#don't reblog pls!! ;_))

[dendrochronologies]

maya angelou saying the funniest thing anyone has ever said about editing, which i can never let myself forget EVER AGAIN [x]

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[quarklynx]

here’s my cosplay of that old lady with a sword

[fudgecake-charlie]

"They think I’m the least dangerous person in this car, do they? Well, they’re about to learn very differently."

Decided to redraw a moment from On the Getaway Mile by Odaigahara on AO3/ @droidofmay !

This may have taken a ridiculous amount of hours condensed into a few days and I went through it drawing cars and car interiors, but this was an absolute blast to do :D I hope I've done the fic sort of justice.

Process shots and long comparison rambles under the cut!

Welcome to my secret lair!!

I spent roughly... 18 hours working on this, the majority during this week and over the past three days, so I need to share my toils with people <3

Character/car references and page thumbnails! Featuring an incorrect scene placement and bad camera position. I reread the scene and placed it properly in the actual page. I hate drawing cars!! I was actually the most worried about panel placement when I started this— I was a guy who only did non narrative/illustrative panel pages and layout-less comics, but it wasn't that bad with a script! I could separate beats into panels, note which panels should be emphasised/larger, and assembled that into a page.

If you compare the fic with this comic, you can see how much dialogue I edited and moments I cut out. I couldn't fit it all on without having to draw even more pages, I wish I could though! Poor Mumbo only gets one line here. I'm so sorry my darling man <3 I also gave him a slight cyborg design because his implants are really important for his character and I needed some way to visually show that, even if it's not canon/mentioned.

The colouring method for this was really fun! It's similar to my aggie rainbow painting method but with less steps, hence narrow value range. It looks pretty and gets the vibe across well though.

Rapid fire points!

I was planning to do 3 different fic comics! Not anymore!!!

This is absolutely for the hotguy comic zine applications. <3 "Can I try rizzing you up // PLEASE PLEASE PLEASE" /ref

I drew page 2 first, then 3, then 1. I think you can tell!

Mumbo is sitting on the wrong side and should have his seatbelt on. He's also not carrying the stolen laptop as described.

It's explicitly noted that Mumbo cannot scan Grian like he can with Scar. Whoops!

Transmissions from the Foundation are via Mumbo and Scar's implants, but I couldn't think of a good way to portray that.

Despite guns and weapons being mentioned, I somehow didn't get the opportunity to draw a single one.

I love hand lettering. I also hate it! I will continue to do it.

Here are the no colour pages as a thank you for scrolling <3

[tennant-davids]

OUR FLAG MEANS DEATH Season One -> Season Two

[kimdokjas]

wait wait, what’s the change tumblr did to the reblog chains ? 🥲🥲🥲 I’m so lost

okay so basically, let's say you see a post on your dash

before the update, if you clicked on a url, you could do 3 things:

view that specific reblog on the blog you follow (A)

view the previous reblog on the blog A reblogged it from (B)

view the original post on op's blog (C)

however, staff recently implemented an update where clicking on a url no longer takes you to that specific post. now, clicking on a url just takes you to the blog itself.

this means that you now get 5 things:

view ONLY that specific reblog on the blog you follow (A) -> changed location near header. also, you will now ONLY see that post and nothing else

view ONLY the original post on op's blog (C) -> changed location near header. you will only see that post and nothing else. and ONLY if the op hasn't deleted it, otherwise it just shows an error

view the blog of the person you follow (D)

view the blog of the person D reblogged it from (F) -> option B no longer exists

view the blog of the op (E)

you might be thinking: "cool! i get more options so that's good, right?" well, no.

there are SEVERAL things wrong with this and it goes beyond the prev tags issue

1) first of all, it's counterintuitive that A and C changed locations to the area near the header, especially if your userbase was already used to the previous functions. it just seems like horrible UX design to me but let's put that aside for now.

2) as you can see, option B which allowed you to see the previous reblog of a post no longer exists.

now, if you click on the previous url, you will just be taken to their entire blog. you can no longer view the post itself.

someone asked staff about this, and they replied in this post that the change was INTENTIONAL and if you want to view the previous reblog you would have to "go through the notes view".

to borrow what someone else said:

basically, this update just killed the prev tags culture in one fell swoop.

(sure, you can still use it to reply directly to the person you're reblogging from, but it's now literally useless to use "prev tags" for everyone else involved. sure, you can choose to copy tags or peer review them, but again, if people will have to copy them then the less people are likely to use them, and not every prev lends itself to peer-reviewing imo)

now, listen. i know not everyone likes the prev tags culture, but it just seems like such a poorly-thought decision to kill a culture that like... half of your entire userbase uses (see this poll as a quick reference) and that's UNIQUE to your site and sets you apart from other social media.

but it's also not even just prev tags. let's say you want to remove an annoying addition on a post's reblog chain? you can no longer do that.

however, i feel like this is the most important point:

regardless of how you may feel about the prev tags culture, the pure UI aspect of it should remain

what i mean by this is: even if you don't like prev tags, simply 1) being able to access the reblog chain, and 2) clicking on a post and actually have it take you to their BLOG (and not just a page with that one single post) is literally essential navigation.

this update threatens to drive down user engagement (which is already critically low) by making it harder to navigate. which is actually another point:

3) even if you click on A and C now to view those specific posts, it's NOT the same as it used to be.

before, you could view the reblog directly on the blog. so you could just scroll down and see the other posts leading up to it. now, you will be taken to a page where you will ONLY see that post and nothing else.

but also, you can no longer easily navigate other people's blogs.

you know how sometimes you would see like 50 notifications of someone going through an entire tag on your blog? that's going to happen a lot less, i'm afraid.

let's suppose you want to go to op's blog because they're an artist and you want to see more of their art. so you click on C and see that the tag they use for posts with their art is "#my art"

cool! before, you could just click on that tag and immediately view ALL of their art as long as the posts have that tag.

but now, if you click on that tag, it will take you to the ENTIRE tumblr tag with literally all the posts that everyone in the history of time has tagged with that specific tag.

now, to do the same thing that just took 2 clicks before, you would have to: click on C to view the post -> look for the tag you want to navigate -> click E to view their whole blog -> scroll and look for a post that just so happens to have that tag (the search function is literally useless) and hope to god that there's a recent one or you'll have to scroll for ages or simply give up -> if you happen to find it, click on that tag to navigate their posts.

you see how this is counterproductive, right? you see how this can literally drive down engagement with content creators, right?

if you make people's blogs harder to navigate, you will literally drive down the number of likes and reblogs on their posts, which have already been steadily declining for years now.

4) options D and E to view the blogs and not the posts are literally useless because you could already access other people's blogs before. you just had to click on their url to view their blogs starting from that specific post AND you could choose to just refresh it to view their newest posts.

either way, the change just seems completely unnecessary. and again, it's not just about the prev tags culture but about basic UI.

so what can we do about it?

i normally don't advocate for flooding staff with messages but i do feel like this is one of the worst updates staff has ever done (and that's saying something) and something needs to change.

even if they don't retcon the entire update, that's fine, but staff could at least add the option to view the reblog chain as a different feature (maybe even opt-in) for example. there are better ways to go about this than just axing an entire existing feature.

also, this same issue that makes it harder to navigate blogs needs to change. i feel like content creators will be especially affected by this unless this changes because you can no longer easily navigate their tags, so it will inevitably drive down engagement.

so please, contact staff and let them know we want a change.

you can contact support here!

here's a template for a possible message you could send, but feel free to edit it. (under category you can choose "Feedback")

Hi, I would like to politely request a change to the recent update that affects the reblog chain of posts. Regardless of the "prev tags" culture itself, the UI aspect of being able to view the reblog chain of a post is essential for navigation on this website. Even adding it as a separate, opt-in feature would be a huge help. Additionally, clicking on a post and then on one of the tags now takes you to the entire tumblr tag instead of the tag on that blog, which makes it harder to navigate blogs. Both of these issues have the potential to drive down user engagement by actively making it harder to navigate Tumblr, but especially for content creators. I hope you can do something to address these issues as soon as possible. Thanks in advance and have a nice day.

also, if you can and/or want, reblogs are appreciated to help spread the word!

that's pretty much the gist of the issue from what i've seen, but if anyone else has anything to add or a different way we could contact staff to make ourselves heard, please feel free to let me know!

TLDR: it's not just about prev tags, this update affects basic functionality and content creators as well

Update Sept 07, 2024: this issue was "fixed" a few months back, although with some caveats / downgrades. You can check out this post for how to view the reblog chain, but all the other issues addressed in this post still remain.

[delzinrowe]

incorrect jjk quotes [40/?]

[airenyah]

manifesting: dunk lifts joong in their next bl 🙏

[songofwizardry]

ok I'm not an expert but I'm not seeing much specific info going around here, and there's a lotta Palestine solidarity protests in the UK this weekend, so here is some (including UK-specific) protest info and resources (mostly pulled whole-cloth from Twitter)

policing is heavy at Palestine protests generally

Hamas is a proscribed org under UK law. that means "inviting support" for them or "wearing clothing or displaying articles" that implies you are a supporter is a criminal offence (if you're interested, here's the full list of criminal offences from gov.uk). Palestinian flags etc are ok*, but do not have something that could be mistaken for Hamas imagery. don't go out there looking for convictions pls.

*in spite of what Suella Braverman has implied, the London Muslim Community Forum has just confirmed that the Palestinian flag is not a proscribed flag and is not banned (apologies for quoting the "we advise the met police" group but I thought it was important to have that info explicitly)

don't talk to cops. that includes the police liasion officers in blue bibs.

particularly if you're concerned about your face ending up on social media etc, but also just good practice in general (both in terms of COVID and protest safety)—mask up. cover up tattoos etc.

have bustcards or contact details for protest legal support on you. Green and Black Cross can be contacted on 07946 541 511. write the number on your arm etc.

if you witness an arrest: check if there's a legal observer nearby and if so call them over; if not: if the arrestee doesn't have a bustcard, give them one, find out where they're being taken, and contact eg GBC or a protest support line

if you have the time and can help out, there will likely be arrestee support required after—GBC tend to post callouts on Twitter for this

other links

for particularly children and young people and their families being referred to PREVENT for pro-Palestine statements, contact PREVENTWatch and maybe also Palestine in School (newer initiative I think, I don't have an excessive amount of detail on them just FYI)

Liberty, Migrants Organise and Black Protest Legal Support have bustcards in different languages, including Arabic and Somali (also Liberty's website has lotsa useful info, including advice for disabled protesters, protesting and immigration status, and what to do if you're kettled)

GBC's thread on what to do if you see an arrest is useful, as are all their resources generally

if I've missed anything or made a mistake, lmk—as I said, I am very much not an expert. if you know people who are protesting, pass them the legal support line numbers; if you're attending, stay safe and be vigilant; and ofc carry water.

[mulders-too-large-shirt]

things we learn about mulder in s1

he wanted to be an astronaut when he was young, and stayed up all night when he was 14 to watch his hero do a walk in space

he's scared to death of fire because his friend's house burned down when he was a kid

he went to oxford 10 years before the start of s1, where he dated phoebe and they, at the very least, made out on arthur conan doyle's grave (but it's implied they went all the way)

he is a fan of like. all of the sports. i cannot keep up with them all, but he sure can

he had his first case at the age of 28, where an agent died because he wouldn't take a risky shot

(and he remembers everything about the man who died- his kids, their ages, what they do for fun- all of it haunts him)

((he also, at the trial for the man who killed the agent, screamed that he "should die like an animal, you son of a bitch"- so much for cool and composed spooky mulder))

he always falls asleep on his couch to the point where i don't even know if this man has a bed

before being moved to the x-files, he worked for 3 years at the behavioral science unit, where he profiled serial killers

(also literally no one wants him on the x files they just keep him around because he is too dangerous to fire lmao)

he will go out of his way to make any kids involved a case he's assigned to feel comfortable and/or laugh as a break from the Heavy Moments (probably because he remembers being questioned while very young and how awful it felt)

he believes that siblings have a psychic connection (heartbreaking when you remember his sister disappeared when he was 12 and he only has access to the memories due to hypnosis)

he refused to let his parents call him by his first name and only went by "mulder", even as a child

[miguelwantstofight]

Just for fun

Boop me (or the person that reblogged this) and tell from which side of the screen the paw came from.

[tophthedaydreamer]

my human versions of oswald and ortensia for valentine's day!

i hope everyone has a good day with their loved ones, and to all my singles out there, enjoy the candy!!

[artismeyou-12]

Reblog it you to hug jesus 🫂♥️

* me and jesus to hug *

[neverdoingmuch]

breaking news: poll creators discover the like-to-reblog ratio that has haunted artists for years

[thefreakandthehair]

@eddiemonth prompt, oct 30th:  Costumes | Children of the Grave - Black Sabbath | Loyal [1.9k, rated T] read on ao3 + masterpost | tumblr masterlist

“No, no, no, no—” Gareth protests, ducking the Donkey costume mask that Eddie tosses his way backstage. “Not again! Dude, that thing smells like having a condom over your face and it’s impossible to drum in. I’m not doing it this year. No way. Someone else is taking one for the team this time.” 

Eddie cackles, trying not to cry with laughter and smudge his green face paint. “Decide amongst yourselves then, but someone is wearing it. We’ve gotta commit.” 

Jeff snorts and shakes his head. “No chance, why can’t someone be like, Fiona or something?” 

“We need Donkey! He’s crucial to the story!” Eddie rolls his eyes and walks over to grab the mask. “Okay, circle up. We’re gonna Rock, Paper, Scissors this. On my count.” 

The rest of the band huddles around and Eddie counts to three. Gareth throws rock and celebrates as Frank and Jeff both throw scissors. 

“Redemption!” He celebrates as Eddie counts Frank and Jeff in for three. 

In the end, Frank gets stuck with the Donkey costume, Jeff reprises his Pinocchio costume, and Gareth steals Farquaad out from under Frank in the Rock, Paper, Scissors coup. No one is particularly happy, but Eddie doesn’t care. 

He doesn’t care because Shrek Night is his favorite show of the year. Since its inception a few years earlier, entirely by accident when Eddie was forced to perform as Shrek as a dare, it’s become something of a cult classic among Corroded Coffin fans. The last show they play before Halloween is a costume night, and the fans have taken to the theme like, well, like an ogre to mud. 

There’s something incredibly special about screaming the lyrics to their latest hit while a sea of Shreks and Gingys and Fionas scream along with him. 

And tonight is no different. 

—

“Shreddie! Shreddie! Shreddie!” 

The crowd roars to life as the group takes the stage, waddling in costumes and maybe a little itchy from body paint and latex masks. 

“Give it up for Donkey on the bass!” Eddie shouts, pointing to Frank. He gives his best, saddest wave. 

“Give it up for Pinocchio on the guitar!” He yells again as Jeff hammers a riff in response and grins in his fedora and suspenders. 

“And last but certainly not least, give it up for Lord Farquaad on the drums!” Gareth drums a little rimshot as the hat pokes out over the top of his high hat. How he plans on drumming the whole night crouched on his knees is beyond Eddie, but ultimately not up to him. 

The crowd goes insane, as usual, and Eddie takes a second to soak it all in, to glance over the various costumes before everyone melds into one collective unit of chaos. Fairy Godmothers, and Donkeys, and Fionas as far as the eye can see. He even spots a Puss in Boots in the front of the pit, standing next to a very attractive Gingy. 

He doesn’t have time to assess the life choices that lead him to have that particular thought though, because Gareth starts counting them in. 

—

Their originals are hits, of course, as are the covers. After all, it wouldn’t be a true Shrek Night without at least a couple of songs from the famed movies. 

“And then I saw her face!” He shrieks, his voice barely loud enough to be heard over the crowd. “Now I’m a believer!” 

He runs around the stage, careful not to lose the microphone (again) as Jeff, Gareth, and Frank pound away at the melody. As the song comes to a close, Eddie slides on his knees, hardly protected by the cheap beige pants from Walmart, to the edge of the stage. 

“Not a trace! Of doubt in my mind! I’m a believer!” He sings, drawing out the final note. 

Chants and applause follow him up and he falls to his back, guitar over his chest, pounding his feet and fists on the stage as he catches his breath. Green paint melts from his forehead and when he brushes his hair back, he pulls his fingers away to see shades of ogre paint that’s surely made its way into his hairline. 

Before he can stand, Gareth shouts into his microphone, presumably to give Eddie another second or two. It’s no secret that I’m A Believer is high octane. 

“Do you know…” Gareth pauses for effect before shouting. “The muffin man?” 

Before the crowd yells out together, jumbled and out of sync, a faux high-pitched voice rings out surprisingly close to Eddie’s feet. 

“The muffin man!” 

He sits up and spots him: the hot Gingy he’d noticed earlier, laughing with a scrunched up nose, leaning on his friend’s shoulder. 

Oh, fuck me, Eddie thinks. He’s adorable. 

It’s usually the other way around: Eddie being ogled by a fan in the front row, staring up at him like he’s something to eat, like he’s prey. Ignoring them is easy enough, typically appeased with just a smile or a wink to carry with them forever, but this guy? The one with the fuzzy brown onesie with purple button and white, pretend icing lining the legs and waist? Well, Eddie’s never actually wanted a fan in the front row to look at him until now. 

So he scoots to the end of the stage, legs dangling over the edge, and steals Gareth’s line. Grinning down at the guy pressed to the railing, he screeches. “The muffin man!”

Gingy’s friend, known only to him at this point as Puss in Boots, elbows him hard in the ribs and he looks up to see Eddie staring right at him, crooked grin, and in hindsight, probably a bit more unhinged than planned. 

His friend looks back and forth between them, disbelief in the shape of her mouth and furrowed forehead, but it seems to work because Gingy returns the smile and has the audacity to wink at him. 

Eddie raises his green brows towards his hairline and nods appreciatively. The barricade isn’t far from the edge of the stage, close enough for Eddie to leave the microphone to the side and ask Gingy and his friend to hang back after the show. 

—

After one crowdsurfing escapade from Jeff, one quip into the microphone from Gareth about how he now understands why Farquaad is always so cranky, and few more of the originals peppered with All Star and Bad Reputation covers, Corroded Coffin takes an awkward but well-deserved bow. The crowd cheers for more, even after their encore, but eventually filter out through the venue’s exit doors, flooding the parking lots and nearby streets with Shrek characters. 

Eddie’s sure the local bars are having a blast. 

The only fans left are Gingy and Puss in Boots, who Eddie desperately needs the real names of before his thoughts turn into a troubling Shrek fanfiction. With a quick word to their manager, Chrissy, he makes sure they won’t leave before he comes back with a plan— a very weird, very niche plan that he hopes works on the presumably dorky, albeit confident, man in the fuzzy onesie. 

Her wings bump him in the shoulder and remind him that she truly is his Fairy Godmother. 

“Eddie,” Jeff deadpans as he plops his prop fedora on the backstage table and unfastens the buttons of his suspenders. “Are you really about to go hit on a fan? Dressed as Shrek? With an onion?”

“Do you have a better idea?” He whirls on him, a lone onion from a backstage fridge somewhere in one hand and a sponge trying to at least clean up his face paint in the other. He’s sure he looks insane. And he may as well be at this point. 

“Uh, don’t? That’s the better idea?” Frank offers in the corner, his face red and sweaty from the suffocating Donkey mask. 

“Not an option, so Operation Onion is on. I’ll be back. Or not. Hopefully not, actually.” Eddie shakes his head and sets down the makeup sponge, places the onion in his prop burlap bag. “Wish me luck!” 

Gareth sighs with ice packs on his knees. “Nope.” 

—

Eddie approaches the open backstage area, the spare lounge where Chrissy’s talking with Gingy and Puss in Boots. Maybe talking a little more intently to Puss in Boots, but he can’t begrudge her. After all, Eddie’s doing the same thing, isn’t he? 

He catches a bit of the conversation before opening the door, overhearing Chrissy refer to them as Steve and Robin. 

Thank God, he thinks to himself. Better than the placeholders. 

By no means does Eddie consider himself a rockstar— not yet, anyways. He enjoys the mid-level shows he gets to do with his friends, especially on nights like this, but he’s yet to harness that rockstar swagger. At his core, he’s still the marginally insecure, frantic kid from Bumfuck Nowhere, Indiana who paints D&D miniatures and speaks Elvish. And dresses up as Shrek, apparently. 

All of that to say, his heart pounds in his chest and his tongue feels twisted around itself when he knocks on the door. 

“Oh, hey, Eddie! Come on in! Great show tonight!” Chrissy smiles, wide and bright, as she introduces Steve and Robin. “This is Steve, and this is Robin. Steve, Robin, you all know Eddie. Or, should I say, Shreddie?” 

All three groan and shake their heads in good nature. 

“To be fair, man, you are still in the get-up. I thought you were going backstage to change or something.” Steve teases, eyes full of mirth and challenge. 

Exactly Eddie’s type. 

“And leave the three of you dressed up and feel out of place? Not a fucking chance.” Eddie takes a breath and goes for it, channeling his years of drama and general theatrics. 

He goes to take his seat on the sofa and pretends to trip, his burlap bag tipping over in time for his onion to fall to the floor at Steve’s feet. 

“Shit, sorry, that’s my onion,” Eddie shrugs. “Happens sometimes. Ogre and all, y’know? By the way, you’re gorgeous.” 

“Oh my God,” Chrissy mutters under her breath and ducks her head, leaning an elbow on Robin’s shoulder and covering her eyes. 

Steve’s mouth falls open into a little O and sits quietly for a few beats, nothing but the girls chuckling off to the side and an onion between them. Eddie’s about to swallow his tongue and see himself out when Steve leans forward and picks it up, tossing it up in the air above his head and catching it like a baseball. 

“Looks like you dropped this. And uh, thanks. I could say the same to you.” 

Robin wheezes and doubles over. “Jesus Christ, Steve. I know I’m a lesbian and all but this? This is what works on you?” 

Eddie likes her already, and a quick glance to Chrissy tells him Chrissy does, too. 

“Is this Ogre discrimination? Do I have to explain that we have—”

“Layers!” Steve finishes for him, nudging her in the ribs. “Ogres have layers, Rob. Don’t be so close-minded, God. Besides, he’s half melted and just ransacked backstage for an onion. Don’t judge our mating rituals.” 

Mating rituals? Eddie grins with pursed lips and narrowed eyes. “Yeah, what he said.” 

Robin just shakes her head and gestures with one hand at the air between the two men, speechless. 

“Now if you’ll excuse me, I’m gonna go see if this sweaty, half-melted, babbling Onion Man wants to make out or something.” Steve slaps his hands on his thighs, still covered in fuzzy material, and stands. “What do you say?” 

When he shows up backstage to introduce Steve to the rest of Corroded Coffin, both of their faces are now smeared with green paint and Steve sports painted handprints in some telling places. 

Eddie gives them a bright smile and jazz hands, his friends’ expressions are as impressed as they are confused.

Shrek Night really is his favorite show of the year. 

tagging people who expressed interest <3: @cuips-not-cute @just-my-latest-hyperfixation @useless-nb-bisexual @kkpwnall@cuoredimuschio @doublecherrypiediscosuperfly@ohmagicalunicornlord @hellion-child @bxnsheeslxdia @pomegranatebb @vampeddie @horsegirleddiemunson @stobinesque @sidekick-hero @medusapelagia @slipperygiraff @epiclazershark @bayouteche thank you to @nostalgicbones for beta-reading and inspiring this!