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starkitten101 · 8 months ago
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Made this in like a minute out of frustration over a couple memories. Is this anything
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krashlite · 2 months ago
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"A stream through the valley to nourish these hills would lay all my troubles to sleep" A Field Song - Unfamiliar Things
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Based off of CherriFire's designs!
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stardatez3ro · 2 months ago
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i love that star trek has so many autistic characters that theyve got the whole fucking spectrum in there .on a scale from worf, odo, spock, data, julian, deanna and wesley to picard what type of 'tism do YOU have ?
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firedragon1321 · 2 years ago
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To be fair, this would have had a very different outcome if there was a dragon emoji down there.
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rubberduckyrye · 8 months ago
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Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.
It's about how Gonta is treated by the fandom.
As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.
You all need to stop being ableist towards Gonta.
I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.
But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.
This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.
First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.
There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.
Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.
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This is further clarified here:
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It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...
It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.
He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?
Because Gonta is a young man.
Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)
I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.
To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.
But.
You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.
This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.
So again, ask yourself this: Why are you treating this young adult like he's a toddler?
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plounce · 9 months ago
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i feel like the "fiction =/= reality" stance falls apart when you bring up racism. because actually in fact racist media is bad. even if it is fictional. it's morally wrong, and it's bad.
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nookisms · 10 months ago
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Oops. It's a second headcanon compilation!
Don't worry, the next one will be back to our normal schedule of regular text posts and not headcanons
Masterpost
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bittsandpieces · 5 months ago
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im supposed to be productive today but instead im trying to get the guy I went out with last week to send me a dick pic
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abaroo · 9 months ago
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I realised I had to refine Ceroba for my au…
In the cowboy swap au, Ceroba is actually the Sheriff and leader of the Feisty Five. Clover is still the Deputy and goes by “Lucky Star”. He loves hanging around town with his Mama ☺️. I haven’t come up with a cool cowboy name for Ceroba yet, although she probably wouldn’t use one :/
Cowboy Swap Masterpost
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artyheartz · 8 months ago
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May I present to you, a beautiful edit by yours truly, @cursedonanotherlevel from galaxysugar’s server
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Bleeticus
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pines4thetwin · 2 months ago
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As promised, here's that fusion post for the three people that asked for it (drops it and runs).
Ford thinks of himself and Stan as one, an extension of each other, and lowkey hates that its not true nor possible.
And Mabel really shouldn't have shown him Steven Universe because now he's obsessing over the concept of fusions and his desire to be one with stan.
Now lets say this is Pre-Weird and everything is still tense between them and they aren't exactly talking but despite that ford still wants to be close and he knows stan does too.
He can see it in the broken resigned looks Stan keeps throwing his way. And listen, Ford isn't the best at communication but he can fix this. He may still be angry and self righteous and an asshole but he can fix them.
So now he spends an even more absurd amount of time in the lab trying to making it his reality and entirely disregards his base needs to the point even dipper is concerned.
He has a journal dedicated to this idea where he keeps all his notes and theories on how to make it possible. Would he have to alter their DNA for it to work or could it be possible for them as they are?
While doing the tests and research for his fixation he remembers a dimension he briefly travelled to back when he was younger and fresh through the portal. One where this concept, his desire, his fantasy, his wish was real. A dimension where it was was their culture, their way of life. And while he did think it was interesting then, he was young and angry and raw with unrestrained hurt. Too emotional to stop and study the practice the way he should have.
He beats himself up over it now. If only he had been thinking more logically him and stan could be one already. They wouldn't have to be so... apart.
He doesn't have time to dwell on his shortcomings though. He has to figure this out. He doesn't know exactly why but he feels like he's running out of time. Like he has to do this now or he'll never have the chance again.
Eventually he has his prototype and it functions well... enough. He just has one more trial to run. Except Stan comes down to check on him. 'Worried ford isn't taking care of himself properly.' or something like that.
And honestly, Stan in his space is the last thing he expects because they have an unspoken agreement. Stan roams above and Ford stays down here. And when they cross paths they both look the other way.
But stan is here and yes Ford is annoyed at first but this also means he doesn't have to go seek stan out.
"I told you to stay- wait actually this is perfect. We'll do it now," Ford fiddles with his device, turning it on and he really isn't thinking right anymore. He know the device works and that's all that matters.
"Do what now? Stanford, what is that," And Stan is kinda terrified because Ford looks... well he looks kinda like how he did decades ago when he had sent that postcard and Stan had come running because well, its Ford.
Ford looks insane, primal and unhinged, like he hasn't seen the light of day in weeks. And Dipper had told Stan, had been worried but Stan brushed it off because Ford locking himself in the lab and avoiding everybody, avoiding him wasn't a new development.
But now Stan’s worried because that wild-eyed look is directed at him again and the cowardly little animal in him is screaming at him to run.
It’s like Ford knows what he's thinking because before Stan has a chance to decide if he's going to shut down or entertain that scared little animal, Ford is grasping at him and pulling him deeper into the dingy little basement.
Stan trips and he fully expects his back to hit the floor but fords got and arm wrapped low on his back that keeps him from falling fully. And stan's hand is also tangled in fords sweater so even if Ford had let him fall, well they would have gone down together.
But then he catches sight of that thing again and it looks vaguely like a gun and why did he have to get saddled with the insane twin? He doesn't even have time to flinch because a bright light floods his vision and he blanks.
For a second, Stan's mind goes black and there's a strange humming in his ears. But then he hears a laugh he hasn't heard in forever. Soft and joyous and for a moment stan smiles. It's Ford's laugh.
Because he and Stan become one. And everything is warm and bright and as it should be. For a moment everything is right. It feels like coming home.
His-Their eyes open and Ford's confused? No, Stans confused.
"Sixer? Lee?" Their voice says, soft and bewildered. They look around, searching for each other. Stan? Ford? Where did they go? They look down and their vision swims. Four hands, five fingers? Six? It all blurs together.
Is this me, they think as one. Finally as one. Four hands run up the sides of their one body then stretch out for their wide eyes to view. Ford can feel his giddiness rising unbidden. And a whisper from Stan, rising to meet Ford. Uncertain but matching nonetheless.
Finally
Finally together... Finally fixed... Finally right.
They spin slowly, as if that will give them a better view of what they are now, and they catch their reflection in some dim glass. Ford wants to smile but their face drops, eyes horrified.
"What did you do," Stan says, voice a cutting accusation. Nausea erupts in their stomach. And that isn't right. Why isn't it right?
Something is wrong. Everything is so very wrong. Ford's head hurts. Or is it Stans. He doesn't know. They can't tell.
"I fixed it. I fixed us," Ford says and it isn't right either. Why is it still so wrong? Stan is angry. But why is he angry? Why aren't they happy? They're together. After all this time they're finally together again.
Ford can feel Stan pulling away. It's like their mind is splitting in two. Hot searing pain shoots through their head, four eyes closing when the world starts to spin.
Ford grasps ahold of stan and refuses to let go. He can't let Stan ruin this, ruin them. He will not let Stan destroy everything he's worked towards again. They've been apart for so long- too long but not anymore. Besides, this is for them. Stan will just have to understand. They are one now. Broken and wrong but one nonetheless.
"Let me go," They yell, tugging apart furiously. Their shape shifts and distorts but doesn't split. Ford won't let them. They snap back together painfully, stumbling on two bulky legs, one that branches into two feet. Wrong.
"No! This is what we wanted right," their voice bellows, loud and angry and wrong. So very wrong. "For us to be together. Always together."
They grip at their hair as if trying to pull themselves back apart. Stan.
"Not like this. I never asked for this." they shout back, voice sharp and hurt and why aren't they happy now. They should be happy. This is right. This is how they are meant to be.
Even as the anger and hurt courses through their entire being, Ford knows he wouldn't want to be any other way. Stan's angry and scared but at least they're one. They're shattered and hurting but even then some small part burns in them, it's a tiny little ember but it's both of them and it says yes.
Another set of hands reach for the ones in their hair, pulling them out and restraining them. Betrayal spikes, scorching and increasing rapidly even after years of dormancy. Ford.
"Stop being so ungrateful! You're always so-." angry tears spill from their eyes. Decades of hurt and anger and resentment spill forth to mix into a sense numbing cocktail but most of all they feel alone. So very alone. Them.
They grapple and struggle and Ford's device glints from the corner of their eyes. Ford can feel Stan's intent before their body even moves. Being one now, it's like their minds have melded which means Stan knows the device's purpose. And he intends to separate them.
"NO!" Ford bellows, voice priggish and angry, hurt tinting the singular word so strongly that their body stalls. Why would stan- Why doesn't he want them to be together?
"Grunkle Stan?" Their head whips to the left, eyes locking with a confused and tired Mabel’s. Their focus splits, body jerking in an awkward aborted movement as Stan tries to move forward and Ford holds him back.
“Pumpkin grab that- Mabel don't-” And why can they never agree on anything. When did everything go so wrong? 
Flashes of being in this very lab, so long ago- but no, it was before that even.
Mabel stares at them, scared and confused and stan has never wanted her to look at him like that ever. But Ford doesn't register it because for a moment, one split second, Stan stops fighting him. 
They don't hesitate to rush forward, very much intent on destroying their creation before it has a chance to be used against them. To hurt them.
Two small hands wrap around it before they can get ahold of it. Mabel clutches it to her chest, watching them with something too close to fear. They freeze in place, hands raising in surrender.
"Sweetie," Falls from their lips, pleading. For what though, they aren't quite sure. Because their mind, it should be one yet it isn't. It's at odds, fragmented by a fear and necessity that clash so strongly it could tear universes apart.
“Press the green- Don't you dare-” They speak at once, words and thoughts overlapping. Large hands cover their mouth, two others gripping uselessly at wrist that refuse to budge, because regardless of whatever insanity that has plagued Fords mind to make them act this way, Stan will not let their voice- their words even hint at a threat towards Mabel.
Mabel's head bobs, looking from them down to the thing in her hands, unsure of what to do. Stan nods, eyes pleading.
Ford lashes out, angry and hurt and thrashing like a wild dog. 'Stanley please no. Why don't you want us to be-' Stan is retreating, silent and distant. 'Lee. LEE!'
Everything goes dark.
Ford rises slowly, head spinning and ears ringing. He has the worst headache he has ever experienced. He stares at his hands, splayed on the floor. Two hands, six fingers. Wrong.
His head whips up and his gaze finds Stan's crumpled form across from him on the floor. Stan's glaring at him, thick angry tears spilling down red cheeks.
No. No!
His head turns slowly and his eyes fall on Mabel. Mabel who is standing with his prototype in shaky hands looking between a separated Ford and Stan. He... failed. And now they're...
Apart.
Broken.
Wrong.
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sforzesco · 1 year ago
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ANTONY cry 'havoc,' and let slip the dogs of war
earlier in my script (which is not Shakespeare’s Julius Caesar), Antony refers to Dolabella as one of his ‘dogs of war’ when talking to Cassius (which IS a reference to Shakespeare’s JC), and it comes back around after Cicero writes to Cassius and informs him of Trebonius’ fate
While these things were taking place at Rome, Cassius and Brutus were collecting troops and money, and Trebonius, governor of the province of Asia, was fortifying his towns for them. [...] Trebonius, who was captured in bed, told his captors to lead the way to Dolabella, saying that he was willing to follow them. One of the centurions answered him facetiously, "Go where you please, but you must leave your head behind here, for we are ordered to bring your head, not yourself." With these words the centurion immediately cut off his head, and early in the morning Dolabella ordered it to be displayed on the praetor's chair where Trebonius was accustomed to transact public business. Since Trebonius had participated in the murder of Caesar by detaining Antony in conversation at the door of the Senate-house while the others killed him, the soldiers and camp-followers fell upon the rest of his body with fury and treated it with every kind of indignity. They rolled his head from one to another in sport along the city pavements like a ball till it was completely crushed. This was the first of the murderers who received the meed of his crime, and thus vengeance overtook him.
App. Civil Wars III. 26
For Dolabella is in Syria, and, as you have foreseen in your prophetic soul and have foretold, Cassius will crush him while they are on their way. For Dolabella has had the gates of Antioch shut in his face and got a good beating in trying to storm it. Not trusting in any other city, he has betaken himself to Laodicea, on the sea-coast of Syria. There I hope he will speedily pay the penalty of his crime: for he has no place of refuge, nor will he much longer be able there to stand out against an army as large as that of Cassius. I even hope that Dolabella has by this time been overpowered and crushed.
Cic. Fam. 12.14
Place then before your eyes, O conscript fathers, that spectacle, miserable indeed, and tearful, but still indispensable to rouse your minds properly: the nocturnal attack upon the most beautiful city in Asia; the irruption of armed men into Trebonius’s house, when that unhappy man saw the swords of the robbers before he heard what was the matter; the entrance of Dolabella, raging,—his ill-omened voice, and infamous countenance,—the chains, the scourges, the rack, the armourer who was both torturer and executioner; all which they say that the unhappy Trebonius endured with great fortitude. A great praise, and in my opinion indeed the greatest of all, for it is the part of a wise man to resolve beforehand that whatever can happen to a brave man is to be endured with patience if it should happen.
Cicero, Philippic 11
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Philippi and Perusia, Ronald Syme
ko-fi⭐ bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app
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bacchuschucklefuck · 4 months ago
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official finish-this-sketch-how-you-want post idk what to call thisSAMPLE TEXT
hi! I miss drawing with people in a café and some folks mentioned they'd like to mess with my sketches themselves and that sounds cool so this is now a thing. if u play gartic phone this is basically the complement mode! but without the fucking ring noise that freaks you out right when you're getting into the flow of it
few things are 1/there's no hard deadline! take this at ur own pace if u do, but 2/I'll also be finishing this sketch and I estimate it to take around uhh 3 to 4 days? from the time this is posted. so if that's a structure u like then let's aim for something done in that timespan as well! and 3/if u finish ur piece and post it and want me to see it the best way to do that is to @ this blog! above all we go into this one determined to have fun and enjoy. I already bought u a matcha latte with oat milk sorry if u don't want that
here I got u today a sketch that's supposed to be Riz Gukgak (SY) (grey bg version and transparent version for ur ease of peruse)
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remember to have fun & be urself & finish ur drink & see u in 4 or 5
#not art#technically#idk what to tag this... I was thinking sketchboom bc its like one sketch many outcomes yknow. but turns out thats already#a company or something like that. and then I thought something riffing on the complement game mode but I cant think of anything for that#can we call it Fuck With This Sketch. pros: it would be funny. cons: cant think of even a single one#sooomewhat in the realm of dtiys. more in the realm of process swap or whatever the drawing meme was that used to be a thing#where like u and two friends swap pieces inbetween every step#(which is somewhat assumptive of what the process is to be fair. I know people who run directly into a piece blocking out poses in colors#as their sketch. and then just render right on top of it. as an ink-for-lifer their process is alien to me and we are like different specie#I want this to be real freeform u can do anything to this sketch. its decently readable for being made by me I think#if there are more than one character it gets worse. or if its full body or a first sketch for a design. uve seen that basrar piece's sketch#and when I say u can do anything to this sketch I mean it. if ur thinking ''oh they didn't mention a bg or painting idk if I should--''#Stop. You Can Do What You Want Forever. seek ur truth seize ur pleasure and call me a bitch to my face#sky's the ceiling and the depths of hell is the bar. draw with me. that is what this is for#ok Im done lets go. hope u have fun with the sketch! yay! yayaya#edit: well now Ive commited to a stupid tag this is called#Fuck With My Sketch
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hrokkall · 1 year ago
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HOW TO PIN YOUR INSECTS:
Position limbs into desired arrangement and pin in place
Maintain eye contact
Pin should pass through the center of the thorax
Move slowly; lest the divine light leak out along with the ichor
Wait for the embers to die.
Wait for the embers to reignite.
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honkytonka · 2 years ago
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TAKE AUDACITY FUCKING AWAY FROM ME
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cloudysarts · 11 months ago
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this show would be good if literally everything about it was different
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