#entrapment analysis

[indiaalphawhiskey]

To add, I also think it’s interesting that Colin is the one who speaks of their intimacy and entrapment out loud, almost as if he needs to make Penelope conscious of it, remind her of it, to tie her to him.

If he really, truly wanted to end the engagement, he wouldn’t be the one basically announcing their pre-marital intimacies (like yes, their mothers didn’t hear them, but they could have and then would have made him marry her on the spot). He should be desperate to keep that between the two of them, knowing Penelope would never ruin herself/him that way anyway, so there was no need to actually say it to the damn room.

Thinking about it from a more generous perspective, it’s almost like he meant to say “Remember that you are entrapped, babygirl, and I don’t care who knows it because I am so mad at you but this wedding is absolutely happening, no more talk of ending it, thanks. 🙂”

Colin's "entrapment" line was hard to listen to, but it was most definitely a sign of how unhinged he really is for Penelope.

Ok but for reals, I'm not sure how everyone else reacted when Colin said his now infamous "entrapment" line, but I just love how if one looks at this line a little more closely, it was definitely some semblance of an underhanded (and also a bit silly, lol) attempt to actually keep Penelope entrapped. Haha, the irony of it all. Idk, at least that was my read on it!

Like, it was definitely said in anger as well; he's hurting, and he’s hurting badly, so of course he wants to hit back in some way, however he can. Luke Newton absolutely meant it when he said that Colin reacts to the reveal in the worst way possible, alas.

My very first reaction to that scene: //pauses the screen to yell at Colin at 4am in the morning, “Entrapment????! If you feel trapped, then why the hell are you still going along with it, ya dumb ass!!!

Because really, think about it: Colin was definitely within his rights to call off the wedding, especially when he'd mentioned that Violet had noticed that he and Penelope had not seen each other for some time. It would have been the perfect time to reveal Penelope's secret to his mother, if indeed he felt entrapped by the LW of it all. Violet is family; if he wanted to still protect Penelope but no longer wanted to marry her, he would have been able to count on Violet's discretion. I'm sure she and Lady Danbury would have come up with some sort of plan to deal with the aftermath regarding the Bridgertons’ reputation, as we'd seen with Anthony and Edwina's botched wedding.

Furthermore, it would have probably been the better option to reveal it to her, since the existence of LW does put his family in danger; Penelope herself knows this. Every decision she makes post-LW reveal to Colin is due to the Bridgertons being in danger. Lady Danbury makes a point of this when she said in the last episode, “There is only one other person who loves the Bridgertons more than I.”

Eloise was able to keep the secret with no real consequences because although Penelope was her ex-bff, El still loves her, and besides that, nothing legal binds them as Colin's marriage to Penelope would.

Even when he was getting ready to talk to Benedict about getting funds to fulfill Cressida’s demands, he insisted on making up a lie to shield Penelope’s identity as LW. He knows more than anything that fulfilling a demand like this, all for the sake of his wife and at the cost of using a substantial amount of Bridgertons’ financial assets, may not put his marriage in the best light within his family. He doesn’t want to be forced to have to choose between his wife and his family, so he’s keen on keeping the lie going.

So for all intents and purposes, he doesn't tell his mother, or any of his other siblings (besides Eloise, who already knew); this in and of itself is hella fucking risky. The fact that Colin is willing to take this risk of withholding Penelope's secret identity from his family, the fact that he doesn't think to jeopardize this potentially risky betrothal—already goes to show the measure in regards to how much he wants Pen for his wife. We the audience know this because he waits until the very last minute to tell Violet, and even then, it's not Colin who chose to reveal it to her, but Penelope herself.

Another point: arguably, we can also say that Colin has a lot more wiggle room with his engagement to Penelope to call off the wedding, much more than he ever did with his engagement to Marina.

"A man of honor"? Exactly what "honor" are we talking about here? Colin claimed that he would have married Marina had she just told him the truth, yet when push came to shove and the truth of her pregnancy was revealed for all the world to know, he still chose to take the out Penelope gave him through LW. It’s easier to make a declaration like that when it’s all said and done. Lol Sure, he regretted it and apologized for his behavior later on, but he had made his choice regardless. Y’all can just feel Marina and Lady Danbury judging this dumb ass (affectionate) for dwelling in the past. Silly young man! XD What's stopping him this time around?

"We had been...intimate." Are you talking about the mirror scene, sir? Because let me assure you, you and Penelope have long been "intimate" way before you decided to buy a love nest and take her V-card the very next day you proposed to her. In fact, this is where the significance of their first kiss in 3.02 rings so, SO importantly and WHY it was vital that it was Penelope who asked and said that it would not have to mean anything. Colin knows Penelope would never use their first time together and/or the heated moment in the carriage as a way to entrap him. That first kiss alone should have already warranted that they get married, but Penelope makes it clear that it’s simply a favor, nothing more.

Oddly enough, I’m surprised Colin doesn’t bring up the idea of a long engagement (yknow, as he initially wanted with Marina, but who’s keeping track at this point), considering that would have potentially benefitted their situation. 🤔 His dumb ass (affectionate) was more than willing to stick to the wedding schedule…huh.

Besides all that, I don’t think it’s the showrunners’ intent to “taint” those special moments between them by changing the context through Colin’s (very biased) POV; to believe that to be the case would be, imo, just a bad faith argument. The genre is romance, y’all; these intimacy scenes are on an entirely different pedestal.

Because remember, that “entrapment” line of Colin’s only came about due to Penelope starting the conversation with, “Are you going to call off the wedding?”

Didn’t it almost seem like an afterthought, that he just came up with it on the spot? Hahaha.

I can bet y’all Cressida’s fake ass €20,000 blackmail money that before they’d met up to discuss wedding breakfast plans with their mamas, it had probably never even occurred to Colin to cancel their wedding. Angry and furious as he was, it was never a question of whether or not he still wanted Penelope for a wife.

The fact that it’s Penelope who begins that conversation and opens that Pandora’s box possibility is so, so damn important. Because not only does it show how much Penelope truly loves him in that she would never trap him, it also shows her maturity, in that she’s willing to face the consequences of her actions. She’s willing to give Colin the choice to back out, heartbreaking as it would be to face it, even if she herself would not be the one to pursue that choice.

She gives him the choice a good number of times: the wedding breakfast plan scene, the wedding day itself when she hesitates on the aisle, and the annulment offer after the butterfly scene.

Penelope defends herself softly, but truthfully: she never meant to entrap him, because she really didn’t. And Colin knows this; he would not still love her and want her if he honestly believed she wanted to entrap him. Hell, even if she did, the audience knows it’s a desire that comes from a good place: she loves him, so of course she doesn’t want to lose him. She wants to marry him, because she loves him. That’s all there is to it.

But despite knowing this (imo, anyway), we can also say that this conversation may have contributed to Colin’s downward spiral during the majority of episode 7 and 8, and why he becomes hella fucking desperate to be “useful” to her.

Because unlike himself, Penelope has now begun to entertain the idea of living a life that doesn’t include him—at least, not as her husband. Penelope is brave and strong enough to let him go due to the pain she caused him for her lies and her actions as LW, and as for Colin…well…

(I love it, it’s the same conundrum that Anthony faced in S2: Kate is strong enough to leave him behind and return to India, but Anthony…well…)

TL;DR, Colin’s entrapment line was literally an excuse he gave himself to keep his betrothal to Penelope intact. It’s a line that works in two ways simultaneously: it’s a painful, childish, underhanded thing to say in order to hurt Penelope’s feelings, to get back at her for the anguish he’s suffered. Yet at the same time, it’s also another excuse he gives himself in order to push through with the marriage, to tie Penelope to himself forever.

Because unlike Penelope, the very idea of living without her as his wife, of not having her in his life, is and always will be an impossible notion for Colin to ever entertain.

[indiaalphawhiskey]

I’ve been thinking about the evolution of these scenes a lot, and for all the flack part two gets, I think it perfectly illustrates one truth: Colin Bridgerton is consistent in his love to a fault, and he is hopelessly devoted to Penelope.

A lot of us (me) were bothered by him reducing their marriage to a show of his honor and nothing else, but, your honor, the scene on the right makes it clear that’s not true.

The actual truth is that he’d already forgiven her (in less than a day, mind you) — and he was angry at himself for how easy it was for him to do (common, unlucky lovesick fool that he is); angry at how Pen — even after embodying his ultimate dealbreaker — was really all that mattered to him now.

As @phantomphaeton said, what he was actually grappling with was emotional entrapment of it all — the harrowing realization that nothing, literally nothing, could make him not love her.

Because if you think about it, no matter what he may have said at the time, his honor wasn’t enough to make him stand by Marina. With her, honor had his limits. But with Pen? Nothing — not hell or high water — could stop that man from walking down the aisle.

And realizing that shocks him; it scares the living shit out of him, the acute knowledge that he’s so fucking far gone for her, he cannot fathom walking away, even from bloody Lady Whistledown.

So, when she suggests calling off the wedding, the man hurls that entrapment accusation at her with the ease of someone who’d been practicing it; someone who had a list ready to go at the slightest suggestion they break this off. In fact, he doesn’t even take it back when she says she doesn’t know if she will stop publishing, which, considering how much he wants her to stop, is actually super crazy, because it shows just how much he’s willing to put up with, if only just to keep her.

Anyway, Colin Dead Devoted Bridgerton, I look forward to analyzing even more of your desperately down bad clues.

[bridgerteon]

The Entrapment Analysis

I can understand why fans are bothered with Colin's comments to Penelope about her "planned entrapment" to him. I get it. It sounds so rude and out of character.

Unfortunately, i'm not bothered by that comment at all; I know he doesn't mean it. That's his angry, betrayed and hurtful thoughts; he's emotionally spiriling out of control. I knew Colin does regret his words to her, as much as she regrets ruining the Bridgertons and others. He's still the sensitive boi everyone knows and loves (Except for his swagness. But I feel him, as I also want to fit in rather than stand out from the crowd). However, unlike a certain Avatar: The Last Airbender character (who I still admire btw), Colin still wants to be with Penelope, eternally; he's not letting her go regardless if she's LW.

This Tumblr user and Bridgerton fan analysed it and it was chef's kiss. 👌 They said these words perfectly. That's what I like to see: critical analysis. It's long, but worth a good read (and hopefully change your opinion about Colin's behaviour).

But now, here's my explanation why I am not bothered by that comment.

He realises that Penelope is not who she thinks she is. I'm assuming that his perspective on Pen is that she is clueless, dependent and shy, not realising that she is actually clever, critical and an independent woman who don't need a man. I think that bothers Colin, as he realises that she doesn't need him. Hence he went cuckoo and desperate, and trapped in his thoughts.

Colin's past torment and Relationship PTSD has frightened him because he doesn't want to get his heart broken, again. Ever since Marina's Deceptive Engagement Drama, Colin feels betrayed and tricked into a marriage. But unlike with Marina, Colin actually wants to continue the engagement with Penelope. He could've just leave and end the engagement/marriage, as Pen keeps suggesting all the time and what he did to Marina, but I have NEVER seen him mentioning nor thought about it once. He's still in a one directional pathway of staying with her because she's his True Home and he'll never let her go, regardless if she plans to trap him into marriage.

Colin wants to be the one that Penelope will learn to love and accept him. Remember, he doesn't know her true feelings to him, as she just said she "loved" him, in past tense, at the church scene. No confession nor heartfelt speech, yet. As the event continues when Cressia blackmails Pen, it seems that Colin takes the "greatest opportunity" to show Pen that he can do this. He wants her to see him as her hero, someone worthy of her and wants to make her proud of having him as a husband. He wants to earn her love. It failed spectacularly, heh.

Colin acting like my favourite broody men for being a loser and worthless. That's the reason why there is no "Angry Polin Sex", because he failed to protect her, so he lost his honour. If they actually do it, it would be so bad and their relationship would be worse. I'm happy Colin stays in his Drama Queen™ moments instead of doing it; he feels as if he can't do anything to earn her love and he's still trapped in his doubts.

Colin wants to know exactly what Penelope sees in him and why she wanna marry him and his lameass skills. When he finds Pen outside before the wedding, he confronts her, asking why she is a mean ass, even though he's a thick skulled and passive dumbass. Also, the fact Pen chastises Colin via a public forum, it makes him feel embarassed. He berates to her why she calls him a fake ass bitch, which unfortunately HE IS; Pen confesses that she just wants her Old Colin back, duh. Additionally as Colin ask "what good am I to you?", which is his self-doubt talking, Pen says that she LOVES him, present tense. That caused him to brain-circuit and realises that she loves him for who he is, not what he can provide. Now he is slowly unraveling that he's no longer trapped. Someone actually loves him, just him.

And then there's a beautiful explanation of breaking free from the "entrapment".

Colin realises that Pen saves his family just as much as he saves hers; they are not trapped together, they want to solve things together. After Colin criticises Lady Featherington for shadowing Pen, he causes a major shift in mending the Featherington generational trauma; I love that scene. Pen releases an article to prove that she is not Cressida and revealing herself as LW to the Ton, to save the Bridgertons from being scrutinised. They save each other. Therefore, they are no longer 'trapped' with each other; they are now free to be with each other fully.

Colin has finally emotionally connected with her. So when he's truly accepting her and their feelings are reciprocated, that's when they are one and the same, and that's beautiful (even though I didn't see much of their make-up wedding night sex 😒). Now they are no longer entrapped but embracing each other.

Ultimately, the fact that Colin uses that "entrapment" comment to get back on Pen for hurting his feelings, but he's actually closed off and feels like a fool. Please understand his perspective as it helps to feel sympathetic for him; he may be rude to Pen, but he's concealing his feelings, like Anthony, because he doesn't want to get heartbroken, again. However, his regret for saying it causes him to fix things for her not because they are trapped with each other but because he LOVES her and wants her to stay with him, for life and death and beyond. After they break from the entrapment, their love has finally blossomed, and it's a beautiful redemption of their character. And this is one of the reasons why I completely understand and love Polin for that.

[gudmould]

Analysis of defects and causes of plastic parts

Summary of plastic part defectsNoDefect nameNoDefect nameNoDefect name1Flash8Cracks15Product clamping line2Deformation9Punch marks16Leather scratches3Air trap10Weld lines17White top, top cracks4Silver thread11Underfilling18Surface cold material5Burn12Bubble, air inclusions19Poor surface gloss, shadows6Shrinkage mark13Bright marks, dark marks  7Flow mark14Abrasions, strains   Defect…

[soon-palestine]

In a statement that was shared with The Nation, a group of 25 HLR editors expressed their concerns about the decision. “At a time when the Law Review was facing a public intimidation and harassment campaign, the journal’s leadership intervened to stop publication,” they wrote. “The body of editors—none of whom are Palestinian—voted to sustain that decision. We are unaware of any other solicited piece that has been revoked by the Law Review in this way. “ When asked for comment, the leadership of the Harvard Law Review referred The Nation to a message posted on the journal’s website. “Like every academic journal, the Harvard Law Review has rigorous editorial processes governing how it solicits, evaluates, and determines when and whether to publish a piece…” the note began. ”Last week, the full body met and deliberated over whether to publish a particular Blog piece that had been solicited by two editors. A substantial majority voted not to proceed with publication.” Today, The Nation is sharing the piece that the Harvard Law Review refused to run. Some may claim that the invocation of genocide, especially in Gaza, is fraught. But does one have to wait for a genocide to be successfully completed to name it? This logic contributes to the politics of denial. When it comes to Gaza, there is a sense of moral hypocrisy that undergirds Western epistemological approaches, one which mutes the ability to name the violence inflicted upon Palestinians. But naming injustice is crucial to claiming justice. If the international community takes its crimes seriously, then the discussion about the unfolding genocide in Gaza is not a matter of mere semantics. The UN Genocide Convention defines the crime of genocide as certain acts “committed with the intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such.” These acts include “killing members of a protected group” or “causing serious bodily or mental harm” or “deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part.” Numerous statements made by top Israeli politicians affirm their intentions. There is a forming consensus among leading scholars in the field of genocide studies that “these statements could easily be construed as indicating a genocidal intent,” as Omer Bartov, an authority in the field, writes. More importantly, genocide is the material reality of Palestinians in Gaza: an entrapped, displaced, starved, water-deprived population of 2.3 million facing massive bombardments and a carnage in one of the most densely populated areas in the world. Over 11,000 people have already been killed. That is one person out of every 200 people in Gaza. Tens of thousands are injured, and over 45% of homes in Gaza have been destroyed. The United Nations Secretary General said that Gaza is becoming a “graveyard for children,” but a cessation of the carnage—a ceasefire—remains elusive. Israel continues to blatantly violate international law: dropping white phosphorus from the sky, dispersing death in all directions, shedding blood, shelling neighborhoods, striking schools, hospitals, and universities, bombing churches and mosques, wiping out families, and ethnically cleansing an entire region in both callous and systemic manner. What do you call this? The Center for Constitutional Rights issued a thorough, 44-page, factual and legal analysis, asserting that “there is a plausible and credible case that Israel is committing genocide against the Palestinian population in Gaza.” Raz Segal, a historian of the Holocaust and genocide studies, calls the situation in Gaza “a textbook case of Genocide unfolding in front of our eyes.”

[jellyfishsthings]

Hold Your Breath My Darling

WARNINGS: angst, like super angst, lovesick and whipped Spencer, earlier seasons Spencer, Hotch trained reader, Ex spy, fem reader, dying (or coming close to it), panic attacks, typical criminal minds violence... there will be a part two soon, please let my know if I am missing anything else

requests are open

part 2

The BAU team arrived at the small town of Crescent Hills, ready to investigate a series of gruesome murders. The victims all shared similar physical characteristics. The team quickly realized that the killer was targeting women who looked exactly like you, the same hair, the same eyes and somehow personality, which had to be the scarriwst part of them all.

As the team discussed their next move, Spencer couldn't help but stare at her. She was the spitting image of the victims, but she seemed unfazed by the situation. In fact, she suggested that she pose as bait in order to catch the killer. She was the agent her mentor made her, because Hotch would have done the same in a heartbeat. Yet as Hotch looked at the young woman standing at his side, standing tall and holding her head high with pride and bravery, wearing a mask of calmness hiding her whirlwind of emotions with quite the efficiency.

Spencer's heart skipped a beat at the thought of his best friend putting herself in danger. His hands shook with dread and anxiety and his mind raced to a million directions as his heart seemed to weight a few tons more than usual. He was so confused. He had always seen her as a friend, but in that moment, he couldn't deny the intense feelings he had for her. Yes he had always cared for her, and wouldn't wish any harm in her way, but at this moment he desperately wished to have been the genius he claimed to be, to find a way out of this, to solve this without any one getting hurt, to keep her safe and alive and well next to him, hoping she felt even a sliver of the intesity of his emotions. He knew he couldn't let her go through with this plan. He had to act quickly, not caring if he embarrassed himself in the process.

"You can't do this, it's too dangerous," Spencer pleaded with the her, his eyes shining with unshead tears as he saw her walking in her hotel room, trying to make herself more appealing for the UnSub.

"I can handle myself, Spencer," she replied confidently."Do not worry. I have been trained from the best." She whispered as she lightly hugged him and kissed his cheeks and the storm raging inside of him seemed to calm down for a few short seconds.

But Spencer couldn't shake off the feeling of dread in the pit of his stomach. He couldn't bear the thought of losing her. He had been so focused on his work and solving the case that he hadn't even realized his true feelings for her until now. As the team set up a plan, Spencer couldn't help but keep a close eye on the Reader. He couldn't let her out of his sight. But as she put herself in harm's way, Spencer's heart was in his throat

The warehouse was quiet, the ominous shadows twisting around the corners like specters waiting to strike and fear started clawing its way to her heart. Derek Morgan’s voice echoed in her mind; “You’re one of us, kiddo. Trust your instincts.” But in this moment, trust felt like an anchor dragging her deeper into despair.

She was second guessing herself now as well as her abilities. Maybe she had made a mistake. She had volunteered without hesitation, knowing the stakes were high. A string of brutal murders had terrorized several towns, and the Behavioral Analysis Unit needed to understand what made this killer tick. But she had never expected that the very thing she sought to uncover would entrap her instead.

As she stepped deeper into the warehouse, darkness enveloped her like a suffocating blanket. The cold was biting, but the fear coursed through her veins like ice. She had set off the sound of a chilling recording, a mocking lure that had been crafted specifically for the UnSub. The air was alive with tension, every creak of the old metal structure amplifying her dread.

“Just breathe,” she murmured to herself, but her heart raced faster with every passing second. Somehow, despite the adrenaline's flow, she felt an unsettling calm, as if her body was preparing for something inevitable.

She thought of the team back at the BAU. Hotch would be analyzing their data, Emily and Derek keeping their wits about them, and as she closed her eyes, she could almost hear Spencer Reid’s gentle voice. He was always a soothing presence, with his deep well of knowledge and quirky sense of humor.

“Remember when I tried to teach you how to play chess?” he whispered in her mind, a memory flooding back. They had been at a coffee shop breaking down a case when she had confided that she hadn’t learned the game as a child. With a persistent twinkle in his eye, he taught her the basics, patiently explaining the rules as she fumbled through the moves. They laughed when she mistakenly thought pawns could move diagonally anytime.

In this dark warehouse, she recalled how he had once said, “You have to think several moves ahead. In chess, just as in life.” She held onto that wisdom now, fighting to stifle her panic.

The quiet was shattered by footsteps echoing through the maze of crates and rusted metal. She steeled herself, adrenaline rushing through her as the UnSub emerged from the shadows. He was a tall figure, cloaked in darkness, his face obscured by a mask that sent a shiver down her spine.

“Welcome,” he said, his voice low and taunting. “I’ve been waiting for you.”

She fought the surge of terror that threatened to overwhelm her. How? How had he been expecting her? She was a trained spy for the love of God, before joining the BAU, had she rusted her abilities this quickly? It had only been five years. Five wonderful, free years.

She couldn’t falter. In her mind, she anchored herself to another memory: a sunny afternoon with Reid. They had shared ice cream on a picnic blanket, debating the best flavors like children. He had quipped that pistachio was underappreciated, while she insisted on the classic chocolate chip cookie dough.

“You’re practically a gourmet, aren’t you?” she teased, and his laugh had brightened that day, sunlight dancing in his eyes.

But now, there were no sunny picnics; shadows danced along the walls as the UnSub advanced towards her. She could see glimmers of rage flickering in his eyes, an intensity that struck fear into her heart.

“Let’s see just how strong you are,” he hissed, gripping her arms in a vice-like hold. She gasped as pain shot through her, but even as she winced, she summoned the memory of Reid, who had taught her the importance of mindfulness in the face of fear.

“Leave me alone!” she shouted, fueling her resolve with every ounce of anger she could muster.

But he laughed, a cruel sound that sent tremors of dread through her. The sharpness of reality cut through her feelings of safety, and she swallowed hard, desperately piecing together scattered memories, trying to fund the best course of action but it was already to late. She felt sluggish and slow, something was wrong.

She tried to find the good memories, to find courage and strength, such as Reid’s infinite patience, his love for obscure trivia, the whimsical way he could make her smile even in the darkest of moments.

“Your game is over,” the UnSub snarled, his breath hot against her skin.

As he began to carry out his twisted intentions, she closed her eyes tightly, conjuring one last memory, one that radiated warmth in the encroaching darkness. The night Reid had confessed his fears of inadequacy, only to find solace in their bond, his fingers grazing hers in comforting reassurance, his eyes reflecting the kind of understanding that only comes from empathy.

“I’m not afraid,” she whispered, even as fear clawed at her soul. “No matter what happens, I’m not afraid. I will not give you the satisfaction of the perfect murder, trust me it will be a fight to bring me down.”

"Oh, but you have already lost. I think you must be feeling it be now."

Her heart pounded with the realization that she might not escape. But in those harrowing moments, as she fought against the loop of pain and despair, she anchored herself in the love and camaraderie of her team—every shared laugh, every overcoming of hardship. No matter what happened, they would carry her spirit forward.

In those last flickers of consciousness, she thought of Spencer, his brilliance, his laugh, and the unyielding strength of their bond. She hoped he would forgive her for failing to bring him the answers they so desperately needed, all while holding onto the belief that even the darkest of nights must give way to dawn.

With that thought, she embraced the memories that would never fade, hoping they would echo in the hearts of those she loved, a reminder that even in their darkest hours, they could find light.

Then the darkness came.

The cold grip of fear tightened around Spencer Reid's heart as he stood in the dimly lit acting conference room of the BAU, a small desk office of the local police station. The air was thick with tension and the weight of impending decisions that could alter their fates. He paced the floor anxiously, running a hand through his tousled hair while his mind raced with worst-case scenarios.

“Guys, we can’t go through with this,” he implored, turning to face his team, his voice a tremor of desperation. “The unsub is more unpredictable than we anticipated, and we can’t risk her life. What if—”

“It’s not just about her,” Derek Morgan countered, crossing his arms. “This mission aims to take down a dangerous criminal. We need to act fast before he slips through our fingers again.”

“But what if he targets her, Morgan?” Spencer’s voice escalated, echoing in the room. “I've analyzed his patterns. If she’s involved, she’s at extreme risk. We can’t afford to lose her!”

Emily Prentiss, caught between the mounting urgency and Reid’s grave expression, glanced at the other agents. “We have to trust our instincts, Spencer, but you know we all understand the risk involved. We can deploy a secondary team to protect her—”

“No!” Reid snapped, panic threading his tone. “You don’t understand. I can’t shake this feeling. What if this is a trap? She shouldn’t be there. We need to stop this. We need to call it off.”

The room fell silent as his pleas hung in the air, but time was running out, and the team had a job to do. With reluctant determination, they gathered their gear and left the conference room, unknowingly walking into the lion’s den.

Spencer’s heart raced as he followed them, a whirlwind of dread washing over him. They arrived at the location of the suspected meeting and quickly fanned out, but dread settled deeper in his chest as time ticked away.

Minutes felt like hours, and Reid’s worries morphed into a nightmare. Suddenly, over the comms, a shout broke through the chaos, and panic pierced the stillness. “She’s down! She’s down!”

Spencer’s instinct kicked in, but it felt like running through molasses as he pushed past his teammates. His breath quickened dramatically. He reached the scene, and there she was—Her body lay still against the cold asphalt, pale and lifeless.

Everything around him blurred as the sirens wailed in the distance, blending into an agonizing scream that reverberated in his mind. He dropped to his knees beside her, an overwhelming despair crashing down like a tidal wave. “No, no, no…” he chanted, disbelief coursing through him as the realization sank in.

He placed his hands on her chest, feeling the emptiness where her spirit should have been. “Stay with me. Please,” he whispered, tears streaming down his cheeks as he started CPR. Each pump felt futile, desperation fueling his actions—A metronome to the rhythm of her fading heartbeat.

“Come on, please! Breathe, breathe!” Spencer’s voice cracked as he pressed harder, not willing to accept the undeniable truth standing stark against reality—a truth that seemed to throng his senses.

Suddenly, strong hands pulled him backward. “Spencer, let the medics handle this,” a voice shouted through the fog of his anguish. It was Morgan, trying to wrestle him back to reality.

“No! I can’t! I won’t let her go!” Reid screamed, thrashing against the hold, fighting against the gravity of grief. But the world around him was collapsing, everything turning hazy, the wail of the sirens growing louder, drowning him in despair.

“Spencer!” Morgan’s voice cut through the fog, but it felt distant, as if coming from underwater. He was pulled away from the scene, from her cold body that lay so still. The agents moved in, the medics began their work, but Reid felt as if a piece of himself was being torn apart, the agonizing reality sinking its teeth deeper into his soul.

He fell to his knees, the weight of his failure crashing into him like a heavy stone, unyielding and unforgiving. Tears streamed down his face as he watched helplessly, the ache in his chest mimicking a gaping wound.

Desperation clawed at him as he realized that no amount of pleading or data could bring her back. And in that moment, the chaos of the world faded away, and all he knew was a profound loss that reverberated through every fiber of his being.

And then the impossible happened. She was still bleeding, covered in deep cuts by a knife that would scar her for life. Yet her chest lifted lightly before falling down.

Once.

Twice.

He was sure he was dreaming of it. His mind playing a trick on him, not being ready to register his life without her existence.

But no.

It was true. She was breathing.

[valtsv]

not to engage in conspiracy-board levels of subtextual analysis, but the VALshrue arranged narrative marriage really is making me lose my mind a little bit. like, their (forced) shared arc begins and ends with carson tying them together, using them to try to disarm and undermine each other. literal forced family, in which "family" is explicitly an institution of power and control. but they manage to subvert his intentions anyway - VAL (indirectly) inspires shrue to act, and in turn, they (unknowingly) inspire her to act. what is the opposite of a sacrifice? a gift given that asks nothing in return, with no conditions. neither of them expected anything of the other, but still managed, however unintentionally, and through however much suffering, to gift each other the will to break free from the shackles of the narrative they'd been used to entrap each other into participating in.

[bitchcakegreen]

I saw a comment about how Colin will be furious with Pen when he discovers she is Whistledown, because of Mariana. He will be mad she ruined Mariana’s life.

Let’s talk about that and break it down. And I know I’m going to piss some folks off with this take but meh.

Mariana tried to trap Colin. Plain and simple. She wanted a husband for her unborn baby, but whether she admitted it or not, she wanted a handsome and well-heeled husband. Enter Colin. Sweet snowflake Colin. Mariana lied, manipulated, and entrapped Colin. She tried to get him to sleep with her in order to cover up the baby. Mariana was self-serving, which she needed to be in the situation. But not some wilted flower of sunshine and rainbows who Pen crushed with a rock.

Also she was incredibly cruel to Pen. She was kind in many ways but she was cruel when she basically told her that she’d never get a man like Colin. The underlying “you’re fat and plain” subtext in Mariana’s comments to Pen is there.

Pen did what she did because she loves Colin but because Mariana also hurt her badly.

Don’t get me wrong, Pen is not a victim. She writes as Whistledown as a way to express herself, to be SEEN by the Ton, and to basically get back at those who have wronged her and those she loves. But she didn’t ruin Mariana’s life. Mariana ended up safely married to a well-heeled man who will give her comfort and security for the child, ultimately what she wanted in the end anyway.

Yes, Colin is going to be angry. VERY angry. At first. But I think Colin is not going to be as surprised by the news as some folks anticipate. Pen sort of dropped a clue, inadvertently, in their first kiss scene. She says Whistledown had to write about them, “it would be suspicious if she did not”

The word suspicious is the clue. And look at Colin’s face when he hears that. He catches the word and it confuses him, gets his brain whirling BUT then Pen makes him feral with her request and all the blood rushes from his brain to his southern hemisphere.

I think the anger we will see will be short lived. It will be a serious argument and scene but it’s not going to take four episodes to resolve. I also think that anger might fuel the “we break some furniture” scene Luke and Nicola keep teasing. Why do I think that? I’m glad you asked.

In romance novels, we use the trope of the hero and heroine so angry with each other that it fuels the passion. The rage morphs into passion and the main couple ends up ripping each other’s clothes off in a frenzy. I call it the “I’m so angry with you I can’t see straight but I need you naked and writhing beneath me NOW!” Moment. I think we’re going to see that somewhere and the Whistledown reveal scene would be one place that would fit it perfectly. Go feral Polin.

Thanks for staying around for more of my ramblings, if you made it this far.

I’m thinking of doing some analysis of scenes in season 3, like I did when I was on my Jonsa bullshit for GoT. But who knows.

[ventique18]

Book 7, Chapter 7, Episode 106

Ortho wakes up as a projection in STYX. His mama tells him that his body was completely destroyed, but they managed to salvage his core. She also informed him that his two dogs were also killed, which made Ortho sad because he was hoping to return safe and sound with them.

Mama Shroud: "Once the magic domain is lifted, we'll definitely salvage their parts. Then mama will fix them up right as rain."

Then Ortho apologizes to his parents. It seems he feels like he's been a burden. Mama cuts him off though.

Mama Shroud: "What are you saying! As long as you're safe and sound, nothing else matters."

Papa Shroud: "Welcome home, Ortho. We're glad you're back."

Ortho: "... Mm. I'm home."

And they hugged Ortho's projection. Omfg, my heart, my heart...

Then Ortho remembers his mission. What happened to the anchors? They tell him that Ortho fulfilled his mission, and that the data is now handed over to the analysis team. Malleus' domain is multi-layered and incredibly complex.

"It reminds me of Subject F's... I mean, the ancient magic casted on Grim."

"However, with Briar Valley's cooperation, we were quickly able to understand how the spell was constructed."

(They were able to contact grandma Maleficia?)

Ortho celebrates. What wonderful results! But then papa Shroud mutters the opposite; this is actually terrible.

Ortho: "Eh? Why? Didn't you manage to uncover how Malleus Draconia's magic domain works?"

"Malleus Draconia needs to voluntarily let up the domain himself. Because there's a 99.8% chance that the domain is indestructible, unless the caster himself is eliminated."

Mama Shroud further explains that within the domain, even reality itself twists in favor of Malleus' wishes. Even if you take all the strength of every powerful magic cannon in the world to break the barrier, once inside, you're still completely powerless.

Mama Shroud: "We might stand a chance if we could deploy 100,000 Cerberus Gears at once, but..."

Mama Shroud: "But before mama could make a hundred thousand autopilot Cerberus Gears, the entire world would be swallowed up by the domain first."

Papa Shroud adds that everyone within the domain has their minds completely entrapped and are stuck in their own dreams. The domain is holding their souls hostage. There, "dreams" are "reality". So,

"If you forcefully destroy the magic domain, there's a possibility that everyone trapped within will have their souls destroyed as well."

Ortho liken this to a large server where if destroyed, then all data within are destroyed as well.

"In other words, "Persuade Malleus in some way or another, have him release his domain, and set everyone free.""

"... That's the only solution."

[hongluboobs]

ok i was cooking up another hong lu analysis thing bc i noticed SEVERAL things in his base id art the other day and wanted to share with the class but they just dropped a new one in the canto V trailer and i have some stuff i wanna talk about that one:)

My Hong Lu knowledge and interpretation is very heavily influenced by reading Dream of the Red Chamber, which may not be the best because I don’t know how much Limbus will pull from the book because it’s Long as fuck but I think it’s given me a deeper knowledge of Hong Lu.

Keep in mind this ego is NOT out yet so i could be totally off base depending on what the full animation/corrosion/sin affinities are like and this is totally theorizing but I wanted to have a go at anyway!! And this got totally out of hand so reading is appreciated :)

One of the first things I noticed here is this Hong Lu seems VERY Bao-yu. We still don’t know for sure what Hong Lu is within the context of Red Chamber (i don’t think it’ll be straightforward considering how that book works) but it’s important to note!

He has this little hat on (this is the best pic i can get atm to show it’s not a fancy hair tie, unfortunately the footage we have rn is a little scuffed)

and Bao-yu is ALWAYS depicted with a hat like this.

This could just be because that’s the appropriate outfit for Chinese nobility (I unfortunately have little to no reference point here, feel free to correct me, but from some quick searches hats aren’t ubiquitous and ESPECIALLY not ones of this style.) I think it’s worth noting because it comes up in nearly all modern depictions of Bao-yu.

There’s also the pearl Hong Lu is wearing on his neck/chest area, which is where Bao-yu wears the magic jade he was born with. His jade is translated into Limbus as Hong Lu’s jade eye, but this plus his hat and the abno’s themes REALLY makes me think we are dealing with some Bao-Yu stuff here.

Speaking of the Abno’s themes, now i can actually go over them! All we have for Walking Pearl right now is the MD event (as well as general observation), but there’s a few things that are relevant.

Just based off design, the abnormality seems to be mostly about the precious (the pearl) and the filth (the muck) intermixing. which makes sense with the EGO being named “Effervescent Corrosion” and our holders being Hong Lu and Rodya.

There’s some symbolism around greed/wealth (the offspring filled muck desiring the pearl and fighting for which one will earn it? the muck tarnishing the pearl? ) and I think we should read into that because it’s Hong Lu and Rodya who have this one and they’re both very tied to their financial status. Those two sharing an ego makes me insane for a bunch of reasons but that’s probably for another analysis piece! But duality is REALLY important for those guys and that’s a theme they’re emphasizing here with both the pearl and muck within the clam.

There’s also some elements of shelter/protection/potentially entrapment with the clam’s shell which are HUGE for Hong Lu, especially with his egos so I think those may come up.

But mostly it’s about the mixing of the precious (likely “wealth” here) and the unsavory, which works very well with what we know of the Jia family. The design likely referencing Bao-yu and thematically dealing with the Jia family makes me think each of those individual readings are more likely because they’re deeply tied together!

And now onto the MD event! I did not write this in order so I may repeat stuff here but. I realized I had to cover the design first so here we are!

First thing that stuck out of me is this portion when you choose to sample some of the clam’s slime.

Sibling/family infighting is very Jia family. It reminds me a lot of this line base Hong Lu says.

You could take this a step further because the clam is something that would typically offer shelter from the rest of the world, and even though it protects, its offspring continue to kill and eat each other.

It seems fine, the offspring have this lovely shell for protection, and they have the precious pearl held within, but even as they are sheltered and wealthy. They are still getting killed and eaten by one another! Reminds me of someone I know:)

It reminds me of some bits in the later half of Red Chamber, where family members more obviously start acting behind each other’s backs or turning on each other, some even killing other family members.

Another part of the MD event that I got something out of was the beginning portion.

using specifically jade as the color for the seawater is a Hong Lu thing. I may be reaching with this bc it’s more than likely just flavor text BUT when taking this color with the fact that there’s nothing in the water it makes me think of an important scene in Red Chamber where Bao-Yu is described as an empty shell, so I wanted to mention it. We know Hong Lu has TONS of water motifs, especially when relating to his family (see his base ego)

The main reason I brought up this section of the MD event is because of the question brought up by the last portion.

If you take one thing from Dream Of The Red Chamber into your perception of Hong Lu as a character, it should be the themes of ambiguity, duality, and being between binaries. Because he sure as hell does that a lot!!! (and i’m not just talking about his gender) He is both genuinely curious and sheltered with an urge to learn as much as he can, but he also plays dumb frequently, backpedals and asks a lot of stupid questions on purpose to maintain others’ perceptions of him. He is CONSTANTLY walking the line between truth and illusion and it can be hard to tell which is which and precisely how much is fake or real, which is why I find him such an interesting character to think about.

Tangent about Hong Lu's characterization aside, it's really easy to read this line as about his family's perceptions of him.

Hong Lu (or rather, Bao-yu) can be read as being the source of the contamination in that he is the heir of the Jia family who is just an absolute fucking failure of everything you’d want in an heir for that time period.

The clam containing the filth can be read as Hong Lu’s lies (whether conscious lies or otherwise) to himself and others about the true “filth” of his family. Really good example of this is with another bit of window dialogue, but these lies and half truths come up quite a bit if you know where to look. (what happened to cohort of kin looking to stab each other in the back at every turn???)

We already have Hong Lu’s assorted water motifs (his feet make ripples on the water in his base id, land of illusion has so much water theming and shows the Jia mansion is surrounded by water) so I think this is a reasonable analysis to make :)

There’s some other sections to the MD event, but there’s nothing of note that triggered the Hong Lu sleeper agent in my brain & also this has gone on long enough that I wanna talk about predicting some stuff for the ego!

I am manifesting Gluttony/Gloom/Wrath for this ego!!

Gluttony and gloom are in the MD event’s skill check already and I think tie in nicely with the themes. Gluttony works with the offspring in the muck killing and eating each other and themes of greed with the pearl (plus the ego is primarily green and that’s a pretty good clue) and then gloom comes up a LOT with Hong Lu’s family (Liu Hong Lu, the only one that remarks on his jade eye, is also the only Hong Lu with gloom. land of illusion requires 5 gloom resources and also relates a lot to red chamber/his family) Gloom’s also generally a stand-in for water which exists here.

Wrath in Hong Lu generally manifests in him going “yeah, maybe my family was a little fucked up actually” internally, instead of manifesting as taking direct action about the fucked up things like it works for most other sinners, and acknowledging that his family was at least partially filth and killing and eating eachother (metaphorically. maybe literally) works for that

i am not an expert on sin analysis but i wanted to take a prediction bc it’s fun :)

I have a couple of predictions for corrosion and i’ll be real they are the main reason i wrote this thing because i LOVE when bad things happen to Hong Lu!!

Since this ego seems to be referencing Bao-yu so much i can pull stuff from Red Chamber too which makes it more fun :)

First one I came up with is Hong Lu taking the place of the pearl within the clam and getting locked in there! A bunch of his egos have to do with being controlled/trapped so i think it works and it also can work as a parallel for Bao-yu’s treatment by his family. Bao-yu’s name means precious jade, and he’s often treated more like his namesake than a person, heavily controlled and never allowed to leave the Jia mansion (or, in this case, the clam.) I just think it’d be fun!

My other concept has to do with more Red Chamber stuff, notably what happens when Bao-yu loses his jade. I’m not quite there yet in the text, but from what i’ve heard he becomes incredibly unstable and essentially loses his mind. This sets the Jia family’s downfall into even faster motion and from that point things get REALLY fucked up. Since the pearl here parallels Bao-yu’s jade, I think having a reference to that part of the book would be really fucking crazy for all 5 people who have read 1800+ pages of red chanber to get to chapter 94 where he loses that thing. Also i just want to see Hong Lu lose his mind i KNOW it would be terrifying and chilling. but they may be saving that for his distortion (manifesting)

In my skimming Red Chamber table of contents to find when Bao-yu loses his jade i just found a chapter where Bao-yu’s father admires a pearl but we will just ignore that for now bc this has taken long enough to type already and that is several chapters off. but there may be more analysis when this thing actually comes out!

Thank you for reading this far!! I hope you enjoyed me looking far too deep into an unreleased ego we know next to nothing about for fun! this took WAY longer than expected to type out but i’m glad I did because I loveee telling people about Hong Lu!

There is a very real chance very little of my analysis and prediction is reflected in canon BUT please remember that truth becomes fiction when the fiction’s true and even if this doesn’t turn out to be correct now u know a little more about Hong Lu and the themes he plays with :)

[total-drama-brainrot]

i now wanna hear your very long character analysis on how the drama machine affected alejandro

Yeah alright.

So I haven't actually watched All-stars, but I did skim through this video to get a feel for Alejandro's characterisation in it, since All-stars is the only canonical material we get from Alejandro post Drama Machine.

And by skim I really do mean skim; I was mostly looking out for signs of his imprisonment's influence, which for the most part seems to be as follows:

His legs fell asleep.

He developed a minor case of agoraphobia, mostly in the context of sleeping in open spaces.

His standards of human interaction have plummeted; something he's aware and accepting of.

Interestingly enough, he doesn't really seem to acknowledge the volcano itself (outside of an offhanded comment) or the injuries he got from the explosion. His focus is solely on his time in the suit, not what out him there in the first place. He even skirts over a memory loss issue, which could contribute to this.

I'll tackle these three points in more detail, and then give examples of how they can be developed into actual characterisation points instead of (for the most part) gags.

Number one; Leggy McLatin and the paraplegia scheme.

Alejandro's inadvertant and unintentional escape from the Drama Machine, and subsequent readmission into the competition (as himself, instead of as the machine) is, for the most part, entirely focal on the fact that his legs no longer work after his year of entrapment. It's a big deal - or, at least, as big of a deal as any injury or ailment can be in the context of Total Drama, considering that he doesn't miraculously get better in the span of an episode. Of course, we learn fairly early on that he's faking the paraplegia, but it's fairly heavily implied that his legs really were asleep initially (and that, in all likelihood, the massage we see him getting from an intern is what "wakes them up").

What's interesting about this particular plotline choice is that it would, realistically, be entirely feasable for Alejandro to have mobility issues after spending a year inside a robot.

Now, I'm no doctor, nor do I have any formal medical training, but I do know that not being able to move your body for an extended period of time results in a serious case of muscle atrophy. We see in canon that Alejandro was essentially locked in a seated position for the year; his arms, head and (assumedly) torso had place to move around, but he couldn't really stretch out his legs. This would explain the "weakness" of his legs in the first episode - i.e. their wobbliness, and the fact that they couldn't hold up Alejandro's body weight. The numbness he cites would be explained by poor circulation - again caused by him being sat down for a solid twelve months.

Or it could be nerve damage from the eruption, but given that Alejandro doesn't seem to have any long-term issues that stem from the volcano itself, it's unlikely.

So it can be assumed that the numbness of his legs was offset by the massage he gets after the first challenge. The masseuse kickstarts the blood circulation back into his legs, resulting in him regaining sensation in them - enough feeling to notice a crab pinching at his feet.

And, if I really want to reach into headcanon territory/realism, the reason he keeps up the "ruse" is because, despite having feeling in his legs, the muscles there are still fairly atrophied and he has a lot of trouble walking, let alone running, for extended periods of time. Though, as it stands, any long-term impact on his health would be entirely headcanon/fanon territory, due to the nature of the show itself.*

Then there's the psychological aspect to consider. Alejandro's a very prideful person by design - that's evident in both the way he portrays himself and the physical standards he holds himself to. Having use of half of his body stripped away from his is bound to be distressing, perhaps even traumatising. Hence why he tries to make himself as useful to the team as possible despite still recovering; he needs everyone to see that he's still capable.

Eventually his legs fully recover, because this is Total Drama and things like "realistic healing processes" and "lasting damage" don't seem to exist in-universe.

Number two; snug as a bug in a rug.

Alejandro's shown to have started sleeping in a sleeping bag throughout All-stars. He even canonically states that he needs to, because of his time in the Drama Machine. He cites that sleeping whilst srpawled out makes him uncomfortable, unspokenly referring to the fact that, for a year, he'd only had the option to sleep in an incredibly cramped position/environment.

This is interesting since, for the most part, you'd assume that someone held in close-quaters captivity would develop claustrophobia instead of a form of agorophobia, and yet Alejandro seems to have internalised the need to be in an enclosed space to sleep. Maybe it's symptom of just how long be was encased for - a year is a long time - or maybe it started out as claustrophobia, but the indefinate nature of his captivity morphed the initial fear into a twisted sort of coping mechanism.

It begs the question; what else can't Alejandro do in open spaces?

Is he perpetually uncomfortable with the openness of the outside world? Does he resort to hermiting himself into closed-off corners and enclosed rooms, just to feel a semblence of normalcy after he escapes the confines of the Drama Machine? Would he take to wearing tighter but more concealing clothing, just to immitate the feeling/pressure of being trapped in a too-tight enclosure?

Is his need for a snug sleeping space indicitive of him missing his isolated imprisonment?

Which brings us nicely into the third point.

Number three; long-term isolation and the effects thereof.

Alejandro explodes out of a glorified toaster and one of the first things he really comments on is Heather's off-putting personality and her facial hair. In a positive manner. He's so starved for human contact that he attaches himself to the first "friendly"/familiar face he sees, which in this case is Heather, and focuses on the aspects of her that make her human.

If he were a "weaker man", I have no doubt Alejandro would be clambering for attention from his team, mostly for proof that he's no longer completely isolated. It's a well-documented phenomenon; people who experience a long time in isolation, or who suffer through long periods of loneliness, become desperate for socialisation (and physical contact), to the point their immune systems and biological rhythyms (from circadian to infradian) start to deteriorate.

Realistically, Alejandro would've come out of the Drama Machine a desperate and sickly mess, riddled with insomnia and paranoia and incredibly touch-starved. But, as established, the show isn't exactly true-to-life when it comes to things like this, so...

As it stands, the fact that he emerged from his prison and immediately jumped back into his charming persona attests more to the fact that his flirtatious act is so deeply ingrained into his psyche than it does to his mental wellbeing. It could be argued that he's using the same act/mask/persona as a tether to his old self and an anchor to normalcy, as he'd likely crumble into an inconsolable mess without the scaffolding of his "TV personality" keeping him upright (metaphorically of course, as Alejandro is in fact not upright in the show. He's upside down for the majority of his time on All-stars).

Or maybe he's just built different? Who's to say.

We don't exactly know what went down during his year away, so it's impossible to make any concrete statements as to whether Alejandro was afforded the luxury of other people's company, or if he really was kept 100% isolated in the machine. The only thing we do know is that he likely had access to a phone, though didn't have the capability of using it without assistance, since he calls Heather out for never trying to contact him but also states the impossibility of him doing the same in turn.

Number four; lava damage and the lack thereof.

It's sort of explained during his scene at the end of World Tour, but Alejandro's whole "being trapped in the Drama Machine" deal - alongside being a parody of the scene where Anakin Skywalker is first put into the Darth Vader suit - is stated to be for his own benefit. He's essentially being locked away into a healing suit. Again, just like Anakin - they both even sport similar burn wounds.

He mentions at the beginning of All-stars that he doesn't really remember being put into the machine, and it's safe to assume that the majority of his time in the contraption is likely fuzzy to him as well; being fully concious of complete isolation for a whole year would be enough to drive anyone completely mad, and Alejandro is decidedly not insane (for the most part). Ergo, it's also a safe assumption that the inner mechanisms of the Drama Machine act as a sort of stoporous healing chamber, keeping Alejandro semi-concious and healing his various lava burns over the course of his concealment.

Sort of like a medical coma. Inside of a robot. A portable medical coma.

The "healing properties" would also justify why Alejandro's whole body hadn't deteriorated from muscle atrophy, or developed any (visible) burn scars from his stint in the Hot Sauce. Of course, as far as burn scars go, unless they're significantly deep they do tend to fade into near-invisibility over time. That, paired with the ~magical healing properties~ of his confinement, likely resulted in his lava burns scarring over into insignificance.

Then again, I once again have to take cartoon logic into account - the show itself likely just didn't consider the semi-realistic consequences of a year of entrapment, and wanted Alejandro to be near-enough the same character he was at the end of World Tour before the consequences™.

The main point here is this; Alejandro doesn't seem to remember the majority of his injuries following the volcano eruption in the World Tour finale, or if he does he's had a year of semi-conciousness to work through his thoughts and feelings on the matter, and as a result he doesn't seem to carry any (reasonable) trauma regarding lava, volcanoes, or other related stimuli.

He does, however, retain some "quirks" from his time in the machine.

Number five; an overview.

Alejandro comes out of the Drama Machine with a surprisingly little amount of visible trauma, both in terms of physical damage/scarring and observable mental changes.

He developed a very minor case of agoraphobia, spurned on by him becoming accustomed to existing in a very small, very cramped space, but otherwise attunes himself to the outside world incredibly fast.

Is this probably related to his social training, as a diplomat's son, and his heavy reliance on a "suave and charming" persona. He's likely battling with a lot of internal issues throughout the season, but squahing down his inner turmoil under his determination to win, which explains how/why he falls so easily into his scheming mindset - it, in and of itself, is a coping mechanism, though not a very healthy one.

*The paralysis of his legs was in all likelihood genuine, and a result of poor circulatory issues and minor muscular atrophy, which was almost immediately treated by the masseuse intern after the first challenge. Realistically (and how many times have I said that word) he'd have some lasting weakness in his legs, and maybe require the use of a mobility aid and/or physiotherapy. This is not the case, because... Total Drama.

There are subtle signs of the mental impact of his imprisonment, mostly in his immediate attachment to Heather (despite her taking away his reproduction privileges the last time they spoke, and her being Heather) and his innate need to prove himself as useful/capable despite his gameplan riding on him appearing pitiable and unthreatening (due to his "sleepy legs"). He's so starved for social interaction and validation that his actions are directly contradictory to his gameplans.

Though in the case of his Heather attachment, he could just be like that. He was also fairly infatuated with her in the latter half of World Tour, and the pineapple scene speaks for itself.

In conclusion; Alejandro is either completely goated and (for the most part) just shrugged off the trauma of being trapped in a tiny box for a year, or he was already so traumatised that the imprisonment was just another needle in his haystack of turmoil.

[moirindeclermont]

Master post: daily thread about Bridgerton S3

Colin and "that face"

Why I love Pen so much

Why LW reveal is important

Pen is inexperienced but not clueless

Colin and emotional availability

Polin will get their happy ending

About Polin & Kink

My favourite moment of the carriage scene

Why we need more show like Bridgerton?

It's almost here!

Colin's face journey before proposing

A very personal first reaction

The aftermath

It's mirror scene time

Polín analysis

The true meaning of partnership

The entrapment comment

Mirror scene redux: Pen's edition

Power dynamics in Polin relationship

The Benedict situation

The strong woman trope vs romance

Female gaze and sex-scenes, from Dirty Dancing to Bridgerton

Carriage scene vs mirror scene

Why consent is so sexy?

Favorite Polín headcanon

Polin's trauma

Portia and Penelope relationship

The theme of identity and the power of representation

All in one place for your convenience

[pensbridge]

This fandom doesn't understand subtext! Actually this fandom doesn't even understand text...that's right in front of their faces.

"Penelope asked for an annulment, because she made a power move to choose better for herself." No, she did not! I'd respect it, but that's not what happened! Y'all have invented a version of Penelope where she does no wrong and has to "prove" to people where they did her dirty. Do you know how many people still can't admit what she did wrong in Marina and El's situation? It's a lot. Hate to break it to you, but Penelope was wrong. There's layers there; and there's reasonings behind her actions that have a snowball effect when she didn't really mean ill-harm. But it still happened. Every person in these situation has there faults and did poor things, that yes, Marina did on purpose. And I support Penelope for what she did. But again, the outcome was still (and could've been) bad. Penelope is so divisive sometimes that leads to people having to hit the haters with an analysis that Penelope is morally gray (I respect morally gray characters), but Penelope is not even morally gray. She does things that come out bad sometimes as a result of her decisions, but she's good and she has good intentions *is complex* - you know like a well-written character. Penelope, herself admits that she was wrong this season and y'all didn't hear, apparently.

For Colin, you've decidedly settled on this version of him where 1 thing that he says and does will forever be twisted into something that does not exist that I can only assume is from a pre-conceived world-skew of already having it out for him, because this can truly not be about The Character. The entrapment comment - I've already given my thoughts on this, but regardless if that hurt you so bad or not, you cannot deny the reason right in front of your faces that the writers place directly in front of The Scene. Colin is talking to El on the stairs and she asks, "do you think that you'll be able to forgive her?" He says it in intricate descriptive Bridgerton language fashion, but he says "maybe you should consider yourself uncommonly lucky, El, that you have never known what love is." He loves her, he's always gonna love her and she hurt him with the one thing we know from part 1 that he places so much value on he gets lost in tangents with the men in the club: INTIMACY. They were intimate...It wasn't just sex. She withheld the truth for far longer than she should and she denied him that choice to move on ( he wouldnt ) and allow him to not be "stuck" in a marriage that she insists on giving him an out to (if that's what she cares about), because she did not mean to entrap him. But sure, she asked for an annulment, because she actually doesn't care and only cares about herself. That's your character.

[bluemooniegif]

Let's talk about Coats in Bungou Stray Dogs, and what they mean

[i.e. a repost of perhaps my most famous BSD analysis ever]

Mild spoilers for Beast, Dark Era, and Dazai, Chuuya, 15 ahead! (I'm thinking of posting an explanation of how the Beast Universe works soon anyway... lmk if that's something you'd like!)

If you've come across this theory before (uve most likely seen me talk about it on tiktok or youtube), you've probably heard already that the coat or outerwear a character is wearing (especially if it's different from the rest of their outfit) is indicative of the persona that they're trying to project.

You may have noticed, for example, that the colour and the way that Dazai wears his coat changes depending on the organisation and universe he's in. Let's start by taking a look at his Port Mafia outfit from the Canon universe:

As you look, remember that Dazai joined the Port Mafia against his will. He only joins because Mori promises that if he's useful to him, he'll provide Dazai with a quick and painless way to die:

And now I want to get into why Dazai doesn't actually want to die, but that's a whole other post for a later time.

So, Dazai joins the Mafia, rather begrudgingly, and dons the relevant 'uniform' as he does. This is necessary to show Mori and he other members of the PM that he is committing to the role; it is necessary for survival.

The important thing to note here, however, is that he wears his coat off-the-shoulder. Of course, this could just be chalked up to the questionable fashion standards of teenage boys, but when we consider that the coat is like a representation of the Mafia's values... it becomes an indication that Dazai is putting on a persona; one that he's ready to throw away at the drop of a hat. The are three reasons I know this is how he feels for sure:

we saw the exact moment Mori recruited him, and how reluctant he was to join;

he actually did throw it all away the second he had the chance;

Beast. let me explain.

Have a look at Dazai's outfit in Beast, where he takes on the role of Mafia Boss:

There are several notable differences here, but for a moment I just want to focus on the fact that he's wearing his coat properly. That was the one thing that really struck me as significant the first time I read BEAST: in the world where Dazai has to fully commit to the role if he wants his plans to work out, he pushes himself to play the part, regardless of how he feels.

The next huge difference lies in the bandages: here, his left eye is covered, whereas in the Canon manga his right eye is covered. There are several theories we could derive from this: a popular one is that each eye represents light and dark, respectively. In the Canon universe, Dazai covered the eye that saw the light, so he could more easily resign himself to living in darkness. Then, Oda pulled the bandages away, and he found himself running towards the light. I could talk about this for hours, but for the sake of brevity... ouchies.

Moving on. Another thing to note is that, duh, there's a bigass scarf around his neck here. Why? How? It looks an awful lot like Mori's... which could mean nothing. Just like how his ADA coat looking like Oda's could mean nothing. Haha so normal guys don't even worry about it!!

ANYWAY. Coats. Isn't it interesting that Akutagawa also properly wears his coat (a hand-me-down from Dazai, nonetheless) and spends a vast majority of his time trying to prove that he is worthy of being in such a high position within the PM? Isn't it interesting that his ability, the entire reason he became the Mafia's guard dog, relies on that very coat? His entire personality and reason for living becomes so entrapped within Rashoumon that the two are practically inseparable.

In Beast, when he's given a coat that echoes that of Oda's, he still uses it (via Rashoumon) like a shield, and like a weapon... but he tries to learn how to be more gentle. The beginnings and intentions are almost the same, but the outcomes are totally different. Which is very telling. I'll let you connect the remaining dots on that one.

Now, there is one more Mafioso character who wears his coat off-the-shoulder in Canon. But for some reason, in BEAST, he doesn't wear a coat at all... Strange, right?

I am, of course, talking about Chuuya. And the thing about Chuuya is that defining the representative idea of his coat is much more difficult than it was with Dazai, purely because there was so much going on at the time he joined the Mafia. He was betrayed by his closest family, while simultaneously feeling like he betrayed them. He had no choice but to accept Dazai's offer, which was actually Mori's offer. He'd been backed into this corner by Dazai, but also by the Sheep, and he'd lost everything, but was being offered all the things he used to pine after: answers, protection, relative safety. Maybe even family, something he could devote himself to- but all this lay in the hands of the organisation he'd promised to eradicate. He was going through it, as the poets say.

Personally, if I were to assign his coat with a specific ideal/persona, it would be this: acceptance of the Mafia, and hatred towards Dazai. Just like Dazai, wearing his coat off-the-shoulder indicates that he doesn't fully prescribe to their ideals... but in this instance, it also means that he doesn't truly hate Dazai like he claims.

I know, fork in the kitchen. But I also want to point out something that helps drive this perspective home for me: whenever they fight together, as Soukoku, Chuuya takes his coat off. He has a lot of fighting quirks, actually- he always keeps his hands in his pockets (something that is echoed by Dazai ohmygod I cry whenever I think about it), takes his hat off for Corruption (this is discussed in-depth in Storm Bringer), takes off his gloves when he wants to ramp up Tainted Sorrow. But, just like the coat, this only happens whenever Dazai is around. Chuuya literally and figuratively bares himself to Dazai, which can be read as something necessary for him to be saved by No Longer Human, yes, but it would be remis of anyone to ignore the fact of their trust in one another.

There's one more reason that I think these two ideals are so intertwined: it is, you guessed it, Beast!

The interesting thing is that here, where you'd almost expect him to wear something similar, Chuuya simply doesn't have a coat at all. Why is that?

If we follow the same logic that we did for Dazai, we can assume immediately that Chuuya doesn't want to hide behind a facade here. He has no facade to consider hiding behind. He's honest about his work with the PM, and open about his complex feelings towards Dazai- mostly his hatred, though that manifests purely because he's frustrated; a part of him knows Dazai can be doing better, or working differently, but he can't understand why. Or maybe he does understand why, and this frustrates him even more.

It's extremely complicated, and I feel like the way I've said things makes no sense, but I hope it's at least got you thinking. What does this truly mean for Chuuya? What does it mean for Atsushi, who doesn't wear a coat in canon, but does in Beast?

(I already have a post delving into Atsushi's character design, which I think is genuinely one of the coolest things ever!! I don't discuss Beast in it, but it's a great starting point if you're interested <3)

I feel like I've rambled on too much, but I'm fighting brain fog rn so this is as coherent as it gets. I hope this has helped you learn something, or made you interested in delving deeper into costume design in BSD as a whole. I kiss you mwah!!!

[bobbinbugs]

Entrapment: marriage, sacrifices, and gilded cages in Silksong

This is a massive, fully-sourced essay encompassing all the marriage symbolism we have for Silksong and the full breadth of its connotations. This thing is a beast in five parts: mind that readmore!

Part 1: a presentation of evidence

Rather than diving right into analysis, we need to set the stage with information gathered and analyzed by the talented people of the HK tumblr community, to whom this would not be possible without.

Hornet starts the game captured in a gilded cage, carried off by small, faceless creatures in white. as pointed out by ganymeadesclock, these characters are most likely religious figures, and Lace, while not one of the cultists, is most likely associated with them... somehow.

Furthermore, marriage symbolism. I won't reiterate myself overmuch, so look here, here, and here for various pieces I've managed to collect. No matter how you slice it, Lace is absolutely drowning in marriage symbolism, right down to her name. It does feel quite notable, then, that Hornet and Lace have similar cages, don't they? Lace's quite strongly resembles a decorative birdcage, actually, and Hornet's a fishbowl; (Aside: though the latter is a bit of a stretch.) enclosures too small to support an animal's wellbeing, but perfect for displaying them. Almost like, perhaps, a trophy bride?

Part 2: marriage as a gilded cage

This was going to have a excerpt from my essay on the unicorn tapestries, but it's already long enough as is. This segment and the following cannot analyze Silksong directly due to lack of information, but we can draw throughlines from the classic and epic literature Team Cherry draws inspiration from, and the history surrounding them.

Marriage has traditionally been a transfer of property throughout much of our world, not an act of love between two consenting parties. While a married woman would have the freedom to manage her husband's property in his absence, when he was around, she belonged to him; in marrying, she transfers from her father's ownership to her husband's. Marriage has been a total sacrifice of freedom for a woman in exchange for her "safety," which, considering how difficult it is to leave domestic abuse (Aside: Even more so in the times where woman could not own property or money, and divorce was not legal), is a perfect example of gilded cage.

This is a summary, and I recommend checking out these pieces on marriage abolition and medieval marriage culture for further context. Primarily, I'm trying to convey a certain degree of dread to emphasize why Hornet may be running herself ragged in Pharloom: her freedom may be deeply at stake.

Aside: There's also a throughline of queerness and the imprisonment of heterosexual marriage, and how it may relate to Lace attempting to free her and why Lacenet could be both canon and fascinating, but I won't delve into it here.

Part 3: A foray into ancient greece: marriage as a sacrifice

If you're a Greek mythology nerd like me, you may have noticed an odd connecting thread between Persephone, Psyche, and Antigone. All three are connected by their status as young virgin brides, but also by perversion of marriage rites in their stories. Persephone is abducted to the underworld (the land of the dead) and bound forever to a man via eating pomegranate seeds: a symbolic "seeding" (read: impregnation) if you will. Psyche, when taken away to be married, has instead funeral rites conducted for her, and she spends her honeymoon afraid of the invisible monster she married. And last, Antigone, the death-bride marching towards her funeral-wedding, thigh to thigh with her brother in the grave.

Present along the same thread is imagery of distraught mothers and sisters: Persephone's mother grieves and wails and sets a blight on the earth searching for her daughter; Psyche's sisters weep to leave her on the rock; Ismene tries to share the blame of Antigone's crime, punishable by death, so she would not be without her sister, or vice-versa.

A few feminist interpretations have been offered, but the most common is that to a Grecian mother, her daughter has been taken away from her home, never to be seen again. A marriage, to a sister or mother, is a sacrifice: A young girl is taken away from the comfort of her household into a scary, unfamiliar world, where she must learn quickly about herself and her body without the guidance of people - particularly women - she knows and loves.

Don't forget, either, that rape did not initially refer strictly to sexual assault, but the act of kidnapping a girl as a marriage rite. (Aside: The bride's consent does not matter; only her father's. Why do you think the term evolved to mean sexual violence?)

Sound familiar?

And the perversion of the marriage rite doesn't end there. Churches, a notable location in Pharloom, don't just marry people; they are also where funerals are conducted. And, if you listen to the Silksong trailer, you will hear the Dies Irae - the Funeral Mass - note for note.

But the perversion of the rite does not end there. Even more disturbing is the presence of consumption as a theme. As I said here:

Oh I am THINKING about Silksong tonight... How Lace says “Poor little morsel” and “delicious,” implying not only Pharloom would consume her, Lace is on the side of what’s doing the consuming. How spiders frequently feed on their own kind, especially in massive community web systems... whatever’s up with Pharloom, it’s going to eat Hornet alive.

A sacrifice, in its most traditional sense, is to give a deity sustenance, at an expense, in exchange for the prosperity of the many.

Part 4: Lace as Κανηφόρος and her religious duties: wild speculation!

Let's revisit Lace as a religious figure - and a potentially important often. If Hornet is the sacrifice, what does that make Lace?

From wikipedia:

The Kanephoros ... was an honorific office given to unmarried young women in ancient Greece, which involved the privilege of leading the procession to sacrifice at festivals ... The role was given to a virgin selected from amongst the aristocratic or Eupatrid families of Athens whose purity and youth was thought essential to ensure a successful sacrifice. Her task was to carry a basket or kanoun (κανοῦν), which contained the offering of barley or first fruits, the sacrificial knife and fillets to decorate the bull in procession through the city up to the altar on the acropolis. ... A girl who acted as kanephoros would have advertised the central place of her family in Athenian society, and her own availability for a dynastic marriage.

Wait, up through the city? That sounds...

Hornet, princess-protector of Hallownest, finds herself alone in a vast, unfamiliar world. She must battle foes, seek out allies, and solve mysteries as she ascends on a deadly pilgrimage to the kingdom’s peak.

...Awfully familiar.

And, interestingly, whatever ritual centering around Hornet we're spiraling towards, Hornet seems to be willfully - if unknowingly - marching towards it, and Lace seems intent on stopping it in its tracks.

I suspect she will not only be the rival won over role, but the betrayer. Lace is not to be wedded, but Hornet. Lace's role is to sacrifice Hornet at the proper time and place, and her goal before then is to stop Hornet from doing so, by any means necessary.

The final battle will almost certainly involve Lace, and in the worst ending, she will most likely be the one to deal the final blow and complete the rite. We're in pure speculative territory, but we already have the visual symbolism that Lace is just as trapped as Hornet. What is a betrayal if not duty, or a desire to save her own skin, winning over compassion?

Part 5: Disclaimers, Clarifications, and Conclusions

This is not to say I think this will be a recreation of Grecian ritual. Far from it: I don't even claim that marriage and misogyny will be a theme in anything other than visual symbolism, and I strongly doubt hornet's skill and status will ever be disputed due to her womanhood. Simply not Team Cherry's style! Until Silksong comes out, this is mere extrapolation.

But through Team Cherry's strong visual storytelling, I feel confident drawing allusions. The crushing prison of gilded cages, the marriage imagery, the subtle perversion of rite in the trailer, all spells out one thing:

Hornet is to be married or sacrificed.

But then again, what's the difference?

A special thank you to the minds of @ganymedesclock, my mutual @rukafais, and @ruthlesslistener, whose analysis was crucial to piecing this massive theory/analysis together. And for my mutuals who might be interested: @voidsiblings, @halloween-cats, @imminent-danger-came, @croissantk, @electricabsolution, and @toapenguin

[silvermoon424]

Thinking about what makes Kyubey such a good villain. He's not actively malicious and in fact seems to think what he's doing is benevolent and humane. But ironically he is the most selfish character in the series - he lacks any concept of the individual because his species is a hivemind, so the idea that one singular human holds unique value from another is a foreign concept to him. Further, he considers emotions to be a mental disorder, so he simply won't consider anything outside of his "logical" point of view, as he not only dismisses but also fails to comprehend human emotions.

tl;dr Kyubey is such a perfect metaphor for the patriarchy because on top of everything else he fails to see how his system of entrapment that benefits him the most is anything but fair and logical to everyone.

I actually wrote an entire analysis on why Kyubey is such a good takedown of the "logic bro" rhetoric! It goes into a lot of what you've said here.

Also, to add on, Rebellion shows that the Incubators aren't as logical as they love to say they are. Things are working perfectly fine under Madokami's new system. Energy is still being gathered, but in a more humane way.

But the Incubators exhibit outright greed when they decide that Madokami's system isn't working efficiently enough- despite the fact that the heat death of the universe isn't projected to occur for an incomprehensibly long amount of time. To put things into perspective, the universe is 13.7 billion years old. The heat death of the universe is at least a 10^100 years away, which is such an absurdly large number it's impossible to grasp. In other words, the Incubators have more than enough time to harvest energy that doesn't involve turning little girls into Eldritch abominations, they just don't want to.