#dunno if it's any good
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wrote a poem
#corin's lore#Dunno if it's any good#Maybe too dramatic#I ahouldn't be writing but here I am. Maybe I'll even start writing some fanfiction again after I'm done with school
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#nostalgia#more shit poetry#original poem#original poetry#enjoy i guess#dunno if it's any good#doubt it is#but eh fuck it#might as well post instead of this sitting in my drive forever
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Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.
At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little
You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)
Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right
So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?
Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)
Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)
Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass
Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)
My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?
Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO
So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.
Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.
Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))
But like, once they set sail to Alabasta...
Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.
But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.
But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)
Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.
The only question is, how would Robin take that?
Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good
So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.
Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.
And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.
What's she going to do?
EDIT: I wrote a sequel post, enjoy
#Moon posting#OP Meta#Sir Crocodile#Crocodad#Nico Robin#THIS POST WAS AN ACCIDENT. I DON'T KNOW HOW THIS HAPPENED. WHY DID I WRITE THIS. WHAT DEMON POSSESSED ME#I'm sure someone's written this already right#Right#Surely this fanfic already exists#Please tell me it exists#I dunno what to tell you I am not immune to a Juicy AU#Anyway on a more wholesome side of things: Robin accidentally calling Crocodile ''dad'' and he just inhales and swallows his whole cigar#Nearly chockes to death. Gets burns on his throat.#Robin feeling less alienated because of her DF ability because Croc has seen weirder AND is made of sand himself#If anything if they're literally by themselves then Robin being able to literally lend a hand to Croc at any time could be extremely useful#Like. In regular life situations. 'Cause Croc only has one hand. And Robin as many as she wants. Perfect duo.#(Also if they were travelling on like a small ship then it'd probably be built for a Tall Motherfucker like Croc right)#(Robin's ability would just make the ship more accessible to her and Croc would find that independence good)#Robin still gets a codename because Croc can't have anyone realize who she is. Maybe she even wears like a mask or summin' in public#If Crocodile's openly trans and the news of him transitioning recently broke out. Like. No avoiding that convo eh#Baby Robin's like ''...I read in a book once that some reptiles can change sex but I didn't know crocodiles could do it too''#''💦.../Humans/ can't do that normally either''#''Hmmmm. Weird. I don't think being a girl would suit you though'' // ''...I'll take that as a compliment''#I just. I think they could have really cute interactions if they warmed up to each other after a little while#And I'm Extremely Normal about that
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i feel like i'm fighting for my fucking life here
#ultrakill#hollow knight#risk of rain 2#baldur's gate 3#there are absolutely more out there these are just the primary ones from games *i* play#it's totally fine to hc other pronouns tho like it's very obvious when it's just queer ppl having fun#i'm talking abt the ppl who default to he/him pronouns when referring to nonhuman characters#it's always he/him too . like what's up with that#i am an any pronouns user but it/its are my favourites#and i dunno Feelsweird when it/its is pretty adamantly used for characters ingame and ppl just throw it aside#'oh but it/its pronouns are dehumanising' that's the POINT !!!!! grrr#i like it/its because it makes me feel LESS human . i connect with these characters because they are inhuman and monstrous fundamentally#. you know#this is all in good fun btw i'm not that serious about this#just felt like it needed to be pointed out
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I like a lot of horror podcasts, but what about horror novels? does anypony have book recommendations for me that you really enjoyed / that were super scary
#elevator pitch for moi? any spooky books you could pitch to me?#there are classics I know and like every book stephen king has ever written also that I could look into#you could recommend one of those Classic Horror Novels to me if you wanna double down that it's good#but yeah I dunno! I am looking for recommendations! maybe something I haven't heard before!#sergle.txt
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"That is where you are wrong, my boy!"
@ratb4stard3 and I deliver another Cowardlyghostbro's(™) collab ✨💛
#Cinderellas castle#The brother of all time did Sir hop and the background 💛💛💛💛#Obsessed with the little froggy scales on Jon btw oh ymgod and just how great he and sir hop look in general i am UNWELL#also just...theeeee background!!!! uhggng!!!!#i can't get over it - its so good#the vibe is jUST RIGHT uhgughughguhuhg loooook at it oh ymgofdddloooooookiminufd#This ones going up in the CGB clubhouse's Hall Of Fame#adjsgkfs gosh I've been wanting to do Fanart for cinderella's castle for a long time but i was struggling really badly with it#But then i was sent the Cursed “Let's collaborate” business card by my favorite ghost and all was well#no you wont get any more context on that#Love doing art with the brother tbh - he makes it feel less like a chore when art is feeling difficult and it becomes a lot more fun 🙏#even tho i take forever with my part#he says its fine but don't listen to him he's crazy 😔😔👎#starkid#Cinderella's castle#what are even the tags for this uh#sir hop a lot#Crumb#??#crumb the mouse#crumb the squire#dunno if i'd count this as spoilers but just in case#cinderella’s castle spoilers#cc spoilers#cinderellas castle spoilers#brrotothers forrerevvrerrer#also i was supposed to post this earlier BUT I FORGOT because im a MONSTER#but its fine#mhm
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Old women TRAGIC yuri?!
#1670#1670 netflix#this is the best polish comedy ive seen i think#not that teh bar is high but it's really good#random thought: i love that they're wearing hats and different headpieces. i dunno if they're historically accurate (propably not as most#costumes) but they set the mood and are 1000x better than any kind of nonhistorical hairstyle they couldve put the actors in and i love the#polblr#polishposting
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“Haven’t You Noticed (I’m a Star)” from Steven Universe works so ridiculously well for Leo
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#rottmnt leo#rise leo#listen it’s morning now and I haven’t slept so bear with me for the sudden unwarranted lyric analysis haha#a lotttt of the lyrics work so well for him#not even just the overall theme the words just work great#first lyric is literally ‘I can’t help it if I make a scene’ which is one to one with ‘Leo’s makin a scene’ from the rottmnt opening like-#‘I’m turning heads and I’m stopping traffic’ -> Leo has not made it a secret that he values his looks a LOT#-not just his looks but also his ability to get people’s attention#‘when I pose they scream when I joke they laugh’ -> I feel like this speaks for itself#-posing and joking for the crowd and himself#‘I’ve got them dazzled like a stage magician’ -> works both with Leo’s canonical love of magicians and his aptitude with tricks in general#‘well everybody needs a friend and I’ve got you and you and you’ -> I just think it’d be cute to imagine his friends here just as his bros#‘I got you and you and you’ = ‘my brainy guy my smashing guy and eats peanut butter with his fingers guy’#‘haven’t you noticed that I’m a star?’ -> Leo loves attention and especially loves when his feats and efforts are acknowledged#+ he loves glam rock and sci-fi and being a champ and - listen he has a LOT of star symbolism with him#‘haven’t you noticed I made it this far’ - Leo is well aware of how dangerous situations get and thinks himself only a part of a whole#-so hey it’s notable that he’s survived this long yeah?#‘now everyone can see me burning’ -> self-sacrificing with his family bearing witness + all his star and flame symbolism in general#+ how attention naturally goes to him - including bad attention where his mistakes are highlighted and burn bright#also even the limo lyric-#obviously this boy has never and will never own a limo but one of his main secondary colors IS pink so even that#okay that one is just a joke but he would#(on that note though I think the other colors the boys gravitate to outside THEIR color are fun to notice)#I don’t actually know too much about Steven universe beyond the songs and some eps but I like the music#and this just came to my tired mind so here you go anyone who’s interested#may draw something with these lyrics dunno yet#it’s a good song in any case even though it’s super short
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an afternoon of rest
Art inspired and pose taken from the oil painting "An afternoon of rest" by Guillaume Seignac (1870-1924).
#one piece#one piece fanart#one piece nami#cat burglar nami#op nami#nami#op fanart#fanart#not me using tones like it's going out of style lmao#love me some textures#digital art#lake's art#i dunno how to draw tangerine trees (or any tree for that matter) and i don't care to learn for this so excuse the inaccuracy#good lord i love nami so much#she's so awesome and pretty#taking artistic liberties with her outfit because why not lol#do not repost#i spent way too long on that stupid wall but damn does it look good
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Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.
Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.
I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.
However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.
You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.
Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!
That's always the conclusion, right? One good, one bad.
This is incredibly limiting and it drives me nuts.
They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.
One is not good and the other bad, they're different, and I think that's worth exploring.
Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.
Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.
However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.
Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.
Marlon and Minerva are also reflective of Clementine's worst outcomes.
Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.
After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."
When she chooses Louis, he does for her what he never did for Marlon: he steps up.
Clementine proves she won't become Marlon just as she proves she won't become Minerva.
After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.
When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.
They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.
Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.
What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.
Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?
So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.
Actually, let's talk about that a little more.
In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.
An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.
On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.
These are interesting to me because I get where they're coming from... but they ultimately miss the point.
The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me.
Louis is about challenging Clementine's perception of survival, and Violet is about validating it.
Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”
Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.
This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.
Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out.
Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified.
But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.
Except it’s really not.
Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.
Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon.
Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good.
He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together.
That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet.
By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.
They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc.
People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in.
We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.
Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her.
While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."
That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins.
There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”
In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them.
The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school.
It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses.
All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing.
I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision.
There are several more examples of how this all fits together, buuuuut–
Ya’ll wanna compare some allegories?
Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past.
You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin.
I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…
And that makes me fucking feral.
But I'm also so normal about it.
As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory.
Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers.
Now, look… you might think I’m going somewhere not great with this but hear me out.
I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment.
I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one.
Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.
It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.
Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.”
This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead!
If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’.
Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada.
But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened.
And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned.
Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.
Okay just let me talk about their reactions to Tenn's death and then I'll shut up.
This makes me want to gnaw my own foot off, I can barely handle it.
AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.
When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"
AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."
If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"
If Clementine says nothing, Louis says, "Tenn was just a little boy!"
The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!
When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"
AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"
If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"
And there it is.
Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.
This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.
Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"
Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."
As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."
"So you're mad, but sad."
"Can I be that for a while?"
And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.
Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.
Let me put it to you in simple terms... they react the same.
After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.
The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.
It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."
Do I need to say it again? I'm gonna say it again.
One is not good and the other bad. They're different.
There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!
That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."
Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.
There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.
I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!
I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.
I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"
So yeah, that's my ramble for the night.
I'm gonna go replay TFS for further research.
#twdg#twdg clementine#twdg louis#twdg violet#twdg aj#twdg tenn#twdg marlon#twdg minerva#twdg clouis#twdg violentine#clouis#violentine#i'll be real honest with you--i had a larger essay planned on this topic#that expanded on these ideas i've put forth here; especially the challenge vs validation thing and the allegories#but there were some parts where i could feel my personal bias slipping in too much...#like i had more to say about clouis than violentine at points because i'm more familiar with it#but then it didn't feel fair y'know? that's why i wish more people would talk about them like this#so that i could get different perspectives without having to deal with terrible 'one good one bad' arguments like they're so UNHELPFUL#i don't wanna hear about how much of a bitch you think vi is because she's angry in her cell scene#and i don't wanna hear about how 'well ACTUALLY it doesn't make sense that ANY clementine would romance louis because of the vote' STOP#to be fair tumblr isn't as bad with this. i'm mostly referring to fandom spaces outside of tumblr like reddit insta youtube etc#though tumblr certainly has had its moments#i dunno i'm just gonna throw this out there and then continue to work on the essay i want to and am able to fully write#and if people want to engage with it then fantastic can't wait to see what y'all have to say
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First meetings part 2
<< < >
In which Sun has a panic attack and Y/N tries their best to help.
Sun and Moon do not share the same memory pool, if they are "sleeping" when the other is active they do not automatically know what happened in that time. Though they do usually tell eachother everything imidiatly after "waking up". They often stay awake when the other is active though to keep eachother company.
But yea seems like Moon was the last one active before, well, whatever happened to them, while Sun had a lil nap.
#dca fnaf#fnaf sun#daycare attendant x y/n#sundrop#automaton au#my art#tw anxiety#tw panic attack#dunno what else to tw if you have any additions tell me#i know that update is a lil more cartoony and has no nice backgrounds im sorry#i hope yall still like it#i just wanna hug sun in this#y/n also wants to hug him but isnt sure if thats a good idea#asking before touching someone is always a good thing#well atleast sun is not naked anymore with his blanket not that there was anything to see anyways but it seemed to really stress him out
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:-P
#i have such complex feels abt them#bc they seem to genuinely enjoy eachother but goodsir is still part of the empire#like the come with us scene twists me up inside. bc its said with good intent but hes asking something so insane and she would like probably#die of disease and if not then it would still b super fucked. but shes so kind to him. shes so kind. she didnt deserve any of this#i think the script said they were like siblings in horror and i like that. but by not making them romanticly involved they made a#relationship thsts so much more Romantic and lovely. so i dunno. i feel weird abt them but theyre cute#harry goodsir#silna#lady silence#the terror#amc the terror#goodsir is subtlly leaking rainbows
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(tsfs feels anyone? fanart below.)
You've been in his head.
But he says, never faltering, the words,
"I choose the danger."
It is in that moment that you understand:
He could never, would never,
Has never hated you.
Now you realize:
this is what humans refer to as love.
#star trek#star trek fanart#spones#spones fanart#but like not NECESSARILY you know i think their relationship is a very close one in general. and this scene#isn't indicative of any particular individual type of love. just love the way it matters (all of it does.)#my other roman empire...#look this is what i mean when i say i love when love isn't perfect. because it never is#love takes different forms and shapes and moulds itself to the people who grow into each other's crevices and cracks#there's no ONE perfect way to love so that it's called love. love isn't perfect but what it is is growing with someone else.#and they're imperfect and they are SO so good about that. They're so special to me for that reason#something something teaching each other about what it means to exist in this world. mellowing each other out.#seeing the ugliest most uncomfortable parts of each other at first glance and despite that LEARNING to find the shape of each other--#in their hearts and in their lives and in their worldviews.#i would choose the danger...(i would choose you. i would choose you again and again and again even though we arent perfect)#i would love you until the rough parts of me understand the rough parts of you#i think that's cool.#leonard mccoy#bones mccoy#spock#dust medibang paints#dust talks#the search for spock#star trek poetry#i dunno but it feels right.
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「30歳の童貞に片想いすると魔法使いになれるらしい」 (from cherry magic volume 11 special edition) — english translation
#cherry magic#my translation#finally. after months i got to read this at last !!!!!!! i can be at peace now#also gonna do a little t/n in the tags bc i wanna clarify one little bit#the term '苦手' comes up a bunch here and it can mean either 'not being good at smth' or 'disliking/hating smth'#and from my understanding when used for people it can mean either 'not knowing how to get along with someone' or 'disliking/hating someone'#so on page 1 kurosawa uses 苦手 to say that the other guy doesnt like him#and on page 4 adachi uses 苦手 too which kurosawa misinterprets bc he doesnt have all the context#bc adachi means that he doesnt really know how to interact with guys like kurosawa but kurosawa hears it as 'i dont like his type of ppl'#(which gets cleared up later anyway thank god . tho it did give us a funnie panel)#i couldnt find any word in english that worked with the same sort of double meaning as 苦手 so i tried phrasing it in a way-#-that would have that same sort of 'this can be easily misinterpreted' vibe . dunno if it worked but i tried kjfkds
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Sam Moodboards
I tried :]
#I've seen people making moodboards for the redacted characters n I wanted to try#I dunno if these are good#but I had fun n that's what really matters#but if you have any tips or advice it would be much appreciated#redacted asmr#redacted audio#redacted sam#redacted sam collins#redacted moodboard#shea draws#it's not really drawing but it's the closest tag I've got
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Shout out to me who when they played ISAT for the first time and Isabeau had his "I pretended to be dumb so people would like me" moment literally went, Huh Waht?? He was suppose to be acting dumb?? I thought he was just being silly for the child??????? Literally flew over my head that he was pretending to be dumb for real for real, I just thought he was good with kids
#isat#isat spoilers#isat isabeau#I dunno man it never crossed my mind that any of the characters were dumb or one note??#like Isabeau was clearly hyping Bonnie up when Bonnie was learning words and stuff#so I just. Thought he was good with kids?? and was trying to boost Bonnies self esteem????
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