#does that make sense or am i tired

[skarloeyspa]

sentient...model trains?! (inspo below!)

i've been wiki lurking once again!

[vortship]

when you think about it

Hal's story is kinda an isekai in reverse

[decarabias]

forever thinking about royal’s bad ending. my thing with it is that maruki doesn’t necessarily give anyone what they want most, he gives them what’s most appropriate for them to want within a maruki-approved framework. iirc there’s a really interesting text sequence in the game where he just straight up changes someone’s career because they’re not “good” at it, regardless of whether that’s what they actually want. why struggle at all? ever? right?

and so ultimately i don’t think goro akechi’s greatest wish is necessarily ren. i think it’s a wish for sure, but his greatest wish is his own agency. despite any regrets he has and the fact that shido and yaldabaoth treated him like a pawn, he's generally pretty adamant about owning his choices and their consequences. he doesn't want that erased. and instead, you end up with pleasant boy™ if you take maruki’s deal. maybe maruki (incorrectly) thinks sanding off all of akechi’s rough edges will make him easier for ren to love. but the crux of it is really that maruki has to essentially lobotomize him to preserve the illusion of his perfect reality, because their ideologies are so diametrically opposed that akechi would spend every waking moment fighting back.

this isn’t to undermine ren’s importance to akechi btw — he explicitly acknowledges that he wishes they had met earlier, and there are countless moments throughout their confidant that underscore how much it means to him that they mirror each other so well. he absolutely does want more time with ren, just not under these circumstances.

and that’s also what makes ren’s choice on 2/2 doubly devastating. he knows that either way he loses akechi. and if he takes maruki’s deal, he loses him knowing that his last moments with the real akechi involved the two of them being unforgivably out of sync.

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[transexualpirate]

hot take but i think that "fictional characters are fictional and liking or disliking them have no real life effect" and "the way you treat certain characters can be an indicative of your character in real life" are statements that can and should coexist

example: character A is violent and makes misogynistic comments. they're still charismatic and their arc is interesting to read/watch. person A acknowledges that the character is bad but they still enjoy consuming content from the character and they do so unapologetically. they're allowed to like the character, especially considering that literally everyone the character has harmed is also fictional. they don't pretend the character isn't violent, or misogynistic, they just like the character despite that. they post about it constantly. this is a neutral action that shows nothing about person A.

character B is a white man that makes racist comments, treats a black person in the show badly and gains money through anti-ethical means. they're still charismatic and their arc is interesting to read/watch. person B claims the character is flawed but overall misunderstood and all their actions are entirely justified. they're allowed to like the character, especially considering that literally everyone the character has harmed is also fictional. person B claims the black character that character B treated badly either had it coming or overreacted. all of person B's favorite characters are white men. person B goes out of their way to justify that all of their favorite characters are actually misunderstood and good people, and more people should like them. this shows that person B likely has some favoritism for white men.

just. you're allowed to like fictional characters even if they're awful fucking people but. and im not sure why this is controversial. the way you interact with media says something about you. this isn't necessarily a bad thing. does this make sense please

[pizzaqueen]

Steve being indignant over the girls in Hawkins not being interested in Eddie and Eddie's like I mean, it's fine, I'm gay, I'm not interested in them, and Steve's like that's not the point! You're hot! What's wrong with them?

[tertiaryapocalypse]

did i post tgis here

[nikoisme]

Btw "aros can still date/aces can still have sex" refers to "their sexuality is their own thing and they can do whatever they enjoy and feel comfortable doing", not "love and sex is so deeply ingrained into society and expectations of individuals, so i will use this phrase that refers to one's personal preference to further push the idea that one must experience romantic attraction and/or sexual attraction, because asexuality and aromanticism is still not taken seriously and treated as something to be fixed and by holding onto this belief i am further reinforcing this idea, so the sexuality of aces/aros who do date/have sex will be demeaned,, and i am continuing to push the idea of allosexuality and alloromanticism onto aces/aros who do not date/have sex" !!!!!

[jeffreyfrancoeur]

Can we just...stop comparing Colin to Anthony? Please? They aren't remotely close to the same person, and it's frankly disheartening to see time and time again now.

"Colin had no trauma related to love and self worth to deal with like Simon and Anthony had."

Unless I am very much mistaken, Colin and Anthony have the same father. They both watched said father die from a bee sting. They both watched their mother hold her dying husband in her arms and sob because she just lost the love of her life. The only difference? Anthony was 18, and Colin was 10-12, depending if we're talking show or book. Regardless, watching his father die absolutely gave Colin trauma.

Colin was sent off to Eton not months after his father died. He never was able to process it with his own family, because they stuck together and processed it together. But Colin had to go away to school. And when he was home, he would bring flowers and play games and try to keep everyone smiling. The only way he felt useful was to focus on everyone else's happiness and diminish his own needs.

He went away on travels each year to try to find himself, process his own trauma and experiences. His engagement to Marina blew up in his face, so he immediately left to go traveling, to lick his wounds away from the rest of the ton. And while he was gone, Penelope was the main one to read and reply to his letters. When he got back, his own family diminished him, said it was a waste of time, that his "prattling on about his travels" was boring. So what did that teach Colin? That his family doesn't care about him. Doesn't value him. Doesn't find his time, his experiences, worth it. Eloise says to Pen (in front of Colin) that she found his letters about Greece dull, and couldn't finish them.

So at the beginning of season 3, when he's returned from another summer away, after no one in his family replied to a single one of his letters, and in the carriage to the presentation, he's absolutely going to not want to talk about his travels with Anthony. "Who are you and what have you done to our brother?" You happened to Colin, Anthony. Colin is masking and pretending like his travels weren't a big deal, that they didn't affect him, when he straight up tells Penelope later that he used the time away to remake himself into a new man. To try out a new persona, away from the ton, where no one knew him as Colin Bridgerton, or as a Bridgerton at all. He was just some nameless man.

He felt like he had no one back home to care about him, so the problem must obviously be him. That there was something wrong with who he is as a person, and that maybe this new version of himself would finally make the people back home--and his family--care about him. Maybe this version would finally be the version of him that's good enough.

So when he comes back to London, he's a flirt. He plays at being a "rake." He sleeps with random women. He goes out drinking with his "friends" all the time, laughs with them at their conquests. But he doesn't enjoy any of it. His mother tells him that he's always been one of her most sensitive children, always putting others first, helping them, trying to lighten the mood. But she also says that he downplays himself for the sake of others. That he puts on armor, that he needs to not put others first so he can ensure that the armor will not some day rust and be unable to be removed. She is possibly the only person who sees Colin, truly sees him.

He feels like he needs to hide his sensitive side, be less needy, be stronger, be more manly. (I would eat my hat if Anthony hasn't told him to "be a man" more than once.) This flirty rake is not who he is at his core. At his core, he is kind, and sensitive, and craves connection. He craves connection so deeply. He wants to be seen, to be loved, to be cared for, to be cherished. Ultimately, he wants someone to value him, like he does for all those around him that he cares about. His family ignored him for that entire summer, and he still brought back incredibly thoughtful gifts for each of them, that shows how much he knows them and loves them. He wants to be able to love, care for, and cherish someone in return.

How is his desire for love and to be loved and this ease in which he creates a new Colin to try and please everyone else not a trauma response related to love and self worth?

[deepfriedseagullfeet]

something about being loyal/unable to abandon loyalty as a dog would, being a right hand man who obeys your masters every command, being chained to the one you love and he knows it

[lovelyrotter]

ill probably delete this in a minute but ive just been fuckin boggled by what ive seen across tumblr in the last few days in particular. its why i havent really been around. like holy fucking shit, its really like some of yall just dont want a chunk of the trans community to exist. like some of yall are thisclose to saying it verbatum. way too many already have. 'shut up sit down be quiet and smile for us' type shit, gee where have i heard that before. oh yeah my entire life cause i was forcefully gendered as someones daughter. shock horror i know. you might be surprised to remember and/or learn that very few trans folks know theyre trans before we're 5, or even 10, and that that gendered experience stays with all of us in both/either small or large ways. either bc we literally dont have a solid identity yet (bc we're very small children), dont have the words, we're repressing it out of fear from how others will treat us, we're actually enjoying or enjoyed being another gender in our childhood, or we just genuinely didnt fuckin know until shit lined up later in life. weird isnt it that transmascs dont pop out as 6'1 brick shithouse cis men when we're born so yall know for certain that we're confused lost girls/women oops i mean big dangerous scary men. its almost like we're transgender too. none of yall actually know what intersectionality is or means

[s0ull3ss-p3rs0n]

Not me explaining Scorpius' "crush" on Rose by telling myself that Scorpius got a crush on Albus the second they first met, and noticed the feelings, but due to not knowing about queer people and it being okay to like the same gender because he had never seen a queer couple or a queer person, atleast one who would be out of the closet, he just thought that he obviously has a crush on Rose because he started feeling that feeling on the train and Rose was there and she is a girl and boys are supposed to like girls.

Or something.

That was the best explanation I could make of it.

[seiwas]

HI MY BELOVED ANGEL!!! i am sending u mattsun + campfire as well as kisses n hugs <33

SAINTTT hello 🥺 thank you for sending a prompty!! 🥹 idt i've ever written mattsun fully before so this is something new!

help me get back into the writing groove! send me a character + any word and i'll write a short blurb about it!

contains: exes, stranded-y situation, feelings are complicated, some expletives

mattsun + campfire

"i told you we should've brought the spare—"

"yeah, let me go back in time for a sec and do just that."

"asshole."

lesson #1: nothing good ever happens when you're stuck in a car with your ex on the way to somewhere remote.

you blame iwaizumi for this one. who the fuck chooses to spend their birthday weekend in the fucking wilderness?

(okay, you don't actually think it's so bad. to be fair, he did plan this a year ago. and it did sound like a good idea. then. at the time. anywhere with the boys was always guaranteed fun―at least, until you and matsukawa broke up.)

"can you pass me the flashlight?" he points at the backpack behind you. when you hand it over, your fingers brush over his as he takes it away from you.

and you hate it, because―

lesson #2: you should never be alone with your ex when you still have feelings for them.

you'd agreed to take two cars to the camping spot: iwaizumi's with oikawa and hanamaki and matsukawa's with you. there was no way you'd fit in one, and hanamaki ultimately decided to ride with iwaizumi because, "you and mattsun have shit to sort out," he'd said.

with night setting and the two-hour headstart they managed to get ahead of you, the best thing you and matsukawa can do is to set up camp temporarily and wait for them to come back for you come sunrise.

you sigh.

leaves crack underneath your feet as you maneuver around your camping space. the light from matsukawa's flashlight tells you where he is, just a bit deeper in the forestry as he looks for wood to help set up the fire.

you unload the car in the meantime, bringing out some snacks and sleeping bags while waiting.

matsukawa eventually comes back with arms full of wood, and you help in whatever way you can, clearing the space and fetching more twigs when needed.

the entire car ride here had been quiet, so it's not surprising that this entire process has been equally as silent. until―

"did you already pull out your tent?" he asks, half of his body disappearing into the trunk of the car.

"huh?" you go closer, "i only brought out the sleeping bags."

then he sighs, ducking out from the trunk with a hand on his hip, "we only have one tent."

"what?"

"makki must have gotten yours with his when he decided to move cars."

his hand runs through his hair, a habit you know well. it lights up all sorts of weird feelings in your tummy

you don't know how to feel―

"i can sleep in the car."

―but you know that you definitely don't want him to do that. all things considered, you were friends first. and you've both been trying to be friends again since the breakup. you wouldn't want to cause him discomfort like that.

so, with a deep breath, you say, "it's okay, we can just share."

"are you sure?" he stares at you.

you nod.

after setting up the tent, you eat a few energy bars and clean up from the day's events. the campfire provides ample enough heat, but with how fast the flames are burning, you're doubtful it'll last the two of you the entire night.

it’s much later on, past midnight, that your doubts are proven right when you and matsukawa are cramped together in a tent made for one. it started to get cold a few minutes ago, and you've found yourself inching closer and closer to the warmth you’ve gotten used to laying against for the past two years.

he's only pretending to be asleep, you know that much, too. the rise and fall of his chest is hardly there; you can see it, how he's holding his breath being this close to you.

"issei," you whisper.

he opens his eyes, eyelids lifting lazily as he meets your stare. the vibration of his hum reverberates to you.

"it's cold."

for a moment, your stomach drops at the thought that he could ignore you; how it would make perfect sense for him to. you broke up with him after all, and he doesn't owe you anything, much less favors as intimate as this one.

but he closes the already dwindling gap between you, wrapping an arm around your waist as he pulls you closer. it's near, far too near for exes to be―noses touching and all.

"warmer?" his voice comes out hoarser through the whisper.

you nod, your head shifting up and down—which, truly, is where you ultimately fuck up. you feel it, a little chapped but still pliant against your lips.

in your carelessness, you accidentally brush your lips against his, the sensation alone surprising you enough to inch your head back as you mutter your apologies.

"sorry? really?" he asks, eyes half-lidded still as he chuckles.

his question settles into the small space you're in.

your vision trails from his eyes, down to the slope of his nose, until it lands on his lips again. a little split like you've always known, but still your favorite. still the only lips you want against yours.

when you lean in again, you know you're fucked, because―

lesson #3: the number one rule is that exes shouldn't kiss each other anymore.

[simplydnp]

whenever i watch phil’s daring advice videos i realize he is really against overtly jealous boyfriends, do you think dan is better with jealousy these past few years? do you think he used to be bad with it?

dan has, in the past, referred to himself as jealous. in my opinion, he's also very bad at hiding it.

i'd have to go back to specific segments, but the advice phil generally gives is more about excessive/controlling jealousy. the type where red flags are popping up continually. for the people receiving advice, it might just be a conversation they have to have, or they might have to call it.

i think it's up to dnp with how they deal with it. clearly, it isn't the same as situations presented by viewers, otherwise his advice would be different. i think there's a few points of interest around this all.

if we're looking back to the beginning: dan is 18. he's young, his brain isn't fully developed, he had a difficult childhood. stability is not something he knew. so to meet phil, with all his awkward emo rizz and close relationship with his family--it's natural to want to hold onto it. i can completely understand any jealousy from that point in time, because it comes from fear. it's rooted in insecurity and instability. all he wants is this one thing, why does everyone else have to want it too? but he knows exactly why people want phil--it's why he does! he does seem aware of it, as the quote i mentioned earlier does come from the early years. but it doesn't mean he could stop it from coming out. and i don't really think he wanted to, at that point. (this did change)

there's a secondary participant in this though too. someone who saw all his flaws and loved him anyway, loved him despite them, and loved him because of them. if there's one thing you know about phil lester, it's that he loves dan. and has for a very, very long time. from what we've seen, in the early days, phil liked a jealous dan. there clearly wasn't a discussion about stopping it. it's nice to be wanted. to be seen. instead of just tolerated by your peers. one of the things he'd do would be invite dan in when he felt jealous, or when he could feel jealous later. dan should be a youtuber too. then they can do this together. and it's not to say any or all of their career decisions were based on jealousy. but i do think it played a role. because they know each other too well to simply ignore it. (but i also think it'd unconscious for phil, sometimes).

but as the years go, they had to 'clean up' their image for radio. they put themselves into boxes and those boxes weren't supposed to have jealousy in them because it's too real. but of course it came anyway. and phil is not as innocent in this as you may think.

the second thing you know about phil lester is that he loves to rile dan up. he loves when dan gets snarky and wordy and dramatic. he loves the outbursts and the swearing and the enthusiasm in it all. he loves that dan feels things and acts on them. so he... pokes the bear sometimes. cause it's fun.

in the next years, there was both more and less jealously. less because of their Straight branding, and therefore pushing anything like that down. more because of 'phil trash #1' becoming part of their brand. and it's never really gone away--cause it's true. dan could suddenly be jealous or fond on main again and it could be played off. so it happened more. but also, they were successful now. secure, in so many ways.

if you see jealousy now it's very evident that dan's trying to hide it. it's just as bad as it used to be, if not worse. cause he's allowed to be jealous now, and is out of practice of hiding it. and i honestly don't think they care that much anymore. he fights it back cause he doesn't want to say it at times, but it's different now. and phil can still tell anyway, cause he loves pushing dan's buttons.

in terms of phil giving advice, i'd say it's more about finding someone who is compatible with you, and loves you for you: the things you do, the words you say, the person you are. dan and phil live in an existence of constantly affirming each other, and they probably don't think about it since it comes so naturally to them. they are on the same page. there's trust and love there. phil knows why dan gets jealous. but he isn't going anywhere. and he knows dan knows that too. so it's kind of fun to play into it all.

[theusernameiwantisntavailable]

Tim who can't pull away from his vigilante duties. Who has nearly quit several times but every time it pulls him back like an addiction. And Bernard who can't let him go because he's already lost Darla. He can't do it again, it makes me so unwell

[lollytea]

Okay okay okay so my thoughts are a little jumbled right now so I'm not very coherent but I need to blabber about this one element of huntlow in For the Future that's got me going off the rails. It's the way in which they both take initiative in their interactions with each other, specifically how it differs with both Willow and Hunter.

There's a bit of a vibe in a lot of huntlow content that puts emphasis on Willow's confidence and Hunter's shyness, so she's the one who talks, who flirts, who acts, who gets the ball rolling. Meanwhile, Hunter clearly reciprocates and enjoys her attention but allows her to take the lead, rather than initiate anything himself. And this interpretation is perfectly fine. It's cute!! And Thanks to Them kinda gave us the impression that it wouldn't be that unlikely.

But the scenes involving them in For the Future were SO good. As an interesting subversion of the point above, it's actually Willow who's become the more uncertain one in their dynamic. As a contrast to how she comforts Gus when he tears up, Willow is rather hands-off when it comes to Hunter. It's likely because she understands that what he needs right now is space to process his grief, but in addition to that, she might be at a complete loss on how to help him. Because what could she possibly say? Willow can promise Gus that she'll find his Dad, she can assure Camila that things with Luz will be alright, but she can't bring Flapjack back. And even at this point in the episode, this may have been adding to her steadily escalating feelings of stress and helplessness. ("I can't help my friends...")

Willow feels like she keeps fucking up when it comes to Hunter. When she allowed herself that brief moment of childish indulgence by being silly with the plants, which resulted in Hunter snapping at her? Oh the way her smile dropped and she looked utterly devastated. She must have felt so guilty, so ashamed, so frustrated with herself for being so stupid and goofing off when her friend was severely hurting. And it's not like he was wrong for saying they didn't have time for this. But in typical Willow fashion, she shoved those feelings down and put on a smile for Gus.

There's no implication of it but I wonder if she also felt like an idiot for letting her emotions get the better of her when she saw that puppet of her Dad. She put herself in harm's way, forcing Hunter to charge after her and pull her to safety. Do you think she wonders if he was annoyed by that? Maybe that was eating away at her too. She's trying to be level-headed and reliable but it seems like she keeps slipping up. And Hunter is always there to witness it.

Of course, Willow didn't stop trying. Though she may have felt a bit rejected and disliked by him at the time, Willow still made the effort to look out for Hunter in any way that she could. She suggested they go outside and keep him company while he was pacing himself into the ground. And later on, she lit up with delight when she found something that she believed would comfort him.

And then she expressed, in her typical warm Willowy way, that they loved him unconditionally. She didn't have the perfect words to make everything okay. She was just being herself. Willow took a chance with this boy she didn't know how to help and simply said what she felt, hoping it would give him some semblance of solace.

But being herself wasn't good enough. At least not in Willow's eyes. She already had fragile confidence in regards to Hunter's current opinion of her but ohhhh the deafening silence that followed after she had bared her heart to him. The way she brought him to tears, leading her to believe she had rubbed salt in the wound. The way Luz had to gently intervene to make sure he was alright and Willow felt like sinking into the floor. How Hunter's quiet little "I....don't know..." speared her through. All of those things pushing her to her breaking point. She's made everything worse. Because that's what Half-a-Witch Willow does.

Hunter's perceived opinion of her is utterly deteriorating Willow's self confidence and it's the thing that results in her self loathing inflicted descent into thorny vines. She's in denial at first, still struggling to hold it together, still insisting that she can grasp hold of some facade. The pitchy and nervous tone of voice as Hunter appears on the scene and she desperately feigns nonchalance. She knows deep down that her magic is spiralling out of control but she cannot let him know. She cannot let him see her like this. And with this added anxiety of Hunter's presence, the vines only get worse.

Meanwhile, when it comes to Hunter, he is not idle by any means. He takes a proactive role in almost all of his significant moments with Willow.

Obviously, Hunter is a protector. He shields his friends from physical harm. He's especially paranoid about them getting hurt now after what happened to Flapjack because he can't lose them too. This paranoia, in addition to his overwhelming grief and recent trauma, has made Hunter high strung and irritable. Keeping his friends alive is his priority right now. Because of this, their emotional needs and how his snappish behavior is affecting them, is understandably the furthest thing from his mind.

But once he realizes that he's hurt Willow's feelings? Oh he looks completely shattered. The way Gus runs out the door to find her and Hunter murmurs "Wait..." before he rushes after both of them, calling out their names, begging for them to come back. There's none of the hesitation that Willow demonstrates with him, only loud desperation. What does he even intend to say to Willow? Who knows. Honestly, I don't think Hunter knows either. But it's not about that. It doesn't matter if Hunter has no idea what he's gonna say once he catches up with her. What matters is that he's running after her at all. He knows one thing and it's that he has to do something.

And that's what Hunter continues to do from that point. Something.

When he finds her tangled up in her own vines, mentally and emotionally unraveling, Gus hanging in distress above their heads, he's immediately asking her to explain, concerned and alarmed. When Willow's feigned cheerful demeanour shows its cracks and the vines start to ensnare Hunter, the last thing he does before he's fully bound is take a step towards the obviously overwhelmed and frightened Willow and try to reach out for her. Again, what was he planning to do? What was he gonna say? He probably had no idea. His actions were likely instinctive. But the fact that trying to provide some form of comfort to Willow was an instinctive response from him speaks volumes about their relationship. He's not going to stand around and do nothing while she's upset. Even if he's bad with words and emotions, he's always gonna try. She's worth trying for.

Cannot stress this enough but by the time her vines begin to consume her, Willow has probably convinced herself that Hunter's high regard for her has completely plummeted. Because why wouldn't it? This is, without a doubt, Willow at her most pathetic. But during this moment of complete wretchedness and self destruction, Hunter is the one who acts.

He bursts out of the vines and bundles her up in his arms. His hands press down on her shoulders and he frantically assures her that she's not to blame for any of this and she didn't ruin anything. He eases her anxieties by vocally expressing just how much he cares about her. He begs her not to be so mean to herself. And then, with desolate eyes and a soft gentle voice, he asks if she's been holding all this in the whole time.

He wants an answer. He wants her to talk to him. He wants her to tell him what's wrong so he can try to help. He wants to listen. And he's taking the initiative to get there.

And Willow's completely stunned face upon hearing all of this shows just how overgrown her insecurities had become, leading her to become entangled in the worst possible conclusion. She was now receieving affection and loving words from none other than the boy who she fully believed had lost patience with her for constantly messing everything up. The way the first tears pricked and her mouth wobbled when that soft gentle voice expressed concern for her, seconds before the dam inevitably burst. It was all a little too much for her I think.

Also can I talk about the little finger link?? I've been dying to talk about the little finger link!!!!

Everything about how that scene is executed is so sweet to me. Willow, though she's a lot more reassured over where she stands with Hunter, is still a little unsure on how to approach this. She doesn't hold his whole hand. No, that might be a bit much. For both Hunter and herself. Let's start smaller. Less nerve racking.

Of course, if she's still so hesitant, she doesn't have to touch him at all. But she wants to. She really wants to have physical contact with him in some capacity right now, even if it's as tentative as could be. In holding his hand, Willow would be making a rather bold statement. But in linking pinkies, it's more like she's asking a question. Is this okay?

She's clearly a bit unsure. Noticeably not looking at the touch, eyes locked on her feet before she speaks. But as unsure as it is, I think she's pretty brave for doing it at all.

What gets me is that what Hunter said left such an impact on her that she was compelled to thank him. She was grateful to be told that she didn't ruin everything. She had wanted to be told that she meant something to him. Even though she wasn't aware of it, she's realized that hearing those words took a huge weight off her chest. Willow could breathe again. She could see him a little clearer now. And she would like to tell him just how much those words meant to her. Just how much he meant to her.

This is the moment where Hunter silently answers Willow's question. He's choked up, he's nervous, he's overwhelmed, but in spite of all that, he still takes initiative.

In linking their pinkies, Willow is asking Is this okay?

And when Hunter deliberately presses the back of his hand against hers, he's answering her question. It's more than okay.

Anyway Hunter being proactive in almost all of the huntlow scenes, Willow being the more nervous one between them, neither getting to the point they've gotten to if they didn't each take the lead at different moments. It was all so good.