#do not think about the order of things here too much i was trying to do chronological

[anna-mellgren]

I have been asked about my different experiences living in different countries a lot so I will share my thoughts here.

America: I partially grew up in the USA so I never experienced a proper culture shock in the USA because I was so young when we lived there the first time.  I just noticed the differences from Sweden instead. Americans are so friendly so any homesickness was always cushioned by that. I just accepted America for what it was but it is obviously a lot more conservative & religious than Sweden. Americans can be super friendly but sometimes that friendliness can be a little superficial… swedes are more reserved but more loyal instead when you get to know them well. Female athletics is more developed in the USA which I liked. I had a good school experience and probably had a more chill time than most people had in high school.

France: I only lived in Paris for 6 months and I mostly hung out with international students who were studying french so I am not sure I can give a super accurate opinion of france. I got to know a few french people through a friend and they were similar to swedes in a way… they are very liberal, they ride their mopeds, they like soccer, they have a healthy aversion towards religion, they are not huge fans of loud people etc. Parisians are very cosmopolitan people and I got on really well with the ones I got to know.  I know parisians have a reputation for being rude and they are rude to tourists lol but honestly, the amount of tourists in Paris is insane. Even I, as a foreigner, could get annoyed with them at times. I liked to run by the Seine river and tourists would try to stop me mid-run in order to take their pictures? Why couldn’t you find another tourist to do that for you when I am clearly running? I think the french are similar to swedes with being reserved but very kind and loyal once you get to know them. I think being reserved can sometimes come off as being rude if you don’t understand the culture.

Ireland: I think I suffered a big culture shock in Ireland. Before then I had a slightly naïve/american view that european countries are more similar than they actually are? I think Ireland has to be one of the most extrovert countries in Europe while Sweden is probably the most reserved… so that is a clear cultural difference. I used to think americans could be chatty & loud but some irish people are like americans on steroids. Sweden is one of the most atheist countries while Ireland is one of the most religious countries in Europe. Sweden is probably the most liberal and Ireland is one of the most ~historically~ conservative countries in Europe. Ireland has become a lot more liberal recently but I think Sweden is farther ahead on certain things… especially when it comes to sexism & behavior between the sexes.

Ireland had a certain lad culture when I was there which was honestly a bit unhinged. I know there are bad apples in Sweden but I don’t think their bad behaviour is accepted in Sweden as it is in Ireland.  I think the lad culture at university is exacerbated by a lot of people going to catholic girls & boys schools while growing up so they don’t interact with each other as much as they do in mixed schools in sweden & the USA. It was like they didn’t know how to behave towards each other? The emotional intelligence just wasn’t there at times. The banter sometimes went too far and became bullying in my opinion. The way guys talked about girls really got on my nerves too…not about me specifically but just girls in general. I remember there was a girl in my course who slept with a guy and the stuff I saw written on social media and what was said in real life really shocked me. My one irish friend said it was just “banter” and I would say no… it was stone-cold misogyny/sexism. I would then be labeled as “someone who didn’t understand banter” but Ireland legalized divorce & decriminalized marital rape in the 1990s (which is actually insane) so to be honest I don’t think they have the upper hand when it comes to defining misogyny? Their humor is based on slagging each other off which is fine but I sometimes think people took it too far... I prefer swedish humor which is more based on self deprecation & is a bit similar to british humor.  I think I was not willing to adjust and that caused me problems but I think the school culture as a whole was more toxic compared to where I had lived before. I think I got a bit unlucky with a few people to be brutally honest and I don’t think my experience resembles Ireland as a whole but the culture was a bit harsh. I remember girls rating each other on social media with bitchy comments on their friends' pictures by writing “6/10”… people who were friends with each other? None of us look like Adriana Lima but why put each other down? Or make someone feel mediocre? Some girls were seriously vain and judgemental & I missed the strong feminist sisterhood I felt in Sweden or the sisterhood I felt in sports in America. To be clear, many irish girls were genuinely nice & perfectly fine human beings but a few definitely gave off the vibe that I belonged with my fellow foreigners in the course. Every time I kissed a guy there would be random guys taking pictures of me and post it god knows where? Guys I didn’t even know? Just to gossip or slutshame me for kissing someone? They did this to everyone, not just me.

People in my course made facebook groups and wrote mean things about people who were not in the groups… just things like that. I came from a super laid-back enviornment with very opened-minded people so I had a hard time adjusting to this harsher, sometimes hostile, environment. I don’t think I was a specific target but I didn’t feel comfortable there. One day I was walking down the street and a passing car threw eggs at me?  I have pretty good eye-sight so I saw the ex-girlfriend of a guy I knew in the car…I think I got hit because I had kissed him a few months before. Stuff like this just doesn’t happen in Sweden. I lived in a smaller city and maybe I would've been happier in a more cosmopolitan place like Dublin. I think there are many great people in Ireland but I found the university culture to be very gossipy, mean, judgemental & cliquey. They all thought it was normal but it rubbed me the wrong way. Looking back I think some people were just immature and have probably changed a lot. To be fair, I never gave it a real shot because I was unhappy and struggling with autoimmune issues. Not all people were like this but when you find yourself in a place where you don’t know anyone and a few people treat you in a very bad way then it can have a big impact. I think people matured with the years and chilled out a bit to be fair but I never experienced it because I left. I have met many great irish people so in a way I just think I was unlucky and perhaps would’ve had a different experience if I stuck it out. Not all people were bad in my course either, the majority were perfectly fine people but I think initially the people who had lived in this city their entire life were unbothered with making friends or being friendly. I think they branched out later on. I think I had lived in a bubble before then and I had just never experienced anyone mean before? Which is probably a bit bizarre too, to be honest. My school experience before then was people being either nice to me or neutral… like I was just another human on planet earth.  In my honest opinion, I think some irish people are like Conor Mcgregor and truly embrace lad culture but there are also plenty of irish people who are salt of the earth and have the same aura as Cillian Murphy. I would even say the majority of irish people are like Cillian Murphy. I think Ireland has a unique culture, people are generally friendly despite my experience & the nature is beautiful. My mental health suffered that year and I moved home which was definitely the right decision for me. I should’ve been more social but I didn’t have the mental or physical strength with my anemia. I knew a norwegian girl in ireland who seemed to love everything about it and I always compared myself to her. I felt like a bit of a failure for feeling like I did until I met a danish girl who had a far worse experience than me in Ireland and it was a bit comforting to know I was not alone in how I felt. I think experiences are subjective & overall I learned a lot. I don’t dislike Ireland or irish people at all, to the contrary actually… I just didn’t have a great experience. In a way, I think moving home to Sweden was a long-time coming.  

Argentina: I think south americans in general are very welcoming and warm people. However- Argentina, like many other South American countries, have problems with corruption & crime etc but people are very loving. You will hopefully be fine if you just take some extra precautions but I think you have to be very mindful as a woman and be careful. Don’t get into taxis alone. Watch your drink on nights out. Don’t drink too much and always be in full control. Never leave a friend behind. Just stuff like that. I came to Argentina with limited spanish & lived with an argentine host family. All of my argentine classmates spoke terrible english which was great for me because I was forced to learn spanish. I was put in a class and the girls in this class took me in as one of their own. They brought me everywhere and I was their swedish mascot who just tagged along everywhere lol. I was treated really well and still keep in touch with them today. They said I was less shy after 5 months but it was not until then that I could understand what they were saying lol. Argentine families sometimes have limited means but they truly taught me the value of making the most of what you are given and making the best of what you have. I volunteered with handicapped children during my time there and these kids would correct my spanish non-stop which was great. My Argentine friends were too lazy to correct my grammar lol. I went running with a blind 14-year-old boy who had developed an eye disease just years earlier and I think this volunteer work really put life in perspective for me. Overall I had a great time in Argentina. I had the classic experience of falling in love, traveling, going to school & just being fully immersed in argentine culture. I will always look back at that year as one of the best years of my life. I think being an exchange student in high school is very different compared to being an exchange student at university. You’re still so young when you’re in high school and people are not as independent yet. You really get to experience family life, school life & the youth culture when you go as an exchange student in high school. I later lived in Buenos Aires for 6 months and studied at university during my gap year after living in Paris. I had a great time in Buenos Aires but I think my high school experience was more unique. I loved Buenos Aires though & the girls in my course would invite me to BBQs etc and I had a great time.

These are my experiences of my adventures living abroad. I would urge everyone to travel because nothing makes you appreciate home quite like living abroad. Or perhaps you will find a new home if the home you grew up in made you unhappy.

one thing about me……..i am hyperaware of the Vibes

[misswynters]

Drunken

featuring. ekko x reader

happy turkey holidays 🦃

note. when reading this imagine the boom sound effect everything ekko says something unhinged. (lol)

Lights from flickering neon signs bathed the streets in hues of green and purple, casting eerie shadows along the broken walls and uneven pathways. Ekko sat perched on a ledge high above the chaos, his feet dangling lazily as if he didn’t care if he slipped and fell. He often came here to think, to escape. Tonight, though, his solitude was broken by the sound of approaching footsteps. It was yours.

“Hey,” you greeted, your voice softer than usual but edged with something he couldn’t place. You were wrapped in the jacket he’d given you, its fabric worn but warm against the chill of Zaun’s smog-filled night.

Ekko glanced over his shoulder, his face unreadable in the half-light. “What do you want?” His tone wasn’t harsh, but it wasn’t welcoming either.

You frowned, hesitating for a moment before stepping closer. “I just… I wanted to see you. You’ve been distant lately.”

“Yeah? Maybe I had a reason.” He swung his legs, his sneakers catching the dim light as he stared out at the cityscape.

“What’s that supposed to mean?” you snapped, your patience fraying at the edges. “I’m just trying to figure out what’s wrong, Ekko. You’ve been shutting me out—”

“Maybe you’re the problem,” he interrupted sharply, turning to face you now. His eyes were hard, a rare thing for someone who usually carried so much warmth. “You don’t get it, do you? You’re always here, always around, like… like you think I owe you something.”

The words hit like a punch to the gut. You stepped back, your breath hitching. “I’m clingy? That’s what you think of me?”

Ekko groaned, running a hand through his hair. “You confuse me, alright? You’re all over the place, acting like you care but then pulling back. I can’t—I don’t know what you want from me, and I don’t have the time to figure it out.”

Tears burned at the corners of your eyes, but you refused to let them fall. Instead, you shrugged off the jacket he’d given you and threw it at his back. “Fine. You don’t have to figure it out. Here’s your damn jacket.” Your voice cracked, betraying the pain you tried to hide, and you turned on your heel, storming off without another word.

Ekko called after you, but you didn’t stop. You couldn’t. His words had cut too deep, and you needed to get away.

The Last Drop was dimly lit, its familiar haze of smoke and alcohol making it feel both comforting and suffocating. You slumped onto a barstool, not caring about the stares you earned as you ordered the strongest drink they had. The bartender raised an eyebrow but obliged, sliding a glass toward you. The liquid burned as it went down, and that was exactly what you wanted.

By the third drink, the room felt like it was spinning, but you didn’t care. You leaned heavily on the counter, muttering to yourself about Ekko’s audacity. “Clingy? Really? I’m just supposed to—” Your drunken rant was cut short by a familiar voice.

“Y/N.” You turned, and there he was, standing near the doorway with your jacket in hand. He looked out of place here, his usual confidence tempered by something softer. Regret, maybe.

“What do you want?” you slurred, glaring at him as he approached.

Ekko didn’t answer right away. Instead, he draped the jacket over your shoulders, only for you to shrug it off. It fell to the floor, and you stared at it for a moment before looking up at him with red-rimmed eyes.

“You dropped this,” he said simply, picking it up again before sitting on the stool beside you.

“I didn’t drop it. I threw it at you. Big difference.” Your words were biting, but your voice wavered.

Ekko sighed, ordering a light drink and stirring the ice in the glass as he spoke. “I came to apologize, alright? I shouldn’t have said what I did back there.”

You scoffed, turning back to your drink. “Save it, Ekko. You said how you really felt. No need to sugarcoat it now.”

“You don’t get it,” he said, his tone growing more earnest. “I’ve been dealing with a lot—stress, responsibility, everything piling up. I shouldn’t have taken it out on you. That was wrong.”

You didn’t respond, instead taking another sip of your drink. He waited, his patience steady even as you cut him off with sharp, drunken remarks every time he tried to explain himself. Still, he didn’t leave.

Finally, you turned to him, standing unsteadily and placing yourself between his legs. Your finger jabbed at his chest, your faces inches apart. “You think… you think you can just apologize and fix everything?” you asked, your voice slurred but your expression serious.

Ekko’s eyes softened as he looked at you, his hands instinctively resting on your arms to steady you. “I’m trying, I know I messed up.”

“You’re the one that’s confusing,” you muttered, your words barely coherent now. “One minute you’re pushing me away, the next you’re… you’re here, looking at me like that.”

“Like what?” he asked, his voice low.

“Like you care,” you whispered, your hand coming up to trace the edge of his jaw. Your finger brushed his scarf, twisting it absently as you spoke. “Do you care, Ekko?”

He caught your wrist gently before your fingers could brush his lips. “Stop,” he said softly, his tone a mix of firmness and concern. “You’re drunk.”

You blinked up at him, your eyes glassy. “So? I still mean it.”

He didn’t respond right away, instead standing and slipping an arm around your waist to keep you upright. “Come on. Let’s get you home.”

You stumbled against him, your legs uncooperative. “You know…” you slurred, leaning heavily into his chest, “your arms are really nice. Strong. Muscular. You should carry me.”

Ekko raised an eyebrow, but before he could protest, you jumped into his arms with surprising enthusiasm. He caught you effortlessly, sighing as he adjusted his grip. “The drunken firefly,” he muttered, though there was a hint of a smile tugging at his lips.

“Drunk but still lovable,” you corrected, resting your head against his shoulder as he carried you out of the bar. The night air hit your face, cool and refreshing after the stifling atmosphere inside.

Ekko’s steps were steady as he walked, his grip on you firm but gentle. “We’ll talk when you’re sober,” he said, his voice low and calm.

“Fine,” you mumbled, already half-asleep in his arms. “But you better not run away again.”

“I won’t,” he promised, his voice barely audible over the hum of the city. And for the first time that night, you believed him. Let’s just hope next time he will be more open and honest about how he is feeling with you.

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banner. @anitalenia

[teamarine777]

The assassination had gone off without a hitch. All that was left, was the escape. "What's the plan?" Forest,'s question was in ernest. This biz was new to him. Vulpin, a seasoned veteran, looked at him like he had asked who the gods were to talk to humans like they do. "Oh my gods. Forest, I know this your first time, but please try to keep up. I had us wear fancy outfits to an assassination at a fancy party. What do you think the plan is?" Forest's brow wrinkled in that cute way it always does when he's lost the plot. "Oh! We act like we were invited, and walk out the front door," Forest exlaimed, exited he'd umderstood their out. "Give the boy a prize! Now, check to make sure the coast is clear, while I cover up our involvement with fuck face over here." Vul nodded to the body, who's face was in the cracked toilet bole, blood spilling out the fractures. Forest nodded, and slowly cracked the door. "Two rich bitches, at the sink," he whispered. "Change of plans. Make it look like he fell onto the toilet." Vulpin gave the order so matter of factly, Forest didn't even think. He just nodded. Vulpin walked out of the stall. "Hey, boys. Listen. Things are a little messy, but we're not here for you. If you just stay put-" She's cut off by the sound of swords being unsheathed. "Ugh. Why did everyone her have to be Zevans?" Forest didn't know Vulpin well, but it was obvious to most that she used rhetoric a lot. Forest was cool with it, even if it was overdone. Next, Forest heard the sounds of swords clashing, two gasps, and a sigh. After positioning the body the best he could, he peeked out of the stall. Vul was fuxing her fur using the mirror. She muttered something about a comb, then saw Forest in the mirror. "Hey, bud. You get the body done?" Forst nodded, and asked, "What's the plan for those two?" Forest pointed to the two seemingly dead men on the floor. Forest noticed they weren't bleeding, and, upon closer inspection, had bruises on their heads. "I knocked 'em out. As far as a plan goes, we need to eliminate witnesses somehow, but we can't kill 'em. It'll wreak of assassins, three rich fucks dead at a party in the night." Vul turned to Forest. "The way I see it, we've only got one option; take them with us," Forest sighed. "Can't. They'd slow us down too much. We'd have to walk through the ball with two bodies. It'll never work." V spat a little blood in the sink, washing it away. "I have an idea. It's so stupid it might work." Forest was the king of that genre of stupid. "What did you have in mind?" Vul raised an eyebrow. "I'll explain, but first, promise not to embarrass me," Forest said. "Embarrass you? I'm more high class than you could dream of being," she teased. "There's blood on your shirt," Forest chuckled, before Vul was frantically cleaning her shirt.

"Please try not to embarrass me."

"Me embarrass you? I'm more high class than you could ever hope to be."

"Uh-huh. There's blood on your shirt, by the way."

[hwaslayer]

wildfire (cs) | 7.5

—spotify playlist | series masterlist

—summary: assistant professor in bioengineering, incredibly attractive, lonely and divorced; that’s how most people describe san. but despite the events that have happened in his life, san has a lot going for himself. he’s a successful, sought out professor due to his brilliant contributions to science at just an early age of 32. he worked hard to get where he was now; head deep into his research, his publications, building his lab and creating a name for himself. everything was good and smooth sailing— until it wasn’t. because when he meets you, a bioengineering grad student interested in rotating in his lab, he finds himself ready to risk all the blood, sweat and tears he put in throughout the years just to keep you close— his need for you spiraling out of control like a wildfire.

—pairing: asst. professor!choi san x grad student!f. reader

—genre: (18+ - minors dni) strangers to lovers, grad school au | fluff, angst, smut

—word count: 1.2k

—chapter content/warnings: not much here!!, cussing, mature language/sexually implied content, subtle flirting (in san's and oc's terms lmfao)

—a/n: hi! just a friendly lil reminder that these half chapters are random scenes/bits that couldn't really fit into a chapter or stand-alone as one. they're mostly in the past and will not always follow the exact timeline of the previous or upcoming chapter!

San booked off most of his day to help Christopher with this symposium. Well, actually, most of the group has [minus a select few others] in order to make room for the quick tech rehearsal and run through before its official start time in the next half hour or so. The staff is now bringing in the fruit, cheese and other pastries, along with coffee, tea and juice— setting them outside of the conference room on a long table. The symposium is supposed to be 5 hours, being that everyone keeps to their 20-min presentation + 10-min Q&A times. San is off to the side speaking with Jongho and Chris, while Mingi and Zara are fiddling with the AV system to test their own presentations for the final time. Even though this is the one time most of their schedules worked, Yeosang had to skip out due to heading overseas for a conference. As San sips on his coffee, Yunho and Iseul walk in alongside of Namjoon. Per usual, he keeps greetings to a bare minimum:

AKA, a very subtle smile and nod to both. One that Yunho reciprocates, one that Iseul doesn't like to acknowledge.

But, whatever.

"Did you guys tell your labs about this?" Chris nervously wipes his hands on his dress pants, nervous about how his first symposium is gonna turn out.

"Dude." Jongho laughs and pokes fun at him. "Relax."

"I bragged about it way too much, I don't even know if people wanna come anymore." San teases, making Chris shake him by the shoulders. "Relax! They'll come!"

"What if no one shows up? We'll be giving presentations to each other—" Chris laughs, but a few people start trickling into the conference room; providing him with a sense of relief. "Oh, thank god." The three start giving small nods to the students and other faculty dipping in, greeting them just as they set their things down and grab some food.

"Can't believe you actually thought people wouldn't come. Think you might need extra chairs." San points out as more people flood in.

"Shit, I did it." Chris beams from ear to ear, shifting his attention to two more familiar faces. "Oh! Hey Y/N, Jiung!" He says as the two of you walk towards their group, giving them very curt bows.

"Hi." You smile at all, especially San. He bites onto his straw, trying his hardest to hold back his smile.

"Thanks for coming."

"Of course! Got a good lineup, excited to hear all the presentations!" Jiung tugs on his backpack straps.

"In that case, send me a full report on it tomorrow." Jongho jokes, making Jiung playfully roll his eyes.

"Do you see how he treats me?" Chris and Jongho laugh.

"Nah, he's been talking a lot about the work you've been doing and how you're probably the best person to help get the rig together for our optical electrophysiology project."

"Aw, really?" Jiung looks at Jongho. "You mean it?" Jiung has stars in his eyes and Jongho can't help but deny the allegations. He has said it time and time again; Jiung is definitely doing great work and Jongho doesn't want him to go anywhere. If he could keep him for good, he would. He hopes he can.

He'd just never say it out loud cause he's like that.

"Hey now." He shakes his head. "I never said anything, I don't know what he's talking about." 

"We have a few minutes actually, let's talk about that real quick and follow up in another meeting later on." Chris looks at you. "Sorry to have to pull him away from you, Y/N. Professor Choi #2 can keep you company?"

"All good." 

"Be back." Jiung looks at you. "I'll save us those chairs." He points towards two end spots near the middle section. You awkwardly watch as Chris, Jongho and Jiung approach another professor to talk about said project, leaving you with San. 

"Hi." He says shyly. You've never seen him this way, and he's too fucking cute, too fucking charming. It makes you replay the dinner events in your head, only pushing your curiosity of what he'd be like if you two were completely alone. 

"Hi. Is that your nervous face poking out? Are you nervous?" You tease a bit.

"Me?" He playfully scoffs. "No. Dinner was more nerve-racking than this."

"What, why?" You giggle.

"Because it's you. I have to be extra careful with you, remember?"

"Right." You tuck a strand of hair behind your ear, heat rising to your cheeks as your eyes glaze over his figure; he's dressed nicely in a white button up, tie and grey vest. They're all dressed nicely for the occasion, but it's definitely an extra weakness for you seeing San like this. 

"You're cute." He mutters as he bites his straw again and takes a sip of his iced coffee, eyes looking around the room to make his flirting not so obvious. And it isn't, except Yunho has been watching from the side while he waits for Iseul to finish up working through some presentation issues with IT. He didn't mean to, but his eyes gradually glazed over to the two of you smiling and laughing.

He can't help it, but the interaction feels different. The only time he's ever seen San that shy and flustered is when he was courting Iseul. It almost feels like he's watching something unfold all over again. 

"All good!" Iseul says, knitting her brows together when Yunho seems to be preoccupied. "You okay?" She asks, Yunho finally returning his attention to her.

"Yeah, sorry. Was just people-watching." Iseul looks over, eyes also falling on San but she doesn't necessarily get a chance to think much about it before Yunho is chiming in again. "Let's go grab some food before it starts." He laces his hand with hers and leads her to the end, front row seats.

Meanwhile, you've been too busy keeping your attention on San to care about everyone else. You're so tempted to nudge him, be a little affectionate with him. And it's taking everything in you to remind yourself who you are and where you are at.

"Stop it."

"Glad you actually made it, though."

"I told you I'd come."

"And I'm glad it wasn't just something you said to brush me off in the hallway." You laugh.

"No, never." Jiung wraps up his talk with the other professors, his eyes meeting yours with a small nod towards the seats he sat his bag down at. "Well, guess they're done. I'll see you later? Goodluck on your talk, Professor Choi." He smiles toothlessly at you.

"Thank you, Y/N." He watches as you walk off and meet Jiung, plopping down onto the seat as he debriefs you on his impromptu meeting. 

"Hm." Jongho hums and clears his throat, slowly walking over to his bestfriend while sipping his coffee.

"Yes?"

"Nothing." Jongho squints his eyes at him, a small chuckle leaving his lips. "Productive conversations going around, I see."

"Mhm." San chuckles, knowing exactly what Jongho's hinting at.

"Hey!" Zara comes over with a bright smile on her face. "We saved you some seats." She points at the front row on the left side, waving them over. "Come." 

"Sweet, thanks." Jongho leads the way while Zara tucks her hair behind her ear and walks alongside of San.

"Ready?" San shrugs as he looks at her.

"As can be."

"I'm sure it'll be great like always." He smiles.

"Thanks." He lets her slip into the seat next to Jongho before sliding into the end seat, eyes quickly glancing over at you before he gets situated and switches modes for the symposium.

Though, you are incredibly distracting, and he can only hope he can get you alone sometime soon just to show you exactly how he feels.

—taglist: @asjkdk @interweab @woojirang @svintsandghosts @cheolliehugs @persphonesorchid @mxnsxngie @jycas @cowboydk @vcutparis @chngbnwf @struggling101 @sanhwalvr @angelqueendom @barbielibra @brown88 @choisansplushie @yunhoswrldddd @hyukssunflower @vickykazuya @lucid-galaxys-world @jaytheatiny @pommelex @thespiffynerd @vixensss @santineez @nopension @domfikeluva @in-somnias-world @my-atiny-kookie-rkive @mountiiny

[screamlet]

wip wednesday (bucktommy fix-it edition)

a longer eddie+tommy excerpt from this wip that's getting out of control. some context: tommy has shaved off his hair in the gay heartbreak tradition of our people.

---

Tommy knows he's a creature of habit, but it's still disquieting to discover that sometimes people learn his habits. For example: Tommy regularly likes to hit up one specific cozy restaurant on his free nights and have dinner at the bar, him and a book. Sometimes he'd strike up a conversation with someone at the bar but, most of the time, he had his quiet, familiar corner at the bar with a drink or two, his dinner, and whatever he was reading that week.

Tonight, someone buys him his beer and that someone is Eddie, who's sitting across the bar from him when he arrives. He toasts to Tommy, then gets out of his seat and comes around to sit with him.

"Thanks for the beer," Tommy replies. "So what's going on?"

"Just checking in. You've been quiet."

Tommy raises his eyebrows at him. "Huh. Have I? I wonder."

For a second, Eddie's look is scathing, and then sympathetic, genuine. "How are you doing?"

He imagined the briefest cartoonish image where he tips his head back and chugs the entire beer in one go, but it takes so long that Eddie sighs and leaves. He thinks about doing something that dumb for longer than he should before he does the adult thing and shrugs a shoulder at him. "Just fine, how about you?"

Eddie tilts his head 90 degrees, like he's had his neck snapped. "Just fine? You break up with your boyfriend of six months and—hey, Tommy? Should I mention the hair? Or the lack of it?"

Tommy smiles broadly; his face aches to be this fake, but he used to be a pro at it. "I thought I'd try something new." He takes another sip. "Thanks for the beer. Does Buck know you're here? Crossing enemy lines?"

"Wow, he said you called him Buck and I didn't believe him, but you really did that." Eddie shudders. "Stop doing that. And what enemy lines? We're friends, idiot."

Tommy gives him a playful look. "Come on. No we're not. You're his best friend. You don't need to pretend. I get it."

Eddie clears his throat. "You know Buck can have more than one friend at the same time?"

"And he does," Tommy assures him. "He's got you and the whole 118, his sister, everyone who's connected with you guys. He's good. I'm good. We're good."

"Tommy, listen." Eddie shifts in his seat and leans in closer. "Show me a real emotion in the next 10 seconds or I'll punch your cheekbones into your skull for leading on my best friend for six months. He cares about you, Tommy. Do you have any idea how much? I thought you did. He took it seriously—did you?"

He considers Eddie carefully and then looks away. "I don't know what you want me to say. I'm doing okay. I cared about him a lot, too, and now we've broken up. It happens. Thanks for checking on me. You don't have to do that anymore."

It's quiet between them for a minute, then another. Tommy puts in his dinner order and motions to Eddie, who shakes his head and says he doesn't want anything. Tommy leans back in his seat and that's when he starts to sweat. If Eddie's just going to sit there and watch him, wait him out, then Eddie's going to win. Tommy's good at this, great at faking it until he makes it, but it's—it's hard to sit under the microscope for this long, especially when Eddie seems to have nothing but time on his hands and nothing to do but wait for Tommy to crack.

"I'm not here to get you guys back together," Eddie finally says. "I really am here to see how you're doing. I see Buck at work; I don't see you, but I want to keep seeing you. I want us to be friends, no matter what happens between the two of you."

Tommy laughs. "God, and why would you want that? You've got better things to do with your time. Seriously, go call your kid or something."

"His name is Christopher, Tommy, and get his name out of your mouth if that's how you feel about him, about me and him."

Tommy nods, apologetic. "Sorry. But I do mean it: I free you of your obligation."

Eddie's quiet again and says, with even more disbelief, "You don't want to be my friend anymore? And don't call me a child, Tommy, I'm serious. You know adults have friends, too, right? And sometimes people break up and the world keeps turning and we can still be friends, you and me. You and Chim, you and Hen, even Bobby will come around because he likes you. You're still Tommy."

"I don't think that's how you guys work," Tommy says. "I don't think anyone stays in your circle without Buck tying them there. Maybe you and I can meet up for basketball, spar at the gym, hang out at my place, but I'm telling you that's a lot of work and you don't have to do it."

"I never had to do it, Tommy," Eddie replies. "I wanted to because I wanted to be your friend. You are my friend, and Buck isn't gonna change that."

Tommy laughs dryly and looks away. "He changes everything, Eddie."

[impactrueno]

Hi! I really love your comics, and art in general! Your Hey Arnold and Simpsons stuff was fire, and I've been loving your Beetlejuice comics (Lydia and Juice's falling out got me tearing up lmao) As far as your Beetleverse comics go - idk if this is something you've mentioned somewhere - I know they're probably meant to be, like, separate canons and stuff, but if they were to take place in the same kinda "timeline", what would the order of events be?

Does CartoonLydia meeting older MovieLydia - a Lydia who's had some really negative experiences with MovieBJ and preaches that ToonLydia SHOULD NOT trust ToonBJ - have any impact on her getting fed up with her BJ and breaking it off with him?

Again, thank you for making these comics - they're dope as hell, and I'm excited for what comes next!

thank you so much!

the beetleverse comics are just a "what if" where we pull each duo out of their respective canons (unceremoniously) and force them to be in their little white void enclosure that i made for them lol

so the events in the story i'm currently doing haven't been influenced by any of that. but if they were to take place in the same timeline, it'd happen some time before the end of the show (maybe even before season 4,) and i think movie lyds telling her to be wary of toon bj would make her doubt herself and her beej for a moment, but then would be proven wrong or realize that movie lydia was wrong about him. and this would not make sense in a real life situation (in fact, it would be concerning) but here's the thing:

something i've found interesting to think about with the beetleverse comics is that each duo operates on different logic. movie lydia is closer to real life logic aka "why the hell are you letting this child hang around so closely with this weird old man" but cartoon bj and lyds work under saturday morning cartoon logic, meaning none of the things movie lydia is fearing would ever happen, because it's a show for kids. so in their little universe, cartoon lydia is perfectly safe with her beej, who as we all know would sooner die all over again than to cause her any harm, so she has nothing to fear. they'll just be best friends forever (with a few bumps along the road of course) and that's it. movie lydia can't even wrap her head around that.

now going back to the current story of them 30 years later; i'm still writing them under cartoon logic for the most part, but with a bit more realistic flavor. so their relationship is still too weird to happen in real life, only now we're seeing the consequences of the friction between them that was already there in the cartoon, and he can't joke his way out of this one or have silly incidental music and sound effects to lessen the blow. movie lydia's warnings wouldn't have had much of an effect on them because this was something that was going to happen either way, and cartoon lydia's problem with bj was never "you're a creepy old man why are you obsessed with me" (real life logic) and more so "you're supposed to be my best friend in the whole world but all i do is babysit you and solve your problems for you while you try to scam some sucker out of their money and i've had it" (cartoon logic)

i hope all that makes sense lol

[90shaladriel]

I'm not blaming anyone, clearly the show made it a point to pivot Sauron to unredeemable in Season 2 when I don't think that is what they showed us in Season 1. Personally that it less interesting to me for his character and also the implications that gives to Saurondriel, but I realize that's not what the show is going to be about. That is fine!

I believe me & the other person above were saying Nenya can't heal evil like that, you have to heal that evil inside you yourself.

Well this is the debate isn't it? I am saying that Nenya CAN heal evil like that, as is proved by Adar's healing, so why not? Also given the sample size is exactly 1, nobody can make broad declarative statements about what it can or cannot do in show-lore because it's up to our interpretations isn't it?

Adar on the other hand, sees their existence & suffering, knows his involvement in it & instead of hating it & them along with it he chooses to love them, fight for them & try to break the cycle of abuse that perpetuates their plight.

But he doesn't extend that love and compassion to the men and women of the Southlands or the Elves of Eregion? The stuff he does or, by inaction. allows the Uruks to do is horrendous. I think what he tried to do in the very end with Galadriel is the only way they can break the cycle, but it was too little too late. But again that only happened after he stole Nenya and in the meantime permitted his Uruks to destroy Eregion.

Sauron may not regard the Uruks with much love or dignity, hard to dispute. The only caveat would be on the raft when Galadriel spoke of her quest for vengeance against the Orcs, Sauron made a point of telling her, "if you want to murder Orcs that is your own affair, but don't dress it up as heroism" he clearly cares more about them than she did who is the hero of the story. We only really have glimpses of what he might have done after Morgoth's defeat that caused Adar and the Uruks to turn on him, we only got Adar's account of this. I guess we can assume the worst for the sake of discussion but I could imagine it was more nuanced. Perhaps Adar sought to rule himself and seeded the rebellion against Sauron? We don't see Adar giving up his rule once the Orcs have a home in Mordor, nor does he act to create a democratic order of equality among them, he very much takes charge as a "Lord".

I think in an inverse way, we see Sauron time and again appear to hold the Men of the Southlands in higher regard than the Uruks. We didn't fully get the King of the Southlands as it was cut short, but up until his wounding he was saving people's lives. He continually argued with the Elves on the necessity to aid the men that he represented in Halbrand form. I think as you said :

This doesn't erase his crimes against the southlanders but those crimes also don't erase his genuine love for his children. 2 things can be true at once, this show is beautiful in its complexity this way!

Is very much true for Sauron. They are two sides of the same coin. He is full of contradictions!

Yes. Sauron let Diarmid perish. He also chose to forsake violence and revenge by turning away from the Uruks and Adar in the Southlands and following Diarmid.

You could say that Adar did good here and there. But also Sauron saved Galadriel's life at sea when there was zero material benefit to himself and even possible risk knowing how powerful she was and that her actual mission was killing him! He purposefully gave his enemy a chance to live, nothing can take away that altruism he displayed, whether he did other rotten things or not. Going to fight in the Southlands, saving Elendil's life, sparing Adar's are all further of examples of this right up till the end of Season 1.

So by that measure, I do think even Sauron has parts of him that are good so I do believe there are things that could have brought that out externally, yes.

Clearly by the end of Season 2 they wanted to ensure that he was fully evil for whatever reason, he had plenty of opportunities to make other choices and didn't. That's all his blame. Talking about what Nenya would have done is just a fun thought experiment!

S1E1 of ROP sets up the theme of "Nothing is evil in the beginning"

This is a true to life imo & nuanced take on evil.

The show expands on it by showing us Sauron in his repentance phase where he is trying to return to his beginnings when he was still good.

S2E1 gives us the theme of the season "To be forgiven one needs to choose good everyday"

Again a very nuanced take on goodness, individual responsibility & willpower.

The show expands on it by simultaneously showing us Adar & Sauron starting on the same side & choosing different paths in the end.

This season shows us Sauron not choosing good, actively harming others and letting his decisions be based on greed & selfishness.

While Adar who's character's evil side was already established in Season 2 with the abuse of Southlanders gets his origins & motives fleshed out and then gets presented with the choice where he chooses good.

This show puts a lot of effort into nuances, complex topics like the cycle of abuse and dark characters that are very human & grounded in reality.

To imply that Magic Ring = Evil Eraser in a show like this imo diminishes the hardwork put into it & all its characters who have their own minds, motivations & challenges. (the very things we praise ROP Galadriel for having)

[torahoes]

(IDOLiSH7) Touma Inumaru - 16PRODUCERS Rabbit Chat

Please note that I am not a professional translator. If you come across any mistakes, feel free to let me know and I will make the necessary corrections.

Shiro Utsugi: Good work today! It’s almost time!

Shiro Utsugi: No one’s here yet...?

Shiro Utsugi: Maybe if I send a bunch of messages, the notifications will catch someone’s attention

Shiro Utsugi: Alright then, I’ll try talking about my breakfast or something

Shiro Utsugi: This morning, I had rice balls, rolled omelet, sausages, and miso soup with nameko mushrooms. It’s been a while since I cooked in the morning, so I went all out a bit

Touma Inumaru: Ahhhhhh Utsugi-san!!!! I had yakisoba bread for breakfast! Cooking so early in the morning is impressive!!

Touma Inumaru: No, wait — sorry, could you hang on a second…? I accidentally spilled a bag of chips all over my room and I’m cleaning it up now

Shiro Utsugi: That’s a major crisis!! I’ll wait for you…! Isumi-san is over at your place today too, right?

Haruka Isumi: Good work today

Haruka Isumi: Yup, I’m hanging out at Touma’s place right now! My breakfast was natto rice, grilled salmon, spinach ohitashi, and tofu miso soup!

Haruka Isumi: Oh, and sorry for responding late! Touma tried to open a bag of chips just now and it went boom! and scattered everywhere lmaoo

Touma Inumaru: The bag just wouldn't open so I ended up using way too much force 😂

Shiro Utsugi: Ah… I get it, there are times when they’re strangely hard to open…! And thank you both for sharing what you had for breakfast as well!

Haruka Isumi: Picking a topic like this is so you, Utsugi-san. So you eat stuff like potato chips too, huh 🤔

Shiro Utsugi: I like them quite a bit. The seaweed and salt flavored chips make for a great snack to enjoy with drinks, too.

Haruka Isumi: By the way, Touma doesn’t have a vacuum cleaner at his place. Isn’t that crazy? The tiny crumbs on the carpet won’t come out

Haruka Isumi: Hold on, he just came back holding a lint roller like he's some kind of hero brandishing a sword lmao

Touma Inumaru: I'm telling you, this thing can handle most cleaning jobs!

Haruka Isumi: It can't!

Shiro Utsugi: I get it. Lint rollers are really convenient! I used one for most of my cleaning back when I was a student as well.

Touma Inumaru: You too, Utsugi-san!? That makes us comrades! ✨

Haruka Isumi: I didn't know Utsugi-san was like that too

Shiro Utsugi: Indeed, I am.

Touma Inumaru: Oh, then, Utsugi-san, did you play games when you were a student? 😳 Haru brought one over, and we were playing it earlier!

Shiro Utsugi: Ryo-kun made me play with him a bunch of times. What kind of game were you two playing?

Touma Inumaru: It’s a game where you’re a rabbit working part-time at a restaurant! 🍴

Haruka Isumi: You have to prepare the ordered dishes within the time limit, but there’s a lot to do like chopping ingredients and washing dishes, so it’s pretty fun! My fingers got tired from spamming the buttons too quick while slicing cabbages 😂

Touma Inumaru: Actually, doesn’t this sound like the kind of game Ryo-san would love!?

Haruka Isumi: I wonder.... I think he would....?

Touma Inumaru: Utsugi-san, if you play it with Ryo-san, please let me know how it goes! 🤩

Shiro Utsugi: Ah, so it’s already decided I’ll play it with him. I’ll recommend it to him when I get the chance!

Touma Inumaru: Oh, I forgot to mention that the cleaning’s all done! Sorry for the wait!!

Shiro Utsugi: Alright! Let’s begin, then! We've been asked to capture your usual interactions in a cozy setting, as if you were sitting at a dinner table, so we’ll be conducting this discussion on Rabbit Chat!

Shiro Utsugi: How did you feel when you heard Isumi-san would be producing you, Inumaru-san?

Touma Inumaru: I was super happy ‼️ Of course, I would've been thrilled if it were Mina or Tora instead too, but Haru is, how do I put it… special

Touma Inumaru: I really respect Haru as an artist. He never skips vocal training, always works on his basics, and studies all kinds of music genres

Touma Inumaru: Seeing how disciplined and dedicated he is always motivates me.

Touma Inumaru: So, you know, just thinking about how someone like Haru would go about producing me — it made me so happy; my heart was racing with excitement ‼️😆

Haruka Isumi: Hm....

Haruka Isumi: So you respect me

Touma Inumaru: Isn't that obvious!? You’ve been singing, dancing and practicing hard all on your own since you were little

Touma Inumaru: Back when I was that age, I was just running around playing all the time

Touma Inumaru: But Haru... you were doing it for your grandma…...

Haruka Isumi: Why are you the one crying lmaooo

Touma Inumaru: HARU~~~ WE'LL ALWAYS BE TOGETHER, OKAY???

Haruka Isumi: Huh? Now isn't THAT obvious?

Shiro Utsugi: I feel like crying as well..…

Haruka Isumi: Geez! You're both grown-ups, cut it out already!! I haven’t even had a chance to talk about my production yet 😤

Touma Inumaru: Sorry 😭

Shiro Utsugi: Isumi-san, you expressed Inumaru-san through a ballad. I figured you would go with a rap-heavy track, so it was surprising!

Touma Inumaru: Right! I got chills as soon as I heard the intro

Touma Inumaru: I could feel that Haru really considers me — all three of us — special. Even without him saying a word, I felt like his feelings came through

Haruka Isumi: Touma, you always say embarrassing stuff like it’s nothing. Well, you’re not wrong....

Haruka Isumi: Like Utsugi-san said, I thought about going for something more intense, but the way we, his teammates, see him — there's more to him than just that

Haruka Isumi: So, um

Touma Inumaru: What's wrong?

Haruka Isumi: I'm about to give it my allllll and say something suuupeeeeer embarrassing right now too, so

Touma Inumaru: O-Okay, I get it, so stop hitting my back!! Do you want some orange juice?

Haruka Isumi: Not right now!

Haruka Isumi: Touma, you’re... how should I put it... you're warm. Even when I used to be cold towards you or tried to keep my distance, you always had your arms open, waiting for me, and you welcomed me warmly every time. You made me feel like I wasn’t alone

Haruka Isumi: So, I wanted to create a song that would make the people listening to it feel the same way — like they're not alone, like they can take a step forward and face what's ahead — a song that's like a good-luck charm

Haruka Isumi: Just like how being with you helped the three of us do the same

Touma Inumaru: Haru

Haruka Isumi: What

Touma Inumaru: I !!!!! LOVE YOU, I LOVE YOU THREE, SO MUCH!!!!!!!!

Haruka Isumi: Don’t shout about stuff like that so loudly!! It’s super embarrassing, you’re gonna bother the neighbors!!!!

Shiro Utsugi: I love the four of you as well....!

Touma Inumaru: Utsugi-san...!!! 😭😭😭

Haruka Isumi: Seriously, what's wrong with these grown-ups!? You guys haven't been drinking, have you!?

Touma Inumaru: I'm completely sober ‼️ I’m drinking melon soda ‼️

Touma Inumaru: But, I see… so that’s why the lyrics were "Look beside you.”

Haruka Isumi: Well, yeah. You've always been the one leading us forward, so

Haruka Isumi: If you ever feel anxious, I’m there right next to you

Haruka Isumi: I’ll support you as your fellow center

Touma Inumaru: I’m seriously so lucky to have met you guys!

Touma Inumaru: Thank you for teaching me what it's like to have teammates like you

Haruka Isumi: Well, of course! We’re your REAL teammates, after all

Haruka Isumi: Hey--!! Touma won't stop ruffling my hair!!!

Haruka Isumi: My hair’s all messed up now!!

Touma Inumaru: Haru’s hair is silky smooth!

Shiro Utsugi: I’m jealous. Can I also try petting you next time?

Haruka Isumi: Don’t say it like you’re talking about petting a cat!

Shiro Utsugi: My apologies! 🐾 Now then, I’d like to ask about the artist photoshoot next. The location you chose was beautiful!

Touma Inumaru: It was such a great place! The ginkgo-lined path was stunning 🍂

Haruka Isumi: Wasn't it? I thought it really suited Touma 🍂

Touma Inumaru: Seriously? What part of it!?

Haruka Isumi: Promise you won’t laugh?

Touma Inumaru: Huh!? Of course I won't! It's something you put a lot of thought into choosing, with me in mind

Haruka Isumi: Then I’ll tell you...

Haruka Isumi: I walked through there alone not long ago, and the soft, warm colors of the ginkgo trees felt like they were enveloping me. I thought it would be amazing if we could walk here together and take your artist photos

Haruka Isumi: The season you were born in is a cold one with chilly, biting winds, but being with you makes me feel so warm and comforted that I forget all about it

Haruka Isumi: That's why the scenery kinda reminded me of you...

Touma Inumaru: Haru....

Touma Inumaru: Honestly.... I don’t even know what to say right now, but I’m so incredibly happy. I’m not the kind of person who deserves such praise from you

Touma Inumaru: But I was really touched that the lyrics kept reminding me, again and again, that I have my friends by my side. It made me realize all over again that my purpose in life is to keep singing as part of ŹOOĻ.

Touma Inumaru: Keep singing next to me forever, Haru

Haruka Isumi: Woah, that was a killer line. Right back at you!

Touma Inumaru: Utsugi-san! Haru and I just did a fist bump! 👊👊

Shiro Utsugi: Oh, thank you for sharing that with me! Lovely ŹOOĻ as always! 👊👊 Did the decision to have Inumaru-san's costume stray from his usual hard-edged style come from wanting to express his warmth?

Haruka Isumi: Yup, I paired a white knit sweater with a scarf to create a softer impression 👌

Touma Inumaru: I don’t usually wear knitwear, so it felt fresh! I was worried if it would suit me, but the shoot turned out great thanks to Haru 😳✨

Haruka Isumi: Touma, I'm pretty sure you can pull off anything

Touma Inumaru: For real? Even bold clothes like Tora’s, with my chest fully exposed?

Touma Inumaru: Hey, don’t laugh Haru lololol

Haruka Isumi: Sorry lol, I couldn’t help it once I pictured it LMAO

Touma Inumaru: That's kinda annoying 😂 Maybe I should borrow Tora’s clothes and try it soon!?

Haruka Isumi: Oh man, I’m so looking forward to this LOL. Let’s rate his look together, Utsugi-san!

Shiro Utsugi: Me too!? Actually, that might not be a bad idea. We could uncover some new possibilities for ŹOOĻ…!

Haruka Isumi: What kind of "new possibilities" are we uncovering by having Touma show off his bare chest? LMAOO

Touma Inumaru: LOL

Shiro Utsugi: My apologies; that took an amusing turn, didn't it? 🐾 Now, to wrap things up, could you share a final message for your fans?

Haruka Isumi: Everyone! What did you think of the Touma I produced? Maybe some of you were surprised, maybe the others saw it coming. You see, to us, ŹOOĻ is this precious place we finally found — the place where we truly belong, and the one who's been standing at the forefront, protecting it all this time, is Touma

Haruka Isumi: That’s why I wanted to tell Touma, who’s been protecting ŹOOĻ, that we’re here for him too, and that his place is right here with us. And I could do that all thanks to the fans’ support! Thank you so much! Keep watching over us forever, okay?

Touma Inumaru: Being able to sing a song that promises a future with my members is something so special it turns my world upside down, and the fact that Haru made that happen means so much to me

Touma Inumaru: Haru made it sound like I'm amazing, but I’m really not. I used to turn a blind eye to things I didn’t like. I used to treat everyone but me as my enemy. I was childish.

Touma Inumaru: But the reason I was able to change was because I found a place I truly want to protect from the bottom of my heart. It's thanks to the fans, who directed their warm, sincere feelings at us head-on

Touma Inumaru: Listening to "Heart to Heart," I was reminded of that once again. This song is like a good-luck charm to me, and it’d be awesome if it became one for all of you too! Let’s dream about ŹOOĻ’s future together!

Shiro Utsugi: Thank you! I feel like this conversation between you two turned out to be something truly special!

Touma Inumaru: Yeah, I think so too! The fact that Haru said so much today... 😭

Haruka Isumi: It's nothing. I can praise you more anytime you want if that's what you'd like.

Touma Inumaru: For real!? Haru, you’re kinda cool today

Haruka Isumi:

Touma Inumaru: Wanna play that restaurant game again?

Haruka Isumi: Yeah!! Let’s make the best restaurant ever! Let’s invite Torao and Minami and play multiplayer with all four of us!!! 🎮

Touma Inumaru: This cute side of Haru really puts me at ease 😆 Let’s keep going forever — the four of us, together!

The End.

[thisnameisnotspokenfor]

Because some of you are far faster than I anticipated....

Here are the first few pages of next chapter/scrapped pages of the last chapter

WARNING: DO NOT READ THIS UNLESS YOU HAVE READ CHAPTER 37. I AM SERIOUS >:(

ETA: I did add a little extra onto the snippet as a 'sorry' for some of you ToT

She nodded and silently listened as the star gestured to the surrounding glowing trees. “When the order had been finally established, a primordial star decided to give up her spot in the sky, opting instead to stay on earth to guide the order and firmly cement its placement as the bridge between our worlds. It was a move that impressed the other stars, and to show their support for the newly found order, they made the Asterius that you saw in the market. One created and cultivated from the power of each court to symbolize its unity within the order.”

“Was there any particular reason why they chose a tree of all things as a symbol?” she asked, as she stared at the glowing trees, gently swaying in the night breeze.

“Yeah…but what’s with your tone? Trees are cool!” he frowned, almost sounding offended.

“They’re alright…but I mean why do stars take such interest in them if they’re practically everywhere? Surely you guys must have cooler things than just…trees!”

“We do but…Have you ever noticed that no matter how far into the heavens a tree can ascend it must always stay rooted to the earth to survive? It never forgets its origins, no matter how far or great it grows…” he smiled thoughtfully as his foot scuffed against the ground. “Isn’t that something?”

Asha slowly nodded, and turned her eyes upwards “Hmm I guess it does sound a bit more…fascinating when you describe it like that…but why do yours glow?”

The star hummed thoughtfully as he rubbed his chin, “Well, the short scientific and aesthetic answer would be bioluminescence to attract nocturnal pollinators. Plus you can always appreciate their beauty no matter what time of day. It makes the forests nicer, doesn’t it?”

She nodded in agreement, “It does. But what’s the long answer?”

“Well,” he started as he straightened himself. “I don’t know the details exactly but I think it’s also because of their connection to some greater network of energy both with each other and the world around them. One of my nannies would always tell me about it when I was little and couldn’t stop climbing them but it’s pretty convoluted if I’m being honest.”

“A network of energy…” she whispered as her eyes trailed the trees’ glowing roots. “Like your energy?”

“Something like that,” he shrugged before thoughtfully staring at the sky. “I mean they sort of come from our world…so I guess it only makes sense that they would act like that…”

“You know before you told me all of this, I never would’ve thought that something as simple as a tree could hold so much meaning in the grand scheme of things,” she confessed. “Sure there was the wishing tree, but that felt more like a relic than anything else…not some political  cosmic display of diplomacy…”

“You’d be surprised…there’s a reason why most Asterius made today are no longer created by all four courts…”

“They aren’t?” she asked, a bit taken aback as the star shook his head.

“No not anymore, not since Deneb’s asterius came into the picture…”

“Deneb has an asterius?”

“Most members of the royal star families and high-ranking nobles do…but few have a tree as controversial as hers….” he hesitated as if mentally debating over something before he eventually nodded and turned to her. “Asha” he stated suddenly as she straightened herself in sudden preparation. “You remember how when we were in the forest you told me that you knew that the crimson court hated Deneb because of your father’s writings, right?”

“Right,” she nodded, trying not to shift uncomfortably. Somewhere in the depths of her mind, she could hear the king’s voice whispering to her. She couldn’t make out what he was saying but she was too afraid to find out.

“Did your father ever state why?” The star asked, thankfully silencing the king’s muffled voice as she shook her head. 

“No…his master had been vague about the situation…but from what I could tell, it seemed as if the bad blood between the two parties was a little more extensive than just the courts…it seemed like it involved the council too…”

“It did,” Cepheus carefully nodded. “But did he say anything else?”

“Well…he theorized that it was the result of some act of defiance she did a few years ago that involved her children…you wouldn’t happen to know anything about that, would you?”

“I do,” he confessed. “I don’t know if you’ll like the story but I suppose for you to understand anything I’ll need to give you a few details…”

He gestured for her to follow as they slowly began to near the forest. “I’m not sure if I’ve told you this explicitly,” he started as the glowing trees and shrubbery began to surround them.   “but the crimson court and cerulean court have always had a mutual hatred of each other. They’ve led countless wars and battles against each other long before the order,  Deneb, and her children ever entered the picture.”

“Why?” She asked as she ducked beneath a low-hanging branch. “Was it differing philosophies? Scandalous love?” She asked the star who’d somehow managed to put a rather large walking distance between them. “Cultural differences? Why did they hate each other?”

He paused as if listening out for something before she finally made her way to his side, “Differing philosophies and a bloodthirsty competitiveness to conquer the galaxies,” the star frowned and abruptly looked away. Had…had he been ashamed of his court’s past? She wondered before he quietly continued, “Nevertheless it all seemed to come to a head when during one of these battles…the council, being as senile as they were, had grown both tired and indifferent to the constant fighting. So they decided to exercise their powers to ensure peace would prevail, one that, unlike their past attempts, could not be so easily dismissed…” The star sighed, slowly moving his hand as the air around his fingers began to glow a soft misty blue.

Slowly the world around them began to ripple, and blur.

She blinked, trying to rub the uneasiness from her eyes as her surroundings slowly began to come into focus as she looked around. They were still in a forest, that much she could be sure of as the familiar sight of large, thick glowing forestry greeted her.

But where the distant town of Banquo had once stood was gone, and in its place was a seemingly endless glowing body of water. 

Were they…at the beach? No this couldn’t have been the beach, at least not one she’d been familiar with. Her eyes traced along the light blue shoreline as she took one hesitant step forward before rubbing her eyes in disbelief.

The beach was glowing. Real beaches didn’t glow. But the feel of the calm sea breeze passing through her braids had nearly convinced her otherwise.

“Wait…” she started, looking around. “Is this another illusion like what you did with the scrolls?”

“Something of the sort,” the star smiled as he spoke from behind her. “Are you enjoying the view?”

She nodded, before looking around again, “Yeah! It’s…beautiful -,” her voice trailed off as she took in the sight of the star who’s skin was now a beautiful shade of cyan, while his hair was nearly white. 

Was this what a blue star looked like? She wondered, as she looked him over and over again.

She wasn’t sure how long she’d been staring, but it was enough to earn herself an all too knowing grin as the star arrogantly extended a sapphire colored wing. “I was talking about the sea, but if you think I’m beautiful as well, and wish to stare,” he chuckled as another wing revealed itself. “then by all means, my dear-,” 

“What?!” She scoffed, before waving her hands dismissively as she looked away. Thank God her blushes weren’t visible. “Ha! No! No way! I was talking about the beach! Not you! It’s the beach that’s beautiful, see?! You’re just…blue!” 

“Mmhmm.” He hummed teasingly as his now gray colored iris seemed bright with laughter. “Well either way I hope you enjoy either view you choose to partake in….although I must admit asha…. That the sea, is unfortunately not located where your eyes are currently focused.” 

“I know that!” She snapped and sharply turned to face the body of water, hoping to enjoy any semblance of peace that she could get.

[roughentumble]

God. I bet Logan gets really bad domdrop. He'll finish a scene and get real quiet and then softly asks, "Babe, am I bad person?"

GOD. LITERALLY ABSOLUTELY SOOOOOO TRUEEEEEE

because he's always at war with his desires and his impulses and he tries to act very Human, like he doesnt /hate/ being a mutant and there are parts he embraces, but he also tends to hide/downplay those sides and only bring them out when he WANTS to shock someone. he contains multitudes. he's like, big on how others perceive him and will play into that intentionally in order to get the social upper hand by not presenting exactly how you'd expect, either being more or less animalistic than his apperance and your own biases would lead you to think.

im getting a little off topic but it is related! despite all that he is scared of being Too Other, Too Freak, Too Beast, Too Animal, Too Mindless. is he too violent? can he put down the violence, will the world let him? is he only made to be a weapon? what would others think of him, if they saw all the instincts he fights against? is he the instincts he fights, or is he the thinking man who wrestles with them?

all questions he struggles with, so any scene-- but extremely and especially a scene where he's mean or violent-- is going to bring those questions back up in his head until he's found a way to settle them and accept himself. i love the idea of wade and logan going out into the woods to dismember and gut each other, and then fuck in the bloody aftermath while their bodies are still knitting together, but logan is still trying to cling to normalcy and humanity enough that it would cause MAJOR domdrop once they were done. he'd be nauseous over what he got pleasure out of doing to another person, because doesnt that just confirm every evil thing ever said about him? while wade doesnt have the same reservations, because he's made peace with his own violence, and is much easier able to compartmentalize what theyre doing here as their version of "playing" because they can both take it. logan has absolutely no desire to dismember someone who cant grow back from it(or even if he does have the urge to do so with people who wont heal, the fact that they wont heal stays his hand and makes the thought repulsive even when the urge to do so with SOMEONE remains), so clearly this doesnt say anything bad about logan, to wade. clearly logan is just someone to the left of human who has inhuman urges and has no interest in sating them with the blood of innocents, he's just a Guy. its Fine. but logan isnt able to see that distinction in himself, and really struggles with feeling like a monster

he needs a lot of TLC and gentle introspection to get over it, and even after he's dealt with it there will be times where he looks over at wade and needs to know. did i hurt you too badly? am i bad because i want to hurt you? am i a monster? could you ever love me when i have your blood in my teeth?

then there's the "dont touch me, im a fucking monster" days where he starts breathing heavy and getting in his own head, and he needs to be talked to nice and sweet, reminded of how happy it makes wade and how he isnt alone in their games. he isnt bad for being an aggressor. because that's what it comes down to, being the aggressor feels like an evil tainted role when its him, but obviously its not bad when WADE is hurting HIM-- a flaw in his logic that he cant see when he's in the moment and panicking and feeling like utter crap

logan getting domdrop is actually something that can be so personal

[notreallythatlost]

at first, i have one thing to say: MASTERPIECE

LILY, THIS ONE IS LITERALLY EVERYTHING TAKING ALL MY SANITY AWAY BECAUSE YOU WRITE SUB!SAURON SO FREAKING GOOD 🤍🤍

and i have so many thoughts:

Aulë The Smith began to court you as he watched you set the stars on fire. He was dreaming of how perfectly you two would go together if you were to fuel the fire inside his forge – the source of all his creation would come from you.

i love the fact, that aulë courted her and that she was supposed to be with him

Aulë, however, was not who you were dreaming about

and denied him because of melkor

Whenever you would spend time with Varda dancing in the flower fields, you could feel Melkor creeping in the shadows and watching.

he really IS a creep

He wondered how jealous Aulë would be then and how humiliated you would be, yet he was certain he could make you happy and fix the malice of your spirit with his undying love and endless devotion.

THESE LINES AHHH

Because, in the meantime, you were starting to realise with bitter clarity why you should have stayed away from Melkor, the Dark Lord, in the first place.

and how she should’ve stayed away 😭😭

You were a Vala and you could endure the worst treatment, therefore in your suffering he reshaped you in ways that would shatter even the mighty Maiar. Melkor forged you anew and twisted your already spoiled essence to his dark design.

MY GOD???

You were made for much bigger things than spending your whole lifetime resting in the sunlight and being followed by the forest animals like some of the Valar ladies were. No, you were aiming for greatness and the price for it was pain.

goosebumps, literally

When Mairon came to your husband’s service, you sensed immediately the amount of his worship and devotion towards you.

oh, to be that worshipped

Because if Melkor would realise the true nature of Mairon’s feelings, he would not go easy on him and his wrath would be merciless. 

i think, someone would’ve suffer more than he already did

“My Lady,” he kneeled as he approached you and he kept his eyes low although you knew he dared to look up here and there, too tempted not to lay his gaze on you. “Please, grant me an audience,” he pleaded.

“I might crown myself the new Dark Lord, my Lady, but I would never consider myself to be above my Goddess,” he confessed and you smiled sadly as you approached him to grab him by his chin.

HOT HOT HOT DAMN

Your soft smile turned into a smirk when you let go of his chin and moved your hand to his ginger hair to caress it softly like he was your pet.

oh damn, you bad girl

“Come to me,” you ordered, harshly. You watched him trying to stand up slowly but you quickly stopped him. “On your hands and knees,” you explained.

“Serve me, Mairon,” you requested, wickedly. “Let my taste remain on your lips and might you never forget it while you build your kingdom in my name. I will come back to you then, my sweet, unless the Valar find and imprison me before,” you leaned in to caress his cheek with your finger gently.

“I shall fight them then. No matter how much it takes, I will release you and bind you to me instead,” he whispered.

oh, holy-

“Even as the greatest of your kind, you would still only be gifted with a mere shadow of my powers. We will never be equal, Mairon,” you reminded him and his eyes welled with even more tears at such a harsh reminder.

that must’ve hurt so bad 😭

“You’ve served me good, Mairon,” you grabbed his chin and smiled at him. “Good servant,” you emphasised.

He looked so pretty like this – both excited and turned on but also absolutely terrified of you. You could do everything to him and he had no other way but to accept it. And he knew – he knew very well – that you could be as cruel as Melkor if you only wanted to be.

A few pumps of your hand was enough to make him spill himself with a whine, bucking his hips into your hand as you kept jerking him off to make more and more of his seed spurt out. 

AND ANOTHER ONE THAT LEFT ME TOTALLY BREATHLESS

But you knew already that you would be back for your sweet Mairon sooner than both of you expected.

i’m screaming, give it to me

oh my good lord, i’m speechless.

no, i mean really because i just loved it. and your writing, it gets me everytime. 🤍

i can’t wait to read the next part, can’t wait to see what you did with goo!sauron and our beloved halbrand

— HUMBLED (I)

PAIRING — Sauron x fem!Vala!Reader // Morgoth x fem!Vala!Reader

SUMMARY — Grown tired of living in your sister's shadow, you offered yourself to the one whom she had rejected once – Melkor. You regretted it quickly as he turned out to be a cruel lover and you became the very first subject of his twisted tortures meant to reshape one's spirit. In his eyes you were nothing by Varda's shadow but in the eyes of Mairon the Maia you have always been the only and the most holy goddess. When his master is gone, he can finally get close to you.

AUTHOR’S NOTE — I had two ideas for Sauron with Morgoth's ex and honestly? I will probably write one more because I like the other idea a lot, too. This fic is quite dark because of the nature of Reader's relationship with Morgoth. Not gonna lie, it was a challenge to write a Reader who is a literal Goddess but Sauron himself inspired me to explore this dynamic when he seemed to be so proud of the fact that it was a God himself torturing him... 👀 The Reader in this fic is a Vala (and Varda's sister but she remains undescribed as well), so she changes her appearance like Sauron does but I am not describing any of her forms in any details. In the next part there will be some goo/blob!Sauron + Halbrand and in this part our favourite ginger loser makes his comeback! 🦊 Apparently, I can't write him as a dom... 😂 Well, surely not with someone who is so much above him. Huge thanks to @dinsbeskar once more because we were brainstorming about this idea together. ⭐ Special thanks to @olchr-1 as well! 💚 PS – I haven't described how Morgoth looks like either but I imagine him as a tall, black haired hottie like on the fanarts. 💀😂 There is also a slight mention of the Reader being originally promised to Aulë, which was inspired by the story of Hephaestus and Aphrodite.

WARNINGS — Reader is evil (reshaped by Morgoth but not completely evil), domestic abuse (with Morgoth), mentions of Sauron and Reader being tortured by Morgoth, SMUT, sub!Sauron

WORD COUNT — 4,330

🔞 THIS FIC IS 18+ 🔞

ENGLISH IS MY SECOND LANGUAGE.

HUMBLED (I)

The very first thing you remembered was beholding your sister Varda being crowned one of the mightiest of the Valier and Queen of the Valar, Queen of the Stars, a beauty beyond the description of Men and Elves. So pure to reject Melkor and marry his brother Manwë instead – King of the Valar.

You followed your sister nearly everywhere, hoping to bask in her light but it never seemed to be enough to make you feel warm. You were greedy – at first, you were jealous of her husband and insisted on her spending more time with you than with him, striving for all of her affection. Once you realised that it was a lost cause, you began to detest Manwë.

You watched Varda situate the stars in the heavens above Arda as if they were jewels and you were the one setting them alight with the fire burning within you for they could lighten up the firmament. You were responsible for the treacherous element that the fire was – useful in many ways but also dangerous if not used correctly or with malicious intent.

Aulë The Smith began to court you as he watched you set the stars on fire. He was dreaming of how perfectly you two would go together if you were to fuel the fire inside his forge – the source of all his creation would come from you.

Everyone, including your sister, was encouraging you to become his wife for his heart was of a noble kind. Your own heart remained unsure but you wished to marry as well instead of only watching Varda and Manwë sharing a bond you could only dream of. Aulë, however, was not who you were dreaming about.

It was Melkor that you were drawn to; Manwë’s powerful brother, the very same whom your sister had rejected once and he had grown to resent her. You were observing him often because he fascinated you and you probably were the only one amongst the Valar who understood him. You were outcasts, both of you, but you were better at hiding it.

He was sometimes observing you as well, from the corner of his eye. You could feel his gaze on you and you knew that he had to feel the same way you did – he could see the malice inside of your heart for his was the same.

Whenever you would spend time with Varda dancing in the flower fields, you could feel Melkor creeping in the shadows and watching. Of course, he was there for your sister but still, some of his gazes were reserved for you only.

Therefore, on the eve of your wedding to Aulë, you forsake the light and seeked the shadow as you sneaked out of the palace you lived in and you found yourself knocking upon Melkor’s doors. There was no fear inside of you, only pure determination.

And you knew you could never replace your sister; your power was a mere shadow of hers. Yet, you offered yourself to Melkor on that night and he took you in, claimed you as his own and made you his bride. Before dawn, together, you fled from Arda for some time, leaving behind sorrow and dismay.

Your sister was most grieved by your betrayal. Alongside her, Aulë descended into a state of melancholy until Manwë mentioned to him the possibility of courting Yavanna instead and The Fruit-Giver became his wife – that union became one of harmony and love unlike the one you would have with The Smith.

You always fascinated Mairon the most – (Y/N), Mother of Flames, Aulë’s lost love. As his disciple, Mairon observed you humbly before and he knew his master’s heart enough to know that Aulë would always feel bitter towards you. Yavanna was his love match but she could not fuel the fire inside his forge and become the source of his creation.

What a source of inspiration you were for Mairon, though. The same way others worshipped Varda, Mairon worshipped you. Everytime he stared at the fire inside the forge, your image was all he could think of as the thought of you lingered in his mind constantly. You were long gone from Arda after eloping with Melkor but he hoped it was not yet over, that he would see you again. In the early days, when his spirit was still pure, he often fantasised about you being taken back by the Valar and forgiven by them, so he could build altars for you amongst the kins that would yet awake to inhabit Arda.

Some of his bolder daydreams were about another form of punishment for you – he would have you humbled in the name of redemption, bound to a lowly Maia. He meant himself, of course. He imagined the Mother of Flames becoming the source of his creation, fueling the fire within his forge and watching over his craft as his very own wife. He wondered how jealous Aulë would be then and how humiliated you would be, yet he was certain he could make you happy and fix the malice of your spirit with his undying love and endless devotion.

And perhaps that blasphemous dreams of Mairon the Maia, bold in their insolence, would be a kinder fate for both of you and the whole Arda. Because, in the meantime, you were starting to realise with bitter clarity why you should have stayed away from Melkor, the Dark Lord, in the first place.

In his greatness, he dwelt in solitude and his mind remained ungraspable for you. He would rarely let you inside to allow you to see the world the way he perceived it. Though he desired you, it was not as an equal, neither as companion nor as lover. And even in his desire, there was contempt, too, because as Varda’s sister you were a reminder of her rejection, which still lingered within your husband as a wound unhealed. And your beauty, your power, your holiness… They were nothing but pale echoes of your sister’s qualities; faint reflections of her no matter how hard you tried. And each one of your failures to meet Melkor’s towering expectations was met with your husband’s wrath.

None among his servants who would later know him as a cruel master ever dared to complain about his punishments in your presence because you were his first subject of torment, his earliest experiment in reshaping the will of another and they knew that you survived things they could barely think of. You were a Vala and you could endure the worst treatment, therefore in your suffering he reshaped you in ways that would shatter even the mighty Maiar. Melkor forged you anew and twisted your already spoiled essence to his dark design.

Alone in his presence you felt belittled and humbled. But by his side before others, you were exalted and invincible – cloaked in the might of his dominion – and that illusion of power became intoxicating. For allowing you to get sedated with such greatness was enough to worship him like he was Eru himself and out of all your offerings, he loved that devotion the most about you.

To be his wife was not easy – it was a torment and perhaps you were burdened with the most difficult fate out of all the Valar. Yet, it was what you had chosen willingly for yourself and you carried this responsibility with pride, trying not to think too much of the life you could have lived instead. You were made for much bigger things than spending your whole lifetime resting in the sunlight and being followed by the forest animals like some of the Valar ladies were. No, you were aiming for greatness and the price for it was pain.

When Mairon came to your husband’s service, you sensed immediately the amount of his worship and devotion towards you. You sometimes wondered if the Maia joined Melkor for him and his power or were you the real reason for his spirit’s betrayal. His devotion amused you but you offered him no kindness as his yearning for your favour was met with cold indifference. Even though he was desperate for more of it, he should know better and be grateful for your rejection. Because if Melkor would realise the true nature of Mairon’s feelings, he would not go easy on him and his wrath would be merciless. 

Sometimes you wondered how it was possible that Melkor could not sense Mairon’s admiration for you. Perhaps he thought of it as something innocent – something expected from his servants to feel towards his Queen. Perhaps he thought of it as silly and pathetic, unworthy of his attention, because he knew you would never humiliate yourself to betray him for a servant.

Or perhaps your husband cared about you even less than you suspected.

After Melkor’s defeat, you were hiding inside your fortress in the North from the wrath of the Valar. Your husband’s absence was welcomed by you with relief but also a huge emptiness within your soul. You had been his companion for ages and to be left alone now felt oddly wrong. Many of the creatures of darkness expected you to take the leadership but you stepped away instead, wishing for a calmer and more peaceful time at least. 

The power you had once craved now was something you dreaded. Your husband’s ways had drained you nearly completely, you were a shell of your old self. You wanted nothing but to crawl inside a hole and spend another eternity there, resting as a person unknown to the outside world. 

Mairon was the one who took all the responsibilities upon his shoulders and while committing to his duties, he would always emphasise he was fulfilling them in your name. Forever a servant he would remain. 

Now, without Melkor’s eyes observing him constantly, he gained more courage to bask in the remains of your corrupted light. You sensed his gaze on you wherever you would go.

Your wish, however, was to go much further away and Mairon knew about it, which was worrying him. He was trying his best – nearly desperately – to reunite your husband’s armies and dark creatures of the shadows, to become their leader and build a realm for you to rule over. To become worthy of you.

“My Lady,” he kneeled as he approached you and he kept his eyes low although you knew he dared to look up here and there, too tempted not to lay his gaze on you. “Please, grant me an audience,” he pleaded.

“You wish for an audience, Mairon? But is it not you preparing to get crowned very soon, my cunning spirit? Soon it shall be me asking for your audience,” you teased him and he looked up, his eyes filled with panic. Melkor would punish him for such schemes but you were not him and his influence was upon you no more. 

“I might crown myself the new Dark Lord, my Lady, but I would never consider myself to be above my Goddess,” he confessed and you smiled sadly as you approached him to grab him by his chin.

He swallowed thickly out of fear but his eyes remained soft, filled with nothing but pure admiration. In Melkor’s eyes you had been Varda’s unworthy shadow. Perhaps no one had ever perceived you with such devotion as Mairon.

“I shall build you altars in my realm; in every village, every town, every city. And in the capital of my kingdom where I will reside, I shall build a temple where you can find your peace,” he breathed out. “Just, please, do not abandon me.”

Your soft smile turned into a smirk when you let go of his chin and moved your hand to his ginger hair to caress it softly like he was your pet.

“I must, Mairon. When you build your temple for me, though, then I might come back to reside there. But until then, we must part,” you insisted and walked away at the sight of his eyes getting wet.

“Will they ever follow me without you by my side?” He asked, unsurely.

“They will not. Not all of them. Can you not see that it is a cursed path, destined to become a failure, to follow Melkor’s steps?” You turned around to look at his face once more. “Run away with me, Mairon. Forsake this realm, forsake your schemes,” you proposed and he gasped, visibly contemplating his answer. But the sparkles faded away from his eyes very quickly.

“No,” he shook his head. “I must stay and heal Middle-earth. I cannot abandon its people because of my own selfish desire,” he resisted you as you chuckled at that.

“You are no god, then, Mairon. Gods do whatever they wish. Spirits like you were created to serve,” you teased, cruelly as you sat on your armchair and he moved uncomfortably, looking away, but he remained kneeling and humbled.

“Allow me to serve you then, Mother of Flames,” he dared to whisper, nearly inaudibly, his breath shaky and lips trembling.

You tilted your head, thinking about his words. You would leave this realm soon, perhaps forever. He surely deserved a little treat before your departure for all the worship and devotion he had been gifting you with. And you deserved to give in to desires of your flesh as well after all the treatment your husband had given you.

“Come to me,” you ordered, harshly. You watched him trying to stand up slowly but you quickly stopped him. “On your hands and knees,” you explained.

Mairon glanced up at you as if he could not believe the amount of humiliation you would put him through now. It was true that back in the day you had often contrasted with Melkor’s cruelty but now Melkor was no more and you had been taught the craft by the very master of it.

Perhaps his influence was still upon you and it would remain there forever. 

You waited with an eyebrow raised and Marion gave up eventually, crawling on the floor towards you. He might have been humiliated and embarrassed but his eagerness was obvious in the way his eyes sparkled at the sight of your legs getting closer and closer to him. And when he was nearly in front of them, you opened them slightly as he gasped and looked up at you with admiration. He could not believe the access you had just given him while you smirked at his obedience.

“Serve me, Mairon,” you requested, wickedly. “Let my taste remain on your lips and might you never forget it while you build your kingdom in my name. I will come back to you then, my sweet, unless the Valar find and imprison me before,” you leaned in to caress his cheek with your finger gently.

“I shall fight them then. No matter how much it takes, I will release you and bind you to me instead,” he whispered.

“Bold of you, mighty Maia, to speak of such matters,” you let out a laugh. “Even as the greatest of your kind, you would still only be gifted with a mere shadow of my powers. We will never be equal, Mairon,” you reminded him and his eyes welled with even more tears at such a harsh reminder.

He cursed Eru himself for creating him as such a low spirit because this way he could never be worthy of you and to be able to walk by your side as your equal was all he had ever wanted.

“Let it be then… Anything to be close to you, my Lady,” he cooed. “Please, allow me to touch you,” he begged as he moved even closer to your legs.

“Proceed,” you nodded and watched him closely, observing his every movement, every gaze, which probably intimidated him even further but you could sense his desire to please you becoming too grand to care about anything else.

His hands wrapped around your ankles and moved up slowly, brushing your skin as the skirts of your dress pulled up, revealing your calves for him to admire. He had never seen them.

Well, perhaps he had. He had often sneaked up on you here and there and you had known about it but welcomed it with nothing but a chuckle as you had been pretending to be oblivious.

However, he had never been so close to them. To you. He crawled up even closer as he planted soft and devoted kisses to your exposed skin. You had never known kisses like these because Melkor had been mostly devouring you, tormenting you, using you. 

Mairon sighed and you felt a shiver go down your spine at the feeling of his fingertips brushing the back of your knees. You slid lower on the armchair as your skirts pulled nearly all the way up, exposing your thighs to him. Your obedient servant gasped and looked up at you once more as if he was asking if that part of you was allowed for him, too.

“Have I told you to stop?” You challenged him and he nodded before burying his head between your soft thighs to kiss and lick them softly, breathing the sweet scent of your skin as if you were the holiness personified.

Wicked thought it was for you were the most corrupted and fallen out of the female Valar and yet you doubted any of them were worshipped with such eagerness as you were now.

“If we never left Valinor and I never followed Melkor,” you breathed out, caressing Mairon’s ginger hair and playing with the delicate strands of his hair between your fingers, “you would be my disciple and we would spend forever in the fields under the sun with you worshipping me, my sweet spirit,” you shared your fantasy with him and he whined at that as he moved his face further and deeper, his nose nudging your glistening cunt as he requested for your legs to open even wider.

“So impatient,” you pointed out and grabbed him by his throat to pull him away. You felt him swallow underneath your hand and then you forced him to look up by grabbing his chin. It was slightly wet already from your leaking cunt and you leaned in to give him a possessive, open-mouth kiss; to taste yourself on him as his eyes widened but he gave in immediately.

While granting him with a kiss he would never forget, you opened your legs further and further, giving him full access to the sweet nectar between your thighs and he whined into your mouth like a brat when he realised what you were doing. He laid his trembling hands on your thighs and moved the folds of your dress even further to the back, making sure your cunt was all exposed for him.

The cold air of the room caused your clit to twitch and swell before his thumb found it and brushed it. Now it was your time to moan into his mouth. You broke the kiss and pressed your forehead to his as you closed your eyes and took a few deep breaths in. Pleasure without pain was an experience brand new for your flesh and you had to steady yourself as he watched in awe.

“A-allow me…” Mairon pleaded and your eyes opened once more as you looked deep into his with a nod.

You laid back in the armchair and watched him with curiosity but also a hint of contempt to see a spirit so mighty humbled like this – perhaps you could understand Melkor more than you had ever expected to be able to but it was truly fascinating and pleasurable to humiliate other spirits. 

To be able to kiss and lick your cunt, to devour it – it was surely a life-changing experience for your sweet Mairon. His usually calm demeanour changed in an instant, reminding you of a hungry hound as he whined and whimpered, lapping on your juices as if it was the sweetest nectar granting him immortality. He was intoxicated as his hands squeezed your thighs to keep them open and allow him to feast eagerly. 

Your body of a goddess allowed you to go on without breaks; a peak after peak as you shivered and trembled, caressing his head and meeting his hazy, devoted gaze once in a while to let him know he was doing good. Your praise meant everything to him for all he had always known was your husband’s reprimands. 

Your flesh could go on and on but your mind of a goddess was a demanding one and soon you grew simply bored of his ministrations, therefore you pushed his head away and crossed your legs, taking away the access from him.

Mairon’s face was flushed, his eyes foggy and skin glistening from sweat and your juices dripping down his chin. He was kneeling and looking up at you mindlessly as if he would follow your every order now, no matter how self-destructive it would be.

“You’ve served me good, Mairon,” you grabbed his chin and smiled at him. “Good servant,” you emphasised.

“P-please,” he whimpered and you furrowed your brow before realising what he begged you for.

His own release.

“Was not your kin created to serve mine? I do not think our creator blessed you with such desires, Mairon. Do not be a dirty liar,” you teased him.

“Please, my Lady,” he whined, desperately.

You sighed and rolled your eyes.

“Alright, then, let me see for myself,” you smirked and pushed him down onto the floor before getting out of your armchair and straddling him like a predator would trap her prey before sinking her teeth into him.

He looked so pretty like this – both excited and turned on but also absolutely terrified of you. You could do everything to him and he had no other way but to accept it. And he knew – he knew very well – that you could be as cruel as Melkor if you only wanted to be.

Melkor’s brutality had been driven by his own whim. Yours would be driven by your revenge for all the centuries of being treated like his dog. Beaten dogs tended to bite deadly and Mairon knew.

“Do not fear me, sweet Mairon. I only want to see for myself if it is true that you have fallen and corrupted yourself so much with your devotion towards me that you have been gifted with desires of the flesh,” you smirked. “Or cursed with them,” you pointed out as your hands worked on his robes and the trousers underneath them swiftly and quickly.

You gasped and laughed when you saw how hard he was already after all those hours he had spent between your legs. He blushed even further and his cheeks were crimson red now like his clothes.

“This must hurt,” you pointed out with a sinister chuckle. “Is it the first time for you?” You asked, brushing his thighs with your fingernails, making him shiver under your touch but refusing to actually pay any attention to his hard and reddened cock with its tip swollen and twitching, leaking precum.

“No,” he confessed, nearly inaudibly.

“Interesting,” you hummed to yourself and leaned in, your face so close to his that your noses brushed. “And what were you doing usually when it happened?”

“Nothing,” Mairon confessed, his face wincing out of shame. “Nothing, my Lady. I would never… I would never dare to…” He gasped after every word, so sweetly desperate and frustrated but not brave enough to ask you to do anything in particular. He would never order you around.

“Oh, my sweet, poor Mairon… You should have come to me each time and I would have helped you,” you grinned at him although you both knew it was not true. None of you would have ever dared to commit such an act behind Melkor’s back. “Do you want me to ease you now?” You asked.

“P-please…”

You reached towards his twitching cock and grabbed his wet length as you watched with cold fascination while he struggled and writhed underneath you. A few pumps of your hand was enough to make him spill himself with a whine, bucking his hips into your hand as you kept jerking him off to make more and more of his seed spurt out. 

His body of a Maia did not need breaks but there was always a limit to how much seed any male flesh could produce. And when you felt he could absolutely do no more, you stopped and watched him catch his breath as you giggled, laying on top of him and intertwining your legs. One of your hands kept caressing his sore and softening cock gently as your other hand pulled his head closer to your chest, burying his face between your breasts and caressing his ginger hair strands.

“Please, do not go… I will be so lost without you,” Mairon looked up to meet your gaze and you smiled sadly at that.

“Do not start again,” you scolded him.

“Can you at least stay for the coronation?” He pleaded but you shook your head.

“No. I must leave tonight, as soon as possible,” you leaned in to kiss his forehead and a short while of silence occurred.

It surprised you greatly but some part of you began craving to take care of him now. As if the sinful act you had just performed with him, which stained you in a way – because what else would you call lowering yourself to pleasing a Maia? – as if it had forged an attachment between you two and bound you to him indeed like he had blasphemously suggested before.

You definitely had to leave and hide from the Valar, seek your own peace of mind. But you knew already that you would be back for your sweet Mairon sooner than both of you expected.

MASTERLIST

[rootspiral]

Thank you so much for your detailed episode analysis! I especially appreciate this most recent post (ep. 4 part 7) with the in-depth REGRET section. As someone who was dating an Agatha-type, it's very vindicating to see people calling Rio the responsible one here... Sadly, it just not a salvageable situation without a lot more growing than Agatha has time or inclination for!

Anon - thank you for sharing, I've been sitting with this ask for two days now and thinking about it a lot. First of all, I'm sorry you went through a relationship of that kind.

This show is excellent in the way it portrays Agatha as a deeply sympathetic character while not letting her get away with any of her bullshit. Rio has been trying and trying and trying to fix Agatha but it's clear that she won't ever be able to do it, that Agatha has to put the work in herself. Their relationship was a very happy parenthesis that was never going to last because Agatha is simply too much of a mess. If it weren't for Nicky, something else would have eventually pushed her to the edge. I really believe that if Billy hadn't showed up and Rio had managed to win Agatha back, their relationship would have crumbled in some other way.

"Coven two" is a lovely concept but it's just not sustainable. It didn't work for Rio and Agatha - why else would Agatha have sought to add a child to their family? It's not like they had unprotected sex that one time. And then it didn't work for Agatha and Nicky. It won't work for Agatha and Billy either, unless she makes a real effort to change her behavioral patterns. Rio and Agatha had a deep and romantic codependent relationship, they were literally the only person in each other's world, and how could that ever be enough? Agatha's unhappiness stems from her loneliness, from being a covenless witch, Rio will never be enough to fulfill that void no matter how hard she tries.

It's heartbreaking really because Rio loves her SO much. She understands better than anyone why Agatha is the way she is, she is going above and beyond trying to help, and by doing so she's making herself smaller and diminishing her own pain, because Agatha's pain must be bigger and more important. I'm so glad she snapped in the end and they had a good fight over it, it was high time. Agatha's well being cannot rest on Rio's shoulders only, the ball has to go to Agatha's court now and she will have to change and make amends if she wants things with Rio to work out, there's no other way. She has been cruel and unfair to Rio for too long, she has been punishing her for what was never Rio's fault in the first place.

In order for Agatha to change she has to make a concrete effort toward it and she has to have a support system in place, both of these aspects are crucial, one cannot work without the other. Only then she may have a real chance to - well, not to win Rio back because that fool is too much in love and will be hers forever. But it might be enough for their relationship to work out in the end.

Mind you, I want them to work out because they're fictional and wish fulfillment. If I had a real life friend in Rio's situation I'd tell them to get the hell out and prioritize their own well being.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[scattered-sense]

This is basically just a copy and paste of a text document I started working on. It might be hateable but the more I think about it the more it stands out to me as something that's less magical than gold dust or magic Sodor coal, and adheres more to how we see them depicted in the stories. If anyone can offer a better idea definitely do, I'm not a biologist so I'm certain there are things here that are incredibly unrealistic, but I mean, the very concept is unrealistic so I have a little lee-way there... right? Of course, if you have ways to improve it, I'm all ears.

Faces

An engine's Face is a fungal colony. This colony is a member of a species that, in 1810, took on DNA from human workers (mostly male at the time, and thus why the majority of engines show male characteristics unless they choose not to), and grew on a smokebox door, having drifted on it as a spore from rot living in the wood of the building. As such, the species developed to favor smokebox darts as nucleation sites, their nose being the first "cells" to develop.

Aging: Faces don't age for the first few months following exposure to new spores to replace dying "cells", then age very rapidly over the next two years such that a Face that appears to be the human age of twenty will appear eighty, then slowly deteriorating further as "cells" from the rest of the engine's body replace those on the Face, feeling to it like losing more and more sensory input, until roughly the third or fourth year, at which point the colony has died completely. The engine can still be used, as in America where Faces are not seen often after the nineteenth century due to commonly-used aluminum smokebox paints being toxic to them, them being a known allergen that significantly disproportionally affects people of Native American and Mexican descent (Randall, Jespersen, et. al., 1934), and pressure from conservation groups trying to reduce the number of non-native species being introduced to North America and interest groups not wanting growing labor laws to be ruled in court to apply to engines too (leading the Face to only be seen in preservation, and a compound created to prevent new spore formation except for dedicated maintenance periods where they are collected to reapply on the engine later), but the new colony will not have continuity from the former. Generally, if enough of it gets on an engine to grow a Face, most railways won't do anything about it and will generally tentatively earmark it to give to a museum that can take care of them subject to the engine wanting to be preserved, but they will start meticulously coating their stock with the compound so as to prevent further examples. Engines are usually given new spores every three months or so, and though they all age differently, this is roughly frequent enough that they visually age rather slowly. A Face can often decide for itself how it would like to age, though, and this is usually seen in preservation. Iron Duke, as an example, though a young engine, was intentionally aged by being held in quarantine for a year or so. He thinks it suits him, and helps tell the story of his class much better than if he'd aged at a more conventional rate.

Diet and vascular system: Faces have a "vascular" system with "blood" that transfers information between the members, binding proteins onto iron-oxide rich water. A Face's colony will unconsciously eat into any holes that are formed in the paint in quick order if they are running low on iron, so often, a Face will be given a cube of iron or a piece of scrap to chew on as if it were a piece of gum. This absorbs through their mouth into their "blood"stream.

Engine-Colony Interface: The species grows all over the parts of the engine that don't move, right up to parts that do. Thus, they can sense stuff like boiler pressure, draught, or for ICE engines, how their prime movers are doing (if their block is made of steel or iron, not aluminum), information that moves up to their Face and, while it's not exactly the same sensations as a mammal might have (like "pain" in our sense of the word), it's functionally equivalent. If they grow enough, and aren't cut away from them, they can have access to their controls, but usually they only use them if they need to, and most companies historically trimmed them back from them, nowadays usually they make controls out of aluminum.

Two Faces, or Two Identities: For steam, generally, they are most comfortable near the smokebox because that's where it's warmest. Some engines might have a second Face, but that does take some effort. For diesels, they don't get as much heat from either end, but after being convinced to grow on one side, they often end up growing on the other for better visibility, because they already made the effort to grow on one side anyway, so they might as well. Each Face can be controlled independently, and both eyes are seeing things at the same time. Speech can come from either end, and the colony can control both at the same time, so either mouth can talk depending on which direction they want to talk in, the other Face's eyes still able to look around. There's a subspecies that started emerging circa 1979 where each Face is semi-independent, but if they're connected, they do have a continuity of identity between each, and generally one Face won't talk while the other is. However, if the halves are cut down the middle perfectly (this can be much tricker than you might think, as you'd need to cut them on the inside of the locomotive as well), they can form two identities that are fully independent. Mighty and Mac, while an invention of the television show, are a good example of this. It's generally looked down upon in most circumstances to spray one side with aluminum, though there are the occasional reasons to, like one side develops a mycoparasite, or just feels their time is up. Or, if the engine is to be scrapped, they will often be given a little more time before being hosed down with aluminum-rich water, before being cut up.

For your consideration:

The Faces are fungal colonies living on locomotives (they like the heat from them) that took on some human DNA. The first engine to have a face had it accidentally, having had a worker's hair fall on the colony while it was growing on some engine in the 1820s, but by the 1840s samples of this new species, each one being given genetic information from a few new people to hopefully grow unique identities on each engine, were being kept in tins to paint on smokebox doors for their utility in being a third set of eyes. They can also grow around their boilers to reach their controls and have some level of autonomy, but if that's cut down it doesn't kill the colony.

These colonies can swivel around their doors, age differently from humans, and if the original door is damaged beyond repair or is to be scrapped, can transfer over to a similarly sized door.

Which does mean Henry's smokebox door was laying on top of a Stanier smokebox door as a large, grayish peach, vaguely twenty-something face (the actual Henry himself) slid like a melty cheese in folds off the Ivatt/Gresley-built door, the original engine being scrapped but Henry himself moving on to a new, for lack of a better term, host.

I'm having complicated feelings about this one. Top marks for creativity, of course. I think I want to not hear more.

[dairyfreenugget]

Hey hey hey hey hey hypothetically speaking.....

At the beginning option - would start after Flower/PV met Petunia and Lummis or shortly after the accolade

In the middle option - would start ~1.5 after the accolade, shortly after the infection was taken care of, Ghost and Radiance would be present in the story, Flower would still have tense relationship with a lot of people but starts to slowly open up

Towards the end of the main plot - shortly before or after Flower decides to resume contact with their parents, would focus on more slice of life experience with Flower and their parents trying to build some sort of relationship, lots of tension, possibly would involve something with The Shade Lord and/or Norel (I think it'd work the best for the ask blog format + would love to write more about that period of their relationship)

Or you could propose something else (More of the future stuff? Maybe some other point in time? A different branch? Maybe a different AU? Obviously more aimed towards people who know more in-depth timeline/lore of the AU)