#do i have an actual plot idea? absolutely not

[alikuarso]

To answer your question about Fresh: Fresh is actually a parasite! He dresses in his 90's-themed clothes and speaks in a silly way so that others underestimate him. His main and utmost goal is to Survive, and the way he does that is by infecting other people with his parasites and draining the life from their souls. Being seen as harmless lets him get closer to them and gives him easier access for possession. He hopes to eventually take over the multiverse, spreading his parasites in every corner of it and having absolute control.

He also has no emotions. He is capable of them, but for whatever reason he is unable to feel much, besides the rare instance of anger. He does frequently feel fear, though.

He is a bit sadistic, and he likes seeing others suffer. This is because when he takes over someone he drains their soul of life, which causes them pain. And to him, taking someone's body means safety, it means he can survive a bit longer as long as he's snatched their body. So he's come to associate the pain of others as something good.

And he's also aware of the creators/viewers, thanks to an event called the Loveball, which is canon to his character.

Going to copy and paste my own words for this [I was talking to a friend about Loveball]:

"So, like seven years ago there was a fandom-wide event called the Loveball, where people gathered their OCs and had them all attend an UTMV dancing ball. Fresh went, of course. There, he met a Frisk called Pacifrisk. Even knowing who he really was [90's parasite], they still believed he could be good. Before this, he hadn't ever really felt a connection to anyone, or even positive emotions in general. But Pacifrisk's faith in him made him feel positively towards them. This freaked him out. [No Fr@ns though, don't worry. That wasn't the intention for this plot.]

As a result, not only did he try to kill them, but he also went through with his plans: the Fresh Takeover [I forget what it's actually called]. His true reason for attending the ball. OCs were either possessed by the parasites or tried to fight against them. Apparently, some people used alcohol to ward the virus off, as Fresh hates substances such as that.

Fresh wanted to take over the multiverse, with this Loveball being the first step for his total domination.

But then right in the middle of things, a Sans AU [which I totally forget the name of X,D] grabbed Fresh and basically yeeted him into an alternate state of being. One where he could see the creators, all staring at him. An audience.

The Sans revealed the nature of Fresh's existence: That he was simply a character in a story. And if the creators got bored of him, he could easily be written aside and forgotten. Erased. His conquest didn't matter, in the end.

Predictably, this gave him an existential crisis. I'm not sure what happened after, but he stopped invading and went somewhere to contemplate his existence in a depressed state.

Afterwards, he had a new goal: To entertain. To convince the creators that he was worth keeping around. Similar to his previous goal of survival, but now with more dire stakes."

His creator @loverofpiggies has some posts about the Loveball, tagged under either the 'fresh sans' tag or the 'loveball' tag, which I recommend you check out! ^^

But yeah, to answer your question: The reason Fresh fought Ink was probably 1: because he saw it as a good way to keep himself alive and 2: So that he could be relevant and interesting to the viewers.

Hope this answered any questions you might have about him! ^w^

THANK YOU BECAUSE THERE'S NO WAY I WOULD HAVE FOUND ABOUT ANY OF THIS OTHERWISE😭😭😭 THAT'S A LOT

Now I want to draw fresh existential crisis mood, That's something I never would have imagined existed

Im still a bit confused about fresh not having emotions¿ but I think I got the idea, but still, why does he feel fear?

I think fresh is becoming my favorite now, help, error do something

(Thank you again for your time✨️)

[linddzz]

ok your arcane blogging has almost convinced me to watch the show because it seems WILD and also, visually STUNNING like wowww

but I have absolutely no idea what the show is even about, could you give me a summary? (also what streaming service is it on?)

Yessss excellent! The show is indeed fucking nuts and also visually stunning. Just. Goddamn. Every single episode had moments of us going "that looks so pretty" and/or "holy shit that looks so fuckin sick"

It also does some of the best visual storytelling outside of the Spiderverse movies. They do so much playing around with 2D looking effects and light bursts, with music that slaps and is also used to create in-story sort of music videos to help drop character backgrounds and establishing where people are in episodes, which helps them handle the many characters really well!

Also the animation of micro-expressions in this show makes me lose my mind. I'm sure you've seen the gifs all over my blog and how much facial animation there is in them lmaoo

Good news is it's finished after 2 seasons, which I like as someone who prefers shows that don't just kind of go on for forever. It could have been 3-4 seasons but they did great nailing a rare mix of a plot AND character focused story that had a ton of moving pieces.

You also don't need to know shit about LoL and from what I can tell, it was more used as a base for the world setting and the first building blocks for the characters. They take advantage of the pre-made world really well and do this immersive style of world building where you may not know what all is going on in this world, but you can really tell that it's there and developed you know? But character lore wise we all tried to predict season 2 based on the original lore and then got cold clocked by how the basic character beats actually played out so. Yeah. The most video game aspect of this is the character designs and the FULL embrace of "what if this lady had a big glowing cyber arm she punched things with and what if it was the coolest shit you've seen."

As for what it's about...theme wise big points are

- love as both a destructive and restoring force, especially love between family and friends

-forgiveness and how one draws the line on what going too far means

-self perpetuating systems of classism that can pull even well meaning actors into being oppressors, and even how different forms of rebellion can begin recreating the oppression they're rising against (there are arguments on how this got handled in season 2 but I don't think there's any really solid storyline way to handle such heavy themes)

- the unexpected consequences of chasing progress as an ideal

-big buff hot women who punch!!!!!!! Women who are yoked!!!

-making you kind of hate how much you like that imagine dragons song

-beat drops that make you yell "LETS FUCKIN GOOOOO"

Plot wise it's about:

Set in a trippy art deco/art nouveau punk aesthetic city that has technology and where magic exists, but has been considered dangerous and only used by mages born able to harness it. Scientists learn how to access magic via mechanical and chemical technology. This causes a lot of problems. It mostly follows two sisters caught within the volatile time, along with a central cast from multiple parts of the city.

It's streaming on Netflix!

[literary-illuminati]

2024 Book Review #63 – Saga, Book 1 by Brian K. Vaughan and Fiona Staples

I first starting reading Saga a literal decade ago (I think literally because Rachel Maddow recommended it on a podcast? Which, god, what a 2010s sort of sentence). I absolutely loved it at the time, and read intermittently until it went on an extended hiatus. So extended, in fact, that I’d kind of assumed the series was dead and only learned it had restarted a couple years ago quite recently. So, seeing as I am now in need of a new comic, I figured I’d restart from scratch and work up to the new stuff. It holds up! (and the letters to the editor are a fascinating cultural time capsule).

The series follows Alana and Marko – star-crossed lovers who eloped together from opposite sides of a brutal and galaxy-spanning race-war – and their newborn daughter Hazel as they evade the numerous forces trying to see them all murdered before than can become an embarrassment. The first arcs of this are most one long blind panic finding transport off-world and only afterwards deciding upon a destination, it’s only in the last volume (with the pointed assistance of Marko’s parents) that there’s any thought of finding stability or a status quo. Along the way, both the family and the series collect a wider and wider circle of colourful hangers-on – and the narrative begins switching focus to give real narrative focus and character arcs to three different groups that find themselves tracking down the family. None of them are particularly happy lives, but they all make for very compelling drama.

The best way to describe this is I suppose a ‘science-fantasy dramedy’. Which sounds viscerally and violently wrong, but the comedy and the drama are both absolutely vital motors keeping it running. And this is the incredibly rare work that actually makes them work together seamlessly. It’s an incredibly vulgar book in a dozen different ways, but the characters are all plausible and compelling, and once you have granted the slightly contrived explanation for why both governments care so immensely about Marko and Alana the plot coheres enough to never take you out of the story. Which is helped by the pacing being fast and tight in a way that always kept me (at least) engaged. I do deduct points for the wise author character basically looking directly at the fourth wall and saying ‘and the profound message of my work is-’ (moreso because said message is truly eye-roll-inducingly vapid and dumb, granted), but that’s easily forgiven.

The comedy was...more hit-or-miss. There is a lot of clever wordplay and funny, high-context character beats. There are also a bunch of just absurd or striking visual gags or background details that really work. And then there is the giant with balls so big and hideous that they almost crush someone to death.

It’s been said (by people with far more knowledge of and investment in the medium than I) that mainstream American comics are these incredible wells of repressed sexuality – full of physically implausible women dressed for a burlesque and with panels framed by a particularly sleazy tabloid photographer, but oddly coy about actually talking about or including sex itself. Which tracks with my limited experiences, but might just be bullshit I don’t know – what I do know is that Saga is basically the exact opposite of that.

Which is to say, this is an intensely sexual comic, but an atypically non-sexualized one. Which is a bit of an odd distinction, but compare how Saga shows an uncensored orgy and how any given artist at a con draws prints of Power Girl and you’ll get the idea. This is on balance a very good thing, occasional junior-high-level visual gags and gross-out humour aside. Sex is a part of life, of varying importance to different people but something present and shaping the world regardless (and Marko and Alana very much do believably seem like a couple that’d have a kid together without a huge excess of planning beforehand).

Aside from Alana, Marko and Hazel (and hangers-on including a phantom babysitter and Marko’s somewhat-approving parents), the various groups hunting them get a really surprising amount of page-count – The Will, Lying Cat and Prince Robot are all basically main characters in their own right, and Gwendolyn, Sophie, Upsher and Doff aren’t fair off. It’s an immense accomplishment that a series of 28-30 page comics manages to bounce between so many characters and always keep them all moving, both physically and emotionally. (The character work and character design of this is worth at least the price of admission on its own, really).

The thing that most makes me love the comic is, I think, how it will introduce characters and tell you explicitly they are murderers and monsters – and then show them struggling and risking their life out of guilt or altruism or love, show them falling for people and being part of rich social worlds, show the trauma and baggage and shitty relationships that made them who they are. Make you care about them and root for them, want them to accomplish what they need to to get a happy ending – and then have them destroy something or kill someone else you’ve grown to care about. Aside from the really obvious stuff about intolerance and war, it’s one of the most consistent themes of the series that monsters have lives and loves too, which is frankly something I wish more stories (and just, people) took to heart.

The setting is glorious, in a ‘mural on the side of a stoner van’ sort of way. Laser guns and spaceships that are giant flying trees, a kingdom of robots with TVs for heads and the planet-sized egg of what’s basically a living black hole – nothing that’s designed to bear scrutiny, but endlessly inventive and evocative and clearly very fun for the artist.

The most striking thing is that – even for now, let alone fucking 2012 – the comic is just incredibly diverse. Even leaving aside the really weird or cartoonishy exaggerated species there’s more diversity in body type and silhouette in one crowd scene of Saga than in most Hollywood movies I’ve seen recently. Same with race and sexuality—the whole setting seeming functionally queernorm except for the one couple whose character arc requires that they come from Planet Homophobia is slightly eyeroll inducing but again, compared to the early 2010s norm it’s soaring so high above the bar you can’t even see the ground.

So yeah, have fallen entirely back in love with it. Can’t wait to start in on Book Two.

[cynthiav06]

Annabeth stans and Percabeth shippers are talking about how ooc Annabeth is in WOTTG with her thinking Percy is stupid as if she hasn't constantly made fun of Percy's intelligence since the very beginning. As if she doesn't do it in every book, multiple times. Rick's characterization of Annabeth isn't changing, people are finally just growing up and realizing their fave ship when they were 12 isn't healthy. But instead of actually acknowledging that it's a bad ship they just blame the author.

Warnings: This is going to be a rant; bear with me. People from the "take everything as a personal offense" group stop reading. Will give us both the luxury of a peaceful mind.

It's easier to blame Rick, I think, given his series of shit decisions. The Wrath of a Triple Goddess is a complete abomination, and so is Chalice of the Gods in many ways. But at least it has helped readers understand the glaring flaws of Percabeth as a ship. How Percy's character is butchered to hype up Annabeth.

And I am completely exhausted of trying to get any of them to think rationally and in an unbiased manner. I can't make a willfully blind individual see sense after all.

But yeah, Annabeth has many, and I mean many character flaws throughout the series. The number of times I have made a post on Annabeth's flaws or even why Percabeth is incompatible.... At this point, I believe open-minded and careful readers are going to see and make their own conclusions, and the blind shippers will keep doing their own thing. This , I think, was my most recent post and will probably be one of my last ones on a similar topic. Unless I get newer asks that have some different viewpoints that I can actually explore cause, all has been said so far, I think.

I had a feeling that things would get better as they got older, more mature, you know, an Annabeth character arc of some sort. Maybe exploring the positive and negative nuances of Percabeth or even Percy's suicidal thoughts, non existent self esteem and how Annabeth has been unknowingly feeding into those.

She is one of the more iconic characters to people even outside the fandom. One from a very, very , and exclusive pool of actually strong female characters and the way her character is devolving isn't helping anything.

-------------------------------------------------------

All of Riordan's characters have such high potential, and the amount of plots he could explore is staggering, and yet he still dishes out the same generic plot again and again. He is in it for the money now, has been for a while, and so there's no hope there.

This might be a very hot take, but I think romance ruined the series. Rick kept slapping romantic relationships on every character as if that would suddenly make things better. Give them a relationship rather than explore their trauma. I guess it's the easier of the two.

But seriously, Caleo? Jiper? Solangelo ? (I can see the hate comments already). Whatever he was doing with Reyna, but at least she wasn't completely butchered.

Rick's problem is that he keeps giving more importance to romantic relationships and makes that the entire personality of a character.

He butchered Percy, even Jason at times, Leo bloody Valdez and Nico more prominently.

The way Percy and Nico's very deep and volatile bond and heavily dynamic relationship was butchered and distorted to feed into Solangelo and Percabeth, and I can't possibly understate how highly that's been going on.

Then Luke and Thalia's relationship was completely butchered for no absolute reason. I have no idea why. They were in love or at least had romantic feelings for each other, and Thalia just woke up and wanted to kill him? He literally gave all the angst to Annabeth even though Thalia had known him longer, and they had a more nuanced bond.

Jason's relationship with Camp Jupiter individuals was completely scrapped, his and Reyna's dynamic completely watered down, or even his and Leo's great friendship discarded all for Jiper or whatever else was shoved at him.

-------------------------------------------------------

As opposed to this whole shit show, I loved the relationships in the Magnus Chase series and Kane Chronicles. That was good stuff. Both character relationships and romantic ones even though I am pretty sure he got a lot of diverse representation wrong or so I have read recently.

Then there's the stupid, blind, bigot part of the fandom that just can't help themselves. I mean dumb Percy takes, Annabeth stans ruining Percy's character arcs and overinflating Annabeth's character, which in turn made Rick do the same.Then the boring Jason thing? What the hell was that? It's like everyone missed the point of why Jason is the way he is. I am going to make a post on that soon, but seriously, the shit that's been going on.

Then the shippers. Solangelo stans and Percabeth stans. They have single handedly ruined the ships for me with their distorted ideas of character dynamics. And their blatant and brutal hate against other Percy or Nico ships is just ridiculous and heavily toxic.

It's a fandom, not a monopoly. Everyone can have their own little thing as long as you don't meddle in someone else's own thing. Let everyone enjoy their own thing.

And for all our sakes, at this point, just pick your own version of canon. Choose which books to stop at. Trust me, it's less frustrating that way.

[kravchikfreak]

topic of today's essay: i hate how season 2 relies solely on shock-effect

especially when even after three years i still clearly remember the first season constantly keeping you on the verge. i remember holding my breath and hearing my heart pounding 200 bps. and they were pure honest emotions. like wild runes i guess

and i don't have nice wording today. i just have examples of how i was emotionally devastated by silco's death but felt nothing at isha's. or how my heart actually ached when victor did just a tiny step towards the edge but didn't even skipped a bit when cait was about to get executed

or how i was actually worried about and wondering what silco's final decision on jayce's offer would be. i actually was thinking what a hard choice and that i would love it for him to choose jinx but maybe it was my fanon making a way into my judgment and actually he would stay the asshole till the end and shatter my fucking heart with his heartlessness and then i felt so much joy when he did what i really wanted him to do. emotions

and then there's a second season when my main otp of the show that i wanted to be back together and working as allies finally reunite and then cait brings cuffed vi to ambessa and all i could think about was "huh i think it might be their cooperative plan but i have no fucking idea at this point, could be anything" and then when they reveal it was actually their sick cooperative plan (through their sick masterpiece montage) the only thing that crossed my mind "yeah, that was a possibility". like no actual suspense, no emotions, no point in predicting the characters' decisions based on their personality because the characters seem to have no personality anymore, there are only cool plot twists that they must perform. *gasp* cait and vi meet again *gasp* cait is an asshole *gasp* actually she's not

could totally be just me and noone else has that problem but meh i just want to whine about how the first season was an absolute emotional rollercoaster and the second one was a rollercoaster of *gasp* anyway

[takaraphoenix]

Ooh.. so now I’m curious. I’ve never given it much thought but do you have a family tree for stiles that you use or do you just change up his family when you want to make something work for a story? I’ve never thought about his family outside of the sheriff to be honest.

I do not change it up!! Hate changing things up. Once I decide on it, it is set. But Stiles' family tree is something that's still a work in progress in a way. I have the closer family established in my head, but since he is of Polish ancestry, there needs to be bigger family because I have it on good authority that family's very important in Poland too - something I highly relate too - so I kinda want there to be great-grandaunt and her family too, the side of the family that still lives in Poland. Haven't had a plot that features them yet though so they are just a vague concept.

Noah's side of the family is less fleshed out though. I only got his parents, Eliasz and Janina Zieliński, aka Elias and Jane Stilinski, who changed their names to appeal better to American palates and didn't argue when their last name was misspelled upon entering the country (because Stilinski isn't an actual Polish surname and a nonsense word so I needed to justify that somehow and Americans making up surnames for immigrants because they don't care is... not a new concept. So I picked one that phonetically would be close enough to maybe be a misheard and then misspelled.)

We know grandpa Stilinski sucked, but I think grandma Stilinski was a nice and kind woman, very soft spoken though so she never stood up to her husband.

Claudia's side of the family I have more fleshed out though.

Mieczysław Gajos, aka the only one who has a canon name and thus technically actually exists in canon, was a strict and stern man. He absolutely hated that Claudia married a man so fully removed from his Polish roots (my headcanon that John never learned the language, or culture, because his parents were so set on Americanizing themselves). But he loved his daughter and grandson very, very fiercely and was incredibly proud that she named her kid after him. In canon main timeline, I do headcanon him to be dead but I do have a fic planned where he's very importantly alive (and where I will most likely also get to explore the extended family more).

His wife, Małgorzata Gajos, known as Granny Gosia, was much more forgiving and the member of the Gajos family who was the most welcoming toward Noah, however I headcanon that she died even before Claudia, so when Claudia died, Noah had no one left who was on his side.

In my mind, Claudia has a younger brother named Stanisław, who usually just goes by Stan. I first mentioned him and his kids in Delivery Upon Death and had him turn his back on Stiles and his dad.

I'm kind of ping-ponging between uncle Stan's family cutting ties with Noah after Claudia's death, or, the more painful headcanon I used in Save a Horse (Ride a Cowboy), where they actually took Stiles in and raised him for a stint as a kid after Claudia's death, after Noah became an alcoholic.

That something happened that got CPS on the map, personal favorite that Stiles accidentally set the kitchen on fire trying to cook dinner because he was an eight year old child who shouldn't have to cook. And then Stiles spent some time under uncle Stan and aunt Carol's care.

Carol is a Texan country gal, big and loving and she doted on Stiles a lot while he was under their care.

They got two daughters, Maggie and Miri, who Stiles grew up close with and grew even closer to when he lived with them. Maggie is roughly Stiles' age, while Miri is a few years younger than them but loves to trail them. He learned riding with them. Yes, Stiles can now ride in any of my universes because I like the idea of him and horses (which is mildly hilarious to me, because I do not like horses).

I'll get around to making a proper family tree for Stiles once I ironed out the extended family, plus I'm still smoothing out the edges of the Hale family tree because I haven't fully settled on all angles there.

[recurring-polynya]

did i just screenshot this post, make a new document in my WIPs folder and paste it there? yes, i did. dammit, @zabiume

[constelationprize]

Thinking many many thoughts about how Jean was Riko's partner for a YEAR and was still rooming with Goon #3. Because that was how unwilling Riko was to let go of Kevin. And how that implies that Jean was placed as his partner both because of the practicality of Kevin being gone AND as a punishment for letting him go in the first place. Being partners with Jean could actually slow Riko down depending on how often he's hurt (because I don't think Riko was all that exempt from the rules to the point where his partner's performance would completely not matter) and he was still placed there. Riko was just THAT angry at him over Kevin's escape. And all the while he was keeping Kevin's side of room like an altar, even back when he didn't even think Kevin could PLAY, because of an injury he caused.

[michaeljoncarter]

sorry, i'm still hung up on how bad the writing for sarevok was in bg3. it's not even just "he's so out of character!!" bad. that is just straight up not him. literally who is this man, what the hell is he talking about, and what has he done with the actual sarevok because nothing he says makes ANY sense like....

just as one example of how wild the contradictions/retcons are, this is how bg3 has him recount his resurrection in bg2 -

and this is (parts of) how it actually happened -

like??? it's so bad and weird and dumb and for WHAT???

[lloydfrontera]

tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.

but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[firefl1ezz]

i just. hit s+ rank in splatoon and i never honestly thought this would happen?? am i cool now.. do i get to be a part of the s4? do i get to be watered down to my running joke all the time?

[jeremiahthefroge]

Every appearance of the red-haired menace that is early Laurence forces me to sit here and stew upon how I will fix his introduction in the rewrite. As a coping mechanism. Unfortunately since I can't remember the parts where his character isn't just harassment so I can't cook with the themes the way I'd like to. Like the way he calls Aph "my love" after she very explicitly in the text of the game tells him not to do that... bad vibes. I think I could rock with his character if he'd done the same sort of approach in hitting on Aphmau as heavily, but the moment she lays down an actual boundary, he backs way the hell off. I could even fuck with her trying to be subtle about the boundary and him not getting it and continuing to make her uncomfortable before she snaps at him and he apologizes, saying that he truly didn't mean anything by it, and he respects the boundary she lays like his life depends on it from then on out. It would create some immediate complexity in his need for explicit communication, and backs up the sort of deeper character hinting they seem to try to do when he's talking about Castor and Cadenza, this idea that he deeply cares, if being a bit pushy on accident. It would also make a good detail fueling the conflicts later on with the love triangle that can sort of prevent Laurence from looking like TOO much of a dickhead (him being unaware or misinterpreting situations, and the delicate nature of it making him uncomfortable asking questions, is a compelling reason to see somebody hurting his friends' feelings, and makes him significantly more sympathetic, opening him up for feelings of remorse and guilt).

[banneriscarried]

Me, after seeing fanart for an au I like: hey! This au idea is awesome! I think I’ll try to write something for it, but first I’ll just play around with the idea, you know? Write some notes, make an outline, have a few preliminary plot points down, just to get a feel for the characters in the setting

24 hours and over 6,000 words in notes, ideas, and very barebones scene concepts later: oh… oh no

[sysig]

One better (Patreon)

[sunshinedaysforever]

you know what, it was on me for expecting anything different from mr russell t 'all the information i ever need about anything happening in the world i get from the front page (and *only* the front page) of the guardian' davies but. the nuclear winter caused by *checks watch* No Piano really. really broke me.