#dragon age in space

[beaulesbian]

Emmrich & Lucanis banter about/with Spite because it's a very fun angle of conversation between them

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[triaelf9]

"how do you enjoy *insert fandom here* I hear they're the worst"

Find the ppl who enjoy the thing you like the way you do. Ignore, mute or block the ppl who don't.

Ta-Da~

[an-established-butt-dent]

"What have they done to you,

Old friend."

Trapped in the fade, Solas comes face to face with the remnant of his spirit.

The Dread Wolf was his wisdom, mirror to his pride. In the wake of the wrathful Evanuris, it too, has succumbed to their taint.

Or, where I'm making wild plot speculations surrounding Solas trapped in the fade. while turning my brainrot into art pieces and gifs. I'M PACING MY ENCLOSURE. Looking for crumbs and scrabs of Veilguard. Please Bioware I'm begging, feed me. 😭

[housederiva]

Two houses both alike in dignity etc

[puppetmaster13u]

Prompt 339

So erm, Danny might’ve fallen through a portal. And might have no clue where he is right now. 

He fell into an alleyway! Right into a dumpster! Which isn’t the worst thing he’s fallen into but still. Ew. Well, Dad should be able to find him and bring him back home! …Right? 

He shakes out his itchy fur and scales, already impatient and bored in the single alley despite it only being a few minutes. What’s a realms hatchling to do but explore? Well, besides taking care of his shed, but it’s too dry where he is anyway. Maybe he’ll find a lake! 

Hm. He can’t understand what anyone is shouting or freaking out about. It’s like they’ve never seen a dragon or something, geeze! Oh well, he’s on his way to find water, he’s not built for the desert…

[timethehobo]

Update scribble for our little guy!

[faefetti]

Hey Little One, feel like reading today? 📔✧˚ ༘ ⋆📖⊹ ˖.𖥔 ݁ ˖

A good spot for reading, writing, stimming, eating lunch and/or just relaxing in general! Using my favorite shades of green and browns to make it softly boyish for me but of course this space is for anybody who likes it!

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[lomakes]

the trials of being married to a ranger with his animal bffs and his shapeshifting sometimes-gf

[tiiracotta]

Spite please 🧴💦

[pinkyjulien]

x

[linka-from-captain-planet]

Briala and Celene - The Lovers, in their adventuring gear because I didn’t want to draw dresses

[serenityfails]

and what difference does it make for you and me?

[paintdlady]

"Don't leave me here alone! [...] Don't go where I cannot follow."

Inquisition > Trespasser > Veilguard An important update to this post

[antivancathedral]

Surprise t'was I that asked the question! Major spoilers below.

I've been thinking on it again since I got the scene again for my second go around. It's kind of funny thinking about the near kiss from Spite's point of view. Thinking Lucanis would be pleased at having hurt or disappointed Rook is silly to a human person, sure, but for a demon who has spent the majority of his time on the mortal plane wanting revenge against his torturers?

I wish badly we could've seen the aftermath of that scene. This I think would've been Spite's first real clear indication of the categories Lucanis puts people into (that is, "family, enemies, or contracts"). Did Lucanis have to explain to him exactly which people fit into the first category? How did he frame it? Would he have had to say that the Venatori wouldn't want him to have anyone else at his side for Spite to get it? Or did he say that having Rook would make him happy, and that something he couldn't explain was denying him what he wanted?

I don't personally subscribe to the idea that the wings in the final romance scene was all Lucanis when he's denied having control of it before. I want to know how the progression from Spite's confusion at turning away from a kiss turned to shielding Rook's body after the Fade entrapment. I want to know about the progression from Spite's confusion to the explicit trust he showed Rook by pulling them into Lucanis's mind, to Rook being Spite's favorite.

What about just after Solas seals Rook away? Did Spite feel like something he considered his, the way Lucanis is his, got taken away from him? His favorite? When Lucanis calls for Rook as the gang pulls them out of the fade, is the lurch of his heart only his own?

I wish so much we could've seen more emotional displays from all the companions but especially something from Spite. I've said so before but I don't think Spirits can't feel things outside of their scope of emotion because it's just impossible for different kinds of emotions to not overlap and intersect, and I would've given anything to see Spite actually learn to recognize what Lucanis felt for Rook, and maybe even come to understand or even empathize with it.

[felassan]

If Taash maybe wrote this codex entry - which was written by her writer, Trick Weekes - maybe Emmrich wrote this one? It was written by his writer, Sylvia Feketekuty. the in-world writer of "Misconceptions about the Necropolis" is Nevarran ("we"), likely a member of the Mortalitasi, like Emmrich is. Their respect for Genitivi's scholarship gives the impression that they are a fellow scholar, like Emmrich is. Maybe the person teasing him here is Johanna.