#does things to my brain

[thespacelizard]

y'all i remembered this fic exists and god. it's still so good.

[adhd-merlin]

@agapantoblu

when a character is referred to as someone else's dog. you agree

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[xxplastic-cubexx]

[right to left]

STILL thinking about drunk chess actually

stupid as hell bonus:

[tinartss]

akademiya shenanigans

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[sunlitlemonade]

no see the thing about jason & dick is that they have too much between them. they have too many complications for people who never really had the chance to know each other. that's your little brother, one of your biggest regrets. that's your big brother, the most unfamiliar warmth you have ever experienced. that's your little wing. that's the boy you saw swinging around once and thought "he's the most amazing thing I have ever seen". do you understand. do you. realise. there's miles upon miles of unspeakable grief and they have no way to go about it because they carry their blood in their mouth and yearning in their ribcages and they're too stubborn to say anything or reach out and yet too attached to what could have been to let go and they don't want to admit it but they keep coming back because that's my brother that's my brother that's my brother that's my brother

[lazycranberrydoodles]

english translation book 5 baby we are in the ‘people assuming kid form hua cheng is xie lian’s son’ era 🔥🔥🔥 / follow for more hualian silliness

[poorly-drawn-mdzs]

Normal boy spotted.

[First] Prev <–-> Next

[cloudedgalaxies]

ANYWAYS Idiyuu is Hades and Persephone conspiracy:

Persephone is not from the Underworld. She is called back to the Mortal Realm eventually because she has to return. Yuu is literally from another world. They are not suited to Twisted Wonderland, and are nothing like Idia has ever seen. They have to go back eventually.

Hades is probably one of the few TWST boys to have a “canon” spouse (at least in Greek mythology, which Hercules’ Hades is obviously based on). On top of that, Hades and Persephone is the love story between death and life, isolation and abundance, ending and rebirth. Idia is a gloomy, pessimistic boy who has been condemned to be the keeper of the Underworld. Yuu is a kind, gentle prefect who has been there to help and has helped everyone they know, again and again. 

Night Raven College has been in a ‘winter’ for all of its history. Everyone is hostile to everyone, no one wants to cooperate or work together, and every single person there has some ulterior motive. In comes Yuu, who is a breath of fresh air. A new perspective. A new season. They bring ‘spring,’ showing people that they can bloom. They can harbor feelings that aren’t cruel. They can do things that aren’t harsh. And slowly, they start to thaw. Flowers of friendship and something gentler bloom. Yuu is there to help pull the boys from their darkest moments to see the light again. Idia is no exception.

I think that the way Book 6 was set up makes Idia and Yuu seem a lot more meaningful honestly, though I'm probably reading way too into things lol. Yuu originally goes to the Island of Woe to save Grim. They don’t particularly care much about what’s going on with Idia—they just want to get Grim back. But then later, once they realize what’s going on, they do. There isn’t much, if any, personal connection to Idia’s overblot like there was with all the others. Yuu doesn’t have to do anything to help. And yet, they still do. Even after Idia basically kidnapped Grim, they still help him. They still try to end his winter.

Persephone, in many forms of the myth, didn't originally go to the Underworld willingly. But eventually, she came to love Hades, and they were happy together. Idia and Yuu have no reason to care about the other at first. But they eventually do, after everything that happens and everything that brings them together.

Hades and Persephone are in a constant push and pull. Persephone has to leave because if she stays, winter will never end. She does not want to leave, because she loves Hades. Yuu has to leave Twisted Wonderland, because they have a home beyond it that they need to return to. And yet, they don't want to leave because they love Idia. Idia doesn't want them to go, because it finally feels like spring again. But the seasons have to continue in their cycle, so what can they do?

Also, I think it’s really funny and really beautiful how Idia and Yuu’s first meeting was probably the Ghost Marriage event. This guy who thinks he has 0 rizz ends up having to be saved by some strange new isekai'd student and their gang of potential suitors before he gets his first kiss and promptly dies afterwards. Idia, the boy surrounded by death, is saved by the prefect who seems to be giving everyone a new chance at life. Imagine how poetic it’d be if Yuu and Idia end up getting married in the end, except now neither of them are going to die and they have the rest of their new lives together. There will be winter, but there will also be spring. The cycle of seasons will continue, but flowers will always bloom. They will always return to each other.

[fisherrprince]

Instead of writing a fanfic like a normal person this oneshot turned into two separate, contextless things,

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[lazylittledragon]

lately i've been drinking orange juice and eating fruit and going outside in the sun and coincidentally 10-20% of my depression has vanished. must be witchcraft

[turtleblogatlast]

I will never be over Leo’s 4D chess play in “Many Unhappy Returns”. Like, just in general it is a spectacle to see this character who we’ve seen goofing around time and time again, who’s only sometimes decided to take things seriously, only to show him making a maneuver like that.

And here’s what gets me the most about his plan against Big Mama: he comes up with it on the spot. The second he sees that Big Mama has the solution they need, he’s already in game mode.

It is so satisfying watching the episode back when you realize his plan, because he literally sets the stage entirely for a decisive victory. He sees that the champion is a kraken, and comes up with both the solution to defeating it and a reasonable excuse to get that solution into the battle with them on the fly:

“Like your champ aaand those six guys. In fact, we don’t want this over too quickly. You should armor up those rookies. The whole shebang. Especially with these pointy helmets.”

And this is why giving him teleportation powers is perfect, too. He analyzes the battlefield and makes use of all the assets, moving pieces around to guarantee a win. It is honestly so impressive to witness and one of my favorite parts of his character.