#drama: china
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thymo-leonta Ā· 8 months ago
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just keep trying ruan nanzhu, it'll work out eventually šŸ‘šŸ»
brought to you by this (no spoiler) novel excerpt:
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daouoffroads Ā· 11 months ago
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characters that made me feral in 2023 (in no particular order):
ohara yamato (kimi ni wa todokanai) | dongfang qingcang (love between fairy and devil) | yang yanfeng (love in translation) | kusakabe ritsu (the end of the world with you) | tantai jin (till the end of the moon) | seo jaewon (the eighth sense) | babe (pit babe) | pu yiyong (oh no here comes trouble) | chen yi (kiseki dear to me) | togawa (old fashion cupcake)
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fuckyeahchinesefashion Ā· 6 days ago
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Cnetizens: 'OMG TV shows in the 90's were much better than today''We were so well fed in the past'
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ziseviolet Ā· 18 days ago
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If the coats with hoods arenā€™t historically accurate, what coats did Chinese people wear prior to the modern period?
Hi! Thanks for the question, and sorry for taking ages to reply!
By "coats with hoods", I assume you're referring to the doupeng/ꖗēÆ· (cloak/cape) commonly seen in modern hanfu and guzhuang (drama costumes), like the one below (x):
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Chinese people did wear doupeng prior to the modern period, along with other kinds of coats. However, as I mentioned in my post here, historical Chinese doupeng did not have hoods attached to the cloak/cape. That is why many modern doupeng aren't considered historically accurate - because they have hoods attached. Below are examples of more historically accurate, hoodless doupeng (1/2):
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In the image on the above left, the model is wearing a separate, detached hood/hat called fengmao/风åø½ (wind hat) which was historically worn to keep warm. Below - examples of fengmao (1/2):
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Historically, fengmao was often worn with doupeng when travelling during cold weather (x). Below - women wearing doupeng & fengmao in historical art (top row), and Chinese opera performers wearing doupeng & fengmao as part of their costumes (bottom row) (x):
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Oftentimes the doupeng & fengmao are matching, which can give the impression that they are attached - but if you look carefully, you can see that they are separate. Below - Chinese opera costume (x):
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Below are historical photos of women wearing doupeng in 1920s Beijing - note how they are hoodless (1/2):
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Hooded doupeng, in contrast, are more similar to historical western cloaks, such as the below American/European cloaks from the 18th century (1/2):
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The hooded doupeng of modern hanfu are likely based on those seen in guzhuang dramas - another instance of drama costumes not being the most historically accurate (x):
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An example of a drama with a historically accurate depiction of doupeng & fengmao is the 1987 TV adaptation of Dream of the Red Chamber. As seen in the below images, the characters wear hoodless doupeng & occasionally matching fengmao as part of their winter wardrobe (1/2/3):
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The 1994 TV adaptation of Romance of the Three Kingdoms also depicts historically accurate, hoodless doupeng & matching fengmao worn by men (x):
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For more references, please check out myĀ doupeng, fengmao, and winter wearĀ tags.
Hope this helps!
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numerodixe Ā· 2 months ago
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Lingling Sirilak and Orm Kornnaphat for Moevir China - September 2024
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dramasource Ā· 3 months ago
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THE DOUBLE å¢Øé›Øäŗ‘é—“ (2024)
dir. Bai Yun Mo, Lu Hao Ji Ji, Ma Shi Ge
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365filmsbyauroranocte Ā· 1 month ago
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Unknown Pleasures (Jia Zhangke, 2002)
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safije Ā· 6 months ago
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To the Wonder ꈑēš„é˜æå‹’ę³° (2024)
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one-time-i-dreamt Ā· 1 year ago
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I was promised in marriage to a Chinese prince (like in one of those fantasy dramas in China) and I did not want to marry him.
So I kept jumping down from high places (there was modern hip-hop music in the background for some reason) but every time I jumped down from somewhere, I lost 10 years of my life and did not die immediately, like I wanted.
The prince also kept chasing me around to catch me but he never succeeded.
At the end, I needed to jump one last time to actually die and escape the prince forever. But the moment I jumped, I woke up. I could still remember the background hip-hop music up to 10 minutes after waking up.
I am not Chinese, by the way.
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evilsment Ā· 10 months ago
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I think Qu Xiaofengā€™s wedding dress in Goodbye My Princess was inspired to some extent by the ā€œcourt ladiesā€ statues from the Tang dynasty (618ā€“907).
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thymo-leonta Ā· 7 months ago
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the scene where lin qiushi is doing Well Math and ruan nanzhu makes a pained face is sooooooo much funnier after the reveal that he's an npc and made of "big data". ruan nanzhu probably could have done the math but he made the CHOICE to hate math.
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daouoffroads Ā· 10 months ago
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favorite dramas of 2023
i challenged myself to pick FIVE dramas out of a list of like twenty five. (ā ą¹‘ā ā€¢ā ļ¹ā ā€¢ā ) so here we have my top five dramas of 2023. can't wait to see what 2024 is gonna bring to the table. ( template )
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chinesehanfu Ā· 4 months ago
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[Cdrama Hanfu]š—–š—µš—¶š—»š—²š˜€š—² š—™š—¶š˜ƒš—² š——š˜†š—»š—®š˜€š˜š—¶š—²š˜€-š—¦š—¼š—»š—“ š——š˜†š—»š—®š˜€š˜š˜† (šŸµšŸ¬šŸ³ā€“šŸ­šŸ®šŸ³šŸµš—”š——) š—›š—²š—®š—±š˜„š—²š—®š—æ & š—›š—®š—»š—³š˜‚ š—¶š—» š—–š—±š—暝—®š—ŗš—®ć€å¢Øé›Øäŗ‘é—“/š—§š—µš—² š——š—¼š˜‚š—Æš—¹š—²ć€‘
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怐Historical Reference Artifacts怑
1.China Portrait of Qian Duo (10 March 852ā€“ 6 May 932), King Taizu of Wuyue (å³č¶Šå¤Ŗē„–)<Ming Dynasty replica>
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2.China Five Dynasties and Ten Kingdoms period: <White marble relief sculpture of Musician> Unearthed from the tomb of Wang Chuzhi, the governor of Yiwu Army during the Five Dynasties period
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3.Chinese Five Dynasties Period and Ten Kingdoms Murals: Tomb of Feng Huiå†Æę™–å¢“
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怐History about Chinese Traditional Headwear: Futou怑
FutouĀ (simplified Chinese:Ā å¹žå¤“;Ā traditional Chinese:Ā č„†é ­/幞頭; also pronounced and written asĀ putou), also known asĀ fuĀ (幞) andĀ toujinĀ (é ­å·¾),[1]Ā was one of the most important forms ofĀ Chinese headwearĀ in ancientĀ ChinaĀ with a history of more than one thousand years.Ā TheĀ futouĀ first appeared inĀ Northern ZhouĀ under the reign ofĀ Emperor WuĀ where it became prevalent.Ā It was also commonly worn in theĀ TangĀ andĀ Song dynasties.ā€ŠĀ TheĀ futouĀ was typically worn by government officials.TheĀ futouĀ was originally turban-like headwear which was tied at the back of its wearer's head, with the two corners going to opposite directions and acting as decorations.Ā From theĀ SuiĀ to theĀ Ming dynasties, theĀ futouĀ evolved and was developed based on theĀ fujin.TheĀ futouĀ eventually came to assume a variety of shapes and styles.The shape of theĀ futouĀ worn by the government officials in the Song and Ming dynasties, the latter known as theĀ wushamaoĀ (ēƒē“—åø½), was based on theĀ futouĀ of the Tang dynasty.
TheĀ Chinese futouĀ was also introduced in both KoreaĀ Unified SillaĀ and continued to be worn by government officials until the late KoreaĀ Joseon:ā€Š25ā€ŠĀ TheĀ futouĀ with aĀ jinziĀ (lining) was also introduced back in theĀ SogdianĀ areas inĀ Central AsiaĀ spreading to the Western regions through theĀ Xinjiang region.Ā TheĀ futouĀ withĀ jinziĀ was also introduced inĀ JapanĀ during theĀ Japan Nara periodĀ throughĀ Prince Shōtaku.
Sui, Tang dynasty, and Five dynasties and ten kingdoms period
Prior to theĀ Song dynasty, theĀ futouĀ was mostly made of black muslin.ā€ŠĀ In the early Tang, theĀ futouĀ was aĀ sijiaoruanjinĀ (å››č…³č»Ÿå·¾; 'Four-feet soft scarf'),where all four ribbons were allowed to hang down after being tied.Ā Later on, the early Tang dynasty minister,Ā Ma Zhou, was the first person to use a square kerchief in order to tie aĀ futouĀ and was also the person who added a lining to shape hisĀ futouĀ making it more beautiful.The lining which was added to the inside of theĀ futouĀ from the year 614 AD was calledĀ jinziĀ (巾子); theĀ jinziĀ was used to make theĀ futouĀ look more straight and beautiful in terms of appearance.Ā After being cut into the desired shape, theĀ jinziĀ was painted black with lacquer and would then be covered by theĀ futou.Ā TheĀ jinziĀ was made with soft and lightĀ tung woodĀ and with other materials such as bamboo strips, timbo,Ā miscanthus, silk, and leather.Ā It was also possible to line theĀ futouĀ with a mount-shaped item made out ofĀ paulowniaĀ (Chinese:Ā ę”ęœØäøŗ冠;Ā pinyin:Ā TĆ³ngmĆ¹ wĆ©i guān;Ā lit.Ā 'paulownia crown') in the front.Ā The step-by-step process to wear theĀ futouĀ withĀ jinziĀ was to tie the hair up in a topknot, followed by covering the topknot with theĀ jinziĀ as hard lining, then wrapping the head and theĀ jinziĀ with a black, square-shaped piece of cloth, and finally tying the cloth in the desired style.Ā TheĀ futouĀ withĀ jinziĀ then became the standard form ofĀ futouĀ in the early Tang dynasty.Ā A form ofĀ futouĀ withĀ jinziĀ was a kerchief with two corners attached with two ribbons in opposite directions of each other; the ribbons would then be tied at the back of the wearer's head, allowing the two back ribbons to hang down freely as a form of decoration.With time, theĀ futouĀ withĀ jinziĀ was further developed, and a ribbon was attached to each corner of the turban to make it more decorative; two ribbons were tied on the top of the head while the back ribbons were tied and were allowed to hang down freely.Ā TheĀ futouĀ withĀ jinziĀ could also have all four ribbons tied at the back of the head and allowed to hang down freely.Ā TheĀ yingwangboyangĀ (Chinese:Ā č‹±ēŽ‹čø£ę ·), aĀ futouĀ with a big and forward topĀ jinzi, was created byĀ Emperor ZhongzongĀ and became prevalent during his reign when he awarded this type ofĀ futouĀ to his officials.Ā During the reign ofĀ Emperor Xuanzong, theĀ neiyangĀ (Chinese:Ā å†…ę ·), aĀ futouĀ with a small and round top jinzi became popular around the year 726 AD.Ā Moreover, by adding wire or silk strings inside the added ribbons, theĀ futouĀ could take different shapes and styles depending on its wearer's liking.Ā However, in the Tang dynasty, only the Emperors could use these hard ribbons; these hard ribbons would be bent upward.The Tang dynasties emperor wore aĀ futouĀ with two upturned tails until theĀ Five dynasties period.The Tang dynasty emperors also wore theĀ zhijiaofutouĀ (Chinese:Ā ē›“č…³å¹žå¤“;Ā pinyin:Ā zhĆ­jiĒŽofĆŗtĆ³u;Ā lit.Ā 'straight-feet futou').
For more the history of futou's evolution, please refer to:
The evolution of futou in China
ā€”ā€”ā€”ā€”ā€”-
Photoļ¼šChinese Actor ę›¾ęŸÆē…/Zeng Kelang
CDrama nameļ¼šć€å¢Øé›Øäŗ‘é—“/š—§š—µš—² š——š—¼š˜‚š—Æš—¹š—²ć€‘
šŸ”—Weiboļ¼šhttps://weibo.com/u/7823001376
ā€”ā€”ā€”ā€”ā€”-
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fuckyeahchinesefashion Ā· 2 days ago
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OP: Kneeling up on the stairs, how did the director and screenwriter come up with it!
Cnetizens: This is the most sexual rizz and intensive movement design ever in guzhuang dramas and that's fucking genius
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heretherebedork Ā· 5 days ago
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I think he's very good to me. I like him. Don't you find it strange that I like him? The world always felt lonely. Since he appeared he's taken care of me and been good to me. Gradually he became part of my world.
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numerodixe Ā· 2 months ago
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Lingling Sirilak and Orm Kornnaphat for Moevir China - September 2024
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