#do anything to make me finish this
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hi guys if everyone could just yell at me daily to keep working on my visual novel that'd be great. Please harass me into continuing this. Thanks.
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Columbo and the Knight (1984)
put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.
Autism W!
#columbo#knight rider#art#michael knight#kitt#comic#highlight reel#crossover#telebeast#there are two small easter eggs here. can you find them. they were somehow not Entirely lost when i resized these for the public#this is what i mean when i say I Draw And It's Everyone Else's Problem. look at my INCREDIBLY niche crossover comic boy#if the knight rider fandom has like 12 people in it. how many of y'all have seen columbo#this comic is for like 4 people and me and phoenix are already two of them#niche is my specialty lets be real. weird niche obscure shit and ships nobody's paid attention to yet#not to suggest this is ship art. columbo has his wife and michael has his car lmfao#stylizing real people is EXTREMELY hard btw sorry for when they get off model. its partly a 'better imperfect than never finished' situatio#cant tell you how much i redrew some of these panels. weeps#this took me 2 weeks but i think i thumbnailed it all in may and the ideas been rollin around in my head since march#is anybody good at editing. please edit michael and columbo into an image together like its a screenshot. NOT generated. edited.#it would be so cool#ive drawn columbo a lot but i haven't drawn a lot of michaels. i was learning things about his outfit AS I WAS DOING THE DAMN#COLORS ON THIS. all the lines done. it was too late to change anything. i did all the lines and colored page by page#i realized my mistakes on like page 3. 1 and 2 were already done. it was Too Late.#imagine it though. them working a case together. switching between the more serious tone of columbo vs the goofier#action antics of michael and kitt. columbo being so impressed by Modern Technology. there's more i could say but phoenix may write#more of this crossover and i don't want to spoil it :'3#there's opportunity here though i swear. there's gold to be dug.#i like how kitt gets shading but columbo's junker peugeot doesn't. kitt looked wrong without any. columbo's car is matte and dirty#i also applied effects to this to make it look a little film-grainy and VHS like. some CRT TV vibes#the only question left is. did they put knight rider into columbo; or columbo into knight rider 🤔
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appreciation post for the second half of dungeon meshi where senshi clearly starts treating chilchuck more like an adult. and also how the two of them start looking incredibly married
#you don't need to tell me they're just standing next to each other. I know <3#listen. I tried to be selective.#like obviously OBVIOUSLY these panels were never meant to be romantic or anything I'm just having fun here#but I do wish people would appreciate how much senshi treats chilchuck like the adult he really is as the series goes on!!#I love how often laios says Some Shit and they just make eye contact#looking at each other like they finish each others sandwiches#dungeon meshi spoilers#chilshi#chilchuck tims#senshi of izganda#photos
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[Abandoned by the Lightners, his heart became cracked with hatred.]
Hitting a lil' too close to home?
#junie art post#ink sans#error sans#utmv#errorink#implied. but yea not the focus#this has been turning around in my mind for quite some time. im glad to finish it lmao idk if my ramblings make sense even.#so like listen. do you ever think about how similar the function of the utmv is to the dark worlds in deltarune.#in a meta narrative to fandom sense? idk the word#we are making exaggerated expanded worlds of the ordinary tools and entertainment of the real world and make it into something more#isnt that very very interesting?#and we explore every sort of possibility in that creation. both good and bad#and when all is said and done. every possibility found and the entertainment and secrets has all run out#we put it away. abandon and leave it behind#what is left? what happens to the world and characters we have created? can it sustain without us?#what of the ones left in the dark?#idk if yall saw me a few months ago but i reblogged comyet's old post of ink begging us not to leave him alone and to keep creating#yea that never left me#and seeing exactly THAT SCENARIO in deltarune made my brain iTCH#imagine an ink in King's position.... wait isnt that just underverse#mmmmmmm. darkner ink.....#also error is here too. not just for errorink or that i can't separate these two to save my life#but error is also one of the few people to be able to GET IT?? he can hear the creators too. ink cant#but hes pretty much programmed himself to avoid having a mental break down to this via reboot memory loss.#and ink has his own internal coping mechanism (hooray for short term memory loss)#these two idiots will do anything but confront truths lmfao#ahhh my favorite idiots. never change#mmmmm#deltarune
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[right to left]
finally finished This Wip from Ever ago and so now i ask you ever look into another dudes eyes and suddenly want to do whatever he wants
#xmen#xmen comics#cherik#professor x#magneto#charles xavier#erik lehnsherr#erik magnus lehnsherr#the kids are here too but i aint taggin them vaeLKEVJKLJ#snap sketches#posting this now and not obsessing over the details i need to SLEEP#please click/tap and zoom to read anything im sorry theres so much dialogue#i thought i was gonna finish this sooner but i went grocery shopping with my bro today and that took longer than expected !!!!#ALSO CHAT. if youre up to date on My Lore via my tags ... my prof's lettin me submit my assignment ... life's so good...#speaking of life being good i was giggling like stupid while drawing this . i named it 'this is stupid' and i stand by that#this is so unserious im gonna make myself throw up ITS SO CORNY i make myself sick with what i draw <- will continue to do this#only god knows if this is even how that power of his works i just saw an opportunity and ran with it#the trick here is he doesnt even have to use any 'power' he can just do that to charles by default#however im making them be obnoxious about it. i am making them obnoxious over dramatic grandpas because i can#my only crime is loving the utter cheese and corniness of the 60s comics like God. anyways bye !!!!!!!#maybe one day ill finish that other comic i sketched for this weekend but i fear i wont have time to so next weekend me thinks ....#for now i hope you all enjoy this. goofy as hell nonsense jLAKJVEKLVJ
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I want it back = I drag its dead weight forward
#artists on tumblr#animation#in stars and time#isat#illustration#in stars and time spoilers#isat spoilers#like for real#anyway I'm still thinking about Siffrin Instarsandtime#shoutout to tumblr user jb-blunk for the words from the caption which inspired this whole deal#literally finished the game and had those words looping (haHA) in my head like 'how do I use this what can I do to match this feeling' LMAO#if you haven't played ISAT well. first of all stop looking don't glean anything from this shhhh- but also GO PLAY IT IT'S EXCELLENT#heavily based off the astronomical clock in Prague! I love that thing so it was really fun to try and make it more ISAT-like#bc the themes are already there yanno!! Stars n' whatnot! And then of course the craft types instead of the astrological signs!#Loop and the King for the sun and the moon!!#can you tell I thought about and planned this one for like. A while. Longer than I usually spend LMAO#so yeah go play it immediately come be absolutely ILL and SICK and PLAGUED about the secret boss with me#fanart#pic
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soon it'll be dawn again
transcript under the cut ⏬
page 01
Fig: no way? - you're still up?
Riz: Wh– yes?
Riz: Why'd I not be.
page 02
Fig: I me~~ean - that took.
Fig: whole day.
Riz: Yeah?
Fig: 'm beat.
Riz: you should sleep.
page 03
Fig: nah. my guy's still up
Fig: I wanna hang out.
page 04
Riz: That's really nice.
Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.
Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.
page 05
Fig: yeah, but you do it…
Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.
Fig: That's right… - though. Yeah.
page 06
Fig: sometimes it's someone else who - doesn't want the same thing to happen.
Riz: … - mm.
page 07
Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.
Riz (off screen): to anyone too, not just. - the people you /love/.
page 08
Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.
Riz: So I'm doing as much as I can now…
page 09
Fig: Hey.
Riz: ?
Fig: Go dig some dirt with me.
page 10
Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)
Fig: o yea.
Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.
page 11
Fig: here u go
page 12
Riz: uh
Fig: now we make a thing! - 'm pretty good at freehanding a bowl.
Fig: I'll show u
page 13
Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try
Riz: uh - What. do I carve?
Fig: anything!!!
page 14
Fig: and– yep just seal the inside uh. seam?
Fig: yep that works - okay time's up! all contestant hands up
Riz: [blank speech bubble] - okay - wh. what's next?
Fig: haha - watch this.
(sound effect text): FWOO—MP
page 15
Riz: WH– DON'T JUST DO THAT???
Fig: Now it's fired!
Riz: THAT WAS NOT SAFE
Fig: (actually it's just dry. if u add water rn it'll dissolve)
Fig: ok catch!
Riz: [blank speech bubble] - careful!!
Fig: dw no need haha
page 16
Riz (thought bubble): oh - it's warm…
Fig: now I want you to throw this.
page 17
Fig: u gotta do it - c'mon
page 18
Riz: wh– - It's like 3AM right now
Fig: oh it's not /fired/ fired it's not gonna make a loud noise
Riz: And then just? leave a pile out here?
Fig: pour water over it & it'll be gone I told u
Riz: but
page 19
Fig (off screen): RIz.
page 20
Fig: I've done all this before.
Fig: Can you trust that at least?
page 21
Riz: no, I– - I do. - I trust you.
page 23
Riz: okay what happens now
(sound effect text): glob
page 24
Fig: we do it again!
page 25
Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)
Fig: see! you're already learning
Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.
Fig: Things change.
page 26
Fig: I've learned my lessons with "forevers". - But - as an artist
Fig: I can give you one thing: - You can always do it again.
page 27
Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.
page 28
Fig: So?
page 29
Riz: Yeah. - Yeah! - let's make another one.
#dimension 20#fantasy high junior year#fhjy#riz gukgak#figueroth faeth#technically no spoilers in this comic but listen. I Will be gloating in tags. I will Never Shut Up#for the record!! this was fully conceptualized and sketched Before the finales. I started sketching this after the boat fight#and when murph closed riz's arc this season with ''maybe it's okay to change and welcome new things'' I pogged irl#I am simply the best at reading comprehension what can I say! (<- grown ass man with roughly the same perspective on teenhood as the player#fucked up that this became so long (almost 30 squares lol) that it took me this long to finish#lmao I say all that but. genuinely I am delirious and my feelings abt riz's arc this season are so big... I was getting psychic backlash#for a While lol. it was scary!!#had to sit down and do therapy on my own ass for a bit. the teenage apocalyticisation is real. that word isnt tho Im pretty sure#truly anything you do at that age feels like that's it that's all you've got going on forever. and its not true! its simply not true#you'll be okay my guy. you love your friends so so much but also there will be more to love out there#this one goes out to fellow aroaces and also folks leaving somewhere theyve called home for a long time#nothing lasts forever but that means new things come by too! ur ability to make new is infinite!!#there's no magnum opus people leave but new people come by too etc. I am too sleepy to remember what I wanted to say uhhh#well. thank u for looking at my art. I think thats the one pack it n ship it boys
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kaito screencap redraw! plus my favorite panel from the scarlet return arc lol
I've been reading detco for like 2 years and the unhealthy obsession fanart motivation finally caught up
(no reposts; reblogs appreciated)
#my art#artists on tumblr#fanart#digital art#dcmk#detective conan#detco#case closed#kaitou kid#magic kaito#kuroba kaito#first pirates and now thieves#why is it always the fictional wanted criminals that get to me#although i must say#it’s objectively not a great time to get into this fandom#cousin gate…#i watched from up on poppy hill right after i found out about it and i was so scared lol#like please. you can’t do this to me twice in a row#been sketching a lot and not finishing anything lately (art block??)#so ty kaito for pulling through#guys i cant believe he stars in 2 shows#am i crazy or does he kind of resemble oikawa#oh and that last panel always makes me laugh#stay silly
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What do you mean I’m a bit late for Janus’ big day? Of course not, how could you say such a thing! I definitely didn’t forget all about it in my absence and only get reminded in the incorrect quotes video live chat; that’s not like me at all ;]
Anyways I decided to dress our sassy snake in some different outfits I think he’d like. He seems like the type to get all dolled up on his birthday and it goes with Thomas posting pics in outfits inspired by the sides on their appreciation days!
@thatsthat24
#sanders sides#janus sanders#ts janus#thomas sanders#sanders sides fanart#my hoard#I’ve returned!#the newest asides came out and I remembered how much I love it#so I’m hyperfixated again and I’ve not now peace since#it is nice to actually finish something again tho#I’ve been pretty busy working lately and now I’m starting to pack to move into my first apartment!#so not much time to really sit down and draw#and when I do have time I can’t get the motivation to actually draw anything#I want to get better about posting stuff on here#(even though it feels like I’m just dreaming into the void a lot)#even just silly little things or rough sketches I’ll never finish#I hope it’ll help me continue to draw and make things again#I forgot how nice it is#anyways if you’ve read this far thanks#have a cookie :] 🍪
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the brainrot won
#GUY S i know i haven't posted anything in a while and thats because im working on a big cool project that i really want to finish without-#distractions. but uh. as you can see. ive been distracted 😔. still working on it tho!!!! and im very happy with it turns out its just-#super time and energy consuming so ive tried to limit my intake of other media to not make myself want to draw other stuff#i also haven't read the last two (two already?????) chapters of RnS and im very sad about it and i want to read it but you know that if i-#read it ill want to make fanart and then ill never finish my project :(#SO. sorrey for the lack of art itll be coming when im free to draw!!!!!!!#but also. yes ive watched new life because i dont want to go insane with nothing but this project on my mind and umm. had to take a little-#break to do a couple designs for fun... and to switch it up a bit because for real im going insane i think#ALSO. friend got me into zelda botw and i haven't played a whole lot yet (because project) but ive tried to take some inspiration for-#designs from there. at least for joel and scott. everyone else not so much...#WELL ANYWAYS this is getting long. i should really stop rambling in the tags and just make separate posts for all this but i dont want to#umm. tags.#new life smp#smallishbeans#mythical sausage#geminitay#pearlescentmoon#smajor1995#inthelittlewood#my art#sketch
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i lied i had like atleast one more weston thought to expell from my brain, before i miss this boat entirely. we're heading to green lands woooo
#god i had a fever this entire morning and afternoon so I think it was my inability to do anything that finally pushed me to finish this#seriously it took a month... disapointing#more disappointing is that i didn't have the time to tear up the internet in order to find what a professors break room looked like in 1899#if there was such a thing#really tragic#ah yea welp im very glad it's out there atleast. I want to release all of my black butler stuff so badly but guh...#tragedy has struck and i have been inspired to finally make a person project of my own#so that's taking a long time#but not to worry after like 5 years and some pondering i know well that black butler will always be one half of my brain#coooool#anyway i got more dorky stuff coming I hope??? wasn't lying before I am thinking of the midfords#and ill pray i can find the strength to get everything done soon#hope my rants are more tasteful after months of absence if ur still here#kuroshitsuji#black butler#kuroshitsuji fanart#fanart#sebastian michaelis#digital art#animation#animatic#video#weston college arc#black butler anime#black butler agares
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day 42 happy (late i think??) bunny dayyyy
#daily raphael#sorry i keep missing days i was really hyperfocused on making a vtuber model#physically couldnt do anything else til i finished it#obey me raphael#obey me art#obey me#raphael#om! raphael
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feast (ID in alt)
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#tw blood#im posting this so late because october escaped me Suddenly.. hello....#i wanted to make it a photoset with this other vampire vw wip but i don't think i'm finishing it any time soon and the mood of it is#completely different anyway. also i don't think i ever shared anything about my vampire au on here !!! it's all old art by now so im shy lo#but maybe i'll do a photodump of it. long story short vash is a vampire since birth and ww is a human vampire hunter that turns during thei#travels together due to EoM experiments + getting vash to drink from him at some point.#humans turn once they get bitten but bc ww has been experimented on#& got bitten by a bunch of human turned vampires thruout his hunts he thought it wouldn't be a problem for vash to drink from him but alas.#theyre both ok though theyre traveling together definitely not hating themselves for what theyve become and feeling guilty for what theyve#done to each other. theyre completely normal about it. the biting part is really appealing to me in vampire aus so i draw it a lot but#in reality vash only drank from ww once and ww mightve done it twice under the realization he might actually die otherwise#since he wont drink from humans after being turned.... he's combatting the 5 stages of grief at all times#if this is all nonsense im sorry DMGKSDF I'M NOT good at explaining and this au came from nowhere in the depths of my mind its a mess#ruporas art
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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i didnt plan to spend my sunday this way
#xmen#xmen comics#charles xavier#professor x#snap sketches#'snap how do you keep finding yourself in these situations' I DONT KNOWWWWWWWW LISTEN TO ME#so all i did last night was draw erik in his lil robe from ToM cause my twitter was liking that old drawing i did#and then i woke up wanting to draw his stupid Lougne Wear when he's on the meteor yk the one Sanctuary From 92#so i started flipping through my 92 art book to find the ref for it then i just kept reading until i got to the end where i saw the#how they say 'anime influenced' designs and i had already wanted to draw charles' chari from that at some point#but THEEEEN I NOTICED HE HAD A LIL RING WITH A RED STONE ????#its on his right hand so Whatever but charles xavier you are not slick i know what you are ........#if i make that ring a staple in my classic charles drawings dont look at me itll depend on the weather tho tbh ANYWAYS#and then i remembered i had my old Cave Dweller Charles sketches from ever ago and i was like#'well i might as well finish those' but then i draw two more. and then i was like#'well since im here ive always wanted to draw charles in that robe erik gives him after saving him from the snow storm'#'in' is a very generous term it is falling OFF him but STILL#i should do something about that lil snow storm rescue now that ive mentioned it .. tho maybe i can tie it in with my 309 thing ..#SO FUNNY I WAS GONNA CONTINUE WORKING ON T HAT TODAY. AND NOW WE'RE HERE#this is what i mean guys its a nightmare and a miracle i can get anything done ever when i get distracted so easily#.i was gonna include another doodle of charles in his lil battle outfit but then i figured id done enough solo charles doodles today#anyways. plesae enjoy !!!!!!! i MUST objective charles more.....
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Say hello to my horrible little triangle! He is the reason I haven't had time to draw for like a week 💙
...He watches me while I sleep now! :)
#handmade from scratch babyyyy. 1 basic prototype & then BOOM the process was fuck it we ball from start to finish xD#maybe ford comic con cosplay / face reveal in a future post#Tumblr's reblogging system is very cool but also means you can literally never delete anything ever so I'm hesitant to post my face lol#definitely will try to do a better Bill shoot. This was just a last minute thing cause I found 3d glasses. hence the unironed white sheet#Thought I could make him suffer a bit <3 Exposure therapy yknow <3 (He currently sitting with them in his lap. He might kill me in my sleep#gravity falls#GF#Gravity Falls Bill#Bill Cipher#cosplay#plushies#plushy making#articulate doll#sewing crafts#tbob#book of bill spoilers (I think?? or is it thisisnotawebsite spoilers ...something to that effect)#fanwork#artists on tumblr#my art
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