#entering the fandom like this is very in character for me

[odussyeus]

Just a reminder that your media consumption is your own responsibility and even the stories that you think are “absolutely disgusting or evil” do not actually make them so. They are fiction there are no actual victims it is all made up. ( there is nothing wrong with being uncomfortable with certain types of written media everybody has their limits) Be an adult and choose not to engage or don’t go on an archive. Censorship is wrong no matter what it is. Also, it’s called archive for a reason. It’s meant to preserve works ( even the ones you dont like ) There is no regulation by going on that site You are agreeing that the benefits of reading fics outweighs the risks of seeing things you don’t like.

 Humankind has lost so much history and knowledge because it was destroyed by people who thought it immoral or unjust.

 side note: tagging things correctly is very important in this argument, but there are fics that were written on archive prior to the filter feature being created not to mention filters are for important tags! I have preferences as someone who reads reader fics that I don’t love being described, but it is not that author’s responsibility to specify every little detail about that character because at the end of the day reader is still a character and are going to represent the authors vision. Because at the end of the day, all fanfiction is written for the author who chooses to share with other people, we as readers need to understand we are not entitled to works.

As someone who’s been in fandom since I was in middle school as somebody who is now 25 I think the popularization of fandom is ruining it. Fandom culture is a thing and like any other kind of culture unless it is hurting real life people you do not get to enter that space and tell people who have been in that space for decades that they have to change that culture to fit your belief system . Not to mention I could rant for hours about how written media is a form of harm reduction. I would much rather somebody write a fictional story about the most horrible disgusting reprehensible behavior, then act on that behavior in real life. Because nobody is holding a gun to my head, forcing me to read that.

"i'm tired of seeing-" use your filters.

"but there was an icky ship-!" use your filters.

"i don't like that tag-" use your filters.

don't like what you're seeing? use. your. filters.

[inanerial]

How many Kryn souls will be born in the Empire?

A riddle

Sometimes you're trying to write a character becoming obsessed with a calculation problem and you accidentally face-plant into being obsessed yourself. That being said, the fanfic in question is Temporal Shunt, so if you want to have a look, have fun!

The brain teaser in question is: How many children will be born outside the Dynasty with Kryn/Dynasty souls because of Essek's theft and where will these souls be born?

First of all, it's necessary to preface this strange brain teaser with the fact all my calculations here are based on some profoundly huge assumptions.

1) Presuming a child is born within range of either of the beacons stolen and taken to the Empire, there is a corresponding soul available in the beacon. This treats each beacon's souls as unlimited as far as this calculation is concerned. We have, as far as I can tell, no idea how many souls are in each of the beacons Essek stole, nor does he seem to know how many souls are in a beacon or if souls can cross between beacons through some sort of shared planar space. Ultimately, the floor of this calculation is 0, if somehow both beacons were empty.

2) A single beacon can cover the full area of Rexxentrum and/or Zadash in its radius. I cannot find records of their throw, but given that the Dynasty only has a few and they strive to have most consecuted souls within a beacon's radius, I think we can assume around a beacon per city?

3) The beacons cannot emit souls from inside the lead box & bag of holding.

4) Halfling and Human birthrates are approximately the same. Human birthrates in this period are approximately the current US birthrate (12 per 1,000 people per year). That assumption, I know is massive, because on the one hand, more agrarian society and D&D ye olde times. On the other hand, birth control potions?! I don't know how to handle all that, so I stuck to 12 per 1,000 and let the extra month's (11 months in the Exandrian year vs 12 in an Earth year) be the allowance for the more agrarian society.

Even given all these assumptions, these calculations end up being a massive shrug, because we don't have an actual date on which Essek gave the beacons. We have him saying it had been three years since the "start of the conspiracy" (see "Dark Waters" (2x98) at 16:58), but I would argue that context clues indicate that's when they started corresponding, not when Essek handed over the beacons. That means Essek really could have handed over the beacons at almost any point between Thunsheer 833 PD (3 years before when he says that, in Thunsheer 836 PD). For the sake of all of our sanity, I have set bounds of Thunsheer 834 PD as the earliest time Essek might have handed over the beacons (1 year of correspondence) and Thunsheer 835 PD (2 years of correspondence) as the latest time. The early bound is based on the idea that it would likely take a reasonable amount of time for the Assembly to convince him to commit massive treason. The later bound is a marker of pure convenience for me.

That gives us the rough time span of:

Now, given that gnarly chunk of assumptions, we have another mystery to tackle. Where was the Assembly keeping the beacons? For lack of a better argument (though feel free to make one, if you're feeling so inspired) I'm going to assume the Nein's beacon/Zadash Beacon is in Zadash from the time it is stolen up until it comes into the Nein's possession. The other beacon is even more uncertain. We know it was in Felderwin for some span of time, so I've made the executive decision to assume it was in Rexxentrum briefly, then Felderwin for most of the time, then back to Rexxentrum shortly before Yeza's shop was ruined. I am also assuming the Nein discovered the ruin of Yeza's shop within a week or two of the attack.

Let's make it even crazier! When I went into this calculation fugue state, I was particularly interested in whether or not the Nein spread souls all over the Empire at large, the Clovis Concord, and beyond as they went on their pre-Dynasty adventures and took the beacon out to get Fragments of Possibility. I therefore made the assumption that getting a fragment takes around 1 minute, although as you will see, the exact timeframe, short of hours, does not really matter. I also assume that except for when Caleb just like... took a nap with the beacon in Zadash, they replaced the beacon in the lead box and their bag as soon as they received the fragment.

That gives us, thanks to CritRoleStats and Critical Role Linkable Transcripts for beacon viewing timestamps and Explorer's Guide to Wildemount for the city populations:

So, for poor Essek's conscience, that's somewhere between 0-168 children in Felderwin, 0-1,119 children in Rexxentrum, and 0-1,362 children in Zadash. Of course, families may move, so there's no guarantee those children will still be in each of those places when they experience anamnesis, but according to my incredibly slushy math, there will likely be a Nogvurut Situation in around 13 years in Felderwin, Rexxentrum, and Zadash.

Well, that's all I've got. The assumptions are messy, the calculations are rough, and the results are uncertain, but hey, when you're given such a fun riddle... how can you not?

[outletcrash]

shakes her around like a beetle in a jar

[ssaluss]

I've heard "his world" in this trailer 2 im not crazy it was my jam when i was little IM NOT CRAZY I KNOW THE "DU DU DU DU" WHEN I HEAR IT (im sick and the fever got me but im not delulu... yet, its 3am, at 4am i might be)

[nocturnal-phantoms-fandoms]

Ive noticed that my attitude towards characters being OOC changes depending in the fandom.

In some fandoms, I'm very attached to canonical versions of the characters. I read not only ff but a lot of metas too and I usually dont like when ff or hc contradict canon.

In the others I will read any ff as long as it portrays the characters in a certain specific way that Im *well aware* isnt canonical, just one of the fanon versions.

And here is a pattern: if I read/watch sth without prior knowledge about fanon it will be the former. If I know a ship *exists* (and thats why I start watching the show), it will be the latter.

Thats called priming. So there is science behind this.

[jessi--ac]

.

[rice-fae]

Boycott hoyoverse, please.

I used to be a big genshin impact lore buff, i played, i read, i was on forums, i made fanart, and then i was deeply disrespected by the game itself (this post is about natlan)

I am brazilian and i follow a religion named candomblé. Long story short, its from yoruba people who were sent to brazil as slaves, then went through a big process of spreading out to not just black people, but light-skinned people of lower classes like my family. We believe in the creation by Olorum, the power of Axé, and the Orixás.

Natlan, as of now, has two characters named Iansan and Ororon. These names come from not just the yoruba predecessors of candomblé, but also the religion itself, the Orixá deities Iansã and Olorum.

My religion, my deities. My mother's deities. The statuettes in my house. Their names are recycled cheaply to be used trivially. Never have we of candomblé ever gotten mentioned by AAA games or films that give such attention to detail like Genshin does, and we are disrespected. Our Gods are used like rags for someone's profit to be thrown away, washed out. They do not convey our beauty, our grit, our wonder, they do not convey us but they profit from us.

People love to tell us that it is just a game, but think again: games are not entitled to disrespect us just because of their nature. We are entitled to complain, to scream, because this is cruelty. You brutalize our image, butcher our names, for what?

When I was younger, I used to look at games with religious imagery very curiously. It was always weird to see the faith of the people I know be used for aesthetic reasons or just because it looks cool. The same has now happened to me, but times worse. People will say anything to justify this mockery and throw excuses to keep playing the product of a corporation that won't ever understand what it means to be us.

Boycott, complain, scream, because I will do it too. I regret the time I invested in playing, in reading, in watching, in dedicating myself to something that would never do me justice. It is not expensive to change a character's name, not even talking about the model. I don't plan on re-entering the fandom while it still lies unaware of the gross source material's true colors. Candomblé is not mythology, it's faith. We are alive. We have existed for centuries and will continue to grow, despite the challenges we face.

[squidthusiast]

Ok, but why do I imagine Eight being the unofficial child of Pearl x Marina?

Because I imagine Eight was minding their business and all of a sudden, Pearl would slam the paper down and said “You’re adopted now”

Basically OTH at the start of their world tour haha, I love that they took Eight with them.

I have more detailed thoughts under the cut for those interested in my ramblings, analysis and interpretations of the characters.

Disclaimer: This is my own take on it, don’t let it ruin your fun!

I personally don’t really subscribe to the fandom’s ‘pearlina moms’ headcanon.

On the one hand, I am an absolute sucker for the ‘found family’ trope, and I definitely think Agent 8 and OTH fit in it!

On the other hand, I think people immediately put Pearl and Marina into the ‘parenthood’ box, a little too eagerly. Not saying this specific ask is that, btw, it just reminded me of some instances i’ve seen.

I personally think that the relationship between OTH and Agent 8 is a little more nuanced & sibling-esque, for the following reasons:

1. Within canon, we often see 8 being referred to as a friend by both Pearl and Marina.

Pearl does it more explicitly (see that one interview at her house), whereas with Marina it’s more insinuated (ex. In the Side Order dev diaries, she starts calling Agent 8 as ‘Eight’, which is stated to be a name used by their friends).

Pearl seems to be an accidental-duck-parent of sorts who haphazardly collects octoling teenagers & young musical talent. It goes in line with her whole mentor-esque leader personality, and i’m sure these disoriented teens find relief in an idol who seemingly knows what she’s doing (she really doesn’t).

However she doesn’t act in a parental manner. More-so like your estranged gay cousin who hit it big in another country and is down to show your queer little butt the ropes.

Marina on the other hand seems to have a more empathetic approach with Agent 8 (opposite to Pearl’s brashness). Marina clearly connects with Agent 8 through their shared experience as defected octoling soldiers, and probably sees her younger self in them. She’s already caring as it is, but this is accentuated during octo expansion given the circumstances.

I feel however that, unlike Pearl, Marina has a bit of a harder time actually forming a bond with Eight at the beginning. Their similarities (seemingly) end at their shared experience, and probably leaves Marina awkwardly wondering how to approach them further. What we can assume though is that they become closer friends during OTH’s world tour, given the events described in the Memverse Dev Diaries.

Meeting Eight during difficult circumstances (OE) and helping them get out creates a sense of camaraderie between them, which probably devolves into genuine care, established friendship and a strong bond amongst the three overtime.

2. Pearl and Marina are very career-centric both in Splat 2 and 3.

It is reasonable that the two young idols, who see their fame and musical recognition rise spectacularly & fast, are not particularly interested in settling down at this point in their lives.

Now entering her late 20s, Pearl is most definitely still interested in keeping the ball rolling with Off the Hook’s international success. Her character often points towards restlessness, freedom and discovery. There has definitely been character development in regards to her maturity in Splatoon 3, but these aforementioned traits are still ever present in her demeanour & decision-making.

Marina on the other hand can be seen slowly blossoming from a supporting character to being her own person. She definitely develops more self-confidence by Splatoon 3, but is still naturally bashful. It’s clear that she is allowing herself to explore & open up to new things for her own sake. She remains a caring and somewhat nurturing individual, but she is at a stage where she’s learning to live for herself and not for others.

Parenthood (and all the responsibilities and sacrifices it entails) at this moment of their lives would probably freak Pearl out, and stunt Marina’s personal growth.

3. The age gaps between OTH and Agent 8 are too close for it to create a parent/kid bond.

This makes their relationship a little hazy in regards to roles; 8 is still young enough that they may seek out rolemodels and mentors (still relatively influenceable), but they’re also nearing their 20s. By this point they are fairly self sufficient, have a sense of their personal values & identity, and they are relatively responsible & mature.

Pearl and Marina are 8’s seniors by approximately 4-6 years. However, in Splatoon 2 they’re entering their early 20s and their career has just begun to take off.

They are both still relatively youngsters, albeit older & more mature(? glancing at Pearl) youngsters than 8. This places them in a position where they can guide 8 and offer certain support and resources, but lack the maturity and experience of a full-fledged adult. This would approximate their relationship closer to that of siblings in a family setting.

Pearl & Marina are also less likely to feel a duty towards Eight as an adult would with a child. Instead, the latter’s circumstances are more likely to incite feelings of rapport and compassion as a fellow young inkfish.

Now, with all of this said, I will acknowledge that friendship/found family is MUCH more nuanced than a strict binary.

From personal experience in my last years of college, I did find myself caring for my fellow freshmen as though they were my kids, in certain ways. Hell, I called them my kids.

I acted as a proud parent whenever some of them achieved something, attempted to pass down my knowledge to them, and was protective of them to a certain extent.

They also annoyed me sometimes, like younger people do haha. And i’m sure I annoyed them too!

So I wouldn’t put it past OTH to call Eight their kid and have this mentor/parent-esque rapport with them in certain circumstances.

This is all based both on canon & my own interpretations of it, but still closely aligned to what has been shown in-game.

So if you have a different interpretation of Agent 8 and OTH, that’s great! I love to see people’s personal headcanons. Ultimately, Agent 8 is meant to be somewhat of a blank slate for the players to mold, with some hinted-at personality traits of their own.

As long as you have fun with these characters, that’s all that matters. This is just my personal opinion on their relationship in-game.

If you read all of this, you deserve the biggest golden star for listening to my incessant yapping 🤲⭐️

Feel free to bother me about this or other opinions you may have in my inbox, just be kind please!

[wavebiders]

I think what really bothers me about fanon!Astarion isn't just the woobification. That happens to every problematic white boy. It's annoying, but not news. It's that almost every trait that the fandom assigns him is something that is already explored through a different character in this very game

You want a character that's too focused on the task at hand to want to stop and help innocents? That's Lae'zel! Astarion is cool with dicking around, but Lae'zel spends most act 1 actively in a panic about the tadpole and pushes you to just find a cure already

You want a trauma survivor that is mostly self-serving but can't help but care about people in a similar situation? Well, Astarion disaproves of you helping slaves, but Shadowheart really wants you to look out for kids! Even when she gets tortured for it!

You want someone who is prone to sympathizing with the monstrous? Despite being a monster hunter, it's Wyll that has that covered! Astarion doesn't even like you sympathizing with a recently orphaned goblin kid

You want a proper courtship with a prince charming? That's literally Wyll's romance!

You want a character that tries very hard to be bad, but deep down enjoys doing the right thing, and starts to accept that over the course of the game? Shadowheart again! A massive part of her story is just that

You want the angst of a character still having been a minor when entering their abusive situation? That's the case for literally everybody except for him and maybe Karlach! He was an adult with a job

None of this is meant to be an attack on Astarion as a character, but pushing all those traits on him does the game a massive disservice. All these character's storylines exist in conversation with each other, they all benefit from the existence of the others. To instead pretend all those things apply to one character, is just

Well, it's incredibly boring

[pikp0kcas3]

The Hazbin Hotel fandom’s issue with accepting aromanticism and asexuality

Now that it is officially Aromantic Spectrum Awareness Week, I want to talk about this!

I find that, as an aroace myself, I am constantly grasping at good representation and coming up empty— it usually ends up in one of two ways.

One: the character is portrayed as emotionless, cold, and robotic in nature. It’s the question aromantic and/or asexual people are often asked: “Are you heartless?” The answer is no, of course, but general media makes it out to be the opposite.

Or two: Their lack of attraction is seen as something to “fix” because they “haven’t found the right one yet”, and they end up with a partner as a “happy ending”.

It frustrates me greatly because of how little people actually see aromanticism or asexuality as a true part of the LGBTQIA+ community.

So when I watched Hazbin Hotel, and I found out about Alastor being aroace, I was over the moon. I was on cloud nine. I also saw how his voice actor has looked up the term as an attempt to learn about aroaces, which makes me OVERJOYED?? Amir is truly a blessing, and I love that he’s proud to embody a character that’s part of our community. It’s so beautiful to finally have a proper character, a fan favorite at that, who just so happens to be aroace— and that’s another thing I love about this.

It’s never explicitly stated in the show (though it is stated in interviews), but it’s rather clear when you’re watching, isn’t it? Alastor’s aversion to any sort of sexual advancement, coupled with Rosie’s blatant “I know you’re an ace in the hole” comment sort of spell out his asexuality pretty clearly, as well as what side of the spectrum he falls upon. In addition, his Valentine’s day card was strictly platonic, which caters to his aromantic side. It feels so validating to finally be represented, to finally have a character in media who shares the same lack of interest in romance and sex as I do.

When I entered the fandom to look for more content, I kind of expected to see the same respect for Alastor’s orientation there too. But that… wasn’t the case? I am fully aware that aromanticism and asexuality are both spectrums— of course, aromantic and/or asexual people can enter those kinds of relationships. I’m not denying that and they belong in the community as much as anyone else on the spectrum.

But, the more I see the same line again and again and again, the more it feels like an excuse to just ship what you want.

Usually I don’t mind shipping? I’m often a firm believer in people shipping what they like as long as it’s harmless and they don’t go crazy over it. I also know for a fact that Viv doesn’t have a problem with people shipping her characters. They are fictional, after all.

But in this case, people are ignoring the very thing that makes Alastor a part of the aroace community! People are ignoring his lack of romantic or sexual attraction!

Is this not the same as changing a gay character’s orientation to suit a straight ship? If not, how so? I’m told that we are a part of this community, so why aren’t we being treated like it? Why is it so hard to accept the people on the end of the spectrum who aren’t interested?

Something I’ve been noticing throughout my life is that society has not exactly progressed very much on the idea of accepting asexual or aromantic identities. Maybe we have, a little, since the old days— but hell, people in “the old days”, which in truth wasn’t very long ago, believed that asexuality was a medical condition to be “fixed” by taking the right medication or having sex. That’s a pretty low bar to clear. And on the romance side, you’re seen as a “late bloomer” or “boring” if you don’t express interest. These days, being friends with someone is treated like a gateway to them possibly becoming a lover. Not getting married, not going on dates, not wanting a partner— it’s all treated like a crime when it’s not.

Maybe I’m selfish, or sensitive, or I’m butthurt over nothing, or I’m making it all about me. Maybe I’m gatekeeping or whatever the term is. But please, please, please, I just want an aroace character like me who simply is not interested in sex or romance.

And I want fandom to respect that. I admire the creations that fans make— the art, the animatics, the writing and the character analysis. And I want people to keep creating because creation is indeed a beautiful thing.

But I really would like people to treat aroace identities like they’re important. Like it’s more than just a spectrum to get wiggle room to wrangle in another ship.

[frownyalfred]

Hi. I'm not a canon purist and enjoy some fanon content very much, but I do think people in the fandom should at least familiarize themselves with the canon content and source material. It's easier to break the "rules" so to speak and experiment with canon when you know what that actually is. I've noticed a lot of fans that are only familiar with fanon criticise content that doesn't line up with what they believe to be canon but isn't. The Red Hood for example. I've seen writers who portray him as the violent criminal he is in much of the canon be completely decimated by Jason fans who only know fanon and the retconned version of Red Hood and completely deny canon even exists and refuse to even glance at the comics. Transformative works are important and playing in the sandbox is for everyone but fandom literally cannot exist without canon. Canon is important and people can do whatever they want with it but they should respect it enough to at least look at it.

Hi anon, I'm going to hold your hand as I say this, and I will say it as gently as I can: This is still a form of canon purism.

We can absolutely agree that readers shouldn't berate or abuse writers for how they choose to portray characters in fic, whether that's a more canon-faithful characterization or a popular fanon version. If readers don't like how a character is portrayed, we should encourage them to hit the back button instead.

I want to draw your attention to some of the words you used in your ask above: "should" "respect" "decimated" etc. Those are some strong words to describe how you think people need to behave, in order to exist in fandom. Of course, there is no fandom without canon source material -- I'm not denying that. But with such a wide and varied canon, the DC fandom has examples of the Red Hood you mention above, AND the "retconned" version you also reference. Both are canon, as in actually, officially, canon. WFA is canon, and that Red Hood looks very different from the Red Hood you describe.

Now, I think your issue is that you enjoy a certain version of canon, and you're frustrated that the fandom doesn't also, as trends ebb and flow, enjoy that canon as much as you do. Again, I want to acknowledge that just because a certain version is popular, it doesn't give folks the right to berate authors for writing a different version. But again, I don't think that's what we're really talking about here. From your ask's tone, I think you're suggesting that people should, in order to participate in fandom, read that older canon, that different version, or as you say, "glance at it" before enjoying or writing the fanon version.

Guess what? They actually, really, really, don't have to. It sounds like you have some issues with judging your fellow fandom members who don't read what you do or reference certain canon. But the magic of this fandom is, you can enter it at any point. We're a big pool, and if someone's entry point is the Lego Batman movie and that's it, that's still valid.

Fandom stems from canon, yes, but I almost never hear people talk about movies, or web comics, or other media when they talk about "required reading." It's always a comic. I really wish people would reflect on that before suggesting it as the one true path to being a fan.

The other thing I don't see asks like these reference ever is the reality that sometimes a fandom outstrips its canon material, and that that's an eventuality in some spaces. Fanon interpretations become popular, and people write about those specific characterizations or scenarios. They ebb and flow, like I mentioned, and some are more canon-faithful than others. Some completely reject canon, and again -- it's still fandom. It doesn't make it better or worse than a more canon-faithful fic. It's just different.

I had a couple asks about this topic a few weeks ago, and I'm assuming you haven't read those or you likely wouldn't have sent me this ask. But in them, I discuss how sometimes we need to suck it up and be unhappy that canon-faithful fics aren't as popular in a fandom at a specific time, and stop punishing fellow fans for writing and enjoying those fics. And we really need to stop shitting on them publicly on Tumblr.

Because often, what you're really saying is that you wish more people would write more canon-faithful fics, and stop writing ones about fanon topics you don't enjoy or think are accurate. And to that, I again say, there is nothing you can or should do to change that behavior from others. If you want to read it, write it, enjoy it, etc, do it yourself. Build the comic-faithful community here, write fics and promote challenges, create a discord channel and discuss your "required reading" there.

We are all writing and reading fanfiction at the end of the day. It is a great equalizer in many ways. My silly Lego Batman fic is just as valid as a canon-faithful rewrite of a certain Batman issue. One is not better than the other, or more deserving of respect. You will never get me to admit otherwise on this blog.

tl;dr: people should absolutely not berate authors who choose to write canon-faithful characterizations. however, there are layers of judgement and disdain many DC comics canon-faithful authors/readers have for their fellow fans that I think we need to examine critically in order to coexist respectfully.

[oblique-lane]

"RED and BLU mercs look the same because of the game mechanic! They represent different people while using the same models! YOU are the player, so YOU are the mercenary too!"

Fair, but. Even if it is just a game limitation... I can't help but be confused as to WHY those game characters are SO UNIQUE IN PERSONALITIES if they are meant to be a representative mass?

I have to questions to hl1 scientist. No question no hl2 citizens. To CS characters. They are plain and faceless, they are meant to be background masses.

Tf2 mercs, however? SO unique and distinct. Their shapes and bodies, their movements, their voicelines - even with no particular story about them, there's SO MUCH personality! They have to be heroes! Not JUST classes!

I've never understood the explanation "they are different people who look similar to eachother" because eeehh... Have fun as you want, but I'm personally not convinced. Even with a rhetoric "Heavies have to be strong af and scouts have to be fast and small and all medics are insane and Germans" that's still not it.

Obviously I don't think about it while playing the game, but when it's time to think about the lore... The comics never answered the question of who the teams are - retconed and ignored.

I was surprised and confused as to why it was never brought up anywhere in canon. Maybe because this case is so exceptional and unique to tf2, it was actually cursed by it's own greatness?

Let's be real, tf2 characters are heroes. Yet unlike Overwatch and such, players ARE allowed to have as many repeating classes as they want. Moreso - the opposite team is designed to be the same characters.

What the fuck.

Tf2 mercs exist in a superposition where they are more than just classes but not enough humans to be heroes.

And that brings us to my other point...

Now you might say "but the lore is goofy, they WOULD hire people with very specific features –" shhhhh. Don't you see? That's part of the issue.

The mercs are constantly dehumanized.

For whatever reason people think is useful. In the comics they are shown to be absolute idiots for comedic effect, sometimes flanderizing them even, reducing any human feature that isn't funny enough.

In fandom it's enough to just dress a merc in different clothes for people to start calling them OCs. Even if you didn't mean to make an oc.

With the goddamn clone theory I've seen people often saying that since BLU are clones, they are subhuman/unworthy - authors thoughts, not just in-univrse rhetoric.

It's almost as... Tf2 mercs are not human but a species??? Creatures without autonomy?

Always been like this?

Maybe I'm the only one bothered by this, but... You know me, I'm a no fun who loves taking this kind of shit seriously.

...

I started from talking about why they look identical on different teams. I think the clone theory is very probable, even though many people say it's cringe. The clone theory would make so much sense if it was real.

Recently I've watched Mickey 17. It felt so good to be finally understood. Every point of this film is all the things I feel towards tf2.

Respawn makes you less human. And corporations treat you as expendable, always. If they find a way to dehumanize you, it will be easier to convince everyone that you deserve violence/it's not a big deal.

If in tf2 the two identical megacorps fight with eachother over power (tf2 wiki/ original game setting), it would make all the sense for them to just clone the 9 mercs and make them expendable. It's cheaper. Emesis Blue did it right.

And since everyone thinks that the mercs are subhuman, because they are stereotypes, because stupid illiterate criminals, because they're psychopaths, because they're clones, because they're expendable... No one ever thinks to look behind it and see them as people.

Cloning is inherently a horror. When I just entered the fandom, I was convinced there will be some horror level lore underneath the silly game. It made sense.

But there was none of it.

I might be the one stupid here for thinking about tf2 that way. But I can't change my perspective now. To me the whole tf2 lore situation is just a recursive mirror on itself: the whole thing almost begs to be analyzed existentially but isn't because the goofy part of it is so sacred, it cannot be destroyed. As if taking tf2 seriously is almost a taboo.

"Don't look there, there's nothing there, don't think about it, they're silly, it's just a game" then why do I keep seeing holes on this curtain???

Purposefully not thinking about the lore is constant effort. It cannot be truly silly at least because it's war. If there's no respawn, it's scary because they can die anytime. If there is respawn - it's triple scary, because they don't belong to themselves.

In-game voicelines suggest that respawn does exist. Even if they love fighting and treat it like we treat videogames - since they are practically immortal - it's still inherently horror. Even if it's a comedy, ignoring the basic technical aspects of the world and covering up with "everything is unserious and stupid" agenda... Is ironically suspicious. For me.

It's almost as if they're trying to hide something underneath all this silliness. I know they don't. But it feels like it. It feels like a propaganda so people don't dare to try explaining how this world logically works.

A second you try to dissect the lore and it crumbles apart. It contradicts itself and it overcompensates for what it's not. It crumbles. I've stumbled upon it a hundred times for all these years in the fandom...

When you play the game you see so much environmental storytelling - the coverups of spy tech, the cold war, nukes and stuff... The early wiki info told us about megacorps who want to rule the world. It's realistic and pragmatic and so fun. Close to earth. When I play on the older maps I keep wondering what it was really about. I wonder about who the characters are, how did they get on this war?

But what I got was "the mercs are very stupid, and everything in this world is stupid because old people fight over nothing, and once they die everyone lives happily ever after AFTER SACRIFICING NOTHING". The mercs aren't even the main characters. We still know fucking nothing about them, about why they fight– they don't even fight for the same thing as in game. Everything is retconed.

I feel so conflicted. I know people love the comics but I can't help but hate it, I'm sorry. The same questions I had joining the fandom almost 2 years ago - I still have them now. It's itching, it's uncomfortable to stand in a lore which is a mess and will never be explained.

I looked at the lore with a suspicious squint, trying to compromise: maybe there IS something about the worldbuilding that I've missed that would make sense. I've analysed left and right– no. There's nothing of my interest. I had to explain things myself and it only started make sense once I stopped relying on the comics, like, at all.

And once you strip away the comics, there's barely anything left. Just the game, the bits and crumbs from the wiki...

The tf2 I enjoy now is the tf2 50% of which I created in my head to overcompensate. But who am I? I'm not Valve. I'm uncomfortable with that. Because while the lore now makes sense in my head, it's still just headcanons.

People don't know it.

I feel pretty lonely in this situation.

(This post should've been be just about dehumanization in the context of tf2, but I've noticed that everything I hurt about this media is a one big thing and one doesn't go without another. Someday I will let go.)

[obligateweirdo]

I think we’re nearing the end of a Golden Era. After the finale of Good Omens is released, we’re going to be on a different footing. It will wrapped, it will be complete. We will have a whole story.

Thus far we’ve been able to hope, fear, speculate and dream—those opportunities will change dramatically after the finale is released.

I’m feeling all kinds of ways about that—it’s been a heck of a ride. “Roller coaster” doesn’t do it justice. Despite the cracks and schisms that have appeared, the fandom remains a fairly friendly and wholesome place. I’m not a huge capital-F Fan; I’m not always obsessed with a story or a show (though I’m usually obsessed with something, be it crochet or raku). I’m not generally up on production schedules and don’t usually read about actors.

However, I’ve been in a few fandoms over the centuries, and I’ve seen them get much more toxic than this one is even now. I’m so grateful. Y’all are a fabulous crowd of angels and demons.

My deal is that I was pretty sure I was going to be disappointed with S3 from the beginning. The characters took root in my mind and, well, they’re mine now, the same way they’re yours, and, little by little, my head-canons have become real to me. This is normal for me—I figured I’d have to watch the whole thing a few times and see if my internal convictions would conform to whatever solution was offered to me. I don’t think I’ve ever gone from this point of the evolution of a story to the end without disappointment. That part hasn’t changed.

Because characters like Aziraphale and Crowley turn real, rather like the Velveteen Rabbit. They enter the company of mythological beings, along with King Arthur and Sherlock Holmes and Finn McCool, and there they will stay, an amalgam of thousands upon thousands of images of them in thousands upon thousands of minds. I love this for them.

But the finale will bring a sea-change, and we’ll be in a new era where all that goes forward is the mythology—and that will be a new jumping-off-point, but also the last foreseeable jumping off point we will have as a group. (A group of the thousands of us.)

I just want to say that I’m very glad to have been here in the Bentley for the ride through hellfire and tartan hills, and I’ll be here for at least a while longer, enjoying the view of the new countryside.

Heigh-ho, said Anthony Crowley.

[hoodedjelly]

My adult dib design + little doodles

Disclaimer! before you keep reading: i do not plan to interact with the iz fandom that much, i am mainly nicktoons unite. but i must say! I take Jhonen's statements about Zim being an adult as fact and hold this belief strongly. so do NOT put that anywhere near my page, including discussion of it. I'm here to draw cartoons not fight with people. if you dislike any of that then i highly request for you to not follow me. thank you! I'll continue with what i was saying.

im rewatching invader zim after a few years (forgot a lot of it ngl) but i love enter the florpus a lot, genuinely a comfort movie for me. obviously my fav character is dib, love that little freak.

more about my personal headcanons: - he's autistic as fuck - i made him a bit over the average weight (me being allergic of designing any characters skinny for some reason /lh) - they're still a tall mf - they're agender (they/he/any) unlabeled and demi-sexual -his design is inspired on their assigned animal being a moth, so the split hair things, the glasses looking like bug eyes, the long coat being like moth wings. (holy shit its moth man) - he drives around in his hand-me-down car he calls "the dib mobile" and it's very tricked out for paranormal investigating but is also a big mess. - he's friends with the nicktoons unite gang but 90% of the time he is off doing some random shit for paranormal stuff ( this video is dib when the nicktoons gc askes to hang out)

[purpdrawsthings]

You'll Be Back Mr Puzzles MAP!

No this is actually real soahsodhsoshsi

Hihi everyone saw my last post hahahhhh I wasn't joking 💀

READ THE ENTIRETY OF THIS IF YOU WANT TO JOIN ‼️‼️‼️‼️

I don't want no nobody to not understand anything

Anyways, onto the details!

Wait, what's a MAP?

Ah.. I should explain that shouldn't I?

MAP stands for Multiple-Animator Project. It's basically a collaborative project made up of numerous animations by different creators!

You might have seen these before in the art fandom, if not, you're not a real artist /jk /nsrs /lh

Jokes aside, these projects tend to be fun for most creators and I'm hoping that this would bring some fun to the people joining :)

Is this begginer friendly?

Why yes it is! Regardless you're good at animation or not, you're welcome to join! Just... At least put some effort rather than being lazy?

Regardless, everyone is welcomed with open arms here! So don't be afraid ;)

What canvas size should I use?

1280x720 preferably! Just to make sure it doesn't take up too much of my data ;w;

But you can use any canvas size you'd want besides that! A box shape, or that weird YouTube short form... Nvm exclude that one but anyways, yeah any canvas size that you're comfortable with!

Is there a specific theme?

There's actually none! The map is supposed to just be a silly Mr puzzles map :3

This includes the setting and etc like- go crazy! Do a sad, fun, crazy, angry moment or something! Do what your imagination can make out of that song using Puzzles ^^

Is it okay if I can't remove my animating apps watermark?

It's completely fine if you can't remove it! Don't worry you're not the only broke one here ;)

Am I allowed to put my watermark?

Yes! You're incouraged to add in your watermark so people know it's your part!

Dw, if you don't have one them I'll just put your name while I'm editing the entire thing :)

Can I include my OCS or my Mr puzzles design?

Yes you can! You can also change your Puzzles aus whenever you'd like.

E.g my Showman Puzzles on part 1 and my Puzzles kinsona on part 2

It's just an example! If you're adding ocs, it's good! But the animation should primarily focused on Puzzles! He can interact with other characters but it's mostly just him. Oh and if you're wondering, it doesn't have to be SMG4 OCS :)

How many parts can I take?

Hey hey don't be greedy /hj

2 parts! I want everybody to take their chances and do some cool stuff :D

Where should I ask for parts or send submissions at?

In the discord server I made! The link will be at the end of the post. I know I just replied to some in this blog and they got their parts, I will NOT be accepting any ask parts OUTSIDE of the server.

The same goes with submissions/finished parts, please do send it in discord.

Why is this? This is because I want everything to be easier for me so I could manage stuff. I get frustrated very easily so yeah 😭

Is there a deadline?

Well uh- I'm not sure! But it's probably going to be planned on the June or July, somewhere in the middle of the year. Though I will be making sure nobody feels rushed for their sake

Have you ever host a MAP before?

Wait where tf did that one come from-

No I haven't unfortunately, this is my first one! I've always wanted to make a MAP because of how cool the idea itself is.

Now that that's done, here are the parts! As time progresses a and people enter, I'll fill them up :3

Intro : me

1. @e-v-e-l-l-e

2. @rainbowrocketraichu

3. Entity-lol

4. @lari-the-dragon

5. @rat-n-atty

6. @madhalo

7. @mrtophat518

8. @fenicearts420

9. @cosmicoreo9

10. Entity-lol

11. @niranutcake

12. @madhalo

13. Me

14. @alex-dolmatescu2-0

15. @libbytwq

16. @alex-dolmatescu2-0

17. @rr3d2y

18. Me

19. @niranutcake

20. Rainbowrocketraichu

21. @messydoodlesyt

22. @messydoodlesyt

23. @icedbeverageenjoyer

24. @mrtophat518

Outro : me

Last but not least.. Please do enter your submissions in the discord server below this sentence :D

You can post your part outside the server if you want but I'm only taking the ones submitted in the server itself :)

Andddd that's about all! You can ask questions here and in the server. Yeetus chat!

[tsukii0002]

Mc and Luke have gone to get some stuff to continue celebrating the new year in the House of the Lamentations.

Luke: Hey Mc, don't you think a new year is kind of scary?

Mc: What do you mean Luke?

Luke: I never thought about this before coming to Devildom…. but things can change a lot in a single year…

Mc: *sighing* Yes, things in a year can change a lot, we don't know where we're going to be next year.

Luke: *looking at the ground* To have things that make me feel secure end or think that something I love is never going to be the same again… makes me feel insecure.

Mc: …

Luke: In a way… a new year is scary, I'm scared that the world I'm so happy in will be totally different, *looking at Mc* that my relationships… my relationship with you won't be the same.

Silence fell between them

Mc: *smiling* The new year is like a symbolism really, everything can change any time Luke, just because we enter a new year doesn't mean everything hasn't changed before.

Luke: That's true.

Mc: And change isn't always bad… sometimes it's scary and can make us anxious, but things come to an end and there's nothing we can do about it.

Luke: I know…

Mc: But, they also start, great things can begin, or they don't end and simply transform *placing their hand on the angel's shoulders* changes are part of our life and we have to learn to live with them.

Luke: But what if we change? what if we are no longer the way we were and… and we can't be together anymore?

Mc: Then, I will make an effort to get to know you again and to be your friend again, change doesn't mean forgetting, and if it's so important we can try that, with us, our relationship can transform.

Luke: *with crystalline eyes, making a little pout* I will also try my best to make you always love me Mc, even if you become an angel or a demon.

Mc: *smiling* Thank you Luke *hugging him* sometimes we worry so much about what's to come or what we can't change, that we don't see what we can do now.

Luke: *hugging them back harder* You're right Mc… if we only worry about the future we can never be happy.

Mc: You're right Luke, that happens to us a lot *leaving him and holding out their hand* now, we should get back, they've all taken too much Demonus to leave them unsupervised.

Luke: That's right, *taking their hand* we'd better hurry.

The two walked back on their way to the House of the Lamentations.

Mc: By the way Luke… has anyone said anything to you about this New Year's thing?

Luke: Solomon started talking about how little a year has always meant to him and how much it means now… he was actually laughing a lot, but it got me thinking about a lot of things.

Mc: Got it, no more human drinks at parties, noted.

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Well, well, happy new year to all of you!!! 🎉🎉I hope you have started 2025 on the right foot and, as they say, I hope this year brings you only good things. Although we all know that almost never happens, in one year life can change a lot, to unsuspected points. When I started 2024 I never thought that Obey me! would end (I know it is only the official content of the game, not the franchise, but you know), although it is one of the things that has helped me to pass a not very good year for me, but life goes on, and just as things that we do not like can also come good things can come. Regarding a purpose for this new year in this blog well, keep creating content, create more complex stories about these characters that I love so much and focus more on world building and solve the mysteries that have been left open in the Devildom (now that everything is in our hands), work more on my Mc and draw a lot, a lot. Just as I hope to continue to see the Obey me! fandom alive and creating as many wonderful things as it has been so far, even more.

So, after this badge, it only remains for me to wish you a happy new year! And the wish that things will only get better for everyone.

Thanks for this year 🩷, a hug from this sheep in hell.

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