#edit WHY DID IT NOT TAG

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[latenightsundayblues]

Fucking love the final flashback montage in saw VI because the way they edited it makes it look like hoffman is pissing directly on an unconscious erickson's bald head

Ive been cry laugghing for five fucking minutes

[zecoritheweirdone]

wanna preface this by saying that i am. So normal. anyway i just spent the last week redrawing scenes from mystery skulls animated but as that hermitcraft au i posted about a couple times. you guys should watch msa it is. so so good.

[08-47]

mirage chilling wit the kagome veggie juice pack

[rebornofstars]

I'm now going to tag everyone who has expressed interest in Sepfember in previous posts via comments and reblogs - feel free to ignore! if i missed tagging you, I'm very sorry: @needfantasticstories @fwoosheye @zarvasace @hotcheetohatredwastaken @rosehipandroots @aoikittyyy @woahtherebuckerino @the-stars-ar3-with-us @harmonysixx @marsnoodlesoup @musical-chan @you-found-a-hint-coin @triforce-of-mischief @batrogers @hyrulescarlet @iloveramen60 @twists-and-turns @druidbottles @wickedcriminal @aeghina @sparkspsps @l1ve-l4ugh-lov3craft @sunkissedkales @parri-1238 @four-eyed-nerd @nancyheart11 @unexpectedstormy @twilightangel83 @thunderpetal @sunny-porridge @beesbeesdragons @rrainydaydreams !!

SEPFEMBER 2024 PROMPTS LIST

HERE WE ARE! AT LONG LAST! THE MOMENT YOU'VE ALL BEEN (HOPEFULLY) WAITING FOR! GIRL MONTH!

I honestly can't believe this is actually happening. This event was a shower thought a few months ago.

Here's a recap of the event: to participate, make at least one fanwork of any variety during September that features a woman or women from the Zelda franchise as the main character/s. All Linksmeets are welcome in this challenge, as well as general LoZ fans!

Before I drop the prompts list for those who are looking for a little direction, I'd like to mention that I have made an AO3 COLLECTION FOR THIS EVENT. It's open and unmoderated so you can add your works to it freely. And if you post on tumblr, please tag #sepfember !! I'll be scrolling through the tag every day looking for things to reblog and gush about 👀

If you have any questions at all about this event, or you want to chat about it, my askbox is open! I will also respond to comments and reblogs of this post.

Now, onto the prompts. Disclaimer: you DON'T have to use all/any of these prompts, or only create things for certain characters on their featured day. This list is just a GUIDE for those who want it. If you have other plans, go with your heart!

At the end of the day, this is a celebration, and all that matters is that you have fun. I hope some of you will join me next month in giving our girls some time in the spotlight, but if you can't, that's okay! There's no pressure! This is just a passion project of mine, really, and I am overjoyed that people are interested 💛💛💛

(apologies in advance for the terrible quality of these pics and the equally terrible commentary. i thought it would be funny. also, i've never had to come up with a prompts list before and it shows.)

DAY 1: SKYWARD SWORD ZELDA + PURPOSE

(we start at the beginning of course 💛)

DAY 2: MARIN + WASH

(it was SO hard to find a screenshot of her that didn't have link in it. they're both cute but this ain't about him.)

DAY 3: MEDLI + GIFT

(i didn't know she played the harp until i saw this screenshot! i obviously have a lot to learn.)

DAY 4: TWILIGHT PRINCESS ZELDA + FREEZE

(how creepy does she look here?! so awesome)

DAY 5: HILDA + GHOST

(SUCH a good character for real. she has depth!!!! she has a thematic purpose!!!)

DAY 6: URBOSA + LOSE

(two words: LIGHTNING POWERS ⚡⚡⚡)

DAY 7: SPIRIT TRACKS ZELDA + MISTAKE

(babygirl you are 2 entire pixels.)

DAY 8: FI + ORDER

(oh she is everything to me)

DAY 9: MIDNA + SWORD

(she looks so soulful right now)

DAY 10: HYRULE WARRIORS ZELDA + SUMMON

(what a FIRE camera angle??? her armour is so impractically attached but SHE HAS A SWORD‼️)

DAY 11: GODDESSES OF HYRULE + EYES

(hylia, din, nayru, farore, the list goes on...)

DAY 12: ZORA PRINCESSES + TRUST

(mipha, ruto... poor suckers... it can't be fun, falling for link...)

DAY 13: OCARINA OF TIME ZELDA | SHEIK + FATE

(note: I personally hc this character as a trans man, but since this isn't explicitly confirmed in-game and might not be shared with everyone, I've given them a celebration day anyway. you are free to do what you wish.)

DAY 14: MALON + GUARD

(she is adorable. look at her)

DAY 15: IMPA + BOUND

(HOTTEST MOST SEXY MOST BADASS WOMAN IN THE FRANCHISE ‼️‼️‼️ I LOVE YOU IMPA YOU ARE PERFECT. SHUT UP I DEFINITELY DON'T PLAY FAVOURITES—)

DAY 16: FOUR SWORDS ADVENTURES ZELDA + PORTAL

(i loved her in the fsa manga. she's barely in it but STILL. go read it.)

DAY 17: FAIRIES + TIRED

(the great fairies, navi, ciela, tatl, proxi...)

DAY 18: TETRA + LEGACY

(isn't she KICKASS?!)

DAY 19: EPONA + BONE

(our lovely loyal girl ��)

DAY 20: A LINK BETWEEN WORLDS ZELDA + HOME

(SHE IS SUCH A GOOD PARALLEL TO HILDA PLEASSSSSE)

DAY 21: SARIA + WISH

(a classic character! isn't this picture so peaceful)

DAY 22: BOTW/AOC/TOTK ZELDA + PEACE

(SHE IS EVERYTHING TO ME. SCREAMING CLAWING CRYING. MY DARLING, YOUR FANARTISTS WERE THE ONES TO DRAW ME INTO THE ZELDA FANDOM. I HOPE I CAN RETURN THE FAVOUR ONE DAY)

DAY 23: CIA + LANA + STUDY

(technically, she's one person. between the two of them they certainly only wear enough clothes for one person... )

DAY 24: ARYLL + HUG

(sister to the hero! but what's her story?)

DAY 25: ECHOES OF WISDOM ZELDA + ARREST

(YEAHHHHHHHHH GIRL MONTH GIRL DAY GIRL GAME!!!)

DAY 26: CD-i ZELDA + HOLIDAY

(hehheehehehe. i bet you weren't expecting her. neither was i tbh)

DAY 27: PURAH + FIRE

(SHE'S CLEVER! I LOVE CLEVER WOMEN!)

DAY 28: ILIA + ERUNE + MEND

(listen. i know erune is a very niche character - she literally only exists in the four swords manga - but consider. i love her)

DAY 29: ALTTP/OOS/OOA/LA ZELDA + MISSING

(she has no canon personality. you know what that means. get the building equipment out fellas)

DAY 30: LINKLE + FAREWELL

(and here we are - LAST DAY!)

THE END! YAY! I CAN'T WAIT FOR SEPTEMBER - CAN YOU?

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[anominous-user]

i was supposed to be working on a thing. but this wouldn't leave my mind.

and a hatless version

[seefasterdraws]

captain and the girlssss

[midnightisquiet]

Dylan O'Brien on Late Night with Seth Meyers

[sporemiette]

battle jacket update btw . if this means anything to you

[constantlyfalling]

There's a world out there...

[tomaturtles]

Happy Campus Apocalypse volume 1 16th anniversary here's something to celebrate

[crybaby-bkg]

Bakugou has never cared much about whether or not his partner is experienced, or less experienced. Never had much of a kink or fetish when it came down to how much sexual experience someone had, but—there’s just something about you. You with your unsure lip biting and lowered eyes, your twisting hands and nervous little chuckles.

“I don’t really know how to kiss,” you share with him, a secret, a whisper passed from your hovering mouth to his own. It’s been an odd some amount of dates you two have been on by now, and this time you went back to his apartment afterwards. You sit on your knees beside him on his too big couch, his legs facing you, arm around your waist, yours around his shoulders.

“Really?” Bakugou asks, doesn’t mean to sound as teasing as he does, as breathless. But, he’s surprised more than anything—you, as sinfully seductive as you are, don’t know how to kiss someone? He leans back to take you all in, a tiny little smile lilting the corners of his mouth.

“No, not really,” you murmur, running a hand through the hair on his nape, eyes bouncing all over his face, yet avoiding his eyes. “Will you teach me?” You ask, and who is Bakugou if not a weak man?

So he shows you the proper way to kiss somebody, a hands on demonstration. He pulls you in real close, guides your head to tilt to the right, purse your lips like this, run your tongue over his like that. Now suck on it, let out all the pretty sounds if it feels good, kiss him just like that. And before you know it, you’re a pro.

The next time you see him, you ask him the proper way to give someone a hickey. I don’t wanna give you a blood clot, you had laughed, sitting on his lap this time. And Bakugou, ever the great teacher that he is, shows you how. Demonstrating on your neck, your collarbone, your tummy, your inner thigh, the curve of your ass. You don’t give him nearly as many hickeys as he gives you, but the big purpled one sitting over his pulse point, he wears proudly until it fades. And after that, he’s asking for another, and another.

And after a few months into your relationship, do things finally start getting real hot and heavy. He sits at the island in his place, tired, arms folded, back leaning against the island and his head lolled over on his shoulders. He’s surprised when you sink to your knees in front of him, all doe eyed and incubus smile, hands resting on his thighs.

“Can you show me how?” You don’t even have to specify what you’re talking about, but you eye the way his cock already jumps to attention under his shorts. If this were anyone else, he’d bat them away and tell them that he didn’t feel like playing teacher. But with you—he’d gladly show you any and everything your heart has ever yearned to know.

“Breathe through your nose, baby.” He instructs you, hand gathering your hair in his fists. Your mouth stretches wide around his cock, eyes watering, but you push through it all. He tells you to wrap your lips around your teeth, to swallow whenever his tip brushes the back of your throat. Shows you how to stroke whatever you can’t reach, rub his balls in your palm whenever he starts getting close.

He doesn’t have to teach you how to swallow.

When you ride Bakugou for the first time, you don’t even have to ask for instructions. Just give him that look, all pouty and pitiful, hands on his chest as you grind against his cock resting against your lower belly. Barely any words are spoken as he guides you, lifts your hips, teases his tip against your hole, stomach fluttering in anticipation.

After that, you feel like a pro when it comes to doing anything with Bakugou. But, he doesn’t mind playing teacher whenever you need a little bit of guidance.

[nanihirunkits]

When I told you that I did not know how I felt for you. I was, in fact, lying. I do know. And I have always known… what it is that I feel for you. What is it? From now on, this hairpin belongs to me. As for Pilanthita, she belongs to you… and you only. Whom did you say Pilanthita belongs to? I am yours. I have always been.

THE LOYAL PIN | EP5

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[killjoy-prince]

House M.D. but it's when a character says the name of the episode