#does this make sense i hope it does i thought this up at work this morning lol

[myokk]

fast sketch of ominis & fast intro to the ominis longfic I'm working on!! This is going to be the most self-indulgent pride and prejudice ripoff that ever existed, 100% based on the ominis of my oneshot💘

I am just OBSESSED with exploring the idea that he’s a natural legilimens & OBSESSED with the thought that he thinks too much for his own good🫶🫶🫶

Ominis Gaunt has always suspected he is cold-blooded.

It makes sense, really.

He always seems to be cold: frigid, long fingers that are often stiff and difficult to move; goosebumps raising the skin of his arms and the back of his neck any time he walks through the drafty halls of the dungeons; even his eyes, he has been told, are reminiscent of ice. They are apparently quite unsettling. The only time he feels comfortable in his body is when he basks in the heat of the sun.

His earliest memory is of the cold. It went like this: he was four years old: his older brother, Marvolo, had led him outside as a joke, he swore up and down that it was just a small joke, and how was he supposed to know that poor, blind Ominis would not be able to find his way back home? When his parents had finally found him, his frail mother sobbing and holding his tiny, blue, hypothermic body to her chest, Ominis remembers feeling quite perturbed at the disturbance. Couldn’t he just be left alone, in the silent soft snow?

He does not know if he has ever felt warm since.

As he strides through the dungeons, the copious amount of warming charms he casts on himself do not seem to be enough, but he keeps casting them anyways and also: wrapping his wool scarf more tightly around his neck, quickening his pace in the hopes that blood flows more easily through his limbs, wishing that he had remembered his gloves. Winter is always a terrible time of year (this winter more terrible than usual), and every breath of warm air leaves his lips reluctantly. How he wishes that he could just hold on to it a bit longer and yet the warmth leaves him precisely fifteen traitorous times a minute, the frigid air gleefully entering and burning its way down his throat in response. Maybe it’s a punishment of some sort.

His whole life has been defined by punishments and sometimes he preoccupies himself with the thought that it is the only way he can view the world. Most of the punishments are manifested in curses inherited from his family. (His parents and Marvolo insist that they are gifts, but Ominis begs to differ.)

First, his blindness: the only true punishment-curse that even his family rejects: caused by inbreeding, no doubt. He did not cry after his birth and his mother cradled his tiny body in silent arms, lovingly whispering nonsense-evil-Parseltongue to him but when he opened his eyes and she saw a brilliant celestine blue with no iris, she screamed in horror and shattered the frigid peace of the room. His parents tried everything to fix him, make him whole, throwing money at various possible solutions to no avail. Magically induced disabilities are not, apparently, curable by magic.

Ominis is not sure that he hates being blind, although he suspects everyone thinks that he should. It is as much a part of him as his fifteen-breaths-per-minute, and he thinks that vision is not all it’s cracked up to be. He is always terrified at the thought that his tenuous hold on sanity is only due to the fact that he cannot see, until he realizes he shouldn’t be terrified of hypothetical situations that cannot come to pass. He consoles himself with the thought that maybe, if he has had to give up his vision for his sanity, it is a small price to pay. Although, he also thinks sometimes that it would be nice to live a life without any morality holding him back.

He is entirely too introspective, after all.

It is precisely this introspection that is his downfall in this moment (and his cold blood). Ominis is so busy casting warming charms on himself and thinking in circles that he cannot use his wand to help him sense his environment and so he should not be surprised when he crashes into her.

And yet he is. Terribly surprised.

Maybe if he were not so caught up in his own thoughts he could have paid more attention to his surroundings. Instead, he spent too much time ruminating on his reptilian heritage and has now barreled head first into his arch-nemesis.

Rosalie Harris.

The girl who has stolen his oldest friend from him.

The girl who is currently making angry noises as she clambers to her feet and is picking up the things that he has crashed everywhere. Even if he could see, Ominis is not sure he would help her. Helping her would be akin to betraying himself, after all.

“Hey! Watch where you’re - oh, hello, Ominis.”

“Rosalie,” he says shortly, nodding his head where he thinks she might be standing and stepping to the side. He tightens his grip around his wand, feeling the texture of the wood change from rough to smooth as he runs his thumb down it. Smooth where he always seems to worry it, rough where the wood refuses to yield to the brushes of his thumb.

He surreptitiously casts the spell - he has at least done it so many times he no longer needs to say it out loud - and his surroundings light up. Or, he supposes that is the most apt description, considering he cannot actually differentiate between light and dark. He senses Rosalie’s silhouette to his left - she is standing with her arms crossed and her foot taps impatiently as she waits for him.

Waiting for what? he thinks, slightly irritated. She never seems to leave him alone and he wracks his brain trying to think of something, anything he can say to get rid of her.

Maybe if he speaks in Parseltongue, she would finally be scared away for good. He does not really want that second reminder of his family’s curse, though.

His family preferred speaking in Parseltongue with each other, believing the ability made them morally superior to everyone else and Ominis had not even realized until he had arrived at Hogwarts that no, it was not normal. When his name had been called at the Sorting, furious whispers had erupted amongst all the students, and his every step (terrified, confused, unsure - he had still been getting used to using his wand to navigate his surroundings) to the stool at the front of the Great Hall was plagued with a susurration reminiscent of snakes. Except these whispers, sneaking their way into his mind, had been unkind and overwhelming.

(He had not realized in that moment that he was also hearing their thoughts.)

Maybe now, with Rosalie standing in front of him and just annoyingly waiting for Merlin-knows-what, Ominis should use his Legilimency to find out what Rosalie wants. (He hates it, though.) It would not be difficult. (The thought makes him shiver in horror because he doesn’t want to abuse the ability.) He can feel the edges of her mind, her magic, and all he has to do is reach out - she is right there, and -

“Ominis?”

Her arms are crossed, he hears an impatient huff.

Why hasn’t she left him alone yet?

Hadn’t the Hogwarts Express already left the station, bringing all of the students home for the winter holiday? Ominis had thought he would be one of the only students left in the castle, and if he is being honest with himself, he had been looking quite forward to having the place to himself.

Ominis’s winter has just gotten infinitely worse.

Going to Gaunt Manor for the holidays is out of the question (he will not think about the nightmares that have been plaguing him ever since he received the owl demanding he go home), and Ominis does not want to be more of a burden to the Sallows. They already do enough for him over the summer, and Sebastian and Anne have convinced him to go to Hogsmeade with them at least twice over the next two weeks. Besides, with Anne’s curse progressing, Ominis does not want to be in the way.

“Why are you still here?” Ominis asks. He knows his voice comes across as cold as his blood, blunt, but he cannot help himself. Ever since Rosalie arrived - her entrance to Hogwarts also causing quite the stir - Ominis has been intensely annoyed by her presence. She is too happy. Too carefree. Too…well, everything he is not.

And, she does not seem to leave him alone.

Rosalie is always there, always hanging around Sebastian. (Taking Sebastian away.) He even showed her the Undercroft, which had almost caused a rift in their relationship. Ominis could not believe that Sebastian would be so careless, showing someone who for all intents and purposes is crashing her way into their lives, forcing them to pay attention to her. They barely even knew her, and yet Sebastian thought it was a good idea to show her such a sacred place?

(It does not help that she is intelligent, and Ominis has caught himself on more than one occasion about to ask her about her opinion on something before he catches himself.)

“I was looking for you.”

Ominis tilts his head at that and fiddles with his ring. He considers walking away, leaving -

“I mean…Sebastian said that you were also going to be here over the holidays and since everyone else just left I thought -”

“Thought what?” Internally, Ominis winces at the biting tone to his voice. It came out harsher than he intended, his voice loud and echoing through his mind, bouncing off the cold, stone walls surrounding them.

[feroluce]

Oh my gosh the way the Pop-Up Shop event ended and what it hinted at that's going on rn, and what it might imply about what's in store for the next time we see Sampo, I'm so excited AAAAAAA

Because it seems it really IS our Sampo, and whereas before I was absolutely delighted by the thought that he was possibly getting fucked with by some outside influence, and that was why he was saying such strange things... There's nothing quite like that going on here. There's no memetic virus messing with his head. There's no imposter, no possession, no nothing.

Just Sampo, and the ominous, all-consuming dread that hangs over his head like a guillotine, as he willingly walks right into what he is sure is a trap. ♡

Because this event was weird right off the bat, yeah? Sampo invites us in on a business deal that won't make him any money? The hell???

And I was just waiting on pins and needles for it to make sense, and oh, I was not disappointed at all. Because I've got a nice meta post about it over here, but Sampo actually DOESN'T make a lot of money most of the time- but he does always get something out of his dealings. He works for favors and good will and networking, but never for nothing. And it was the same here!

Sampo didn't make any money with this little business venture because that wasn't what he needed from it. That was never his goal to begin with. He just needed something entertaining.

Sampo has the key to get into the tavern's basement where Sparkle has been keeping his mask for him, but he still needs to be let into the front door of the tavern itself. The fun stories he got from this event were his entry fee. He leaves at the end because he's probably already on his way to Epsilon, where the World's End Tavern should be.

So that explains part of what was so strange this event. It's the rest of his ooc tendencies that have me like foaming at the mouth though because AAAAAAAAAA

There's long been hints of...some? kind of strain between Sampo and the rest of the Masked Fools. Like it starts all the way back in Belobog's main quest with the big infamous fourth-wall breaking sequence, where Sampo talks some shit.

And it continues in the Aetherium Wars event, where we finally get the confirmation that Sampo is a Masked Fool and even get to see him interact with Giovanni, one of his brethren! And where Sampo talks more shit. He also leaves the trailblazer a warning against Sparkle, who they hadn't met yet, and probably the Masked Fools in general.

And for some strange reason, it seems to be popular fanon that Sampo like. Talks a lot of shit? Or is rude in general? Like I feel like I see a lot of jokes about if Hook says a cuss word, it was probably his fault. But Sampo is actually pretty polite with everyone. I think the only time we really see him be harsh is when he has to set some hard boundaries in the museum event. Otherwise, he conducts himself like a model friendly businessman. Like he IS super shady and slimy, but he's still polite about it. I'm pretty sure the only time he actually talks any shit, and so bluntly, is about the Masked Fools or Epsilon as a whole. He really seems to have some sort of beef with them.

There's also his hilarious relationship with Sparkle, which I'm including for consideration because we don't know how common people like her are in the Masked Fools, so she might represent how Sampo interacts with a lot of them. ...But I'm pretty sure Sampo's grudge with her runs deeper than that anyway jdksajfdkljas

She's so funny I hope she fucks with him more FJDKSJAKD

Anyway, the point is, Sampo doesn't seem to see eye-to-eye with a lot of the rest of Aha's followers. And it was never hinted at before the pop-up shop event, but now I'm wondering if it might be like. An actual dangerous sort of situation.

Because during those brief packaging sequences, you get some. Pretty wild text dropped on you. There was actually a really cool explanation for it by another user already! But basically, all of the phrases are more fourth-wall breakage. They're mostly in-game achievements...except for one.

"This must be a trap create"

We never get to see the rest of the phrase. Just "This must be a trap create."

That is the only one we don't have an explanation for yet, at least as far as I know.

AN EDIT: Thank you to @/kittaykattz for this one, because it looks like someone DID find the source of this line. Unfortunately, it only came up in my search after I looked for the full phrase. I couldn't find it on the wiki before orz And yet this somehow does NOT make it any less ominous ajfdklsjkl The full phrase is "This must be a trap created by a Masked Fool!" and it comes from another in-game achievement, "Boxes and Ladders." Which is really cool, because I had figured the last line must be something from Penacony, since it was the only area not represented so far. So in that way, it fits perfectly with the rest of the text. Now we have one achievement from every area of the game, which fits with the theme that Sampo has been following the Astral Express, the trailblazer specifically. It's the way that it doesn't fit that's the weird part though. Because the rest of the lines that come from in-game achievements are all titles; that's why they were so much easier to find. For some reason, Hoyo saw fit to single this one out. They didn't use a title. They specifically chose the line about falling into a trap set by a Masked Fool, a trap with seemingly no way out, where one's only choice is to take a leap of faith and pray to make it out ok in the end.

Love that. Absolutely love that. That's so fucking tasty, I will be daydreaming for days on end now about Sampo finding himself in a horrible situation with no way out where all he can do is make a desperate attempt and pray to whatever might listen (probably not Aha fjaksljdk) that he'll survive it WHEEEEEE

Because Sampo talks so strangely throughout the whole event, but it gets worse day by day, morose and morbid and dreading and sometimes even almost like he's warning the trailblazer against something about to happen.

I've already lovingly discussed it in an analysis about Sampo's name (alias included) but like. There certainly are some fun connections there. The Sampo of myth was smashed and lost to the sea. Poisson was flooded. Brueghel died suddenly and left a final painting of a storm at sea unfinished.

The Masked Fools are referred to with imagery of water and the sea. And frequently so.

And so I do wonder what Sampo knows, and what he's expecting to happen when he gets to that tavern at the end of the world. If maybe he thinks he's walking right into a trap, and is doing it willingly, doing it anyway, because, well.

Belobog is on the line.

And Sampo has already proven he seems so ready to do whatever it takes to protect it.

[ford-pines-lover]

Tolerate it

when you were out building other worlds, where was I?

Here is this one!! @chillinglyadventurous

Tags: SFW, falling out of love, i actually think this is sad

I greet you with a battle hero's welcome

There was nothing better than going to the shack after a shopping trip with Mabel. She strides inside the house with her millions of bags. It was like she was gleaming with the dust of a million stars. There was nothing that could hurt her or stop her from her excitement. 

When you two walked inside the shack, everything was in its place. It seemed as if nothing was touched. Made sense; Dipper was out with Stan doing some grunkle, nephew bonding, and Ford? Well, he hasn’t seen the light of day in a week. It was starting to worry you. Usually he at least makes an effort to come see you before bed or come up for dinner, but lately it hasn’t even been anything. Long nights waiting and hoping that your boyfriend would come and sleep next to you. Waiting to feel another person next to you was excruciating. 

You got snapped out of your thoughts when you heard Mabel say, “That was so fun, y/n! Thank you for taking me!” She gives you a hug and runs off to the attic to drop off her stuff. She was like a younger sister to you. Maybe even a daughter in some sense? Your own feelings were conflicted. 

You walk down to the lab to see your boyfriend. He was slouched over his desk, papers everywhere. He was drowning in his work. You surmise that he had just found a new discovery. Perhaps a new equation or a new creature found here in the Falls. You knew that just recently Ford had gone deeper in the woods than he had ever felt comfortable. Unsurprisingly, he took Dipper with him. They came home with cuts and bruises. Neither of them unscathed.

“Dear, I’m fine,” he had said.

So you believed him. 

“Hey, love.” You walk up to him, putting a hand on his shoulder. He doesn’t move, still surrounded by the pages and pages of math and science. You knew you had an affinity toward the man, but sometimes you couldn’t pinpoint why. He wasn’t involved in your relationship often; he never came to bed; hell, you can’t remember the last time you two had sex!

I take your indiscretions all in good fun

It took him a bit to notice you. 

“Hello, my dear.” He turned to look at you. His chair squeaking as he moved as if he hadn’t moved in hours. “You look like you haven’t slept in days.”

You give him an incredulous look. Actually, you hadn’t slept in days. Ford had been so engulfed in his work that he hadn’t gone to bed with you in days. He sleeps on his desk, waiting for some sort of answer to just pop out of his work. You press your lips together, not wanting to disturb the peace. Deciding to keep your mouth shut about your feelings, you say, “Yeah, it’s been a rough couple nights, but I’ve been okay.” You turn around to leave, “There will be dinner in about an hour if you’re hungry.”

“Thanks, but no thanks,”

“If that’s what you wish.” You tearfully look away and walk back upstairs. Your movements were saturnine. Everything hurt; nothing felt real. The love you had once in the past almost feels obsolete now. There was almost a remorseful feeling inside you for him. He has gone through so much; you should just let him be. But if your needs weren't being met, why should you stay?

I sit and listеn

As you set up your new art station that you had bought at the store, you open the paints. They were an expensive set of oil paints that you were so desperate to try out. Painting wasn’t a new hobby, just one that had gone dormant over the last couple years. Now that you have a rather inadequate boyfriend, you were ready to take on this hobby once again. 

“Hey, kid.” You see Stan approach you with a weary look on his face. He must have just gotten back with Dipper, but you hadn’t seen Dipper yet. “I know that you and Ford are going through hard times right now." He leans on the doorframe with a phlegmatic disposition. “Just know that he does still love you and is just having a hard time. Just give him some time, kid. He’ll come around.”

“Stan, I don’t know how much longer I can wait.” You said with an indigent look across your face. “I love him, but I can’t feel so empty anymore.”

“Look, kid, I can talk to him for you if you’d like. He’d better listen to me. I wouldn’t want to lose a family member over some stupid math equations.” He sighs. "You know how he’s an opportunist. He knows what he wants, and he takes it.”

“Please talk to him for me; he doesn’t seem to listen to me.” You gulp. “I know how he is. I just want my Stanford back.” 

“I’ll be back, then. Hang tight.”

You watch as he goes out of the room. You were stationed in the kitchen with your supplies, so it was easy access to the lab from there. Your mind starts to wander. What if you really were just a bother and in the way? What if there was really nothing there? 

You take a deep breath and lather a thin coat of white paint on the canvas. You weren’t quite sure what would come of this painting, but you knew you were emotional, and this was one healthy way to get it out. At least that's what your therapist had said at one point. Instead of taking it out on other people, taking it out of a piece of canvas was healthier. Or something. 

You started with hues of grey and blue. For some reason there was something compelling you to use those colors. Maybe they stated how you felt. Grey and empty. Blue and sad. Or maybe you just liked them. 

Below you, you could hear fighting. It was the two men that you had trusted more than anything in the world. You couldn’t quite make out what they were yelling to each other. It was loud. It shook the house. There was a negative tone flowing through the shack. It was dizzying.

“C’mon Poindexter… shes… kid! Don't…care... her?” You heard most of Stan’s words. But what hurt the most is what his brother said after. 

“Yes, I care, Stanley! It’s all just become too much, and my work is far too important! I don't understand why none of you can see that!” You heard that one clear as day. It was perfectly clear why he didn’t want to see you. You were too much. 

“Why the fuck would you say that?” You could hear Stan getting louder with each word. “At least talk to her! Have dinner with her. Once. Before you decide to throw this away.” He had an ardent tone. 

“What are you trying to imply?”

“That you’re being a selfish idiot and throwing away the best thing that’s ever happened to you!”

I polish plates until they gleam and glistеn

You got up from your spot at the table. Your mind is whizzing and whirring from the fighting in the basement. You try to think of something, anything, to keep your mind off of what Ford had just said. Too Much? You walk over to the sink and start doing the dishes. You were staring off, out the window, trying not to completely break apart. 

Was Stan talking to Ford a good idea? Or did it really cause more issues than what was worth? Maybe Ford is just saying shit because he’s sleep deprived. He does tend to get more annoyed than usual when he hasn’t had a good rest. Doesn’t everyone?

“Hey, y/n. Everything good?” You jump, seeing Dipper behind you. When did you start crying?

You wipe your face with your sleeve and put on a fake smile. He definitely could tell. “Yeah, why what’s up?” 

“I’m not stupid, y/n. I hear Grunkle Stan and Ford fighting.” He gave you a judgmental look. You knew he wasn’t stupid, but it wasn't fair that he had to listen to his Grunkles fighting. 

“I know you’re not stupid. I’m genuinely okay; I am just a little overwhelmed.” You took in a deep breath. Everything was going to be okay.

He gently nods and walks away.

You're so much older and wiser, and I

You think about the age gap between you two while you sit down to continue to paint again. The age gap was significant enough that you were 30 years younger than him. It was hard for him, yet it seemed like he thoroughly enjoyed the relationship. 

You two had met at the library while checking out a book. Then on from there, Ford invited you to go on adventures with him and invited you to play D, D, and more D with him. You two were really bonding. Giggling and blushing as your two characters in the RPG were flirting and Dipper being grossed out the whole time. Mabel was way too excited about her Grunkle’s newfound crush. 

Then you lost your house. The landlord decided that he wasn’t going to rent out his house anymore, and it left you homeless. You couldn’t afford to just move spontaneously. This had left you to live out of your car for about a week. It was horrible. Worse than you had originally imagined. It was overcrowded, messy, and humiliating. 

The Pines family had heard what happened. Stan was the first to offer you a room to stay in. 

“Kid, times are tough. I know what it’s like to be homeless. So I’m offering you a space, free of charge.”

“Are you sure?”  You had said, worried about overstepping bounds.

“I wouldn’t be offering it to ya if I wasn’t sure.”

That was that. You were now an honorary member of the Pines family. 

With that came more time spent with Stanford. This led to stolen kisses in the lab and sleepovers in your bedroom. It became routine to see him often. One day you had asked him out formally. It was just to a diner. Nothing fancy, but it meant something to you. 

After that, you and Ford were inseparable. Constantly going on adventures; hanging out. Life was great. Until now. 

Ford stands before you, arms crossed. You could tell he was upset. 

“I know I haven’t talked to you in a bit, but I would like to know if you were okay with going out for dinner.” It seemed like it took a lot out of him just to get that out. 

“Yeah, sure.” You tried to not let it be known that it upset you that he was being this way. “I think I have an idea. I’ll come grab you in thirty minutes, okay?”

“Alright.”

I wait by the door like I'm just a kid

You decide to stand in his lab doorway. He had agreed to dinner. Hopefully things will not go to shit and everything will go to plan. 

“You ready?” You held out your hand, and he hesitantly put his hand in yours. It didn’t feel right, but you kept it cool.

“Yes.” He had said rather coldly. Oh boy.

Use my best colors for your portrait

You stare at the portrait you had made as it sits in your tote bag. This was a gift to him. It was of you two stargazing. The colors were magnificent. It has ranges of blues, violets, and reds. You hoped that he would like it and see it as a means to start over. 

Maybe not.

Lay the table with the fancy shit

You led him outside to the place you had set up. It was a picnic on a hill. Just like you two had once had a date there months ago. There were plates of food, fake candles, flowers, just about anything you could imagine. 

“It looks... nice.” Ford had said as he forced a smile. 

“I’m glad you like it.” You pop open the wine bottle and pour yourself a big glass. 

Throughout the whole dinner, he was not attentive. He really was in another world. There was nothing that could make him want to be at this dinner that you had planned. Yet here he was. 

And the portrait stayed in your bag. 

And watch you tolerate it

[winwintea]

what wayv seeks in a relationship

GROUP ↬ ot6 wayv

WARNINGS ↬ none, pure fluff <33 maybe some angst

AUTHOR’S NOTE ↬ i did the wayv version !!! the dream one blew up and i'll be doing a 127 one soon, but i thought i'd post this in the meantime as well. although wayv is my ult group i feel like i struggle more with finding out their exact personalities and what they like. i hope this is sufficient enough for you all though <33

Qian Kun

kun doesn't believe in taking things lightly. he wants to make sure he's found the right partner before letting himself fall in love. he values a partner that finds traditional values important. someone who will always be there for him, not just when it's convenient. kun prefers someone who is grounded in reality rather than overly idealistic. he also needs a partner who makes him feel appreciated and understood. a partner who is easy-going is also a good balance to his more responsible nature, might also work well with him. someone that might encourage him to take risks and will be there to pick him up if he falls.

Chittaphon Leechaiyapornkul

ten places a lot of importance on establishing meaningful relationships. although he may not act like it, he's generally more reserved so he does appreciate a deeper connection. ten likes someone who will challenge him intellectually and is suited towards a partner that is open-minded and willing to explore new things. he's attracted to people who have something unique to offer in this life. ten values personal growth, so he would appreciate someone who is supportive of his journey towards self-actualization. sometimes it's difficult for ten to relax and enjoy the current moment, so he appreciates a partner that will help him find peace and serenity.

Dong SiCheng

winwin believes that a relationship isn't a passive commitment, but it's a way for both partners to learn, grow and develop as time passes on. he wants a partner who will understand his uniqueness and individualism. they must also really understand his sensitive side and the nuances of his personality. winwin appreciates a partner that will look out for him and make sure he feels heard. he may come off as aloof at times, but deep down winwin is a whirlwind of emotions, so he needs a partner that won't be overwhelmed by these intense emotions. since winwin is a free-spirit he values open-mindedness and independence in a partner.

Xiao DeJun

xiaojun strives to connect to people in meaningful ways. he wants to find someone who he can completely devote himself to, who also accepted him as he is and who respects his freedom. xiaojun also needs a partner who understands his sensitive nature. he is also attracted to someone who has a unique way of thinking about things. a partner who can provide a sense of stability and security is also something he looks for. he's not necessarily needing someone to meet his level of emotional intensity, but rather a partner who can provide a grounding presence that will make them feel at home. xiaojun is also drawn to those with very complex personalities.

Wong KunHang

hendery seeks constant growth, both individually and relationally. hendery needs a partner who can provide emotional support and understanding, since he often gets caught up in his own thoughts and feelings. he feels like he is often misunderstood by those around him, so one of the most important aspects to him is that his partner understands him. hopefully they understand his constant need for adventure and growth. hendery has a great sense of humor, so he wants a partner who can match his wit and also make him laugh. he doesn't necessarily need someone who matches his energy levels, but someone who encourages him to follow his passions and dreams.

Liu YangYang

yangyang dislikes mind games in a relationship, he wants a relationship that is genuine and honest. he's not averse to casual dating, just not his priority, since he prefers to form meaningful connections with those on the same wavelength as him. he has a low boredom threshold, so he needs a certain level of mental stimulation in order to be content, and someone who can push him outside of the box is good for him. yangyang may also sometimes find it difficult to stay on track so having a partner who can keep him motivated will benefit him in the long run. he also values those who are patient and trustworthy as he hopes his partner will allow him the time and space to open up.

TAGLIST ↬  @lyvhie @aquaphoenixz @ldh0000 @galacticnct @sharonxdevi

[qs63]

You're right there is a lot we agree on, but also stuff where we differ, and that is a pretty cool thought experiment about text interpretation!

In terms of translation there's not much of a difference. In the Japanese manga Hohenheim roughly says: as for the organs that were taken away, it is the mark of your crime, therefore I can't put them back.

It's a little too vague for my taste. From Hohenheim's words alone he could totally mean he's physically unable to give her back her organs. That's what he's saying outright. I do think we have evidence elsewhere to prove that it's not exactly the case.

First I'll make a distinction between:

Human transmutation/the taboo

Alchemy healing/human transformation

Exchanging with Truth

I agree that you can't/mustn't create/replace something that has been taken away by Truth, or just any human flesh in general.

When Roy mentions he's going to create a charred corpse, Breda freaks out and asks if he's going to perform human transmutation. Roy responds something like: don't be silly I'm going to transmute something that fakes the appearance of a human corpse. The implication here is that even creating a human corpse would be trespassing. It makes sense, if alchemists could easily transmute body parts they wouldn't need automail. But it's not impossible to create flesh, the brothers did create that monster like body, the price is just way too heavy.

Healing is different, you can mend and transform stuff that already exists in the real world. Ie. Father fixing Ed's broken arm, Hohenheim rearranging Izumi's organs, Mai closing Riza's neck. But also transforming a human into a stone doesn't count as taboo, Marcoh hasn't been through the door, nor does transmuting a human into a chimera, Shou Tucker did not go through the door.

It's the act of creating flesh itself that's taboo.

So exchanging with Truth shouldn't count either. You're not creating flesh, you're just making an exchange. You won't go through the portal or have to pay a new toll by doing this. So the times the brothers saw truth while making an exchange and the times that people saw Truth after breaking the taboo are different circumstances.

Ed sort of explained this to Ling and Envy when he said he would commit the taboo again by recreating his own flesh, hoping the portal would open that way. He wasn't even sure it would work, because he didn't know whether deconstructing and recreating a living human being would satisfy the conditions for the taboo. It did work and Truth was happy to accept someone else's soul as payment in this case.

Regarding him not seeing the knowledge again. Well, he most likely did, we just don't see it outright. Arakawa didn't illustrate Roy, Izumi, or Hohenheim seeing the knowledge either. She doesn't have to. We know what happens thanks to the brothers, and she has other ways of showing us when the portal is being opened and when it's not.

The eye of truth, aka the true form of the portal.

When Ed gets Al's soul he doesn't go through the door, and there is no eye of truth. He performs a transmutation and we see Truth take his arm that's all. Same when Al gives Ed his arm back. He performs the transmutation and appears in the white space out of nowhere. The door is never shown to open. Not once we see the eye of truth in this scene. And again when Ed gets Al's body back. Ed performs a transmutation and appears in white space far from the door. The door does open at the end, but there's no eye of truth shown at any moment nor are they dragged away by the hands. The two of them just seem to go back to the real world, not through the portal aka the eye.

On the other hand the eye opens every single time a human transmutation is performed. It shows up with Hohenheim's and father's, with the brothers's, with Roy's, AND with Ed's second transmutation. The graphics for Ed's second transmutation and his first are actually quite similar, which is not the case any other time the brothers see Truth to exchange payment.

Below is also the contrast between Ed opening the door by committing the taboo (from within gluttony) and him going to see Truth to exchange payment (when getting Al's body back). There's no eye of truth, and he doesn't arrive through the door in the second scenario.

Arakawa seems to at least be trying to make a difference between committing the taboo and exchanging payment. Going to see Truth to exchange something does not seem to open the portal. So what Ed did inside of gluttony was 100% a second human transmutation with a new toll to be paid, both per Arakawa's drawing intention and Ed's own explanation. I think it's just hard to know what new knowledge he gained, if any, because he's already seen it once.

Yes, Truth accepting the stone here can be read as a contradiction to Hohenheim's words. That's why I interpret his "I can't" a bit more ambiguously. Like he can't do it because he doesn't agree with it. Or even, he can't do it because he can't afford to use any of the souls within him yet.

Otherwise you end up in a situation where the toll can and can't be paid by a stone. The stone was okay for Ed's second payment and Roy's retroactive one. So that's two scenarios vs Hohenheim vague words. And while it wasn't a stone, Al's retroactive payment wasn't personal either. He didn't lose his alchemy, Ed did. That's quite convenient for Al if the price to pay truly had to be personal. Or is Ed in God's eyes somehow completely responsible for both of their sins and that's why Al is allowed to get away without paying anything himself while other people can't?

Lol I don't know. Hohenheim being his usual unhelpful and enigmatic self is what makes sense to me.

I think one of the few genuine plotholes in Fullmetal Alchemist (Brotherhood & Manga) is the fact that Roy Mustang can get healed by the Philosopher's Stone in the end.

Hear me out.

Quite often, when something isn't answered in the text of fma(b), the answer can still be procured by building up from the existing canon. The magic system of the world is solid and consistent enough for us to create very solid and coherent world building.

Which is why it always irked me in the end when the Stone works on Roy's eyes.

Why?

Because it is heavily implied that not even a Stone has the power to restore what was lost to the Gate. This is of course, not something we as the audience know or believe from the get-go. We are introduced to the Stone via the Elric brothers, who mostly just know that this mystical stone can do the unthinkable. The impossible.

But, as we later learn, not even the Stone can bring back the dead. Death is eternal and cannot be reversed. It is one of the hard truths of the show. No matter how much power you hold, you cannot bring back the dead.

Even Father's showing in the last fight, when he brings back the people of Xerxes, fails to actually deliver on Hohenheim's taunt of "creating life" - because he is just returning souls he already carries within him to the physical realm.

So, that's the first limitation of the Philosopher's Stone firmly established.

But there's a second one.

We know the Stone can heal - Marcoh uses it to heal countless people in his town, some even from deadly diseases and such. We see Father heal Edward's broken arm and create an entirely new arm for Alphonse after his got eaten. Edward uses his own soul like a Stone to close the wound in Baschool, so, yes, healing is firmly within the realms of the Stone.

It is probably far more effective than Alkehistry when it comes to healing, because it CAN ignore the boundaries of the body. I'd actually go so far and say that someone talented and medically knowledgeable could maybe even restore a limb with the help of a Philosopher's Stone. We've seen it do the impossible after all.

But I don't think a Philosopher's Stone could ever actually restore Ed's limbs. Not in the classical sense at least.

Why?

Because when Hohenheim encounters Izumi and tries to help her, he cannot restore her lost organs. He cannot walk that path for her. He can heal her - he rearranges her inner organs and heals the open wounds within her gut, probably giving her another ten years of healthier living, but he cannot return to her what is lost.

He also never offers Ed to give him his limbs back, even after everything has been revealed and they're preparing for the Promised Day.

(He does promise to sacrifice himself for Al in the end, but we'll get to that in a bit)

This is something the Elrics don't know - they don't know what Hohenheim did and did not do for Izumi. They believe, up to the end, that they could restore their bodies with a Philosopher's Stone, but they choose not to.

I think, actually, that Hohenheim might be the only one who knows that it is not possible.

Because what they have lost was a price paid for pushing past the boundaries of humanity, it is a punishment for arrogance just as much as it is a toll for knowledge gained. They didn't lose their organs during childbirth, their arms and legs on the battlefield. All of them walked into god's domain and paid the price.

It is the Unforgivable Sin, after all, the Ultimate Taboo.

This is not something you can reverse by paying a bribe (the souls of the stone) - not unless there's a personal sacrifice bound to it as well.

Which is why it probably would have worked if Hohenheim had given his own life for Alphonse - because it would have been the sacrifice of a father for his son. Equivalency restored.

To get back what you've lost from the Gate, there needs to be an Equivalent Exchange - and the souls of strangers don't do it in the Eye of Truth.

Which doesn't mean that you cannot open the Portal of Truth with a Philosopher's Stone. We've seen it. It is possible. But never once successfully when it comes to the restoration of a body. You can push through the Gate using a Stone, you can heal, you can force someone else through the Gate... but you cannot restore what the Gate itself has taken.

That is a much more personal gamble, a much more personal exchange.

It is the second limitation of the Stone: you cannot gain back the toll you paid for stumbling into god's realm without sacrificing something yourself.

Which brings me to my original point: the fact that Roy Mustang's eye sight could be restored using a Stone.

It's a plot hole.

It is one of the few plot holes in the show/manga, and even as I write this, I am trying to think of a watsonian explanation. Maybe it's because Roy didn't do the human transmutation out of his own free will. Maybe it's because he was forced through. Maybe it's because Truth feels responsible for what happened to him. Maybe the story is lenient to him and his wish to see the future.

But the truth remains, that every time I encounter this story, that part of it trips me up.

And now you know it too.

[miraculouslbcnreactions]

Is there a reason Marinette’s lying to Adrien about Gabriel doesn’t make sense to you from a character-standpoint? She’s lied a fair bit in the show for reasons other than keeping her identity or crush on Adrien a secret, and her love for Adrien has consistently created a blind spot for her in terms of her “general” morals/behavior.

Is there something more specific to Marinette’s pattern of behavior that indicates how her lying about Gabe would be OOC, or is the lie something you believe Canon!Marinette should recognize as too egregious to take part in?

(The closest alternative explanation I’ve seen thus far is that she shouldn’t have any reason to lie for Gabe because they share zero good will, but if we interpret it as lying for Adrien, then I’m not sure if that explanation fits.)

I have, admittedly, not gone through the show and tracked every lie that Marinette has ever told to see if I can weave together a pattern that backs Marinette's behavior at the end of season five. It's possible that there's a lie that I'm forgetting that would totally change my stance and, if you think that's the case, then feel free to respond to this with a comment or an ask on that topic! My "this is BS" stance is based on the overall story of the show and the ways that I've seen people try to justify the season five lies as those are the arguments that I've thought through and found lacking.

We'll start by discussing the two lies people use to try to back Marinette's behavior at the end of season five: the scarf and Chat Blanc. Then I'll talk about the story's lead up to the season five lies and why it makes for a horribly unsatisfying story in my eyes. If someone gave this to me, I'd be suggesting some major edits to make it work on a technical level.

The Scarf

For those who don't remember, the season one episode The Bubbler sees Marinette make Adrien a scarf for his birthday. She drops the scarf off at the Agreste mansion with a note for Adrien and the hope that this will get him to finally notice her. Nathalie then takes the scarf and uses it as a gift from Gabriel instead. Marinette learns about this during this exchange at the very end of the episode:

Alya: Yo, nice scarf, Adrien. Off the chain. Adrien: Yeah, can you believe my dad got this for me? (Marinette looks surprised) it's so awesome. He's been giving me the same lame pen for three years in a row.... Alya:(to Marinette) You gotta tell him you were the one who knitted the scarf. Marinette: But he seems so happy about his dad. I don't want to spoil it for him. Alya: Aw, Marinette. (they hug.) You're amazing, girl. You know that, right? And someday Adrien will figure it out too. Promise.

I can see why someone would look at this and call it a setup for the end of season five. There are some parallels here. The problem is that there are a lot of massive differences, too. Differences that make this a really crappy setup:

Marinette does not lie in this scene. She simply overhears a lie and doesn't correct it. Remove her and Alya from the scene and nothing changes. The lie still exists. Meanwhile, without Marinette, the season five lies would never have come to be.

Marinette knows about the scarf lie for about a minute on screen. She hears about it and tells Alya to let it go within the same scene. That's a gut reaction, not a carefully planned and considered deceit. Once again, wildly different from what season five gives us.

Adrien and Marinette aren't shown to be close friends in season one. They rarely talk to the point that I didn't even know that they were supposed to be friends until we got to Origins. That complicates correcting the scarf lie. How does Marinette approach a random classmate and explain a situation that she doesn't even fully understand herself? That's very different from Ladybug telling a lie to a civilian or Marinette lying to her boyfriend.

Season one Marinette has no idea how messed up Adrien's home life is. All she knows is that Adrien liked her gift, but that he thinks it came from a different person. She doesn't even know that a lie was involved in this confusion! As far as she's aware, this could just be a minor misunderstanding that she'd rather let go because does it really matter who the gift is from? This is extra true because the scarf never comes up again, meaning that this is not an ongoing or damaging lie as far as canon is concerned.

That last point and the issue of Marinette never actually telling the lie herself are probably the biggest points in Marinette's favor. If Adrien wore the scarf all the time and used it as a comfort when he was fighting with his dad, then you'd have a solid case for Marinette needing to say something because the lie is arguably doing actual harm. This is especially true if you let Adrien say things like, "I wear this to remember that my father loves me," to Marinette. But that's not what canon did.

As far as canon is concerned, the scarf lie exists for all of a minute. A minute in which Adrien expresses delight in the gift, but gives it very tepid weight in terms of what it means for his relationship with his father. (Adrien's room is full of nice gifts, I don't think a scarf was going to make-or-break their relationship.) After that, the scarf never comes up again, meaning that Marinette's gut reaction to not immediately destroy Adrien's happiness is all we get. That's hardly a great setup for her being the source of massive ongoing lies about Adrien's personhood and the truth of his father's abuse.

I'll also remind you that this all happened at the very start of the show. The Bubbler is one of the first episodes people see. If this is your best argument for Marinette's behavior five seasons later, then we have a major writing problem on our hands. You should not have to dig back to the very start of the show to justify a major character beat like this. There should be more relevant material. We'll circle back to that problem in a minute. First let's quickly touch on lie two and why it also falls flat.

Chat Blanc

Another thing people point to as foreshadowing for the season five lies is the fact that Ladybug kept Chat Blanc from Chat Noir and, if Chat Blanc was actually affecting her, then I would agree with this take. However, that doesn't seem to be the case. The official story is that Ladybug's actions in season four had nothing to do with Chat Blanc. It was just guardian stress! If that's true, then I don't think she should tell Chat Noir about Chat Blanc.

Why?

Since when do we tell people about all the awful things they did while they were akumatized? There's no point to that. It's cruel. Do you think that Ladybug also needs to walk him through everything he did while under the control of various akumas like Dark Cupid? If no, then how is Chat Blanc any different? What's the value in telling Chat Noir the gory details of what will happen if he ever has a moment of weakness and becomes akumatized? He already knows that it will be bad! Why tell him exactly how bad it will be? I can't come up with a single good canonical reason.

Ladybug has no idea what caused Chat Blanc, so she can't warn Chat Noir what he needs to avoid. You can't even use the "he should know about Bunnyx" argument because that wasn't Bunnyx's debut. Canonically speaking, the only reason that Ladybug should talk to Chat Noir about Chat Blanc or any other bad thing that he's done while under the power of an akuma is if it's effecting her or their partnership and it's apparently not! That's why Marinette never reacts to Chat Noir getting a white makeover (see: the Paris special & Jubilation) and why Chat Blanc is never discussed in the show outside of that one brief nightmare callback in Sentibubbler.

To be clear, I think that's an asinine choice as Chat Blanc's memory hurting Ladynoir would have been semi-decent foreshadowing for the season five lies, but the writers decided to go another route. They also let Chat Blanc haunt Adrien even though he doesn't know about it, which I don't even know how to dissect because it's such terrible writing! If you don't know what I'm talking about, this is the official explanation for why Adrien couldn't make it to the final fight. The reason for the white-and-blue Chat Noir that haunted his nightmares:

Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Quality writing here folks. Quality writing. At the very least have season five Adrien be freaked out about the fact that he cataclysmed a human! That would make this make at least a little sense, but we don't get that. Instead we get Adrien almost cataclysming several akumas like it's no big deal while having nightmares about a thing he's never even been told about (see: Derision and Jubilation and probably other's I'm forgetting.)

The Events of Season Four and Five

As you can hopefully see, we don't have a great, ongoing pre-end-of-season-five lie to point to as proof that Marinette would decide to tell the massive lies that she does. That's a pretty big writing flaw, but it's not a show stopper. A lie like this could still fit her character if the story sets it up right.

The problem is that the story doesn't do that. It actually sets Marinette up to be primed to want to tell the truth.

For all Miraculous' nonsensical and wacky writing, the season five lie still comes at the end of two seasons with relatively clear messages. Those messages were to trust others and avoid lies. Let me show you what I mean.

While season four's writing is an absolute disaster, we cannot ignore the fact that the stated lesson in Strikeback is that Marinette learned to trust others, give up control, and stop lying:

Ladybug: Why don't you just give up on me? I've lost ALL the Miraculous! I'm the worst Guardian EVER! I wanted to control everything, I didn't listen to you, I lied to you, I kept you at a distance! Every time you offered me a helping hand, I never took it! I really made a mess of EVERYTHING! (continues sobbing)

This is what Marinette says to Chat Noir directly after losing the Kwamis. This is the lesson that she supposedly learned. The end note of the season. The word of god meant to be internalized by children everywhere. The show even goes so far as to have Ladybug give Chat Noir more responsibility in the first episode of season five (Evolution):

Cat Noir: Catch, m'lady! (throws the Rabbit Miraculous at Ladybug and she catches it) Only the holder of the Rabbit Miraculous can open a time portal. Ladybug: (contemplates shortly then places the Rabbit Miraculous on his chest, smiling) You do it, kitty. Cat Noir: You want me to control time? Ladybug: It's you and me, remember?

Really driving home this idea that Ladybug is going to be more trusting and open with others moving forward.

The meat of season five sees Marinette and Adrien start dating. During this arc, Marinette learns to be more open with her feelings around Adrien while also being confronted with the reality of just how messed up Adrien's home life is. Marinette and Gabriel clash with each other over Adrien with Marinette fighting for Adrien's freedom and Gabriel trying to control everything:

Gabriel: I don't think you understand, child, so let me put things differently. Life is like fashion. You think you have a choice, but all you have is the illusion of choice. And I decide what choices are given to you. Marinette: You're wrong! (Shows Gabriel her sketchbook.) Fashion is about listening to people, it's about understanding who they are, what excites them and creating the clothes that will help them express their inner world. Help them connect with others and make their dreams come true.

This conflict means that Marinette and Gabriel do not have a single positive interaction in the entire season outside of maybe the final. We also see Adrien defy his father more than ever before. This is not the kind of setup you write if you want Marinette to tell Adrien that his father was a hero. Why in the world would she think that he'd want to be told that kind of lie? Why would he even buy it after all of the things that Gabriel has done? The final literally sees Adrien locked in a padded prison cell!!! Writers, what are you doing??? Why did you write this???

There's also the fact that season five has a major theme of lies = bad. It's the season where Lila's lies are finally outed, but only after they almost cost Marinette's friends their futures. For those who need a reminder: Lila tried to mess with the forms that stated where everyone wanted to go for lycée and would have succeeded in pulling off that harm and blaming it on Marinette were it not for the lies being outed.

On top of that, we also see Adrien keeping the plan to ship him off to London from Marinette, ending in this exchange:

Marinette: (on the video call) Adrien! Adrien: (voice breaking; in tears) Marinette, I should've told you sooner, but... up until the last minute, I thought I'd find a solution. I tried everything, I swear. Marinette: (on the video call) Adrien, what's... what's going on? Adrien: I have to leave Paris. (his voice breaks) I'm not worthy of your love. I feel terrible for hurting you.

Adrien kept the truth from Marinette to try to keep her from being hurt and ended up hurting her more than he otherwise would have because they don't even get a proper goodbye.

None of this is a solid setup for Marinette turning around and lying to Adrien about his father. Why would she do that after all of the harm lies and Gabriel caused in season five? Between this and season four, she has not been setup to want to lie to Adrien. Season five needs massive rewrites to make that choice work! (Note: I have yet to see the London special, but based on everything I've heard, I think it's just going to cement my annoyance at Marinette's wishy-washy writing by continuing to ignore the plot of the seasons leading up to the final and the special.)

Final Thoughts

I don't think that Marinette lying to Adrien about his dad is a terrible idea. It's a believable struggle! It just doesn't fit her character's journey. They've failed to have her tell that type of lie before and they had her tell this lie after two seasons where the main lessons were how much lies have hurt her and the people that she loves. If she hasn't gotten the message that you shouldn't lie by now, then when exactly is she going to learn it? It's incredibly hard for me to get invested in characters that aren't allowed to grow and learn from their mistakes and Miraculous has made it abundantly clear that it will not let these characters grow if growth messes with the plot that the writers want to tell.

I will openly admit that I think that Marinette's lie was a last minute retcon to make there be a cliffhanger to season six, but let's ignore that and give a quick three-point plan of how you could make this ending work:

Really lean into the negative consequences of people knowing the truth about things. Nino knowing Alya's identity outing Alya. Luka getting shipped off to Brazil. Make the truth hurt Marinette at every turn. Basically remove all lies = bad consequences and have Ladybug see losing the miraculous be the result of trusting others because she trusted "Adrien" and lost, leading her to keep pushing people away

Don't let Lila be outed. Have Lila be a good president and make that part of her big plan for the next season.

Have Gabriel and Marinette get along. Gabriel has said that Adrien is like Emilie, let Gabriel see himself in Marinette, leading Gabriel to trust Marinette to be Adrien's support should the worst happen. Let the final fight be a heartbreaking moment between two people who have an actual relationship built around loving Adrien. Have Adrien going to London be a "convenient" trip to get him out of the way on the day of the evil plot and not a prison sentence so that Gabriel doesn't look cartoonishly evil. Make it feel like he cares! Sell the redemption!

Do that and, yeah, I'd buy Marinette's choice even without setup lies because you don't need setup lies! Setup lies don't matter anywhere near as much as selling this lie and the writers simply didn't do that. I don't believe for a second that Marinette would lie for Gabriel or think that this was what Adrien wanted based on the relationship season five gave us for those three characters. It is so glaringly obvious that this is nothing more than a stalling tactic that has nothing to do with Marinette's character and everything to do with the show's rule that "there must always be a secret between Adrien and Marinette." I genuinely struggle to understand how anyone sees it as anything else.

[weirdsht]

Disillusioned 26 . I Blinked and Suddenly..?

a/n: Happy last chapter! I hope you enjoyed reading this series! Also, it's my first time writing something like this wish me luck! I might upload some side stories though, there's some discarded chapters I didn't include that I think would be fun to use as side chapters.

tags: feelings have finally progressed, a bit chaotic

English isn’t my first language so there will be grammatical errors

Pls don't repost my work anywhere without my permission

Constructive criticisms and any kind of interaction are more than welcome

Requests are currently closed but my ask are still open (read pinned)

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3 months. That’s how long Cale Henituse had been gone to complete the Sealed God’s test. Time flew faster on Earth 2 but it was still a long time.

Too long.

He enjoyed his experience there. Enjoyed rewriting fate and healing his despair. He knows it will not rewrite his past nor make him forget. Nonetheless, he was happy.

But his even happier to be back to his home. To his family. 

That’s why he allowed himself to be emotional. To bask in the moment while accepting his family's greeting. Even the deadly barrier did little to ruin his mood.

Perhaps he had been too emotional. Maybe he let his emotions get the best of him.

As he stepped out of the grass bed, that’s devoid of barriers, he finally saw one of the people he had been looking for the most.

_____.

3 months. They have been apart for 3 months. Again, it was faster on Cale’s end but it was still too long of a time.

He feels his heart beat faster in his chest. And no it’s not because of the Vitality of the Heart.

Surge of emotions passed him as he stared at their face. They had been waiting at the back, letting the kids and everyone else have their moment first. A smile graced their faces as they watched the scene unfold before them.

“Welcome home. I missed you.”

_____ smiled warmly at him, and for a moment he thought his brains malfunctioned a little.

“Do you know just how much my heart longed for you while I was away?”

‘I’m home. I missed you all too.’

Okay, maybe it wasn’t just a little.

“Cale..? Excuse… me..?”

Fuck it all.

How could he do something so stupid as getting his thoughts and speech mixed up?

For a moment Cale wanted to return to Earth 2.

It didn’t help that in the corner of his eyes he could see Rosalyn holding a communication device with Alberu on the other side of the line. The mage probably called him after sensing that something interesting was going to happen.

Cale didn’t notice the video recording orb on Raon’s hand. If he did he might’ve coughed out blood on the spot.

“Cale..? Are you okay?”

_____ walked towards the silent Cale. They touched his forehead to see if he was sick or something. A blush still coating their face from Cale’s unexpected confession.

“...I’m fine. But for now, let’s talk.”

The redhead drags the healer to one of the empty rooms in the black castle. Behind them, he could hear Beacrox saying he’d start cooking dishes for Choi Han and him. 

_____ sat on a couch inside the room, waiting for Cale to speak. Their mind was too chaotic from his words to start the conversation.

“I… I mean…I’m-”

Cale stammers. It’s so uncharacteristic of him. He never stammers. But he truly doesn’t know what to say. Mind too chaotic to let proper words out.

“Take your time. It’s okay, just say whatever you want to say.”

_____ encourages him while squeezing his hand. It does more bad than good, their bodily warmth making his brain go into even more overdrive. It kind of feels similar to when he overuses Record.

“You probably could tell already from what I said earlier. I have feelings for you. I adore you.”

He decided to not make any excuses. The cat was already out of the bag, might as well make it roam around the house.

“Oh… so you do…”

Cale’s heart drops at the response. It sounds as if the healer was deep in thought.

But it’s fine, they don’t need to return his feelings. As long as they’d still be friends Cale is satisfied enough with that.

As long as their happy Cale will be happy.

“This is a bit comedic…”

_____ started speaking and Cale pushed away his thoughts to listen.

“Back at the Endable Kingdom, I told myself I would let go of my feelings for you. Especially when you were inside that orb. I told myself that I would be satisfied with our current standing.”

Oh

Oh

They felt the same way.

_____ actually feels the same way!

“I didn't expect our feelings to be mutual.”

The healer offered a wobbly smile. One that’s full of emotions.

“I have feelings for you too. And I’ve had them for a while now.”

Everything at once came crashing down on Cale. The confession being the trigger of it all. He felt a myriad of emotions to the point he wasn’t sure what he was feeling anymore.

In spite of everything he had the mind the pull them into a hug. A hug where he conveyed all the feelings he couldn’t say out loud. All the love and longing he has felt. All the hesitation and doubt.

He showed it through that hug.

The healer reciprocated it too. Showing all of their unfiltered emotions in the embrace. From their regrets to the abundance of affection they have for Cale. _____ left nothing out.

“Can I kiss you?”

If Cale is allowing his emotions to control the situation, he might as well go all out.

He opened his eyes that he didn’t notice he closed to see _____ nodding in approval.

With nothing else to hold him back, Cale leaned in until their lips touched. His eyes closing once they do.

If their hug felt as though a door opened to a field of emotions then this kiss felt like a whole new world.

Their movements are sweet, gentle. As if the other was glass that would break if they moved the wrong way. As if they were a feather that would fly away if the wind blew too hard.

Care and love were poured into the kiss. In fact, it was the only thing they could feel. The longing they felt these past months. Inhibition is now being let go after so long— concern for the other’s well-being is showing itself instead.

Such things were being conveyed in a single kiss.

And Cale doesn’t want it to end.

But alas, they are merely humans who need air to live. They also have a lot of things to get done.

“Don’t frown like that silly. We can continue later. For now, we have a lot of business to take care of.”

_____ laughed at Cale before giving him one last peck on the cheek before opening the door.

Thump!

Crash!

Several people toppled over as the door opened. There was even a communication and a video recording device in the mix.

“AHAHAHAHA! Were you guys trying to listen in? Even the rising sun of our kingdom is trying to gossip.”

Cale felt his mild irritation be washed away at his lover’s laugh.

Lover…

That sounds good.

It sounds really good.

“Is this really something that would pique your interest? Enough to eavesdrop like that?”

“But it took you long enough human!”

Raon’s chubby paw pointed at him accusingly. As if he was an avid watcher of a romance telenovela and the main couple finally got together.

Cale raised his hands at the toddler’s action. He didn’t know why he was surrendering but it felt appropriate at the moment.

“Young master, the food has been prepared.”

Ron smiled benignly as if he wasn’t one of the people eavesdropping. To his credit, he was doing it stealthily. 

But still.

“Go eat. As they said you and Choi Han looked a bit skinnier than before. You must eat your fill.”

_____ dragged his hand out of the room. Ignoring the people, and devices, flat on the ground.

Everything was chaotic. From the confession to the situation now. All of it happened suddenly, a bunch of spur-of-the-moment scenarios clustered in one.

However.

Cale and _____ wouldn’t change anything even if given the chance.

For this was their family. A mismatched group of people that somehow came together. And they wouldn’t trade it for anything else in the world.

[ateremteshezterkell]

Where is the line?

How does this even happen? A man convicted of 34 felonies—a man directly involved in the January 6th attack on the U.S. Capitol —somehow gets not only to run for president again but to win. How does he come back, claiming the right to lead the very democracy he undermined? How does a nation so proud of its justice system, of its ideals of law and order, look the other way? Where is the line? What does it say about a system, about a nation, that turns a blind eye to his crimes? How can a country built on principles of freedom ignore that threat? At what point does a democracy stop being one?

And what about the women who dared to speak up? At least 26 women came forward to accuse him of sexual assaul. These women—brave and vulnerable—bared their stories, hoping their voices would be enough to hold him accountable. They risked their own peace, safety, and mental health, believing in the justice system, believing in truth. And yet, as he claims his office, what does it tell them? That no matter how many speak up, power and influence will drown them out? We are told again and again that an accusation can “ruin a man’s life.” But how ruined can his life be if he’s now the president once again? How hollow do those words sound to women who dared to stand up? What message does this send to women? That no matter how brave they are, their voices don’t matter? That their pain is somehow always less important than the power a man holds? How can anyone tell women to have faith in justice when justice looks away so easily, so willingly?

Then there’s the assault on women’s rights themselves. Look at what’s happened with Roe v. Wade, the protection of bodily autonomy stripped away, leaving millions of women with no say over their own bodies. This new government, with its conservative grip on the judiciary, is likely to tighten that hold, chipping away at autonomy and bodily freedom until little remains. People scoff at comparisons to The Handmaid’s Tale, but isn’t this a page straight from it? How does a woman find safety, find equality, when those who govern see her rights as disposable? And with the Supreme Court potentially packed with MAGA for decades to come, where is the hope for progress? What kind of future does that create for a generation of women? What does it say about freedom when one group’s autonomy is treated like an afterthought?

And then there’s the colossal denial of climate change. This man, who calls climate change a “hoax,” who refuses to believe in science while the world watches hurricanes grow stronger, wildfires rage hotter, and coastlines disappear. How can a leader turn his back on such a crisis? And how can voters in states already devastated by floods, wildfires, droughts still support him? How does that make sense? Are they so determined to pretend these disasters don’t exist, so eager to ignore reality? What happens when there’s no coastline left, when hurricanes devour towns whole, when the air is thick with smoke and the waters too high to contain? It feels like watching a nightmare unfold, knowing people have chosen it willingly, knowing they are burying their heads in the sand. But when that sand is swept away by rising oceans, what will be left?

And yet, people wonder how certain dictators rose to power in the past. They look back, horrified, asking how it happened, how no one stopped him, how the warning signs went ignored. But is the world not seeing the same thing now? Every sign, every pattern is there, and still, people turn away, hoping someone else will step in, that it will all work out on its own. But if no one intervenes, if the world stands by hoping for the best, where does this end?

One day, people will look back on this moment, asking how it was allowed to happen, how the world stood still and watched. And then, will they see it all with the same horror, asking why no one stopped it before it went too far?

I only hope I’m wrong. I never thought I’d have to hope this hard to be so very, very wrong.

[bloomiii]

Okay, I have been thinking about Diluc and have thoughts on this post.

First, I disagree with the idea of Diluc being extremely bitchy/aggressive towards Kaeya in the early patches, especially in Venti's quest. The dialogue follows below and if anything, Kaeya is the one that is bitchy.

Diluc simply asks him to "drink responsibly" and Kaeya is the one that goes "you'd throw me out with the trash." And we learn Diluc still cares even if he won't admit it by keeping the vase. One of the main differences between Diluc and Kaeya in the early patches was that Kaeya values the past and their childhood (perhaps too much) while Diluc is the exact opposite and wants to leave it completely behind.

This makes sense for both characters. Kaeya has little hope for the future because of his fate/destiny. Kaeya feels like Diluc doesn't value their past while Diluc sees little value in the extremely naive person he was before.

And this tracks with the Diluc's message at Cat's Tail:

Even I sometimes reminisce about the carefree and happy days of the past. The warmth of the Knights, my friends, my father... Everything was perfect. But one can never return to the past. For the sake of the future, I cannot keep on dreaming in memories.

Diluc's mindset is about always pushing forward, never looking back, (which is funny with the whole turnfire lore in Natlan). One of his ascension lines says "No matter what dares to stand in my way, I must press forward."

And in Weinlesfest, he says about Razor's situation that "tragedy can drive personal growth and learning how to face it head-on is part of growing up."

In that coffee-making event, Diluc says he was "young and naive" for *checks notes* making some juice as a child.

In GAA, Kaeya encourages Diluc to do something fun with the seashell collecting, and Diluc is surprised Kaeya would remember that, because he thinks that Kaeya must have left it all behind, like Diluc wants to do.

I think Diluc has gone too far in the opposite direction, becoming cynical and untrusting, and his arc in the game is about learning how to rely on people and trust again. This is what the traveler does for Diluc, helping him learn how to trust people again. And this is why Kaeya is the first one to reach out, because Diluc, despite still caring about Kaeya (he keep his secret and he keeps the vase) sees no point in rekindling their relationship, in trying to go back to the past.

So, I don't think that Hidden Strife overly changed the nature of their relationship. Kaeya, in the manga, reaches out first, and Diluc agrees to help with his plan. Kaeya sends the first letter and Diluc reciprocates by sending letters back. In Diluc's story quest, Kaeya makes the first move by telling Diluc he is glad Diluc has an assistant (read: glad that he is trusting people) and won't tell his DNH secret.

And Diluc starts reciprocating when Kaeya reaches out. He helps Kaeya with making Jean's skin, and he adds food to Angel's Share after Kaeya mentions it. Eventually culminating in Diluc reaching out on his own in Weinlesfest and inviting Kaeya for dinner after Kaeya initially refuses.

Along with Kaeya and Diluc's different personalities, where Kaeya is mischievous and Diluc, not being very conversational, often refuses to play along and kind of just ignores a lot of what Kaeya says (Diluc's little Hmph's) may make it seem like they dislike each other.

They often give each other shit, but its not from a place of true hatred. Like in GAA with Kaeya complaining about Diluc melting his ice bridge, when he could have just left on his own if he really wanted to.

I also know that people think Hidden Strife to be a complete retcon. I also thought this. But then I came across this post that actually talked about how all of it could work without retconning. Some food for thought.

based on diluc’s story quest, he didn’t seem to know that kaeya knew (or suspected) that diluc was the darknight hero til the end of that questline, though kaeya’s letters (starting at his seventh letter, possibly his sixth) imply he might know or suspect that diluc is the dnh. i’m inclined to believe that the events of diluc’s story quest took place between the sixth and seventh letters (where kaeya goes from a more vague suggestion that dnh and diluc would ‘get along well’ to outright stating that “my lips are sealed”) which casts the final letter exchange (Kaeya’s ninth letter and diluc’s second, which was in response to that) in an interesting light.

My complicated feelings about Diluc's character is that his character stories set him up on this loss of innocence arc, this previously naive child, who learns that the world is not black and white, that people he cares about could do "bad" things, be involved with "bad" people, and that they could have good or understandable reasons for doing "bad" things. But then he is put in scenarios where it is obvious he has the moral high ground and never has to work through morally complex scenarios and hard decisions.

(Like, I read this fic where Diluc is hunting down a fatui grunt, and Diluc is like "tell me what I want to know or I kill you" and the fatui is like " you really except me to betray my country and my family for you" and chooses death. And he is forced to acknowledge the other side could have just as righteous motives and parallel it with Kaeya who would be betraying his (blood) family if he sided with Mondstadt. Or any fic where someone comes after Diluc for revenge because he indiscriminately killed fatui in Snezhnaya and killed someone they cared about. Or his whole parallel with Signora who was also betrayed by the KOF and now hates Mond and is on the side of the fatui. Or Eroch, who is corrupt, but could be said to be acting for Mondstadt's greater good by preserving the people's faith in the KOF.)

They need to reveal more about Crepus' shady actions for Diluc's arc to work (did Diluc find out his father actually did terrible things to get the delusion or was he just a stoog). They need to tell us how Diluc felt about receiving a vision under the upbringing of Crepus, who is characterized as a faithful/religious man.

"Diluc's father had once said to him that the world would never turn its back on the faithful. But now, the Knights of Favonius trampled on his faith like it was nothing. He couldn't help but wonder: What was his father's view on faith in his final moments?"- Diluc's character story 3

"Visions are a light in the sea of darkness that surrounds those who have lost their way. But for those who have faith, they are little more than badges of conviction."- Diluc's vision voiceline

And now he uses his vision, after abandoning it during his father's death, but it is just a tool to him.

And then in Hidden Strife, we get this.

"I will go out and experience all that the world has to offer, just as you have suggested. My father’s will shall find continuation through me."

Which seems to change Diluc's three year trip to something that was done with a calm mind and rational thought, encouraged by Alice as a good way to deal with his grief, rather than something done in the height of anger and grief, resulting in him almost getting killed by the harbingers, contradicting his character stories:

"After his close encounter with death, Diluc took a long hard look at his past and the anger he had harbored for so long. Acknowledging his shortcomings, he decided to join the underground intelligence network."

and

"The events of his years away had purged him of his childish immaturity, and turned him into a hero ready to shoulder his father's will once more. Each night, from the shadows, he fought for Mondstadt."

I would love to see evidence of Diluc's supposed enlightenment and understanding gained from his tragedy and his three years away.

If it's not too much trouble, could you expand on Diluc's "already incoherent characterization" you mentioned in one of your recent posts? I'm just curious cause I also feel that there's something off about him writing-wise but I can't put my finger on it.

sigh. so, at the start of the game hoyo wrote diluc as super aggressive and negative towards kaeya specifically and knights in general, and all of their interactions are very hostile. they are having bitch fights every time they are in the same room.

like, fandom likes to pretend that diluc has guilt, bc of like some anonymous message on a public board that sounds like it's diluc feeling bad, which hoyo back-wrote. but they can't gaslight me, i just recently replayed start of the game content on my new account. like first time diluc appears is in kaeya's domain after traveler and kaeya cleared it, and diluc bitches at kaeya for no fucking reason and kaeya is v passive aggressive back at him. they have bitch fight in venti's quest. diluc's entire quest is about him trying to keep kaeya from discovering he's darknight hero and he specifically makes it known that kaeya is unwelcome every time he shows up in the tavern. and he sounds negative when bringing up kaeya for any reason.

and then hoyo started to back-pedal. idk what happened, maybe the direction of the plot shifted. maybe the writer who was writing them in this conflict vein quit. maybe at the start they only had vague idea of like brothers at war with each other, and once they started to flesh it out and add nuance, they've realized that like, burning your baby brothers' eye out might be understandable in the moment of trauma and shock, but then acting like you're on high horse and treating him like garbage for YEARS after is a bit of a psycho behavior.

quick aside bc i know there are ppl who think that, um, kaeya "deserved" it and like. he was what, not older than 10 when he was left at the winery. and he was about 17 when he confessed. he was a traumatized kid who kept a secret bc his bio father told him that the fate of his entire country depends on it. get a grip. but as i said, with the same logic, diluc was also in shock and trauma, and i do not fault him the fight itself. what doesn't track is how diluc acts years LATER, when he had time to think.

so they started to drastically soften diluc AND back-writing retcons. Hidden Strife letters are all about it. They were like oh, brothers were always in contact! Diluc is not a maniac, he was polite to the knights and he told kaeya to take care :) :) :) this creates new set of problems. not only it gives diluc personality split where he was incredibly aggressive to kaeya in person, but apparently normal in the letters. But also, we have letters from Kaeya that make it obvious he knew immediately that diluc is a darknight hero and they both were chill about it. But like! diluc's entire story quest is about him trying to keep kaeya from learning that! like, come on! why then diluc did all these stupid scooby doo shenanigans with slimes and shit???

now i think they are trying to shift responsibility for reconciliation from diluc to kaeya, which is the only issue that affects kaeya's own characterization. bc they are very hard going into "all servants at winery ADORE kaeya and treat him like family and welcome him!!" and fandom like, extends it to diluc now, like diluc is welcoming kaeya too and kaeya is a silly goose who has his hang ups and refuses to visit. as if getting your eye burned off, trying to reach out first and getting "ugh, its you" treatment when you show up at your brother's tavern is just like. a lil awkward situation that kaeya himself should get over without any effort on diluc's side and he should just ~realize~ that he's still part of the family lol. and ppl justify it like "well we don't know how diluc actually feels, he probably feels guilt (anon message) and wants to reconcile". which like. so we don't know, but kaeya is supposed to figure out and reach out AGAIN, when diluc at any time could've just told him that he's welcomed.

and now in kaeya's hangout we learn more about their childhoods which tbh hurts diluc even more. like how are we gonna be pretending that diluc cares about kaeya when he returned to mond and found his baby brother, who was apparently the sweetest gentlest child in the world, his loyal shadow for entire childhood, couldn't lie, was taking punishments for diluc, and see him now becoming a high functioning alcoholic with brazenly unhealthy persona of liar and manipulator, and like NOT get worried and try to reach out. which i don't think it was hoyo's intention, they just wanted to add the tragic sweetie uwu to kaeya's characterization, but they did not think how it reflect on diluc in global context

so now diluc's characterization flip flopped in several directions, and he doesn't really has an arc or plotline going. he's kinda just there now, more of symbol than character, and hoyo just writes whatever they want for him without any regard for any previous lore

[vanha-paholainen]

Viktor NSFW hc's.

Tw: mentions of sickness, mentions of throwing up, mentions of famished body.

Soon I will see my dear Viktor again.

I made some headcanons about him. Hope someone will like it. English isn't my first language, so please, don't beat me up, I'm just some ukrainian guy.

— The older Viktor gets, the worse his legs get. Problems with joints are added to the congenital curvature. If at the age of twenty-two he was able to cover three or four kilometers in a day, and with proper stops and motivation — all eight, now, at thirty-two, it is sometimes difficult for him even to get himself out of bed.

— Viktor, in addition to the corset and leg correction shown in the series, wears compression stockings when he feels particularly lousy.

— Actually, all his meals are scheduled and strictly regulated in accordance with his medication, but this stubborn workaholic often neglects his needs, which then makes him vomit bile, faints and experiences other troubles.

— Speaking of stomach problems. Let's omit the fact that all the characters that I like, they somehow magically appear — Viktor really has a reason for problems with the gastrointestinal tract. Previously, everything was tolerable, but now, due to the side effects of phlegm-thinning lung drugs and heavy painkillers on which he sits, Viktor vomits with enviable regularity at least once every two weeks. This usually happens either in the middle of the working day or after. Sometimes he jumps up to get a basin early in the morning, because he can also be sick from pills. Because of this, his teeth are slowly deteriorating. In addition, it is in the episodes of vomiting that he feels particularly weak and pathetic.

— It is in case of an unforeseen outpouring of vomit that there is a basin under Viktor's desk.

— He often faints too. This is mainly due to overwork and lack of sleep. Over the years, Victor has learned to anticipate this phenomenon and therefore usually manages to sit down.

— Viktor washes exclusively while sitting on a special shower chair for people with disabilities. You can't sit in the bathroom in his position, and if you do, you'll get out, and standing in the shower without support is painful and tiring for him.

— If Viktor takes days off, it's just to get enough sleep. He doesn't like social events and noisy streets. It seems to him that the Piltoverians look at him with contempt, he does not like small talk, because he is used to putting meaning and sincerity into every word he says, and, besides, the noise of the crowd tires him very quickly. Even when Jayce invites him, filled with a strange sense of extrovert duty to an introverted work partner, Viktor politely refuses. He does not want to once again experience the views of the local nobility and feel like a stranger. He has enough problems without that.

— The feeling of loneliness and misunderstanding is his only faithful companion. Since childhood, Viktor has watched the fun of other children as if through bulletproof glass, and over the years this feeling of alienation from the world of people has only worsened. He had never experienced true friendship, had never loved anyone—and sometimes this realization made him hate himself so much that it was time to climb into a noose. In despair, he thought that maybe if he had been born like everyone else, it would have been easier for him. No, he never tried to be like the crowd, but loneliness often made him regret his genius. Over time, Viktor resigned himself. After all, his mechanisms will always be with him. There is no human impermanence in them. The breakdown of a certain gear is easier to predict than the cooling of a relationship.

— By the age of thirty-two, Viktor is a virgin. As mentioned earlier, he has never loved anyone, and therefore this fact is not shameful for him. He just thinks it's out of his area of interest and has no regrets about it.

— Viktor has a very significant «manhood»: 18.4 cm in length. However, he does not use it.

— Despite the extremely lousy position of his lungs, he smokes, and smokes a lot. He prefers unfiltered cigarettes, smokes about a dozen a day.

— Surprisingly, Viktor is not circumcised and is not even infertile. He is quite capable of becoming a father - but I think anyone understands that this will be the worst version of a dad that can only be imagined.

— Viktor never attached much importance to the partner's gender. He believes that there is no need to limit yourself to such extensive issues. He is bisexual (and possibly a mechanophile).

— If Viktor hypothetically has sex, he will do it with all his usual thoroughness. He will buy a pack of the best thin condoms (japanese ones can serve as an analogue from our world), purchase hypoallergenic lubricant and be very careful with his partner. In addition, before sexual intercourse, he will wash himself and immediately before the process, he will discuss everything with his partner again. It may seem superfluous, but he does not know how to do otherwise. He feels safer when he knows for sure that he is doing everything right: after all, it is not in his plans to damage someone's intestines or cervix.

— What Viktor will definitely not try in bed is the missionary position, where the heavier partner will be on top, and sitting on his face. This point hardly needs explanation.

— If Viktor finds himself in a receiving position in bed (that is, under a man), he will expect from his partner the same tenderness and attentiveness that he shows himself. Viktor does not welcome rudeness and savagery. He is thirty-two years old and terminally ill. With him, either gently and carefully, or in no way.

— Viktor prefers large partners with a good combination of fat percentage and muscle mass. No, appearance does not come first for him, the contact of mind and soul is more important to him — but opposites attract, and he will be especially pleased if his partner, regardless of gender, is an athletic endomorph with dark skin and large breasts. Sky and Jayce are perfect for his type.

— By the way, the subject of Viktor's stingy erotic fantasies are... Anatomical sketches with a female body. Yes, he prefers realism and precision even in such matters.

— Viktor treats himself differently. As mentioned earlier, he differentiates himself from society, and therefore his own nakedness seems disgusting and unnatural to him. He considers himself unattractive due to exhaustion and pelvic problems, and therefore does not like to relate himself to the general mass. Deep down, he wants to become a machine: then there will be no problems with a sick body and an imperfect mind. «Naturalness is for everyone, but not for me.»

[starlightshadowsworld]

If all the Atsushi’s in my fics met:

Beast Atsushi (Demonic Rescue): Yeah so me and Kyouka showed up and saved the Agency.

Atsushi (Tangled up): This Kyouka girl sounds really cool. I wonder if there’s a Kyouka in my world, I hope I get to meet her.

Atsushi (To be Burned): I hope so too. She’s the best I don’t know what I’d do without her.

Atsushi (Hold On): I hope you never have too…

Atsushi (To be Burned) What was that?

Atsushi (Hold On): Nothing.

Beast Atsushi (The Fallen King): Okay… I’m surprised the Boss had you help the Agency though.

Beast Atsushi (Demonic Rescue): Yeah well we had to make some changes after the last Boss died.

Beast Atsushi (The Fallen King): Your Boss died too? Who took his place?

Beast Atsushi (Demonic Rescue): Chuuya Nakahara, who else?

Beast Atsushi (The Fallen King): Ah that makes sense.

Beast Atsushi (Words of a Reaper): Hold up, what do you mean the Boss died?!

Beast Atsushi (The Fallen King): Yours didn’t?

Beast Atsushi (Words of a Reaper): Well it was the plan but I shut that shit down. With some help from Chuuya of course.

Beast Atsushi (Demonic Rescue): Woah. Hey wait, if Chuuya doesn’t become the Boss for you who does?

Beast Atsushi (The Fallen King): I’m the Boss. I was his apprentice and…it’s a long story.

Beast Atsushi (Demonic Rescue): Sounds like it.

Atsushi (Tangled Up): Man I should’ve overthrown the Boss when he locked me down in that cage.

Beast Atsushi (Words of a Reaper): Dazai locked you in a cage?

Atsushi (Tangled Up) Oh no not him. My old man, he was the last Boss it’s a whole thing. But I got imprisoned and Dazai found me and said he was gonna get me out.

Atsushi (Twilights Embrace): Trust him on that he will. He saved me when I thought I had nothing left to fight for.

Atsushi (You don’t know) Yeah, he saved me from my cage too.

Atsushi (Scattered Pages): He saved you from the Headmaster?

Atsushi (You don’t know): No, see I made a deal with Fyodor and then betrayed him. To save my friends of course. It worked but I did almost die.

Atsushi (Twilight’s Embrace) Wow I almost died because of Fyodor too.

Atsushi (Scattered Pages): I’m glad you both survived.

Atsushi (Red and White): That’s our friends…always there to save us but we can never save them.

Atsushi (Scattered Pages): Ain’t that the truth. But things work out, in their own way.

Atsushi (To be burned): Yeah I mean I had…a rough time but it’s why I’m able to save people. So they aren’t hurt like I was.

Atsushi (Red and White): That doesn’t mean you’ll succeed.

Beast Atsushi (The Fallen King): Okay we lost the Boss. He lost his Boss who was also his father-

Atsushi (Scattered Pages): Same here, but my dad was Odasuku.

Beast Atsushi (The Fallen King):…I have so many questions. But anyway, they lost their father and he lost Kyouka. Who did you lose?

Atsushi (Red and White): Everyone.

[gliphyartfan]

Hi I saw your last headcanons about The heroes joining The Villains to take down Hylia for readers sake(I really liked The headcanons, They were really good) But i have my question about The zeldas, I cant stop thinking that They would get an interest in The Reader (Maybe Platónic, maybe Romántic Is up to you) And I cant stop thinking that they Would join The chains plan to take down Hylia(Maybe The Make a truce with The chain to take down Hylia with The less count of possible deceased people to finally kill The Villain) I dunno i had this idea and I had to say it, hope you have a nice day

First off…I’m not much of a fan of the princesses…

BUUUUT, I can accept coming up with ideas about them for others…BUT NOT OFTEN!

Anywho I haven’t put much thought on all of them so I’ll just do a few. Sorry 😅

Sun wouod have the most complicated feelings here since she’s literally Hylia reborn as a mortal. Her interest in Reader would likely be tied to a deep guilt and sense of responsibility, she’s living with the burden of what Hylia does to Reader. Yeah the Hylia that did it is FAAAR into the future, but it’ll a version of her who no longer is SUN.

She probably sees helping the Chain as a way to make amends, even if it means going against everything she was once meant to represent.

She probably sees Reader as almost sacred and feels like she owes them something she can’t fully repay.

She wants to protect them, and there’s this raw, almost reverent quality to it. She’s the one who might pull Reader aside to give them quiet reassurances, to show that she’s on their side despite the history that hangs over her head.

Some of the guys, like Time, Legend, and Warriors, maybe Wild might not fully trust her, understandably so.

They’d question her motives and wonder if, when it comes down to it, she’d side with Hylia.

Sun would be determined to prove her loyalty to Reader, and that might lead to some pretty heated arguments, especially with heroes who are cautious around her.

Artemis wouod be all about strategy really teaming up with the Chain as a logical choice to take down Hylia, not just for Reader’s sake but also for the sake of her people. Considering hers is literal a war-torn era and even if the timelines were repaired, the damage the war did to HER era specifically is still there .

She’s not sentimental about it; she just wants to get the job done with minimal fallout.

Buuut seeing how devoted the Chain is to Reader, she’d definitely gain a lot of respect for Reader.

She’d have a lot of admiration for Reader, seeing them as almost warrior like in their own right. She’s drawn to how Reader stands up to things way beyond their control and keeps pushing back. There would be no flowery language from her; she simply respects Reader, and it shows. (Friendship no jutsu will happen eventually, it just takes time for her to warm up to Reader.)

Tetra would be in this for her own reasons, but helping Reader aligns well with her goals. She, like Wind, isn’t familiar with Hylia but seeing the Chain actively fighting against her is all she needs to dive in. Especially when she warms up to Reader. She’d be on board to take Hylia down without a second thought.

She would be egging the Chain on to take bold steps against Hylia. There’s no hesitation on her end; she’d be telling them, “If you’re in, go all the way.” Her approach would definitely add some urgency to their plans, maybe pushing the Chain into action when they might otherwise hesitate. (She’s a pirate, what do you expect)

She’d be the semi-tsundere, definitely would warm up quickly to Reader, especially if Reader adores her pirating stories or genuine is interested in learning how ships works.

Aurora probably the most lowkey out of all of them, but don’t underestimate her. She’d see the Chain’s determination and want to support them out of a genuine belief that Reader deserves a better fate.

Her relationship with Reader would likely be gentle and kind, she’s the one offering small comforts.

She sees something special in Reader’s humanity and probably feels they’ve been through way too much already.

She’d be the one who connects with them in quiet moments.

She’d mediate between any Zeldas who don’t see eye to eye. If Artemis is pressing for strict strategy while Tetra is pushing for impulsive action, Aurora would be the voice of reason, urging a balanced approach to keep them all on track

And….thats all I could come up with. Sorry I couldn’t think of the others. I may come back to this later if I think up more.

(I won’t mind writing for the Zeldas. It’ll just take some time 😅)

[lovelylogans]

debutante

previous chapter / chapter five

part of the wyliwf verse.

warnings: mentions of transphobia, food mentions, alcohol, kissing, mentions of child abuse, but nothing actually happens (virgil suspects something and dee mentions parenting attitudes that aren’t healthy) also a mention of harassing women, but it’s more of an abstract than any actual harassment. please let me know if i’ve missed anything else!

pairings: logince, moxiety

words: 21,961

notes: fifth verse, same as the first: i hope this can serve as a distraction for some of you today—please go out and vote if you are in the united states!! i'm actually posting this as i'm in line for my ballot so i can vote before work! there are so many important issues on your local ballot (several states have potentially life-saving but certainly life-altering provisions on ballot this year for a lot of folks!) in addition to national-level stuff! and, in regards to why this took so long to get here,

⁂

janus looks at the jar skeptically, his arms folded across his chest.

“this. this is your favorite food?”

logan tries not to take the slight too personally, but he offers the spoonful of loganberry jam to him again.

“yes, it is,” logan says. “i said nothing when you said your favorite food.”

“because my favorite food is normal,” janus grumbles, but he takes the spoonful anyways. “but seriously. just straight up jam?”

“crofter’s loganberry jam,” logan corrects. “followed by the rest of the jams that crofter’s offers.”

janus sighs, but ingests the jam, presumably in the name of getting to know each other better.

with the introduction of a name, logan had thought to propose getting to know each other better; so now logan knows janus’ favorite color (yellow) his favorite book (the art of war) and his favorite food (he’d said mille feuille, then admitted it was really pretzel m&m’s, which perhaps was a more conventional choice than a specific type of jam.)

logan watches him, hawk-eyed.

“so?” he says when janus swallows.

“i mean,” janus says. “it’s a good jam, i guess?”

logan sighs, but accepts that janus’ education when it comes to jam is a work in progress. that’s fine. in the meantime, logan will prepare a jam sandwich as a midnight snack. he dearly anticipates the day when he is no longer a teenager and therefore no longer so hungry all the time.

⁂

janus waits a long time to change into his pajamas.

logan gets up, presumably to go to the bathroom, and comes downstairs with an overly large hoodie without preamble, or even mentioning it at all, really.

janus refuses to smile, but he does change into the pajama set his parents bought him, with a big hoodie advertising a sideshire save-the-bridge fundraiser.

⁂

“why are you making me watch this,” logan groans.

“because it’s a cultural touchstone, hush,” janus says dismissively, staring at the screen but really staring at logan out of the corner of his eyes, trying his very hardest not to start cackling.

“this sex scene has been going on for three minutes!”

“cultural. touchstone.”

“you’re doing this to make me suffer,” logan accuses.

“obviously,” janus says. “that’s the whole point of making someone watch the room for the first time.”

“i should have just lied when you asked if i understood that reference,” logan mumbles under his breath, pointedly avoiding looking at the screen.

janus, in deciding to go full obnoxious, croons, “yooou are my rose, you are my rose, you are my rooo-ooooo-ooooose—”

logan pulls a pillow over his face and declares, muffled, “i hate you.”

“save it,” janus says dismissively. “we haven’t even gotten to the flower shop scene yet.”

“the what?” logan says, peeking tentatively from behind the pillow.

or the other terrible subplots, janus thinks gleefully. he’s not a huge fan of the room, himself, it’s not like he’s proudly in the cult following for it, but being able to show it to logan for the first time is something he absolutely cannot miss out on.

⁂

“but it makes no sense,” logan practically howls at the screen as the credits roll, janus laughing so hard he can barely breathe.

⁂

“christ, isn’t your boyfriend a dancer?” janus complains, shuffling his feet out of the way.

“my boyfriend is the dancer,” logan says, scowling. “my boyfriend.”

“either way, he needs to bring you in for extra waltzing lessons,” janus says. “poppy is going to kill you if you step on her toes even once.”

logan goes a little pale at that.

⁂

“why this,” janus groans, tempted to do what logan did and put a pillow over his face.

“you picked a movie, now i get to pick a movie,” logan says smugly, and janus considers throwing the pillow at the screen. the only reason he doesn’t is because he somewhat respects ken burns, even if logan picked his most boring documentary ever.

⁂

“this is ridiculous,” logan says.

“it’s meant to be a traditional sleepover activity,” janus says dismissively, counting each curl of the spiral, tapping the paper with his pen. “the internet says so.”

“yes, famously lauded for accuracy, the internet,” logan says. janus ignores him and starts crossing off options, counting under his breath as he goes.

“okay,” janus says, straightening the paper with a great deal of fanfare. “you’ll graduate from princeton—”

“surprising.”

“—i know, quite, i’d had you pinned as an east coast man—after majoring in chemistry, that’s a bit of a departure, isn’t it? but after you graduate, you’ll marry bowman—”

“bowman?!” logan says, aghast. “bowman wasn’t one of the options!”

“i editorialized,” janus says dismissively, “and you’ll have a hundred and two beautiful children—”

“where did you get that number?!”

janus ignores him. “—but you’ll settle in los angeles and live in a cozy little shack—”

“well, i’ve done that before,” logan says fairly, and janus tries his hardest to hide his wince as he continues.

“—and, funnily enough, you’ll be an astronomer. the end.”

“this game is ridiculous,” logan says, snatching back the notepad, before he hesitates and looks at janus.

“all right, fine,” he sighs, and readies the pen. “mansion, house, apartment, shack, those are listed. marriage options?”

“jeff bezos, bill gates, and elon musk,” janus says briskly.

“those are all terrible options,” logan says, disgusted. 

“those are all terribly rich options,” janus corrects. “if this is going to be my imaginary m.a.s.h. life, i will live lavishly due to the money my husband will provide. i don’t have morals, i’d gladly be a sugar baby.”

“you don’t get to pick all your spouses,” logan says. “you married me off to bowman.”

“i’d argue elon musk is worse than bowman,” janus points out. 

“narrowly,” logan says under his breath.

⁂

tristan, janus reflects, has to go, of course. 

if not for his being racist toward janus—which is, admittedly, a more self-preservational factor that has put janus into plotting more actively than he has in the aftermath of almost everything else tristan has done. this includes that tristan cheats poorly, lies without even being clever about it, peacocks about with absolutely no sense of swagger or charm, is generally obnoxious, and somehow manages to both virgin-shame and slut-shame girls at their school without imploding from the hypocrisy of it all—

wait. he’s getting distracted.

if not simply for everything else tristan has ever done, then certainly for the note that’s been smuggled into his pocket.

the question, of course, was which plot to pick: to go out with a bang, or to pick a piece of blackmail so heinous that he’d shipped off to military school, with absolutely no time to lose…

⁂

“—and that’s how you say where can i find a newspaper in french, creole, and portuguese,” janus says. “i mean, your next problem would be if you could read it or not, but.”

“i wish i knew another language,” logan says thoughtfully. “the closest i have is latin, and that’s not exactly something i can use to converse with people.”

they’re both lying on their backs, staring up at the artificial ceiling of the pillow fort. 

“i mean,” logan amends. “i know some conversational spanish, but. certainly not fluent.”

“spanish?” janus asks sleepily.

“roman,” logan explains, and janus makes an ah noise. then, “portuguese?”

“childhood nanny,” janus says. “she’s from the dominican republic, not haiti, but. she did teach me some things about haitian culture.”

“i met her, didn’t i?” logan says. “at your grandmother’s.”

“yes, you did,” janus says.

“creole from haiti,” logan guesses, and janus mm-hms.

“and you mentioned your grandmother was french,” logan completes.

“yeah,” janus says, and even logan can pick up the edge in his voice. logan props himself up on an elbow, furrowing his eyebrows.

janus looks at him, arching his own eyebrows, and repeats, “haitian.”

logan flushes, a little bit, remembering the (very little) amount of haitian history they’d covered in their mutual world history class, and the (slightly more, but still not exactly a wealth of information) studying he’d done in his free time.

“right,” logan says quietly. 

“i’ve got ideas,” janus says darkly, staring up at the blanket ceiling. “my adopted ancestors’ vast fortune? it’s going to go straight into a trans, black haitian’s pockets. they’re probably rolling in their graves.”

logan is quiet, for a couple moments, before he says, “good.”

janus’s grin unfurls as he stares up at the blanket, daydreaming about how best to squander that fortune.

⁂

they’re lying in the pillow fort, mostly quiet, logan on the edge of sleep. but then, tinny and muffled, as if from a phone speaker:

your touch, pullin' fire out of me your touch, like the wind crashing on the sea...

“i am going to kill you,” logan declares, even if he does start laughing when janus does.

⁂

patton staggers down the stairs, stifling a yawn with his hand, and he has to stifle a smile at the sight of a blanket fort in his living room, just big enough for two teenage boys.

he edges around it carefully, heading directly for his first stop every morning: the coffee maker.

by the time the coffee maker starts making those slightly alarming sputtering noises that always makes patton think he should probably get it looked at, the boys emerge from the fort, bleary-eyed and honed in on the scent of fresh coffee.

“mugs in there,” patton mumbles to dee, who grabs three at random and pushes them toward patton so patton can pour, the coffee steaming and diffusing its delectable scent all throughout patton’s tiny kitchen.

there’s a stretch of silence only broken by the sound of sugar shaken into coffee, the pouring of milk, the clattering of a spoon against ceramic, and sipping.

by the time patton’s three-quarters of the way through his mug, he feels much more like a human.

“hope you boys slept well,” patton says, his voice not quite at its usual level of perkiness—he’ll need another mug of coffee for that. “do you have any preferences for breakfast? dee, you’re the guest, you can pick—we could go to virgil’s, that’s got diner breakfast—”

a strange expression flashes over dee’s face. patton takes note of it but doesn’t mention it.

“—remy, he runs the café in town, he does some good breakfast sandwiches… or fran’s, she’s got danishes and little pies and things. she runs the bakery near town center, you might have seen it.”

“fran’s,” dee says decisively.

patton nods, drains his mug, and reaches for a travel thermos. “i’ll go ahead and get going for fran’s, then, it can get a bit busy on weekend mornings. logan, could you fish out a menu and show it to dee? either of you can text me with your orders.”

both boys make sounds of affirmation, mostly preoccupied with consuming as much coffee as possible.

patton can’t really talk; he’s busy trying starting to drink the coffee from his thermos while simultaneously hunting for his house keys.

⁂

is the taste of cinnamon rolls in these small-town bakeries the entire appeal of living in a small town with an entire store for christmas lights? janus can now slightly better understand the appeal of living in a small town, if so.

squidgy without being mushy, just enough cinnamon to keep it from being sickly sweet, just enough icing to keep the whole thing moist, paired with the unexpectedly spectacular coffee from remy’s café…

janus eats three in addition to the rest of the pastry selection patton had generously gotten for them, and is only slightly regretful when a food coma signals its impending arrival.

but, as all things do, his visit to bizzare-o-town comes to an end—he’s put on his clothes and returned the hoodie logan had lent him, he’s tucked patton’s phone number into a small, almost-hidden pocket in his duffel bag, and he stands on the sanders’ surprisingly roomy front porch with logan, patton waving them both out with his ever-cheerful air.

“where are you going again?”

“newsroom,” logan says, shouldering his own backpack. “at this point, i think rudy’s just coming up with new typos to make sure i come around at least once a week. it’s ridiculous. look at this.”

janus obligingly looks at a newspaper, grimacing at the blatant inconsistencies of the use or lack of an oxford comma scattered across the page.

“we use ap style,” logan says mournfully. “he knows about proper comma placement. i know he knows about proper comma placement.”

“well,” janus says, striving for something polite to say, only ending up with, “best of luck with that.”

logan sighs, tucking away the newspaper. “i will require it.”

he holds out his hand. janus shakes it. (he notices only during the drive home his absolute absence of any hesitation.)

“i’ll see you at school.”

“see you at school,” janus echoes.

it’s probably the absolute lack of tension that is serving to make janus feel strange. since the beginning of the school year, they’d been picking at each other over grades, and he’d been needling logan for so long, it feels odd to leave without some kind of academic repartee. 

and, well. who is he to break from tradition, after all.

the entire reason for this gathering being to forcibly break tradition aside.

so he adds, “i bet my score on our science exam is higher than yours.”

“it will not,” logan says, looking affronted. 

janus snorts, shaking his head and starting down the stairs, heading for his car. “whatever you say.”

“it won’t!”

“four point margin.”

“absolutely not! your score will be less than mine by two at most!”

“i’ll make it mine is six points above yours!” janus calls, sliding into the driver’s seat, and sees logan shaking his head and probably muttering to himself.

janus rolls his eyes, but his lip turns up at the corner a bit more than usual as he drives down a rinky-dink little residential street and is that an old couple walking a cat in a stroller?! who put drugs in this town’s water supply?!

⁂

“hey, over here!”

the jolly bell fixed to the top of the door of this (admittedly quite cool) coffeeshop has barely rung before poppy’s attention is called to a corner lit by a big, dramatic brass lamp, where two fat, squashy buttery leather armchairs are framed on either side by bookshelves containing a boggling number of books in seemingly every genre and cool little bits of artsy decor.

poppy waves to lauren, before she points to the bar in a wordless offer. lauren, in answer, holds up her own to-go cup, waving her on to order.

poppy loves coffee.

poppy isn’t allowed to drink coffee. 

well. decaf is fine. but the reason she isn’t allowed to drink caffeine “should be self-evident,” according to her mother. so this cuts down a bit on her café offerings.

the barista—who has the largest cup on offer in one hand, and his phone in the other—barely glances away from his phone to look at her over the frames of his sunglasses.

“what do you want?”

okay, blunt. poppy can appreciate blunt. 

“the honey lavender latte. decaf,” she tacks on.

“size?”

“large.”

“hot or iced?”

“iced.”

“anything else?”

poppy shakes her head, nods when he recites the order back to her, taps her card when asked, and shuffles off to the pickup area to get her coffee, taking a moment to look around.

all of the machinery is sleek, decorated in white and black, down to the framed wall art beneath the menu. the barista is talking on his phone, now, gesticulating grandly with his truly enormous cup of iced—tea, she’s pretty sure?—behind the espresso machine, even as he’s pulling a shot for her drink. it’s frankly an impressive display of multitasking. 

she looks around the room. there are other chilton people here, but not many, and most of them upperclassmen lingering in sideshire before they have to retreat back to the horrors of the workload of their junior and senior years. 

there are a few of sideshire townsfolk, too, most of them chattering in polite undertones, lounging on the couches are the same buttery brown leather of the armchairs. there are also a couple of modern black rocking chairs cushioned in white, also under a couple of those big, brass lamps, all so similar in style; it all looks right out of a period film’s library mashed together with a sleek, black-and-white modernist look. poppy’s burgeoning designer brain can appreciate the adherence to an aesthetic, and this place has it in spades.

the entire place is very… cool.

poppy isn’t very well-versed in how to handle cool. her peers have made this very clear to her.

she scoops up her order when called with a quick “thanks,” and scoots her way over to the other armchair.

“hey!” lauren says, immediately shifting her laptop so poppy can see. “i’m just getting the most likely stuff features onto a flashdrive—what d’you think on this one?”

poppy examines it. it’s a good shot, ana and janey talking, heads leaned in close, fan angled just so to shield what they’re saying from their seat neighbor, but not enough to obscure their faces. ana smirking in perfect profile, janey’s laugh covered in dramatic shadow. 

“that’s good,” poppy says, then, with much more honesty, “well, with a bit of color grading…”

lauren laughs ruefully. “yeah, i know. it’s juuuust cloudy enough to mess with my exposure settings with all the windows in there, let me tell you. i’ll chuck it into the folder of likely contenders and meet up with mel to whittle all the options down on monday. do you wanna help? if you don’t, i can just do it later. i’m procrastinating on an essay for mr. medina.”

mr. medina teaches sophomore and senior honors and ap english. poppy isn’t sure how she’ll handle it next year; he’s a fine enough teacher, sure, but he also doesn’t seem to be the sort to do things when poppy tells him to, like some other teachers at chilton. one compliment to mrs. caldicott, for example, and she’d probably eat out of the palm of poppy’s hand.

“sure, i can help sort photos,” poppy says, wondering if this is some kind of test. she doesn’t know lauren very well—should she just agree with everything she says? will lauren be the sort to get ruffled up if disagreed with, or would she think poppy a suck-up if she didn’t?

and photos, too! so prone to artistic disagreement. so prone to subjectivity! at least design tended to have some very classic rules. poppy knows less with photography; rule of thirds, and that was about it.

“cool, thanks—i don’t have many left, i don’t think, let me get it set up here…”

poppy takes a nervous sip of her beverage as lauren plugs her laptop in to charge, then angles the screen so they can both see it without too much glare. 

the drink is good. very good. just sweet enough with the honey, just floral enough with the lavender, but the drink isn’t too sweet nor too floral nor too bitter from the coffee; all the flavors work in perfect concert with each other. it’s the sort of good that makes poppy very happy she’s taken a risk and gotten a large, and she’s already mentally plotting an excuse to come see logan just so she can swing by this coffeeshop again. 

“okay!” lauren says brightly, enlarges the photo, and poppy can’t help but snort, then wince.

but—it’s, objectively, a bad photo. it’s an insanely blurry shot; it looks like lauren accidentally snapped a photo on its way into her camera bag, focused mostly on the ballet studio’s wooden floors.

“okay, yeah, immediate no,” lauren says, also laughing, which makes poppy’s shoulders relax, just a bit.

she also files the information away; lauren is, at least superficially, okay with laughing at herself. that’s useful intel.

there are very few other immediate nos in there; one where kai, lauren’s boyfriend (poppy thinks? she’s not up on the gossip. she has better ways to spend her time) has stolen lauren’s camera and attempted to take a selfie with it, missing most of his face and instead capturing a surprisingly steady photo of their own shoulder. there’s one where tristan dugray is obviously in the middle of sneezing. (her mother says that poppy ought to have a crush on a boy like tristan, who is objectively handsome, poppy can yield that, but he’s just… such a jackass.) 

a few others pass in that nature; people who turned at the last second, awkward blinking, action stills that aren’t very photogenic, but the one five photos after that are, that kind of thing.

but the rest of them are remarkably well-composed, featuring a mixture of chilton students, not just those who are popular. there’s a mix of dynamics, of expressions, of poses; even as poppy tries to peruse them with a critical eye, as she gathers that lauren does actually want to know her opinion, it’s obvious that lauren has a talent. 

she says as much as they wind down on the end of the photos, lauren detaching the memory card reader from her laptop and packing it away into a teeny tiny little case.

“aw, shucks,” lauren says, grinning, starting to dissemble her camera with swift, practiced motions, detaching the lens and reaching for a microfiber cloth. “i mean, i’ve been taking photos since i was a little kid, i’d hope some sort of talent would have rub off on me by now.”

“so you’ve always wanted to be a photographer?” poppy asks, immediately intrigued. 

lauren hesitates, pausing from polishing the lens.

“...um,” lauren says, and laughs a little bit, awkward, and poppy immediately know she’s overstepped. she doesn’t know how—this is a frequent occurrence—she just knows that she has.

“sorry,” poppy says hastily, knowing that this is typically the smoothest path to resolution.

“no, no, it’s fine,” lauren says, waving her hand. poppy watches the cloth flutter like a flag in the wind. “um—i dunno, it always just gets a bit… you know how chilton is.”

“they do tend to prioritize STEM careers,” poppy agrees hastily. this is a boon for her, considering she intends on going into medicinal research, but she can see how this might be a bit of a struggle for someone more artistically inclined.

“yeah,” lauren says. “um. it’s more… i don’t know what i want to do. actually.”

poppy freezes.

the idea is such anathema to her that it’s boggling her mind. poppy knows her life and who she’s going to grow up to be ever since she had a concept of herself. high school at chilton, college at harvard, then staying at harvard for med school, then making a career in cancer research. that’s it. path plotted.

“like,” lauren says, “at all. i mean, i like photography a lot! i really enjoy mel’s class. but do i like it enough to stake my entire college experience on it? to make a career in that? i really like to bake, too, but i don’t want to be a baker. same with chemistry. same with—everything. i don’t even know which colleges i’ll apply for yet.”

that’s insane. objectively, poppy thinks.

(it’s not.)

even if lauren wasn’t also a chilton student—who famously set their students rigorous exercises and standards for the collegiate application experience—she doesn’t even know where she wants to go?!

“like,” poppy echoes, lost for words. “...at all?”

“like at all,” lauren agrees miserably. “i’m seventeen, anyways! who the hell has their life figured out at seventeen?!”

she does not give poppy an opportunity to answer—probably good, because poppy would have said something like well, i’ve had it figured out since i was four—before she says “no one! no one does! why is society set up like this?!”

“...historical precedent,” poppy decides to say, because that feels safer than offering any emotional input.

“historical precedent is stupid,” lauren grumbles. “all i know i want to do is keep spending time with my boyfriend, take pictures, bake things to bring into class, and probably be editor in chief next year, because i really like the idea of spending more time with mel and molding the paper into the best it can be, not because i know for a fact that i want to be editor in chief someday and i want to put it on my resume.”

wow. poppy and lauren really are different.

“is that too much to ask?!”

“no,” poppy says because, objective wildness of not planning your future since you’ve had a concept of time aside, it isn’t  a lot to ask.

“thank you,” lauren sighs, flopping back into her armchair, then meets poppy’s eyes for the first time since she’s started this little tirade.

“oh, god, i’m sorry,” lauren says. “sorry. it’s just—my parents were getting on me about it right before we got here, they want me to buckle down, like, four years ago, and it’s… sorry. i shouldn’t have put all that on you.”

“no, it’s okay,” poppy says, once again relying on that old faithful of Societal Norms. 

“here i am, freaking out, and here you are, with—” lauren gestures vaguely. “a painstakingly organized agenda and a straightforward trajectory and a—a purpose. a future, a plan. i mean, cancer research, wow!”

it is pretty wow, but poppy thinks it’d be pretty insensitive to bring that up at the moment, as lauren is currently burying her face in her hands.

“i’m all—mess, and you’ve got everything figured out,” lauren finishes. 

“not everything,” flies out of poppy’s mouth before she can even consider a response.

lauren peeks through her fingers, arching an eyebrow.

“i know it sounds—silly,” poppy says, haltingly. “but—you’ve got things figured out that i definitely don’t. i mean—my mom would kill for me to have a boyfriend and do social things like you do.”

“your mom has her priorities a bit skewed.”

“i know that,” poppy tries not to snap, “but that’s—what it is. people like you, you get involved in things, and i can’t even figure out which stupid secret society to join because, even though i have all the family connections, neither of them really like me enough to invite me before now.”

welp. there it is.

poppy knows she’s an acquired taste; the trouble is, she’s never met anyone particularly patient enough to actually acquire it. dee has come close, she guesses, but he’s so hard to read that it’s genuinely difficult to tell, and even then, it’s because they’re “of a like mind,” according to him.

which—considering dee’s reputation within the chilton social stratosphere—is not particularly comforting.

“oh, poppy, that’s not—”

“i’m going to have to suck up to francie jarvis all year if i want to get into the puffs, she all but told me that outright,” poppy snaps. “help her with her homework, secure her a prime spot in the parking lot, organize her locker, scrunch up the plastic strands on her pom-poms to make them fluffy. i’d have to do everything except give her a manicure, if I had any talent with an orange stick.”

“but there’s the—”

“—clairs, i know, but no one’s even approached me about the clairs, even though i have cousins who graduated from both sororities! my family's name and reputation, not to mention my entire future, all depend on me getting into that group—”

“okay, first of all,” lauren says, “the entirety of your family’s name, reputation, and your incredibly bright future do not all depend on which clique you’re in in high school.”

“—my mother was a proud puff,” poppy continues as if she hasn’t spoken, because really, what a ridiculous notion that the world was not pinned on the minutiae of decisions you make in high school, “and my cousin maddie. the connections maddie made with the puffs got her an internship with the supreme court. but my father’s sister was a clair, and so was my cousin ruth. the connections ruth made with the clairs got her an incredible job managing celebrity pr, which sounds like hell to me but she’s thrilled as anything—”

“poppy—poppy!” lauren’s holding up her hands in supplication, and poppy promptly shuts her mouth.

did that guy behind the barista bar screw up and give her full caffeine?! she surreptitiously looks at the sharpie markings on her cup—no, marked off as decaf. hmph.

“okay,” lauren says, speaking in a soft, quiet tone, the way one might talk to an easily startled bunny or something of that nature. which is ridiculous, even if poppy’s shoulder’s relax a little at the sound of it. “first of all: i don’t know about the puffs, but clairs don’t recruit until the last month of your freshman year.”

poppy blinks.

“which wouldn’t be for a minute, for you,” she adds helpfully. “second, you could probably report francie for hazing—”

“it was mostly implied,” poppy mumbles.

“—still,” lauren says. “francie’s…”

poppy waits for lauren to finish that sentence, taking a sip of her drink.

“...francie,” lauren finishes delicately, as if unable to come up with any singular term that would do the work to encapsulate francie. “look. you’re smart, and driven, and you’d succeed in either sorority you wanted, or no sorority, even—”

poppy’s already shaking her head at that notion. 

“—but, hey, part of why i asked you to coffee is to tell you about the clairs,” lauren says, settling back in her armchair. 

“that would be great, thank you,” poppy says politely, trying to pack away their mutual spinouts into the distant past of thirty seconds ago, never to be thought of again. “maddie tells me all about the puffs, but ruth’s pretty quiet about the clairs. what are meetings like?”

“i mean, it’s kind of secret,” lauren says, warmly enough that it’s not entirely discounting the question, “but, i mean—you know how chilton tends to try to keep everything about the secret societies hush-hush and fails at it completely?”

poppy nods. there are ten secret societies worth cracking at chilton, and the puffs have been commonly regarded as number one for the last fifty years. a supreme court justice was once a puff. the ship to keeping secret societies hush-hush had sailed long ago for that reason alone.

“i can tell you the stuff i knew was in the public eye before i got initiated,” lauren says, “which—you probably know, but it’ll probably be good to clear up rumor-rumors from rumors based a little more in fact.”

also accurate. the jefferson has famously implied that the clairosophic society are the closest a modern girl could get to going into the woods and slaughtering chickens and drinking each other’s blood to enact witchcraft, like fabled salem witches of old.

the jefferson has also implied certain things about the puffs and their… well, poppy thinks its not too far of a stretch to mention the comparison to a cultish honeybee hive, complete absolute obeisance to their designated queen—highly likely to be francie for the next few years.

“this is different for every society—and for fraternities and sororities in college—but i can generally tell you that it’s not too different from a lot of club meetings. we have an agenda, we have questions and discussion, we do an occasional activity, we make a plan for what we’ll do between this meeting and the next one.”

vague, but poppy can appreciate mentions of agendas and plans. valuable intel. poppy is notoriously good with agendas and plans—she might be able to finagle this into a boon, regardless of which sorority she joins—

“usually, we talk about things going on at chilton, philanthropy events, any tweaks to the bylaws, social events that we’re all planning, voting for some of the more niche aspects of running a sorority… formal meetings are a lot of bureaucracy.”

poppy can do bureaucracy! poppy is great at bureaucracy!

wait.

“and… informal meetings?” poppy says.

“also a bit secret,” lauren says sheepishly. “more like… friend hangouts. don’t stress about it.”

hilarious. as if poppy has experience with informal hangouts. poppy will absolutely be stressing about it.

“you mentioned philanthropy?” poppy prompts, and lauren brightens.

“yes! we vote on a cause each year, and this year—for the past couple years, actually—we’re focusing our efforts on a children’s research hospital.”

poppy must visibly perk up at this, because lauren grins.

“i thought that might be up your alley.”

“what kind of things do you do?” poppy says, practically vibrating. depending on the puffs’ philanthropic efforts, this could absolutely tilt the scales—establishing connections at a hospital this early! poppy had previously planned on beginning to do volunteer work as soon as she was legally old enough to do some work of import at the hospital, but this was huge, this could advance her plans by years—

“a lot of fundraising—i need to pin down what i’m going to bake for a bake sale in two weeks, actually—helping out with their phone bank, some occasional office administration stuff, supporting their fundraising events. some girls—ana does it, i can give her your number if you have questions—help out in the playroom. ana’s there basically every weekend, she’s there probably the most of anyone. some of the girls on the cross-country and track teams are finagling the rest of them to join in the national 5k.”

poppy nods, absorbing this.

“we partner with a lot of their official events, mostly volunteering to do some of the grunt work. actually, wait, let me find a pamphlet for you from the hospital, i know i’ve got it here somewhere…”

lauren begins rummaging around in her backpack, and poppy takes a moment to drink her coffee and absorb this; a man in a cardigan opens a door that poppy had thought for staff only. the barista looks up, smiling for the first time that she’s seen, and passes the man a prepped to-go cup. the man in the cardigan beams, takes it, and uses his other hand to pull the barista in for a quick kiss.

poppy finds herself staring as the barista leans against the counter; they speak in quiet undertones, cautious not to let any of their words float to the rest of the café—poppy thinks she might be the only one watching, though. the locals don’t seem to care, as if this is a common enough occurrence, and the lingering chilton students are either deep in conversation with each other or scrolling on their phones or laptops with their airpods in.

what a town, where these people can kiss and no one even thinks to comment upon it.

poppy wonders if that’s what life is like outside of the mcmaster household. to be free of a world where every little thing is commented upon.

“here you go,” lauren says cheerfully, passing it over. “even if you don’t join the clairs, i hope you look into this. it’s a really great cause.”

“sure,” poppy says automatically, taking it and tucking it carefully into her bag, then, “do you really not care if i join the clairs or not?”

lauren blinks. “how do you mean?”

“like,” poppy says, gesturing vaguely. “this. this wasn’t some recruitment tactic?”

“oh!” lauren says. “i mean—not formally. i just invited you because…”

“because?” poppy prompts, eyes narrowing.

“because i really do think that we need to stick together,” lauren says. “both in terms of being journalism girls, sure, but also because i think women in general should stick together. i do want you in the clairs, but not because of the fact that you’re a mcmaster or i think you’re going to be really successful some day—which you will—but because i like you.”

poppy blinks. “you like me?”

“sure, i like you!” lauren says. “i think you’re really good at journalism and design. i like that you decided you wanted a feature and went after it. i like that you’re teaming up with logan and dee, even though dee’s kind of out there, because you recognize everyone’s talent, instead of only yours, which i think is way too common in a place like chilton. and i think you’re funny.”

poppy absorbs this for a moment. funny is not a word typically used to describe her. like is not a word typically used to describe her. she sets this aside—the words sure i like you! echoing in her mind nonetheless—and progresses.

“do you think i’d be a good clair?”

“i think you’d be a great member of any sorority,” lauren says. “but, yes—i think you’d be a great clair. you’re driven, you’re smart, you’re so focused on your own goals that i don’t think you’d care that any other clairs’ life path is a little unorthodox.”

“is that common?” poppy says, setting aside the errant thought that unorthodox might have been an invitation to pun. poppy does not pun, but enough people at her synagogue do that it feels near-instinctual to recognize the opportunity and let it float away. “unorthodox life paths, i mean.”

“very,” lauren says honestly. “i mean—my indecision aside. i know that a lot of us don’t fit the chilton mold. girls who are religious outside of christianity, girls who aren’t religious at all, girls who don’t want what society sets out for the path of a “good”—” here she uses air quotes, “chilton girl. like—liv is already setting up to be a professional bridesmaid starting in college, and that’s all she’s ever professed a desire to do, professionally speaking. bella’s thinking about going off the grid entirely and living off the land. soph leads ghost tours on the weekends with the intent of landing a rich eccentric to spouse up with. scarlet doesn’t want to go to college at all, she thinks chilton is scamming her parents.“

yes. those are certainly all off the path of approved post-chilton career paths, which mostly seem to split between “corporate,” “lawyer,” “doctor,” “professor,” or “otherwise professionally or academically outstanding so that we may brag upon our alumni.”

“yeah, you’d be a good clair.”

“oh,” poppy says. “that’s… good. but. i mean. do you think i’d… fit in, as a clair?”

“i think that’s the beauty of the clairs,” lauren says thoughtfully. “none of us fit in. but we manage to fit in with each other. if that makes any sense?”

it does, poppy thinks, stirring her drink with her straw, thinking of hattie, thinking of the barista, thinking of a future where she won’t have to bow to someone’s every whim, but one where she is instead offered mentorship and volunteer opportunities to further her future, without ulterior motive. 

“it really does.”

⁂

seline: ALERT.

francie: You know how much I hate it when you start a text message with a vague message instead of getting right to the point.

seline: right, sorry. 

francie: And learn punctuation.

seline: anyway i stuck around in the middle of nowhere right after the gathering to get some coffee, and i saw mcmaster coming into the café 

francie: Poppy McMaster? 

seline: she’s that really intense freshman right

francie: WAY too intense.

seline: and loud. and also i think she might be a robot, she never just. STOPS. ykwim

francie: She comes from a long line of us, though. 

seline: ugh. i hate nepotism.

francie: Rich of you to say. It makes the world go ‘round.

francie: Anway, I should care about this, beyond McMaster being insanely intense and coming from a long line of Puffs because…?

seline: right! so i stuck around in the middle of nowhere right after the gathering to get some coffee, and i saw mcmaster coming into the café 

francie: Get to a point, please.

seline: and she sat with lauren whatever her name is. seline: …and asking her a lot about the clairosophic society.

francie: What?! francie: But her family’s fully puffed!!!

seline: except her cousin.

francie: Who cares about her freaky cousin? A voluntary defector!!! There hasn’t been one in at least ten years, and even then, that was forgiven when she got suspended for troublemaking!!!

seline: maybe i heard her wrong, bc i was listening to that stupid video mr. gardiner keeps saying i should listen to to “improve my understanding of calculus,” but that’s what i think i heard her say.

francie: We absolutely cannot have this. 

⁂

“if katy fincher’s mom tries to butt in on coaching the cheer squad one more time, i’m going to scream,” sasha says, her face buried in her arms where they rest on the desk of their mutual english class. 

they currently have quiet time to work on their papers, which means everyone is talking in quiet voices and absolutely not working on their papers. most are instead online shopping on their laptops or texting other people on the sly.

“mood, retweet, same,” roman says, sticking a post-it in the latest poetry compendium he’s reading. he thinks logan will like this one, even if it is a bit more avant-garde that logan’s usual tastes.

“like, we get it, you were a cheerleader here fifty years ago or whatever, that doesn’t mean you get to just steamroller over our actual coach,” sasha continues, scowling. “it’s enough that she has somehow managed to nepotize katy into a flyer position, now she wants to choreograph routines to bring them back to how they were? no, thank you.”

“she wants to do what,” roman says, looking up from his poetry book. “since when?”

“i don’t even know, but joanna posner texted me that mrs. fincher has some suggestions for practice tomorrow, apparently.”

“the routines are great the way they are! we’re nearly done with the basketball season already, what’s the point of doing it now? is coach actually going to hear her out?”

sasha looks up just enough to shrug and give roman a look at her excellent cut-crease eyeshadow look today—all silvery sparkles and stark, dramatic gunmetal gray—before dropping her forehead back onto her arms. 

“this means she’s probably going to put herkies in it,” sasha whines. “i hate herkies.”

“i also hate herkies,” roman says. it’s true, it’s probably his least-favorite cheer-specific jump, which is something, because he usually loves leaps and jumps. it’s like someone ferociously messed up an attitude leap and decided to just rename it instead of facing up to the fact that they did it wrong.

“if any parent should come in to choreograph a new routine, it’s your mom,” sasha says, rolling so her cheek is resting on her arms now, not her forehead. “your mom rules at teaching routines.”

roman smiles. it’s true. his mom does rule at teaching and also at everything else.

“it was really cool to see her teach and stuff last weekend,” sasha continues. “it makes me wish i actually went to a studio to do ballet instead of trying to teach myself from barbie movies.”

“barbie’s nutcracker and twelve dancing princesses are an integral part of my ballet dancer lore,” roman says, “but yeah, she’s the best. and you did, in fact, miss out on the best dance teacher of all time.”

“not that you’re biased.”

“of course not,” roman agrees, amused. “i’m the least biased in the world.”

the bell rings; there’s a great scraping of chairs and desks as everyone gets up to go to lunch, their teacher calling out reminders on the deadline for the paper maybe two of them were actually working on.

roman tucks his book into his backpack, slings it over his shoulder, and asks, “sit with me?”

“sure,” sasha says, and so they set off for the cafeteria, briefly interrupted by a conversation with brick davis about if either of them know anything about arranging carpool arrangements—they don’t, but roman gives brick logan’s phone number because he probably will know—before they find a decent table away from the herd of people who probably sprinted here to get to the microwaves first.

elliott finds them all not long after that, sitting down beside sasha.

“hi,” they say, before peeking curiously at the contents of sasha’s lunchbox. “that looks really good.”

“thanks!” sasha says brightly, already drizzling tzatziki over the innards of her wrap. “i’d heat it up if the lines weren’t so bad today, but souvlaki’s okay cold. even if might be blasphemous to my ancestors, whatever, they never had to deal with microwave lines.”

elliott sighs a little, glumly removing a ziplock bag with what looks like a very sad sandwich inside. they examine it for a minute.

“erm,” roman says, briefly glancing up from his chicken caesar salad. “what is that?”

“i… am not really sure,” elliott says. they open it, sniff a little, and hastily reseal it, but not before the scent of heavy mayonnaise reaches roman. “and i am not entirely sure i trust that this is vegetarian, so. what’s on the hot lunch menu today?”

“umm, i think it’s spaghetti? but don’t quote me on that.” sasha adds hastily.

“sold,” elliott says immediately, scooping up their sad, mayo-infused sandwich to dump in the nearest trash can. “be right back.”

sasha, likely reveling in the fact that one of her dad’s favorite hobbies is remaking and gently tweaking family recipes until they match his elusive childhood memories of summers spent in katerini, looks on sympathetically as elliott shuffles their way in line.

“i’d bring them a spare lunch if they ever asked,” she says with a shake of her head. “i think this is the third time in two weeks that elliott’s had to buy a hot lunch because they weren’t sure if their mom remembered to pack something vegetarian.”

“ditto,” roman says, unsuccessfully attempting to spear a crouton. “my mom’s pretty good about meal prep, and even then, i live, like, right next door to virgil. he’d pack them a lunch without a doubt.”

“it’s like they don’t know they’ve got prime food access just by virtue of us,” sasha says.

“we should hint that to them. delicately.”

“for sure,” sasha agrees. “if it’s not mayo, it’s ham. if it’s not ham, it’s, like, really sad pb&js that are half-smushed inside a ziploc bag.”

“you’d think it would get better once chad graduated,” he says, then, “right, right, you’re new. chad is elliott’s older brother.”

“mm,” sasha says, nose wrinkling. “is he, like, a nice chad, or—”

“no. quintessential chad. whatever you’re picturing, you’ve probably got it.”

sasha’s nose wrinkles further, and she and roman distract themselves with eating as much of their lunches as they can until elliott comes back. 

lunch breaks aren’t exactly leisurely at sideshire high. ergo, the sprint to form lines at the microwave; the faster it’s warm, the faster you can eat, the faster you can get to talking to your friends, or visiting your favorite teacher, or stopping by your locker, or what have you.

roman’s pretty sure they aren’t leisurely at chilton, either, but roman bets the students there are a bit less social and a bit more studious with their spare time during lunch breaks.

after a few minutes, elliott drops down at their table and they, too, promptly begin inhaling their spaghetti with marinara sauce and garlic bread on the side.

“we ran into brick earlier, do you know anything about carpooling to the debutante ball?” sasha asks elliott.

they shake their head and make noise of denial. 

“that’s a good idea, though,” they mumble.

“yeah, someone should get on that,” sasha says, then, “wait, duh, i know a quick way to get an answer on this.”

she pulls out her phone and sends a text; roman sees his phone screen light up from where he has it stashed in a backpack pocket, in the sideshire debutantes group chat.

“oh, obviously,” roman says. “why didn’t i think of that?”

“just say your brain’s fried from whatever amount of planning happened this weekend, we’d forgive you,” sasha advises. “it was a really big production, does your mom do that kind of thing a lot?”

“well, she hosts a lot of town meetings,” roman muses. “and, i mean, we teach a lot of classes, but—nothing like that.”

“no, this is a pretty unique situation,” elliott says between bites. “your mom’s still really scary, by the way, it did not get better just because i took a class with her like you said it would.”

“i know, isn’t she the best?” roman beams.

elliott makes a nervous mmmmm sound as sasha says “yes absolutely she is.”

“like, hey, look,” roman says, displaying his salad. “i said i was craving caesar, and look! caesar. with plenty to spare, if anyone ever asked me to bring any spare food to anywhere for any reason, plus, like, really close access to the best restaurant in town.”

“subtle,” sasha mouths at him, and roman just shrugs. 

hey, he can be a lot of things—dramatic, ostentatious, confident—and none of those are exactly synonyms for subtle.

“yeah, speaking of virgil,” elliott says, digging out their phone. “look at my suit! dress? suit-dress?”

“swess,” sasha says, leaning over to peer at elliott’s phone screen.

“druit,” roman says, doing the same.

it looks, frankly, really cool; half perfect tux, half old-fashioned, regency-esque white dress. 

“elliott, that’s gonna look so good,” sasha gushes happily. 

roman says, delighted, “wow, elliott, it turned out great, i can’t wait to see it in person!”

“thanks,” elliott says, ducking their head. “i’m, um, i’m really happy with it, actually. i was really nervous.”

“what are you gonna do with shoes and stuff?” sasha says curiously. “oh, i could totally help you do a half-and-half look, just say the word!”

“would you really?” elliott says, looking surprised. “thanks, sasha, that would be really—really great, actually. i mostly just,” and gestures to their dark eyeshadow. “y’know. not exactly intricate stuff.”

sasha squeals happily, clapping her hands.

“i love having models to do makeup on!” she says. “my sisters are getting so tired of me bursting into their rooms when they’re trying to do homework, let me tell you. ooh, ellie, this is gonna be great! we should probably carpool then, right, if i’m your makeup artist?”

“sure!” elliott says. “we can text other people to see if there’s room in the car, or if you’ve got yours, or—” 

“totally,” sasha says. “sorry, can i just take a picture of your face, real quick? i want to make sure i have a reference for foundation matching.”

“um, sure?” elliott says, and they try their best to offer a neutral expression to the camera.

quickly afterward, not even leaning over to peek at the picture sasha got, elliott turns to roman. “how about you? i don’t think i’ve seen your dress.”

roman grins. “it’s a surprise, darlings.”

“aw, not even one hint?” sasha teases.

roman, faux-thoughtfully, taps his finger against his chin.

“well,” he says with a smile at elliott, “you won’t be the only one doing an avant-garde makeup look, how about that?”

“oh, nice,” elliott says. “i mean—not that you won’t do a great job, sasha, it’s just also nice to know i won’t be the only one.”

“i don’t think you were ever going to be the only one,” sasha says cheerfully. “it’s a ton of people smashing gender norms, interesting fashion and makeup kind of goes hand-in-hand with all of that.”

“interesting fashion seems like a theme with those chilton kids for sure,” elliott says. “i mean, wasn’t that friend of logan’s wearing a cape?”

roman scowls, more out of instinct than anything.

“uh-oh,” sasha says. “we don’t like logan’s friend? what’s their name?”

“dee,” roman grumbles, “and no, we do not like him. he’s competing with logan too hard for valedictorian, which should be logan’s in any sane world, he lied to me for the sake of his own amusement, he pokes his nose in everyone’s business, he—”

“okay, we don’t like him,” sasha says, cutting him off. “got it.”

elliott makes another mm noise.

“what?” roman says, lowering his fork.

elliott jerks their shoulders up and down in a shrug.

“no, really, what?” 

“wellll,” elliott says, drawing out the word, dragging their fork through the pasta. “does he… really suck?”

“yes, he sucks,” roman says fervently. “he, for sure, really, absolutely sucks.”

“do i detect jealousy?” sasha says, a hint of intrigue on her voice.

“you absolutely do not,” roman says fervently. “no. no way. i am not jealous of that—that jason vorhees wannabe!”

elliott’s head tilts, and their mouth pulls to one side.

“what was that face?” roman says. “i’m not!”

“weeeeellllll,” elliott says in a high-pitched voice.

“oh, go on, elliott, you know i’m new,” sasha urges. “you know all this history, i’m at a disadvantage.”

elliott shrugs, lifting a noodle on their fork, letting it drop back down into the tray. “i mean, you and logan have practically been together since kindergarten.”

“not true,” roman mutters petulantly. “if we had been together that long, i could have saved myself a lot of longing staring and yearning angst throughout the years.” 

“not necessarily romantically,” elliott adds to sasha, as if roman isn’t even there. “just, like. it was always roman-and-logan, logan-and-roman, you know?”

they say it very quickly, like they’re used to saying their names as all one word; romanandlogan, loganandroman. roman fights the urge to be sappy about that.

“if one was there, the other wasn’t far behind. they’ve always been,” elliott says, and twines their fingers together, using the gesture to finish their sentence. 

“ohhh,” sasha says, in a great gusting sigh of realization. “i see. logan moved, met this guy, and now this is a whole another person might be becoming important to the person who’s important to me thing.”

“it is not that thing, okay, first of all,” roman says, “he’s evil.”

“evil?!” sasha says, on the edge of a laugh. “he’s a prep wearing a cape, roman, i don’t know if it’s that serious.”

“it is that serious,” roman says vehemently, “he manipulated someone into punching logan, so—!”

“wait, what?” elliott says, and so roman has to catch them all up on the dastardy of dee slange.

this takes the rest of lunch break; they split off for their respective lockers and afternoon classes, roman slightly vindicated by the looks on their faces as they realize that dee slange is heinous.

“but if he did all that—” sasha begins, then breaks it off, her brow furrowing.

“what?” roman says, distracted by the sound of their class bell, putting his phone back into the perfectly sized pocket of his backpack.

elliott and sasha exchange another look.

“well,” sasha says. “i guess i don’t know him as well as either of you do, but… logan seems like a really smart guy. if dee really did all of that—then why is logan bothering to hang out with him?”

roman sets his jaw, slinging his backpack over his shoulder.

“that’s what i can’t figure out, either,” roman says, and he goes on his way to his next class before either of them can start brainstorming and come up answers that make dee even more abominable than he already is..

or, even worse—

answers that will make roman start to consider dee as logan’s misunderstood confidante.

⁂

“uh-huh. well, that’s good, at least.”

patton makes eye contact with virgil and nods as virgil speaks into the landline; virgil nods back with a little distracted smile on his face as he continues listening intently on the phone. patton contents himself with attempting to guess who’s on the phone based on the half of the conversation he’s walked into the middle of. 

“yeah, it’s all going pretty well, we had a big get-together with a lot of the kids so they all know how it’s gonna go down… probably, yeah, i’m up to my armpits in tulle, but i think i’ve gotten all the last of the last-minute folks in, so i can at least narrow it down…”

okay, someone who is interested in how the debutante ball is going, which means not someone with a strict business relationship based mostly on virgil ordering ingredients and supplies.

“...bit longer, but shouldn’t be much. you know how things get with the seasons, i’ve got a bit more downtime here and there…”

hm. virgil’s tone makes it almost like he’s talking to his mom, which would fit, except virgil’s probably talked to meredith recently enough that she’d know about the timeline, and someone else who knows about how restaurant levels vary. which leaves…

“okay. yeah, see you soon… i will, i will, he’d probably like that… thanks. bye.”

virgil hangs up the landline; if there’s one thing about landlines patton misses, it’s probably that sense of concrete finality that comes from hanging up a phone. smartphones just mean pressing a screen. no theatricality of clicking buttons, no twirling the line around a finger.

lot more convenient to carry, though. and little smartphone games! patton loves little smartphone games.

“bud or maisie?” patton asks, as virgil, smiling, leans forward, elbows on the counter. “i’m guessing maisie.”

“maisie.”

“ha! i got it!” patton crows, before leaning forward; virgil, who he is maybe in the midst of accidentally pavlov’ing, leans the rest of the way to give patton a little greeting kiss.

“maisie wants me to bring my handsome young man back over pretty soon,” virgil says. 

patton grins. he likes bud and maisie quite a bit; he’s pretty pleased that they like him back.

“she and bud say hello.”

“well, i say hello back,” patton declares, despite the fact that virgil would probably have to call them back to pass on this news. it’s in the spirit of the thing. 

“how was work?”

“oh, same old, same old,” patton says vaguely, “except i think one of the kid guests is trying to smuggle one of our squirrels into the hotel so they can smuggle it back home in their luggage.”

virgil considers this. “i don’t know what to do with that.”

“yeah, me either,” patton agrees. “logan never really got into the let’s adopt this animal phase beyond, like, frogs.” 

“ah, i remember reptile phase,” virgil says. “made it a lot easier that you lived by their natural habitat, though. i don’t think this girl can do that unless she convinces her parents to move here.”

“i don’t blame her, though. we’ve got a pretty good squirrel population. very fuzzy, very fat, very prone to posing for pictures.” 

“true,” virgil says. “we have very handsome squirrels here. good representatives to stick on a wildlife brochure. i don’t know how taylor is behind this, but i think taylor is behind this.”

“you and logan think taylor’s behind everything.”

“he is, but continue.”

“well—i don’t think tipping off the parents that their child is planning to abduct the local wildlife is really in my job description, considering she’s been pretty vocal about our squirrels, but i told the landscapers to keep an eye out for it.”

“probably for the best,” virgil agrees. 

“speaking of photogenic,” patton says, and he waggles his eyebrows. “do you have your fancy black tail outfit all sorted out?”

virgil groans—half joke, half real disdain for the stuffy uncomfortableness of it all—and rests his elbows on the counter, leaning forward. “do i have to?”

“probably not,” patton says, practical, “considering all the kids are flouting dress codes anyway.”

virgil freezes.

patton grins. “did i just now bring that to your attention?” this strikes patton as particularly ironic, considering virgil’s outfit today; a dark, silky purple button-down tucked into a breezy black maxi skirt, his eyes rimmed with black and his lips painted with burgundy to match.

virgil drops his forehead onto his arms, whining “i could have just not bought a fancy suit?!” into the counter.

“aw, poor virgil,” patton says, running his fingers through his impressively silky hair, then, “...how fancy?”

“very!” virgil grumbles, not moving. “i bought a tailored coat with and without tails because i couldn’t remember which i needed, patton! i have two fancy suit coats i don’t need now!”

“how many fancy suit coats did you have before?” patton says, curious; he thinks he’s only ever seen virgil in suits at weddings, exclusively. photographs of virgil’s siblings’ weddings—patton only ever attended one of the three, though wyatt’s triad is rapidly approaching common law marriage length of relationship had their home state allowed such—and weddings of the general townsfolk, who frequently invite him to fancy events like that since virgil’s the face and name of a town staple and all.

“one!” virgil wails. “i’ve tripled my fancy suit coat collection! how often am i going to be wearing fancy suits?!”

“well—”

“the dry cleaning is a nightmare, patton. i never remember to drop things off at dry cleaning, and then i never remember to pick them up.”

“that i know,” patton says, amused, carding his fingers this way and that through virgil’s hair. “i’m surprised you only had one suit.”

“you have to do business-y things more than me,” virgil says.

“that’s true,” patton says. in addition to weddings—the inn being a popular venue, and patton also being part of a town staple—patton also has much more frequent meetings, bank conferences, the occasional conference for inn owners that maria usually enthuses about, and general tasks that he has to do for his business degree (so close to finishing! patton really does not enjoy studying macro or microeconomics!)

virgil, on the other hand, usually only has bank meetings on the roster. suits in a diner kitchen kind of seemed like a nightmare waiting to happen.

“besides, you’ve got some fancy events coming up other than this, it’ll be nice to have spares,” patton points out—the boys’ graduation within the next couple of years, a fancy dinner or party that patton’s certain his parents will take them both to at one point or another, not to mention the Big Deal Life Events of virgil’s many nieces and nephews. 

just off the top of his head, patton’s pretty sure both wes and mikey are approaching graduation from middle school, and little baby red has had murmurs of a formal christening (primarily moira’s side of the family; silas has never struck patton as particularly religious).

patton mentions this, and virgil only sighs.

“are we done sulking?” patton says, a little amused. “can i see that handsome face, partner of mine?”

“dunno,” virgil mumbles into his arms. “the scratching feels really nice. i could stay here all day.”

patton laughs, scratches a little firmer for emphasis, and says, “we could at least take this to a couch so that you can nod off while i’m doing this, i know you’ve been staying up late with dress alterations lately.”

virgil lets out a sigh of longing, which makes patton giggle, but virgil stands upright.

“there he is,” patton coos, and virgil ducks his head—not quite blushing, but certainly smiling in that shy, bashful way patton loves.

“do you have a suit?”

“oh, my mom referred me to a tailor way back when we first got the dress,” patton says with a little laugh. “i just have to pick it up.”

“probably should have guessed that,” virgil says. “of course your mom would have a tailor on speed dial.”

a tailor. with the way that his mother has her exacting specifications for anything and everything, but especially shopping and appearances in general, coupled with her tendency to immediately fire anyone who displeases her? virgil’s adorable.

“at least i only had to get the cummerbund and coat,” patton reasons, and virgil lets out a great big gust of air.

“can we revisit that whole i lay down on the couch while you scratch through my hair idea?” virgil says. “i’ll bring dinner and the hair. you’ve got couch and the hands.”

“well, how could anyone refuse that offer? it’s a date.” patton beams, and virgil leans over, pressing an imprint of burgundy lipstick into patton’s lips.

patton refuses to wipe it off.

⁂

From: melissakramschissel@chilton.edu

To: poppymcmaster@chilton.edu

Subject: Design edits for debutante spread

I appreciate your very prompt response in getting your designs on the flashdrive and down to the journalism lab! I’ve have a few minor edits notated on the PDF attached—mostly to switch from HEX to RGB color codes and adjustments to the margin width to best fit printing standards. 

Very well done on the infographic design work—especially for a freshman! I think you may be able to progress to a more advanced course under my tutelage in your sophomore year, considering I anticipate you won’t need much help figuring out Adobe programs. I might need to ask you for pointers!

Best,

Mel Kramschissel, PhD.

  From: melissakramschissel@chilton.edu

To: dslange@chilton.edu

Subject: Story edits for debutante spread

I’ve attached the story edits from myself and James for your convenience after our meeting earlier today. Very compelling throughline—I would like the transcripts of your interviews as soon as you can get them to me, so that we can work on ensuring it’s fact- and quality-checked before it goes to print. I appreciate your work—I’m unsure if your future goals involve journalism, but I think you have a very bright future in storycraft regardless, no matter which form it takes.

Best,

Mel Kramschissel, PhD.

  From: melissakramschissel@chilton.edu

To: logansanders@chilton.edu

Subject: Column edits for debutante spread

From: melissakramschissel@chilton.edu

I’ve attached the column edits from myself and James for your convenience after our meeting earlier today. They’re mostly line edits, though I wonder if you can fit in a graph about your or Dee’s personal connections to this project, to give the story a personalized “human” element. I appreciate the citation section of the report—very thorough!—and, barring the transcript, can tell you that your work’s fact- and quality-checking is about finished. Is this how things are done at the Courant? I must commend whichever editor has instilled this habit within you, as it’s saved a great deal of time. 

Lauren’s told me some about the things she’s seen as she’s been photographer of the project, and her review of the way yourself and Dee work together has been glowing. I’ll admit I was a little hesitant about the prospect of the pair of you teaming up, given the debacle last semester, but I’m pleased to see such talented minds find common ground. 

I hope to see more works that you accomplish together, in whatever capacity (though I certainly would appreciate if they were for the Franklin!)

Best,

Mel Kramschissel, PhD.

  From: laurenpatrikis@chilton.edu

To: melissakramschissel@chilton.edu; logansanders@chilton.edu; dslange@chilton.edu; poppymcmaster@chilton.edu

Subject: Re: Debutante Spread

Hi all! 

Attached is a rough draft of Poppy’s design layout with the pictures Kram and I picked included. Comments and notes appreciated. I wanted to thank you three again for having me tag along—really fun photography opportunity AND a really interesting story for the paper! Definitely sign me up if you’ve got any more ideas.

—Lauren

  To: logansanders@chilton.edu; dslange@chilton.edu; poppymcmaster@chilton.edu; laurenpatrikis@chilton.edu

Subject: Potential meeting for spread tweaks

I think all the individual aspects of what the spread is so far are very promising. Would the four of you be free to meet before or after school in the coming week so that we can coordinate on reviewing final edits and the plan to cover the event itself?

Please let me know what works best on timing. Color me impressed by what you all have put together so far! The Franklin has a very bright future ahead of it with all of you taking turns manning the helm.

Best,

Mel Kramschissel, PhD.

⁂

the day starts off simply enough: wake up, brush his teeth and comb his hair, get dressed, go to the diner with dad and virgil, get ahead on some of his daily readings on the bus, walk to his locker to swap out some of his heavy textbooks to the other, then swing by mel’s desk to see if there’s anything else needed for their spread.

at least, he intends to swing by mel’s desk.

instead, logan enters the lab hallway to chaos.

it does not seem to be an exaggeration to state such a thing. francie, of puff fame, nearly knocks him off the stairs at the speed at which she’s storming past him; as he’s rounding the corner on the landing, someone is hastily shoving a copy of the jefferson into his chest then continuing their run to the nearest person with an empty hand; as he reaches the bottom of the stairs, hattie has an arm around summer, also of puff fame, murmuring to her in soft, comforting tones as she cries loudly into hattie’s shoulder.

in the midst of the lab hallway that logan was originally intending to traverse to swing by mel’s desk. there is a crowd the likes of which logan only sees at pep rallies or mandatory assemblies, many of them clutching matching copies of the jefferson, many of them elbowing each other and craning their necks to try and get a look at what lies within the great crush of people.

logan, despite his better judgment, cannot resist his own curiosity; he does not keep walking and ignoring it all. instead, he lingers, because he’s fairly certain nothing will get done in the journalism lab; the crowd’s chatter is slightly subdued, but that is because, logan thinks, in the middle of it all, there is a great deal of yelling.

“—oh, now he’s a CAVEMAN! What were you planning to do, knock me on the back of a head with a club then drag me back to your porsche—?!”

“—BROKEN UP, do you hear me—?!”

“NEVER—in all my years as headmaster—!”

logan blinks, startled, then shuffles vaguely, integrating himself into the great cloud of his navy-plaid-and-gray clad peers, so he can get some impression of what’s going on, then—

“shame,” janus says in a casual, flat tone, appearing suddenly at logan’s side as though summoned by logan’s sheer confusion. logan refuses to jump or startle.

“what is—?”

but then, as the trio shuffles forward, a parting in the crowd, and—

there’s a car.

there’s a car. blue. a honda accord, if he isn’t mistaken. sensible. reliable.

one he’s usually accustomed to seeing in the parking lot, not in the middle of the lab hallway.

in the basement of the school. granted, logan doesn’t know much about cars, but he is 100% certain that the doorways are not wide enough to allow this, let alone the presence of stairs. 

logan turns to janus. “how—?”

“why do you assume i know?” janus scoffs, adjusting his cape. logan still isn’t certain how he isn’t getting daily uniform infringements; logan finds himself touching the knot of his own tie, just to ensure he’s in dress code.

“you’ve been here longer than i have, i just got here,” logan points out. “wait—doesn’t the jefferson usually publish on mondays…?”

“both true,” janus says, then, “shh, charleston might go full thermobaric. he’s been due to blow his top for ages.”

logan barely even has time to mentally recall the meaning of thermobaric—containing a charge of fuel designed to ignite and combine with oxygen present in the atmosphere to produce a prolonged explosion—before charleston resumes his rant.

“—that is IT, that’s IT! I’VE HAD IT! RIGHT TO MY OFFICE, YOU THREE, AND YOU’D BETTER PRAY THAT YOUR PARENTS ARRIVE WITH SUFFICIENT EXPLANATIONS TO KEEP YOU FROM BEING EXPELLED!”

a gasp doesn’t quite suffuse its way through the crowd, but certainly a few of the more excitable members of the student population do, and—

“OUT OF MY WAY!”

a column of students shuffles awkwardly to part the navy sea, lest they get bowled over by the headmaster (and likely given a detention for it, given the foul mood he’s in), and logan beholds

ah. unsurprising.

of course it’s tristan, duncan, and bowman at the scene of the crime.

“and that’s military school for dugray,” janus murmurs into his ear. not quietly enough; tristan’s eyes dart right to janus, glaring, clearly about to say something before charleston’s “MOVE!” gets him into motion.

“military school?” logan repeats. 

“oh, sure,” janus says. “ever since the three of them got caught breaking into a locked safe of bowman senior’s, mr. dugray’s been dying for any excuse. i guess he wanted to go out with a bang.”

janus’ comment is caught by the crowd, but not by many. logan isn’t unique, it seems, for turning to the nearest familiar face to discuss the whole affair. logan hears words like cheater and plagiarism and the jefferson said flying around like a murmuration of starlings, the allegations shifting and shape-changing as easily as any flock.

logan is almost certain that, with the proliferation of gossip, the involvement of the jefferson, and the sheer number of witnesses that the number of new rumors that will crop up over the course of the school week will be dizzying in both number and any lack of logic.

mel clears her throat, loudly, from where she’s located at the end of the hallway.

“all right, everyone, show’s over!” she declares. “get to your first period, the bell’s going to ring in five minutes.”

the crowd, very slowly, begins to disperse, breaking off into duos and trios, all of them with their heads bent together, all of them talking very intently. 

well-timed, logan supposes, for this meltdown to happen on the same day that the national honors society meets before school; well-timed for charleston to catch word right as the flood of early birds (most of the chilton population) were sure to hear the fallout and come along to see the fuss themselves; well-timed that this all imploded the day that tristan and his posse decided to do something stupid.

yes, logan thinks, his eyes drifting to where janus is standing, staring, at the crying girl and the one comforting her. hattie glances up from where she’s smoothing back summer’s hair, as if feeling janus’ stare.

it’s all very well-timed indeed.

hattie and janus lock eyes. 

for a moment, just a moment, but logan can’t help but think—

perhaps, there’s something more than a last-minute debutante escort assignment there.

and then hattie is earnestly making a case to mel, asking for a late pass so she can escort summer to the nurse—”she can’t pay attention to class in this condition, doctor kramschissel, look at her—” and the moment almost fades.

almost.

even as he awkwardly tells mel that he’ll come back at study hall, rushes to his locker, stuffing his copy of the jefferson inside for later perusal, and makes it to his desk just in the nick of time, logan can’t quite shake the feeling that there was a bit more happening than an extremely ostentatious prank carried out with no thought to consequences.

(deep into the witching hour, janus drums his fingers idly against his desk, eyes roving over the password-protected folder hidden in the depths of his laptop, scrolling through a list of transgressions with a deeply bored expression on his face, drag-and-dropping attachments. he examines the note again, written in hattie’s elegant, sloping script.)

(“way past time i did this,” janus mutters, and resumes narrowing down his list of infractions to the most infuriating offenders, dropping each into folders labeled for summer, beth, jessica, kate, claire, kathy, mary, mr. dugray, mr. charleston, mrs. fischer, olivia who is “rumored” to be the current editor of the jefferson, and, just for the hell of it, tristan’s grandfather’s business email, scheduling them all to send should his plan a fail.)

(it does not fail. it’s embarrassingly easy to plant plots into bowman and duncan’s thick skulls.)

(janus sends a number of them from various burner accounts anyway, aided by a world-class vpn and a lack of presence in the hallways at school as he slips forgeries into their lockers, knowing that either bowman or duncan would be eager to claim credit for chaos.)

⁂

hattie: Splashy.

Dee: i’m sure i don’t know what you mean.

hattie: I guess I don’t either. hattie: It’s good that Summer found out in cold, hard proof. hattie: Even if she maybe hasn’t been iron-clad in monogamy either.

dee: scandal!

hattie: Maybe. hattie: Old news now, anyway. hattie: You might tell your new freshie friend that she’s about to have a redhead hot on her tail.

dee: oh?

hattie: Tradition. You know how it gets.

dee: that i do.

hattie: Do you have a ride to the ball? Mother’s insisting I get there early to stake out the best spot in the dressing room.

dee: yes, that’s handled. do they know?

hattie: My parents? They know some. I already had a formal debut last year, I think they’re just pleased I’m not pulling a Libby Dotie.

dee: debut number five this year, isn’t it?

hattie: Poor thing went right after Pukey last time. Shame that Eileen couldn’t hold her booze.

dee: a real shame indeed. midori sour is a real choice for her first blackout.

hattie: Her chances of living that down are absolutely nonexistent.

dee: you can say that again

hattie: Any chance you’ll send me some of that interesting info that didn’t make the cut for some fun reading right before the escorting…? Since we’re talking about nonexistent.

dee: i’m sure i don’t know what you’re implying about nonexistence dee: how IS dear “beau” anyway?

hattie: See you thereeee

⁂

“oh, wow!”

“i guess they paid a mechanic to do it,” logan says, “which makes a great deal of sense—none of them strike me as the sort to gain any sort of practical knowledge.”

“yeah, i’d bet,” patton says, then, shaking his head, “wow. never in all my days at chilton did someone pull a prank that elaborate. so—did it ever come out what the punishment is?!”

“tristan’s dad pulled him out of school and put him into military school, effective immediately.”

“wow.”

“—i think duncan and bowman got away with suspension, which makes sense. they’re not exactly mastermind sorts. if you passed by charleston’s office at any point that morning, though, you could definitely hear a lot of parental yelling, so i’m sure that it’ll be an extended punishment. maybe another entry for military school—apparently the three of them already broke into a safe of mr. bowman’s, so he was very loudly angry.”

“gosh, i couldn’t imagine,” patton tsks, shaking his head. he glances to make sure no one is waiting on them at this stop sign—they aren’t—and reaches over to squeeze logan’s arm. “have i told you how lucky i am to have you as a kid lately?”

“yes,” logan mutters. 

“well, i am,” patton says, pressing on the gas pedal and trundling along. “never has the thought of military school ever had to cross my mind. at least i know that whenever you get up to trouble, it’s good trouble that i can be proud of, like this deal with helping out dee—”

“dad,” logan complains, looking quietly, shyly pleased nonetheless.

“oh, wait!” patton realizes, half-turning to look at him. “all three of them were in the debutante deal, are they—?”

“all kicked out,” logan says firmly. “if not by the society, then probably by their parents, and definitely by dee and i. we’re hunting for last-minute debutantes for some of the escorts—we’re going to have to see how that goes, or maybe just scrap their involvement.”

“it’s a shame that three of the girls won’t be able to join in because their classmates were knuckleheads,” patton says, then, quickly, “don’t tell anyone i called them that.”

“knuckleheads?” logan says, arching an eyebrow. “i think we’re safe from any scandal there. there are several demonstrably worse things you could have said—they’d know, they probably got a lot of them screamed at them from a combination of parents, teachers, and girls tristan has apparently wronged.”

“still,” patton says, as he pulls into the driveway of the elder sanders’ manor. “gosh. poor mr. mccaffey.”

“he’s taken next week for vacation, dee says.”

“he deserves to—his car just got stolen, practically!—grandma might ask you about it, she’s bridge buddies with bitty charleston.”

“i’m sure it was the cause of a great deal of conversation,” logan agrees, unbuckling his seatbelt. “it certainly has been for the student body.”

“a car,” patton repeats. “how long did it take them to, y’know—?”

patton mimes unscrewing a bolt in the air.

“parts of it are still there.”

patton stifles his laughter as they approach the front door and knock. 

the first words out of his mother’s mouth are “you simply must tell me this business about the car, logan!”

“told you,” patton says in an undertone, then, “hi, mom, it’s great to see you too!”

“oh, hush,” emily says dismissively, stepping aside and waving them in. “you’ve had three days to hear all the sordid details secondhand.”

“firsthand,” logan says quietly.

“what was that?” emily says, already leading them to the drink cart.

“firsthand,” logan says, slightly louder. “i missed the beginning of it, but i was there.”

“oh, excellent,” emily says gleefully, then, “richard, put down the paper, logan’s here and he saw the car!”

“what car?” richard says mildly, folding down a corner of the paper, then, “ah, logan, patton! wonderful to see you, won’t you sit?”

“hi, dad,” patton says, settling onto his usual spot on the couch. “how was frankfurt? any sightseeing?”

“i stayed in a conference room a mile from the airport the whole time,” richard says ruefully. “i could have been in new york or shanghai, and i wouldn't have known the difference.”

“wine, soda,” emily says, pushing a glass into patton’s hands (“oh!”) and then logan’s with a sort of fervor typically reserved for new collections from her favorite fashion designers, rushing to sit at her typical place and eagerly smoothing her skirt over her knees. 

she leans forward, eyes bright with gossip she could use to lord over fellow chilton grandmothers. “now, logan, tell me everything, bitty was being quite coy with the details.”

“what details?” richard says, and emily scoffs.

“oh, richard, i told you this earlier! the situation with bertram’s boy—?”

“oh—a transfer to military school in north carolina, wasn’t it?” richard says with a general air of puzzlement.

“men,” emily tuts. “none of you remember the most pressing details. that trait’s certainly skipped a couple generations for our resident journalist—from the beginning now, logan, if you please.”

logan’s straightened up slightly at the mention of our resident journalist, and he clears his throat.

“i missed the beginning, of course,” he says, “though i’d imagine everyone except for bowman, duncan, tristan, and the mechanic they’d hired did too, considering they did most of it under the cover of night…”

even if patton didn’t have the general sense of this logan’s entire life since he’d learn to read and write, he reflects, it’s always wonderful to receive a reminder that logan was, first and foremost, a gifted storyteller, and two, that he was wholeheartedly chasing after a career that he loved—and three, that those things overlapped.

patton had gotten the general rundown over the past couple days, it was true, but it was one thing to hear the ebb and flow of various reports (procured primarily from dee, who had quite an ear for that kind of thing, it seemed) and another to hear it as one smooth, cohesive narrative with a rapt audience. 

though patton and his parents have, obviously, had some difficulties, he can never find fault with how much they adore and treasure logan. this is all the more apparent in how they handle listening to logan’s tale: they gasp in all the right places; they come in with “no!”s and “well, i never!” at all the points that call for it; richard even digs for a pen and paper so he can jot down questions he has as logan talks, ticking them off as logan continues the story.

it carries them all the way through the salad course, logan seeming to enjoy his enthralled audience, painstakingly accurate, citing sources where he can, and even dipping into what is, perhaps, a real-life journalistic no-no but something patton has seen in countless tv shows and movies: “now, this is off the record, of course, and unconfirmed at that, but dee heard…”

this also means that some of the details that logan had either glazed over or patton must have missed take place in a new sort of limelight; the car, the breakups, the expulsion, all of it painted in lurid, scandalous detail (much to the delight of his mother who will, patton knows, be gossiping about this with her bridge group next week.)

and—though patton’s pretty sure most chilton parents aren’t supposed to know about its existence unless they, like him, are alums—logan doesn’t mention the coincidental social explosion ignited by the special edition of the jefferson’s publication to his grandparents, but he had mentioned it to patton.

coincidentally, all of this on the same day.

“wow,” patton says, casual, as he stabs at the endives with a fork. “seems like a pretty big blowout to happen all on coincidence, huh?”

logan glances up at him. patton twists his mouth to one side: you don’t think it’s a coincidence, do you? he tries to impart. 

“no one knows for sure,” logan says, noncommittal in tone, but meeting patton’s eyes. 

“seems like those boys weren’t very careful with not getting caught,” patton says, a lift of the shoulder, an even more significant look: unless someone tipped the scales against them?

“it seems like it, but. no one knows for sure,” logan repeats, with a slight twitch of his eyebrow that reads, to patton, as but i sure have my suspicions.

“huh,” patton says lightly, arching his eyebrows at logan in a way that he hopes imparts i certainly have some guesses too.

“regardless,” logan says swiftly, “rest assured, grandma, that if the dar doesn’t have them taken out of the debutante ball for their behavior, the rest of us will.”

“as you should,” his grandmother says with a firm nod in logan’s direction. “no room for hooliganism in the dar.”

patton hides a laugh as a cough into his napkin. 

“the dar?” richard says mildly. “logan, what’s all this about the debutante ball? are you escorting a young lady?”

patton swivels to look at emily. 

“oh, goodness, i did forget to tell you in all the excitement,” emily says. “richard, logan and dee slange have taken it upon themselves to do a demonstration at the debutante ball this year.”

“a young lady is escorting me,” logan clarifies, then, glancing between his grandparents, “i don’t suppose you know the mcmasters? their daughter poppy is my escort.”

“poppy, poppy…” richard says, frowning.

“coppelia,” logan elaborates. 

“is it really?” emily says, blinking. “that’s… unique.”

“you see why she goes by poppy,” logan says. “she’s a freshman this year.”

“oh, yes,” emily says. “we certainly know the mcmasters. richard, you remember…”

“oh?” he says, then eyes widening, “oh. yes, i remember the mcmasters. their daughter is… ah…”

he looks to emily for help.

“poppy is very driven,” logan says diplomatically. “she’s already gunning for an editorial position at the paper. we’re all doing a feature spread in the franklin together for the event, as a matter of fact—myself, dee, and poppy, i mean, along with the help of a junior.”

“are you really!” emily says. 

“dr. kramschissel said the franklin has a very bright future ahead of it with the three of them manning the helm,” patton says proudly, then, leaning forward, “you know, she’s implied that logan’s first in line for editor in chief senior year.”

“dad,” logan complains, a little smile on the face nonetheless.

“well, of course he is!” emily declares. “a very fine show of initiative. she’d be a fool not to pick you, given your long history. you probably have the most experience in a newsroom of anyone your age who’s gone through the chilton journalism system.”

“you’ll make sure we get a copy or two of that edition,” richard says firmly.

“of course,” logan says, smiling. “we put in final edits just today—i’ll bring it next week.”

“a demonstration, you said?” richard says.

“oh, sure,” logan says, in a very casual tone. “grandma’s very generously given me what was to be dad’s debutante dress. a great deal of us boys are going to be debuted into society.”

richard puts his fork down. patton waits with bated breath.

“debuted?”

“yes,” logan says.

“how many of you?” richard says.

“current count—well, it was 46 before the car debacle, but it might be 43 now. or 40, depending.”

“40 young men in fluffy white dresses are to descend on the dar?”

“well,” logan says, frankly, “about twenty young men. there are some nonbinary people too. and roughly the other half of them are girls in suits.”

richard stares. and stares.

logan tilts up his chin.

and then richard breaks into chuckles.

“a hostile takeover of the debutante!” he hoots. “oh, i wondered if a crop of mischief would pop up in you, young man! some of my fondest memories of my time at yale are banding together with my friends to cause some trouble. well, that and performing with the whiffenpoofs, of course. these things make your high school and collegiate experience, you know.”

“they do?” logan says blankly.

“you’re young and full of energy!” richard exclaims. “this is your time—it certainly was for me. every day was at yale an adventure, no challenge was too great. we wanted to change the world. i have some experience with clothes-based protest too, you know.”

patton’s never heard about this. “you have?”

“certainly,” richard says. “i, and a group of like-minded young men decided to protest the new dress code—oh, it was my sophomore year at yale. we wore silk ties and nothing else.”

patton squeaks, trying not to cover his ears with his hands like a child.

“we were written up by the dean of admissions and threatened with expulsion. we were also suddenly very popular with the ladies.”

patton has the sudden and horrifying realization that one of those ladies might have been either his almost-mother, pennilyn lott, or had an equal chance of being his actual mother.

“ah, yes.” emily huffs. “this is exactly the kind of conversation I had hoped we would have with our son and grandson. what a pleasant family dinner conversation!”

“i was naked for an entire month,” richard says to logan. “a night full of men in dresses does not come near as close, of course, but i’d argue the amount of red tape you had to cut and the number of participants might push you over the top of that particular stunt!”

“wow,” logan says, blinking.

patton understands how he feels. his business-loving father, whose grand excitements seemed to be traveling for work, reading the newspaper, and undertaking new deals, a prankster. would wonders never cease.

(there is a small part of him that wonders if maybe—just maybe—if he had been born a boy, if richard would have been much more forgiving for patton’s own wild teenaged transgressions.)

“this roommate of mine in sophomore year at yale—we absolutely hated him,” richard says, leaning back in his chair, clearly lost in memory. “he was a complete nincompoop. so one night, we tied him between two mattresses and threw him out the window.”

“dad!” patton says, horrified.

“oh, he was fine,” richard says dismissively. “he went to sleep, woke up in the morning, and picked up right where he left off.”

patton puts his face in his hands.

“we wound up throwing him out the window every night for a month, and then he transferred.”

“well, do you think you guys tossing him out the window on a regular basis had something to do with that decision?” patton says, incredulous.

“well, it crossed our minds, yes.”

“so you guys have tickets for entry to the event, yes?” logan intercedes, looking to emily.

“it’s one way to see my descendants debut,” emily says.

patton shrugs, not rising to any bait. “it’ll be nice to escort him.”

“not christopher?” emily asks, but she’s cut off as richard says “ah! you’re in on it?” at the same time.

“a lot of the parents are,” patton says, “then, well, a lot of the sideshire parents are. i’m not quite as close with the chilton parents, of course.”

“we wouldn’t miss it for the world,” richard declares, then, with a big, goofy smile, “my grandson, the mastermind!”

“co-mastermind, really,” logan says. “dee slange was involved too.”

richard blinks, this time setting down his fork. “julian is in on this?”

“well,” logan hedges, higher-pitched. “define ‘in on this.’”

“he fully knows what’s going on, and he agreed?” richard says.

“oh,” logan says. “erm—no.”

“definitely not as much as me, at the very least,” patton says.

“gutsy,” richard comments.

“maybe you could help talk him over,” patton says delicately. “from what i remember of julian, he wasn’t exactly… jokey.”

“no.”

“certainly not,” emily says, almost overlapping her husband.

“maybe you could intercede?” patton says. “point out all the good a bit of trouble does for a boy their age. uh—after the event, of course. don’t want to ruin the surprise.”

“yes,” richard says thoughtfully. “yes, perhaps i will. it’s about time julian cut loose.”

that’s one way to put it, patton thinks.

“i can’t wait to see the looks on everyone’s faces,” richard says, perhaps the most excited that patton’s ever seen him for an event put on by the daughters of the american revolution.

well, patton thinks. this is probably the best way that richard could have taken it.

even if it does mean that logan, patton, and emily spend the rest of dinner hearing richard monologue about The Good Old Days back at yale, and patton learns a bit more about his father’s particular brand of young-adult mischief that he, perhaps, shouldn’t have ever heard in the first place.

⁂

roman’s elbow-deep into rearranging his travel makeup bag. it is, generally speaking, where he keeps a lot of his makeup storage, so it’s kind of a mess after spending a lot of time simply dumping the products back in there because he’s running late, only sparing time to remove and wash his brushes and sponges.

it is very much a mess.

he hears a gentle tap against the door.

he glances up; though it’s barely past eight, his mother is already dressed for bed. her hair is damp, still drying from the post-lessons shower she’d taken, free from its typical bun. she’s in an old, too-big t-shirt advertising the ballets russes (from dimitri, probably) and a pair of sweatpants cut into shorts. she completes the ensemble with a pair of fuzzy socks and her feet in a pair of orthopedic-friendly slippers (his mother is, understandably, very conscious of foot health). 

his mother is deeply devoted to her rituals and routines; he knows what she’ll ask even before she says it.

“tea?”

“yes, please,” roman decides, setting aside two different bottles of foundation to be decided later, picking up a few press-on nails, his own pair of fuzzy socks, and a tub of aquaphor, and plods after his mother, heading for the kitchen.

his mother goes about filling up the kettle (an old-style bright red one, the kind you set on a stove, not like the sleek black electric one that virgil has) and turning the stove on as roman pulls out two mugs. he decides on a large, maroon stoneware mug for her, speckled with white, and an equally gigantic ceramic red mug for himself.

“which would you like?” his mother asks, accepting the mug that he hands to her. she’s already pulled out her favored loose leaf herbal chamomile, beginning to scoop it into a infuser; roman notes that it’s the one he got her for mother’s day a couple years ago. he scoots around her to peruse his options. 

his mother’s tea supply surpasses remy’s café in terms of selection and variety; roman thinks tea might be the only thing he’s ever seen his mother spontaneously shop for in the same way roman shops for clothes, or makeup, or jewelry, or little treats, or—

“this one,” he decides, pulling out a blend that promotes good sleep—spearmint, lemongrass, chamomile.

roman hops onto one of the barstools, opening up his tub of aquaphor and doing as his mother almost certainly has: absolutely slathering his feet in healing ointment. he’s aggressively earned these dancer’s calluses, but dang it, he can lessen some of the effects; therefore, absorbing aquaphor overnight, with the aid of fuzzy socks. 

“how are your hamstrings?” she asks. “less tight?”

“definitely,” roman says, shifting his barstool so he’s able to more easily multitask between keeping eye contact with his mother and caring for his feet. “typical cure—”

“stretch and hydrate,” they say simultaneously.

“very good,” his mother continues. “hot and cold therapy?” 

“i used the heated blanket a little bit,” roman says. roman and his mother love those things; roman simply plugs it in and becomes the warmest burrito of his dreams. bigger than a traditional heating pad and more flexible, which means he can just wrap it around whatever body part that needs heat. roman’s pretty sure they have six between them. he could probably just mummify himself on a day where he was really achy.

“be sure to rest this weekend after the ball,” his mother says. “i don’t want you straining anything.”

“i will,” roman promises, pulling on one sock and setting about massaging ointment into the other foot. he should probably start making a dent in that english essay anyway; even though he’d definitely prefer to spend the rest of his weekend reading something that he’s interested in, not something assigned to him.

his mother nods.

“a lot of your classmates are going too,” she notes.

roman smiles a bit, despite himself. on the whole, his gaggle of classmates at the prince family studio were what he imagined it to be like to have a flock of sisters: chatty, hogging the bathroom, annoying and endearing in equal measure, occasionally awkward, but fierce and funny and beautiful, all of them clever in their own ways, all of them deeply capable dancers.

not that he’d know what it was like to have a sister, of course. roman had contented himself with being an only child long ago.

“it’ll be fun,” roman says. “at the very least, we know who’ll be hogging the dance floor all night.”

they share a smile. his mother had chaperoned the sideshire homecoming in the fall, and she’d spent a 33% of the night fielding hi, ms. prince!s from her students, 33% watching in vague bemusement as they danced to trends she’d lost track of long ago, 33% feeling proud as all of them had monopolized the innermost circle of the dance floor with the confidence she strove to teach them, and 1% fighting the urge to go over and correct their form. 

roman gestures with his chin toward the three packs of press-on nails: a classic french manicure, white nails with a red floral design, and a bright blue chrome.

“help me pick? i’ve been driving myself nuts over it. all of them would work, but i just need to decide and go for it.”

his mother hums, examining them. “remind me of the makeup you settled on?”

“classic eighties, to match the dress,” he says. “bright blue eyeshadow, red lip, generally very sparkly and,” he makes a pow! i’m here! hand gesture.

“well, french manicures are very classic,” his mother says thoughtfully, “but—” the kettle begins to whistle. roman, hastily, pulls on his other sock and goes to wash the excess aquaphor off of his hands before he does anything else.

they are waylaid by the pouring of boiling, steaming water, the distribution of milk and/or honey, the procurement of snacks (his mother favors savory foods more often than not, so she puts together a plate of crackers, cheese, and deli meats; roman slices a couple apples with a ramekin of peanut butter for himself, with the intent to steal a bite or two from her plate) and relocating to the living room.

roman sits himself on the ground, setting his snacks on the coffee table; his mother does the same, folding her legs to butterfly position, pressing her hands down onto her knees to stretch.

he considers his options before he just decides to mimic his mother, feeling the familiar stretch through his hips. he settles his elbows on his knees, bending slightly forward and blowing on his tea.

his mother examines the nails again. “can you match these?” she asks, touching the blue chrome.

roman tilts his head, mentally calling up the exact shades of blue in his several eyeshadow palettes. “if not exactly, then close enough to look intentional.”

“i know red is your signature,” she says. roman looks at his fuzzy socks—cherry red—and hers—wine red. in the prince family, red is a neutral that goes with everything.

“but,” she continues, “they fit a certain level of garishness that matches your dress.”

roman nods, setting them aside; he’ll glue them on in the morning. honestly, he’s a bit pleased he can keep the floral red for another occasion. a fancy date with logan, maybe? 

“is that the last detail handled?” his mother says.

“it should be,” he says. “well—i was sorting through my makeup bag, but it’s more of an organization thing than anything else.”

“dress packed?” his mother checks. “shoes, accessories, wig and hair supplies?”

“yes, yes, yes,” roman says dutifully.

“then—that’s your last of prep for tomorrow?” 

“just about,” roman says. 

“good,” she says. “i suppose many of the last-minute details shall be left to logan and dee.”

roman’s lip curls reflexively. the thought of logan and dee, working together, agreeing on things, brainstorming together and coordinating any last minute hiccups. as if they were a team.

“what was that face,” his mother says. her voice is flat, with no edge of scolding or reproach. just genuine curiosity.

roman’s lips twist as he removes the infuser out of his tea, deeming it well-enough steeped. he stirs his cup absently.

“i just…” roman gesticulates vaguely. “what did you think of dee?”

if his mother thinks that’s an odd response, she doesn’t let on. she stacks her makeshift charcuterie—club cracker, slice of cheddar, sliced chicken from the deli—and sets it aside before she goes about formulating other sandwiches. club cracker, mozzarella, turkey breast.

“i didn’t have much opportunity to speak to him,” she says. cracker, cheddar, turkey.

“yeah, but you guys had a look,” roman says. “i saw it.”

“i suppose he seemed… a touch stand-offish,” his mother says. cracker, mozzarella, chicken.

“yes,” roman says, his and??? going unspoken.

“and, perhaps,” his mother says, then, frowning, “well, i didn’t know. that’s the troubling part.”

“dee’s very good at that,” roman mutters resentfully. “presenting himself one way, when he’s really actually the other. the thing is, logan has seen that he’s really actually the other, and yet—here they are!”

“that’s very unlike him,” his mother says, frowning. “logan has a very sound sense of judgment.”

“he does.”

“but if logan’s deemed him appropriate to plan alongside—”

roman drops his forehead to the floor, groaning.

“oh,” his mother says, awkward. roman hears crunching.

“i don’t know why!” bursts out of him. 

“why… what?”

“why logan’s teaming up with him!” roman says. he looks up in time to see his mother washing down her snack with a swallow of tea.

“...roman,” she begins. “it’s entirely understandable to… feel a certain way if your boyfriend is spending time with another—”

“oh my god, i’m not jealous!” roman snaps. “why does everyone think that?!”

his mother doesn’t lecture him about volume, which is nice. 

“well,” his mother says, “what is it, then?”

this is also nice—his mother, ever straightforward, ever blunt. 

roman rubs his hand wearily across his forehead. “did i tell you, last fall, about logan getting punched in the face?���

“yes,” his mother says, her expression darkening; some of that remnant of anger of someone laying hands on his boyfriend roars to life in his chest again.

“i know,” roman says.

“was it that boy?”

his mother isn’t a particularly expressive person, but even any given passerby would categorize that look on her face as thunderous. his mother is very fond of logan—she’d actually told logan so—and roman knows that, over the years, logan’s courtesy and good grades and general support of roman had endeared him to her time and time and time again.

which—obviously. roman’s of the opinion that his boyfriend is one of the best people in the world. of course everyone should recognize that—feel that same protective fire pop up in their chests at any sign of anything going wrong for him, because logan deserves the world.

roman scowls, looking away. “not—technically. but!” he says hastily, “but, he’s the one who started it all. he got a detention for it and everything! louise probably never would have hit logan if he hadn’t been there urging her on!”

“why on earth…?” his mother says, sounding baffled.

“i don’t know!” roman wails. “that’s what’s getting me—i don’t get it! one second, logan’s telling me all about this terrible boy at school, and then his grandmother invites him and his grandma to lunch and apparently that’s super awkward, and then there’s the punching, and then he’s at the stuffed up birthday party logan’s grandparents threw for him, and then logan’s confronting dee and making sure he doesn’t rain on our parade at the winter dance, the next, they’re teaming up together to say ‘screw you’ to the patriarchy! i don’t know why on earth!”

his mother considers this, then pushes the plate of apples toward him, then piles the empty space on the plate with three of the charcuterie sandwiches she’s concocted. roman, grumpily, dips an apple slice in peanut butter and crunches a bit more loudly than he would in any other circumstance.

mother—much like virgil—believed very heartily in proper nutrients fueling every activity. outbursts took energy, which meant that roman should eat carbs, fats, and proteins to replenish that energy, with bonus points for foods that were particularly vitamin- or fiber-rich. roman has been told this for most of his life, only with things like dance lessons or exams or being a pain, this does not mean you’re getting a second soda, pick something substantial swapped in for outbursts as applicable.

“that makes very little sense.”

“exactly!” roman says, gesticulating at her. “thank you!”

“chew your food with your mouth closed,” she says, some automatic motherly impulse, then, “well, what’s changed?”

before roman can answer, she says, “i know you don’t know. but something must have. logan’s a very intelligent young man, and he isn’t fickle—not him, not any of his parental figures that could have persuaded him.” 

patton, virgil, and probably her, roman figures. he doesn’t know much about christopher, but his reasoning definitely wouldn’t override those three.

“do you think it could be on a needs-must basis?”

roman’s mouth twists as he swallows. “maybe,” he hedges.

“but you don’t think so.”

“no,” roman says. “if it was just unavoidable, some sort of grudging alliance, he would have complained about it.” to me, he thinks.

and logan hasn’t.

“could there have been some kind of change?”

roman narrows his eyes, setting aside his honey-sweet tea. “i’m not following.”

“logan’s always struck me as very pragmatic,” she says. “ergo, there could have been some kind of event that would put more weight in dee’s favor.”

“it would have to be a pretty big change,” roman says, mind churning. as it is, that’s the likeliest of answers outside of forced partnership.

“you could ask him.”

roman sighs. “i think the fact that he hasn’t mentioned it to me already…”

“could mean nothing,” his mother says, with a shrug of a shoulder.

“big change,” he reminds her. “big.”

they both consider this, sipping their tea and eating, silent in rumination.

“have you ever dealt with something like this?” roman says, despairing. “like—some dancing partner of yours teaming up with a rival? or—?”

dad, he almost says, but he discards it as soon as the idea comes to mind. no. all he’s heard of his father is that he could be prone to his own flights of whimsy, true, but he’d always been achingly steadfast in partnership with his mother and, to a slightly lesser extent, with virgil.

she seems to see the thought flash across his face, though. her eyes flit—almost unconsciously—to an old photo of the pair of them on the wall behind him. 

roman knows the one without having to look: his mother, stunning and sharp in tutu and pointe-shoed glory, clearly in the middle of telling him off about something; his father, muddy for some reason and in ripped clothes, arm thrown around her shoulder, grinning and giving a thumbs up to the camera, a slight wince on his face the only sign of whatever lecture she’d given.

but, roman thinks. but. people hadn’t necessarily liked his father. even virgil had cautioned him at how strange his father had been, that he’d done things full of mischief and occasional rebellious wrong-doing, that he’d been acquired taste. a bit like…

no. roman shakes the thought without finishing it. no way.

his mother detects it anyway.

“how have you been sleeping?” she asks delicately.

“fine,” roman mutters. he knows what she’s about to ask without her asking it, too.

whatever mental illness his father had had, the only sign of odd or strange thoughts that has ever remotely recurred in roman have been odd, vivid dreams, veering into the occasional night terror.

he has been sleeping fine, though. fitful, sure, and maybe a bit less than his mother would like, but he’s been sleeping fine. no dreams at all to speak of. 

“all right,” she says placatingly. 

roman stirs his tea a bit more vigorously than necessary, the spoon clanking against his mug. his mother smiles a bit.

“you didn’t answer,” roman says. “have you had a situation like this?”

“you know i haven’t,” his mother says. 

“well—i know, not exactly like this,” roman says. he’s known his mother’s aromantic and asexual since he was old enough to learn the words and absorb that that’s what those little flag barrettes she wore during pride meant. no significant romantic partner of his mother’s has ever caused her strife, because she’s never had a significant romantic partner. “but—dimitri teaming up with someone and he didn’t tell you why. or something.”

his mother pauses to think. then:

“no.”

roman sighs, perhaps a bit more loudly than necessary, and dips another apple slice.

“virgil might’ve,” she says thoughtfully.

roman pauses from where he’s trying to scoop extra peanut butter onto his apple.

“yeah?”

“yes,” his mother says. “you remember silas.”

ugh.

“don’t make that face,” she scolds gently. “but—as it happens, i wouldn’t be surprised if either of them didn’t have a moment exactly like this. virgil with some friends of his, silas with your father.”

“how did that go?” roman asks.

his mother smiles. “i believe they talked about it.”

“traitor,” roman grumbles, half-joking. “i can’t believe either of you invented mind-reading technology for me to use in this specific moment.”

“you could just ask.”

“you’ve said that already.” roman says. “does no one in this apartment appreciate the fine-tuning of the delicate art that is teenaged angst and overthinking?”

“you live here,” his mother points out. “you have sufficient appreciation for the both of us.”

roman huffs. his mother tilts his head.

roman scratches his thumb against the mug.

“dee’s very charming,” he mumbles. “i mean—he managed to charm me at logan’s fancy birthday party before i knew who he was. if he’d just started off with that, instead of leading straight into villainy then pulling a 180, then i guess i’d get it a bit more. but as it is—why him? why that guy? logan likes rule-following. he likes that kind of thing. is it a ‘keep your enemies close’ thing? no,” he answers himself, “logan wouldn’t do that, he has no patience for duplicity. which makes it even more confusing, because dee seems to love duplicity, exhibit a, him being charming at emily and richard’s party—erm, mr. and mrs. sanders’ party, i mean.”

his mother hums.

“and—i don’t know. he’s off at chilton, doing great, and i’m happy he’s making friends, i seriously am, i’m not jealous, but it just. suddenly, both of us in different schools means we spend less time together, and that’s making me think about college, and, unless miracle of miracles happens and i find the perfect ivy league that has a combo of the perfect dance program and the perfect journalism program that will accept both of us that’s close to new york, we’re going to spend even less time together, and that sucks.”

his mother nods sagely, placing her right foot against her left knee, stretching to grasp her own socked foot.

“and it’s, like. why that guy? if you’re going to hang out with someone outside of school out of preference and not obligation, why the one i’ve heard the most negative things about? why the one who’s in direct competition with you? why the one that would probably have sabotaged him, given the chance? why?”

his mother remains quiet.

“say something,” roman requests desperately. “i’m asking questions here, they’re not hypotheticals.”

his mother blinks. “you were doing a good job of talking it out to yourself.”

“well, sure, but,” he gestures between them, “input. it’s mother-son time.”

there’s a pause.

“this isn’t like you,” she decides.

“what?”

“this,” she gestures at him. “indecision about what to do. it’s unlike you.”

“it’s unlike logan to consort with ne’er-do-wells,” roman sniffs.

his mother simply arches an eyebrow. roman sighs, picking up his mug, savoring the warmth it seeps against his palms.

“i don’t know,” roman says quietly. “it just—it is different for logan, to… consort with someone like this. there’s some big reason why, and i don’t know what it is, and it’s just… it’s driving me a little crazy.”

his mother politely does not say anything along the lines of i can see that or obviously.

instead, she says, “does the concept of talking to logan about this make you nervous or anxious?”

“what? no.” roman scoffs.

“it’s all right if it does,” his mother says. “i won’t think less of you or logan. it’s very normal to be a bit worried about having a big conversation in any relationship, much less one that’s been weighing heavily on your mind.”

“i’m not—”

his mother arches her eyebrows at him, and yeah, okay, roman can see how saying i’m not worried when he’s dominated the conversation obsessing over why that guy would probably come off… not great.

roman sighs, slumping his shoulders.

“fine,” he mutters. “yeah, i’m worried.”

“perfectly natural,” she says. she switches positions, placing her left foot against right knee, stretching.

“i know,” he grumbles. “i just—i don’t want to come off as that kind of boyfriend, you know what i mean?”

“no.”

fair.

“like,” roman says, drawing himself up. “why are you hanging out with that guy? hang out with this person instead, not that guy. you’re not allowed to see him. you know? like—jealous. possessive. whatever. i mean—logan was so understanding with jess. so understanding! they didn’t have a ton in common, but logan was still polite and everything.

“and i don’t want to turn right around and be like, hey, i don’t like that guy, what’s up with that? or insult his intelligence—’cause he’s way book-smarter than me—by being like, i think that guy might be manipulating his way into your life. thoughts?”

“do you think—?”

“what other explanation is there?!” roman whines, drawing there into, like, five syllables.

“and we’re back to square one,” his mother says. “all right. i see.”

roman goes about polishing off the last of the snacks.

“i still think you should talk to him,” she says. “i know you’re worried—that’s understandable. but logan isn’t going to go into this thinking the worst of you. he ought to know that you only have his best interests at heart.”

roman sighs after swallowing a mouthful of charcuterie. “i guess.”

his mother smiles slightly.

“you’re so very much our son,” she says, and roman ducks his head, trying not to flush.

“remus got any sense of propriety or caution surgically removed, to hear some tell it. and i probably wouldn’t have figured out such a careful way to put it: i probably wouldn’t have said anything at all until it got pressing. it’s difficult, i know, but i’m proud of the middle ground that you walk.”

“yeah, yeah,” roman mumbles, still pleased. our son. he felt so divided, sometimes: the face of his father, the skill of his mother, the rest of anything else him, from nowhere at all. 

“you don’t have to go into it unplanned, of course,” his mother says. “text him your thoughts if that’s easier. put a pen to paper to figure out what to say and how to say it.”

“true,” roman admits.

his mother drains the last of her tea and stands.

“well,” she says. “it’s probably best for you to talk to him tonight. or early tomorrow morning, if you care to sleep on it. may as well clear the air before the ball. i’ll leave you to your thoughts?”

“sure,” he says, slowly drinks the rest of his tea, thinking. then, quietly, “thanks, mom.”

he hears his mother placing the dishes in the dishwasher, shutting off the lights in the kitchen, ensuring everything is in its proper place, before she journeys back to the main room and shuts off all the lights except for the one closest to his room—he’ll turn that off when he goes to bed.

he watches her achieve the rest of the good night routine: she plugs her phone in to charge, she nudges her shoes so they’re in line with his at the door, and then…

she detours. she walks back to him, where he still sits on their rug.

she leans over to smooth her hand over his hair.

“goodnight, mijo. dulces sueños.”

“dulces sueños, mami,” he says.

and then she just… goes to her room.

she’s left the front door unlocked. she’d simply nodded to him, went to her room, and closed the door, almost like…

wait.

does she…?

no. there’s no way.

his curfew-issuing, sleep-adoring, routine-oriented-to-a-fault mother? roman would have gotten grounded, like, ten years ago for ten years if she actually knew how often he snuck out to the gazebo to talk to logan.

yeah. no way she knows that he sneaks out.

⁂

“hey.”

“hey! sorry if i responded late—we were squaring away escorts for the ladies. turns out some sideshire kids decided to join last-minute, so we should be all even. no idea what they’re doing for dresses, but it’s in their hands now, i suppose.”

“no, that’s all good—c’mere, it’s still a bit chilly out.”

“of course.”

…

“so, what did you want to talk about?”

“oh, right. um—may as well just come out and say it, i guess.”

“...sure?”

“what’s up with teaming up with dee?”

“...ah.”

“i mean—i guess i just don’t really get it? i’ve been trying to figure it out, and i can’t. like—one second, he’s getting someone to punch you in the face, the next, you guys are architecting this plot to go after the daughters of the american revolution.”

“no, i—i understand. it must seem jarring from the outside.”

“...so?”

“...”

“um. admittedly, i find your renewed and increased friendship with dee very confusing. the things i’ve heard about him have, generally, been pretty bad—for example, the punching incident, your birthday party at your grandparents’, and the winter formal. ”

“...are those notes…?”

“shh. you’ve never particularly struck me as the kind of person to simply be friends with someone for the sake of making life easier: my mom says you’ve always struck her as very pragmatic, and i agree. it makes me think that something in your relationship with dee has changed, because otherwise, i find myself… well, deeply confused and honestly a little worried that dee might be up to something again.”

“you talked about this with your mom?”

“well—i didn’t, like, set out to do that, but yeah. she suggested that i just talk to you about it, since you’d know that i have your best interests at heart, and that you have your reasons ‘cause you’re so smart, and also maybe write down what i wanted to say so i didn’t come off like a huge controlling jackass.”

“she said that?”

“not that last bit—i’m editorializing.”

“that’s—huh. okay… um. how do i phrase this.”

“…”

“i’m sorry, i’m walking an awkward line of secrecy here.”

“how secret? secret, like, jo posner’s first kiss, or secret, like, secret-secret.”

“secret-secret.”

“...oh.”

“but i still want to—communicate.”

“right. um… is there a little loophole you can thread here?”

“like what?”

“like… i dunno. i know they aren’t your strong suit, but a metaphor? or a comparison to something else that’s happened in our general lives?”

“like what?”

“well, i don’t know, logan. that’s kind of why we’re here.”

“right. yes. um… let me think.”

“sure. take your time. if it’s secret-secret, i promise i’ll keep it, but even then, i get not wanting to say anything. like—”

“oh! oh, i remember!”

“...remember…?”

“back in eighth grade, when you had elliott over to that sleepover, and elliott told you about how they were feeling regarding their identity, but to keep it secret double-pinky-promise even from me?”

“yeah, of course.”

“and they didn’t come out until the middle of last year?”

“right.”

“...i find a lot of parallels to then.”

“oh.”

“yeah.”

“oh—okay. i see.”

“it’s not one-to-one. as a matter of fact, there’s more to it. this is the part i feel most comfortable disclosing, since that part is generally a jo posner’s first kiss level of open secret at chilton.”

“sure.”

“but—”

“i get it. there’s more. okay. that… huh. okay.”

“right.”

“i guess i can see it. the cape should have tipped me off. have you told… anyone else? about the things outside the parallels?”

“no—no one. not even dad.”

“really?”

“really. well—he might know part of it, so maybe that doesn’t count, or dee might have told him more, but. really. not even dad.”

“...you said…. even more?”

“i’m very glad no one in our lives has parallelism to this that i can apply here.”

“...me too, i guess?”

“trust me—you are.”

“okay. i will. i do trust you. you know that, right?”

“of course i do. i trust you too.”

“okay. good. good. i didn’t want it to come off like i didn’t trust your judgment or something. you were so understanding with jess, i wanted to extend the same thing—”

“—we’re not—”

“—i know it’s not a one-to-one. trust me, we’d have a lot more to talk about if it was any kind of romantic scenario. there’d be yelling. i know it’s not. i’m just saying: you and jess didn’t have a lot in common, but you were still decent to him because you knew i wanted to… associate with him. i want to do the same for you.”

“right. of course. i—well, frankly, i hadn’t really considered your point of view. i can see how it would be strange from the outside perspective. i’m sorry i didn’t think of it.”

“you’ve had a lot going on.”

“sure, but still. i should have looped you in as much as i could.”

“well, i appreciate that. thank you.”

“and thank you for bringing it up.”

“this is very mature of us.”

“i know.”

“for teenagers, and all.”

“and for my first romantic relationship.”

“i’m more used to bickering. this is weird.”

“definitely.”

“...wanna make out?”

“say no more.”

find the next half of this chapter here!

[rubra-fuscissima]

and since we're all already here, i hope you're ready to look at some more rugby players because i have an even more important message to share, so put your swimming goggles on and grab a snack cause this is gonna be a rant.

strongman-physique andrew might be underrepresented in this fandom, but i've seen little to no drawings of the aftg women being as big as i know many contact sport athletes to be. and that shit bothers me because i know precisely what absolute beasts these bigger girls are on the pitch.

so, have a look at marlie packer, hannah botterman, and portia woodman-wickliffe.

note that all of these women play(ed) for top-ranking national teams. they're world-class athletes in a sport where players need to be strong, fast, agile, and explosive - much like exy! you wanna know why they look like they could pick you up and carry you for the length of a marathon or throw you across half a football pitch? because they could. end of story.

you'd like to imagine the aftg girls as highly feminine? you better not think femininity and muscularity or big size are contradictory. women like michaela blyde or ilona maher are living proof!

and i'm not even done.

let's get one thing out of the way first. you do not NEED to be muscular or heavy to be strong. in a sport like exy (or rugby), sometimes being quick and agile will give you a bigger advantage than mass ever could - take neil as a canon example and, if you're interested, someone like anne-cécile ciofani as a real-world one.

the question is: does that really make sense for the positions the fox girls play?

renee is a goalkeeper; a position in which she'll have to do little to no running but a LOT of strength-based swinging of a massive raquet. so, and this is a very important point to me as a sapphic girl, renee's shoulders and back are probably MASSIVE (see ilona maher).

dan and allison play dealer. from what i can gather from the game scenes in the books and my general understanding of team contact sports, dealers are confronted with a lot of collisions since usually, none of the players in the middle of the field want to actually make it to the goal. instead, players will likely focus on quickly relaying the ball to each other or the attacking line to overwhelm the other team's defense and - if they themselves are playing defense - perform a lot of body-checks to win the ball and/or prevent quick passes. in these cases, weight and the strength that comes with it ARE an advantage.

and i know people have a hard enough time already accepting that women can build muscle, but that isn't even my point here. because get this: in the context of strength and speed, muscle works best with a certain amount of body fat. everyone has to find their own balance here, but generally, having too low a body fat percentage decreases speed, power, and muscle growth. that's a high price to pay for athletes like these three girls just for being skinny or ripped.

in conclusion, i think it's more than realistic for the fox girls to be heavier athletes. draw them however you like to draw them (trust me, i'll eat any art of them right up), but i know many people aren't really into sports or have never even thought about drawing the fox girls a little broader. so, if that's you, let this be your sign to give it a try!!!

andrew has the build of a rugby prop, change my mind

okay so i've been seeing a lot of great andrew art recently and i loooove that people are finally drawing him with a more chubby/broad body.

buttttt hear me out here. as a rugby player. i'm used to seeing heavy athletes. and let me tell you, don't be afraid to take it even further!!!! and i'm definitely not judging anyone here, i can't draw for shit and i love the art in this fandom.

just take a look at this:

you see those shoulders? those forearms? that NECK? this is what pure strength looks like, people.

imagine the POWER of an andrew with this build running to smash riko's arm. JUST IMAGINE

so what i'm saying is. don't be afraid to draw heavy athletes, and DEFINITELY don't be afraid to draw heavy andrew. you know this fandom needs it. (and by this fandom i mean me, i definitely need that)

(btw the athletes i've included here are nepo laulala, joe marler, and adam jones)

[merlins-strawberriesandroses]

TO be honest. I don’t understand what it means when people say Merlin was Arthur’s bane. Mayhaps I misunderstand but. Arthur was a bit of an assassination magnet (not to mention all those magical creatures and bandits... so many bandits), and Merlin actively prevented Arthur's death for years, which would have occured without him anway in the very first episode. I can see why one might argue that Merlin was just delaying the inevitable, or that he didn't succeed in keeping Arthur safe until Arthur could enact the golden age, but certainly I don’t see how he could have been Arthur’s bane.

Also, it’s implied in the last episode that the golden age does occur, but under Guinevere. Which makes sense as she knew Merlin was the sorcerer and that she was pleased about it (and I recall it was confirmed in interviews), so I also don’t follow the twin train of thought that Merlin was his own bane or even Camelot’s. Camelot was already bane-d(?) under Uther. But partly because of Merlin's steady friendship, Arthur matured into a king who was kinder than his father. He also actively sought magic's aid on multiple occasions, so he knew magic had potential for good (like healing his queen) without Merlin needing to tell him about his magic.

I don't think it's fair to say Camelot's laws on magic remaining relatively static was because no one close to Arthur came out as having magic. There was still much risk in that, and for Merlin a lot at stake, not just his life. A law change was still possible (and almost seemed to be set up that way) without Arthur needing someone he was personally close to having to do the work to humanize it for him (in the sense that the episodes with the druids, the druid boy with Elyan, and the dolma seemed like they were pointing to a law change because Arthur sees the diversity of magic and those who have it).

At worst Merlin’s efforts didn’t change the status quo, but we do have things indicating that they did. And Merlin was not single-mindedly serving Arthur at the expense of everyone else. He saved Camelot as a whole multiple times. He was also very willing to stick out his neck for many others even during the height of his anxiety and agitation in season 5. (Also only being slightly silly when I say this, but he was also THE wingman for Arthur when he was getting with Gwen, so in a way Merlin’s help led to their courting being a success and thus contributed to her being in a great position to change the laws. so personally I give points to Merlin for that). Most of the decisions centering Arthur's safety seemed to stem from the fear that Albion would crumble before it began if Arthur were to die, so he tried his best to prevent that from happening in any way he knew. (Like, when Arthur is dying, Merlin asks "So I failed?" regarding the whole golden age thing, which I think is telling that the prophesy and his role in it was still VERY much at the forefront of Merlin's mind).

And this is a digression but I know people think Merlin should have done more for Camelot, or for folks with magic (like, as a revolutionary or something akin), which I understand but no one reached out to network with him really? It'd require resources, people (always confused why there weren't a whole bunch more folks offering Merlin material/intellectual/emotional support if they thought he should be the one to bring about the golden age. all he was told was that the forseen way it actually happens succesfully is through Arthur), time (I doubt it’d have been much of a ‘quicker’ way necessarily), and incredible planning + foresight if it's meant to be something that works out effectively + long-term. Okay I think I've digressed enough now. This is a whole seperate thought that I don't think I'm gonna do any justice here lol, and I'm already rambling, so I'll stop now :,)

But anyway, in terms of being his own or Arthur’s bane, we know Arthur will return, and we don’t know how Merlin spent his years. His magic can play with time and maybe he learns how to control that, or he could have entered a stasis like in various legends, etc etc etc. And I mean it is tragic on many levels, and it’s sad we didn’t see Arthur’s arc completed, and that Merlin sacrificed so much for a goal that didn't get much acknowledgment by the show at the end, but still. I don’t think Merlin was Arthur’s bane, or Camelot’s, or his own.

[bunnihearted]

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