reassuring to me that in the early stages of breaking agatha's story, billy... wasn't billy. he was, you know, a sexy lamp. someone else could've done his job. so his innate billyness didn't matter. to me, that suggests that the established arc remains agatha's and billy's just there to prop it up. i'm sure that since he became billy in the writing process, he became more important and elements of his story became part of the narrative and so on, but i expect it was a series of discussions on how to fit him into the story rather than how to rewrite the story to suit him.

i'm just as biased in my defence as you are in your annoyance, so you're welcome to dismiss all of this and grump on with your grumpy self. but i think this is a smart, interesting, nuanced show that hasn't spilled all its secrets yet. and i cannot wait for more. is it wednesday yet?

[lavenderprose]

I have a lot of thoughts and opinions about people calling Izzy homophobic because honestly I can ALMOST see where they're coming from. Izzy Hands experiences internalized homophobia on a level that is almost sickening to comprehend and that much is obvious from the way he talks to Lucius and, to a certain extent, Stede. His 'toxic' masculinity is a symptom of that but I have my own specific headcanons about that which I'll keep to myself at this particular point; I may very well elaborate at a later time. All I'll say here is that I personally headcanon Izzy as being trans, and though I understand that that's purely a headcanon, it does add some layers to his character.

That being said, I feel like Izzy is operating from a place of "There is ONE safe way to be a man who has sex with men." It's the one he's learned and has been obeying the rules of for probably his whole life. More than likely he's seen the consequences of...not doing it that way. This is something about him that I feel people tend to overlook, especially those who already have bad faith interpretations of his character. They like to use the piracy = queerness metaphor where 'traditional' (Izzy's) piracy is compulsory heterosexuality and the Revenge's (Stede's) piracy is glorious queer freedom, but I don't really agree with that. In this show, piracy is piracy and queerness is queerness. You don't need a metaphor for something that's explicit in the narration.

Izzy (And maybe even Ed, though I hesitate more with this interpretation for him) is a gay (Possibly trans, if you wish) man who thinks he knows exactly how you're supposed to live in order to Survive Being Queer. There are many real life people like him who are good and valued members of our community, but who balk at our current openness because it seems dangerous to them. Like, actively life-threatening. And yeah he's mean about it and he doesn't necessarily need to be. But you'd probably be a little mean if everyone around you was telling you to ignore every layer of protection you've ever wrapped around yourself because you don't need that anymore! It's silly and reductive to think that way! Get with the times!

And that's not to say that either party is in the wrong. That's kind of the whole point; Izzy struggles with the Revenge crew so much because from his point of view, his reasoning and fears are very valid, while Lucius and Stede et al. feel that they are reductive and old-fashioned, and neither side of the debate is inherently wrong in feeling that way.

While I don't think that this is necessarily the intended motivation for Izzy as a character (Honestly, where the writers are concerned, I don't think any of this is That Deep) it's definitely an interpretation that I feel helps to explain his motivations and the choices he makes in the show, if you're so inclined to view him as anything other than a villain. He's a queer elder who hasn't learned yet that he can maybe just a little bit STOP white-knuckling the performative masculinity that he's been clinging to to keep himself safe.

[last-starry-sky]

kinktober day 7 - against a wall

könig x f!reader

[MDNI - NSFW - MIND THE WARNINGS: 900 words, bilingual reader, my own personal interpretation of König's appearance, NONCON: abuse of power (higher rank than reader), König using his height/size to restrain reader, no actual sex in this one bc my brain is oatmeal.]

tag list (lmk if you'd like to be added!): @slut-lmao, @mishaglass

You knocked lightly on the colonel’s door, waiting in the empty corridor for an answer. Everyone else had quickly tucked off to bed after dinner, leaving you to wander the halls alone. He’d left it ajar, presumably because he was expecting you. 

“Stop by later. Late. Whenever you are free,” he’d said, clarifying. “To talk.”

You didn’t like it, the presumption. It made you question how you should act around your superior (a borrowed one, sure, but rank is rank). Kortac wasn’t a traditional military outfit, so you’d gotten used to some rules being bent or just ignored entirely, but surely it was still frowned upon to walk in an officer’s room uninvited. 

When no answer came, you knocked again, announcing yourself this time. You heard the chair creak inside, followed a few moments later by his German-accented voice. 

“Come in.”

You pushed the door open, stepping into his room. A smile spread across your face when you caught his eye. Not that it was hard. It was so nice to see him relaxed and without his usual decoration: body armor, weapons, he’d even lost his veil. His massive frame was tipped back, pushing the weight capacity of his rolling chair. He spun himself around, wheels scraping the linoleum from the sheer inertia required to move it. The moment he realized you were really here he perked up, not that he had to make himself look any taller. As he was, the room looked too comically small to contain him.

You were about to let the door fall back to it’s original, slightly open state, before walking farther in, but he stopped you. 

“Please,” he said gently. “Close it.”

He must have seen the unease settle between your brow, because he clarified, stumbling over his words.

“Privacy. I’d like- you’d like-” he rambled, before closing his eyes in frustration, huffing in and out a breath before continuing in German, hooded eyes on you still huddled at that door. “It’s better to keep personal conversations as confidential as possible. Especially for people like me.”

You pushed the door closed with a smirk, then sauntered toward his desk.

“I agree,” you responded in German.

A smile wormed back across his mouth as the tension melted from him once again. You took a seat in the chair opposite him. You tried to relax, sitting back, stretching a bit, anything to forget how utilitarian and impersonal everything around you was. It would be so much nicer to visit like this on a regular base, or, better yet, an apartment or house. 

Mercenary work was always in demand. Once you were in, the money was hard to turn down, but it was all to make up for the constant shuffle of your personal life. No one ever set down any but the barest roots. You lived out of a duffle bag, the only thing you set out was a laptop, and you were always ready to suit up and ship out. König’s room was no different from yours or any other member of your unit. It made it hard to find a thread of conversation, which was what the poor old soldier in front of you wanted, and it was obvious. 

That was the other fact of this life: it was lonely. More so to those picking up a second, third, seventh language in order to communicate. You could always tell who they were. Their speech was always stilted, direct. Go Here. Do That. Yes. No. Ready. 

His speech had already grown so much more fluid and relaxed since you started talking.

“I’m so glad you agreed to meet,” he said with sigh, resting his elbows on his desk. You did your best to not stare at his biceps. “It’s been too long since I've spoken my mother-tongue.”

“It’s nice to be of use,” you said with a little shrug, falling into the corner of the uncomfortable plastic chair. “It makes the money spent on my languages degree fell less wasted, anyway.”

“Use?” he questioned, eyebrow quirking the scar that ran up his forehead, disappearing into his hairline.

“Ah, oh. You know . . .” you rambled. Great. Now you were struggling.

His eyes narrowed at you, making a chill run down your spine. You were glad you would never face him on the battlefield because damn, that look alone could kill. 

“Are you only here . . .” he said tipping his head to the side like a predator, “because it makes you feel useful?”

Eyes wide, you shook your head in earnest. “No no no no!” you blurted out. “I didn’t mean-”

He stood up, chair popping as it retook it’s original shape. All six plus feet of König’s muscled frame blocked the ceiling light. It threw his face into shadow. You froze in place. 

“Get up,” he growled.

You didn’t need to be told twice. You scrambled out of the chair. Apologies in both German and English pouring out of your mouth as you turned away, tripping over the legs of the chair as you barreled toward the door. 

König grabbed your arm, wrenching you around before slamming you to the wall. You winced, gritting your teeth against whatever came next.

“I’m sorry,” you whimpered, eyes clasped shut, as his shadow fell over you.

You heard him chuckle, a sound that made your skin crawl. His hands grabbed at either of your thighs, lifting you effortlessly up the concrete block wall. You shrieked, shuddering as he struggled to fit himself between your splayed legs, his breath huffing hot across your face. 

“If you wanted to feel useful, mädchen,” he said rutting his thickening length against the front of your khakis with a smile, “then I have some ideas. Many more ideas.”

[justanotherpersonsuniverse]

Hey Cap!! 

Miscellaneous meta PN lore question!

I have some questions about Time Travel! In Panthera, Bunnyx is yet to show up, I presume because her first canon appearance is in season 3, however I’m curious about what thoughts you have regarding the Rabbit Miraculous and time travel in the series in general :3

Time travel always has a lot of different interpretations and it’s one of those things that can be an absolute pain in the ass to plan for. Especially cause as soon as you open up the ‘time travel is possible’ can of worms it either a) has to be addressed why the big bad evil guy wasn’t just… stopped before they could begin or b) have some sort of rules about time travel that generally change depending on what is convenient for the plot (or secret third option c) use suspension of disbelief because the story wouldn’t have happened if someone had went and fixed everything).

Sorry, I think about time travel a lot. A version of time travel is a main component of my original fantasy story so this is actually a hugely pared down prelude to what I wanted to write. 

Anyway! I’m wondering if you have any thoughts on how you're going to handle the fact that it, well, exists. It feels like the sort of thing you wouldn’t shy away from, especially because of all the lovely existential dread that could come from having access to that power, though it would come in different flavours depending on how you choose how time travel works. (Eg. You can’t change the past but you can partake in it, it's just that this was always what happened but the time traveller is the last one to experience that moment. Or you can change the past but would it be ethical or right? etc.).

Obviously, Time Breaker could (and did!) time travel, but the mechanics of that were just totally different so it's a different ball game. Though I did like how you wrote Time Breaker and the ramifications of that, I'll get into that for my story observations :3

But… it’s also a total bitch to plan around writing wise, you need, like, a special kind of foreshadowing for it to pay off properly and it's all complicated for no reason so I totally get if it’s a canon aspect you want to mostly ignore. 

oOHOHOHOH HAVE I THOUGHT ABOUT IT <3

Ive thought about it a LOT on why Bunnyx hasn't 'fixed' any of the in universe problems.

I love Alix, so I have great plans to explore how she goes from being Alix- a very emotional character with strong emotional ties and, as Timebreaker showed, the drive to recklessly fix something if she's given the chance to- to Bunnyx, someone who- well... is an enforcer of the future.

I'll keep my cards close, but I will leak some details on how time itself works in this universe though! See;

If this universe is a gated off garden, the many different timelines that co-exist are the singular different plants and flowers growing. Different seeds grow into specific plants.

A tomato seed turns into a tomato, a Chat Noir timeline produces a Chat Noir timeline, and so on. Bunnyx's job is to tend to this garden, keep timelines and their roots from interfering with each other. This means alternate timelines exist.

Becoming Bunnyx means she's not allowed to pick and choose what timelines she wants but is responsible to make sure they end in the ways they're meant to, and if they're not, she will know because they often interfere with other timelines like Weeds.

In minor situations, a timeline will feature a hiccup where a scenario doesn't go exactly how it's meant to or occurred without meaning to, and Bunnyx will either readjust this event to make it work smoothly into the 'canon', ignore it because its harmless, or cut the hiccup entirely so it never happens.

In MAJOR situations, a disrupted and unintended timeline will not only occur and change the direction of a single timeline, it will slowly weed its way into causing the other timelines around it to ONLY END the way the original Anomaly does. That is when the event that caused the anomaly must be cut from the root- before it's infection affects her too.

[sapphiewritesstuff]

Dude I need a hardcore yandere Namor x reader!

Where your Riri’s friend and specialize in chemistry and biology so you know how to make different materials for her and even make money off the side with selling your stuff to the government. And Namor definitely wants to kill you like the scientist but after finally seeing you in person has a change of heart, his mind convincing him it’ll be a waste on someone so intelligent to die, especially someone so beautiful- Namor then rizzes you up enough to manipulate you into staying with him after the war

(Extra points for tension and possessive)

love your work please drink more water 💧❤️❤️❤️

Hi!! Thank you for the request and I’m really really glad you like my work, thank you for supporting me <33 I will try my best with this ask, as I usually don’t write hardcore Yandere, so if it’s not what you expect I’m sorry, but I am a soft girl at heart and Namor is my bby girl <33

Warnings: GN! Reader, Yandere, Violence, manipulation, kidnapping, Namor is dark but not darker than he is in the movie, isolation, punishments, murder, not proofread.

-You were kidnapped along with Shuri and Riri, knocked unconscious by Namora and taken to Talokan.

-Namor takes an almost immediate interest in you, wanting to talk to you and learn more about you. At first, he tries to excuse it as trying to get closer to the enemy, even though he doesn’t treat Riri the same way, but later learns to accept that he thinks that you’re beautiful.

-He accepts the fact that you're a genius, your inventions and experiments are like none other, and it intrigues him. Talokan could use someone like you, it would be a waste to kill you.

-The more time he spends with you, the more infatuated he becomes. Everything about you is perfect, from your brain to the way you act to the way you look, he needs you as his own.

-You plead with him to let Riri and Shuri go, but never beg for your own freedom, and Namor respects how selfless you are.

-Nakia soon comes to rescue the three of you, but as Namor started keeping you in his private hut, she was unable to take you back to the surface.

-You told yourself that they would come back for you, that they were just planning their next move, but days turned into weeks, and nobody ever came.

-Namor took pity on you, he hated seeing such a beautiful person be ruined by the surface dwellers, but he knew that he could use this to his advantage.

-One day, he sat down beside you, taking your face into his hands, and very firmly, yet gently, told you words that you'll never forget.

-"They're not coming for you, my love."

-He 'takes care' of the Wakandans soon after. (Interpret that as you will, if Wakanda and Talokan become allies he convinces them that you're in Talokan willingly, you're too afraid to say differently.)

-Life with Namor isn't spent as a captive, if you can overlook not being allowed to leave Talokan, he treats you like royalty (which you are, he has already made you the other ruler of Talokan through marriage). His touches are soft, and he feeds you only the freshest of fruits.

-Namor has a temper, there is no denying that, many poor servants have been subject to his yelling and wrath after disrespecting him or you.

-Despite this, he never lays a finger on you.

-Punishments? He doesn't like hurting you, his little scientist, but he knows that if he doesn't teach you, you'll stray away.

-He isolates you. You have been down in Talokan for god knows how long, with Namor being your only interaction, as much as you hate to admit it, it's nice having someone to keep you sane. Namor knows this, and uses it to his advantage. Whenever you act up or break one of his rules, he'll ignore you until you're begging for him to look at you again.

-He also makes you watch as he guts some innocent who 'wronged' you in his eyes. Sometimes it's an act of love ('look at what I would do for you!'), other times it's a punishment ('this is what happens to people you get too close to, it's your fault, stay by my side and nobody will have to suffer')

-You'll never see the surface again, he knows that the government will just come after you, he must keep you here to protect you and his kingdom. He's doing this for you!

-If you ever try to escape, god help you.

[sallytwo]

@aceofwands sorry for how long this is you asked The Most annoying person on the planet about this subject. godbless.

basically what we see in prodigy is the “happy ending” for wes. he obviously wouldn’t have been happy with a future in starfleet, and even if the accident in first duty hadn’t been the catalyst leading him to quit then he would’ve still been miserable. and maybe he could’ve ignored that issue for longer but starfleet was what everyone else wanted for him, not what he actually wanted. and his mom and all his friends are in starfleet so no matter what he did there would’ve been some awkward disconnect there after he left.

and as much as he “deserved” a happy ending of just being some random guy in the federation living and ordinary life that was never really an option. like you take this 15 year old who gets to work on the bridge of starfleet flagship and gets promoted to a full ensign before even going to the academy and THEN being chosen for the special elite flight team when he was only a sophomore. he was never going to live an ordinary life because everyone always told him he was special and better than that. so of course he said yes when the traveler showed up and asked wesley to join him because he was Special and they’ve been watching him since he was a kid (and oh you have to leave your entire life behind but don’t mind that). especially since that offer came at a very emotionally volatile time, since he just quit starfleet. he’s spent his entire life living by the starfleet rules and ideals and suddenly another organization shows up that can offer that same structure to fill the gaping hole in his life. there wasn’t really a choice!

so then there’s 1) already a disconnect since everyone he knows is in starfleet and he’s Not 2) his departure from starfleet was already very upsetting and shameful and he doesn’t want to relive that and 3) as a traveler he’s very far away from everything he knows and he’s not even really a human anymore and he can’t explain the things he’s seen to the people from his old life. it makes sense why he doesn’t go back. and then as the years go by it gets harder and harder to reconnect because you can’t just show up after being a missing person for 10 years and expect everything to go back to normal. i think there’s a lot of guilt wrapped up in this, where he feels really really bad for not visiting his mom and thinks about her constantly but still. doesn’t go back.

⬆️⬆️⬆️ NOW IGNORE MY THREE PARAGRAPHS JUSTIFYING IT. BECAUSE NO MATTER WHAT POOR ME SOB STORY WESLEY HAS IGNORING HIS MOTHER FOR YEARS IS HORRIBLE. this is NOTTTT me making justifications on how he’s right it’s just my analysis of the situation. wesley was literally the only family bev had left and he just disappeared without a word. i could write another whole 5+ paragraph post about the fucked up dysfunctional crusher dynamics and how neither of them reallyyyy talk to each other but it fucking sucks!!! he should not have done that and it doesn’t matter what his excuse is. what my interpretation of the dynamic boils down to is that wesley is in a rut of self pity where he feels Really Really bad about not visiting his mom and that if he feels guilty enough that makes up for everything. and beverly is doing her best to pretend everything is fine and her son is not a missing person who may or may not be dead Please Don’t Mention Him Okay.

in summary. yes wesley not seeing any of his friends or family sucks but that’s kind of the best ending for him. and i think he does actually care about them but feels too guilty to go back.

[loserharrington]

i’d like to preface this by saying i am not an expert on religion (or non-religion) this is simply information i’ve learned over the years of research and talking to those who do practice satanism. if i’ve got anything wrong feel free to correct me

with that being said, i’ve always had this idea that The Munson Doctrine followed the rules of the church of satan. be it the 9 satanic statements or the eleven satanic rules

eddie has a laveyan cross patch on his vest so he must practice satanism to some extent. Especially since it’s a pretty large patch in an obvious place.

it’s sort of complicated because it’s not really a religion but it’s still a practice. (one of personal freedom and rationalism.) it’s basically things he lives by to better himself and the way he interacts with others. the “rules” don’t need the approval of any deity because satanism rejects the idea of all gods. (it goes hand in hand with atheism) it simply encourages individuality, skepticism and living your life the way you want to no matter how “sinful” it may seem to others.

i think it’s safe to say eddie resonates with this. he’s seen blatantly rejecting and criticizing societal norms and questioning why he and his friends are seen as freaks and targeted because of their interests

now here’s where i start inferring things about how he practices

i’m sure he’s added to these rules (hence the name Munson Doctrine instead of a direct reference to the rules of the church of satan) but i think it still loosely follows those rules. eddie just seems like the sort of person who’d take something like this and make it his own, which is essentially what satanism is. (again, it’s not a religion so it doesn’t require specific rituals to be done)

or, he misunderstood or interpreted some of the rules given to him differently than others might’ve, which lead to the quote that started this whole rabbit hole i’ve fallen down.

Quote: “I just couldn’t accept the fact that Steve Harrington was actually a good dude. … No way man, NO WAY, that like, flies in the face of the laws of the universe, and my own personal Munson Doctrine.”

i’m leaning toward the idea that he added his own rules and beliefs to the list because satanism encourages freedom and self expression, so he can essentially do whatever he’d like with his practice as long as he’s not infringing on the rights of others. (again, this would explain the name Munson Doctrine)

he might have added things (such as bullies/bystanders never changing. i.e: steve harrington now being a good dude when, in eddie’s eyes, he wasn’t before) because of his own experiences with people like that. [read here for more on that]

regardless of what he might’ve added or why, i do think that the Munson Doctrine is something he actively lives by. (ignoring the fact it could have just been a joke he threw in there to express his shock on how much his perception of steve had changed)

now here’s the fun part. my head canon i built off of this head canon.

i like to think that eddie didn’t come up with the munson doctrine on his own. his mother might’ve been a big influence in why he practices laveyan satanism.

now here’s why i think that:

1. it’s obvious eddie has some sort of ill feelings about his father, going as far as to say he told himself he didn’t want to “wind up like he did”.

this could just be him referencing the fact his father has been incarcerated for various crimes or it could be him referring to his character as a whole including his religion

this ties into fact that we see Wayne (who we assume is Eddie’s father’s brother due to their last names) is actively religious — at least enough to have religious decor around the trailer so it’s safe to say the munson brothers grew up religious

2. we know absolutely nothing about eddie’s mother which means i can make it all up !

eddie referring to his personal beliefs as his “Munson Doctrine” could imply that he’s not the only munson who follows these rules. he does say it’s his “personal” doctrine so i will choose to believe that is in reference to the new things he’s added as he’s grown up and experienced more things in his life

but before then, his mother could have instilled rules into him that he still follows to this day. rules such as these:

i just love the idea that eddie still has some connection to his mother and this is just one of the ways he honors her, but the idea of eddie finding comfort in satanism later in his life due to feeling alienated by the people of Hawkins because he’s different is just as good

in conclusion:

i choose to believe the munson doctrine wasn’t just a silly throw away line, and it ties into the religion he seems to practice

[numbknee]

Why do you think Kyman gets so much hate? I can understand some things about what people don’t like about it but some of the things they say, the harassment is so out of pocket. Especially on Tik Tok! It is like a battle ground out there and they all will shoot you down immediately if you SAY anything. I just wanna love Kyman without it seeming like a punishment 😭😭

Dude I totally feel you. It's so much easier to live and let live so I don't understand how these ppl have the energy to be so aggressively hurtful all the time. This has been said before ad nauseum but for god's sake, it's JUST a fucking tv show. I'm too old for this shit.

(longer explanation under the cut! like... extremely long lol I'm so sorry my thoughts about this have been building up for a while 😅)

I think the extremely aggressive kyman hate is a symptom of growing poor media literacy and the larger "purity culture" trend that's been present online for a while now. It's very reminiscent of American Evangelicalism or Puritanism, where members of the church have to follow a very specific set of rules for behaving and thinking and if you deviate from those rules in the slightest, you're shot down immediately by the community and shamed for being sinful and blasphemous, all to keep you on the "righteous path" and avoid burning in hell for eternity. This is why so many puritanical christians in the US hate themselves for doing what most of the world sees as normal behavior, and simultaneously force that self-hating worldview onto others to "save" them. (For example see this video by FD Signifier on youtube explaining how hardcore religious ppl/conservatives are doomed to be bad in bed because they see sex as "evil" when in reality it's a normal part of human behavior 😬 It's long but very good).

Though, it's important to note that ppl who think this way may not even be christian themselves, but the behavior is so pervasive in american culture that you absorb it even if you're not a puritanical christian. (for example, to quote Ian Danskin, athiests may think "I don't believe in god, but the god I don't believe in is Jehovah). Tons of the first generation of white USAmericans were exiled British puritans who were kicked out of their home country for essentially being self-righteous assholes and trying to force their shit worldview on everyone else lmao. And I think because so many online spaces are so USAmerican-centric, people from all over the world have started adopting that purity culture as well.

Now, South Park is extremely popular (duh). It's been around for decades so it has a ton of fans both old and new. Unfortunately a lot of new fans, especially young people, follow the show for very different reasons than the average normie/not-terminally-online viewer does. They take the characters out of their original context, use them like dolls to make their own stories and fan content, and ignore all the other blatantly controversial shit that's been going on in the show since day 1 (which is why so many exclusively make blasé creek fanworks imo). They want to keep their thoughts "pure" and only engage with content that's approved by the puritanical online community

It's extremely fitting but also sad that Cartman is the scapegoat for everything wrong with South Park, both in the show and in the real world. Either ppl don't want to acknowledge he exists, or ppl latch onto him and project all of that puritanical hatred toward him or anyone that likes his character. Hell, even I'M guilty of this kind of thinking before I watched the show and understood Cartman's character better.

Kyman in particular is a target BECAUSE it involves Cartman, but also because people boil it down to shipping a nazi with a jew which, at the surface level, seems horrible! But if you've ever actually WATCHED the goddamn show, you know that is an extremely reductive and inaccurate interpretation of their characters. It's horribly poor media literacy. These ppl CANNOT seem to comprehend that you can enjoy watching a character who's a "bad person" without condoning their actions, and that enjoying the shipping dynamic of such characters DOES NOT make you a bad person by proxy.

A huge role of fiction as media is to explore ideas that may be harmful in the real world in a safe way because... *gasp* it's imaginary!! It makes you think and experience emotions you may not have the opportunity for otherwise! However, in the eyes of puritans, the fact you're even thinking about something like that makes you a sinner. It's a thought crime, which is why they consider us mentally "sick" for shipping kyman. So, they send hate at the drop of a hat and publicly vilify kyman shippers to reinforce that behavior with each other, all to say "Hey look at me!!! I'm a Good Person! see how much of a Good Person I am??? I'm gonna go to HEAVEN, and YOU'RE going to HELL". Like I said before, it's not that they necessarily believe in heaven or hell, but that's the general root of the behavior. It's performative puritan dog-piling. Also, because they haven't even fucking watched the whole show, they conveniently ignore all the other horrible shit the show portrays because random kyman shippers online are easy targets while Matt & Trey are gajillionaires who are essentially un-cancellable for things they do on the show at this point because, to quote Trey: For anyone to go up and go "Did you see this thing on South Park? That was really offensive" someone's gonna be like "Dude shut up 😒 that's just South Park".

Geez man this got super fucking long lmao. But my advice is to please take care of yourself because, and this super cliché to say, but FUCK the haters dude 🖕🖕🖕 You're engaging with media that brings you joy and exploring interesting ideas with a community of awesome artists/writers/meta-analysts and more. This is supposed to be FUN!! Anyone who tries to take that away from you or shame you into stopping is a fucking immature, holier-than-thou asshole who needs to get a fucking life. The block button is your friend, so use it early and often. You have the power to curate your own online space, and you shouldn't subject yourself to dealing with these dickheads (this is a big reason why I don't have a tiktok lol)

Good luck dude, and keep on shipping kyman 😎🤘❤️💚

[thewertsearch]

Ask Comp 28/6

It's in the recs list! I'm very much looking forward to this one.

I've certainly enjoyed what I've read so far - it's been nice to get back to the story's original protagonists.

The main mood of Act 5.2 is one of anticipation. We've been getting glimpses of the kids' Grand Plan ever since the Act began, and it very much feels like it's all building up to something. If Homestuck sticks the landing, and the Act 5 finale lives up to all this hype, then this might end up my favorite part of the story so far.

Yeah it's a session tag - although a 'reading session' is a little ambiguously defined, especially when I stop posting for a few hours and return later in the day. How long a gap does it need to be before it qualifies as a new reading session?

I've just been tagging every post made in the same day as the same session. It's not a perfect solution, but it'll do.

Wow, it started in 2010? I could conceivably have been reading Paranatural in school - although I'm glad I came to it a little later, so I wasn't constantly waiting for updates.

Big red peepers. I'll admit I didn't really think of this as a reveal, but I suppose it is our first true peek behind Dave's shades.

Based on this, it's it's probably safe to assume that all the kids have eyes matching their text colors. Has Rose been blessed with the legendary mutation, Alexandria's Genesis?

A few people mentioned this Squiddles meme. I like it, it's very Trunk & The Grunks.

I've really gotta catch up on those albums at some point...

I did wonder if Bro's sword shenanigans were something to do with Dave's Quest - like, maybe he was bequeathing his anime sword to his brother, to accomplish some objective. Now that Dave has his own Quest sword, I think that interpretation is less likely.

Symbolically though, I do think it's notable that Bro's sword is intact, and Dave's is broken. It ties into how Dave sees himself as a worse version of Bro, on some level.

As far as Jack is concerned, I doubt the game intends for him to have anything to do with Dave's journey. The whole point is that he's ignoring the game's rules - so if anything, his antics might start to break the Quests.

It sounds like the style was supposed to take readers aback - although I didn't find it particularly jarring myself!

Homestuck's art style is constantly changing, with this, the Earthbound sprites, and Hero Mode, among other things. Honestly, I had just assumed that the comic's art just fluctuated depending on Hussie's mood.

I quite like the HussNasty panels, and I hope Hussie keeps experimenting with the comic's art. It sounds like this is the beginning of a more general trend, so I'm hopeful that it will continue.

Oh, so it just straight up is Excalibur.

New theory about his Quest, then. It's about worthiness, and Dave is being tasked to 'prove himself' as a hero, despite his insecurities. This ties neatly into the next set of asks below:

Anonymous asked: my headcanon (partially supported by the text, as you've seen from rose's conversation with jaspers) is that each quest is designed to help you self-improve, so that you can responsibly preside over an entire universe. whether you agree with the game about the ways you need to improve is another story.

I've speculated that the Quests are teaching the Players how to sculpt their universe. Building on from this idea, then, these asks speculate that Quests are also trying to improve the Players as people, so that the nascent universe will flourish under their care.

It's an interesting idea - although it does beg the question of why Sburb is creating such flawed Players in the first place. If it's looking for self-actualized custodians for its universe, why did it create Players like the trolls, who wanted to rule over their universe like tyrants?

I guess it's possible that a flawed Player who self-improves is actually more resilient than a flawless Player who never needed to change. The former would potentially be more resilient, capable of adapting to the changing circumstances of their universe as it grows and evolves.

I wish! That's more of an aspirational schedule, really. I should probably delink it, if it's causing confusion.

I'm not sure whether this is Karkat's canonical birthday - but if it is, I like the irony inherent in the fact that he's not even a Cancer.

Yes - although I don't blame you for forgetting, since I don't think I've referenced it since the literal first post of the liveblog!

Oh, god, messages from 2024? Is Tumblr using Trollian as a backend?

Bizarre. I assume, then, that the trickster code was cut as well. :(

If we assume that Sburb did evolve, then it makes sense that it works this way. However, if it was created by some intelligent being, then holding the Players hostage like this seems pretty malicious.

I mean, there are ways to ensure participation in the game that don't involve destroying an entire planet. No matter how clear you were about the risks, if you asked the population of Earth for volunteers, you'd be guaranteed millions of responses.

All that said, if Sburb worked this way, we'd have a very different story. I understand why Sburb works the way it does, in the context of Homestuck's themes.

Speaking of Kingdom Hearts, I'd kind of love for Sora to visit a Homestuck world. His Keyblade upgrade could be the Wrinklefucker - and he'd have to unlock Vriska as a summon, right?

Do it. I've been rereading GtN this week, and as far as I'm concerned, Alecto can't come fast enough.

It is she. The million dollar question, of course, is whether Taylor is ultimately more of a constructive or destructive character.

I mean, I have an opinion, but resurrecting The Great Taylor Hebert Debate on this blog would be an exercise in hubris.

@wickedsick asked: The typically accepted name for Girl Egbert is June, after that one time Vriska spelt John with 64 O's and Egbert said they read it as a really long "June". [...]

Oh man, imagine being trolled by Vriska was your trans awakening. How would you ever recover?

Jokes aside, I like June, It's cute. I feel like if John transitioned she'd choose another 4 letter J-name like that, or a name from one of her movies, like Dana or Janine.

Come on - I'd be shocked if Homestuck didn't end with the straight characters getting outnumbered at least twenty-to-one.

Looks fine to me, I think. I assume the website just hiccupped - wouldn't be the first time!

It blows my mind every time I remember that Undertale came out in 2015. The beginning of the Undertale Era feels like it started simultaneously six months ago, and twenty years ago.

You open the TYPHEUS web browser and direct it to what is indisputably the most amazing website ever created.

Au contraire, my friend - Typheus showed up way back in Act 1!

[ I can't send them yet because they'd tell you a lot about the aspects, but someone sent classpect headcanons for discworld characters and they're SO GOOD - C ]

Damn it, I can't wait. Just based on what I've recently learned, I am convinced Rincewind would be the Something of Light.

[myymi]

ohh if you can i would appreciate some tips!! honestly writers are so admirable we dont give yall enough credit🙏🙏🙏

well, for me to give you the absolute best tips i can to help out, i need to know what exactly you're struggling with when it comes to writing. there are about a million different tips i can give you for about a million different things and some of those tips will be completely useless to you

for now though, i'll give you the things that help me getting into a writing mood + general tips i give to new writers and if you still need further help you can explain what exactly you're struggling with and ill do my best to help out;

1) whatever you learned about formatting essays; forget it.

a common thing i see in new writers is they try to write it like an essay. which isn't a bad idea really, but it is restricting. your paragraphs don't have to be four or more sentences. they can only be one if you want. it's your story, format it however you want. you don't need to follow rules

2) listening to music

this is mostly for when you have that one specific scene in your head but have no idea what to do for the rest of the fic. listening to music and connecting the lyrics to the characters you're using is a great way to get your mind thinking. one song can give you several different ideas depending on how you interpret it

3) make sure you are in a good mood

personally, i cannot write to save my life if im upset or just generally having a bad day. i know some people can use creating as a way to cheer themselves up, but it just doesn't work out for me lol

4) if you don't need background noise, don't use it

it's pretty easy to get distracted when writing, especially when you have something new playing. if you do need background noise of some kind, i would advise playing instrumental music or that one movie/show that you've seen a thousand times and could quote in your sleep. keep your focus on your writing

5) brackets will be your best fucking friend when writing

one of the most important things about writing is keeping your flow going. if you find yourself writing sentence after sentence for a good while and then you suddenly hit a stop because you don't know how to word what happens next; throw it in brackets and write the scene after it. its the same reason why you're told to skip questions you get stuck on when taking a test. let your brain do what it knows it can and come back to the tricky stuff later.

6) you don't have to write anything in order

you don't have to write a story exactly start to finish. you can jump between any scene you'd like and find out how to connect it to a different scene another time. this kinda ties into the last tip in the sense that you gotta let your brain do what it knows. if you only know the beginning and the end then write those first and figure out the rest as you go. if you need to edit either one of the previous things then that's okay. there's no shame in changing things around, it's just how creating things go. sometimes change is needed

7) writing prompts

for new writers, i like to tell them to find a prompt online to write a story for before they start their own. using a prompt someone else made keeps your brain from getting overwhelmed, allowing you to focus more on finding a writing style that works best for you. using writing prompts also lets your brain find ways to contribute to a story without having it make everything while also figuring out how to put it on paper. it's easy to overwhelm the brain, so let it get used to writing before you start creating your own ideas. (this is also something i advise to people who experience burnout or just cant think of anything to write. your brain just needs a break from creating ideas right now, go and find a prompt for it)

8) word count

listen to me because this is so important; ignore the word count. you need to focus on learning, not how much you're writing. it doesn't matter if you only wrote 50 words when other people have fics well over 50k. ignore it. you are learning, you'll get there eventually. if you focus too much on how much you're writing you're going to stress yourself out and ultimately drive yourself away from ever writing again. treat word counts as milestones. start with 50, then 100, then 150, then 200, etc. let yourself work towards it slowly rather than push yourself too hard right out the gate. you can't expect to draw the mona lisa the first time you put a pencil to a paper, so don't expect to write thousands of words the first time you write a story. it'll take time, and that's perfectly okay.

9) analyze the shit out of your characters

this is easier when writing fanfiction, but take a few hours to learn your characters. find the content they're in and hyper-focus on what they're doing. pay attention to their speech patterns, their body language, their relationships with others, etc. if they're not in a scene, try to imagine they are and what'd they do and/or say if they were. it'll help out with keeping them in character when writing

10) if you get to a point where you can't write anymore even when using brackets; stop writing for the day

we have our limits. you will get to a point where you can't get another word down and that's okay. it doesn't matter if you've only written a handful of words, close your program and wait until you feel motivation hit you again. if you keep trying to force yourself to write when you just can't then you're going to burn yourself out. the most probable reason for this is writer's block, which means you need to focus on other things for a while. give your brain time to recollect itself. it's annoying, i know, but it's better for you if you just let your brain do what it needs to. it knows how to take care of itself, so let it.

i also have a tag i use whenever i give tips, so you can check those out as well to see if anything helps! it's just writing tips

[bucksdaffy]

this is a genuine question, sorry! (i ship bucktommy! i just also ship buddie and i wanted to ask) but you said here https://www.tumblr.com/bucksdaffy/750558811283144704/what-that-buck-was-jealous-of-this-superhot-guy?source=share that we've seen the way buck acts when he has a crush on a man, how he gets flirty, and i feel like there are quite a few times in canon where buck and eddie get flirty i know an example that gets thrown around a lot is the "do you want to go for the title?" which reads as flirty to me, esp bc of the bucktommy moment in buck's kitchen. i hope its okay to ask you this, i just wanted to get your take on it :)

of course it's okay to ask! i'm happy to give my thoughts on various topics, especially when you ask in such a respectful manner!

beware, though, this is a long one.

i feel like i need to preface this by saying that i don't think shipping buddie is wrong. i'm committed to the principle that as long as a person doesn't twist canon, it's not really my business what they enjoy, even if i personally don't share that view. so if you choose to view certain buddie moments as romantic but at the same time acknowledge that your view is not really canon (yet, with a huge possibility that it never will be), i'm totally fine with that. and if you don't need your ship to become canon in order for you to enjoy it, i'll probably develop a little crush on you because, damn, that's hot! what pisses me off, though, is claiming that something IS canon because YOU interpret it that way, whereas the actual canon often states otherwise. this is where i draw the line, and this is why i might seem to talk in such definitive terms when bobs send me asks.

okay, now back to your question.

i think your interpretation is valid, but at the moment, i do consider it fanon.

shorter explanation: i don't really see it as flirting (and canonically as of right now it was not).

longer explanation: it might sound funny, but there is this strange idea in a lot of fandoms that friends can't be... friends with each other. now, don't lose me just yet – let me explain!

so i think it's a common view that a friend is someone who you can trust; someone who supports you and is always there for you when you need them. and that is absolutely true, there is no doubt about that. this is basically the foundation of a friendship.

but for some reason, there are people who don't see beyond that.

when a friend jokingly insults the other in a tiktok video, for example, chances are you'll find a number of comments on how the insulted friend deserves better. and yeah, sometimes that's true. not everyone we consider our friend is truly a friend. but people seem to forget, or simply ignore, the fact that this is how a lot of people actually show affection too.

and it doesn't end with insults, of course. there are a number of ways people show affection to those they love. one of them can also be flirting with each other in a joking manner. tbf, i do that with my friends fairly often. does it mean i'm attracted to them or they are to me? no. we just feel comfortable with each other enough to make such comments, and we just like to spice up our conversations a bit so they're not boring. that's it.

the thing is, friendships differ from person to person. there is no rule that dictates what is and what isn't considered a friendship. saying that someone insulting their friend definitely means they don't care about them is a reach, just as saying that someone flirting with their friend definitely means they are in love with them is a reach. people can engage in these behaviours without romantic feelings underlying them.

you mentioned the "wanna go for the title" scene and how you interpret it as buck and eddie being flirty with each other, and that is your right to interpret that scene that way.

however, personally, i have never seen it as them flirting with each other (even in the platonic way i "flirt" with my friends). i have always viewed this exchange between them as just a friendly banter, which, again, is something that a lot of friends do. being playful with each other isn't exclusive to romance; people can do so in all sorts of relationships – romantic, friendships, familial. so, it doesn't indicate what type of relationship one has with another human being; rather, it just shows that they are comfortable with them.

bucktommy's kitchen scene is different in that the exchange ended with a kiss. buddie's kitchen scene ended with them playing a video game.

with the assumption that buck's crush on eddie (if there ever was one) was gone by the start of s3, that scene reads completely platonic to me. however, if i believed the crush lasted longer than that, i think i could perceive it as genuine flirting on buck's part. the problem is, though, i really don't think that's the case, and i don't think anything in canon indicates it was that as well.

[so-i-grudgingly-joined-this-site]

Part 1: Tragic, but not a Tragedy… Unless you get weird about mental health

Note: this is a part of my essay "The Awkward Meta-Tragedy of The Sandman", see [here] for the masterpost of all links, reading order, and content warnings.

The ending certainly is tragic, in the sense that it is sad—for the reader, at least.  But, it seems to be sad, perhaps, only for the reader, seeing the protagonist they’ve followed thus far die and get buried.  Full funeral and all—no obvious “never found the body” ways around it.  In-story, the ending leaves the book’s world a better place, with all the villains taken care of and the Dreaming now ruled by somebody with a much more level-headed nature.  (Which, yeah, that’s a loaded sentence there—I’ll expand upon that in a later part of this essay.)

It’s no secret that, for being a cosmic force and the protagonist of the tale, Morpheus is a very, VERY flawed being.  He’s prideful, stubborn, doesn’t listen to others, doesn’t listen to his own advice, communicates poorly, and never reaches out for help when he needs it.  He also, especially after the death of his son Orpheus (and immediately prior to that, being dumped by his latest failed romance), seems to be not only aware of his flaws, but also in the throes of extremely deep, self-destructive depression.  Honestly, that much-memed panel of him sinking into his chair gutted me upon first read.  You could feel how much Orpheus’ final death, and having to be the one to grant it, weighed upon him.

Morpheus routinely denies himself the opportunity to reach out or seek help, because he also firmly believes that he should be tied to his job as the dream-king, ignoring his own more “human” wants and needs, and that he should be able to do this because he’s an Endless, not a human or even a god (who are apparently a level closer to humans than the Endless are in the story’s cosmology).  That self-denial and inability to reach out, perhaps, if this were a traditional tragedy, might have proved his “fatal flaw”.  If he had died as a result of that, the ending would make sense as a tragedy, in the literary sense.

                But Morpheus commits suicide.

Or, at least, that seems to be the most common interpretation, from what I can tell.  It certainly was mine upon first read.  TvTropes says it.  Other characters in the story—ranging from the unfortunate elf girl Nuala to Death herself—even seem to assume that’s the case.

                Not only does he commit suicide, but he does so through what, in a twist that apparently spans the entire comic’s run, was an elaborate series of perfectly orchestrated events dating back to the very first volume.  He’s aware of his flaws, but apparently despairs at ever changing.  Gaiman himself states that the theme of the series is “change or die”, after all.  Morpheus knows he’s the problem, and he decides to solve it by taking himself out of the equation.  Everything all stacks into place where he knows he will provoke the Kindly Ones to kill him, and sure enough they do.  He does not die as the result of some accident resulting from fatal flaws, as tragedy demands.  He makes a suicide plan, and succeeds.  Tragic protagonists don’t die in the way they INTEND to die.  Morpheus doesn’t die from his fatal flaw…unless his fatal flaw is his untreated depression that drives him to suicide.

                Which is, for lack of better terms, uncomfortable!  I know we’ve come a long way in mental health awareness since the 1980s-early 2000s when the books were planned and written, so perhaps I’m being unfair to the source material by looking at it from a 2020s perspective.  But, that does not change the implications as written.  If we are supposed to see The Sandman as a tragedy in the literary sense, where the protagonist is brought to his doom by accident of his fatal flaws, then interpreting Morpheus’ death as a successful suicide plan means that his fatal flaw was his mental illness and inability to seek treatment.  Which seems… rather cold, honestly.