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shepscapades · 6 months ago

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Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D

(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)

-ˋˏ ༻ ❁ OVERVIEW ❁ ༺ ˎˊ-

Name: C.B.F.N.4000 (Cub) Pronouns: He/Him Species: Android Height: 5’9’’ Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies

-ˋˏ ༻ ❁ ABOUT ❁ ༺ ˎˊ-

CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present!

Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself.

Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.

The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids until they had found deviancy enough to pursue their own projects. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.

Cub is closest with Scar, but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!

-ˋˏ ༻ ❁ EXTRAS ❁ ༺ ˎˊ-

Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3

#dbhc #dbhc art #dbhc ref #dbhc cub #cubfan #hermitcraft #cubfan135 #hermitcraft au #art escapades #writing everything out in a really succinct/condense way is actually really helpful #I might add Etho and Doc’s artfight descriptions to their own reference pages actually #just because it’s really helpful to have all of the lore in one place LOL #I always wrap up these ideas in my head and save them for when I can make art to reveal the plot dramatically yknow #but for characters that aren’t really my priority right now it’s kind of nice to just get the info down #especially for the people who ask about specific characters a lot #SO ANYWAY #I ramble #if anyone has any opinions on this method of relaying dbhc lore feel free to lmk!#there will obviously be things that I keep hidden :3 #Bc sometimes art reveals are the best >:3 #but for stuff I might not get to in a while…. yeah #I don’t mind it #ALSO #HILARIOUS TO ME THAT freshly awoken cub reminds me a lot of IRL cub LMAO

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krysmcscience · 6 months ago

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It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

#fanart #comics #cult of the lamb #cotl #narilamb #cotl lamb #cotl narinder #cotl shitten #cotl mystic seller #cotl aym #cotl baal #aym and baal #this is why i have been especially quiet lately XD #even just the bonus stuff took several days to finish because i don't know the meaning of DOODLE anymore apparently #everything must be fully inked and colored with backgrounds I Fukken Guess #at least using medibang's sumi brush keeps me from focusing on making my lines perfect :\#and yeah i copy-pasta'd a lot of my own backgrounds don't at me bro #if you're on desktop and want to full view but don't know how: right click the image - open in new tab - zoom in as needed :)#feel free to ask questions about the AU if you want - but uh - this is basically the extent to which i've thought it through LOL #edit: oh right - aym and baal really out there assuming narinder already put the lamb's soul to rest so the body's just fodder now lmao #last edit i hope: fixed the transparent cult certified freak image 8|#nope - one more edit: there is one (1) loophole for how living mortals can be in the afterlife without dying #that loophole is currently narinder XD #'sorry universe but the god of death says i can be in here so back off with your rules and regulations'

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clownowo · 22 days ago

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I felt like i needed to express this thing i noticed again in another form

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tea-cat-arts · 7 months ago

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Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

#svsss #scum villian self saving system #shen qingqiu #shen yuan #the fact that people think scum villain #-a series that examines and criticizes common tropes in fiction-#is somehow against criticism or being a little hater is wild to me #especially since shen qingqiu never gets punished for being a hater #heck- he's still a little hater by the end of the series #he mostly gets punished for treating life like a play and like he and the people around him are characters #(or in other words- he suffers for denying his own wants and emotions and his own sense of empathy)#I think some of y'all underestimate how much writing/art is inspired by creaters being little haters #like example off the top of my head-#the author of Iron Widow has been pretty vocal about the book being inspired by their hatred of Darling in the Franxx #I think my interpretation of Shen Yuan's transmigration is also supported by the fact that this series is an examines writing processes #side note- though i understand why people say Shen Yuan is lazy and think its a valid take it still doesnt sit right with me #i am probably biased because my own experiences with chronic pain and depression and isolation #but ya- i dont think Shen Yuan is lazy so much as he is deeply lonely and feels purposeless after denying parts of himself for 20ish years #like yall remember the online fandom boom from covid right?#being stuck completely alone in bed while feeling like shit for 20 days straight does shit to your brain #the fact that no one came to check on him + he wasn't exactly upset about leaving anyone behind supports the isolation interpretation too #+in the skinner demon arc he describes his life of being a faker/inability to stop being a faker now that he's Shen Qingqiu #as “so bland he's tempted to throw salt on himself” and “all he could do is lay around and wait for death” (<-paraphrasing)#bro wants to be doing stuff but is stuck in paralysis from repeatedly following scrips made by other people #another point on “Shen Yuan isn’t lazy” is just the sheer amount of studying that man does #also he did graduate college- how lazy can he really be #he doesnt know what hes doing but he at least tries to actively train his students #and he actually works on improving his own cultivation + spends quite a bit of time preping the mushroom body thing #+he's experiencing bouts of debilitating chronic pain throughout all this #but ya tldr: Shen Yuan's transmigration is an encouragement to write and not a punishment and also i dont think its fair to call him lazy

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mossy-aro · 4 months ago

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ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

#aromantic #aro positivity #aspec #aroace #aro #aromantic joy #arospec #when i saw its important to 'love' yourself - pls understand i am in no way trying to exclude loveless aros from this #that was just the easiest way to express what i meant! when i say 'love' i mean positivity/respect/happiness. etc. i just used that word bc #it works for ME which is why i said it. but feel free to replace it with whatever works for you! <2 #also sorry if not everything im saying makes total sense i tried my best #this is something ive been thinking about for a while and have been struggling to articulate #i maybe should have read some theory for this abt community building but im too tired + overwhelmed w school reading right now so sorry.#if anyone has additions on that front though please do add them #also ngl im kinda scared to post this. i hope i explained what i mean well enough. like i get wanting to vent and express self hate BUT.#there is nuance to this and it is not unilaterally healthy i think. also i dont see any other online community fostering the normalisation #of selfhate the way the aspec one does! which makes me feel weird abt it especially.#anyway. this is basically my personal philosophy towards aromanticism #mossy posts #⚙️

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poorly-drawn-mdzs · 1 year ago

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Get Their Ass.

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #jin ling #jin chan #Yeah that's right. This guy is a named character. All those nameless disciples in the yi city arc and *this* guy gets a name.#Jin ling finally gets his much needed outfit upgrade! Rest in peace double straps.#I adore how we get to keep learning about Jin Ling and peeling back the layers on him...It's also so sad to see him so alone and friendless #especially knowing he really was starting to build peer friendships in the yi city arc...#Jin ling really is one of my top 5 characters in MDZS and its absolutely in part because of how you can *see* how he ended up this way #and we watch him learn and grow! He's doing what most adults refuse to do: Consider that his opinions are skewed and need to change.#You are NOT immune to propaganda and I adore characters who reflect and struggle with that!#Just because someone with assumed authority says something that fits into what you want to be true does not make it true B*/#In this series about rumours and warped perspectives - Jin Ling is a great example of how hard you have to work for the truth #+1 points of friendship with jin ling: He will self correct himself if he says a slur now

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dysfunctionalupsidedown · 5 months ago

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Hm. Will Byers may fear a lot of things, but lying isn't one of them.

#will byers #Just a random observation #I've noticed that Will lies quite a few times in the series. Whether it be to himself or others.#Idk why it jumped out at me as Will-specific. It might not be. But...#That one's been a bit of a liar hasn't he?#And there are probably a lot of other moments that are slipping my mind right now #Especially with the themes of lies vs truth in ST #Am I looking too deep into this?#stranger things #stranger things 5 #mike wheeler #st5 #byler #<- target audience

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applestorms · 3 months ago

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L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

#death note #astronaut rambles #l lawliet #*L voice* i need to get him in a collar #ahh the thematic cannibalism of light yagami and l lawliet #lawlight #also. i need someone talk to me about near's toys again #i reread mello's death + their final confrontation right before class today & i really like that near wears an L mask when they first meet #especially since that one author's note (?) about near probably hating L keeps standing out in my mind ahahahhaahah #that fucking house. it really fucks those kids up #did L ever even realize? probably not #too busy playing mind games with his psychological warfare fuck buddy boytoy to notice #feel like i should have more L thoughts honestly. i ramble about light often enough #but i suppose i'll just do with this for now and let it come naturally later #'what puts him at ease' 'the food that he likes' 'learn his routines' aww. they're planning a date :))

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thewhizzyhead · 2 months ago

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how genderbending the warriors (2024) is done not for the sole sake of "bad-assery"

okay here we go feminist ramble time for our newest chick on the block: warriors. now i'll be honest, prior to listening to the album, when i first heard that the warriors main girls were originally dudes in the movie and the novel, i thought that the decision for the genderbending, in lmm's perspective, were from the following: 1.) girl power move in like a very basic meaning of the word "bad-ass" 2.) simply a twist on a cult movie about big gang bros loved by the film bros, and 3.) a way to have the schuyler sisters back together gjfkdfldf

but when i read more about warriors and its development and how lmm took inspiration from the gamergate controversies of 2014-2015 aka among the peak of gamerbro misogyny campaigns, that's when i realized that Oh Shit Is Serious - because adapting a story about a group being framed and targeted and harassed for something they are accused of doing without any substantial proof other than a man screaming "THE WARRIORS SHOT CYYYYRUUS" with 21st century misogyny campaigns in mind makes the theme of fighting back a lot more complicated and a lot more resonant, going beyond just marketing a cast you can call "badass"

take the hurricanes' quiet girls, for example. the hurricanes (concept album version) is the only gang that lets the warriors off the hook and with a stern warning: quiet girls don't make it home. here, the hurricanes berate the warriors for not saying shit or attempting to defend themselves from accusations they know well aren't true. THIS MESSAGE IN PARTICULAR is what stays and influences ajax, fox, and swan til the very end of their stories.

literally one song after this does ajax show how easily she resonated with the hurricanes' lesson by finally sticking with her gut and actually choosing to fight back against both the baseball furies AND against the sleazy undercover cop. the latter encounter is one of the instances that really solidifies the recontextualization of the story because in the OG movie, ajax (a dude) WAS the sleazy fuck up harassing a woman in a park - and now with the literal character switch, ajax goes from being just a rebellious gangbro dude bro into someone whose want to fight is warranted. such a want to fight is seen in fox seeing as fox is the first to comment on the quiet girls scene and that, in the concept album, she is the one that instigates the rumble against the police in union square - saying that she is sick of being afraid of them and their 'fuckin powder blue' colors (also notice how she is the only warrior that really does say fuck the cops i think that's cool BUT I'LL TALK ABOUT FOX MORE NEXT TIME)

to a less obvious extent, swan also gets the receiving end of this recurring theme - by the album's finale, the usually violence-averse caution-first interim leader becomes a lot fiercer in protecting her crew. but perhaps among what i consider to be the biggest recontextualized change in the feminist sense is MERCY and her motivations to join the warriors in the first place. according to the wiki, her attraction to swan and the warriors and um seeing the orphans as wimps is what led her to switch sides BUT IN THE CONCEPT ALBUM, mercy's motivation to become a warrior is deepened, rooted in admiration rather than attraction - wanting to be like those women who hold their head up high. and again, we see this in Sick of Runnin' when she takes part in the rumble, finding her bravery within their ranks as they fight back. here, mercy becomes less of a swan tagalong and more of someone that wants what the warriors have: pride.

of course now that i type this out i realize that warriors is not based solely on the feminist rhetoric as with their theme of hope amidst adversity, the story is more intersectional and rooted in community struggle and wanting for more than that. but nonetheless, i genuinely believe that the twt filmbros arguments on why the genders should not have been changed in the first place just for "woke" points is kinda like,,,very shortsighted because not only does the narrative of women narrowly escaping unwarranted accusations actually fucking fit, but the act of learning to fight back amidst all odds - be it that of disbelieving, predatory men or the power of oppressive pigs - stays resonant for women yesterday, today, and the days to come.

ultimately, warriors (2024) is not solely a tale of female badassery - rather, it is a tale of the need for such "female badassery" in the face of past and present realities, which is why it somehow fucking worked.

#believe me i admire lin greatly but i did not think this would work as well as it did #i genuinely thought upon the reveal of the all girl cast that this was gonna be um woo girl power moment and just that #i was not expecting the recontextualization of the plot #eSpECIALLY WITH AJAX AND MERCY HOLY SHIT #i guess less so for swan and fox tho because swan is um character development throughout the show thing #while fox! fox is um look im gonna get right back to u peeps on that #because i an still studying their film version and um gathering my thoughts #because in the film fox was the one that saw luther shoot cyrus #so with cleon now taking that burden #im studying what would this mean for fox in the concept album #but thats a story for another day but in any case #warriors (2024) is not a story solely for selling musical theatre women looking cool as fuck in punk leather #it is ultimately a story of struggle - both in the feminist lens and the intersectional sense #(because gang and grassroot communities and all)#warriors #warriors album #warriors musical #eisa davis #lin manuel miranda

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darkmuffinstudios · 2 months ago

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Strange train of thought but

I sometimes wonder if Killer actually sees the people around him as people. Like thinking, sentient people.

Kind of when you're in a public place, and you look at someone near you and think, "Oh wow. They have their own life and their own journey that just so happened to cross my own."

Because I'd like to think that part of the reason his SOUL became something neither human nor monster is because he adopted the POV/mentality of the PLAYER.

After enough resets (doesn't matter if its genocide, neutral, or pacifist), I wonder if Killer would start to slowly see people as the player does. The same lines of dialogue. The same reactions. The same habits, routines, everything. It becomes monotonous. It starts to feel like a dream. Like all of this isn't real, because he is outside of the loop.

That's why he can be apathetic when he cuts people down. Why he can be attached to certain characters/people if they make him happy. Why he is so hellbent on seeing how different "characters" tick. How they work, what they'd look like in this situation, how they would respond to this, etc.

He is used to predictability. He is thrilled when something different or something unexpected happens, like a person playing a video game and getting surprised by a sneak attack or change in dialogue.

There's no tangibility, nothing to ground him to this place because he already doesn't see the people as people.

When his SOUL unwinds and becomes unstable, he's like... in his body but not. He's in a weird, daydream like state where nothing is real. The disconnected feeling he feels towards his peers and enemy escalates, to the point that his own senses don't feel like his own.

The pain he feels isn't real. The people dying aren't real.

And his SOUL allows him to essentially disassociate.

Other times, his SOUL elicits horrible dread and agony. I mean, if he was daydreaming all the time, he'd forget that he was alive in the world he lived in. His actions still had consequences.

He's either feeling near nothing or every horrible thing imaginable.

#darkzyx #undertale au #undertale fandom #utmv #killer sans #utmv headcanons #this is just a weird train of thought I had one night #that never quite left me #I don't know #I mean I know he has some actual stuff going on with him canonically technically #but this ain't the canon stuff right now #still #I think this would be interesting #Over time he starts to actually see people for what they are #especially the others in the gang #hence why he fights so fiercely for them

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fight-for-what-you-love · 3 months ago

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♪ Worldwide - Big Time Rush

I'm gonna be honest- these episodes kind of fell apart while I was making this. The more I re-wrote the story for it's second draft the less this version made sense and the less interested I was to work on it. I have not much else to say except sorry this part is kinda iffy and sorry it took so long. I promise you I'll make up for this in the next episode I PROMISE

Notes on both episodes under the cut!

Sweden Sour

* (I think it’d be really funny if Cody just doesn’t talk at all this episode. Not a word. Just nods and head shakes and depressed faces.)

* Cody’s incredibly depressed after Noah’s elimination. Sierra’s over the moon, though. She sees Cody depressed and gives him a tight side hug, petting his head. She tries consoling him with “I know you’re sad, but it’s ok! At least I’m still here~.” Cody starts sobbing, head in hands. Heather is sick of this already.

* The teams get their “ibuilda” pieces and the Amazons argue on what it’s supposed to be. Cody stares at the pieces for a few seconds before the light briefly re enters his eyes. He starts building. Courtney tells him to stop but Heather tells her he’s obviously got it, so let him work. They start helping him build… something.

* Once the Amazons are done, Heather, Sierra and Courtney take a step back to see what they’ve built. It’s a giant wooden Noah head. Their faces drop. Heather is filled with murderous rage.

* We built Noah’s face (We’re gonna take first place) Cause we built Noah’s faaaace

* Tyler’s jumper would be white.

* Cody doesn’t sing in this number. Chris notices and stares at him threateningly. He reluctantly hums the chorus and Chris takes what he can get.

* (Alejandro takes off his shirt to pull the boat like a freak. Duncan is unfazed and Tyler will deny it if you ask him if he blushed.)

* Sierra hits Noah’s Head hard enough it falls over on its side and suggests sawing off the side to ride in him like a boat. Heather and Courtney agree to this. Cody has no comment.

* Duncan and Alejandro don't bother bending over backwards to please Tyler. Duncan makes himself captain and no one argues.

* When the Amazons go to pick a captain, Courtney grabs the hat and declares herself captain without input. Heather tries to argue but Courtney argues back- Cody is in no condition, no one trusts Sierra and Heather took control the last challenge so this time she’s in charge. Heather reluctantly backs down.

* Amazons catch up to team Chris in the water. Alejandro sees them approach and makes note of Cody’s face, making fun of him for being so upset about “the Noah thing”. Cody furrows his eyebrows and points furiously at Chris’s boat. Courtney agrees that yes, they should shoot their boat.

* It doesn’t matter who wins the challenge since it’s a non elimination round, but I want to say the Amazons persevere. The massage helps Cody enough that he’s not stone faced next episode at least.

Aftermath III (Aftermath Aftermayhem)

* Gwen, Owen and Noah are introduced together. Gwen walks out first and Owen, hugging Noah to the point of lifting him off the ground, walks behind her.

* Geoff asks what all that’s about and Gwen responds that Owen refused to let him go until Noah “understood just how sorry he was”. Noah insists he forgives him, but Owen still won’t let him go.

* The Owen square is replaced by the Tyler square. The prompt is survive. (The hosts throw a bunch of debris at the contestant for thirty seconds and if they dodge everything they move on.)

* (For brevity’s sake, assume all of the contestants that participated in the board game in the original episode participated here [with the exception of Tyler, who is replaced with Owen]. They all get eliminated the same way as well, Noah getting got by aliens, Owen falling down the booby trap square and Beth making it to the final question.)

* When Beth gets stumped on the last question (What was Duncan's band called) Noah yells at her, frustrated: “Oh my- It’s Der Schnitzel Kickers, Beth!!” Confetti and balloons fall from the ceiling.

* (He knows this because Cody had mentioned it in a conversation after the London challenge.)

* Noah initially complains about winning the game, but Owen reminds him that he gets to see Cody again and he shuts up immediately.

* “Noah wins!” “Wasn’t he disquali-” “NOAH WINS!! Let’s wrap it up. We’re done here.”

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