#do not ask where this idea came from

[sneeb-canons]

Headcanon #475: Soul once accidentally had an unopened can of monster fall on his foot. Mind & Heart still make fun of him for having his foot broken by an energy drink of all things.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[re-colligere]

Having a childhood ship have a resurgence and making art for them now older and with new skills is honestly what life is all about. This is just a message letting you know you’re winning with drawing disear keep it up and tysm <3

HAHAA YEAH exactly, it truly is something special and I'm definitely having the time of my life over here. Thank you so much!! Glad to hear people are also enjoying my silly stuff for them.

[gloomysoup]

i was just going thru some notes i have for brainstorming purposes and came across something i forgot ab

picture it w me, if you will:

no upside down modern au, alpha!eddie/omega!steve (bc apparently that's where my brain always goes)

steve is drunk at a party and either billy or tommy (also drunk) takes advantage of him. he ends up pregnant, kicked out, b/t wants nothing to do w any of it. steve's mom (bc we appreciate one good parent in this house) sends him money every month in exchange for pictures and updates of child w/o his dad's knowledge.

eddie meet him at some kind of organization event for underprivileged kids that he volunteers at bc he was that kid and knows how important they are. at first, he thinks steve is another volunteer & is absolutely enamored by him. but once he sees steve's kid run up to him, he decides to back off bc he assumes this means steve is in a relationship. he keeps seeing steve around and silently pines the whole time bc he's accepted that he'll never have him.

until eddie is at the library, hosting d&d. the party joins a few campaigns, and he gets to know them a little. he likes them, they're good kids (teenagers, technically). one day steve brings his toddler to the library bc they like to look thru the picture books on steve's days off. he also knows that the party goes to d&d that day and wants to say hi. when he leaves, eddie asks the party if they know him, and they explain that steve used to babysit them and drove them around a lot when they were in middle school. he uses this as an in w steve, resolved to just talk to him once and maybe be his friend.

he asks ab the kid's other parent simply for small talk purposes, wondering what they're like and why eddie's never seen them around. steve explains that he's a single parent; the kid's father was an asshole that didn't want to face the consequences of his actions.

cue eddie desperately doing everything possible to impress this child so he can prove to steve just how serious he is ab being w them. i like the think of it in the same vein as your moms new boyfriend trying to make you like him, even tho you already do and there's no need for him to try That Hard. but much more ridiculous and dramatic in true eddie munson fashion.

[gardenofnoah]

kirishima has always been looked at as strong and commanding—always larger than life and in control—so he has no idea what to do when he’s pined underneath you and at the mercy of the way you play his body like a well-tuned instrument.

he’s out of his depth and feels half out of his mind as the tip of your tongue drags over his hip bone. you’re touching him everywhere—fingers bruising against his waist, his thighs, his calves—he knows that you are taking from him in a way that no one has ever, and he’s giving all of it to you willingly.

“b-baby,” and it’s stuttered and breathless as he feels your teeth sink into the skin of his inner thigh—he fights the urge to harden his skin subconsciously over the pain because it’s so good and he wants to feel all of it—

“so good, Eij—“ you coo into his skin, dragging the plush of your lips over the trails of raised, reddened skin your nails leave behind as you move down his body, “you’re so good, letting me play with you like this.”

to his shock, his hips kick at your works, completely enthralled by the notion of being a play thing for you—of giving in, of going soft for the first time in his life—

he feels your fingers dig into the muscle of his calves and has to shut his eyes so you don’t see them roll back into his head. the foreignness of his own submission is wearing off now—replaced by the heavy, slippery feeling of needing you, of leaning into this space where he can just be worshipped by you and know that you will be there to hold him through it.

you climb back up his body and he savors the feeling of your weight on him—pressing him into the sheets, the tension in him bleeding out from where your skin meets his—and he lets out a pitiful whine when your nails scrape over the taut muscles of his belly. can’t help it when his hips buck into yours, but feels the need to apologize anyway, because what’s happening right now feels so far removed from his own base desire to be buried inside you. this feels too refined, like more luxury than he deserves, and he feels like a neanderthal.

“it’s okay Eij,” you reassure him, and something inside him goes molten at the way you forgive him, love him— “i know it feels good. you can take what you need to, my love.”

and he shakes his head at that, frantically, because he doesn’t want to take. he doesn’t want control of this—he wants you to hold his pride in your hands and turn it into something malleable and fluid. he can’t trust himself to speak—he presses his palms into the bed and tips his head back, baring his throat to you, just hoping, begging you to understand—

he feels you take one of his hands in yours, feels you bring it to your face and press your smile into the inside of his wrist, nipping at the sensitive skin, sucking it into your mouth gently and laving your tongue over it.

“i see,” you murmur, and it sends a shudder up his spine so violent he feels his toes curl. your eyes rake over his body as you drag your free hand up his chest. he has to remember how to breathe when your fingers circle around the base of his throat.

“you’re such a good boy, Eijiro.”

[radioroxx]

hi pluto i’m here to ask if u have any isat headcanons. about anybody! hope u have a good sunday :))

HAPPY SUNDAY VIA can i call you via. hello

ive mentioned my tattoo hcs before but im gonna expand on them as best i can rn because i think about it occasionally (i am making a lot of this up. right now! for you!)

ok so odile has a lower back tattoo she got in her 20s and i feel very strongly about this one 1. because i think its funny 2. because it makes her 10x cooler. the other day in my moots disc we talked about the idea of odile having a past polycule that she broke off from and so ive adopted that idea and decided the tattoo is a matching one. she does not regret it at all and is still (somewhat) in touch with her ex’s. siffrin was the first person she told about this, drunkenly btw, and for months afterwards he couldnt remember if it was Actually Real or just something his brain made up (and they were too scared to ask lol)

siffrin has star tattoos on his back and shoulders! i was considering giving him sleeves but i changed my mind,, he got them while he was still travelling on his own. possibly theres a region that is more well known for tattooing (havent decided what this would be though)! he was interested from a ‘learning about new culture’ perspective, also just because Why Not. he chose to get stars because it felt right. he somewhat regrets it. (maybe, post canon and later on their journey, he would try out something else. different designs. things inspired by his family! or things he wants to remember)

isabeau has no tattoos. not from not wanting them, but from just never really having the interest. UNTIL travelling with the party. until staying up late with sif in their shared tent and finding out that, on his travels, he learned how to (very basically) give people tattoos. and begs him for one. its like 2am and neither of them are thinking clearly so they agree. they ‘borrow’ odiles ink pot she uses for writing, a sewing needle that isa happens to have on hand, aaaand it. goes very poorly. as youd imagine. he is lucky to have the long sleeves to cover it up. whatever design theyd been going for was absolutely not achieved. but! he cherishes the memories regardless. (incredibly, they would try this twice. the second time would be after bonnie joined the crew, who would catch them awake, beg siffrin for a tattoo of their own, be told ‘no’, but would still be allowed to watch as long as they PROMISE not to tattle to madame and mira in the morning. bonnie absolutely tattles).

mira! does not seem like a tattoo person to me. i think she would be intimidated by the idea- partially in relation to the change belief, partially because she wouldnt know what to get. i like to think tattoos are probably pretty controversial to the religion… some people think they are a very powerful form of change! something you cant take back. others disagree for the same reason, that its permanent. so pre canon no tattoos for her. but!! but! as i mentioned before with siffrin getting tattoos for his family, i think mira might consider something as well (confidence boosted by the fact that the others will be matching). other than that though, it just doesnt appeal to her much.

bonnie has no tattoos also aaand it will stay that way for. a little bit. this is something that upsets them greatly because i also like to believe that nille has PLENTY of tattoos! possibly some she even got when she was much much younger! irresponsibly, of course, and many of them are regrettable. so she steers bonnie away from making that same mistake too young (tries to encourage them to wait until they are 18 at least). maybe bambouche as a whole is a very tattoo-supportive town, which is where bonnie got their interest. this does not stop them from making little paintings up their arms and having the others help out as well, to make up for it, in a non-permanent way.

i havent actually designed what any of their tattoos would look like… thats gotta be something i sit down to think about,,, one day maybe ehe

[harvestmoth]

okay last one. au where nothing goes wrong at all ever (a lie) and melia venam gay moment

[fffuckthelaxbros]

alternatively‚

Also if you’ve only read the main comic so far I recommend also checking out the extras tag! There’s a lot more fun stuff in there (like. A lot)

[o-uncle-newt]

I just got a bit more time in my schedule and I'm hoping to get started on a Sayers-and-Jews reading list, if anyone has any suggestions! I just really feel like I've never seen anyone talk about how WEIRD the apparent received wisdom is of "Sayers was in a relationship with a completely secular Jew who tried to convince her to have premarital sex she was religiously uncomfortable with, which NATURALLY made her start writing about Jews, but a totally different kind of basically fetishized ultra-conservative type than Cournos was." There are clearly missing links there- not an obvious or intuitive connection at all- and I have my own ideas of what they are and am so curious if it's already been written about.

[angst-is-love-angst-is-life]

For the headcanons game, perhaps an AU where when Eobard goes to kidnap Eddie in s1, Barry gets to that bridge just a teeny bit quicker and saves Eddie (by Eobard kidnapping him instead)

YES. WHUMP. This is absolutely not something I really really hoped would happen when first watching the episode at the ripe age of 9. Nope. I was a completely normal child.

Ah. Remember when Eobard took a blood sample from Farooq, saying he’d love to know how he was able to steal the Flash’s speed. And that plotline went nowhere? Whelp, that would not be the case in this universe. Because of this, Eo wouldn’t need to keep Barry in Star labs which —alongside simply not having a speedster to search— will make rescue a lot more difficult. He also knows what he's doing, knows how to hack and deactivate all the trackers and tech in Barry's suit to ensure he won't be found.

This situation forces Eddie or Joe to tell Iris Barry’s the Flash (hell, Eddie may just yell “Barry!” When he’s taken and that gives it away) and she's going to be pissed. Like canon, they don't/can't report Barry as missing, and with him out of commission; Thawne doesn’t need to send Grodd, which means they can just focus on finding him. It would be even more tense for everyone because Wells/Thawne taking Barry actually makes sense which is somehow scarier than the alternative of the kidnapping being random. They’re just hoping they can find Barry before a man who hates him enough to kill his mom when he was 11— kills him too.

Meanwhile, Barry is not doing great because Thawne isn’t particularly worried about meeting his food calorie needs; just making sure he doesn’t die of starvation. Plus, Thawne isn’t keen on giving him information about, well, anything. “Why the hell am I here?" "What’s happening with my friends?" "What are you working on over there, I can’t turn my head enough to see it—" etc. These questions, of course came after empty threats, a lot of shouting, and probably the threat of a gag if he wasn’t quieter. The cherry on top, Thawne was acting weird towards him, lingering a little too close for a little too long. Rescue really couldn't come sooner.

Eobard figured out a way to replicate Farooq's powers to not just deprive Barry of his speed-- but transfer it to himself so he can run home. Luckily for him, Barry's compliance isn't needed, unluckily for him; it will take a few days to a week for Barry to be completely drained. Luckily for Barry, that gives his friends time to find him, unluckily for him... the process is extremely exhausting and painful.

Cisco doesn't even realize what was happening, just that one second, his hand was on the mannequin where Barry's suit would normally sit, and the next second-- the world had gone blue and Barry was there in front of him; tied to a chair with his eyes squinted shut and watering. He wouldn't normally trust whatever that was, but with no other leads and days flying past far too quickly; he decides to tell the team what he saw.

Two possible timelines: 1. Cisco is able to hone his powers enough to get Barry's location and they arrive just in time... or 2. just too late.

[front-facing-pokemon]

[sundial-bee-scribbles]

I've been looking for this one au where Len basically becomes a mad scientist and turns his friends into robots one by one for a while now, and I'm beginning to realize that I just read through your blog while half asleep a few months back and mixed together my memories of your flower hivemind and composite au

this is very funny to me. i'm absolutely honored this blog's posts were enough to evil-farming-game an entire vocaloid au into your memories 😂

i can give you this doodle; it's composite au but i'm sure it'd fit very well with this theoretical mad scientist len au lololl

[sunnydayaoe]

sneak peak into my next work?? [I'm just exited to be drawing wings again :)]

[bl-inkstone]

traveler, wait! it's dangerous to go alone, so have some zhongli thoughts for company!

i think life with zhongli as your significant other would be best described as the love behind every little action and gesture the two of you make. even with all the years you've spent at each other's side (either married or just simply together), the romance never dies. but it shifts and goes through changes, like stone giving way to the gentle embrace of time.

one such example is when the love shared between you calms into something that can blend in with the walls of your home. it matches the color of your curtains, the painted flowers on cups left on your tea table, the clothbound books and scrolls tucked away into the red cedar scroll shelf you had diligently sought after and haggled for when your lover had mentioned it once in passing. it's in the crinkle of your eyes in the morning when you sit at your table together and eat. it's in the shape of his smile when he returns from his work in the funeral parlor to you and the home you've made together.

when you grind ink for him while he works beside you, or comb and tie his hair for him in the morning when sleep still clings to the edges of his eyes. when he combs and washes your hair for you in soothing baths, or leans down to massage the stress of the day away from your tense shoulders when you come back home to him.

acts of service that don't really feel like acts of service — not to zhongli or you. gestures of devotion seem like a more apt term, now, when love is so ingrained in your lives that the word can no longer be used to describe it. you've turned the word from noun to adjective, from adjective to action. love is such a small word for such a boundless concept, but you manage to fit it in every word, every action, and every day leaves zhongli helpless and wondering in the dead of night of what to do with all the love he holds in his hands, specially made just for you.

it's a song and dance he can never quite stray from. even when his heart calms in the daytime and he can look at you with all the assuredness of a lover that loves and knows he is loved in return, all five thousand years of wisdom leaves him when night comes and you're asleep in his arms. he has loved plenty in his long lifetime. friends, family, even past lovers that he can only maybe recall when he can recognize a quirk or quality present in you. but it's in your presence that zhongli remembers that even an archon can become just a man weak to the war between heart and mind. what good is five thousand years of wisdom when it can't tell him what to do with all the love he has for you? how can he show it without scaring you away? you know who he is and you've said time and time before that it doesn't scare you, that you love him no matter what form or identity he takes but what if —

you shift in your sleep and all thoughts cease as he swiftly readjusts his hold as to not disturb you any further. in the dark of your room, zhongli counts each breath and beat of your heart and wills his own to match the tempo of yours. in the morning, he'll reprimand himself for entertaining such foolish thoughts while you hum and converse in front of your shared vanity. he'll share these thoughts with you as he always has, and you'll put down your comb and grace his face with crystalfly kisses as you always have in return. your routine shifts to make room for assurance during the times when he needs it, and the same goes for him when you speak your own fears and doubts as well.

it's part of the comfort of your life together, as strange as it may sound, that you live with all the joys and lows your love brings. sometimes, he wishes he can give you more and do away with all his mortal doubts completely, but a moment of contemplation reveals that it is exactly these doubts that make the softer aspects your lives shine all the more brighter. is this why you allow yourself to feel all your emotions, rather than push back and try to reason them away? is this why you've always placed so much importance in letting him know that should he ever need it, your shoulder is his to lean on? zhongli understands the rationale behind it and has given similar advice to mortals he's met before, of course, but it seems that even he is not immune to the irrationality of the heart. there is much wisdom to still be learned, he concedes. five thousand years is no match for an emotion that has existed since the dawn of teyvat, after all.

time doesn't completely erase all the insecurities of a man who has loved and lost so many in his long lifetime, but zhongli finds that he doesn't entirely mind. come trials and tribulations, he'll stand firm and weather it so long as he can keep holding your hand through it all.

[lightblueminecraftorchid]

I love learning ASL it’s so good. Makes me happy to learn it. I’m so glad my university has classes for it with professors actually steeped in Deaf culture.