#does the manga acknowledge this at all?

[deitsuki]

Sooooooo

Considering what little I know of what is happening in Boruto

Naruto is considered dead rn, isn’t he? With the whole Kawaki bs and all, and the time skip?

Is there any sasunaru fics about that? Since like, Sasuke lost someone he loves AGAIN

THE person he loves most

His literal soulmate

Imagine how he must be feeling rn :(

(Also the whole “Sarada awakening the mangekyo just so he doesn’t go after the person he thinks killed his other half” thing, like. His mind must be a mess rn right? Heartbreak after heartbreak, AGAIN)

Is there any fics regarding that? I tried searching through AO3, but didn’t find anything

Please if there is any fic recs or any manga chapter that deals with it, someone tell me I am BEGGING Y’ALL

[extravagav]

AND WE JUST DONT TALK ABOUT THIS?!?!?!!????

[im-still-watching-anime]

i LOVE how we can always rely on atsushi to acknowledge how impressive akutagawa is anytime he does anything

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale ��� and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[revasserium]

hq headcanons with gyaru s/o?? PLS IM BEGGING tysm!!!!

ギャル! 超かわいいー (gyaru! chou kawaii ー !)

ft oikawa; suga; bokuto; hinata; tsukki

oikawa:

obsessed! asks u to send pics of ur new manicure designs, knows ur manicurist by first name, sends her his love every time u go

chides you not to spend too long tanning cause the uv isn't great for your skin but loves how u look; tells u that it makes your eyes stand out and your hair look nice and has mastered the art of taking selfies from that #45degreetopdown angle

has a pic of u as his phone bk bc this man is whipped and he's not afraid to admit it; will buy you trinkets and hair clips and earrings or send u pics of cute ones sees

always holds ur hand in public and brags about u to his friends u__u

sugawara:

kisses you with your flavored lipgloss bc he is an agent of chaos and he likes the way he can mess you up a little; he's secretly not so secretly super happy that u have a whole string of phone charms that are just presents from him -- tiny volleyballs, bejeweled cupcakes, random little animals, a giant fluffball just cause it's soft

helps u pick out circle lenses cause he thinks they're so so pretty and can't stop staring at your eyes whenever u wear a new pair

honestly kinda fell for u the first time he saw you cause of the way you tied up ur school uniform shirt and he caught a glimpse of your bellybutton ring and thought it was like... the hottest thing ever but;;;; we don't have to talk about that

tells u every day how beautiful you are, just bc u__u

bokuto:

honestly doesn't rly get it but boi if he aint supportive! and he cares so much; will sit and listen intently to u when ur talking about all the different clothing brands u like or ponder out loud how ur so good with ur hands cause if he had nails like urs he'd break them immediately

would let u paint his nails in glitter tho

will tell u just to go outside w/out sunscreen if u wanna tan more (like him!!!) but after u tell him about uv and sun protection now he actively slathers sunscreen on himself before going outside and preaches it to all his friends and teammates ("akaashi! did u kno it causes premature aging of the skin!??!! wait -- what do u mean everyone knows that?!")

loves your weekend outfits so much u__u honestly he's shooketh at your eye for style, thinks you should become a fashion designer, a model, actively advertises to the world that you already are one basically; swells!!! with pride when someone on the street asks to take a pic of your outfit -- "see?!?!? told u u should be a model!!! ur pics belong in magazines!!!"

hinata:

is just so so awestruck at all the sparkly/pretty things; and you're the sparkliest, prettiest of all so i mean -- that tracks!

gets just as excited as you do about new clothing lines and is super eager to spend entire weekends walking through various shops, carrying all your stuff, praising the way you look in every single outfit u try on

the blushiest!!! if u dress him up too so you guys match! holds your hand so tightly and can't stop grinning to himself so that at the end of the day his cheeks hurt but that's okay bc he got to spend the whole weekend w/ you and he wants to do it again all the time!

loves ur long nails bc it feels nice when you trail it along his arms, down his back; it makes him feel loopy and sleepy and shivery and all sorts of good, and on top of that -- they're just gorgeous to look at arent they? everything about u is gorgeous and he's so, so glad to have u

tsukki:

will never admit it outloud that he actually likes it; pretends it's just another level to all the "girly things" that normal girls like -- so u like more of it -- so what

but BOI if he doesn't feel his chest get all tight when you get all dressed up for your dates, when your lashes are perfectly mascaraed to set off those gorgeous new circle lenses u bought the other day that he totally, totally isn't into cause that color is just so pretty against your skin --

constantly tells u that ur nails are kind of a hassle and he doesn't understand how u get anything done with them but will wait for u outside ur salon with ur bags and grab u icecream and sigh and begrudgingly admit that the nail art is cute this time...

is secretly super fucking into the fact that u have a pic of the both of u has ur phone background and it makes him happy every single time ur phone goes off and the screen lights up; and yeah, the fact that you have a volleyball phone charm that you told him reminds you of him makes him rly, rly happy too u__u

[franeridan]

not like I mind all that much given how once an anime studio starts being considered one of the big ones it's 50/50 on whether it'll be hit by the usual big money quality drop in type of projects chosen, but I'm thinking again about that list I read a while back of studios you should keep an eye out for and how how wasn't science saru on the list. like for real, I feel like there's still only a handful of people out there who noticed how good science saru is how has that happened, it's not even like they've always only done niche anime? I mean eizouken is theirs? devilman crybaby? they've both been huge hits I didn't dream that did I

[longagoitwastuesday]

I actually like the last chapter. I think the ideas are very good. I have my qualms on how some things were managed, as I always do, but I think shonen authors get tangled in the expectations of a shonen to the point it jeopardises their writing, often even when they're not lacking in skills

[tradingjack]

(wip) my large, buff vash agenda making its way into all my drawings

[kulay-ng-banaag]

One look at Geopolitics Boys ch. 62 and that's how I knew not to trust the mangaka.

[astronomalyy]

Thinking about the lifespans of Dungeon Meshi elves... The fact that they're completely unnatural alters my brain chemistry, because you can tell just how haphazardly the demon implemented their wish. They live five times the length of tall-men, so they age at a fifth of their rate. It's simple maths and the implications are terrifying. No wonder their birth rate and population are declining - their early development is so slow that at the age of two, they're still unable to stand.

They don't reach adulthood until their eighties. What does the infant mortality look like? How many elves succumb to illness or injury before they're fully mature? It only takes one accident to lose the child you've been raising for decades - and could you bring yourself to care for another? Add to that the implication elf culture has no idea how to process grief... just look at the way the Canaries treat Rin after the death of her parents. They're callous and insensitive and detached - part of that's racism, but there's also an element of pure cold ignorance. They don't even recognise the emotion on her face.

And that's just scratching the surface... does elven memory accommodate their extended lifespan? Once you reach two hundred or so, do the years start blurring together? Kabru mentions that their temporal awareness is remarkably poor.

Two years feel like a few months. Their lives are longer but not fuller. They're older but not wiser than the short-lived races, and most refuse to understand this. Those that do grasp it are interesting - namely Otta, who's ostracised for pursuing half-foot women.

A 30-year old elf is a young child; a 30-year old half-foot has entered middle age. Otta is in the equivalent of her late twenties. She knows that her elven lifespan makes her no more mature than a half-foot - but she also acknowledges that it creates a rift between herself and her partners, and not just in the eyes of society. 'She dumps them as soon as they pass 30', but probably not for the reasons Lycion assumes. For this to be a pattern, decades must have passed - it's possible Otta doesn't want to watch them die as she herself barely ages. No doubt some of her previous lovers have already passed away. In the end, all living 400 years accomplishes is leaving them out of sync with the rest of humanity.

Marcille's perhaps the best example. As a half-elf, she's got 95% of her life ahead and the thought terrifies her. She's going to lose everyone she loves, over and over and over again, and this cycle has barely even started. She runs at a different pace. This context adds so much to her dynamic with Falin in earlier chapters.

Marcille loves her! She's scared for her! Maybe even of her! She's grown attached to a short-lived girl who she met as a kid when Marcille was a teaching assistant! Biologically and developmentally, they're the same age, but chronologically she's twice as old as Falin! Considering what happened to her mother, is history repeating itself? Her feelings towards Falin are tangled and messy and fascinating. They're also more than a little homoerotic, which makes Marcille's infantilization of her friend all the more interesting. It feels like her way of resolving their power imbalance, of remaining a responsible (former!) authority figure... but it's also a coping mechanism. She's frightened by the ways Falin is maturing and changing - aging - and keeping her mental image of her friend as young as possible is her way of denying the march of time that's destined to sever their bond.

Marcille's dream of lifespan extension would remove the need for this obfuscation, render them equal... only, they already are! This desire is imposed onto Falin, but it's primarily for Marcille's benefit. Watching her fight for a world nobody wants, for reasons both selfish and altruistic... it's as tragic as it is understandable. I love this manga.

[mithrun-house-of-kerensil]

Lately, I've been thinking about Mithrun and the ways he is dehumanized in canon.

Before I get started, we know that elven society is incredibly afraid of death and illness. This is obvious in how they look down on the short lived races and see them as weak and childlike. We also know that Mithrun himself had ableist views toward his brother and these values did not leave him once he, himself, became disabled. He is a product of the society that raised him, but I also think how Mithrun is currently being treated contributes to his view of himself.

Mithrun has had three different caretaking groups over the years. The first are the ones his brother hired for him. From what we can see, they did the job, but we can understand that they did not know what to do with him. No one had ever recovered from having their desires eaten so the focus was less on rehabilitation and more on keeping him alive.

Later we see Milsiril take an interest in him because of his desire to return to the dungeon. Since she did not bother to visit him for decades after finding him, we can assume that there is an ulterior motive here. Timeline-wise, this was when the majority of the canaries had just been wiped out. They needed more men, and Mithrun is set up to be the perfect single-focused soldier.

Honestly, we can assume that Milsiril doesn't really care about him or see him as a person. Mithrun is just a new project for her to play with. We can see this in how she's focused on superficial level concerns like the fact that he doesn't look nice and wanting him to be overly grateful toward her. She also talks about him like he's not in the room and can't hear her. This is a dehumanizing trait shared by many characters when talking about Mithrun.

When he finally does recover enough to return to the canaries, the military does not make any effort to accommodate his needs. We know the canaries are understaffed and the ethics are already bad, but they really did not even try to care about Mithrun's safety at all.

Entrusting a criminal with his care was questionable at best, especially when Cithis immediately took the opportunity to abuse her power over him and no one stopped her.

While acknowledging the light-hearted nature of the manga, it's uncomfortable that Mithrun was treated like a child and an animal by Cithis for her amusement. Regardless of her 'learning to respect him' later, the point is that Mithrun was taken advantage of and degraded because she believed he couldn't say no. No one bothered to do anything about this until Pattadol yelled at her.

Truly his treatment is summarized well by Milsiril here. Mithrun is extremely vulnerable to being abused by those taking care of him because he won't advocate for himself. He has one desire so he won't fight for himself in any other way.

It is obvious that Mithrun was not treated well by his caretakers and this has resulted in him identifying his needs through a disconnected and frankly, infantilizing lens.

I understand that it may have been a translator's decision, but I always thought it was interesting that Mithrun says that he's "not sleepy" which is a childish term. Otherwise, he speaks like everyone else, if not rather posh.

This, followed by the fact that he is responsive to Kabru treating him like a literal infant to get him to eat, paints a clear picture of the fact that Mithrun is not unfamiliar with being treated like this. He responds to it because he's used to it and has no desire to argue with being treated this way. When we consider the fact that the chapter started with Milsiril treating an older child Kabru in the same way, it is likely that she also did the same thing to Mithrun when he was under her care.

In these panels, we see that Mithrun does not believe that he can sleep without magical assistance, even though it is immediately refuted when Kabru takes the time to bundle him up and help him relax. Not only does he fully believe he can't sleep without external assistance, but he states directly that there is no point in him getting comfortable.

As Kabru observes, Mithrun's inability to recognize his needs applies to needs such as hunger and exhaustion, but it obviously also applies to emotional needs. Kabru just wanting to feed him something delicious and not wanting him to give up on life is the most consideration someone has given Mithrun in years.

The relationship they form over the course of a single week is enough to shape Mithrun's behaviour completely. Mithrun ignores Cithis's demand in favour of asking Kabru's opinion. It is Kabru's hand Mithrun takes to pull him out of his defeated state. It is Kabru Mithrun confessed his true desire to.

Do you realize how depressing that is? All it took was the new perspectives from Kabru and Senshi to make him consider the fact that he should keep living despite no longer needing to fulfill his duty. Being treated well could have helped Mithrun much sooner and this shift in the way he sees himself contributes to his recovery going forward.

TLDR: Mithrun has no desire to be respected, but why does that make people feel comfortable acting like he doesn't deserve it? Someone not caring about being treated well doesn't give you permission to treat them poorly. This feels like a playschool-level consent lesson: just because he's not saying no to a humiliating or degrading act doesn't mean it's a yes and therefore okay to do. Acknowledging this is the bare minimum of treating him as a person.

[megankoumori]

In defense of a "Wicked Stepmother":

Sarah's Stepmother in "Labyrinth", named Irene in tie-in media, only gets about a minute of screen time before Sarah rushes off to her room in a soaked snit. Fanfic writers usually turn her into an evil bitch and even the manga sequel, "Return to Labyrinth", has her cold and abusive to Toby, her biological child. But here's the thing...

I think Sarah's mother gets a bum rap.

Dressing nicely for an evening out and having mild conflict with a teenager does not a Lady Tremaine make. And as someone who actually lived with a narcissistic, manipulative, emotionally abusive stepfather, I can tell you that Irene doesn't even come close to wicked step parent territory.

Backstory first. It's never spoken of in the film, but clues in Sarah's room tell us that her real mother is a stage actress who abandoned her and her father for another actor. Sarah idolizes her mother and tries to emulate her with play acting. Sarah's father met and married Irene sometime after Linda ran off, and Sarah, who thinks her mom walks on water, resents the hell out of Irene for taking her place. A place that Linda abandoned for another man.

She couldn't help it. He looked like David Bowie.

Let's look at her first alledged transgression. She won't let Merlin into the house. Instead she orders him into the garage. Heartless, we assume because we all love dogs and only the most soulless of monsters don't. But slow down. She didn't leave him out in the rain. She put him in the garage. Furthermore, Merlin is an Old English Sheepdog. Is he a nice dog? Sure, but he's also a breed that's notorious for being high maintenance and hard to keep clean and right now he's soaking wet and filthy. Irene isn't being cruel, she's trying to keep him from ruining the carpet.

So now Sarah and Irene are in the house about to have their confrontation. "Sarah, you're an hour late..."

Sarah lost track of time. Sarah is the one who screwed up. Irene has every right to be frustrated. For all we know, she and Robert were supposed to see a movie or meet someone and Sarah's tardiness wrecks their plans. Note, please, that while she is frustrated, she's not even yelling. My mom would have screamed bloody murder and then held it over my head for weeks.

"Your father and I go out very rarely..."

"You go out every single weekend!"

There is no way to confirm who is right on this. I will say Sarah is the one prone to hysterics and exaggeration, so it's not looking good for her.

"And I ask you to babysit only if it won't interfere with your plans."

I ask. Irene asks. She doesn't demand, and she doesn't expect Sarah to give up her previous plans.

"Well how would you know what my plans are? You don't even ask me anymore!"

Sarah, you were LARPing in a park by yourself. Furthermore, with the storm you would have gone home anyway.

"Well I assume you would tell me if you had a date. I'd like it if you had a date. You should have dates at your age."

Irene doesn't want Sarah to be a Cinderella stuck at home every night. She wants her to go out and have a social life. This is literally the opposite of the bedtime story Sarah tells Toby later.

Also, "I'd assume you tell me..." Irene might not be wording it in the best way here, but she wants Sarah to communicate with her. She wants them to have a relationship.

Then Robert enters the scene. "Sarah, you're home. We were worried about you."

WE were worried. As in both he and Irene. You think that's the reason she was waiting on the porch? Because their sixteen year old daughter is an hour past when she said she'd be home and now it's raining and getting dark?

It's not like she'd ever talk to a stranger.

Sarah runs up the stairs in a snit, not even acknowledging her father and leaving Irene dismayed. "She treats me like a wicked stepmother in a fairy story no matter what I say." Her voice isn't angry, it's hurt. She's making an effort to reach Sarah, but nothings working. She can't break through the tantrums and the anger and the hero worship of Linda.

Sarah is a fantasy junkie. It's all over her room. Her books are all fairy tales. Her dog and her teddy bear are named after figures from Arthurian legend. But she's wrapped herself in a different kind of fantasy, a toxic one. One where Irene, well meaning and kind, is one of the evil stepmothers from her fairytale books, while Linda is good and virtuous like one of the dead moms at the beginning. Except Linda isn't dead. She's shtupping a costar.

Part of Sarah's coming of age and maturity is rejecting Jareth, the stand in for her mother's lover and therefore finally rejecting following her mother's selfish path. We see her finally let go of Linda by putting her picture and clippings in the drawer. Hopefully, the next morning, after she picks the confetti out of her hair, she'll finally be able to start over with Irene.

[laikabu]

i hate that i have to clarify that what i’m about to write is not a ship post, i am capable of enjoying two characters relationship as very good friends and not only a romantic relationship despite my handle. but anyway.

people who hate laios/kabru so much they start ignoring the fact he essentially becomes laios’s best friend along with marcille by the end of the manga are kinda funny. you know you don’t have to ship them to acknowledge they become very close buddies right. kabru has his Red best friends(rin and laios), while laios has his Blue best friends(marcille and kabru)

even before they become close, kabru just has unwavering faith for him even if he didn’t entirely trust him. there’s about two times he says “i’ll leave it all to you, laios!” verbatim.

then kabru stays behind to help them finish what remains of faligon long after his party leaves. he’s weaved himself into the party so much, he’s included in a couple of touden party sketches and some that don’t even include namari or toshiro. he enjoys planning laios’s meetings that he has sparkles in his eyes. he gets legitimately upset when laios suggests something stupid to his corpse after he dies. he thought laios was testing him when laios asked if he could stay by his side(because he was already doing it!!)

laios provides a safe environment for him to do something he loves and highly values his opinions, and in turn he makes laios not feel stupid. claiming that laios is his bumbling pawn or hes gonna leave melini for whatever reason is essentially AU fan fiction disguised as meta posts. how can you claim to be a fan of him and… not even trust his intentions? laios even tells marcille that kabru makes for a better king than he does, so i imagine it was brought up at some point and kabru was very against the idea.

as much as i think the conniving vizier jokes were mildly funny until it got old, he is really just a good person who believes in laios’ abilities as a ruler. even if he has to whisper a bajillion cheat codes to him most of the time.

[yoichiris]

better than letting go | nagi seishiro x reader

✩ accidental sugar daddy nagi ✩ pro-player!nagi, roommates au, angst to fluff, heavy pining, miscommunication

"just go live with nagi," reo says offhandedly, "if you clean up after him, he'll let you stay there forever."

you open your mouth to refute the suggestion, because reo knows how you feel about nagi, knows you couldn't possibly stay in an enclosed space with him hours on day on end without jumping him... but before you do, nagi himself interrupts.

"i'm okay with that," he replies in his usual laid-back voice.

you glare at him because you think he sounds more excited about the cleaning part.

"you're going to be homeless," reo shrugs, "why not?"

you return your glare at reo, "why can't you just house me in one of your billion-dollar properties."

"then i'd have to ask my old man for permission," he waves you off like the asshole he is, "no thanks."

"what's wrong with living with me?" nagi wonders, and you hate him for acting like he wants to live with you so badly.

"look, just clean nagi's dirty underwear for the next year while you finish your degree and you won't have to worry about a thing," reo explains, as if there aren't other factors like your five-year infatuation with nagi, and maybe the fact that nagi lives like he doesn't know what a vacuum does.

you sigh, thinking about the end of your lease and the astronomical increase in rent incoming, and how much you don't want to work your stupid part-time job, and give in.

of course it's not that bad. all you had to do was keep your feelings to yourself.

"nagi," you hiss, "nagi, wake up, you're going to be late!"

he only stirs, covers tucked under his chin, as if he's hiding from you. you inch the door wider, stepping into his room hesitantly. he doesn't even make a move.

"nagi," you whine, crouching at the side of his bed.

he makes a sound of acknowledgment but keeps his eyes closed, so you sit cross-legged on the floor, watching his sleeping form. he's so cute like this, you think, yearning.

it's been a week since you moved in with nagi. in a lot of ways, he's exactly what you thought he would be like in private: he's rarely home, and when he is, he's quiet.

you thought he would spend more time in his room, under the covers, but you realize quickly he's furnished his couch with the coziest throw and likes to curl under there when he is home.

it makes your heart warm when you come home to see nagi, his toes sticking out from underneath the blanket, waiting for you to eat dinner.

"...what time is it?" you hear him mumble.

your heart skips a beat when he opens his eyes, groggy with sleep, and touches your arm. you sigh shakily.

"too late," you smile softly at him, "i'll prep your pre-workout so you can take it with you, okay?"

"thanks," he tells you, his voice raspy.

he smiles back at you and reaches out, poking you in the forehead. when you feel his fingers touch your skin, you think you'll drop dead right there.

"are you gonna move out after you graduate?" reo asks, nine months into your arrangement.

you've been avoiding even thinking about it. you're busy with graduation, you justify to yourself, you don't have time to look for a new place yet.

"hm?" you hum innocently, "i dunno. haven't had time to think about it."

"nagi asked me 'bout it," he mentions casually, and you freeze. is he counting the days down until you leave?

you and nagi have settled into a daily routine: you wake him up, he goes to practice, you study after class, and when he comes back late at night, he hangs out with you for an hour before he has to sleep. mostly, you and nagi sit on either end of the couch, sharing the cozy throw, and read manga.

it's lulled you into a false sense of security, you think.

"oh," is all you manage to say. maybe he finds you bothersome? maybe he wants his own space back?

reo hits you over the head, lightly. "what's that face for? it's been going good living with nagi, right?"

and it was. it was everything you had dreamed of, and it shocked you how well you got along with nagi. you think of how, in early mornings when both of you (mostly you) are rushing out the door, bumping hips in the kitchen, even then it seems like you were working together.

"yep," you reply, sipping your iced coffee, "too good."

reo takes a bite of his food, and suggests, "maybe you two should just keep living together. you can split rent or something."

"can't rely on nagi forever," you protest.

"why not?" he says, just like he did when he had first suggested this whole thing, "isn't that what you want?"

you kick him under the table, angry that he was bringing your feelings up now. yes, you want to scream, it is. but nothing has changed between you and nagi, nothing at all.

you're always trying to keep your feelings in check: when he peers over your shoulder as you're cooking, the warmth of his body hot asgainst yours. or how adorable he looks when he comes out of the shower, his shaggy hair falling over his eyes, his face shiny. those are the times your feelings want to burst.

"just talk to nagi about it," reo nudges. you're not sure if he's talking about the housing or the feelings.

you're curled up with nagi on the couch when you muster the courage to say anything. your legs are touching his under the blanket, and you feel as if that might connect you to him.

there's a month left until you graduate, which is absolutely not enough time for you to find a place to live, but you were scared. you hear the victory sounds of nagi's mobile game, so you decide now's better than never.

"so," you start, and his gaze drifts over to you, "i haven't really found a new place to live yet."

it's quiet. "s'okay," nagi mumbles, not even looking up from his phone, "you can move out whenever."

well, at least that answers your question on whether or not he wants you to move out. at least he wasn't pushing you out the door, you tell yourself.

you don't know what else to say. do you want me to leave so badly? you want to ask. can't i stay with you? you think, desperate. but those words don't leave your mouth.

"are you coming to my graduation?" you ask lightly, and regret it when you realize that you've opened yourself up again.

he shrugs. "dunno my prac schedule yet, but reo's going right?" he replies, as if reo could replace him.

you feel cold despite the blanket, and sink deeper into the couch, feeling drained. from the corner of your eye, you see nagi tapping away at his phone, signaling to you that he's still deep in his game. you take your legs away, knowing he wouldn't even notice.

"yep," you say and awkwardly crawl out of your warm spot on the couch. "i'm gonna go to bed first, nagi."

"g'night," he replies, finally looking up as you pass him with your head bowed. he watches you walk back to your room, and doesn't take his eyes off of you until you close the door behind you.

you eventually begged reo to find you an empty unit in one of his father's rental properties.

he had been insistent you just talk to nagi, as if he knew something you didn't, but you had to explain that you did, and nagi had no objections to you moving out, and you weren't going to wait until he shoved you out the door to move on.

it has been so awkward since that small conversation you'd had with nagi. maybe it was you, feeling out of place, like you had reached a point of no return.

waking him up in the mornings were now rushed, gently pushing him awake and scurrying off before he was fully awake. leaving his pre-workout on the counter instead of handing it to him. sitting at the kitchen table under the guise of studying instead of curling up on the couch with him.

it's not that he'd changed, you knew, it's that you couldn't keep playing pretend with your feelings anymore.

you hear the front door click as nagi walks into the apartment.

"hey," he says, pushing open the door to your room, "i'm home."

you turn from your position at the front of your closet, where you were just about to take out your suitcase. "oh, hey," you reply lamely, "welcome home."

he hovers, something he's never really done, as if he knows you have something to say, as if he had something to say. the words were stuck in your throat.

"reo told me you're moving out," nagi finally tells you.

traitor, you curse at reo. "uh, yeah," you smile tightly, "i didn't want to keep bothering you, so..."

"you're not bothering me," he replies, maybe a little too quickly, but you don't notice.

there's another silence. what else can you say?

"you don't have to leave," nagi continues, "i don't mind if you stay here."

but do you want me to stay? you want to ask. the way he says it so casually, as if it didn't matter whether you stayed or not, only solidified your decision to be away from him. at least then you could just be his friend without delusions of sharing a life with him so intimately.

"nah," you try to keep your voice steady, "it's probably better this way."

"i like living with you, though," nagi shuffles his hair uncomfortably as he says it.

you laugh, maybe a little bitterly, "because i cook and clean for you?"

"no," he says quickly, looking flustered, "no, i just like it when you're here."

but why? you want to scream. your heart pounds, because you feel like you're close to something, but at the same time it feels so far. sometimes you're convinced that he knows about your feelings, that sometimes you two are talking about them even though the topic is unrelated.

"it was nice," you settle on saying, as if it wasn't life changing, "but i can afford living on my own now."

"i don't want you to leave," nagi almost sounds like he's whining, and your heart skips another beat.

"why not?" you say, frustrated, breathless, "we can't just keep living together forever."

"what if i want to?" he says, and you feel like the conversation has become out of control.

your mind is racing. what is happening right now, you try to breathe through your nose. what is he talking about right now, you try to ask yourself.

"nagi—" you stop yourself, trying to get a grip, "what are you saying?"

you're looking at him now and you're surprised by the determination in his eyes. it's what he looks like when he's really focused, like he is when he plays soccer.

"i want to live with you forever," he declares, sounding defiant, as if that wasn't what you wanted.

but you're not sure what it means. you only know that five years is a long time to be holding onto your feelings.

"i don't understand," you mumble, staring at the floor, quieter than before, "i love you, nagi. not as a friend. so no, i can't just live with you forever."

you feel him before you see him, his body towering over you. when you look up, he's pouting. he puts his hand on top of your head, gentle, warm.

"why do you look so sad," he wonders, as if he hadn't heard what you just said, "that's why i want to live with you forever, dummy."

you wake up to nagi wrapped around you.

"sei," you groan, turning in his arms to look at his sleeping face, "you're heavy."

he mutters, groggy, incoherent, and you can't help but press a kiss to his nose. his hair is falling all over his face, but your eyes memorize every slope. he squeezes you harder.

"why are you awake so early," he mutters, nudging your chest with his head, "it's my day off."

you soothe your hand down his bare back, feeling the tight muscles underneath your fingers. he works so hard, and his days off are so rare. you wiggle some more, to loosen his arms.

"i know," you smile, "but let me go make breakfast, kay? i'm hungry."

he shakes his head and whines. "no," he refuses, "just go back to sleep."

you relax, unable to tell him no. mornings with nagi often go like this, except that you usually have enough self-control to get him up. but sometimes, you remember what it was like wanting him so bad, that now you remind yourself to enjoy it.

as a partner, nagi is clingy, vulnerable. but he's also determined, and sometimes, the intensity with which he wants you catches you off guard.

"y/n," he calls, his breath hot against your neck, "i'm happy you're here."

you close your eyes, nodding. "me, too."

[kamfor334]

manifested my desired appearance!

hi guys! I know I haven’t posted in a while, this is just a little post about my manifestations, I manifested my desired appearance!

to be honest, when I think about this experience one thing is that this reminded me how EZ manifesting really is. When I first started to manifest my desired appearance, I thought it would be harder, and I would have to put in a lot more work. But, now looking back, this helped me realize that manifesting is simple, and instant. We are constantly manifesting naturally, and it isn’t that complicated or hard.

how it happened

It’s kinda funny how, people always say manifestation is instant (cus it is) but you genuinely to remember or realize until you see that you ACTUALLY have your results so quickly, and before you even realize. Tbh, I didn’t even really count or keep track of “how long it took”, since I find that constantly checking for results kinda deters me or messes with my mindset. I realized I had manifested my desired appearance when I was looking in the mirror today, low-key surprised me. My hair is thick, longer, my curls look the exact same as the photos from my vision board. My lashes are thicker, longer, my lips are pinker, plumper, ect, ect. I also noticed my body. I didn’t change my height (cause I didn’t want to) but, I look super cute!

After this, now I wanna manifest clear, soft smooth skin a lot more persistent, because me skin has been getting clearer and softer, but I’m not at my desired goal, however, I have seen a noticeable difference in my skin 🤭

also, people commented on it. I’ve been getting lots of comments on my body by my friends, telling me my body is tea, complementing my waist ect. And another thing I can remember is going to the convenience store with my mom, and this lady complementing my hair, and my mom pointing out my long, soft hair, and literally telling me word for word that I have4b hair 🤭

what I manifested

you don’t have to read this if you don’t want to but, I just wanna talk about what I manifested 🤭

White, straight teeth, pretty smile.

longer, thicker manga like lashes, wide, black beady doe eyes.

plump, pink, soft lips

more prominent dimples

Slimmer, oval face shape.

4b, defined healthy curls hair.

longer hair.

pear shaped body, slim, flat, soft waist, round plump bubble butt, r plump, round thighs and hips.

slim arms, collar bones, back and neck.

how did I did it!

well, for one, I said affirmations when ever I could, and whenever I had doubtful thoughts I would counteract it with a affirmation and try to take a deep breath and remind myself manifesting is easy, simple and instant, and that I literally already have, before I even fully realize.

I created a vision board. with pictures for visualization, written affirmations. I really like this form of manifestation cause you can look at it before bed, read it in your free time, visualize and affirm while you look at it.

looking in mirrors. I know a lot of people say not to look into mirrors when manifesting a physical change, but for me it helps. For some reason, looking in mirrors makes affirming a lot more fun and makes me feel more confident, like while I’m looking in the mirror I’ll say “I’m so pretty. ☺️” “I’m literally so beautiful, it’s so mesmerizing.” “I have such a cute, small waist” and is makes acknowledging my affirmations as truth lot easier, and it makes me feel so confident to admire myself. You don’t have to do this if you don’t want to tho, or if it doesn’t work for you.

That’s it! I love youuuuuu

sorry this is long, I was just really excited to share my results. 😭

remember that manifesting is literally so easy and simple, we literally do it all the time without even realizing, and manifesting is instant.

[goatyuuji]

JJK 271: The death of Ryomen Sukuna

As a Sukuna fan, this chapter was everything I could ask for. Such a beautiful end for such an interesting antagonist. Okay coming back to the chapter, more specifically to Sukuna and Mahito conversation, we see Sukuna admitting that he had different paths he could have travelled, two to be more precise: one being with Uraume and one with a mysterious black hair figure who is dressed as a shrine maiden, so the question here is who is this mystery person...it's definitely not Yorozu since Yorozu has never dressed this modestly and I don't think this is Sukuna's mom either...so who is this???

I believe this is Kenjaku when he first approached Sukuna in the Heian era.

We previously had a panel of Sukuna's mummified body dressed as a monk by Tengen in the manga...so Sukuna might have grown up in a religious setting, and what better way to get close to him than approaching him as a miko or a shrine maiden.

But that's beside the point. The point here is Sukuna talking about the two paths he could have chosen, and he ends up choosing Kenjaku. He allows Kenjaku to make him as a curse object, allows Kenjaku to make a vessel for him to reside into, allows Kenjaku to rope him into the culling games, and even allows Kenjaku to trust him with Tengen and the merger. But the sukuna who chose this path was an angry version of him, the curse version of him if you will. He wanted to spit back the curses that were residing him, so full of anger anger anger hate hate hate. Even at his death bed his only response to kindness was "don't underestimate me, I'm a curse". So this version of Sukuna choosing Kenjaku over Uraume was no surprise.

But what changed then????....well.....HE LOST

He lost, not to Gojo or Yuta or Yuji or the serveral dozen sorcerers who jumped him, in the end he lost to MEGUMI FUSHIGURO. In ch 268 we see Sukuna trying to manipulate Megumi to give him all the control, to give up and leave it to him.

This curse version of Sukuna who doesn't know anything except cursing others back, recounting all the deaths Megumi caused to him, telling Megumi how he can't live a proper life anymore....somehow somewhere it feels like he is trying to delude himself too by saying after all the atrocities he caused in 1000 years there is no use fighting back, no use in living a proper life anymore. And this Sukuna has never lived for anyone except himself so it's easier to curse the world back, easier to give up all the control and just cause panic and doom and death.

But Megumi is not just living for himself, he lives for Tsumiki, for Yuuji, he can't doom the entire world when the world has people like Tsumiki and Yuuji in it and so he fights, he refutes the notion of proper life and says he wanna try living for someone else one more time.

All this could not have been done without Yuuji Itadori of course, Yuuji Itadori who came as a guardian angel to Megumi Fushiguro, who never gave up on Megumi once, who showed Megumi how to live one more time.

Not only that Yuuji Itadori showed Sukuna, the king of curses, the one person who kept cursing and ruining his life again and again, pity. Yuuji who was cursed by several people in his life, his grandpa, Nanami, Junpei, Mahito, Gojo, Choso, Nobara and Sukuna himself, still able to live his life without cursing others back, still able to live his life with compassion. And Sukuna reaction to it is understandable: rage. Because Yuuji is everything that his chosen path won't let him be, Yuuji is everything that that Sukuna could have been if only he hadn't chosen the path with Kenjaku...if only...

So after Sukuna who has lost everything and there is nothing more for him to lose, he decides to choose a different path, he chooses Uraume. And just like Megumi who decides to live for someone else (Yuuji) when given the second chance, Sukuna chooses to live for Uraume this time. He acknowledges his defeat with grace, does not condemn the path he chose the first time but instead he is regretful which is so raw and unfiltered coming from Sukuna, and moves on North this time with Uraume. This time Sukuna chooses Uraume instead of Uraume choosing Sukuna and serving him.

And with this the story of Ryomen Sukuna comes to an end. We never got his backstory, we never even got his real name because he never looked back behind him to acknowledge those measly things. To say in short, this is the death of the King of Curses who was just living to cause death and destruction around him and rebirth of someone entirely new.