#disney 1 saturday morning

[smashpages]

Out this week: Disney One Saturday Morning Adventures (Fantagraphics, $29.99):

Back in the 1990s Disney launched a magazine called Disney Adventures aimed at kids that could be found at checkout stands and magazine shelves in grocery stores and other outlets. Each issue featured comics based on a lot of the cartoons you could see on the Disney Channel as well as as part of their Saturday morning cartoon block and Disney Afternoon block, like DuckTales, Chip ‘n Dale Rescue Rangers, TaleSpin, Darkwing Duck, Goof Troop, Gargoyles, Bonkers, Doug, Recess and more. This is an almost 200-page collection of some of those comics, as part of Fantagraphics’ overall deal with Disney to collect previously published materiel into lovely hardcovers.

Wanna know what other comics and graphic novels will arrive at your local comic shops this week? Then this is the link you want to click.

[gutsby]

Halftime

Pairing: dbf!Joel x Reader

Summary: A chance meeting a week before Thanksgiving leaves you and your dad’s best friend to handle your feelings the only way you know how: fucking on the couch when your dad falls asleep during the game.

Warnings: 18+. Unprotected piv. Age gap. Soft dom!Joel. Daddy kink. Praise kink (!) Makeup sex. Pussy pronouns.

Note: ‘Or maybe on a fifty yard line watchin’ Bama beat the hell out of Tennessee’ is a line from Riley Green’s ‘Hell of a Way to Go.’ I was in Knoxville when we played this year, but in my fic, Alabama wins. If you’re a Vols fan, I’m sorry. And RMFT.

Word count: 10.5k

Part 1 | Part 2 | Part 3 | Part 4 | Part 5

Guilt brought you home, and liquor helped you stay.

These were two of the shittiest things a daughter could admit, but the fact was that you simply wouldn’t be here if your dad hadn’t broken his leg at work last week. That you wanted to help, but your patience was thin, and the only way you knew how to reconcile the two was to drink. A lot. Friday you came home, and by midday Saturday, sometime around eleven or twelve, you were plastered.

Staggering up the front steps of your childhood home with Theresa Servopoulos—newfound friend from camp and the heaviest drinker you’d met in a long, long time—hot on your heels. You’d just had brunch, and the meal was mostly liquid. Bottomless mimosas had been Frank’s idea, and when his husband Bill had offered to be the DD after the fact, you’d had no choice but to accept, really. You drank your weight in citrus and champagne and spent the whole morning getting to know Tess’s friends. As your state of intoxication progressed, you’d told them your troubles and all that had been plaguing you lately.

Now, hours later, you didn’t want to think at all.

You wanted to sit your ass down on the couch, turn the TV on to Disney+, and spend the next three to thirteen more binging Star Wars spin-offs and discussing with Tess at length whether Katee Sackhoff or Timothy Olyphant was the more fuckable supporting actor.

“Honestly…I’d let Jabba the Hutt hit,” you confessed, slurring your words a little as you fumbled for your key.

“You’re fucking lying,” Tess half-groaned, half-laughed.

She watched you try and jam metal into metal and fail twice before steeling herself against a rocking chair and reaching out her hand. You waved it away. At a distance, you heard the hum of an engine and another voice, loud:

“You ladies need a little help over there or wha-at?”

That was Frank. He was arguably the most drunk out of the three of you and hanging his handsome, greying head out of the passenger side of Bill’s Chevy S-10. He’d seen you try and fail with the key, too, and seemed more eager than ever to lend a hand, while his husband was likely kicking himself for ever offering to drive you back.

Tess gripped the porch chair harder and gestured, dazed.

“Give her a minute, she’s—” She hiccuped once. “—intelligent and entirely capable. She’s got this, OK?”

You didn’t. You really didn’t. And by the way you were finessing this key you didn’t feel too fucking smart either. You crammed your key against the tight, rigid slot in the front door of your home, missed it completely, and then wondered, dimly, how men were able to aim their dicks.

How Joel ever managed to fit that massive, throbbing—

“Fuck!” you cursed, kicking the doorframe with a huff.

The periphery of your vision was spinning and swimming a little now, and before you knew it, Tess had snatched your keychain from out of your hand. She got to work.

And while she did, you turned back to Bill and Frank, whose truck was still idling quietly in your driveway.

Frank had an eyebrow raised. His chin was in his palm, and his elbow was planted in the car’s open window. With that look alone, you knew what he wanted to say.

“Fine…fine,” you capitulated in a loud, droning shout. Head spinning, “You can give him my fucking number.”

Frank grinned at that.

“No shit?” he yelled back.

“Yeah. I really am that horny.”

From somewhere in the car, Bill groaned his disapproval. Frank’s smile only widened. It’d been his idea to set you up with one of their neighbors after you’d divulged all of your dating life turmoils over eggs benedict and grits that morning—how fucking your dad’s best friend had, in fact, not been the wisest decision and you needed something new to get your mind off the man for a little while. Frank had been all too happy to offer supplying your number to the so-called ‘dreamboat’ next door to them. Initially, you’d brushed it off, but the longer you stood on this porch contemplating the hellish few days you’d be spending at home for Thanksgiving, the more you drunkenly reasoned a dick might do you some good.

And if it wasn’t from Joel Miller, even better. You leaned against the nearest porch column and pointed at Frank.

Then at Bill, squinting dumbly and faux-accusingly.

“I’m desperate, but I’m trusting y’all, too, alright?”

You wanted to get fucked, not fucked over, again. Frank seemed to understand right away and nodded his head.

“I’ll give him your number, tell him you’re hot—which you are—and you two can work something out. It’ll be fine.”

He pointed back at you, still smiling, and you hoped it would be. Behind you, Tess had solved the puzzle of the chrome-plated house key, and had thrust the door open. She stumbled inside, and your feet started to follow hers.

“Tell Tess to text us your number!” Frank had to cup his hands saying it, as Bill was already starting to pull away.

You nodded and waved. Watched the world veer sideways and your kind, considerate, hammered new friend-of-a-friend repeat how great this was going to be—this guy’ll do you so good you’ll forget Joel exists—while you backed into the house. A gust of warm air from inside pricked at your skin, and along with that touch came the tiniest trace of hope. A sanguine sort of warmth that twisted low in your gut and made you smile.

And cup your hands, as Frank had, while calling to him:

“How old is Mr. Dreamboat, anyway?!”

The truck was crunching its ways down the gravel drive. Its path was slow, though, and Frank’s voice was clear.

“FORTY-ONE!”

It was as though you were hearing those words in a dream. You almost couldn’t help what you said next.

Fanning yourself, you yelled back, “I lo-o-o-ve that!”

“What?!”

Frank hadn’t heard you. They were farther away now.

You had to practically scream it now, but you were drunk enough that you didn’t really care. Tess was entertained, half-hunched on the floor and trying to work off her shoes while she laughed at this stupid exchange.

In truth, it didn’t matter how loud you yelled, because you lived on several dozen acres of land, and your dad wasn’t home. He’d told you that he was hitching a ride with Tommy to their usual weekend haunt to watch the Alabama-Tennessee game, and it started an hour ago. The house was empty, and you were free to screech.

“I said, ‘I love that’!”

“Yeah? Love what?!”

Frank was hanging halfway out of the passenger window by now, and his face was flushed with moronic humor.

Bill was probably grinding his teeth together as he drove.

“O-O-O-OLD MEN!” you shrilled, as loud as you could.

Next thing you knew, Tess was on the floor. Wheezing.

It didn’t matter whether Frank could hear you now; evidently, he’d gotten the message. Their truck was crawling down your drive with a low, rumbling crackle, and the eyes that were still glued to yours were shining.

Before they turned out of sight, Frank waved again and blew you a kiss, as you and Tess had done to him at some point earlier that day. He slipped back into the car, and your sides were nearly aching from how hard you were giggling—nothing was even that particularly funny, but with a nice noontime buzz and Tess’s relentless cackling from across the foyer, you couldn’t help it. You shut the door, staggered over, and were about to drop.

Right when you were about to collapse, though, Tess wobbled up. You saw her raise two hands in front of her.

“I’m— I’m gonna pee…or puke…possibly,” she warned.

That wasn’t good.

You pointed up.

“First door on your left. Do you need any—”

But Tess was already staggering off. You might’ve laughed again, and trailed after her with a plea to try not to projectile vomit all over those nice festive towels your dad had bought, but the moment came and went quick. In fact, it wasn’t even brought to an end by your friend’s departure but rather the screech of her feet on the floor.

Nearly tripping over herself to leave, then crashing into something else before she could. You heard a thwack.

Then her huff, ‘Fuck. Sorry!’ And you turned.

You looked up and cursed.

Again, you felt like you might be in a dream. Only this time, the sight had more of a nightmarish hue, and you had only to grip the edge of a chair—no, a table, a side table—beside you in the hall to keep yourself upright.

Your sweet, sloppy-drunk friend had run straight into Joel. She was raising her hands again and saying sorry.

You could tell she meant it, too. She was just shaking her head, appearing to try and rid herself of the stunned, dumbfounded feelings, when she tilted her chin up.

Then, somehow even brighter, she smiled in recognition.

“Lucien Flores!”

Not missing a beat, like you knew she wouldn’t:

“You fucking prick.”

Of course she was sober enough to remember his face. The time she’d mistaken him for an uptight FEDRA counselor back at camp. How you’d fucked him on her bunk. All the shit-talking you’d been doing about him since, too. You knew she wasn’t a woman to mince words, so it didn’t surprise you in the slightest when next she placed a hand on his pec, patted it lightly and added:

“You’re an asshole. A spineless, slimy, sad sack of shit.”

Joel blinked as she walked past him, toward the stairs.

“Good to see you, too, Tess.”

“Eat shit and die.”

“Theresa.”

You hadn’t even meant to say the last aloud; it just came out. Tess was holding the rail, going slow but determined to get upstairs without losing her food all over the floor.

The next thing you heard was the slam of the bathroom door. You winced and thought of your dad’s decorative towels a moment. That thought was then supplanted by another, though you pretended not to feel it, at least outwardly. You brushed past Joel to go to the kitchen.

Why was he here? He surely wouldn’t have come unless your father was there, and your dad was supposed to be watching the Vols take the ass-beating of a lifetime from the Tide. Or maybe vice-versa. You weren’t sure how the latter was doing since Saban retired. You rubbed one temple as you opened a cabinet and looked for a glass.

Reconsidering, you opted for a plastic cup instead.

Your head was throbbing as you walked to the sink.

You sensed you likely weren’t of a mind to be holding anything fragile, and the second that followed only proved it. A footfall sounded by the kitchen island, and you flinched, dropping your cup like a fucking idiot.

“Where’s my dad?” you blurted out, not thinking.

You didn’t want his voice to be the first to fill the silence. You picked your cup off the floor and turned on the tap.

More silence followed. You couldn’t be sure if it was your own drunken paranoia or a genuine feeling of two eyes on your back, but your skin bristled. You were prepared to pose the question again when your answer came in the form of a new sound: not Joel’s voice, but another’s.

An announcer, apparently. You turned your head and saw ESPN on the living room TV, where the game was playing. In front of the screen, your dad was supine on his recliner. His jaw hung slack, and his eyes were shut.

So much for those morning beers with Tommy.

His leg was armored with a boot: a real, no-bullshit cast meant to protect the tibia he’d shattered, propped up in front of him while the other dangled haphazardly from the chair. You watched him, feeling an odd mix of pity, nausea, and love, and for a second, you didn’t think to move. This man was the reason you were home, after all—and why Joel was, too. You almost forgot your anger.

Your cup was full. Overflowing. You turned off the sink, then poured what excess you could as your hand shook.

You shouldn’t have been holding anything in that moment, off-kilter and unnerved as you were, but you wanted to seem occupied. You inhaled and started past Joel again, who was leaning against the counter, quiet.

He still didn’t talk, and let you stroll about half a foot in front of him before you felt the cup lift out of your hand.

“Hey—” you started.

But Joel was resuming your path before you could finish. He’d snagged the water from your grasp and made his way out of the kitchen, calmly, and you didn’t have to ask to know where he was going. You felt a pang of rekindled resentment but said nothing, knowing that was useless.

Arrogant motherfucker. Patronizing asshole. Clearly, you couldn’t be trusted to carry a cup of fucking water up the stairs in your own home, so he had had to do it for you. You went over to your father in the living room, blinking through a dozen more pissed off thoughts, when you glanced down at one of your hands again. You winced.

Stop shaking.

You needed to stay busy. Make use of those dumb, trembling hands while Joel was here and not let him see that it was all from memories of him—not the mimosas—that you couldn’t keep a steady hold to save your life.

You started to clean, mindlessly. Cleared the old coffee table of its manifold beer cans and plates of stale pizza. You walked with an unsteady gait, the room still tilting a little, but you ended up getting a decent amount cradled in your arms and into the trash or the sink shortly after.

You had just taken a bite of a slice of pepperoni and made a face when your dad shifted in his seat, letting out a grunt. Still unconscious, he rubbed at his arms. The house around him was warm, but never quite enough for a man who appeared to have been born cold-blooded. After years of this, you knew the routine; you dropped your pizza, went to the thermostat, and cranked it to 75.

Less than a minute later, it came: “Boiling us alive, huh?”

It was the first you’d heard from Joel since he spoke his curt greeting to Tess. You were over by the closet getting a blanket, and Joel was stood in the doorway, frowning.

You turned, holding up the big wool throw for him to see before you went back over to your dad in the recliner.

“He needs it,” you replied, gaze averted.

“By ‘it’ you mean his electric bill gone through the roof?”

He could be such a father sometimes. The worst kind.

“No, keeping him fucking warm, Joel.”

And the end of the last sentence you hadn’t meant to be so loud. Or mean. You didn’t really care whether it offended him, but the thought of waking your dad to hear that—being rude to your ‘Uncle Joel,’ as your dad had so innocently called the man last month—was awful. You squinted seeing him stir under the blanket, but then he turned to the side and snored even louder. You sighed.

“Doctor’s got him on some heavy painkillers. He’s been out since before the last game even ended,” Joel said.

You glanced at the TV. The game was crawling to halftime at a snail’s pace, by the looks of it. You smiled, seeing those puke-pumpkin-hued fucks getting smoked. In a second, though, the curve of your lips was fading.

“Will you stop?”

Your voice was shrill. You hurried over to Joel, who was busy dicking around with the thermostat and trying to get it down to 68 degrees—freezing, in your dad’s mind.

“It’s too hot.”

“No, it’s not.”

“You’re being—”

“This isn’t your fuckin’ house, Miller! Quit!”

“Yell a little louder, why don’t y—” Joel began to scold.

You wouldn’t let him. Of all things to get on your ass about now, volume wasn’t the hill he’d die on today. Before you even realized what you two were doing, you shoulder-checked him like you might do an annoying brother, and his arm wound swiftly around your front. It didn’t hurt, but it sure as hell made you mad to be held.

You made a jab at Joel’s ribs and ignored the grunt from him. Anger was a natural defense—your default state.

Every last semi-tranquil encounter you’d shared with someone you cared about before was always marred by rage at some point, and with Joel, it came as easy as breathing. If you weren’t tearing each other’s clothes off, you were ripping him a new one, or he was grating your nerves. You didn’t get along, and you likely never would.

That didn’t mean there wasn’t need there somewhere. You just smothered it with something hostile, constantly.

You wished it would go away. You shoved at his arm.

“You’re gonna wake him,” you hissed, strained.

“Yeah? That’s what you’re worried about?”

You wriggled against Joel’s hold and, scrunching your nose, made a pass for the dial on the wall. He caught it.

Now he was holding your hand in one of his, and your shoulder with the other as his forearm crossed your chest. Joel’s frame was looming over yours, and you glared ahead of you, where the screen still read ‘68.’

You could throttle him—Joel Miller simply refused to lose

“Is that all you’ve gotta say to me, after this whole time?”

His breaths were tight like yours, but the voice was slow.

“What else is there to say?” you snapped.

“You’ve been ignoring me all month.”

“I’m in college. I have shit to do.”

“Like block all of my calls?”

“Go fuck yourself, Joel.”

“Just tell me why.”

“Fuck. You.”

Your last two caustic words were still warm on your tongue when Joel turned you around. Again, he wasn’t forceful or harsh—your looks had enough vitriol for the two of you—but he pushed your body against the wall. Right beside the thermostat, your spine straightened, and your legs wrapped reflexively around his waist.

“Is that an invitation?” he hummed, voice palpably lower.

Un-fucking-believable, you thought. Of course, it was.

Silently, you prided yourself in wearing a dress that day. It wasn’t the short, red-and-white gingham thing you’d worn to the fair with Joel last month, but it was loose. Flowing. Easy enough for him to hike up your legs, sliding a coarse, warm palm up your thigh while the other held you tight to the wall. His hips pinned yours, and with that gesture, you felt him hard and desperate in denim.

“Need me to fuck you now or what? Is that the only way I’m getting a word out of this mouth?” he pressed again.

Honestly, it was. You nodded once to say as much.

Then he pushed you harder against the wall. He wrestled with his jeans just enough for you to hear a belt, and a button, and a short, sharp zip come down, and your mind was swimming with filthy ideas when he grunted.

Joel nosed your cheek, and a hand made its way to your mouth. You sucked in a breath right before you felt three fingertips graze the seam of your lips. Prying them open.

“If I’m fucking you here, I need more than a nod, kid.”

You really, really hated him now. This felt like a game. His index curled into your bottom teeth and pulled your mouth open wider, while his own was smiling, faintly. It was hard to talk with his fingers skirting your tongue—his warm, bare member springing out and grazing your folds through your panties down below—but you tried.

Your words were muffled as you spoke, “Please fuck me.”

Clearly, that was all Joel needed. With an easy nudge from the head of his cock, he pushed your underwear to the side, and his grin got bigger when he felt you soaked.

You were drooling down his length, and he hadn’t so much as touched you before he pushed you up against his body. It felt almost shameful as he slid himself inside.

Then, in the next moment, your brain went blank. Your bodies were joined completely, and Joel had you seated all the way down to the base of his cock, where a tuft of salt-and-pepper hair tickled your skin. His fingers hung limply from your lips while he nestled in; when you groaned, he used his middle and index to stifle the noise.

“Shh, hey—” he started, as if suddenly remembering where he was, and whose daughter he was fucking, “You’re okay. You’re good…I know that feels good.”

You despised him even more when he was right. He pressed the heft of his belly into you, and with the friction, you couldn’t help but whimper against his hand.

“Fuck you,” you bit again, this time through fingers.

“I am.”

Then he pushed them in further, and he made you suck. Joel started fucking you gently against the wall, and with the first few strokes, you knew you’d be putty soon enough. You focused on feeling and trying not to whine.

“I’ve been texting,” Joel continued, breath labored, sounding half-crazed, “Calling every chance I got—”

He paused to jerk his hips harder. Make you bounce on his cock or maybe just hold him closer from the force of it. And you did, wrapping your arms around the back of his neck and reluctantly burying your face into the side.

He was familiar, that was for sure. You tensed seeing something else familiar—your dad in the next room—and preemptively swallowed a moan while Joel kept going.

Fucking you stupid and talking to you, per usual.

“—to make sure you were OK,” he finished, panting.

Pulling his fingers from your lips so you could answer:

“I’m fine.”

“Are we?”

“You lied to me!”

And no sooner had he retracted his hand that he needed to clamp his palm over your mouth. You’d said that loud.

In the next room over, through the open space between the kitchen and the den, you heard your dad snore softly. When your gaze flitted back to Joel’s, it was like you were chiding the other at once—whose idea was this, anyway? Slowly, he moved his hand down, but his gaze was stern.

“Didn’t mean to lie,” Joel answered, now lower than ever.

“But you did. Dad’s been fucking his old sidepiece, my mom’s best friend, and you didn’t think to tell me?”

“I didn’t think it was my place—”

“Your place?!” You made sure to keep your indignation hushed this time, but your eyes went wide. Incredulous.

You would’ve shoved Joel off if he hadn’t moved first. Neither one of you had had a fraction of the presence of mind to be thinking straight here, obviously, so when he carried you closer to a table in an adjoining room, all you were thinking was how not to lose your cool completely. When Joel tried to set you down on the wooden surface, you slipped away. You moved to the couch; you weren’t even considering where you were going, just that you wanted more of him, and you needed to be done quick.

If that meant fucking on the sofa behind your dad’s recliner, so be it. Joel balked a second before following.

“Are you…?” he started, voice no louder than a whisper.

“What? Not your ‘place’ here, either?” you shot back.

Admittedly, you were both insane. No matter how far away your dad’s sleeping form happened to be, or how thoroughly knocked out he appeared from the drugs, this was batshit, objectively. Joel’s eyes narrowed at you.

Then he moved some more. Casting a sidelong glance at the recliner less than ten feet away, he gripped himself and gave you a look as if to say, ‘Are we crazy now, or…?’

You nodded to confirm that you were.

By moving again, apparently, Joel was saying the same.

Except now it wasn’t with words but with a look—eyeing you hungrily and setting all rational, sane thought aside to climb over the couch to you. Your legs were spread.

Joel slotted himself quickly between them, then inside you, without another word. His body crowded yours. The scent you knew was also the fragrance you hated most: the smell of his American Spirits. He tried to kiss you with those lips, and you dodged them, choosing instead to hold the coarse greyish hairs at the nape of his neck and pull them. Draw him closer to your body without letting him get too close to you. Joel let out a grunt.

His hips rutted in short, quick, shallow motions again, like he was desperate to feel anything. When you wouldn’t accept his lips on yours, they fell to the side of your face. He held your sides while he dragged his cock in and out of your pulsing heat, and his breaths fanned heavy on your cheek. His stubble was sharp on your skin.

“Anything you want,” he huffed shortly.

His mouth was right by your ear, and his words were spoken in a breath. And another. And another. Still panting and dragging his old, weary hips back and forth in an effort to pleasure you. He felt indescribably good.

“Want…what?” you murmured back.

You clawed at his torso and locked your legs around his waist. You glanced over at the recliner, turned away from the couch, thankfully, and hoped it wouldn’t move again. Your dad’s breaths were deep, and so was Joel inside you

Sliding a hand under your head and cradling your body to his, and still maintaining a bruising pace with his cock—you almost couldn’t take it. You wanted to come undone.

And there Joel went, murmuring in your ear. Battling the urge not to get too loud with your father there, but still:

“I’ll do anything…anything you want.”

“W-Why? For what?”

“To say I’m sorry.”

“You don’t—”

But your words were cut short. For a second, your heart leapt into your throat thinking the sound was coming from your dad’s old chair, and then you realized that it wasn’t. Just the same, your terror spiked again when you sensed it was somewhere inside—coming from the back.

“Can I get a…ROLL TIDE?!” someone yelled.

Tommy Miller wasn’t even an Alabama fan.

Still, it seemed he was here to celebrate like one anyway. You froze momentarily, taking in the shout, then the steps, then the linoleum floor of the mud room being shuffled across before the boots were kicked off quick.

His brother was quicker. Joel climbed off of you in a blink, jeans and boxers trailing just as fast. Then his hands were dropping to you, gripping your arms, and heaving you up. You stumbled. You shoved your skirt down, fast, and barely had the time to breathe while you skittered after Joel, still in his hold. The two of you ran like hell: quiet, but like your asses might’ve been on fire. You made it out to the foyer, and from there, you could hear Tommy making a fuss in the kitchen. Joel strode three steps at a time going up the stairs, and behind him, you nearly face-planted. He tugged you up then, swiftly.

Silent as death at the top of the stairs and trying to usher you into a room, not saying a word. You dug in your heels

“Wait. Wait—Tess?”

“Napping in the tub.”

Of course. You cast one last pensive look at the bathroom door before you let Joel nudge you away.

You were pushed into a room; you knew it was yours. Steeped as you were in fear, shame, and lingering inebriation, you couldn’t waste a second getting in—and neither could Joel. His frame followed close while Tommy’s old, familiar sounds grew louder downstairs. He ushered you further, walked you forward, pushed you in an inch or two too far, and before you knew it, your knees were bumping along the front of your bed. You tripped.

Your hands flew out to break your fall. Unfortunately, the limbs that were meant to stay straight were weaker than you’d hoped, and instead of holding you up, they crumpled beneath your weight. You fell on your face.

The spot where you landed was soft, though.

You let out a muffled grunt into cotton sheets.

Across from where you lay, Joel’s steps were slow—painstakingly so—and when you’d propped yourself up and blinked again and again to adjust your eyes to the dim half-light of the room, you could see him there. Pacing. Skating a look to the doorknob, as if checking to make sure he’d locked the thing properly, then running a hand through his hair. From your perch, you saw a wince.

Then his face turned to you. Again—guilty.

What the fuck am I doing here with you?

That was what you thought you saw in his expression, anyway. You felt compelled to ask him the very same.

“Why are you here? Why is Tommy here?” As if to punctuate your question, more footfalls followed, loud, “I thought he was taking my dad to the bar. And you—”

“I know. He was supposed to. Then he texted and said your dad crashed before the Notre Dame game even ended, so he figured he’d head over to the bar himself.”

You were about to speak, but Joel continued.

“I said he was an idiot to leave your dad home alone, since the man can hardly walk on his own. So I came.”

You swallowed. While some momentary swell of gratitude threatened to constrict your throat, you forced out a frown and scooted back. The room swayed a little.

“That the only reason?” you asked, clipped.

At the foot of the bed, Joel held your gaze. It was stern. Your own vacillating look was no match for the man who, in spite of the two or ten beers he’d likely guzzled that morning, could stand firm. Prop his hands on his hips.

Look every bit the displeased fatherly figure while he watched you crawl across the plush, pink bed at length.

It wasn’t right. You saw it in his eyes: the want painted there, however burdened by shame they might’ve been. No doubt seeing your childhood bedroom had kicked the guilt into overdrive, reminding him, plainly, that he was his age, and you were yours. And his best friend’s kid. The irises that shone in the glow of warm white fairy lights overhead flitted to the canopy where they hung. Joel sized up the mesh overtaking most of your bed, all flowing and girlish and juvenile as it cascaded from the four wooden posters, and he had to shake his head. He blinked faster, as if trying to rid himself of some thought.

“I’ll go,” he choked out.

“Alright.”

You unzipped your dress and let it fall to the bed the second Joel had started to turn. He stopped. Got himself an eyeful and probably could’ve bruised every fingertip from how hard he tightened his grip along his belt loops.

He watched you slip out of the fabric, then brush it aside. Clothed in just your bra and panties, you went to the nightstand and opened a drawer. You leaned down.

And, while you kneeled and bent over to reach, Joel was afforded a too-perfect view of the wet patch in the fabric between your legs. You could’ve sworn you heard a groan before you crawled back over to the place where you’d been—American Spirits and a lighter now in your hand.

“Where’d you…” Joel started, only to lose his train of thought the moment you sat and unclasped your bra.

You lit up, comfortably. Nodding to the window.

“Mind opening that?” you asked him.

Joel stood back and stared. He squared his shoulders, seeming poised to say ‘no,’ when his gaze dropped lower.

“Those’ll kill you.” But he was just looking at your breasts

Reluctantly, he moved from where he’d fixed himself at the center of your room and walked over to the window. He slid the pane up, but he didn’t let his gaze stray from you too long. As soon as the smoke found a place to go, he turned. He shook his head again. You smiled, then.

“These are yours,” you replied. You bared your teeth at him with the cigarette in between them, teasing a little.

After, you closed your lips and inhaled once. You blew a breath through your nose and let the smoke trail out. Joel scowled as he took a step closer to your bed.

Somewhere downstairs Tommy had cranked the game up louder. You could hear the blare of fanfare and a booming, cheery voice announcing a first down.

Meanwhile, Joel’s jaw hadn’t flinched. His lips were still curled in that sour, unsightly grimace. He had to have gotten a good deal of practice doing that while you were away, with every text, call, and FaceTime you’d declined over the past month, you imagined. Now it wasn’t so much a matter of being ignored as it was getting smoke blown into his face that made him irritated. Galled, even.

Joel made a pass for your mouth as if to take the cigarette away, but you were too quick. You slid back.

“Finders keepers,” you chided, trying not to giggle.

“Give it.”

“Make me.”

“Kid, don’t start.”

Joel’s face was turning pink as he leaned in again. In no more than a second, though, you’d made it safely out of his reach. He had to plant a knee on your bedspread, grit his teeth even tighter, and stretch his frame further in, and just when he’d gotten within half a foot from where you sat perched at the head of the bed, you felt a snap.

Or perhaps heard a groan and surmised the rest. Joel cursed, ‘Fuck!’ then fell to his elbow, hissing with pain.

He gripped his side, and he winced. Your eyes went wide.

“Joel?”

The cigarette fell from your lips; as soon as it did, Joel swept a brusque, graceless touch in your direction. He held tight to his side while he swatted the thing away. The second the still-lit stick hit the covers, Joel had it brushed to the side, sending it flying off of your bed.

His nostrils flared when he stood again. He crushed the cigarette underfoot. He looked pleased—then pained.

“Joel!” you hissed. This time reaching for him, and catching him narrowly before he lurched into your bed.

“‘M’alright. Stop, stop. It’s okay.”

Joel grunted, low. He held one bedpost. He clutched somewhere on his body close to the small of his back, and you could tell he felt a strain. He noticeably tensed.

“I’m fine.” And then he was starting to wave you off, too, “Lifetime of smoking’ll do that to you. And turning forty.”

You believed him. What you wouldn’t accept was how fast he tried to bend down and retrieve the cigarette from the floor. His cheeks flushed red with the effort.

And just when he’d started to tilt, you tugged him back.

You gripped his shirt and yanked him onto the bed.

Maybe that wasn’t the best for the muscle he’d pulled. At any rate, though, it was better than straining another by trying to pick up a cigarette butt, you reasoned. You hadn’t even jerked him that hard, and your bed was soft. Joel fell with a thud amidst a sea of satin, plush faux fur, a half-dozen pillows, and a mound of stuffed animals. His lips frowned as if annoyed, but the eyes betrayed relief. He breathed out a shallow puff of air once he’d settled.

“You need to stop smoking.” Grumbling now, of course.

You wanted to pinch the pout clean off his mouth.

“Yeah, really, Joel? You first,” you shot back.

“I’m old.”

“No shit.”

“Watch it.”

For someone who’d practically thrown out his back just bending at the waist, Joel Miller loved to wax poetic on the dangers of Big Tobacco. And getting old. By the time he groaned and laid flat, you decided you’d had enough of this sexless intermission, and you straddled his hips.

“Wh—” Joel huffed in protest, pushing at hands all too eager to act on his belt, “You still haven’t answered me.”

“What was the question?” you returned, careless.

But you knew it clear as day: Are we alright?

The old man didn’t stop the path of your hands, but he certainly made a show to try and pretend to stall their speed. He watched, curiosity piqued and shame still roiling in his gut, and he let you unbuckle, unzip, and finally free him from the confines of his briefs. He sighed.

It was then that you felt him hard against your palm, firm as he was before. Your mouth watered even more. When your eyes flitted up to his for permission, you didn’t expect to find resistance there, so the subsequent grip around your wrist took you back. Joel seized hold of your hand in his, and, rather than stopping you completely, he paused it in place. Sank your touch into his groin, as though tempting you with the outline of his bare length.

That was cruel. He knew what feeling him did to you.

“You know exactly what question I meant.”

What such a move would do to any girl in your position—freshly fucked and eager for more—and in your bed, no less. You didn’t care for the guilt Joel harbored today; he didn’t get to demand answers you weren’t ready to give.

“What? Feeling bad for boning your friend’s kid all of a sudden?” You smiled, voice devoid of any humor as you tried to pivot subjects, “Didn’t look like that downstairs.”

Shame flared in Joel’s eyes. Two could play at this game.

His grip tightened around your wrist, and he kept it still. In spite of this hold, you were able to flex your fingers the tiniest bit and take him snugly in your hand. He held you, and you held him, and for the next few excruciating moments, that was all either of you could do. Until:

“I would do it again.”

And then Joel’s touch was moving yours. Rubbing him. Seizing your hip with his free hand and rocking you back.

Making you hold his gaze while his dick swelled bigger.

“I don’t care if that’s wrong,” he added through his teeth.

“Wrong,” you mumbled absently. Touching him more.

It was as though you both were rooted in place by warring feelings—Joel by guilt, and you by knowing. Needing each other, and being unable to break apart. Words flowed like molasses; their end was no less sweet.

“I’d fuck you anywhere you asked if you would just—” Joel broke off suddenly, taking a breath, “Forgive me.”

Please.

The eyes beneath yours were pained with remorse.

You squeezed him tighter, and you stared more carefully.

“Here?” It left you more like a breath.

“Here.”

Your skull still buzzed. Your vision still wavered some. You could scarcely hope to know what it was that made this man a worse intoxicant than every drink you’d guzzled that morning, but the way he reached for your body and slid you back in the bed made answers pointless anyway. All you needed to know was that he wanted you, too. You could sort out the rest of it later; you let him lie you down

Joel was out of place here, that much was obvious. Clearly, no man skating through middle age belonged in the bedroom of a girl as young as you—and that was overlooking the paternal connection altogether—but all the same, he guided you back. Trailed your body with his. If it weren’t for the greys and the striations on his face and the legions of freckles bred from decades spent baking under the sun, he might’ve struck you as a much younger man. His every move now seemed to show it.

His hands shook like yours had earlier.

He watched you slide under the covers, then swallowed.

“Still cold?”

“Yeah.”

He gave you a long look, as though considering what to say. You beckoned him over and decided to talk for him.

“Like father, like daughter, I guess,” you added. Teasing.

You could hear the groan start to bubble in his throat, but Joel let you pull him in. He climbed under the sheets.

Like a much younger, doubly nervous teen around his date past curfew, he slotted between your legs with a moment’s indecision. He shed his clothes but was slow. Your gaze flitted to his torso, then his legs, and watching him gingerly undress, you couldn’t help but grin a little.

Both of you were naked in under a minute. Joel’s body was like a furnace searing hot between your thighs.

And while you smiled at him, he frowned down at you.

You might’ve expected anything next, except hearing:

“We aren’t gonna be parents anytime soon, right?”

You choked.

“What?”

Joel blinked.

“The Plan B, I mean,” he went on, color crawling up to his cheeks. He blinked harder, like he’d been dreading this, “Wasn’t sure if you ever got your…yeah. Just wonderin’.”

Just wondering.

After Joel’s Cenozoic-era condom had broken the first time you two had ever fucked, you realized you hadn’t bothered to tell him if you ended up getting your period. He’d probably been trying to ask that over the course of several dozen unanswered texts and calls the last month, but you’d been radio silent. Your drinking today had to have given the truth away, but you still felt a pang of guilt

You admired his sincerity. You didn’t want to mock it.

But when your lips twitched the tiniest bit, Joel’s did too. He’d heaved a sigh of relief before you’d even answered him in words, and for a moment, things were easy again.

“I’m sorry, Miller. That probably had you scared shitless.”

“It did.”

And, under most other circumstances, you probably would’ve expected him to chastise you for it a little. Chide you for your immaturity and shake his head, because this was always how it went. But he didn’t.

Joel smiled back instead, and he kissed your forehead.

You blinked, shortly summoning words to try and deflect.

“I mean, like…can you even imagine us having a kid?”

“I can’t. I think I’d be…” Joel trailed off, at a loss.

“Pissed to be changing diapers in your fifties, I bet,” you finished for him, and that made him laugh. You joined in, grinning, and for a second you almost forgot he was still between your legs. His cock softened against your belly.

“You’d be a hot mom. I’d be an old dad,” he countered, suddenly lowering his face to kiss and nuzzle your neck. When the ebbs of your laughter were renewed in a fit of giggles, and your feet kicked helplessly under the covers as he used his mouth and hands to tickle you then, you had to choke through your words—‘Joel, stop, I mean it.’

“Ticklish and hot, I forgot.”

His fingers were relentless on your ribs. You kicked again.

“Don’t fucking test me. I—I will kick you out,” you warned

“Oh yeah?”

“Yeah.”

“Go on, then.”

Evidently, the thought of ordering him back downstairs with your dad and Tommy seemed like the least likely outcome at the moment, so Joel kept tickling you. He moved his lips to your ear, about to whisper something stupid and teasing, most likely, when you jerked yourself the other way. You slid just far enough to reach off the bed. While you clawed at your nightstand, Joel simply draped his body over yours and went on kissing and touching and relishing the sounds you were making—even while you were cursing his name under your breath.

“Go. Go. Enough of this shit, Miller,” you finally told him, nudging Joel back and waving something in his face.

“Wh—”

“Since getting knocked up is the last thing either of us wants, and we’ve been terrible about playing it safe…”

It didn’t take long for Joel to recognize what it was. As soon as he’d lifted his head to ogle it, you didn’t let him stare at the box of condoms for more than a second or two before tearing it open. Its seal had still been intact.

“New stash for someone special?” Joel hummed, low.

“Nope. Just you.”

Your old friend didn’t seem to appreciate that remark, returning your smirk with a roll of his eyes, but he took the metallic-wrapped rubber when you offered him one anyway. He tore off the top. He probably would’ve liked to put the thing on, but with all the time and brainless banter that had passed, he had to get himself hard again. He eyed you once, and, wrapping a hand around himself semi-erect, he seemed to want to say something more.

You wouldn’t let him. You kissed him, and he kissed back, and with your legs sliding around the backs of his own underneath the soft, warm sheets, he probably forgot what he was going to say. Your lips and tongues intertwined without needing those words to be spoken, and before long, Joel was growing harder. He sucked in a breath when your hand reached down to touch him, soft.

Joel grunted when your touch replaced his. While you stroked his length, you could see the muscles tense in his stomach. The heft of his belly was smooth, and firm, and protruding with little patches of black and grey hairs, and the man looked so undone already with just your fingers curling over his shaft. You would’ve held him that way for as long as he asked. Would’ve relished the warmth of him in your hand, the way his breaths grew more ragged as he kissed you and let you pump him gently between your body and his. You might’ve mistaken it for something romantic when he reached up and brushed the hair out of your face, before pulling away and mumbling, ‘That’s it. That feels real good, sweetheart. You’re doin’ so good.’ But being the way you were, you couldn’t accept such intimacy without wanting to shy away. You pushed his words aside and reached for the condom in his hand, swallowing thickly as you did.

The latex went on quickly. Joel hardly seemed of a mind to try and slow things down with his body just as taut, on edge, and desperate as yours. He planted an arm beside your head, and you guided his length between your legs. It felt cozy. Tender. Nervous like this could’ve been your first. A little strange seeing how you’d done this multiple times before—had started it just downstairs, against a wall and on the couch—and somehow, felt different now.

Joel sank in, and both of you groaned.

“I missed you, baby.”

It came from him all in the same breath. Your walls clenched, and he said it again. You peered up at the man, half-expecting to see his eyes shut and the feeling of you guiding his words more than anything else—he hadn’t meant you, but what was between your legs. But when you looked, you met his gaze. Joel was earnest, clearly.

“Did you miss me?” he panted, hips dragging back.

With the head of his cock drawn all the way up to your entrance, tip stretching that soft, sticky flesh, you could scarcely do more than whimper. You laced your fingers together behind his neck, felt him push in again, and suddenly, the sensations churning low in your gut got warmer. Stronger. They made you want to hold on longer

He felt so big inside you. Overwhelming you with his size and his scent and the way his lips trailed over yours while he fucked you; it all seemed too much to give a response.

Joel kissed you again, and your bodies fell into a rhythm. You squeezed his neck, let out a breathy whine when his cock grazed something soft and sensitive between your walls, and then pulled away fully to look down and watch.

He did too. He kissed the crown of your head, mumbling:

“See how good we fit?”

Those words could’ve sent you over the edge. Your body shuddered at the next thrust, feeling the warmth of his breath still fanning across your face, and you nodded.

Your eyes all but glazed over as you watched Joel’s big, glistening cock disappear and reappear from inside your body, coated with your arousal and the rubber and looking every bit as dizzyingly good as it had before. The wet noises only increased in volume the more he sped up, and with the need blossoming in your stomach, you had no choice but to moan. Joel plunged even deeper.

“Did she miss me, at least? Did she miss her daddy?”

Your walls clenched at those words—‘she,’ ‘daddy.’

Still, you couldn’t speak. You just nodded back.

Joel’s motions grew stronger, and with every stroke inside you, his cock hit something plush and sweet. You had to bite your lip to keep the sounds from coming out too loud, but the effort was almost wholly in vain. The harder he went, the more your throat came to betray you. The more Joel seemed keen on getting you to speak.

“Feels like she does, hon,” he said, tone dulcet and low, “Pussy’s been squeezin’ like she needed daddy here.”

That was true. Your heels dug deeper in his ass, and you felt something tender swell up inside, almost painfully.

Joel was moving your whole frame with the weight of his thrusts—your body bouncing beneath him, the bed creaking under the force, your old childhood room being filled with the sounds of your blooming pleasure and his. Your cunt stretched even more; it begged to be fucked deeper. Though your mouth couldn’t form the words, it seemed Joel was more than able to make out the rest.

He brought his thumb to your clit. He rubbed it, then caught your lips in a hot, steady kiss when a whimper from yours was just about to threaten to tremble out.

“Atta girl,” he grunted against your mouth, “That’s it.”

His hips worked faster. His thumb moved with even more precision, more persistence, as though begging your pleasure to come. You could feel the sweat bead on your skin and his; your bodies seemed to blend together. Your legs tightened around his sides, and while he fucked you and kissed you more fervidly then, you could feel your resolve start to slip. You broke from the kiss, panting.

“I can feel her, honey. Keep goin’,” Joel urged.

You weren’t sure if you could. It felt good.

It felt safe. You hadn’t felt that in a while.

Or maybe just since you’d been away.

You thought of the last, vulnerable state you’d been forced to endure—feeling hurt and betrayed after Joel had lied trying to keep you ‘safe’—and your body tensed. You held tighter, but you also couldn’t lose that feeling completely. You were so close, and there was still something else you couldn’t yet define, or explain.

“Cum for me, baby,” Joel kissed the side of your mouth, knowing the feeling coursing through your body too well, “Take what you need. Just let her feel good. It’s all okay.”

All okay.

Your walls fluttered again; your moans grew breathy and faint as Joel’s cock wedged deeper and deeper and his kisses grew softer along your face. It was evident you were there—you knew you were there—but then, the way you felt was like no place you’d ever experienced before.

You wanted to tell him something.

You met Joel’s gaze, and you almost did. Then he withdrew and fucked back in, and all words were lost.

The headboard thumped against the wall; you didn’t hear it. Joel’s one free hand was cradling your cheek, and his face drew closer, and right when you sensed the man was about to drop another kiss, you felt release, at last.

A snap.

A dizzying blow.

Your climax struck with all the force of a seismic wave, and, at the same time, you could feel Joel groaning, pulsing, spurting thick ropes of cum into rubber while his gaze stayed locked on yours and your body came apart. The look from him was sickeningly soft, even at his peak.

Intimate, again.

You couldn’t help it.

With your legs trembling, cunt spasming, and eyes still plastered to Joel’s, you felt that something resurface. This time, you didn’t have a hope of keeping it inside.

“I— I— I love you, Joel. I love you,” you stuttered out.

Your voice was tight. Your eyes burned with tears you hadn’t even sensed might threaten to appear with it.

You broke down and felt the sudden urge to sob.

And, just as quickly as you did, you shoved him off.

Regret flooded your chest. You shouldn’t have said that.

Joel was slow to move, no matter how much you tried getting him away. He was still in your bed, crowding your space—and worse yet, he was staring at you, eyes wide.

“Baby—”

“Don’t.” Your gaze was still wider. Wild. And remorseful, “I didn’t— I’m sorry, I just— I didn’t mean to say that.”

Joel had pulled out, but he was still between your legs. You slid backward in the bed, cheeks flaming with heat.

He followed.

He reached out.

“Please don’t,” you begged, shaking your head before his touch could find you. Your pulse thundered in your skull.

The sound almost drowned all other noises out.

At the next, you wished it would deafen you completely.

“I love you, too, baby,” Joel said.

No sooner had his palms come to rest on your face when you were shoving them away. Standing up from the bed.

“You don’t mean that. I didn’t mean it. Just— just stop.”

“I—”

“Need to go.”

You hardly realized it, but you were pointing to the door.

Joel was just getting the condom off, about to stand up from where he was, when a new sound startled you both.

The garage door was closing. Tommy shouted your name saying he needed help bringing something in, and for a second, you both froze. It was happening all over again.

You knew you couldn’t risk getting caught another time. Not with your father in the house, unconscious or not. Silently, you thanked your lucky stars for the opportunity afforded by this moment—getting Joel out—and bent to grab his clothes off the floor and throw them, one by one. He dressed, albeit reluctantly. He opened his mouth to speak again, but you were busy racing to throw on your own clothes, thinking of ways to get him out unnoticed. You heard the door to the garage slam shut downstairs.

“He’s gonna be back any minute. You need to go, Joel.”

“Come with me. We have to talk—”

“I have nothing else to say.”

“But you—”

“I lied. And so did you. Just like before,” you gritted out, “You can spare my feelings—I didn’t fucking mean it.”

He felt bad, that was all. You could see it in his eyes.

The pity, the self-loathing, the guilt; it was all there.

The sight made your stomach turn, and though your legs weren’t steady or sure underneath you in the slightest, you knew you had to go. If Joel didn’t intend on making things easier, you would have to leave first. You felt him reach for you, saw the plea in his eyes and knew how wrong this really was—that you had both fucked up—and couldn’t stay there. Again, you wrenched yourself away.

You didn’t give him the chance to protest. You heard words, dimly, but barely had the sense or self-possession to process one syllable of it, so you left. You bounded down steps, pulse hammering even louder than before, and you didn’t think to turn around or let Joel follow or even remotely allow yourself to stop feeling embarrassed

Leaving was for the best anyway.

If Joel had lied once, he’d lie again.

Downstairs, you cleaned. You folded laundry.

Joel had snuck out a while ago, having slipped from your room, down to the kitchen, and out the back door while Tommy was busy retrieving beer out of the garage. You’d gone down there to distract the younger Miller brother while Joel packed his shit up and left. Like he was meant to do. Luckily, Joel’s departure was quiet, and Tommy was all too happy to have some help toting cases of Budweiser inside. Your dad and Tess were still fast asleep

And now, nearly half an hour later, you had only to sweep the hardwood floor, fold your clothes, and busy yourself as best you could—or else grit your teeth so hard you could’ve broken your jaw. You were so fucking dumb.

“Almost done?” Tommy poked his head inside the room.

You’d told Joel you hated him last month. One measly fuck and you’re spewing, ‘I love you’? What the fuck?

“Just about,” you replied, dropping an old shirt of your dad’s into the nearest, neatest pile, “You heading out?”

Tommy jingled his car keys in his hand and hummed to say that he was. He had a happy, Alabama-just-beat-the-shit-out-of-Tennessee smile on his face as he stood there

“Yeah, I’m going back to Mando’s now to celebrate and watch another game. Was wondering if you wanted to come along,” he said, leaning against the door frame.

“I would, I’ve just got so much shit to do around here—” Gesturing indistinctly to the mountains of clothing stacked high all about the laundry room, “—cleaning.”

Beating yourself over the head, mentally, for ever telling his older brother that you liked him in the first place. Wishing you could crawl in a hole and wallow alone.

“Aww, that can wait. You’re here the whole week—”

“I know. But I gotta keep an eye on my old man, too.”

You rubbed at your face and pretended to get re-invested in a pair of socks with two gaping holes. Your father wouldn’t discard old, ratty clothes to save his life.

Then Tommy was at your side. Pressing against the washing machine and watching you work. Smirking.

“By ‘your old man’ do you mean your dad…or Joel?”

For the second time that day, you almost choked. You tried not to let it show but were sure you failed miserably.

“I— I— what?” you huffed, all terse, feigned incredulity.

“Don’t play stupid. Only suits my dumbass brother,” Tommy returned coolly, turning to face you head-on, “You sound just like him whenever I ask about you.”

“Whatever he’s said—” you started again.

“I heard his truck hightailing it out of here while you came down to distract me. Heard his footsteps, too.”

While your cheeks warmed, Tommy’s smile only grew.

“Aaaaand the headboard was bangin’ pretty loud—”

“Alright!” You threw your hands up, “Fine. OK. Enough.”

Your surrender was fast, far too grossed out to fight it.

You closed your eyes and wanted to die. From next to you, you could hear Tommy’s amusement morph into laughter. It didn’t take much to wring the truth out of you, and for a man who knew you as well as he did, there was really no telling where this would end. Once Tommy Miller called bullshit, there was rarely ever room to argue.

The last time that had happened, he’d sent you and Joel packing to abstinence camp and had never looked back.

Why he was finding humor in this now was beyond you.

You dropped the socks you were holding. You shot him a look as if to ask him just that, and the man shrugged.

“I know y’all skipped out on camp. Could’ve guessed there was some sort of fight between you two after that, because I’ve never seen Joel so goddamn grumpy for—”

“Yeah, well,” you cut in, not wanting to hear the rest, “That’s over now. Seriously. Today was just a fluke.”

Before he could even try to voice his disbelief, you added:

“Just don’t tell my dad about this. Please.”

By the look in his eyes, you could tell that was probably the furthest thing from his mind, but you asked it all the same. Tommy scoffed, and then he shook his head and crossed his arms over his chest like he couldn’t believe a word you were saying now. Like a smug big brother who didn’t know how else to say that you made a terrible liar.

Because that was what he’d been to you before you ever got with Joel in the first place: a good, no-bullshit friend. The recognition of this made you feel even worse inside.

“I’m sorry,” Tommy said at length, much to your surprise.

His arms constricted even tighter against his chest and his eyes scanned yours thoughtfully before continuing.

“I shouldn’t have stuck my nose in y’all’s business. What you and Joel do is up to you—I just hated the thought of things, uh…going south. Making it weird between you.”

“Like now,” you said quietly.

A beat.

Tommy scratched his neck.

“Yeah, a little like that,” he replied, breathing out a laugh, “But that’s alright. Joel’s my brother, and I love him, but the man can’t navigate a relationship to save his life. Much less with a girl your age. So just…keep that in mind. I don’t wanna see either of you getting hurt.”

In other words: don’t be stupid and get attached.

‘You’re right,’ was all you knew to say. All you felt capable of telling him now, after what had come to pass that day.

Frankly, you didn’t need to speak another word to get the gist of what he meant, and like he’d said, it wasn’t on him to dictate how you handled things with Joel. The message was clear enough, and the truth was all there.

You couldn’t make this work.

Joel wouldn’t make this work with a girl as young as you.

He’d only said what he said today out of habit—a knee-jerk reaction. He didn’t know what the fuck else to say when his best friend’s kid he’d been banging spilled out ‘I love you.’ And you didn’t blame him for it. But you also couldn’t expect him to be something he wasn’t when all this was ever supposed to be was a casual fuck here and there. You’d been confused and needing to feel safe. He had wanted access to something he shouldn’t have, and now that the thrill of that was wearing off, he felt trapped and cornered into saying what he had, for your sake. The best thing for the two of you now was a clean break, before any more feelings got muddled and misspoken and brought to anything worse than they already were.

It would suck for a while. You knew it would. The next second had you leaning in unconsciously, watching Tommy uncross his arms and pull you in for a hug.

This would really suck.

You buried your face in his chest.

There wasn’t much to say; still, Tommy said it best:

“Whatever happens, you’ll be fine. I know you will.”

[charlotteandthechocolatefactory]

my top 10 favorite animation from the last 10 years.

I includes movies, television shows, and a short film. I'm no animation expert, but these are stories that I enjoyed and stuck with me the most. Anything that was released from 2015-2024 is fair game.

This list is entirely subjective and based on my opinions and preferences.

10. Nimona (2023)

Animation: ★★★★★

Characters: ★★★★☆

World: ★★★★☆ 

Plot: ★★★☆☆ 

Emotions: ★★★★★

Personal Connection: ★★★☆☆

Songs: N/A

Notes: I read the original graphic novel in 2019, and I thought the movie did a good job adapting it to the screen. The climax of the story was so moving.

9. Rapunzel’s Tangled Adventure (2017-2020)

Animation: ★★★★★

Characters: ★★★★☆

World: ★★★★☆ 

Plot: ★★★★☆ 

Emotions: ★★★☆☆

Personal Connection: ★★★☆☆

Songs: ★★★★★

Notes: The songs are a highlight. There are several that I listen to on a regular basis.

8. Adventure Time: Fionna and Cake (2023)

Animation: ★★★★☆

Characters: ★★★★☆

World: ★★★★☆ 

Plot: ★★★☆☆ 

Emotions: ★★★★★

Personal Connection: ★★☆☆☆

Songs: ★★★☆☆

Notes: I didn’t watch the original series, Adventure Time, but I am certain that if I had, I would have rated this higher.

7. Inside Out (2015)

Animation: ★★★★☆

Characters: ★★☆☆☆

World: ★★★★★ 

Plot: ★★★☆☆ 

Emotions: ★★★★★

Personal Connection: ★★★★★

Songs: N/A

Notes: I have so much nostalgia for this film. Although I didn’t include it here, the sequel was also great, having similarly powerful emotional beats.

6. Coco (2017)

Animation: ★★★★☆

Characters: ★★★☆☆

World: ★★★★☆ 

Plot: ★★★★☆ 

Emotions: ★★★★★

Personal Connection: ★★★★★

Songs: ★★★★☆

Notes: As a Latina, I am morally obligated to include Coco on this list. The reprise to Remember Me is one of my favorite scenes of all time.

 

5. The Acorn Princess (2020)

Animation: ★★★☆☆

Characters: ★★★★☆

World: ★★★★☆ 

Plot: ★★★☆☆ 

Emotions: ★★★★★

Personal Connection: ★★★☆☆

Songs: N/A

Notes: This is the only indie short film on my list. This hidden gem has stuck with me since saw it in 2020. A queer princess is my favorite trope.

4. Steven Universe (2013-2019)

Animation: ★★★☆☆

Characters: ★★★★☆

World: ★★★★☆ 

Plot: ★★★☆☆ 

Emotions: ★★★★★

Personal Connection: ★★★☆☆

Songs: ★★★★☆

Notes: I started watching the series a few days after A Single Pale Rose came out. Even if I missed out on the theories and build-up, watching the final couple episodes as they aired was magical.

3. Encanto (2021)

Animation: ★★★★☆

Characters: ★★★★★

World: ★★★☆☆ 

Plot: ★★★☆☆ 

Emotions: ★★★★★

Personal Connection: ★★★★☆

Songs: ★★★★★

Notes: This might be my favorite Disney movie. The songs are fire, the characters are compelling, and the emotional beats are incredibly moving. Also, I've always got to shout out any Latino representation!

2. Gravity Falls (2012-2016)

Animation Style: ★★☆☆☆

Characters: ★★★★☆

World: ★★★★☆ 

Plot: ★★★★★ 

Emotions: ★★★★★

Personal Connection: ★★★☆☆

Songs: N/A

Notes: I only started watching this show in late 2024, but it is my current obsession. I wish I had seen this show earlier!

1. The Owl House (2020-2023)

Animation Style: ★★★★★

Characters: ★★★★☆

World: ★★★★☆ 

Plot: ★★★★☆ 

Emotions: ★★★★★

Personal Connection: ★★★★★

Songs: N/A

Notes: I have fond memories of watching new episodes on Saturday mornings, then discussing them with friends at school on Monday. I was a fan since season 1, and I got to grow up with Luz. I started watching the show as a nerdy middle schooler, but I watched the finale with my high school girlfriend.

[popculturebuffet]

X-Month: X-Men 97 Review (Comissioned by Emma Fici)

To me my x-men and welcome back to X-Month, my look at all things of X. And we're at the biggun today as i'm finally taking a look at something i've wanted to for months: yes my mutant obessed self is finally looking at x-men 97.

So for those of you like my good friend emma who sponsored this review who only have the broad strokes of what this is or have heard the buzz but simply haven't gotten to it: X-Men 97 is a recent cartoon from disney plus, the second from Marvel Studios after What If? and the first not tied to the MCU in any way.

Instead 97 is a direct followup to X-Men, aka X-Men the Animated Series a long running series that not only , along with Batman the Animated Series, helped show what animation could achive after years of censorship, telling more nuanced stories that appealed to all ages and is one of the major things that's defined the x-men in pop culture, the movies being the other.

It was also the first X-Men cartoon in a decade, following Wolverine and the X-Men, as marvel studios head Ike Pearlmutter put a ban on using the Fantastic Four or X-Men as they didn't own them, and tried to actively kill them in the comics. I kid... only the X-men were attempted murdered by a cloud of gas that killed them. The FF were simply disbanded. So naturally after a decade of my faviorite team not being able to show up, my reaction to a brand new cartoon starring them was a resounding...

While I watched the cartoon ocasionally as a kid, what really got me into the X-Men was a mix of the movies and x-men evolution. I didn't hate the cartoon, evne watched some in college but it just didn't grab me and as my attitude towards x-men went from something I really liked to

I just never got into it heavily when 97 was being rolled out. I would've preferred a fresh cartoon doing something with the decades of material since instead of what I felt was a nostalgia cashgrab for a show I had a petty grudge against for getting all this attention from marvel. It got articles, it's being added to D+ was a big deal and the icons for the x-men on D+ are based on the jim lee designs used in the show. I did try the show again and enjoyed what I saw, watching most of seasons 1 and 2 but simply never got what the hype was about. It didn't help that 97 was seemingly being buried by marvel: little info came out, the character designs looked fine but not all that impressive. It semeed like it'd be like the Animaniacs revival and ones like it: A fairly limp continuation that just sorta did the same stuff but with a modern production style.

So....

As the show got close earlier this year, I got excited: The trailer looked slick, using 3d models but with painted to fit the original's style, had gorgeous looking animation and had Wolveirne and Gambit doing a combo move which you lovely people dubbed Cut the Deck.

So shortly before the premire because I procastinate, I rewatched the original... and I thorughly enjoyed it. The show isn't perfect, having to make concesions for it's saturday morning time slot and with it's animation being rigid in people. Yet the talented cast and crew were able to distill the x-men down into what made them work, taking the bulk of Chris CLaremont's decade long run that defined it, a bit of what was going on at the time, and some of the stuff before and make a true masterpiece. It Streamlined decades of comics into a fun, frentic show that was a joy to watch. I watched Seasons 1 and 2 again then realizing time was running out watched what episodes I thought would be key to the show or just wanted to watch, as well as a few after. While there's still a handful I haven't finished, I can safely say the bulk of the show slaps and is worth your time.

This hyped me up even more.. and while I have more thoughts as to why, X-Men 97 is one of the best reboots i've seen: it continues the original story, but in a way that's both acccesible to new fans (both of x-men in general and of this continuity in paticular), and fresh, using the old astetics, but now targeting an older audience, can get away with a lot the original couldn't: blood and sex are heavily implied, and a decent chunk of characters die including one of our leads. IT's a show tha'ts mature in the way tha tshould be, using being adult animation to tell darker stories without loosing the fun and camp that makes superheroes great. In short it's the best of the four x-men cartoons. In long.. well join me under the cut for a deep dive into one of the best shows of the year.

Re-Buliding the Danger Room: X-Men 97 as mentioned is one of Marvel Studio's first cartoons and was what Disney wanted from the get go, clearly wanting to grab some of that nostlagia dollar they love so dearly. They eventually tapped Beau DeMayo who'd written for Moon Knight, along with the Witcher, been story editor for the Originals and written the witcher film Nightmare of the Wolf. DeMayo was fully qualified for the job and being a huge fan of the original lept to it with vigor, bringing in producers Julia and Eric Lewald and Larry Huston from the original.

DeMayo and his top notch crew made sure to honor the original and in casting tried to get back as many of the original cast as possible: Allison Sealy-Smith, Lenore Zahn, Cal Dodd, Cristopher Britton, George Bauza and Adrian Hough all retuned as Storm, Rogue, Wolverine, Mr Sinister , Beast and Nightcrawler, and while they weren't cast as their original parts as Jubilee, Gambit, Jean, Cable, Morph they still made sure there were roles for Allyson Court, Chris Potter, Cathryne Disher, Laurence Bayne and Ron Rubin, witht hem now playing Abyscissa, Jubilee's older alternate cocunterpart, Cable, Valirie Cooper, The X-Cutioner and Senator Kelly. Some were to match the characters: Court willingly stepped down in an awesome move so someone who was actually chinsese could play Jubilee, leading to Holly Chou's casting, while Morph, now fully seen as nonbinary, was given to NB actor J.P. Karlak. Cable as you can tell swapped to Chris Potter, Jean went to vetran voice actor and vetran jean grey from Wolverine and the X-Men Jennifer Hale, and Gambit to A.J. Locosto. Charles Xavier's former va Cedric Smith is replaced by invincible's Ross Maruqad and the late Norm Spencer and Dave Hemblen are replaced as Cyclops and Magneto by Ray Chase and Matthew Waterson. There are a LOT more swap outs as the series uses a more modern la based voiced cast for the most part, so i'm only sticking to these as X-Men in general has a lot of characters and 97 packs in as many as possible in big and small roles.

There isn't a ton of behind the scenes: I've got some bits and bobs from the various voice actors, some of which i'll sprinkle in later, and the crew, but marvel's documentary on the series primarily focused on the fact actors came back and the production of the original show. Yet they left out the part where Stan Lee was convinced by execs that a show about Xavier and Cyclops going around in a van solving mutant mysteries was the best route to go.

I don't have time to unpack that or the really intresting history behind the original show, but I highly recommend the art of book.

Anyways the main reason for this is one ya'll probably know but needs bringing up thanks to recent allegations: Beau DeMayo, the showrunner and while not the only creative force, i've been trying to retrain myself that a shows creator isn't the only one making this stuff and a lot of great writers and animators are just as responsible, he was still one of the major ones, writing all 10 episodes, showrunning things and clearly steering the direction the show went in. And.. he was fired one week before the show aired.

Disney Sucks Suprising No One

Disney, as usual was vauge about it, with DeMayo himself playing quiet. The most he spoke up was after episdoe 5 , Remember It, to provide some context as to why the episode played out the way it did and what the goal of the show was from his initial pitch, something i'll save for when we get there. Disney apparently didn't like this and stripped his credits for season 2, which he'd already written all of when he was fired. They also barred him from the Emmy's after Remember It was nominated.

Disney CLAIMS it was sexual harassment while DeMayo called bullshit, saying Disney made things hostile and wasn't happy he was a black gay man who wasn't demphasising his queerness, having an only fans and dressing as cyclops. They also apparently didn't like he wanted to adapt stories outright which I don't get but given marvel hasn't been doing that as often, makes sense.

Now as for which side I belviie.. it's Beau. And i'ts not because I like the show: Warren Ellis and Joss WHedon both wrote things I loved and I cut myself off from their work as soon as I learned who they really were this whole time. But Demayo... seems like he's simply outspokenly queer and horny as fuck, which as an adult man is his right. Disney has a history of soft homophobia, trying to quitely cancel the owl house, which backfired horribly, supporting anti gay legslation and generally not allowing protaganists in their shows to be openly gay. They've failed as all it's done is make the bulk of their leads bisexual, which is fantastic as we needed more bi rep anyway, but their history leans towards them being full of shit. Not only that as my good friend Marco pointed out when we talked about this.. Disney waited a LONNNNG time to make these allegations without any proof. So either they covered up sexual harassment to cover their own asses and only revealed it when they were being sued for being shitty, or they tried to remove a queer man's credits for not being their token black stamp of approval like they wanted (Demayo's words) or toning down his queerness and then having the "gall" to actually talk about a show he wrote in a way that didn't disparage the company or reveal why he was fired. Disney did all this because DeMayo talked about the show and had him sign a nda that apparently told him he coudln't that's HIGHLY illegal. Ther'es nothing about Disney's defense that isn't shady as fuck and filmsy as hell and I hope they get sued. The fact their legal team, probably the same one that advised this tactic, tried claming a man couldn't sue for wrongful death over his wife dying of allergies because he signed up for disney+ maybe a week or two before all this dosen't help.

So yeah tldr version: Beau Demayo was most likely wrongfully terminated and Disney once again is trying to screw over a queer creator. Fuck em. Now with that elephant shooed out of the room we can get to the actual series.

Kinetic Strut

While the show keeps the designs and astetic of the original to a point, 97 has style of it's own and i'ts pretty good. I was a bit antsy when I first saw the art style in stills and productoin deisgn, cg puppets instead of traditional animation. I'm not against 3d animation as it can be really gorgeous and sometimes fits better. Fellow reboot that slaps Fairly Odd Parents: A New Wish uses a style similar to the peanuts movie, cgi models but used to mimick stop motion and it rocks. But this style felt cheap.

As it turns out while budget was why they did this it was for good budget reasons: with not the biggest budget it was easier to do action in this style than try to do hand drawn again, while also still keeping the astetic consitant enough to feel like a sequel to the original.

And this pays off: There are moments here or there where the animation feels stiff during dialouge.. but there drops in the bucket of an expressive show and allow the show to just pile on the action set pieces. In the first ep alone we get cyclops using his powers as a parachute, storm turning a desert to glass and using it to shred sentinels into fine pieces, beast hyjacking a sentienel, and our final circut: Gambit charging wolverin'es claws, Logan then bouncing off Morph transfrormed into the blob lik ea trampoline to destroy master mold. And that's just episode 1.

The show delights in letting the mutants really flex, something budget and groundendess only let the films do once or twice, to show just what their capable of. Magneto lifts a giant chunk of the UN into the air to make a point, then tops himself later with a massive emp that's given the scope it deserves, Madline Pryor shows just how deadly her/jeans powers could be by filling Magneto with pieces of a stain glass window, Jean herself later getting to use a whole bowling alley as a weapon, Jubille's future self shows her colorful deadly pinwheels, Rogue gets to go sickhouse on the military using every move from marvel vs capcom she has and we see inside nightcrawlers teleport. It's not all but damn if the show dosen't make our heroes look good, every last one getting a showcase of just what they can do. Morph in paticular gets a fun new gimmick of changing into past characters: While I do wish we saw some of these characters, paticuarlly Magik, in the actual flesh it's a fun way to amp up his moveset and make fighting with him more than pretending to be a mook but suprise he wasn't.

97 has a kintetic strut, a term x-men writer grant morrison used to describe what they wanted for their book new x-men when pitching it. A sense of style that's gorgoeus to watch, fun to have and shows off the characters personalities. Even if not everyone gets a major plot this season, everyone gets to show off and it is glorious.

This applies to the writing too: the show leans into it's comic roots, and rather than try to downplay the goofiness, reminds us why we love it: the costumes are kept as they were (Though we may be getting the New X-Men costumes next season), Things are taken seriously, yet there's still plenty of character based humor, my faviorite being in the second episode, Mutant Liberation Begins when a very Pregnant Maddie/Jean says "it's coming", wolverine gets ready for an attack and then has to be told "The baby you idiot" while he has the most "oh fuck bub" expression on his face. There isn't a ton of humor and it's sparse in the second half as the stakes go all the way up, but it provides nice breaks from the dramatic soap opera that's going on.

So with the shows style out of the way, what's in it. Well before I can tell you that story, I have to cover the original a bit. I won't be recapping every single episode as not every episode is relevant to this show and it's , while a great show, not the one I came here to talk about. If there's intrest, and let me know in the comments, i'd be happy to another day. But for now i'ts just the easiest way to get some informatoin out that's important in 97 so I don't have to say "in the original series" every five sentences.

So...

Previously On X-Men: It's the early 90's and mankind is dealing with their next evolution: Mutants, people who usually at puberty gain super powers ranging from looking like a mole man to "being able to shut down all power on earth when they have a bad enough day". Naturally humanity is handeling this calm, rationally and of course, forming angry racist mobs of frothing bigots.

In this frought time enters the X-Men. They are:

Charles Xavier: Omega Level Telepath, meaning he has no upper limit. The founder of the team. Has less of an accidental god complex here, instead being a kind mentor who took in several mutants with nowhere to go. He can be stern and hard to move but is beloved by most of his students.

Cyclops: OPTIC BLAST! A stoic man raised by xavier to be his perfect soldier and to have a titanium rod jammed up his ass. A good tactician but hard to open up emotoinally. Said Jean a LOT

Jean Grey: Said jean. World class telepath and telkenetic.. in the revivial. In the original she was a decent telepath but mostly got knocked around a lot and got her name said a lot.

Wolverine: The best at what he does. Healing factor, adamantium skeleton given to him by a sketchy program of the canadian goverment, and a bad attitude. Wasn't aloud to drink, smoke or murder but still got the point across that he probably did those things off screen. Bad tempered, impulsive and ready to ride scott's ass at any moment. Metaphorically and literally as the sexual tension is palpable. Has a deep crush on Jean he never fully let go. Got a lot of screen time because

Rogue: A southren belle with the power to steal memory and powers from whoever she touches. Naturally this leaves her desperately wanting a cure or workaround, but spends the rest of her time as a sassy badass. She was once a supervillian, adopted by super terriorist Mystique after she traumatically sent her first kiss into a coma and was thrown out by her dad. Mystique.. wasn't much better, not helped by the fact her wife wasn't allowed to be in the show because lesbians, a ruthless monster in this continuity who gleefully used Rogue to steal the powers of superhero Ms Marvel (Carol Danvers), leaving Rogue stuck with the woman in her head. Charles did his best to partion carol off and try to help both women. She's fun loving, badass and the best.

Gambit: A cajun who can charge any object to blow up real good. A red eyed ladies man who constantly hits on Rogue who turns him down, but is clearly intrested because it was the 90s, though he has no trouble getting women. He has a shadowy past, having worked for a guild of theives and had to run out on his wedding, among other stuff we haven't gotten to, and is cagey about it but loyal to the dream and his new family. He may be snarky as hell and the second most likely to rebel behind logan but he will be there when you need him.

Storm: Has power over the weather and can do pretty much anything with it and knows it. Keeps her emotoins mostly in check as them going out of control could destroy everything around her, but is kind and empathtic. The series didn't do a ton with her apart from a few two parters, but she was memorable and unlike the comics hammy as hell. Allison Court could really belt it out and still can .

Beast: A blue beast man whose attempt to cure his mutation made him into the furry we all know and love. THe face of a hulking brute, the mind of a scholar, Beast has never met a quote he can't blurt out or a villian he can't face kick. He was intended to just be a one and done for season 1, an x-man to get captured and be the center of a trial subplot in season 1. Instead his peformace, general dmeanor and everything was so awesome he was kept on as a main character for the rest of the show.

Jubillee: A feisty teen with the power to make colorful explosions. She joins in the pilot for reasons we'll get to, and due to her birth parents being dead and her step parents being not all that great, she comes to see the x-men as her family. Tends ot get sidelined at times, and is the only one Wolverine really seems to like in the main cast.

Season 1 is seralized, something Fox put a stop to as episodes sometimes woudln't come back on time so the story got scrambled. The season largely deals with the Mutant Control Agency, a goverment subsided group of assholes that ask people to report mutants to them then send giant mutant hunting robots named sentinels to capture and imprison them. Their ran by Henry Peter Gyrinch, a bigoted asshole who was a bigoted pain in the Avengers side in the comics before graduating to running the anti-mutant project wideawake. So really 10/10 nailed it. He is the worst and works with bolivar trask, an inventor who created the sentinels.

The MCA picks up Jubilee because her stepfather dosen't know how to handle her powers and thought this was remotely okay. Her step mom at least is rightfully pissed. Jubes runs away, gets attacked by sentinels and later picked up with them and we get a great excahnge that sums up both series well

Jubille: What'd I eve rdo to you? Gyrinch: you were born.

It's the core of the x-men and why I tilted my head at so many chuds saying "X-MEN WOKE NOW". X-men always was, I won't spend forever debating the obvious, but it was. Last year I covered a storyline where the x-men fought a televangilist and his secret assasians who then tried to shoot them on live television. This isn't new. Not to this series, not to this franchise, fuck off good sir fuck off.

The X-Men meanwhile break into the MCA as they realize both how dangerous they are and how their using the records. This.. dosen't go well. While they do destroy the print records, Beast gets left behind while destroying the digtial ones, and the x-men are attacked by sentinels.. and forced to abandon another. See the pilot added one more member, Morph, a loveable jokester Wolverine was close with who could shapeshift.. and who seemingly died. They were left behind and Wolverine was left devistated. This was meant to mimic the death of thunderbird early in chirs claremonts run, changed to a white guy as executives rightfullyr ealized "maybe having the only native member of the team killed is.. fucking awful?". It was done for the same reason: to raise the stakes and give the illusion anyone on the tam could also go. morph ended up super well loved though and thus lived on. We'll get to that.

For now the X-Men save jubes and bust up the sentinels and the goverment pulls out.. but senator kelly, an anti mutant politican, plans to run for president. Later in the season Gambit, Jubilee and Storm go for a vacation in Genosha, a seemingly welcoming island to mutants.. that instead uses them for slave labors using power nullifying collars. These collars are a neat horrifying addition that are only found in x-men the animated series. Anyways, turns out Genosha also has sentinels, but thankfully our heroes are able to break out thanks to Cable, a freedom fighter from the future whose in the past for reasons that will never be explained as his backstory in the comics was finally flehsed out between seaosns so they just went with that. So he's from the future now.

Things come to the head when Mystique attempts to kill senator kelly. Thankfully our heroes are tipped off about it from Bishop, a man from a dystopian future ruled by the sentinels who took way too long to realize their the baddies and with help from Forge, a mutant who can make any invention he can think of, comes back to our time. Bishop would return a few times to help our heroes, almost causing an apocalypse till cable sets him right in the stellar "Time Fugitives" two parter, and going from an uneasy ally of the x-men to one of of their closest.

Sadly this dosen't stop Senator Kelly whose more radicalized than ever, and is easily recurited by Trask. Unforutnately for Kelly turns out the Sentinels evolved a mind of their own, with master mold realizing the obvious thing Trask and Gyrinch couldn't: Mutants.. are still human. Granted they decide to do this by conquering humanity by replacing their elected officals with robots

But the x-men save them and Kelly is an ally of there's for the rest of the series and the only one of his incarnations I can think of that really gets to reform and not die for it. Granted he'll make some huge mistkaes in 97 but for the rest of TAS he's a staunch ally of our heroes if only seen occasionally. His biggest role was exonerating beast.

During the season the x-men would also encounter a nother major player for this series and the next and my faviorite Mutant, Magneto, master of magnet. He tried to free beast during his incarceration but Beast refused wanting his day in court and soon fought the x-men. For the rest of the series he's more of a wild card: He will fight the x-men but usually for some good reason or what he thinks is a good reason. Magneto fights to secure a future for his people like the x-men do, but knows sometimes the peaceful route may not be the most paltable. That isn't to say he dosen't make mistakes ,he tries to hyjack a nuclear plant early on and has a habit of trusting the wrong people in some of his later ventures we'll get to, but he's for the most part a noble man.

The other major threat is Apocalypse, Mystiques boss in this incarnation and rather than a social darwanist, he's an immortal monster planning to conquer earth. He's hammy, terrifying and hard to put down adn it takes four seasons for our heroes to finally beat him, the x-men only surviving one encounter because Cable went back to save them. They finally seemingly beat him in the massive intended series finale beyond good and evil, only for him to use the body of greasy buttcrack pooflap fabian cortez to escape death. He'll.. be back but won't appear in the main story of this season.

So with season 2 our heroes get two more big bads to tussle with. The first is Mr Sinsiter, a creepy genetscit from the 18th centruy who hoped to help his wife life.. and she did.. but at a cost and at the cost of several mutants lives. Sinister went from a man who genuinely had good intentions if horrifying methods and was shuned by society as a charlatin, to a horrifying monster who wanted to perfect mutantkind no matter the cost. Our heroes fought him primarily in season 2, as he lured Xavier and Magneto away to the savage land, a patch of anartica that still has dinosaurs and also some mutants magneto made out of the natives there that still hasn't been properly explained. In the comics he just wanted more minons because prior to the 80's magneto was a pretty standard mustache twirling super villian and it was adapted here because

While Xavier and Magneto have a savage land vacation, Sinister sends a devistating weapon against our x-men: Morph. Brainwashed by sinister, Morphs resetmment over seemingly being left for dead and rescued by sinister is amplified and he nearly destroys the x-men. He also fake marries scott and jean. They get married for realizes a few season later. I assume it was a network thing who knows.

The x-men are able to stop him, and he runs away. They eventually are lured to the arctic by sinister at the end of the season and despite being stripped of their powers at first eventually win. MOrph however decides to stay away out of guilt. He eventually doe smostly recover with the help of dr moria mactaggert but after an encounter by a leftover master mold that isn't remotely explained in this series but 97 reveals trask and gyrinch built backups, realizes he's not ready and stays away again till the finale.

The other big bad for season 2 is Graydon Creed head of the friends of humanity, a group of bigots who in the comics lasted about a few years but here become a major thorn in the heroes side for a season. Our heroes CAN punch them but it dosen't quite solve the issue and Graydon is clever using fake mutant attacks, doctored footage and other creepily realistic tactics. Their eventually beaten down for now when it's revealed Graydon himself.. is the son of a mutant, Wolverine's arch enemy sabertooth, distablising the movement when he has a breakdown just seeing a hologram of the guy.

Season 3 is mostly taken up by two big five part serials adapting two of the x-men's biggest stories: The Phoenix Saga and the Dark Phoenix Saga

The Phoenix Saga has the x-men forced to hyjack a space craft to save it from Eric the Red, a mysterious alien meance who stalks the team. They save it.. but Jean's forced to nearly sacrifice herlsef to shield them from the cosmic rays on the way home. She gets contacted by Phoenix, in this continuity a powerful entity and guardian of reality itself and specifically the M'Kran Crystal, a powerful gem that can alter reality and that the emproror of the massive shiar empire D'Ken plans to use to become a god.

To stop him his sister Lilandra has been telepahticly dming xavier and he likes what he hears. She quickly gets kidnapped by the Juggernaut bitch and after dealing with him the x-men head into space and battle a legally distinct version of the legion of superheroes before defeating D'Ken. Along the way Scott meets his daddy guy: he'd assumed he was orphaned but instead his dad had been stranded in space, his mom had been killed and daddy instead became space pirate corsair. Whiel the two roughlyr econciled, it left Scott with a LOT of abandoment issues that will be important soon.

For the Dark Phoenix Saga phoenix did her job.. but won't leave jean, wanting to experince everything.. and leading her into the clutches of the hellfire club, called the inner circle here but since we're not having to get past fox censors hellfire club it is. They plan to add jean to their membership, but instead their member masterminds manipulations cause phoenix to go insane and take out an uninhabited, in this continuity, solar system. Lilandra comes to kill her before that happens again, the x-men end up fighting her in a trial by combat, and phoenix sacrifies herself for jean.

Season 4 is, thankfully mostly one offs but a few important events happen: The biggest involve our boy magneto: Magneto goes absolutely through it this season. He first decides

And creates a giant asteroid, asteroid m for everyone to live on inviting all mutants. The goverment is dicey about this while mutantkind is ready to pack up and get the fuck out of a world that hates and fears them. He goes the extra mile and frees Genosha something the x-men honestly should've worked on sooner. In the comics at least they simply didn't have the resources when they first found out and had a possible legal avenue to beat them theyw ere waiting on. Then when captured.. simply tore up the place because at that point why not. Here it smacks of the writers genuinely forgot it existed till this two parter.

Sadly the dream dies as one of his liteutants is greasy buttcrack pooflap fabian cortez, who betrays him and tries to conquer earth. This gets the asteroid shot down and the dream dies.

And because God somehow hadn't kicked Erik in the crotch enough what with surviving the holocaust, loosing his wife, loosing his utopia and mankinds general pettiness, he finds out his deceased wife fled because she was scared of him.. while pregannt with his two kids, The Scarlet Witch and Quicksilver. And neither want anything to do with him when they find out.

So while Magneto gets ready for depression, Bishop prevents a dystopian alternate timeline where xavier was killed with the help of wolverine and storm from an alternate timeline. There 50's trip leaves a sliver of nimrod, a powerful sentinel with a less than ideal name, which will again be important later.

The X-Men also make a lifelong friend this season: Nightcrawler. While on a ski vacation, Wolverine, Rogue, Gambit and Jubilee end up at a nearbye monistary after hearing reports of a monster, figuring there was a mutant in distress. It's there they meet one of my faviorite mutants Kurt Wagner, aka Nightcrawler, a former circus star who found home and peace in religion and is a kind, thoughtful man. Despite Wolverine's doubts and issues with religion, he quickly befriends kurt, helps defend him from a racist and in general the two hit it off.

He soon finds another connection in Rogue in his next and final apperance for this series: Bloodlines. It's there his tangly family tree from the comics is laid out: he's the son of mystique and a baron of some sort, though we can probably saftely say like the current comics it might actually be destiny and mystique herself, be gay do crimes incarnate and something we'll get to later this month. She is however bi and had Graydon with sabertooth so being a racist and in hot water with his hate group, Graydon tries to kill his whole family. Heartbreakingly kurt genuinely TRIES to reach Graydon but can't get past his hatred and bigotry and leaves him to his fate.. left on Sabertooth's porch. Somehow he survivies this. The upside though is Rogue gladly embraces her new stepbrother and vice versa something the show didn't have time or budget to do more with but 97 will.

Finally the x-men invade a goverment base because one of there x members girlfriend joined a goverment team of mutants, x-factor and instead of calling him or anything left making it look like the kidnapped her. The important part is that X-Factor is, as it was at the time in the ocmics, headed by Forge's present day counterpart who will be important in the next show.

Season 5, the final season, is thankfully short, only 13 episodes they weren't expecting, so there's only a few episodes I haven't touched on of importance. We find out captain america met wolverine once and has returned from the time vortex he was stuck in in spider-man the animated series.

More importantly, Magneto is depresed: The failure of his utopia, his kids not wanting to talk to him and presumibly the shame of having trusted apocalypse for more than one second have left him out of it. It's only when Beast comes for help with an alien invasion that already got the rest of the x-men and pietro that he agrees to help. And doing so nets him someKarma as while it sadly dosen't come up in 97, Pietro warmly acccepts his dad back.

The final episode, and thankful end of this recap, comes to us with Graduation Day: Xavier is doing a confrence for mutants when an off model Gyrinch shows up and shoots him with a weapon intended to kill mutants. It both outs charles to the world, only 5 years before he'd be outed as a mutant in the comics, and leaves him on deaths door. The X-Men try to contact the shiar but are having trouble with that. Morph returns to play charles to help but his possible death has lead tensions to boil over worldwide. In this chaos a bunch of mutants beg magneto to lead them and while with his past failures in mind he rejects them at first.. he can't turn his people away.

Eventually the x-men find a solution but it's going to be a hard sell: Magneto MIGHT be able to keep charles alive long enough but he has to abandon his army, his finally getting what he watns. And unsuprisingly for the love of his life.. he does. He leaves to save chaarles and the shiar are able to save him. Charles gives each x-man some tender parting words and departs with his space girlfriend to hopefully not die, his fate left ambigious.

So that's where we left off: Charles is in space and thought dead to the world, Magneto is in a less nefarious place but still himself and Morph has rejoind the team. So ... one year later... and a bunch more in real time...

New Episodes, New Era

We can finally talk about the plot of 97 which thankfully won't take as long before I can dive into the show proper.

97 begins one year after the finale and a few things ahve changed: Morph has switched from his old design, a generic white guy, to a new one, a pale mostly featureless face that debuted in age of apocalypse and was used for the longrunning alternate universe series exiles version of the character, who combined the two to create something awesome.

The bigger change is Jean is pregnant, with a lot of tension coming from Charles death and Cyclops riding everyone even harder than usual.

The series properly kicks off with the rescue of Roberto DeCosta, one of my faviorite mutants making his debut to this continuity, a spoiled rich kid who dosen't comprehend racists don't want his money and whose saved by the x-men. He's hiding his gift because he assumes his parents will reject him but ends up hanging around the mansion occasoinaly as he finds Jubilee super hot.

His captors are the friends of humanity who now have access to both the nullifer collars and power gloves based on sentinel tech, their so bad. Jean invades Gyrinch's mind to get info after he naturaly refuses to cooperate and gets both some haunting foresahdwoing for what's to come and a location for Trask. After a dope as hell fight, the x-men beat trask, solidfiying their partnership with UN Head and xavier ally we're just learning about now Valarie Cooper. In the comics val was a goverment liason, intitally working on project wideawake and with myistques team , who sold out to the goverment as freedom force. When that failed she became head of x-factor and is pretty neat all things considered.

Cyke and jean prepare to leave the x-men, to wolverine's disgust and jubilee's worry.. but this gets put on hold when the x-men get an univited guest: Magneto who got sent a copy of Charles last will and testemant:

"Everything he built now belongs to me"

Foxy Grandpa does do his best to take the role seriously: While he's still himself, battering some friends of humanity who captured the x-mens sewer pals the morlocks (they refused the x-mens offer to live at the insittute), but not killing a one, and being arrogant as hell just kinda.. assumign the x-men should accept him after fighting them once or twice, he does try, getting the morlocks sent to genosha which is close to getting recognized as a nation state again and is now ran by mutants. Cyclops is grumpy about both his dad seemingly not trusting him and this whole thing and refuses to leave right away.

This is good timing as the UN arrive to arrest magneto. He willingly complies and most of the x-men go to his trial. His trial.. then gets january 6thed.. not even subtly as they plan to kill the un court for even giving him a trial. Magneto was doing well mind as he pointed out he never acted in outright agression only in defense of his poeple. The x-men fight this but have to face the x-cutioner, a foh member who put on a costume and rants about how "MUTANTS COMPLAIN ALL THE TIME BUT YOU DON'T HERE ME WHINING. YOUR SO WHINY. SO WHAT IF WE TRIED TO KILL YOU STOP WHINING"

Thankfully morph shuts him up but Rogue and Cyclops have to leave as the doctor as jeans in labor and Rogue has to do it since the doctor is an idiot and won't treat her. While it's because of her powers... she could do a LOT more damage not sedated and in a lobby than she could do in an operating room you ass.

The baby, little Nathan Charles Summers, comes out just fine.. but the UN Meeting ends badly. Trying to protect him storm dives infront of X-Cutioners gun, a special one he made using the collars.. that removes her powers. This pisses off Magneto entirely and he lifts the un court and the asshole into the air, making a damn good speech

Bigot, ingrate, sycophant, worm. So small I could smite you with a step. (he holds his boot over the X-Cutioner's face) There was a time I would smite you all for what was done to Storm. (pulls his foot back) But today, I have saved you from your own, for an old friend has challenged me to remember this view of Earth. How vast it is versus how small we make it. Charles Xavier entrusted me with his dream, and it does not ask you to love or embrace my kind as your own, but merely to accept that this is a shared world with a common future, and that my kind, like yours, have the right to live in it. I am trying to be better. Please...do not make me let you down...

Sadly they will.. but for now he's exonerated and Cyclops plans to leave, live a normal life trusting the x-men to Magneto. Storm also decides to leave, leaving only a note for Jean. With no clear way to get her powers back and no idea who she is anymore, Ororo leaves. And her timing couldn't be worse as on the x-mens doorstep.. another jean arrives.

Turns out this is the REAL jean. The Jean we've been following is a clone, later called Madlyn Pryor who comics fans saw a coming as she got an action figure. The x-men.. are dicks about this all backing away and not getting that maybe Maddie didn't know she was a clone and Scott's refusal to help her just causes her to storm off. Beast finds out too late who made Maddie: Mr Sinister, who quickly hyjacks her and has her turn the place into a murder house, a nice workaround to adpating the inferno storyline. I"ll talk more about how this series adapted various stories in a bit. For now it's a smokescreen to take baby Nathan who Mr Sinister pumps full of a technoorganic virus to make him indestructable. They follow and have a fight with maddie that's cinematic as hell but goes poorly for them as unlike jean she isn't holding back. Jean however wakes up and visits her soul sister, who has all her memories, and convinces her to back down. They save nathan but sadly in saving him he's stuck with the virus killing him as Sinister leaves.

Thankfully Bishop's been here the whole time. I haven't mentioned it as they never reallye xplain why he's staraneded in the past, when he joined, or any of that and he dosen't really contribute to the plot outside this episode. HIs time jump can take the two of them.. but just them and only one way. Cyclops refuses not wanting ot turn out like his dad... but like his dad has no real say in it and Maddie says goodbye to her son as he flies into the future. She leaves to go find herself and the x-men are left pretty torn up.

So next episode, we'll get to this ones stinger in a moment, is a two in one, two 11 minute episodes, as Jubilee turns 18.. and is bummed by both all the change going on and Magneto refusing to let her celebrate. She gets sucked into a video game by Mojo, a grogesque blob of a man whose naturally a network executive who fought the x-men twice before and wants to make jubes a star. The episode is a fun breezy break between two pretty heavy episodes, and mostly serves to let Jubes realize she dosen't need to fear change after meeting her beta test version, absycca, voiced by he roriginal va. She and sunspot also kiss and likely do much much more.

So leaving the lovebirds alone, we go to a diffrent pair of them: at the end of the previous episode Forge found storm and offered to restore her powers, leading into Lifedeath, an adaptation of the same story from the comics. The two work on it with their efforts seemingly not working.. but the two get along quite well, horse riding and other stuff. We also get to know Forge better: he was an inventor, worked with the goverment, is chynene, and we even get to know his name. We also get his name later, Daniel Lone Eagle, which somehow is the first time he's had a non code name in the history of the character and is one Chris Claremont came up with but never used. Nice.

That goverment past bites him as he eventually reveals the truth to a horrified Storm: he created the neturalizer tech: he quit over it, not wanting to do more and sought her out. Naturally she's pissed the man she's slowly fell in love with lied to her and tries to flee.. but instead encounters a demon. Which is normal for the x-men in the comics but a complete 180 here. We'll get back to this.

So we've come to the gamechanger for the series: Remember It. Most of the episode plays out normally as Gambit Rogue and Mags head to genosha now a mutant paradise resembling krakoa from the comics: a council of familiar faces running it (Former enemies sebastian shaw and emma frost from the hellfire club and longtime allies Moria Mactagert, her boyfriend Banshee , Maddie and Nightcrawler), propserity and music all around. Rogue is enchanted while Gambit is mor esupscious of the hiked prices.

But bigger thigns errupt: a love triangle has grown between the three as Rogue used to date magneto and is tempted to go back to him while Gambit has been buthurt about their attractoin and apparently private time all season. This comes to a head as Magneto is offered a seat at the table by the council: he's a big deal, has made more peaceful strides lately, and all of mutantkind respects him. He agrees.. but wants Rogue to be his queen. an offer she's considering turning down based on how creepy it is, but he makes a solid offer not just to get in her pants but in wanting her in this role.

Gambit and Rogue have things out over it, and Rogue seemingly chooses erik. Their not the only ones having relationship drama as we see Cyclops have a psychic convo with Maddie... only for themt o make out and Jean to interrupt. Whoops. Yeah Jean is insecnsed Cyclops was making out with, and these are her exact words "My clone"

I mean she's not wrong to be hurt but she not only nearly made out with logan before this, having experinced HOW rich his feelings where when she woke up, but Scott points out he and Maddy did share a child and othe rexperinces. He could've.. not gotten implicitly back together with Jean but still. Point is everybody done fucked up.

So far so normal x drama.. until they have a gala. Rogue and Magneto have an erotic dance, Gambit perpares to leave and maddie goes outside to find Cable, screaming for her to run and being pulled back by time before he can do anything. She realizes he's nathan.

And then.. dies in a flash of bright light. The Sentinels have arrived, specifically a massive three headed tri sentinel spitting out more. Mutants die left and right as our x-men and those aroudn them try their damndest once they come to. IN a blink of an eye the world changes: Genosha is left destroyed, thousands die including named characters with Maddie, Sebastian Shaw and Banshee all biting it and Archangel and others left with an uncertain fate. It's a true nightmare , modeling itlsef afte rthe feelings Beau Demayo had after 9/11 and the pulse nightclub shootings. I'll dive into it more in a bit, but needless to say it's horrifying to watch, you canot turn away and this episode got an emmy for a reason.

In the melee, Magneto tries his best even whipping a sentinel with a bullet train, so badass but seemingly dies protecting the morlocks. With our heroes beaten and more to die Gambit gets kidnapped by one which jams some rebarr in him. With one final push of all he has left Gambit lights the thing up... and gives his last words, quitely, cooly and definatly

"The Names Gambit, Remember It"

The Sentinel explodes.. and Remy is left dead, Rogue devistated after realizing who she wanted all too late. The x-men have lost a member, mutantkind has lost a home and things will never be the same.

This was the intention: the first half is more buisness as usual but still updated and slick.. and the second... changes everything in a way there's no going back from, largely being one contiained story.

Before we tackle that though back to Storm, who we'll tackle first as Lifedeath Part 2 deals with her and another face who left the x-men. The Demon is the adversary. In the comic, he's an ancient evil trickster god. Here she's a less impressive but still terrifying and memorable demon who feeds on fear. She reveals part of why Storm's powers haven't kicked back in is fear: fear of being a mutant again, her secret hope of WANTING ot be normal. Storm must face these fears, going into a damp tunnel to save a poisoned forge facing advesary. Storm beats it as she would: by admitting to hserlf she did want to be human and escape, accepting her mutant side for what it is and that she can't repress it and frying the bitch, escaping, saving Forge and forgiving him, dawning her first and one of her most iconci outfits in the process.. and growing her hair back because she can do that now. She and forge plan to take a vacation still, since while Storm is an x-man... she could use the break with her new beau. It's then.. she gets news of Genosha.. and everything's shattered. her family needs her and Forge is right with her. This story was taking place right after Remember It For most of the time.

So winding back the b story for this episode follows Charles.. as he's abrubtly revealed to be alive in space. Now to me whose familiar with the comics, this is just tuesday. But to many a casual fan, including my friend Jess I watched this with, they were thrown off and understandably so. The series acts like charles is dead up to this point, that maybe the shiar stuff didn't work and never mentions the shiar. THere's no hint to this so it feels out of nowhere.

Thankfully the story itself is decent: Lilandra wants to make Charles her consort but even here he faces racisim and her jealous sister blackbird who wants the throne wants him to mindwipe himself of the x-men. He reluctantly agrees: he can't move the captial to eartha nd should try to think for himself, adding tension for us as we know hwo bad things have gone. Thankfully.. he can't do it which Deathbird figured adn tries to do a coup. But in an awesome moment Charles refuses: no more bloodshed. He gives an awesome lecture on colonalism, something the empires powered on and has a decent shot at reforming it.. but like Storm... life wont' let him have peace; he gets a psychic death call reciting one of my faviorite lines from the comics

So xaiver must leave the love of his life as his children.. need him.

And after all this we find out someone.. sinister is involved.

So onto our finale lead in bright eyes It's a week or two later: the us isn't helping refugees, tensions are high and the x-men visit genosha, with a spectre of war hanging above them. With Jubes encouragment Roberto realizes he could die easliy and comes out to his parents who accept him.. but want him to keep it hidden.

Meanwhile the x-men visit Genosha with Jean feeling guilt over maddie's death and the x-men only able to find emma. Any othe rsurvivors are gone. While this goes on the rest of the x-men have Gambit's heartbreaking funeral, with Nightcrawler naturally serving as preist and one notable absence: Rogue is missing. Rogue is on the warparth tearing apart the miltiary to find Gyrinch and tear apart those who took remy from hern. Captain America TRIES to get her to back down... but his whole "lets wiat and do it proper" bullshit gets his shield understandably thrown into the distance.

She finds Gyrnch and absorbs his memories, having gotten far less forgiving and far more vindcitive and understandably so. The X-Men find her after this and Kurt gets her to greive.

The x-men, minus jubes and berto, reunite, finding trask who reveals whose behind this: OZT, aka Operatoin Zero Tolerance, a secret anti goverment group ran by bastion, a creepily monotone man in pink who plans to out xaviers survival and almost space marriage to the world. And he has much more dastardly plans than shaving magneto while he sings one eyed one horned flying purple people eater: Rogue lets trask slip, horrifying her frineds.. but he gets up. Bastion has turned willing volunteers and unsuspecting civlians into omega sentineals, unstoppable killing machines with the x-men barely able to put down ONE before a group swarm them. Thankfully cable arrives and saves them and lets them know not only is bastion worse than they can imagnie but this gets so much worse.

So next episode Rogue is left in a coma after that right and Cable is rallying the x-men, woh are under fire for the xavier thing. So they split up: Cyclops, Jean and Cable have an awkard family reunion as they go to investigate Bastions mom, while Wolverine, Beast, Nightcrawler (now part of the team) and Morph stay behind. Jubes is with Roberto getting pissy with his mom.

It's reveald Val Cooper, who was at the massacre but wasnt' expecting what happened, is alive and Bastion explains his evil plan: he created the omegas using sinisters virus, Nathan being his payment. He's had help from various other figures outside the un specificaly Doctor Doom and Baron Zemo, both of whom aren't happy with the genocide. Bastin's non plussed as he has a plan.. and a plan to get rid of the x-men. he activates ALL the omegas.

This happens as our heroes get Bastion's backstory: a bit of nimrod goo got into his father in the 50s, and his mom raised him knowing he was diffrent. And having sentinel programming in his head the poor boy became the bastard we know.. and made his own mom a sentinel. They attack the x-men at all three palces they are: bastion's hometown, the mansion as trish tilby, a reporter into hank also turns out to be one, and at the mall... again. Jubes really needs to lay off malls and swears them off. Good for her.

Things don't go great. Cyclops and Jean are barely able to survive their army, the mansion is torched to ruins though Rogue is kept safe by the remaning x-men, and Jubes and Sunspot are handed off to an omega sentinel playing nice by Roberto's mother, shattering the poor guy.

Having enough Valarie freed magneot nd declaring something chilling

"Magneto was right"

He awakens.. and blacks out the world with a massive emp. While this saves the x-men and countless others it's also, as Logan correctly figured, a declaration of war. Just as Morph misses xavier, Charlie arrives.

Thankfully Charles Xavier also arrives.

The x-men all regroup with Storm and Forge rescuing Jubilee and Sunspot. While most are willing to at least tolerate charles Cyclops, while willing to put up with him, is pissed, wanting to know why he left magneto and somehow blaming charles leaving magneto for Magneto's emp.

Thankfully we don't have time for Scott's daddy issues, but we do have time for Charles' as Magneto approaches, rising asteroid m from the sea and making it clear that yes, war were declared. He TRIED it the nice way, genuinely gave it his all.. and humanity responded with a genocide they fetered over and ignored> he's done and invited any other x-men who are done to join him while he waits for his emp to kill everything: in 48 hours it's going end everything.

And shockingly .. two x-men do. Rogue goes with him, pissed at Remy's death and the goverment's half assed response not helping, and Sunspot, while not really an x-men yet, joins too, pissed his mom left him.

So the x-men regroup at muir island, their backup base at some point offscreen and put on some new/old costumes while getting ready for war, with the exception of Storm who was way ahead of them and Jubilee who switched to her 2010's outfit last episode: Cyclops and Jean put on their 70's costume, wolverine his 80's john byrne designed brown suit, morph some generic outfit, beast er.. same as he ever was, and Cable gets his late 90's outfit wether he wants the thing or not.

So with Magneto declaring war and Bastion still a threat to be dealt with the x-men split into blue and gold teams. Cyclops blue team of himself, charles, Wolverine, and Jubilee will go deal with Magneto and friends, while Storm's Gold Team of her, Jean, Morph, Beast, Forge and Cable to go to bastion island and stop him using a modified nulifier collar.

Both plans go south: While Gold team intially makes a splash and does well storm and forge are eventually shot down, and while Jean beats the shit out of sinister for both her and Maddie, he hyjacks Cable as Beast apparently didn't think "Maybe we take just a second to check the guy who was in sinisters grasp as a baby for gene traps", with the rest of the team held down in bastion's power.

On Asteroid M things go considerably better despite the smaller team. Charle's plan of "Let me talk to my boyfriend we'll sort it out".. fails as you know.. when has that EVER worked with him Chuck? Especially after a mass genocide. A fight breaks out and the x-men do manage to beat magneto... but jean lets out a psychic scream that alerts Cyclops who fucks up and stops wolverine and charles from winning. This allows magento to just plunk his helment on charles, since it now has the psychic blocking thing from the movies and works both ways and rips the metal out of wolverine's skeleton.

Part 3 begins and Charles has escaped the helmet and is now tearing Magneto's mind apart, having used him to restore power to earth. But unlike the comics not wanting his friend's mind to end up broken to pieces goes inside it while the rest of the x-men wait outside, having patched up things best they could.

Back on Bastion's Island, Jean reconnects with the phoenix somehow, and uses this handy deus ex machina to Collar bastion, restoring his army of prime sentinels that just woke up and what punched spider-man and a bunch of other cameos to comaland where they can hopefully be helped. She reduces sinister to a shrivled husk, removing all the mutant dna tha tkept him young. As Morph basks in that the x-men have other issues: The goverment was giving xavier time to resolve this.. but decide to be their dickish selves, with only Captain Ameirca and Black Panther wondering if this is a stupid idea. It was and the misles instead knock it's engines off.. and Bastion, being pissed and vengeful decides fuck it i'll just murder you all! So Cyclops, Jean, Storm , Morph and BEast head up to join them, Cable sticking around to keep an eye on things and on forge whose in no shape to go with them.

A fucking glorious final battle enseus as Bastion takes his final form, Rogue beats the shit out of him for Remy, and Roberto formally becomes sunspot and kicks the fuck out of him. The team eventually beats him and Scott, wanting to make up for how Bastion could've bene one of them as Xavier tried to reach out, tries to reach out a hand. Bastion laughs at this and dies and the x-men unite all their powers to try and stop the meteor from hitting earth. But while they do their best.. only one of them can do it, with Charles convincing magneto he can let go of his pain, his anger and hurt and do the right thing. So with a hearty MAGNETO LIVES, the x-men save the world.. and vanish.

6 months later and Forge is operating out of what's left of the mansion. Cable, Jubilee and Sunspot, who weren't on the meteor at the time , all scattered and Forge is trying to build a new x-men out of whose left avaliable. Before he can though, Bishop shows up. While Forge is suspcious as apparently he didn't read the x-mens files , Bishop knowing his real name helps calm him down.. as does some Info. The X-Men aren't dead. It's not where they are but when. They've somehow bene scattered in time by some third party and Forge might want to keep his board out as it might take a new x-men team to find them.

For now we find out where almost everyone ended up: Cyclops and Jean end up in the distant future where they find nathan, as he and bishop got seperated over time. Storm, Wolverine and Morph are MIA, likely in their own group we'll find out about next season. And the rest of the group end up in ancient egypt, saving a young mutant. En Sabur Nur... aka... APOCALYPSE.

And if that wasn't omnious enough in the remains of Genosha, the modern day Apocalypse has returned... remarking on so much pain his children.. so much.. death.. and as he says that.. he picks up a playing card.

And with that omnious teaser for next season, we can finally fully dig into this one.

Hated and Feared

X-Men as an allegory can be frought. It works most of the time as it's easier to get a book about mutants trying to survivie hate and fear than queer people and in modern day many a mutant is queer, going all the way back to Chris Claremont not so subtly making Mystique and Destiny wives and only not saying it outright because the EIC didn't want gay people refrenced. Chris Claremont used it brilliantly in god loves man kills by using Nightcrawler to perfectly speak against the bigoted revered stryker, with kitty pryde

Other times.. it's get tricky like the Legacy Virus, a transparent metaphor for AIDS that no actaul gay people were affected by, Kitty Pryde calling two seperate black people the N-Word to equate mutant racisim to real world racism and that time Wolfsbane was beaten to death for "Hiding" she was a mutant in a clear trans allegory. The mutant metaphor is lovely and can be used awesomely and Chris Claremont was right to expand it... but some writers don't know how the hell to be subtle.

Beau Demayo however tackles it well not hiding from it but treating it realistically: the bigotry isn't just howling assholes in the streets but often the passive bigotry seen all the time, the small steps that make life hard. The big rioting assholes in the street exist, guys like Bastion plotting genocide exist.. but so do people like the doctor Jean turned to to give birth only to refuse simply because "a mutant could hurt people", again not thinking of the lives that could be hurt or the life that could be lost if the delivery wasnt' done right. The kind who'd turn someone away. You have President Kelly who on paper is a friend to mutants.. but when push comes to shove will sacrifice them to save himself and in doing so nearly doom us all. And you have Trish Tilby, who keeps pressing Cyclops when he tries talking about nathan and when he reveals the whole weird story, then goes off on her when she talks about how muants are hard for "normal people" to relate to.. when Cyclops TRIED being normal and lost his son for it through no fault of his own, but because of a mad man who decided to kidnap his son.

And of course the center of this kind of racisim.. is the DeCostas. Roberto is panicked, afraid to reveal who he is or really trainup his powers, only doing so as a gift for Jubilee. And when he finally reveals it.. they seem accepting.. but then refused to have him come out publicly. IT's this casual bigory the kind that could see you cast out just for who you ar, that 97 captures so well.

The more overt stuff still hits well from Magneto's booming speech to the un, making a simple powerful statment in the middle of the speech "What must we do to be good enough? is this the high road's destination?" how poeple who geninely try to do good or help people or help their own get stomped on just for trying ot do it the way society wants them.

It also gets into the systems: Bastion gets a ways do to his powers.. but also do to the system. We see him off center two episodes before his introduction in one of forge's photos, OZT has heads of state and the head of the UN herself in it's pocket. While Humanity is trying to be more accepting at the start of 97 far too many are willing to turn their backs when it's no longer convient. Far too many were willing to give a mad man the keys to genocide then act shocked when he uses them.

When the Genoshian Genocide happens, it's not quick like the comics. It was done quick there to belay it's speed and horror.. in an instant millions die, and the x-men could do nothing, Cassandra Nova, who did it in the comics, having already pulled the trigger before Cyclops and Wolverine could break free.

Here it's still fast and painful.. but we see it from the ground. Gambit waking up dizzy to impromptu triage, several mutants dead or injured. It's not as fast or instant.. but that makes it worse. The X-Men are there.. but they can't do anything. One is captured and broken by the events while another dies stopping it. We feel how powerless our heroes are two of them some of the strongest the x-men has. Rogues next apperance has her easily tear through the military like butter.. which makes it all the more heartning knowing two episodes ago she couldn't stop this. She tried, Erik tried, Remy tried.. but none of them could stop this.

Yet people ina merica... brush it off, refusing refugees, Kelly acting like the x-men have to fix optics after the xavier reveal is more important. It's all too realistic. As Val Cooper notes in her speech humanity says "that's terrible" then moves on with their day. It's not happening here, it's not happening to "Us". Things like the isreal hamas war or the invasion of the ukraine are known to us and some try to rally to end the bloodshed.. but we also tune it out because it's too hard to take. Or worse just don't care. Around the same time these episodes aired, you eerily have senators declaring "there are no civlians" in Gaza, that a goverment is their people when that's never the case. This series calls out that kind of easy thought, that it's easy to other people and put your surivvial above theirs, yoru wants above theres and the series.. offers no easy answers. It champions for hope, for compasion, that it's better ot fight for a better tommorow than lash out.. but dosen't make that fight easier: Remy dies for it, Magneto and Rogue both turn away from it, and the x-men nearly die for it as a whole trying to save a humanity who was all too happy to sell them out.

It's a good message though.. that we don't have to be "fuck you got mine" or bigots... that it's worth fighting for a better tommorow even though it's hard and while a world of pure peace and tolerance is a dream.. it's a dream worth trying to make real. To get as close to it as we can. We may suck.. but we CAN be better. All the bigots in x-men show us at our worst, our pettist.. but the x-men are our better, fine people who fight hard to protect a world that hates and fears them that sold them out simply because letting innocent people die, is something they can't fathom. That the world isn't so broken they can't fix it in ways. That even when the dream seemingly dies with everything they find out.. they fight on. For tommorow.

From the Pages of Marvel Comics

One of 97's other great strengths is adaptation, and it's something i've been chomping to the bit to talk about. Like most superhero adaptations, 97 takes the best parts of the comics then streamlines it down. The Civil War adaptation for instance left out Iron Man's many, MANY war crimes and bits of petty dickery in favor of honoring the spirit of two heroes and close friends reaching an impass over an issue neither is entirely in the right over. Black Panther uses some of the broad strokes of killmongers arcs from his original debut and the Christphoer Preist run, but refashions him to ask serious questions about Wakanda's habit of isolationsim. It's fine with me to pick and choose what works best as some things are just harder to adapt. Even Invincible, a pretty close adaptation to the original, changes a lot to update the work to better fit the modern day rather than the early 2000's it started in, diversifying the cast, giving debbie, amber and eve more agency, all good stuff.

What I like about 97 though is it does this.. but still adapts the stories for more than parts, something that's rareer. The original usually used the parts approach, x-men continuity is both lovely and terrifyingly complicated and some things were added as they were just being brought up in the ocmics, but a few bigger stories like the Phoenix Saga, the Dark Phoenix Saga, the Proteus arc, or days of future past got a full adaptation.

So the crew of 97 ran with that: the bulk of the season is an adaptation. The season adapts Trial of Magneto, Lifedeath, Inferno, Endgame (X-Factor 65-68), The Crunch Conundrum (Wolverine 51-53), Fall of the Mutants, E is For Extinction, Operation Zero Tolerance, and Fatal Attractions. Some are used more for parts, but most of these stories get fully adapted in some way shape or form, simply streamlining it.

These are also the kinds of stories that take advantage of the fact 97.. already has a fully fleshed out universe to play with. As the long recap shows, they had a LOT of table setting already done in the original and thus could jump into stories that would take a movie or two to set up. It'd be hard to do a story about Jean Grey's clone when you don't know jean first or care about the fall of genosha without being invested in whose on the island. With 5 seasons to go off, 97 is pre loaded with most of the setup needed for these stories and thus can do them justice, while still streamlining them to fit in their limited runtime.

So i'm going to break down these adaptations best I can. I won't be doing so for Endgame as it really only adapts Scott sending his son into the future and I barley remember it and the Cosmic Crunch Condndrum as I haven't read that yet and would like to read the rest of hama's run leading up to it.

Trial of Magneto: This one is way better than the original. THe Original had a good concept, put magneto on trial, have the x-men deal with a false flag attack in the background. But it gets cluttered fast: Magneto has reformed but while they try to play the defense that, because he was literally reborn after he was regressed to an infant then aged up by a mutant he what made, he was a diffrent person and those exempt from all his crimes minus blowing up a russian submarine. Problem is comics mags.. has way more baggage as pre chris claremont and early into claremont's run he was a pretty standard villian, plotting, scheming and making his daughter dance for him because he didn't know it was his daughter which I wish I could forget about and now so will you. So they kinda have to use the insane defense they do and his speech, while well done, comes off slightly more hollow: he does want to change.. but it's not really a kangaroo court like in the show.

He also gets attacked by the Fernis Twins, incest nazi nepo babies, who use aformentioned false flag attack as a smokescreen so they can attack the hauge and get revenge on magneto for killing nazis. Chris Claremont is a great writer.. but the guy could easily get lost up his own ass in some issues and this was one.

So 97 streamlines it: the incest nazi nepo babies are replaced with the friends of humanity who already existed, and Magneto's defense of himself is way more self righeous as while he did try to cause a massive disaster in his first appreance most of his apperances are "just leave my people alone motherfuckers". And while the original had Magneto's backstory be some generic wartorn country, 97 makes it clear like the comics he's a holocaust survivor, so he knows what he's talking about and talks circles around the court,only lifting them into the air when the x-cutioner depowers Storm.

That segues into our next adpatation, done over several episodes, Lifedeath. This compresses a long subplot into a slightly shorter one, mostly using the titular issue. And honestly it's the closest of the adaptations here. The context is changed as in the comics Rogue was being hunted by the goverment for her criminal past and breaking into a shield hellicarrier when Carol breifly took over, both things that would make no sense in 97. So they had Storm jump in front of a diffrent reformed rogue. They also removed the fact Forge made the gun to defeat the diar wraths but otherwise his quitting over the tech, hiding it from storm initially and being the one to help her recover/romance her is all accurate. The cartoon improves on this by having Forge be the one to confess what he did, a small step but it makes their romance easier to swallow when he genuinely confesses to what he did. I'ts still.. not great but like the comics it's protrayed as not great to form a relationship with her whil ehiding this and their working thorugh it feels more earned as he didn't make a mutant depowering gun and expect the goverment not to use it, but made tech that was yanked out of his hands without thinking the implications.

This leads into another adaptation as the adversary from fall of the mutants shows up but as mentioned in the recap is a demon instead of a trickster god as the story's simply grafted onto lifedeath, with Storm forced to confront her demons and the demon in her ear. In the comics she was tricked into trying to kill forge, both were stratneded in a new world as adam and eve and she restarted her powers for the greater good. Again not claremon'ts best work but still far more meaningful and well done than the incest nazi nepo babies. Her regrowing her hair from her mohawk was also part of it

Before we move on, they also had storm in her mohwawk and , post leaving the x-men, punk outfit. IN the comics this is easily my faviorite storm storyline. early on she was regal and reserved, innocent as while she'd had a rough childhood in cairo, spent most of her teen years in africa being worshipped for her powers. But when Cyclops left the x-men, she was thrust into the leadership role and slowly had to deal with her dark side: getting into a knife fight to the death, having to make harsh decisions, and forming a gay as hell friendship with yuirko, wolverine's ex. Chris was not subtle and I respect that. So she took a punk look on to match who sh'ed become: still kind and gentle.. but far more pragmatic. Moral but realistic about the lines the x-men sometimes had to cross.

So scooting back before we finished storm's story we have Madelyn Prior. And strap in because this one.. it's a lot. So here Maddie's story is pretty easy to understand: Jean was swapped out with a clone at some point so Mr Sinister could have control over the summers grey baby. Maddy is for all intensive purposes also jean grey, but has the baggage of not being the "real" jean and having her friends be dicks and not consider her jean, though Gambit and Rogue at least got better about that. She and scott have an affair. it's simple. Scott's KINDA a dick for not supporting maddy and for not breaking up with jean to be with her, but a more resonable one as the shock of this clearly got to him and the later affair was because again, she is pretty much jean... and shares a child with him. Still fucked up but understandbale.

In the comics... oh me mow. The comics. This is going to be a complicated one. See in the comics.. Maddy was never intended to be Jean's clone. Chris Claremont created her , but her looking like jean was initially juts a concidence: She was an alaskan pilot with her own life, feisty, and blunt, and Scott liked that and the concidences matching her up with gene were either just that, or Mastermind, one of the x-men's foes, fucking with Scott's head to get his revenge on the x-men. He also broke up wolverine's wedding for similar reasons.

So when it was all cleared up Scott proposed. Now granted proposing after knowing someone a few months.. is not smart, but it seemingly worked out. They had a child and Claremont fully intended to have Scott retire.

The problems were two fold: the first was the writing itself: It felt like Scott ws more.. settling for a happy married life because the x-men no longer needed him and he no longer felt home there, and staying with Maddie out of responsiblity to her than out of true love.

The other was editorial.. did not want to keep Scott off the shelf, a common issue in comics as characters simply cannot stay retired. The only time this has happened is Jack Knight, the best starman and he only escaped this fate because his creator James Robinson made DC put it in writing. So wanting more x-books, editorial launched x-factor and brought back jean.

And this.. ended up making Scott look horrible as he got a call. And rather than explain it to maddie, tried to hide why he was fleeing from her, then ignored her ultimatium that if he left it was over. God dammit scott. Granted he did TRY to go back and fix things, but by then editorial had decided Maddie needed to get out of the way of Jean and Scott. Nathan vanished, his disappearnce being a major subplot in x-factor which thankfully got better, with Jean confronting everyone over hidding maddie from her and Scott feeling actual guilt.

Things got worse for Maddie, though thankfully Claremont also got her back and did his best with the orders given. He wasn't happy about it, but had Maddie process her trauma: she suddenly had her identity erased from all databases, her child stolen and the marauders, assholes for hire who would end up being revealed to be hired by a debuting mr sinister. Maddie grappled with her husband's abandonment, finding out about jean, her sense of personhood and eventually a relatoinship with Scott's brother Havok, everyone's silver medal.

Eventually though she had to be written out for some rason, so inferno happened. And Inferno.. is fucking nuts. So a demon takes na intrest in maddie, makes a deal for her childs soul and turns all of new york into hell. She becomes the Goblyn queen and then tries to kill her kid for reasons. Louise Simonson who wrote x-factor and wrote that part is also a great writer, but did not write maddy well.

So yeah the show just.. made the demons telepathic and like more recent comics, got the hint that maybe maddie wasn't some super bitch because she got abandoned and manipulated. Her posisble ressurection was a major subplot of the excellent hellions series, and it lead into her return for the okayish Dark Web event that ended wit her, now queen of limbo, having a hell embassy in new york. She's living her best life.

So the show is an improvment, as it knew it was going to have maddie be jean and thous could plan instea dof trying to constantly salvage demands to kill a character the creator clearly liked, then various writers who hadn't read anything but the end of this long story arc pissing on Maddie's grave.

New X-Men is one of my faviorite x-men comics, one I intended to cover in full and may try to again someday. It's one of the most recent things 97 takes from the comics and Remember it Adapting both the genoshan genocide and the psychic affair was a refeshing sign the series wouldn't just be adapting storylines from the 80s and 90s. The series is even, thanks to widespread reports about season 2 footage from comic con, using the iconic costumes from this era, using the leather astetic from the movies, but making them still pop with big yellow x's. I want one of those jackets, so, fucking, bad. I'd even take a dark phoenix version as while I hate dark phoenix they dapted them well.

The series only takes a few pieces from this legendary series, but their vital ones. The Genoshan Genocide is the big one, an event that changed the x-men and was New X-Men writer Grant Morrisons big statment that the realtive stasis the x-men were trapped in was broken. It severs the same purpose here: the happy nostlagic trip back that started the series with some trauma, if still excellently is gone, and the x-men now live in a new world. They adapt it almost as is: the tri sentinel resembles the wid sentinel used and while i wish they'd used the wild sentinels in full, monsterous sentinels that absorb things from the environment, it's still a massive disaster the us dosen't care about hwere emma frost mutates further getting a diamond form, millions are dead and Magneot is seemingly killed. The basics were all it needed

The mastermind is changed to fit into another adaptation we'll get to in a moment, but it works better for the story told than Xavier's sister he strangled in the womb but survived as a psychic parasite. I just.. love getting to type crazy shit like that and I love even more than unlike the nazi nepo babies or abandoned clone wives, this bit.. was written entirely coherently and meant to be as bonkers as it is.

Nova could show up as Wolverine and Deadpool has came and went, it just didn't fit for this version of the story. Bastion worked better for the metaphor they were going for and was easier to set up in the context of the original series.

So then we have the psychic affair. So in the comics Cyclops was emotoinally repressed even more than usual at the star tof new x-men, having been possed by apocalypse and come back from the dead, pulling away from jean. New teammate emma Frost offered him therapy.. then used her position as her therapist to sleep with him. Then jean caught them and no one ever really adressed the fact that scott was manipulated into it at a vunerable time in his life and it's treated like a normal relatoinship aftewords. Which can work but I feel like no one ever wants to bring this up. And I say that up as an emma fan what the shit. No one ever brings up the relationship started in a pretty fucked up place except Joss Whedon and even he only factors in the fact they started dating for real after jean died. I didn't even fully scan how fucked up this was for years. Good lord.

So instead Scott still cheats on jean in his mind palace, but with.. jean. Maddy is basically her with a few extra experinces, so while Scott is more at fault here, Maddy din't push him into anythign. I still say scott fucked up in new x-men with how he treated his wife, he's not BLAMELESS, but the bulk of the affair was him being agressivly persued by someone who framed their affair as therapy. Here it's an affair but with someone scott never techniclaly broke up with and him avoiding the issue is the problem.

So back to Bastion. Bastion was introduced during the Onslaught saga, a whole mess I don't want to get into. Short versoin, Charles tore magneto's mind apart, and was SUPPOSED to simply have his darkest impulses released but instead they merged with magnetos because executives didn't want this to be all xaviers fault and back then treated Magneto as satan for some reason.

So as a result the goverment got charles, and the avengers and fantastic four were presumed dead but put into a pocket dimension for an ill advised attempt at a reboot of the avengers and fantastic four. So everyone blamed mutants for their "deaths", and thus Bastion was clear to start operation zero tolerance. Bastion was nimrod, a sentinel from the future that got merged with a modern sentinel that hyjacked him then sent through the seige perilous, a magic portal created by merlins daughter that can basically reset a person. No memories, new life. So he became bastion, and due to his sentinel programming set up ozt. There was also some good build up as sine he was using graydon creed as a puppet he killed a reporter.. and it was one of J Jonah Jamesons guys. So JJJ became a major recurring character, refusing bribes of tasty info on the x-men to chase him down.

Sadly the payoff.. was a mess, spread across most titles at the time. Half the x-men were in space, long story, the other half got captured and were shunted to wolverine adn the main story focused on a returning iceman. The plot for the main books was decent, bobby forming a team out of desperation out of marrow, former enemy with bone powers and Cecila Reyes, a surgeon who didn't want to be a superhero but got thrust into the life, as they fought the omega sentinels.

Then the ending was just... the goverment calls it off thanks to senator kelly, bastion fucks off and outside of the mansion getting scrubbed of all it's tech and a few new members this just kinda.. happened to the x-men. As the recap showed this verison dosen't do that. It beefs up bastion's backstory, makes the omegas a huge threat, and has all the x-men involved. It's a massive improvment over the original and only keeps the bare bones premise while grafting on the genoshan genocide shockingly well.

It also grafts it onto another storyline for the finale, Fatal Attractions. There's no boiled bunnies and I have no idea why it was called this. Fatal Attactions like Operation Zero Tolerance, has a goo dpremise: Magneto returns and does an emp on the earth while giving his new followers the acolytes sanctuary. The actual story... blows. Magneto is treated like a cardboard cutout of a villian instead of the complicated figure claremont made him into, only punishing a foe for killing hospisce patients with disablities because he didn't allow it. It... it really shoudn't be that hard to knwo Magneto wouldn't tolerate ethnic cleansaings of mutatns who had down syndrome. As such the whole things muddled, not very fun to read and really only notable for it's climax: Magneto tears out wolverine's adamantium, revealing his skeleton to be boneeeeeeee while Charles relatilates by mind blasting mags into a coma.

Like OZT 97 takes what was a very good premise and uses it well: both versions of FA have an x-men defect but while Colossus defection is clumsy, his sister died but it still feels horribly out of character, Rogue's was set up through the whole season, with bright eyes showing just how bad a place she was in. Sunspots is a bit flimsier, but still fits well enough. It dosen't waste the idea of magneto coming to the various mutants to recurit, something the comics at the time did with no one but pitor accepting.

It also has mags pushed father and still kept in who he was: this is seen as a nightmarish action even for him.. but it's after humanity subsisded the genocide of his poeple and after he genuinely tried for better. So him going this far and doing what he doe sto logan fits, especially since here Logan tries stabbing him in the heart... which also feels more on brand and Logan never trusted the man unlike the comics.

THey do do a nice swerve though: While one would assume charles would leave Magneto a vegetable leading to onslaught next season, though I wouldn't mind a better version of that.. instead Charles only hyjacks magneot out of desperation then works to restore him. As a result instead of leaving his best friend a vegetable, he saves him form himself. A better ending to a better storyline.

The end of the season hints at one or two stories, Cyclops and Jean's adventures rasing nathan in the future and Gambit's stint as Apocalypse's horseman death, but for now it adapated a fine crop of stories well.

So with the overarching story, themes and connections to the comics out of the way, let's dive into the cast starting with my boy

Magneto Was Right

Magneto is my faviorite mutant. Said it before, will say it again into infinity. A complex tragic figure who can be a compelling villain and an anti hero tortured by what his long war of attrition with humanity has cost him. This series does both and does them well. David Hemblen is probably the best animated Magneto, and one of the best up there with MacKellen and Fasbender.

97 gets mags just right, having him be arrogant. He slides into the series not happy to be an x-man, only doing it as a favor to Charles essentailly and berating the x-men for not thinking to relocate the morlocks to genosha which... to be faiiiiirr.. is entirely on point. Yet it's clear he's done some shit. The series leans into the retcons from later in x-men the animated series, that cyclops and the original x-men fought him. He's never portrayed as nearly as bad as he was in the silver age, enslaving teenagers who ended up being his own kids, but it allows for the deadly threat magneto presents to be amped up. It's very clear he's holding back. He'll pummel the friends of humanity but he will not kill.

It allows the full Magnus: terrifying ot his enemies, but having nobility. While he treats it at times like a frustrating errand his best friend/probably boyfriend at some point, the sexual tension is palpable and remains a constant for x-men adaptations, he does geninely try. His speech to the un isn't just a veiled threat that "I WILL go back to hunting you assholes for sport" it's that he dosen't want to. He dosen't belivie in charles dream.. but WANTS to see it acomplished. He lost his best friend to his space girlfriend, and WANTS to try and acomplish what charles couldn't. Not to one up him.. but because it meant so much to charles. In the original cartoon he may of seen the x-men as fools at times.. but respected their idealism. Same with the comics: he may see them as lambs to the slaughter.. but respects that they will fight anyway. So he will join them, he will lead them and he tries.

Magneto... is not a good fit for leader of the x-men though. He can't put aside that arrogance. While Charles was demanding, XTAS dialed down his control freak nature. He dosen't demote jubilee to a junior squad or yell at cyclops for treating a group of adults like adults, and that's not even getting into his many horrible deeds later retconned in, he is commanding but will listen to his students and learn from them. He lets logan wander off or cyclops leave in a rage because while he'd prefer they stay he can't FORCE them to, as much as he's capable of the act. Magneto is more used to worshipful masses who hang on his word. The X-Men.. can manage themselves. It shows most glaringly when Jubilee has her birthday. Everyone else understands the need for a day off. But Magneto, who sees every action as a war and lost his childhood to auschwitz, can't fathom why Jubilee needs that break and denies it for her out of a combination of that and not being able to meet the x-men at their level. While Cyclops has that issue at the start, constantly being on guard, berating the x-men for relaxing and Gambit for not going on a mission he wasn't really NEEDED for in the first place, he realizes he was a tight ass trying to roleplay his dad and backs off. Magneto never gets the chance. Magnus is a good man.. but he has too much ego to ever see the x-men as more than his soliders instead of his teammates.

I do wish we'd gotten more of him as leader, the clachses inherent in that, and that motendo actually called him out as while Jubes wanting to ignore change isn't good, not letting her relax is still not great.

We do see just enough though: he is trying, does take this seriously and does want it to work. When rescuing the morlocks he's kind with Leech, their youngest, smiling at the boy and assuring him he'll be okay. He tries to assure scott less out of ego and more because he wants the man to get to livfe his own life. Despite his shortcomings he tries to lead as most of the team dosen't really want to and the most capable (Scott, Jean, Storm) are all going thorugh some stuff and not in the headspace till much later in the series.

Magneto tries to be better. He even finds a good compromise between dreams: Genosha. A place of peace for mutants that would be easier for humanity to adapt to some day if they so choose. Mutants have a homeland and saftey without bloodshed. It's not Magnus dominon or Charles full acceptance but it's nicely in the middle: Saftey, security, and peace. Just as Magneto dropped his dreams twice for Charles, Charles could not begrudge Erik taking a peaceful path to his own. As much as the UN has a hardline "hell no stance" to the idea, Magnus/Erik/Jimmy The Reach almost had his dream. A bunch of hardworking mutants forming the future of their kind.

And then... the dream ended. Bastion killed millions and leech, who was in genosha thanks to him died. Despite his power... Magneto could do nothing. He fought, he gnahsed.. and he only survivied because Bastion wanted him as a trophy. And in the aftermath he finds mankinds allies like val had a knife to their throat this wohle time, Bastion was merely the one to plunge the blade in.

And as Warned.. magneto lets them down, plunging earth into darkness and planning to let it die. He's lost the hope he had and i'ts replaced only with rage. The rage of a man whose parents were murdered, who saw his people lined up in camps, and who sees the same all too close to happening. And he has onlyone word for it.

ENOUGH

He takes Rogue, i'll get into that whole mess of a relationship and roberto and has.. no real plan. When you look at his other apperances in the OG.. he had genuine thought. Destroy a plant to make them pay, get away from humanity so they stop hounding us, end times war. They weren't always stable plans, but he had one. Here he just plans to wait until everything else dies and figure otu the logistics later. It feels like Magneto has no mission, that this isn't another grand strike against humanity, but a murder suicide: he's taking the planet with him content to rot on an asteroid with those few he can take with him.

It's why charles plan to talk to him.. dosen't work. Granted "Talk magneto down" has NEVER worked for him, but Magnus dosen't want to talk... he wants earth to die. While Charles microwaving his brain isn't plesant, it's the only way to get through to him. To remind him who he was: a kind empathetic german man who'd been thorugh so much.. and who isn't alone. As reluctantly as they were to accept him, the x-men welcomed him into the family and tried to let him in. He accepted them in turn. His kids, including Polaris. He's not alone and thus he backs away from the abyss with a rousing MAGNETO LIVES and saves the world. Granted like most of these stories it's not over, there's more ground to cover next time, and the comiccon footage apparently featured another trial. But at least a man who lashed out at the world constantly and angrily, and often justifably, has found peace. Will he be able to keep it? We'll see.

Rogue and Gambit: A Romantic Tragedy

So Rogue and Gambit are one of the premire love stories in x-men... two people with checkered pasts drawn to each other but who can't touch less Gambit die. Granted man a fan will tell you "worth it", but I get Rogue not wanting to murder him with her vagina. Understnadable. Thankfully they've found workarounds and after a decade or so apart married and despite various obstacles, have stayed that way up to the current run of uncanny x-men.

In the show.. we're still in that will they or won't they. XTAS danced at the edge a few times but while it was allowed to have continuity, they weren't allowed to pull the trigger on something that big. 97 decides rather than do that to add some good old fashioned xavier's brand suffering on top of their already hard lives.

The Gambit Rogue Magneto love triangle.. is bad. In the comics it wasn't great: Initially Rogue and Magneto was done and done quick: She was attracted to him during their savage land adventures, it's implied since she was depowered at the time they slept together, she turned on him when he slaughtered some people.

But then age of apocalypse happened, a reality where despite the age gap, they married, and canon tried to make it a thing, first with his amnesic clone joseph then in x-men legacy when it happneed but when the writers switched, Christos Gage wasnt' itnrested and slowly broke it off. And before that it was clearly more just physical.

So yeah.. it wasn't exactly the best idea to begin with. She's about as old as one of his children and writers coudln't quite make it work when tried. 97 couldn't either: In hindsight Magneto comes off more as the hunk you have a character in a romance series get with for a few episodes, the sexy bad boy to contrast the guy she ends up with. Other guy may also be a sexy bad boy, as is the case here, but he's the less destructive one. As Chandler's mom on friends put it "He's a complication you put in then kill off".

And look that idea.. kinda works for me: Rogue finds someone who an bypass her power and thus it puts her need for phsyical intamacy against her emotoinal connectin wtih remy. It's a good foundtation. The problem is Magneto ... does not make the best sexy bad boy romantic false lead. He's a foxy grandpa, we all know this and accept this. He's got abs for days. Magneto being sexy is not the problem. Magneto has been a sex machine since the 80s.

The problem is the age gap. Rogue is in her late 20's early 30's. Doing the math since the comics have him born in the late 20's, I went with 1928, and subtracting that from 1997, when the show takes place we get

Which is nice, but also means he's twice her age. The two's romantic past is teased at and then revealed later: Sometime in her 20's Rogue took her to magneto.. and there in lies an issue in itself as the timeline for Rogue in the OG is very vauge. She was 13 when she kissed her childhood sweetheart, comaed him, and was adopted by mystique. XTAS does use an adult model.. but more for budget reasons, making it very hard to know when this happened or when Magneto wooed rouge, making many think he was a pdeophile. He wasn't, the writers cleared it up she was 20.. but he still would've been 50 or 60 by that metric. It's still a bad look. I love Magneto but my god is it a horrible idea to have him boink a 20 year old who was also vunerable and hadnt had sex before. Saying he groomed her... isn't entirely inaccurate. She still got out and was older, but he's still old enough to be her grandpa. This was not thought through at all and instead of this possible rugged sexual romance it comes of as

I don't know how the hell they got this far with this storyline but ti's bad.

The actual Rogue and Gambit stuff works better. She wants to be touched and while she was willing to play along with gambit's flirtations, it's a genuinely hard choice between a romance where you can never touche the other person , and not just sexually, and one where you can have that.

Both Rogue and Gambit are trapped in this stupid love triagnle for four episodes, with Remember It paying it off... and while I hate what they did with magneto, the whole focusing on an overwrought romance storyline.. works. With how much it's firing up you dont' see the hammer coming till cable arrives and by then it's too late.

So we've come to Gambit's Death. And it .. is amazing. It was a shock, as I went into the episode blind and while my smug ass had predicted the genoshan genocide would happen this season, there were plenty of hints with the fact genosha existed at all, the sentinal spooky jean dream. But I give it to DeMayo: He had this twist planned, and hits you like a truck.

As for why Remy that's simple: it'd hurt. It'd hurt bad. He was the sarcastic playboy of the team, making bengets in his bitching crop top. As much danger as the x-men get into no one thinks they'd kill one of their biggest characters. And yet.. they did.

His death is perfectly done. Remy gets stabbed with rebar, and rather than go down easy.. he simply cooly delivers his one liner and lights up the whole damn snetinel, knowing it'll kill him and likely the only reaosn he hadn't tried this trick before. There's no way he could charge something up that big and be healthy enough.

Now again Remy could come back, but a sa ghouslish zombie it makes it more platable, a mockery of what Remy did.

So as the recap covers, Rogue handles things poorly, putting all her energy into getting revenge going on a sterling archer level rampage tearing apart the military , throwing Steve's shield into the distance and getting colder and angerier with each action. Instead of letting herself greive she's thrown herself into her rage, and while unlike many a senseless death she can in fact punch those responsible, it's not going to bring him back. She's forced to reckon with this after brain jacking gyrinch, who is summiarly murdered by bastion as a sloppy loose end

But it dosen't help.. but even her brother's support, getting her to greive.. dosen't fix the pain. So when Bolivar trask, who while coerced into it by Sinister and Bastion still has remy's blood and the blood of millions on his hands, reveals he dosen't have anything else.. she lets him drop. And when questonied on it by everyone else, is unapologetic.

It's here I have to give Lenore Zahn all the props. Out of the returning cast she gets the most to do this season, the most challening material and she nails it, nicely oscelating between pure grief and pure rage. The grief she sadly had help with: her niece died and she channeled that grief into Rogues, and it makes it all the more raw and painful. The rage.. is all her and well done. It makes Rogues eventual if brief Heel turn, and a mild one at that, all the more belivible. She hasn't had time to proces and unlike most whove lost someone actually CAN blame someone. It's a miracle Gyrinch made it out of their encounter alive and likely ONLY because the memories overwhelmed her.

So it's not a remote shock when one brief coma later... Rogue joins magneto. There's no romance left, thank god, just pure rage Erik gleefully accepts. She's willing to turn her back on all she's belivied in, a better world, the dream.. because the dream.. let her down. It killed remy, humanity has given barely a fuck after genosha, and humanity gladly funded their extinction. She's done. It's horrifying to see.. but every step we saw coming. The best and hardest part.. is that it's not because she was with the brotherhood once. They put her in her brotherhood uniform from the comics, her first uniform as an x-man there too.. but this is soley because of who she's been as an x-man: The love of her life who she realized too late she was ready for died fighting for the dream she truly belivied.... and all it did was wake her up.

She does fight her friends when they arrive, too blinded by grief and rage to see "wait are we the baddies" versus Roberto who is clearly regretting this decision. But it says something to who Rogue is.. that she turns back pretty quickly. Once Magneto's down she snaps back. You could say this is a bit convient.. but the x-men really don't have time to hash things out with her. She's family.. and not the kind who will lambast you for being part of the woke mob, I mean the kind that's built so heavily, that's such a part of you it's hard to let go. Neither side had trouble fighting, but when the world's at stake and she's had time to realize, Rogue snaps back to being a hero. Because heartbroken , pissed off at the world or a little of both.. that's who she is. There will no doubt be consequences to her actions and more recriminations later. Turning her back on her found family can't have gone down well.. but when they needed her she returned to the side of good and fought hard. Granted she also got to beat the shit out of bastion for killing Remy, so that helps, but it's still nice. And again like with Magneto and most of 97.. things aren't really wrapped up. They knew they had at least one more season. We can unpack those consequences next year in another large review that will drive me to the brink. For now it's a solid ending. So now for

The Summers Piror Howlett Knolastname Love Pentagle

Yes I'm covering 5 characters in one section as outside of morph, whose mostly wolverine's best buddy whose secretly in love with him this season or there for cool cameos, their story arcs for the seasons are entwined with this tornado of romantic drama. even Morphs one real personal moment gets thrown in. Scott apparently go one reality without falling ass backwards into a love triangle, diamond or in this case rhombus. Except that time he was in an open relationship. God I miss Krakoa. They never did fully adress if Wolverine and Cyclops boned. LIke even if it was a threeway they had to have made out once. I mean right? Right?

Anyways this big ole love rhombus comes from a set of complicated circumstances only something this gloriously comic booky could make work, something so soapy only the x-men can rock it. So we open the season with what we thought was Jean and Scott having a baby. This is actually Maddie and for the sake of clarity we'll be using the name. But as I brought up in the recap this maddie is really more a second jean grey: she has all of jean's memories, feelings, relationships, all of it, and had NO idea she was replacing her.

So the first two episodes are about Maddie wanting to try for a normal life and Scott being reluctant. And the reason is simple: He's never had one. His dad is a space pirate, he has two brothers he dosen't realize exist, and his mom was killed by an alien emperoror for refusing him. Being an x-man is his life: charles recruited him from the orphanage at 15. While he didn't have to murder a diamond man in this continuity who charles rescued him from, he still had a life of not being accepted as a mutant with his family presumed dead till his new dad showed up and gave him purpose: A shiny new team to lead that ended up helping him meet the love of his life, a noble goal.

The problem was while Xavier MEANT well, he also trained Scott as his most loyal soldier. He realized too late that he'd made Scott's life entirely about leading, being the x-men being the best because it was all he ever had. Scott was the son Charles never had ,as far as he knew legion could still pop up, and he treated him well.. but he also gave Scott the same singular drive to put the dream over everything else that destroyed most of Charles personal relationships and will again. Despite their own doubts.. the x-men WOULD have been fine without him. Storm has proven at this point she's a great leader, if she wouldn't I'm confident Rogue or Beast would've stepped up. (for the record, Morph dosen't want the role, Wolverine's too much of a loner to lead the team full time even if he has the potetial, Jubilee isn't ready and Gambit dosen't want the responsibility. But he's too busy trying to BE his dad to notice; to be charles: exacting, loyal to nothing except the dream.. but shutting everyone out. The first episode is all about how Scott's let the stick go further up his ass than usual, getting Mad Gambit skipped a mission.. .that they handled fine with just three x-men, one of which is easily their strongest. Logan lays into scott with a purely cutting line that despite Maddie trying to assure him he did fully mean

What Gyrich did was pretty horrible, but you wanna know the worst part about the professor being gone? YOU

Frankly.. he's right. Scott is trying so hard to be charles he can't be himself. We see him doing best as leader during "To me my x-men" when he's being himself: in the opening he's tactical as hell, but respects storm and bishop during the rescue. In the climax of the episode, he has the team work to their strengths and let sthem relax. Scott isn't a bad leader, but had to accept leading isn't barking orders but trusting your teammates while knowing them well enough to use their skills.

Speaking of skills let's talk about Scott's glow up in this series. Now Scott Summers still fucks up plenty perosnally. We've got way more to cover, you've seen the previous seconds, he's a fucking mess. But that's.. normal for the comics. Most of Scott's fuckups are taken from there: Scott emotoinally repressed himself to a painful degree and thus isn't good with relationship stuff. He can love, he and Jean and later maddie clearly love each other, but it's hard for him to open up and actually.. talk about his problems, so he buries them for the good of the mission till they explode and smack him in the face.

97 captures that well while ballancing it with his other sides; Scott can be funny on occasion, gettin ga few good quips, the best being when his son whose older than him complains abou this uniform "what'd you expect black leather" he can be quippy and have fun, while still having severe issues. It's never over the line that it's not scott, but it's enough to reveal the dork underneath the layers of trauma.

Previous adaptations have not been kind to scott. It's why Scott's known as the boring one for most casual x-fans. Even as a kid I thought that. It wasn't till reading Gilleon and Claremont's work I saw what scott could be. Many a writer in and out of comics focus on Scott the tight ass: XCU Scott , despite being played by the talented James Marsden, is a pretty dry guy whose entirely personality is "get your hands off of my woman mother fucccckeerrrrr" and then he dies. The second scott had potetial, but was reduced to Jean guy for Dark Phoenix, and his actor was one of many who had just given up by that point and I still dont' blame them. In the predecessor to this series, Scott isn't as bad but is still stuck to being the killjoy in a cast of more intresting characters, not helped by Jean being so much worse. And wolverine and the x-men makes him into a morose man with a Jean obessesion. YOu get the pattern now: outisde of evolution most cyclops are jean simps with little else to go on. XTAS is better, having episodes focusing on his orphan past and a neat solo episode or two. While he can be dry, the series did try to flesh him out and give him more than saying his girlfriends name a lot. He did say it a lot but he had ore. Evolution got him right before this as while him pining after jean is his main subplot he does get reuinted with his brother, have a close friendship with kurt, and show he IS A GOOD LEADER.

97 on the other hand shows all of scott. He can be funny, troubled.. or a total badass. 97 Relishes in letting the cast show off and Scott really gets to flex. In said first episode he takes out racist with a not joke, uses his powers to clear the field alternating between his optic blasts and good old martial arts for the colose quarters and cumilates it by , when lacking a parachute, USING HIS OPTIC BLASTS TO MAKE HIS WAY DOWN WHILE SCREAMING. This one episode does more to show how capable scott is than any previous adaptation and honestly does more with his powers than the comics often do.

So back to the summary and Scotty let's go, and plans to leave. Then his dad throws a well meaning but tone deaf curveball: he gives the school to magneto, meaning Scott refuses to leave because Magneto's in charge even though everyone's dealing okay and this isn't an evil plan. Maddi'es frustrated, but has bigger issues as during the assualt on the un she goes into labor. The labor goes fine once Rogue steps in and Scott's there for it, and gets a break. He gets to see his son born, Nathan Charles Summers and despite what happened with storm, is ready to move on. He can trust magneto.

Then of course, as usual for scott Life kicks him in the balls 37 times: Jean shows up at the door.

It's here we can talk about Jean and Maddie a bit more. Maddie wants to leave, but i'ts clear from Charles gifting the school to magnus the original wanted to too.

So after Jean arrives, Beast determines she's the original and Maddie isn't. And the X-Men. ... handle this poorly. I've talked about this a little but in one of the weakest parts of the season, they ALL turn their backs on her. They just kinda.. stand their gaping, not really willing to talk to her, and while she could be an imposter.. they don't know that. Someone could've faked it or "real" jean coul'dve been kidnapped years ago. They don't know enough to not say anything and it's weird. I feel Storm was shoed off so early, besides pacing, partly because with all the talk of her and jean as sisters, she'd actually defend maddie.

And Scott.. fucks up the worst. He says nothing WHEN directly asked. When Maddie needed him.. he froze. And this.. all goes as plan as Sinister was banking on the x-mens being immotinally tone deaf and confronts maddie, stealing Nathan and turning her into the Goblyn queen.

The back turning does work a bit though as it makes Maddie's rage, amped up by sinisters brainwashing similar to what he did to morph, entirely beliveable. Her family turned on her despite the fact that, as we find out.. she'ss also jean. She has all the memories, all the attachments everything. And her family turned on her for something she coudln't know. While her reasoning for working with sinister is brainwashing, I suspect he barely had to push to get her to fight her family.

And like Scott.. this series does jean better through both of herselves. Jean also gets the short end of the stick: Her XCU counterpart is pretty good up till last stand, ditto for her second version played by sophie turner for apocalypse and is one of the few bright spots of dark phoenix. But her others... not so much. The XTAS jean was often helpless, screamed a lot and got kidnapped.. not as much as you'd think but still more than someone of her power set should. Jean gets reduced to one of two things too often: a sexy lamp for scott to angst about, or PHOENIX.

97 has her realtionship with Scott AND her status as phoenix crop up, but it's not all of her. We see who jean is, kind, compasionate, well loved.. and badass. Maddie gets to show off first, her fight with the x-men in an old church being a through curbstomp and before that her mind grab of gyrinch. Her using stain glass to fill magneto with holes is the highlight.

It's ironically Jean that beats Maddie, but through said compassion. Jean is in a coma after escaping, or being let go to cause chaos, and only wakes up thanks to Logan. Logan had a not at all subtle crush on jean throughout all of XTAS. it was honestly deeply unhealthy and not really reciprocated. It was implied once she had feelings but that's about it, pretty much lke the comics before new x-men.

Yet now.. things change as what wakes her up is his deep feeling. Am I saying this message is healthy, that just pining after someone's wife and one day they'll notice you? Fuck no, I don't think they thought that through, but a later part shows thorugh all his moping about jean leaving, Logan loves HER, and wont' stop her happy. He could've said he didn't want her to go or done something.. but he didn't. Well Maddie to go but he thought i was jean and so did she

Logan.. is left ot the background in 97. He's not out of focus like Beast, Morph and Bishop, he gets this subplot with jean, plenty of great interactions with Kurt once he joins, and is often his usual surly voice of "just stab em already." he's also happy to celebrate Jubilee's birthday and I feel we were robbe of seeing logan play laser tag and arcade games. This isn't a bad thing as he still gets to snikkt, be put on merchandise (including an x-men 97 i'm wearing right now), and get stuff to do and while cal dod's voices is ntoicably lower it dosen't really hurt his performance any. We get all the wolverine we want.. but he also dosen't take up the oxygen.

Before jean can process that though she has to help her clone, heling Maddie realize she's a person too and has one thing jean dosen't: Nathan. Maddie snaps out of it, she was tricked, we were over this and after bidding nathan goodbye.. leaves. Jean does offer her to stay.. but she needs her own life. Her friends already made it clear they don't see her as jean with their inital reaction, and as far as she knows, Scott would choose "the real jean".

So a month or two passes offscreen

Maddie has moved on with her life: She's joined Genosha's quiet council which has people she knew as Jean but won't constnatly compare her. She's doing something good. She's also dooing scott.

Yeah I mentioned the affair earlier and like I said it's a bit better here: Scott isn't manipulated into it before setting into things and there's more shades of grey. While Scott SHOULD have broken up with Jean, we established from his freezing on maddie in the first place that Scott.. is bad at emotoinal stuff. It dosen't make it okay for either of them, it's clear he realized maddie was still a person and what they shared was still real.

Thing is while Jean's right to be mad at Scott for not just.. breaking up with her... we didn't really get into how much of an asshole jean comes off. Keep in mind sh'es being cheated on with her husband... yet moments before in episode.. she tries to kiss Logan. It's clear she also has feelings for someone else, tried to cheat, and only didn't because Logan knew it'd be wrong. Granted he also projected that her and scott's relationship is going great when it very much wasn't and it's also very weird he just kinda.. tunes Maddie's existance out. There's a second Jean out there and he just.. has no reaction. Guy either has major tunnel vision or really does think he's that unlovable that any jean would prefer scott. Probably both.

So while Jean is right to be angry.. the fact she nearly cheated and what she sasys about Maddie drains the sympathy out of me. She says "Run off to genosha with my clone". Again Maddie had NOTHING to do with what happened to her and was technically with Scott too. I'm once again not saying the cheating was okay, Scott should've broken things off with Jean but was too scared to. It still wouldn't of been great for Jean to be left at bad time in her life... but if Scott is intrested in someone else, let alone another Jean he should tell his wife and actually talk about it instead of waiting for it to blow up. He's honest about how unhappy they clearly are after everything when Jean fights with him.. but only AFTER he was caught. Neither Summers comes out of this looking good: Scott couldn't be fucking honest, and Jean is a hypcorite who unpersons her literal other self simply because it's now convient to do so.

But like most of the romantic drama in this series, genosha hits it like a brick and in a heartbreaking moment... Maddie is wiped out with her son failing to save her. And as we find out later, Nathan has tried this again and again despite knowing it's a fixed point in time. And while I feel weird about bringing up kamar tahj, as it's a wholly mcu thing, I'm fine with this mcu point being added here. The idea some things happen and can't be taken out without destroying time. Genosha is so foundational to this timeline now Cable can't save his mom. And yes we'll be throwing nathan in here too.

Maddie's death wakes Jean up and she feels genuinely terrible for how she thought of her, realizing they were sisters.. and now she's gone. Granted Maddie COULD pop back up, though I mostly feel that's possible since we never saw the body or the death onscren. We saw sebastian shaw and banshee get desntigrated. We saw Remy's corpse and even that's not going to stop him from coming back. I do get the reason for Maddie's death, the suddeness of all this potetial storyline and her whole life going away... but I do hope she comes back as she was a great addition.

Jean and Scott's crumbling relationship is tabled for the rest of the season, their sorta together, but simply don't have the time to talk about how damaged their relationship is. Instead Jean while getting some awesome fights, mostly takes a back seat for

THE SCOTT AND NATHAN SUMMERS DADDY ISSUES HOUR!!!!!!!

Cable is back for the end of days and cold to his dad for sending him into the future. Scott puts all the blame on himself, when he had no choice and Bishop and Nathan got seperated. Scott Summers worst enemy as always is Scott Summers, unable to forgive himself for something he coudln't stop or see like his own dad he didn't abandon him on purpose: Corsair thought Scott died, and Scott had to send nathan away or watch him die.

Thankfully he lightens up as he goes, with the blaack leather quip and all, realizing it's likely not all his fault. It woud've been nice if we had this revelation on screen but still. Scott still has daddy issues to spare though as his dad is back from space.. no not the pirate the psychic bald man.

Charles returns, more on that later, and while for most of the x-men it's a relief, Scott feels once again abandoned and pissed about Charles trying to give him a normal life. Which.. is fair. While a lot of it is Scott almost had one but turns out Sinister would never let that happen, Charles.. coudl've left the WHY he left it to magneto in the will, especially since you know Scott read that thing front to back ten times to try and figure out why Daddy seemingly didn't love him anymore. He also did so without Scott's consent. Granted blaming Charles for Magneto is a step too far as .. no Scotty, erik tried. It was genocide what drove him to try and destroy the planet.

So the couple seperate to go do what they need to do: Jean takes Nathan to go after Bastion, Scott goes into space. And Scotty leaves the season with one more fuckup, if once again one you can understand. When he hears Jean almost die, he stops the team from finishing magneto to give her more time... which results in logan trying to murder Magneto and Erik ripping out his metal. It's something that will likely fester, as it's hard to see Logan forgiving this entirely. Yet at the same time... Cyclops words to logan as he's fighting to repair himself.. make it clear he know who jean REALLY loves now... and it'd break her if he died. "SO live".

Scott in this series is engaging: He's a badass.. but also all too ready to fuck up.. but instead of being because "he's the leader maN" like the past it's because.. he's mortal. He's fallable. He fucks up but it's in ways you can understand from his guitl complex to his issues with charles. He's TRYING to do the right thing but his need to do so combats with the fact life is complicated and mutant life doubly so. He ends the season in a place of peace shockingly.. when thinking he'll die he has jean let him contact nathan, making peace with his son and himself. He dosen't and may get that chance to raise the boy he thought he never would, but I can't wait to see.

So onto Jean, who at the same time had an awesome fight with sinister, throwing a whole bowling alley at the motherfucker. Sinister activates his tramp mutant old man and Cable nearly kills her... but then we get a conviently timed deus ex machina. Now look.. Jean getting the power of the phoenix again.. dosen't make a ton of sense, comes out of nowhere, and is a pretty giant ass pull. That said... Jean collaring bastion and then stripping sinister of his dna leaving him a withered husk, after everything he'd done to the summers family. Cathartic as hell. Jean's story dosen't get a bow or anything, but this series does her well.

So that leaves us with two more to tackle. The first is Nathan whose not in hte love triangle for obvious reasoons but is the result of it. Cable is just kinda there to resent his dad, give us exposition and be a tease for next season. He's played well, fun to watch and that tearjerker with his parents hurts. But he's there. Look foward to seeing x-force next time. Not a super fan of the team but it might mean getting to see sam again.

So that leaves just one more: Morph. Morph mostly sticks to the background, his role early on being "Logan's best friend". But it's a fun role to see as with Nightcrawler not coming in till mid season, this Logan.. doosen't have many friends left. He's sorta friends with Storm, Gambit and Rogue but keeps all three at claws length, figths with scott constnatly, pines after jean and sees Charles as his dad but won't admit it despite being way older than him. Jubilee and Beast are the only ones on the team in the og he really seemed to like and actually admit it to himself. Hank, similar to nightcrawler in the comics and this series, breaks through and makes him laugh and Jubilee is like a daughter to him. Morph was his best friend, the series shows just how close there are and when Morph ran off, Logan ran after him till it was clear Morph didn't want to be found. When Morph returned to the team, Logan helped him face his fears.

So here we get to see them in their natural state... and Morph helps. He instantly sees Logan's pining moping about jean and mocks it, but in a way to get Logan out of it. When it seems like Jean's actually leaving, he offers him beer and when that dosen't work, turns into Sabertooth for a round of horseplay. You see how much care and trust is there.

Morph does get a LITTLE more to do. While their main role is using their upgraded powers to give us cameos for characters they coudln't squeeze into this season, but to tease them for presumibly future adventures in cases like Magik, their clearly rattled by sinister and gets the last laugh when the motherfucker is deaged. When Sinister has the nerve to ask for his old face... Morph gives the new one and clearly takes delight. Morph is great here and Karlak is an improvment over the original.

That said there is a tease for next season as it's revealed Morph isn't just friends with logan.. their in love with him, saying so while shifted as jean to get him to fight on. They likely knows Logan dosen't feel the same way, either because he's straight or simply dosen't feel that way if he isn't but wants him to get better and I hope next season they gets more to do.

Lifedeath: A Love Story

Storm is in a weird place in x-men 97: She's both the center of a major arc, one of the seasons best.. but as a result is gone for most of the season outside of said arc and takes a back seat in the finale, with things being so dire she never gets a chance to react to the maddie thing and being on defense during the raid on Bastion's Islan means she isn't really a factor in the final battle. While most of the team still concious get to kick bastions ass, I don't remember Storm getting ot do much .

That said it ends up working and was sadly necessary: The cast of X-Men 97 is MASSIVE with the main cast containing around 15 major characters, some of hwom are only main for a few episodes but still get focus like Cable or Forge. Even taking them and Roberto out and sticking them in recurring, that's still 13 x-men to juggle. The show does so decently: Nightcrawler dosen't show up till halfway through and joins the team in the wake of Remy's absence, they split the team in two for the big climax with two members having joined team wait to die slowly, they juggle decently with only Bishop feeling like a plot device.

So Storm gets plenty of presence in the first two episodes, takling with Jean and cementing their friendship. It was implied in the original series but 97 does a good job making it feel real in a short time. She calms down maddie (Who both parties think is jean at that point), and admits her own wants to be human once upon a time. It's a good idea to struggle with: that your proud of who you are, but can wonder if it would be easier if you weren't. I'm a proud bisexual, but preferring women and not dating a lot in general it'd be easy to hide that. I never HAD to tell my family.. I just wanted to. I wanted to be who I am. Not every queer person gets that option, and it's that pull of living saftely and being who you are.

And storm gets the option.. in the most horrifyign way possible. Taking the energy ray thing for magneto, she looses her power... and is devistated as anyone would be. For many mutatns their power is a curse: Rogue can't touch anyone, Scott can't look anyone directly in the eye without decapitating them, Beast accepts his but hates how he gets prejudged for what he is. There's even that mole guy from XTAS who gets beaten to death by a mob despite having no powers except looking like a mole.

For Storm it's a gift: not feeling the currents, the weather... it feels like one of her sense are gone. THUNDER, startles her because she can't sense it. It's a metaphor for someone loosing a sense in an accident, something that could make you you like your sense of hearing. I"m not sure I could take loosing mine and loosing music.

So Storm realizes she can't figure out who she is NOW and be an x-man and leaves and finds in a texas bar Forge. As I covered before Forge.. was barely a thing in XTAS. He was mission contorl for bishop, head of x-factor, who he left between series, and helped out during the phallanx covenant two parter.. but really never bonded with most of the x-men or did anything.

97 takes advantage of that to flesh him out: He has a small house with a big lab taking up the basement, left x-factor, has been in the goverment a long time and is clearly attracted to ororo. Their chemistry feels natural here, both strong capable people who are drawn to one another by their free spirits and reliance on their gifts. Forge is everything to him too. He also has lost something and had to get used to a replacement, something not usper called attnetion too but still present in his prosetic leg. Granted this being a superhero universe, his leg is a super leg he built himeslf, but it's still not the same.

As discussed.. he's also the one who in a way is responsible for Storm's predicament. He's able to counter the neutralizer tech.. because he built it. The scene where he reveals it is powerful, and again a massiv eimporvment over lifedeath, with Forge admitting it and his guilt and rightfully being called out for lying.

Unlike the comics though... Storm's forced to work through her issues with forge right away. She plans to run.. but then the adversary shows up, forcing her to fight her inner demons.

It's revealed that desire to be human.. is what's holding her back. It wasn't a thing of the past and the idea she can avoid the cycle of death and destruction that comes with being herself has held her back. The device worked.. but she can't stomach it. Storm has to confront this hidden part of her, something i'm sure a lot of ppeople deal with: a thought about yourself you can't stand because it's so vile.

It's only by facing this and her issues with forge, going to get Daniel a cure, that she can be free from her literal demon and metaphorical ones: while the adversary tries to taunt her.. she realizes she was scared, it was tempting.. but she can't fall to that idea, that dream. Being a mutant.. is who she is. She can hide it but she can't change it... and she dosen't want to hide it. A moment of weakness dosen't make you weak, it allows you to become stronger and Storm soars out gloriously in her 70's costume. Sadly she does try to take a break.. but as we discussed... there's no time for that. But her development allows her to be what she's always been: a pillar for her friends, while acknolwdging she dosen't have to be just that.

Forge is pretty great, taking what I always loved about the character and throwing out the creepy undertones and bits of accidental racisim. His cheyne heritage is present, but not overwrought, he feels genuinely guilty about lying, and in general is a better guy. He's also a setup for season 2 as loosing ororo he tries to carry on her dream... only to find he may be able to save her yet. Also his name is daniel Lone eagle which is neat.

Jubilee and Roberto: Out and Proud, Closeted and Afraid

So for 97 Jubilee got a plot i'm shocked never happened in XTAS: Jubilee got a boyfrined. Part of this might of been a fear of serilization by the editors: Beast's one romance arc, while powerful and painful, was a one off episode, Gambit and Rogue was will they or won't they, and I get the sense they didn't want Cyclops and Jean to stay married after the proposal that ended season 1. The closest Jubilee got was Longshot, and he was still a grown man with hollow bones like a bird and not really intrested in her as more than a friend. Thank god.

So 97 uses this gap to help bring in a new face, one who was totally on the table for the previous series but was never used for some werid reason: Sunspot aka Roberto DeCosta

So cards on the table: Roberto DeCosta is one of my faviorite mutants. Hearing he was not only getting adapted but to the main cast was my main reason for checking out the series before the trailer dropped. Berto has been adapted before, but in very small parts with New Mutants being the exception.. and new mutants is so eh he wasn't really given anything resembling a personality.

Roberto was around before Jubilee as part of the new mutants, Xavier's previous class I planned to cover this mutant month but then this review took several days to get done. The New Mutants were the next generation of mutants, various aged teens thrown together with the intention of guiding their gifts but since the x-men existed, not with the intent of them being the x-men like last time. This didn't protect them from danger but gave us some of mutantkinds best like Magik, Wolfsbane, and two of my other faviorites Cypher, a teen who can decypher any launguage and Warlock, a delightful alien from another planet whose dad is trying to kill him

Warlock can and does use english, and is a good selffriend.

Only Wolfsbane, Cannonball and Warlock showed up in XTAS, as a bulk of the new mutants were out of the picture in the comics at the time: Dani moonstar left, Karma was left in comic book limbo for a while, Magma was written off and Warlock was throught dead but came back during the 90's. Wolfsbane got a voiceless cameo but the other two did get full episodes, Cannoball a decentl set up but badly animated episode about a shady goverment agnecy trying to recruit sam, and Warlock the center of the phallanax covneant two parter.

Roberto was nowhere to be found and thus fair game and honestly a perfect fit: With age fluctuations, Roberto and Jubilee have never been around each other or the same age long enough to date, though now their both nebuously in their 20's maybe Gail Simone will make that happen. Do it gail. Do ittttttt.

97.. just drops him in at 17 or 18, same age Jubes is as by this point. You see why the two click: Roberto is also prideful, fashionable and a smooth talker with tons of sass. It's no suprise he's visting just one episode after this and their making out and implied to go further what's implied to only be weeks later.

Yet they also contast nicely: While Jubilee was uneasy with her powers, by this point she's a proud x-man, in decent control of them and trying to guide Roberto through those rough early stages. She had disaproving guardians when her power woke up but soon found a new family in the x-men.

Roberto... has his birth parents but is dead afraid they won't accept him, something even queer people with the most accepting parents (raises hand) have felt. MY moms reaction was pretty much "Okay good for you", and I was still terrified of telling her, never mind my dad whose argument against gay marriage was "I guess I can marry my cat now". He was also shockingly accepting and at worst told me to make sure I use protection... which feels mildly insulting but compared to the rejection I was expecting i'll take "well meaning homophobia".

Roberto hiding it from his parents isn't taken from the comics.. but tha'ts only because his x gene activated during a football match after a racist winged him. Not for being a mutant, but for being afro latino. And yeap this adaptation once again falls into the trap of not making Roberto dark skinned. It's annoying and there's no excuse for it. Admtiely his skin color DOES fluctuate, but I still wish writers and casting remmbered this.

Anyways, Roberto is terrfied so he avoids the subject, though he sees a cronneberg of his mother during the nightmare sequence in episode 1. Gambit also saw Magneto and Rogue reinacting the finale of society.

Roberto's parents are changed slightly from the comics. Their barely being around for their son is accurate: in the comics his dad was a succesful 80's buisness scumbag and his mom a rainforest advocate. Their marriage could be best described as "He tried to kill her once and failed because the new mutants were around then tried to brush it off to his son as a whoopsie". Here they don't seem to be trying to have each other killed at least, but still aren't around.

One thing that is accurate to the ocmics is tha tin the long run, only one is important. In the comics it was his 80s buisness scumbag dad who later joined the Hellfire Club. Here it's his 90's fundraising scumbag mom. She seemingly accepts him coming out, having figured it out as he set a boat or two on fire. Classic Roberto. She accepts it.. but wants him to stay closted for optics.

So before we get to Jubilee starring daggers at her so hard it's suprised Mrs Decosta dosen't bleed out already, let's talk about Jubes one episode, Motendo. Jubilee dosen't get a ton of devleopment, most of it being simply the transition between series and into adulthood. Thankfully Motendo does a lot in only 11 minutes to give her an arc.

So it's her birthday but Magneto dosen't want to celebrate because he dosen't understand childhoods. Understandable given everything, but as we discussed he's still a tad dickish for his main reason for not doing this: he'd look rediculous. Still bummed we didn't get magneto doing lazer tags

So Jubes throws a fit in her room, as she do, mad at this and all the changes: clones, magneto, morph's distractingly bald head. She wants to escape into nostalgia. It's a nice bit of commentary, especially from a show that exists because of nostalgia yet chooses not to bank soley on it.

So naturaly mojo gave her a video game console and she ends up reliving her past hits. She clearly wants to stay while Roberto is like "babe we're kinda in mortal danger" and only him nearly dying snaps her out of it. Thankfully Jubilee can rescue herself.. or rather Abscissa, a copy Mojo made to playtest the game who both shows Jubilee her full potetial of her powers, a setup for the finale, and shows her living in the past.. isn't great. The future is scary.. but it's also full of hope. So Jubilee leaves, looses her virinity and all is well

Then genosha and that attempt to come out happen and Jubes is back to being pissy, but this time entirely righeously as Mrs Decosta is throwiing a ball , is salty at the x-men for the xavier thing and generally a dick. So Jubilee decides to spend her not mother in laws cash. They get captured.. and instead of defending her son, Mrs Decosta bascially tells him to go with them and had the emp not happened, Roberto may not of lived much longer. It's a horrifying scene and one all too painfully real: sometimes.. a loved ones love is really that conditional.

So roberto dosen't have time to process his pain and anger when Magneto shows up. Roberto joining him does feel less earned than Rogue, as he was more "Scared to be a mutant".. but still makes sense. Roberto knew his mom was ashamed of his gift.. but didn'tk now how far she'd go and hasn't had time to process this before a big scary man shows up and says "let her die son". It's very clear from the confrontation on Asteroid m his mood is "WHAT THE FUCK DID I DO? OH GOD OH GOD" and seems mildly relived to both reconcile with Jubes and get out of that.

He does level up, if offscreen, training before the three part finale and taking on bastion, finally taking on his comics name. While Jubes is served well enough by the season, though I wish she had more outside her boyfriend, Roberto's arc feels mildly rushed. They can do more going forward with my boy, including a possible evolution into the strategic badass with a love for the mission impossible theme he is now in the comics, but Roberto's one of the characters who got whacked hardest by the writer having to cram all this story into 10 episodes, knowing they'd likely only get 30 max and only had 20 to start. Roberto isn't done dirty but he could do more and hopefully his and JUbes mia status leads to that next season. So speaking of doing more

And the Rest

We have three x-men left over, all great but all out of focus.

We'll start with the boy: I love beast, and this series dosen't write him bad, he still quotes stuff and is voiced perfectly and gets to hyjack robots twice... but it's also very obvious they didn't have much for Hank to do, and thus one of hte best x-men gets sidelined the most out of the cast. He gets a sorta romance with Trish Tilby which is nice, and frankly her turning into a robot and trying to strangle him is an upgrade from her comics self's excuse of "I don't want to be accused of bestiality because you look like aslan now". Still while Trish is left in a robot coma, and we can find out if she willingly consented to being a murder robot and is thus a racist poc or if it was just bastion spreading it around next season. But frankly i'ts just kinda there in a seaon that already has a romantic subplot for every damn x-man. I'm hoping season 2 gives hank an actual plot ,they really dropped they ball with him.

They never even picked it up with Bishop, whose there soley as a plot device. In previous apperances he was fleshe dout and had a goal. Here he's just waiting for Hank to fix his ride. We never find out WHY he's in the past, why he and cable got sperated, and why it took him as long as it did to come on back. I know season 2 will fill in a lot but while he gets a neat moment or two with his powers, Bishop feels like he's mostly there because fans wanted him to join, but the creators only had two episodes of material for him and couldn't write him out because he's needed to get rid of nathan and set up next season. Like Hank he deserves WAY better next season but given he'll likely be integral to rescuing the others, we have a better gaurantee than hank.

Next is one of my faviorite mutants, the man, the myth the fuzzy, it's nightcrawler. And Kurt fans.. we ate good here as while Kurt's only in half of the series not only does he finally join the team in this continuity, he finally picks up a sword. See XTAS focused more on Kurt's spirtual side, which has always been present.

XTAS choose to simply focus on that over kurt's other aspects: his fun loving nature, razor sharp wit, his love of old errol flynn movies, his love of swordplay and adventure born out of that love, dating his adopted sister for several years in universe.. okay maybe that last part can go die in the heart of the sun.

It wasn't a bad take on kurt: It still got his friendship with wolverine and kind empathetic nature in, with as we discussed him trying badly to save his racist brother when most would understand not trying to redeem the guy trying to kill you for what you are. The fact the religious angle was present at all was groundbrekaing for the time and something the Lewalds had to fight the network for.

So 97 keeps him as a preist and former monk, but also allows other aspects to play out: being on krakoa allows him to be more playful and being with the x-men allows him more opportunities to kick ass and triple wield swords using his tail. As a result 97 continues the good groundwork.. but getting Kurt out of the guest sport allows him to be a fuller kurt wagner. He dosen't get a romance subplot because bigger things are hapening and we already have 10 of those, but otherwise he gets to be both a man of faith who can scare dracula and a swashbuckling elf.

He also gets to be the heart of the x-men like in the comics: while Storm also filled that roll in the comics, Kurt was often the voice of peace and a bridge. When Colossus broke up with Kitty Pryde because he found someone who wasn't 13, thank god, Nightcrawler went with him when Wolverine took him into town for a drink to make sure no one got stabbed. Here he helps his sister best he can, helps logan and jubilee process their grief and is there for his friends. I can't wait to see how he meshes with the rest of the team as asid efrom rogue most of the group he's stranded iwth in ancient egypt are characters he hasn't got to interact with in this continuity. Also seeing him join the main credits... god that felt good.

Finally we have Charles. Charles is only around for a few episodes, and the show's handling of him is mixed. The characterization is spot on: he's kind, open and can't let his students go, wanting to relocate his girlfrien'ds bird colonlist empire to earth, something even she knows they'd never accept and gently turns down. Like scott he puts his duty over his life. He TRIES to reverse it, and get the brain wipe.. but he loves his kids too much. He's willing to try for a new life among the stars, but he won't give up his students. He will howeve rschool birds in colonlism, pointing out the empire just takes and homonginzes like any empire. He also stuffs an apple in his sister in laws mouth. Charles is great in his intro.

The issue is.. the first part of the series dosen't clarify if he's dead or not: Scott has his death certifcate, the world thinks he's dead, and Magneto acts like he's dead. They KNEW Charles was coming back, so while the world thinking he's dead is fine... there was no where they could hint at him being in space? It is a nice swerve he's alive.. but it's confusing as fuck for people who haven't watched the original. They explain he recovered but it's a bit much to go from Genosha to "Charles xavier in space with his bird wife". I was numb to it because i'm used to how weird as shit the x-men are. I Proudly reviewed the time they fought dracula and almost did again. But my good friend @jess-the-vampire was deeply confused and I can't blame her. The shows accesible for the most part if you know the broad strokes of x-men... but the shows and films after x-tas leave out the weirder shit so ther'es no aliens or demons. So introducing the shiar is a bit much to take. I"m not saying leave them out, I MISSED that weird shit, but maybe mention them offhand. It'd still be weird a sfuck but we'd be expecting them at some point. It spoils the suprise but when the suprise takes most of your audience to google to find out what th efuck is going on, it's not worth it.

It also takes some of the sting out knowing he was alive. That said him being alive wraps around well as it also means Charles..c an't just avoid his actions. Like Scott and Ororo, he throws away his chance at a happy life away from strife to go help the x-men. And Scott is there to yell at him for it. He meant well with the will.. but his refusal to explain just hurt his son and it's a rift that hasn't quite healed and will likely fester in season 2.

Charles is decent here though. Ross Marquand is good in the roll nad after years of seeing xavier at some of his worst in the krakoan age, it was very nice to see Xavier be a kind mentor and idealist again. No secret deaths or enslaved danger rooms. Just a man hwo can fuck up but means well. And is also very much in love with his best friend and arch enemy. And that's lovely.

Humanity would rather DIE than have kids like US!

So we've come to our final character section

Yeah this review.. has been a lot to put together. Bastion is our big bad for the season, but hides for most of it, only vaugely hinted at in Lifedeath Part 1 before his debut in Bright Eyes.

It works incredibly well though: We have no idea the goverments funding him or that the sentinel program is even THAT robust. We ssee Trask with a few leftovers, the hint someone's funding him, but that's it. It seemed more likely Sinister was the mastermind.

But that lack of info is what makes him terrifying: out of semeingly nowhere a man the x-men had never heard of creates an entire shadowy genocide operation. It has the same effect Cassandra Nova did in the comics, this new big bad coming in and having been there far longer than they could've prepared for. It's hard to pull off but x-men 97 does so with style.

What helps is that Bastion like the best x-villians is given layers. In the comics they tried this a little with his mother, but mostly defaulted to hateful racist man. Here he's still hateful racist man.. but the chilling kind who tries to make it sound resonable. A shouty demagog is angerous sure, at the time of this article one is running for president again. But someone who appeals to the "logic" in hatred, the petty fears of people without just screaming them is often more terrifying. Bastion is the project 2025 to the friends of humanity's january 6th: changing the system to destroy it for those he deems lesser.

Bastion has a smooth demanor, the perfect counterpoint to our heroes: he's cold, calculating and dosen't care who dies as long as among the bodies are mutantkind and the rest made into slaves. He makes big speeches about how right he is, smugly assured he'll win.

Yet behind all this.. is a pile of self loathing. Due to being flooded with nimrod, Bastion is essentially a mutant himself. He may not have an x gene far as we know, but he's technopathic, had bright red skin, and was ostracisted. He's not much diffrent from our heroes.. yet his mother refusing charles help meant Bastion never realized mutants weren't that diffrent and let himself become a monster, become what the sentinel programming wanted: the perfect weapon. Like many a far right extremist, bastion becomes what he is because he's lashing out and found an echo chamber telling him he's right. IN this case it was robot programs in his brain but still.

Bastion is not forgivable. Scott tries to get him to join the x-men.. but this feels unwiedly. Well meant, but given all he'd done, no way in fuck that should happen. But I get the point: To try and save the villian rather than let them die. Bastion committed genocide.

Yet he's pitiable.. his last words are "Humanity would rather die than have kids like us!"... the truth laid bear.. he did this not because deep down he thought humanity was superior, he tried to hyjack them, or the sentinels were.. but because he hated what he wasand coudlnt' stand people who were happy with who they were. He couldn't stand being a mutant.

Odds and ends

A few last things before we go. Chris Britton's sinister is great nad terifying. Good stuff. He steps right back into it easily.

I loved all the various marvel cameos. From Spidey, both in and out of costume, to iron man, to cap it was nice to see all corners of the marvel universe. I especailly loved getting a zemo cameo.

I do wish we'd gotten an actual pperance of magik as somehow between the og and now, she's both now a teen and has been kidnapped by demons and all that. Probably setup for next sesaon.

Cap's a bit of a dick here. While yes in the 80's and 90's, cap would abide the goverment more, this dosen't feel like a thing he'd hold back on. He DID quit over trying to exert more contorl, he'd work that red tape.

Conclusion:

X-Men 97 is excellent, both in i'ts own right and as a love letter to the x-men. Well scripted, animated and acted, it's the best of the four x-men animated shows and possibly the best adaptation of the work. This is a true masterpice and while it took me nearly a week of work on an doff to get this done, it was well worth it

Next Time: Kurt Wagner finds out he has too mommies as we look at x-men blue origins

[stere0typical]

RTD's defence of doctor who being put on Iplayer and Disney+ at 12am GMT is stupid.

And not stupid in a "why is he doing that" way, stupid in a "he's talking shite" way.

Don't get me wrong, I get he has to defend it to keep that disney money or whatever, but his responses to how this change affects fans of the show are bad, and to feign that it suits the viewers better is just a mockery.

He's, for some reason, saying kids should stay up till 2am to watch it and comparing it to midnight H*rry P*tter book releases, like an episode coming out ever week for a season and a physical book coming out once every 2 years or so is the same situation with the same spoiler risk I guess???

RTD has also said that it was easy for him, the 60 year old man, to avoid spoilers for Game Of Thrones while that was coming out in the morning so why can't we all just do the same. And also said if you're in any Doctor Who fan spaces online you'll get spoiled before the episodes come out anyway! Because people leaking the show, and Americans being able to watch and talk about the show before you because of how the release time suits them better is the exact same situation I guess!

Also him talking out his arse with "well the show being on at 6.30 made it so people working Saturday night shifts couldn't watch it so there's no release time that'll suit everyone" is really the cherry on top of him using shite excuses.

TLDR: While I understand why he has to defend this decision, his responses to the valid annoyances to the main audience of the show that live in a GMT time zone, or who will want to watch it on BBC 1, are out of touch, and the least he could do was come up with better excuses.

[adarkrainbow]

Lost media quest: H&G Epic Tales (part 1)

Some times ago I stumbled upon the trailer for an animated storybook adapting "Hansel and Gretel". I even made a quick post about it and then moved on my way. However, what I was not expecting was that my casual search would end up throwing me into a whole "lost media" investigation...

So I present to you the first report of my search for the lost media "Hansel and Gretel - Epic Tales".

"Hansel and Gretel - Epic Tales" is the English title of an interactive, animated storybook originally created by a Dutch team - hence why it exists also under the Dutch name "Hans en Grietje - Epic Tales".

Its trailer (posted around 2012/2013) is still around the Internet - on both Youtube and Vimeo, in English. It showcases you all the effort put into the product as well as the quality of it all - because when you think "Interactive storybook" you think "Just some still pictures you flip over while a voice narrates in the background". But here, not at all: you have entire animated tableaux allowing for a true point-and-click kind of game, intercut with entire animated segments and sequences - making this interactive storybook quite close to a full cartoon or simplified video-game.

In fact, I am not the only one to say this: numerous reviews pointed out this application could be considered a full cartoon in itself. And if some comparisons are left a bit generic "A cartoon feeling", "It could be a Saturday morning cartoon" I have seen one review even going as far as to compare this traditional 2D animation to a Disney movie!

I especially love the art style here which is reminiscent of classic, old fairytale cartoons - and I will come back to this element later because I do believe the game has easter-eggs or nods to classics of the fairytale animation.

Not only that, but as the trailer indicates, this game was supposed to be the first of an entire line of animated, interactive storybooks, the "Epic Tales" line, each reinventing fairytales, all narrated by the same storytelling character you see in the trailer, Silvertongue the (elf? dwarf?) who beats up gnomes to bring books to life... To have such a big project coming from Dutch folks isn't so surprising given the strong Dutch love for fairytales (it is the land of the Efteling park, after all).

In fact, the Epic Tales line had not only its own website (that you can see in a different promo for the app, here) but also a Facebook page and a Twitter account to promote the release of the game.

The game was released on iOs format and distributed by Apple. You could get it on your iPad or iPhone by just buying it on the App Store or iTunes store. And it was met with very, very positive reviews. Everybody agreed on saying this game was awesome, the dub very good, the interactions fun, the music delightful - in a word, absolutely perfect. Here is a handful of positive reviews I could find in English ; coupled with another handful of articles in Dutch this time. Mind you, some people do complain about the story being a tad bit too "light" for their taste - as in everybody agrees it is a visual treat with splendid visuals and a goofy tone perfect for kids, but some do complain about a lack of "darkness" (one review even regretted the "psycho-drama" of the original story, absent from this light-hearted story). I personally think there's enough dark Hansel and Gretel retellings out there to allow us a nice light-hearted, goofy, innocent version, but oh well, that's just my opinion... I'll return to these changes in a later post.

These online articles are notably quite precious for bringing additional screenshots of this now unfortunately lost media...

Lost yes: for if you check the App stores and iTunes pages today, it seems Apple has removed the game from their offer. And given Apple was the only distributor... it seems you cannot get it anywhere else.

The Epic Tales website (epictales.com) has been brought down - though you can still find it back thanks to Internet Archive's Wayback Machine, which did preserve several versions of it. The Facebook page for Epic Tales is still here too, though inactive since the app's release. As for the Twitter account... it seems that after a few years of inactivy it was briefly taken over by a little girl who posted goofy pictures of her on it... Was it the account-owner's daughter, niece or little sister? I don't know but it seems clearly that this account is a dead-end too.

Now, outside of the trailer, official accounts and online reviews, the last remaining official bits of this animated project (because there is one un-official element I will go to later) are the Anikey Studios videos. Anikey Studio is one of the two big teams that worked on the "Hansel and Gretel - Epic Tales" project, alongside Cloud Castle Interactive, and while the Epic Tales line seems dead and gone, Anikey is still working a lot, regularly creating and publishing animated shorts. They have a Facebook, a LinkedIn, an Instagram - but more interestingly a Vimeo account on which they regularly post videos (itself doubled by a Youtube channel). And they post yearly Demoreels collecting bits and extracts from their animation projects. Including "Hansel and Gretel - Epic Tales".

Now, unfortunately they only use the scenes from the trailer of the interactive storybook, so nothing new - but still it worth checking out. The extracts most prominently appear within their Demoreels of the years 2016 and 2012 (I am using the Vimeo version, not the Youtube ones).

And so far, at first glance, this is it. If we do just a superficial search, it is a good-looking app that got removed by Apple ; a big hopeful project with a lot of effort put into it that everybody forgot about or did not notice ; a whole line of fairytale animations that got cancelled right after its first instalment. A first instalment seemingly disappeared into the limbo of "lost media"... But for me, it was only the start of the investigation - because if you know me, you'll know I can get incredibly frustrated when I see something cool I just happened to miss ; and as an enjoyer of both traditional hand-drawn animation and fairytale adaptations, this app seemed so wonderful...

As such, I am currently undergoing a sort of investigation to collect everything I can find and save about this animated storybook. Given I am not an expert "lost media hunter", I might find nothing at all - but at least it will be a fun ride playing the investigator for once! Plus something within the occult forces of the world seem to constantly condemn my blog to focus on "Hansel and Gretel"... I don't know why but every time it gets brought back to me one way or another. So who am I to oppose the mysterious flow of nature?

If any of you ever heard of this app before - if maybe you downloaded it some time ago, if you know someone who played it, or maybe if you still have it somewhere in your Apple product, please do contact me! Even the slightest memory can be of incredible use for such an investigation. Myself I am going to perform a breakdown of all the information I could find, and the following posts of this series are going to try to "reconstruct" what the app was about, and how the story unfold in this version - because here's the thing, it isn't just a regular, straightforward Hansel and Gretel retelling. They actually added and changed several elements in it... But that will be for another post.

Oh yes, I almost forgot. The application is somehow listed within the catalogues of several Dutch libraries. I don't really know much about how these libraries work, but if somehow there is a Dutch person who sees this post, could you eventually bring me some help? It would be very appreciated!

[insanityclause]

Ask the stars of Disney+’s “Loki” if there’s going to be a third season and all will insist they don’t know.

“I have no idea, honestly,” Sophia Di Martino, who stars as Sylvie, told me Saturday morning at a “Loki” FYC Emmy screening and Q&A at the Samuel Goldwyn Theater in Beverly Hills.

That doesn’t mean Martino wants her time with Marvel to come to an end. “I’m open to more,” she said. “But honestly I think the [Season 2] finale was great and if that’s it, I’m very grateful for what we’ve had. But they don’t say anything. The veil of secrecy extends to us, too.”

Di Martino says she’d love to share some screentime with Thor (Chris Hemsworth) some day. “I think it would be great to see Sylvie and Thor,” she said. “I think it would be fun to see them get wound up, especially if Loki is in the equation. Three siblings together? The dynamic would be interesting.”

As for Loki himself, Tom Hiddleston, he told me at the Hulu on Disney+ launch event on April 5 that’s he OK if a third season doesn’t get greenlit. “There had been times before when I truly thought it was the end and I’ve been mistaken,” he said. “But if this is the end, I’m so proud of where we ended up.”

Hiddleston is now turning his attention to “The Night Manager.” BBC and Prime Video announced last week that the hit John le Carré’s series was being revived for two more seasons following its premiere season finale with Hiddleston returning as Jonathan Pine. Premiering in 2016, Season 1 of “The Night Manager” won two Emmys and three Golden Globes, including best actor for Hiddleston.

“It’s taken a while,” Hiddleston said of “The Night Manager.” “We needed to get the story right.”

In fact, cameras should start rolling any day now because Hiddleston says filming is preventing him from attending this year’s Met Gala next month. “What’s exciting is that Jonathan Pine has been alive in the real world for the last eight or nine years, and a lot has happened in the real world,” Hiddleston said. “And where we find him and his response to where we are, I think will be very interesting.”

[scepterno]

You've been posting so much xiaolin content lately! Every time I see Salvador my brain goes brrrr. He was only in one episode but, for me, he's the best XC character! It would be interesting to see Rai questioning his xiaolin status because of Sal. As evil duo they could share the amulet in battles! It just sounds cool, so I wanted to share :)

Hahah it's funny you say that. I have an entire fic series about Raimundo and Sal's impact on him :)

Plugging in 3....2....1..... here: LINK

Reading in order is required. Also, there's eventual RaiJack, so I hope you like that.

Salvador has been one of my fav Xiaolin Showdown characters since the moment he had his ten minutes of fame for the first time on a beautiful Saturday(?) morning on Disney XD..... I love him so so so much.

[aniketsanimationblog]

The Fallen TV Animation Empire

Chapter 1: The Rise of Television Animation with Saturday Morning Block

On August 18th, 2023 - I made a Post titled "The Summary of this whole current Debacles of Animation Industry" on this very Tumblr Page, @aniketsanimationblog, and you, animation fans, have expressed the concerns about What is Going on in The Global Animation Industry as a Whole, I am glad by that!! I am so thankful to those who expressed this concerns and realised that Animation is in Danger. Because, what happened in the Last Year, When Nickelodeon and Paramount+ Canceled and Removed Star Trek: Prodigy from their platforms at that time, until Netflix saved it to stream the entire Season 2 in one-go, just paint a big picture in the Animation Community. Last Year, Star Trek: Prodigy's Cancelation and Removal was not just the omission or abandonment of a Star Trek Show set in their universe or the best Star Trek Show in the Alex Kurtzman's Era of New Star Trek Shows, but also a big Massive Shocker of a Serialised Animated Kids' Show, that had a chance to become Nickelodeon's Next Avatar: The Last Airbender, betrayed by their own original Network, is like committing a Seppuku.

And it happened at the same time or before that incident, when most of the great Animated Series at the same time were Canceled/Canceled + Removed/Sabotaged by their respective Broadcasters, showing the Dismays of Fandoms of their respective shows. Now either only a handful of Good shows are left or there is nothing to watch at all, because of Kids TV Broadcasters' Greed and most notably Animation Community's Biasness towards Shows that, nowadays, have become a Money Generator, and no longer serving any good quality things to the fans, whatsoever, once they had in their prime, in the first place.

Now depending on who you may ask, "How did this Happen? What Happened to the Kids Television, once we used to love since our Childhoods, have gone in their Worst Phases now?"

Well, to understand why this happened, we need to go to the history of how this Kids TV Animation had started to build its Large Empire.

To understand the history of Kids TV Animation, we need to go back to where it all started. Since, it's a long history, and for context, The Kids TV Animation first started in the United States of America, as Hollywood were the only film industry to create Animation Renaissance from the big screens, they are also responsible for creating Majority of their Animations in the Small screens, we have to go back all the way to 1928. This is the year, when Walter Elias Disney, as we all know him as the legendary Pioneer and The Father of Animation, released his iconic Cartoon Character, Mickey Mouse's First Short film, "Steamboat Willie". At that time, "Steamboat Willie" was released over on Hollywood Theatres. But at the same time, there was an experiment happened at the small screens, aka The Television, with some limited animation cartoons appeared on TV with one of the images of "Felix The Cat". And remember, at that time, TV was available to some people who could afford TV, when majority of people weren't ready to switch from Traditional Radio. So, a handful of People watched that experiment going on.

Then some Animated TV movies happened like, "Willie The Worm" by Chad Grothkopf. It was an Eight-minute experimental TV Movie in Animated form.

But all changed in 1950s when, TV Animation started to broadcast like, "Crusader Rabbit" and "Colonel Bleep" etc.

But the First TV Animated Series came along, consisting of Animated Shorts, "Captain Kangaroo", by the Terrytoons, which is often referred to as, "One of the Finest Cartoons to ever produce on TV".

But the Cartoons, at that time, was seen primarily as "Children's Entertainment" by some Movie Exhibitors.

In 1954, Walt Disney capitalized on the Medium of Animation to Showcase on TV, with his weekly show, "Disneyland", which was broadcasted by US Terrestrial Channel, ABC, which expanded later to "Walt Disney's Wonderful World of Color".

But as soon as Television popularized in the US, the people were slowly moving away from their traditional Radios and Movie Theatres, to the Compact form of Entertainment, Television. And thus, a new format was started to develop for TV Animation for Children, "The Saturday Morning Blocks", as the name suggests, the TV Animation would only be broadcasted on Saturday Mornings, because on Weekdays, The Kids are at their Schools, and on Sunday, With the American Football games clogging up the Sunday Schedules. At that time, there were no Cable systems, people were relying on Terrestrial Channels like ABC, CBS and NBC. And thus, American Children of that era were having a Ritual of watching Cartoons on Saturday Mornings.

And thus, some Television Animation Production Studios came afloat at the time. Such as, Filmation, Depatie-Freleng Enterprises, UPA Studios, Warner Brothers with their Merry Melodies, Metro-Goldwyn-Mayer Studios (MGM) with their first classic iteration of Tom & Jerry until it's collapse in 1957, Disney Studios, and the leader of all Studios, Hanna-Barbera Studios, by the Creators of Tom & Jerry, William Hanna and Joseph Barbera.

For the Starters, 1960s era was the era, when TV Animation boomed with mostly H-B Studios, "The Ruff & Reddy Show", then "The Huckleberry Hound Show", "The Yogi Bear Show" and most notably, "The Flinstones", which was like an Half-an-hour Animated Sitcom series, aired on ABC, which was their biggest successful show on Studio History, running for 6 years, alongside The Jetsons and Top Cat.

Hanna-Barbera had the common Trope used in most of their series, featuring atleast an Anthropomorphic Animal and a Child Character, up until they created "Scooby-Doo! Where are you?" in 1969 for CBS. Many incarnations of Scooby-Doo spawned for 17 seasons on CBS and then ABC, uninterruptedly with their new formula of A Group of Teens solving Supernatural mysteries or Fighting Crime. And they are the ones, who started with their Limited Animation Technologies at that time for Artistic Reasons.

Disney Studios had their fair share of Animated Shows, showcased on TV, most notably The Mickey Mouse shorts including characters from the Mickey Mouse Universe, as we all know today, and also "Winnie The Pooh".

The Studio still had a decent amount of TV Animated Series, even after Walt Disney's Demise on 15th December 1966.

At the time of 1960s, there were several Animation Artists, mostly Animators, that are still called Legendary/Veteran Artists, like Walt Disney, William Hanna and Joseph Barbera, Tex Avery, Chuck Jones, Gene Deitch, David H. Depatie, Friz Freleng, Don Bluth, to name a few.

But as Time went on, the Kids TV Animation was changed for a new era, that is beyond just only for "Saturday Mornings".

To be continued...

Next Post, Chapter 2: The Fall of Saturday Morning Cartoons and Rise of American Cable Television for Kids TV Animation.

[s10127470]

Freeform Disney Block Ideas

So for the past few months, I've been thinking about the concept of the channel Freeform having programming blocks for the animated programming from Disney’s expansive library, similar to what TeenNick and Adult Swim did with The Splat and Checkered Past.

I feel like it would help garner more interest in the channel, and would serve as a throwback to those programming blocks like Disney’s One Saturday Morning and ABC Kids.

So far, I’ve taught of about two programming blocks, both of which would air on the weekends.

Funky Fridays:

This would be a Friday night block, drawing heavy inspiration from Cartoon Network’s Cartoon Cartoon Fridays.

The block's format would be set in the iconic House of Mouse, where Mickey, his famous pals, and various Disney Channel characters serve as the hosts.

As for the programming.

The block would feature new episodes of Big City Greens, Hamster & Gretel, Kiff, Zombies: The Re-Animated Series and Primos.

In fact, that would be the biggest draw of the block.

You would be able to see new episodes of these shows before they would properly premiere on their home network.

The block would also feature reruns of Phineas & Ferb, Hailey's On It!, Recess, The Proud Family, Lilo & Stitch: The Series, Pepper Ann, and yes, even House of Mouse.

And staying true to it's name, Funky Fridays would feature music videos that would air during commercial breaks, structured in a countdown format ala TeenNick's Top 10.

Finally for the schedule....

-6:00: Recess

-6:30: Pepper Ann

-7:00: Big City Greens (New)

-7:30: The Proud Family

-8:00: Zombies: The Re-Animated Series (New)

-8:30: Lilo & Stitch: The Series

-9:00: Hamster & Gretel (New)

-9:30: Phineas & Ferb

-10:00: Primos (New)

-10:30: Hailey's On It!

-11:00: Kiff (New)

-11:30: House of Mouse

Jetix:

Now this is a name that I'm sure will take you all back!

This will serve as a Saturday night block, focusing on the more action-oriented/mature programming of the library, ala Toonami.

Similar to Funky Fridays, it would feature various characters serving as the hosts of the block.

However, the setting would be in a high-tech hero base.

As for the programming, it would primarily feature reruns.

Those being of Hercules: The Series, Aladdin: The Series, Gargoyles, The Legend of Tarzan, Buzz Lightyear of Star Command, Kim Possible, American Dragon: Jake Long, Gravity Falls, Amphibia, The Owl House, The Spectacular Spider-Man, and Star Wars: The Clone Wars.

There would be new episodes of Moon Girl and Devil Dinosaur, X-Men: The Next Mutation, Maximum Marvel, and Time Patrol Bon.

In the case of the middle two, they would be Freeform original series since....

They're a little too mature for Disney Channel

They're not gonna thrive at all over at Disney XD! Also, same issue as Disney Channel

I actually want the seasons for these shows to be longer than 10 episodes. So no to Disney Plus

As for Time Patrol Bon, I know it seems strange it's an original series on Netflix.

But #1, this wouldn't be the first time a Netflix original series would go on to air on television.

And #2, this would sort of a nod to the fact that Disney famously aired the official English dub of Doraemon, another work done by the Fujiko Fujio.

As for the schedule.

-6:00: Star Wars: The Clone Wars

-6:30: Buzz Lightyear of Star Command

-7:00: Moon Girl and Devil Dinosaur (New)

-7:30: Hercules: The Series

-8:00: Time Patrol Bon (New)

-8:30: Aladdin: The Series

-9:00: X-Men: The Next Mutation (New)

-9:30: Gargoyles

-10:00: Maximum Marvel (New)

-10:30: The Legend of Tarzan

-11:00: Gravity Falls

-11:30: The Spectacular Spider-Man

-12:00: Amphibia

-12:30: Kim Possible

-1:00: The Owl House

-1:30: American Dragon: Jake Long

Well that's all I have for now.

A short post I know, but a fun one.

Let me know what you guys think about this block ideas and the schedules for them.

[magicalgirllove92]

My favorite TV shows of 1997

1. South Park (1997-present) One of the best Comedy Central original shows and one of the longest running adult animated shows ever. The show takes places in the fictional town of South Park, Colorado where 4 young foul-mouthed boys got involved in the series of hilariously mature adventures. This cartoon is for adults only. Starring: Trey Parker, Matt Stone, April Stewart, Mona Marshall and Mary Kay Bergen. Distributed by Comedy Partners and Paramount Global

2. King of the Hill (1997-2010/2024-present) Fox Television Network folks is needed another adult animated show besides The Simpsons and Mike Judge arrives and creates one of the best-loved Fox shows ever King of the Hill. The show takes places in the fictional town of Arlen, Texas, chronicling the lives of Propane salesman Hank Hill, his family, and his 3 comical best friends. Starring Mike Judge, Kathy Najimy, Pamela Aldon, Johnny Hardwick and Stephen Root. Distributed by 20th Television Animation and Disney

3. Cow and Chicken (1997-1999) With an success of Cartoon Network's second original show Dexter's Laboratory and 3rd series Johnny Bravo, the all-cartoon TV network has come up with an plan... an new summer TV show that involves 2 funny young kid animals, an devilishly funny villain, an dashing brave weasel and an buffoon baboon. Thus, Cow and Chicken was born on July 15, 1997. This grossly laugh out loud animated comedy about an scrawny 11 year old Chicken, his beefy 7 year old sister Cow and their unconventional weirdest human parents. Cow and Chicken navigating their lives throughout suburbia, encountered hilarious problems not just at school but an evil funny guy with devilishly schemes named Red Guy whose singular intent to make the siblings' lives miserable. Along with Cow and Chicken, the 2nd segment that spun-off an very short-lived show called I Am Weasel. The spin-off that focus on a smart, dashing, intelligent, noble and successful weasel named I.M Weasel and an unintelligent, rude, dumb and stinky baboon named I.R Baboon who is unaware of Weasel's good deeds and acts as his rival and friend, and the mischievous funny devil Red Guy, he often antagonize the two. Starring Charlie Andler, Candi Milo, Dee Bradley Baker and Michael Dorn. Distributed by Cartoon Network Studios, Hanna-Barbera Productions and Warner Bros Television Distribution

3. Stargate SG-1 (1997-2010) An television sequel to an 1994 blockbuster hit movie that started it all. Showtime ordered 6 seasons before Sci-Fi Channel (Syfy) took over from the remainder of the series after successful reruns. An young team of explorers made up of soldiers and scientists travels through a Stargate, an ancient portal to other planets. They use the Stargate to explore new worlds, forge ties with friendly civilizations and protect earth from evil and hostile forces. Starring Richard Dean Anderson, Michael Shanks, Amanda Tapping, Christopher Judge and Ben Browder. Distributed by Metro Goldwyn Mayer Domestic Television, Showtime Networks and Syfy Originals.

4. Disney's Recess (1997-2001) Recess is might be ABC's first original hit show/original Saturday Morning Cartoon show since acquired by Walt Disney Company in 1996. 6 brave 4th graders at the fictional school of Third Street School make it their mission to protect the kids on the playground despite King Bob and his minions who enforce his harshly unwritten law, TJ, Gretchen, Spinelli, Vince, Gus and Mikey seeks a rational balance between conformity an individually. The hit cartoon that spun 4 movies, the underrated 2001 movie Recess: School's Out, an Christmas compilation sequel Recess Christmas: Miracle on Third Street, 2 direct-to-video movies that debuts in 2003, an prequel Recess: All Growed Down and the series finale movie Recess: Taking a 5th Grade. Starring Andrew Lawrence, Ricky D'Shon Collins, Ashley Johnson, Pamela Aldon and Jason Davis. Distributed by Walt Disney Television Animation

5. Beyond Belief: Fact or Fiction (1997-2002) Sci-fi/fantasy/mystery fans are need a relief after Unsolved Mysteries suffered from disastrous failure after the show was moving from NBC to CBS, 4 more months before the first ever Murder, She Wrote TV movie and the 1996-1997 season of The X-Files ended with gigantic cliffhanger, so Fox and Dick Clark Production conjure up an summertime experiment to turn the tide until September and that's when Beyond Belief: Fact or Fiction? Debuts on May 25th, 1997. Each episodes that has 5 tales, all of them which appear defy logic or some of them are loosely based on actual events. The viewer is up to challenge of determined 5 stories that are true or false, at the end of each episodes, it is revealed to the viewer whether 5 tales were true or fiction. The show was massive popular in Germany, RTL II revives the show with Star Trek actor Jonathan Franks reprise his hosting duties in October 2021. Starring James Brolin and Jonathan Frakes. Distributed by Fox and Dick Clark Productions

[anonymous-badger-238]

30 questions

I'm just gonna answer a few questions again. Found this from @nuklearis-sutotok at here.

Ok so here we go

1: What song makes you feel better?

Superhero by Guiano

2: What is your go-to comfort show?

Abbott Elementary probably. It's really funny.

3: Reading or writing? Why?

Huh that's hard I like both

4: What's your favorite feeling?

That feeling when you come home from a long day of school and swim practice, and after you shower you can just flop down on your bed and relax

5: How do you like to take care of yourself?

Idk I like brushing my hair and doing skincare and stuff, but in a "mental" kind of way it'd definitely be making covers and music videos.

6: What’s your favorite candle scent?

That pear one I bought for 20 dollars at a World Market because there was a huge Black Friday sale

7: Who do you feel most like yourself around?

My IRL friend group, and also these people in this one Discord server (there are like 4 of you who know what I'm talking about)

8: What's a fabric/texture that’s nostalgic for you?

Sequins. Reminds me of when I was in 2nd or 3rd grade and there was this whole trend where all the girls would show up in "flip shirts".

9: Best childhood moment?

Wow there are so many but it's hard to choose just 1. Probably when I rode Splash Mountain at Disney World for the first time. I was eight and me and my dad had to wait two hours but it was soooo worth it.

10: When was the last time you laughed so hard you cried? (or just felt really good afterwards)

This one time I was crying over something so my sister showed me funny pictures of politicians and then I laughed so hard I cried again.

11: Do you have a comfort item? Tell us about it!

This one infinity cube that I fidget with whenever I'm bored or doing homework.

12: What calms you down?

Just closing my eyes and resting on my bed on a Saturday morning and just not thinking about anything in particular. Of course there are those four months of the year where my relaxation will be interrupted by the sounds of the college football games on TV...

13: Bath or shower to relax?

My house doesn't even have a bathtub so I'm gonna have to go with showers. Particularly cold showers.

14: What's something upcoming that you’re excited for?

I'll be going on vacation soon.

15: Comfort food?

Fettuccine Alfredo with Costco's rotisserie chicken.

16: What's something you want to create soon?

I have a ridiculous amount of music videos I have to create. But I'm looking forward to doing the Alvarez/Mental Chainsaw one.

17: How do you feel best loved?

I don't know honestly.

18: What age in life do you think you’ll feel most yourself at?

Probably when I'm 30 or something.

19: Have you ever written or received a love letter?

LOL nope

20: Tell us about a memory you hold close to your heart.

The Splash Mountain one definitely but also that one time me and my family were going river tubing and then it started pouring so I vlogged it.

21: Tea, Coffee, or hot cocoa?

Coffee probably. My usual is a strawberry creme frappe from Starbucks. (Plus a donut.)

22: Name of your favorite playlist?

The Blaze-List. For reference, that is the one I created a really long time ago and I still update it to include my current favorite songs. No wonder.

23: Have you ever received flowers?

I don't remember.

24: Who is your best friend?

This one person I met in fourth grade, lost touch with, and then got back in touch with again

25: If your soul was a color, what would it be?

Honestly, I'm still trying to figure that out.

26: If you could live anywhere with anyone you want, where would it be and who would you bring?

I'd like to live in downtown Seattle with my sister. DC would be great too.

27: Do you like to garden? Have you ever grown something?

I just don't seem to have a green thumb LOL.

28: What are you proudest of?

This one paper I spent a really long time working on. Or my cover of Amanojaku which I'm really happy with the way it turned out.

29: Are you a kind person?

I don't know. I try to be kind to people whenever I can, though.

30: What do your hobbies look like?

Reading especially about WWII/Cold War history and nuclear chemistry, writing short stories, singing, making music videos, playing Pokemon, etc. etc. etc.

Anyways I guess I should ping someone but whatever

[scooby-review]

Scooby-Doo Where Are You? S1 - E1-4

1. What A Night for a Knight

Scooby Doo Where are You? was a show born from Hanna Barbera’s need to regain the saturday morning cartoon market. Following complaints of their violent cartoons, they sought out a new show that would remedy the public's disdain for their cartoons, which ended up being The Archies Show, a low risk show given its nature and popularity in comics already. Not to mention that the concept is simply a hit as far as making money is concerned - releasing a cartoon with bubblegum pop songs alongside is a sure fire way to rake in money, and of course, it did. 

Following the success of The Archies Show, a new cartoon was created in a similar vein, one which started off as a horror inspired cartoon of a band solving mysteries in their spare time evolved into Scooby-Doo following mandates of making the show more accessible to its demographic. Yet what remains is still a grungy show, the backgrounds and score alone conjure an eerie tone, not to mention the villains which are spins on classical monsters and, usually within season one at least, ghosts. Comedy was blended with the horror aesthetic, creating a striking show that spawned oh so many imitators by Hanna Barbera themselves. 

This first episode acts as a glorified pilot with aspects of the show being incomplete and messy. To list a few, Shaggy is the leader in this episode, Fred is unnamed and the roles of each member is slightly or completely off. Yet, they nail the formula of these mysteries, which is rarely shaken up in any meaningful way. 

The episode follows the gang researching the disappearance of an archeologist who was transporting a set of armour to a museum. Each episode of this iteration of the show can be summarised in a single sentence, on a basic level, once you’ve seen one episode of the show, you know them all. This isn’t a critique from my perspective, the show has a simple formula that I’ll delve into in a later episode where it’s more prevalent, but this works entirely in its favour. Every mystery has its own flair, each monster unique even if just in design, each setting deviates from the last, with this season being surprisingly varied. 

The museum is a great setting, it allows for a vast variety of props and background pieces, although, I hope it’s revisited at another point in the franchise at least, which I’m certain it will be. Given how cheaply produced the episodes are, I feel the setting is not used to its potential - it’s sound, sure, but there’s so much more in these walls.

While discussing the setting, it’s a better time than any to discuss the backgrounds. Painted by the Ex-Disney artist Walt Peregoy, every location is lavish, they are filled with a wide berth of character feeling creepy and homely at the same time. They develop the world and give it a familiar flair; without the backgrounds and score, the show simply wouldn’t carry the same aesthetic it does and would be remembered in a completely different way. 

Despite the beautiful backgrounds, the animation doesn’t harbour the same quality. Being blunt, the animation is the result of the show being produced so cheap, resulting in countless animation errors and a generally clunky appearance. For the time, it has its charm, which maybe is nostalgia talking, I think I’ve seen Where are You? the most. One such animation error I love is in one scene we see Fred reach for something in the Mystery Machine, his arm extending on and on. 

Beyond the growing pains and technical side of things, I do really love this episode. It has a simple mystery, as does most of this series, again the low budget means there’s a lack of side characters, therefore, if you see one, you know they play some role in the mystery, usually as the villain. But this never stops the show from being entertaining. Again, the characters are all out of whack here, their dynamic slightly off, but the small pieces they do give are fun, such as Shaggy being the best gymnast in school and proceeding to dive into a window. 

Plus, I do love the villain of The Black Knight. As we will see, many of the villains are silent stalking characters in the vein of slasher killers that would eventually rule the 80s. Scooby got there first, using hulking costumes for the first two episodes, alongside other general disguises, most of which aren’t driven by horror at all, instead slapping the word ‘ghost’ around the name and calling it a day. But this silly trope works for me, it’s certainly done to enhance the horror aesthetic, but I’m happy to eat it up regardless! 

The episode is fun and messy, and that’s all I wanted! With a fun art forgery motive, I had a great time here! 

I’ll be ranking every episode, season, show and villain as I go! I’ll attach the scores at the end with a final ranking post when I finish the season!

2. A Clue for Scooby-Doo

I love this one for just how different it is in comparison to the rest of the season. 

A Clue for Scooby-Doo follows the gang encountering the ghost of sea diver, Captain Cutler, who died at sea when his boat was wrecked and is now back for revenge. 

The villain in this episode stands out a bunch, the old scuba diving suit is already creepy, yet it grows even more interesting and unique with the lime glowing aura he carries with him, it’s a nice little design motif throughout the episode, seen in his footprints and the seaweed. 

I think this one is so fun because of how much is going on: you have the gang going scuba diving into underwater caves, a man called Ebeneezer Shark, Mrs Cutler who looks like a witch for some reason, a weird plot twist to the villain and an ongoing mouse joke that I can’t say I understand but hell if I don’t love it! With so much going on, it’s impossible not to be entertained. The worst episodes of Where are You? follow a single thread of the mystery and then lead to some wacky hijinx before petering out, but here everything simply keeps building and building, it’s perfect! 

This episode also holds the infamous blonde shaggy! I’ll point out my favourite animation errors as we go, I think this one is so well known because of how impossible it is to miss. 

We see the villain's motive here being that he was intending on selling the boats he stole. Until episode seven, every motive is ruled by greed and a desire for money. More recently the show has been described as having anti-capitalist messaging as a result of this. Every time, the villain is stealing for money, the teenagers are the ones to undercut this system, showing when this is the case. The mysteries aren’t grand cases of murder or varied crimes, but theft. Yet, we never learn enough about the villains to know if they’re rich. The show boasts a moral compass of black and white - stealing is wrong. There’s never a reason for the theft, money rules all, and since no other reason is given, we can assume the rich, or well off, are stealing from others. This paints the left leaning politics we see people associate with the show, and I think it matches given the gang's hippie affiliation. 

Good always prevails over the human evil within the show, dulled down to a completely understandable level. Simply, people who are money hungry are bad if they go about it in the wrong way. 

Also, I love how in this iteration of the show there’s no self awareness or questioning if the ghosts are real or not. Here, they are until proven otherwise. Of course, the scepticism works, especially for Velma and when the series get more developed, i.e Mystery Incorporated, however, I appreciate the earliest corners of the franchise playing everything straight constantly. The fear is that the ghosts may be real, this is the standard for every episode. 

3. Hassle in the Castle

Hassle in the Castle, alongside A Night of Fright is No Delight, often feel like the baseline Scooby-Doo episodes, taking place in vast castles or mansions that are filled with traps. 

After the gang finds themselves lost in the fog, they end up on a Haunted Isle where a ghost is haunting an old, abandoned castle. This plot is the most basic possible for the show, stripping it down to its essentials and core elements, and I love it so much. 

Starting with the villain, the Phantom is literally just a sheet ghost. Every episode so far has followed a ghost of some kind, but this is the most basic form of it. In contrast to what has come before, the Phantom talks and has a more fluid design than the rigid villains from before. What stands out most is his laugh however, an iconic shriek that makes him instantly recognisable! Despite the bland design, he carries so many iconic poses which can actually be seen on the model sheet, it illustrates to me the difference between creating him and the other two, their designs are instantly recognisable, they are simple archetypical suits, whereas the Phantom juxtaposes this, brought to life and characterised through a voice and a menagerie of iconic poses. 

I think this episode is the funniest yet. I was giggling the whole time! Here we see a single location episode, and everything here lands for me. I think the silly haunted hijinks are so fun, things like the weird ass ghost sandwich joke and the talking skull, they’re so fun and ultimately still make no sense come the explanation at the end. This being that the culprit is a trained magician, using wires and special effects. Sure. Yet, this silliness makes it so much better, it’s creepy in the moment and gets the show's best blend of its horror and comedy genre. 

Speaking of genres, I hate the laugh track, it’s the most basic level of hand holding a show can do, but I think it’s done in this show to please censors, to aid in proving the show not to be too scary with creepy moments played for laughs thanks to the canned laughter. 

Also, the gangs characterisation is stronger here, I love the little details we learn about them and the way their friendships are expanded on. We rarely see them beyond these moments in their mysteries, so it’s nice when they feel like actual friends! Plus here we see Shaggy in peril, his body cut in half during a magic trick, something we rarely see but a concept I love! Having the gang in more direct danger, than Daphne being trapped without consequence, is really great! 

Overall, just a perfect episode - definitely the one I would recommend people watching most! It’s everything Where are You? should be! 

4. Mine Your Own Business

I bloody love this mouse gag. 

Mine Your Own Business follows the gang lost in a desert (This comes along because Shaggy was holding the map upside down?) and stumbling upon Gold City, a ghost town. When they check into the nearby inn, they learn of a ghostly miner scaring everyone off. 

Personally, I hate desert settings, I find them boring! This episode is no different, it’s fine, sure, but if you find the setting and villain of an episode boring there’s not usually loads more to love!

The episode's monster, Miner Forty-Niner is a play on the term given to a prospector during the California Gold Rush of 1849, which the whole episode is inspired by. This being where gold was found in California which saw flocks of fortune seekers arriving in the state. This idea is paralleled in the character of Hank (the miner), who is attempting to scare everyone away in order to purchase the land for cheap, not for gold, but for oil, giving it a contemporary spin. In the episode Fred describes oil as liquid gold, again showing the shift in what makes people money, from riches to necessities, yet the people who collect it sell it off for high prices, it creates a poor market ruled by the few that can exploit the many. 

Beyond that, the villains dumb. Like he doesn’t change his costume? He places a mask on, wears his everyday clothes and then adds some height with stilts. Yet, this stupid man, Hank, honestly deserves this wealth! Because the only other person in the village, Big Ben doesn’t realise that his friend who dresses the same as the miner, is the miner. The nuance in the mystery here is supposed to be that Big Ben is the correct height for the miner while Hank is wearing the correct clothes, but in this case I feel the mystery works better if Big Ben is the villain! The visual clues are therefore red herrings. 

Yet, I kind of love Big Ben? He’s the first side character whose stood out to me, but I found his reaction to the whole thing really funny, he was giving republican uncle. 

Despite not loving this one as much as the others, I do think the episode is an interesting case study into how the show creates its creepy atmosphere, this being through isolation. There’s something deeply terrifying about being nearly alone. We have the knowledge someone wants rid of the gang, the reasoning doesn’t matter when we know this! This allows the show to benefit off of its cheap budget, the style and atmosphere however then leads to a less satisfying mystery - there's a trade off here, but it’s one I’m more than willing to accept most of the time. Almost every episode is in this format, and it works well for a while! I think they get their mileage from the isolation while also sprinkling in other horror tropes and ways to add to the atmosphere. 

And finally, I love Shaggy! He’s my favourite member of the gang so far in this iteration! I just find him to be the best characterised, and I love the detail of his imitation ability and the way he’s able to throw his voice, it lends itself to escaping problems in the plot but also it’s simply funny and an interesting character trait that gives him more depth. I also really love his relationship with Fred and how excited, at least for this version of the characters, they are to stay in the same room during their hotel stay. 

While not my favourite episode, that really comes down to my personal preferences and I completely understand why people like this one! Most of the things I’ve detailed have shown the gold streaks within what I found to be a bland, dry episode!

Episode Rankings: 

Hassle in the Castle

A Clue for Scooby-Doo

What a Night For a Knight!

Mine Your Own Business

Monster Rankings: 

Phantom

Ghost of Captain Cutler 

Black Knight

Miner Forty-Niner 

Thanks for reading!

Next Review: SDWaY S1 E5-8

[magicalqueennightmare]

Sins & Amends Chapter 51

Billy Russo x Female Reader (60 part story)

This follows pre- the punisher into the storyline of daredevil, punisher season 1 and beyond

This is NOT Canon Billy. This is decent human being Billy left with bad options over worse decisions

This was also posted to A03 under: WaywardGaPeach. That account and this one is the only place you'll see me post this. If you see it on any other platform/account know it's not me.

Chapter Summary/Warnings: You and Billy are working your way back to each other

It seemed that the tension between Frank and Billy needed you in the middle for it to finally break. After the blow up at your apartment resulting in you in tears and the two of them finally laying their cards on the table everything started to run more smoothly in your life. 

There was an understanding between them now. You knew Frank couldn't forgive Billy for the past anymore than Billy could ever forgive himself but when you would see the two of them together doing something as simple as drinking a beer you had hope for the thought of having them both in your future.

-----------------

There were still times that doubt reared it's ugly head into your mind. You'd had to push back going car shop because you'd had to cover someone's shift at work then Frank and Billy had both been working so much they hadn't had a full day off.

Karen had offered to go with you but the honest truth like it or not if car dealers see two women they try their best to fuck them over. Wasn't like you hadn't went long without a car anyways. A little longer wouldn't hurt.

You'd taken the advantage of a rare weekend off to spend a saturday with Adi. The two of you had met Karen at the aquarium which was a must for Adi then ended up going to see a movie of her picking while Karen went to run some errands.

------------

When you put her to bed that night she'd yawned sleepily and asked "Mommy can we see daddy tomorrow?" You thought about it for a second. He should be off since the following day was Sunday.Hell Karen had taken them all lunch while you and Adi were at the movies which had resulted in you getting a text from Frank that read "Well Bill didn't get to see you and little bit so now he'll pout the rest of the damn day" 

Not to mention Adi hadn't seen Billy in a couple days, not due to any fault of his but because his schedule had been insane and so had yours and Karen's so neither of you had gotten a chance to take her by the Homeland office. "I'll call daddy to tell him you want to see him tomorrow ok baby?" She nodded and grabbed Coco "Love you mommy" "Love you too baby"

------------------

You pulled Adi's door shut and walked into the living room to put away the few toys she'd left out. Your phone was laying on the table so you grabbed it to see you had a text from Billy "If you and Adi aren't busy tomorrow morning I'd love to take the two most beautiful women in New York out for breakfast"

You rolled your eyes even though your stomach flipped slightly before hitting his number to call him back. After two rings he answered "Didn't expect a call but I'm not complaining" you smiled then said "You actually have good timing. Adi told me when I was putting her to bed she wanted to see you tomorrow"

You could hear the smirk in his voice when he said "See me and my babygirl were already on the same page. What about you? Do you want to see me considering Karen is the one that bought lunch" you shook your head because you knew what he was asking even reading between the lines it was clear "I wasn't avoiding you Billy. There's a new Disney movie out and what can I say our daughter loves giving my paychecks to the rat"

He let out a breath that sounded like he was relieved before saying "Well you could've come by before the movies. I would've gave you the money" "Billy you give me more than enough already not to mention what's still in the bank" since finding out about Adi he'd started buying anything she needed and giving you money every time he got paid despite your protests that you could handle your bills on your own.

A silence fell back between the two of you heavy enough you could feel it over the phone. Hard to believe this was the same man you'd spent so much of your adult life with, the father of your child yet now the two of you had trouble talking at times. Hell it had gotten where it seemed talking between him and Frank had become easier than it seemed between you and him.

It was hard being close to Billy and yet having to force yourself to keep enough distance between you and him. You knew he wanted to take things slow to make sure everything was how they needed to be but God a big part of you wanted to tell him the way things needed to be was him there with you and Adi. Not blocks away in that little one bedroom apartment. 

It didn't help matters that he'd told you he loved you every time you talked since the night he stayed with you.It snapped you out of your own thoughts when he said "I'm just glad that taking Adi to the movies is why you didn't come. I was worried it still might be that other thing"

The other thing being how Frank had busted you out over being jealous towards Dinah. You honestly hadn't thought too much about it. After everything that had happened the night he'd stayed at your place and the morning after a part of you that you hadn't even realized was in chaos had calmed.

"Billy I know you meant everything you said. And yes I want to see you" you finally said after a moment and he chuckled "Good.. I'll be over bright and early" "We'll be waiting" you replied with a smile and started to hang up when he said "Goodnight sweetheart. I love you" like every other time he said it you simply said "Night Billy" and hung up. 

You couldn't say you loved him. He knew you did but god it would only make it hurt worse having to go to sleep without him there. You sighed and stood to head to bed. At least you could get some sleep and maybe come morning you could face him easier.

Billy stared at the phone after he'd hung up. He hated being away from you and Adi. He hated when work drug on, that meant another day he'd go without laying eyes on the two most important people in his life. He hated that he heard you hesitate every time he'd tell you he loved you like you started to say it back but changed your mind.

He clicked his photo album on his phone and scrolled through the pictures of you and Adi. 

One of his favorites was one of Adi where her smile was a mirror of his and she was wearing his leather jacket. The smile might have been his but god that look on her face was all you. She'd been mid saying "Look mommy!" When he'd snapped the photo.

One of his other favorites was one Karen had sent him actually. You were sitting on the couch at your place with Adi curled up next to you. He didn't know what the two of you were doing but you both looked so happy it warmed his heart just seeing it. God he loved the two of you more than life itself. 

He could remember flashes of himself making bad decisions, remember himself doing shit he was ashamed of. Looking at you,the only woman he'd ever loved and his babygirl he couldn't wrap his head around how he'd ever done those things. How he'd put you and Frank's family, everyone at risk. He didn't know how he'd gotten this second chance, not only with you either.

The memory of the way Frank had teased him about quality over quantity when the two of you had first shifted your relationship into more than friends popped into his head and he laughed despite himself. "Man Bill you finally got a good one don't fuck it up" "I don't plan to Frankie. Believe me. I know she's a keeper"

He wanted to be laying on your bed while you curled up on his chest and Adi slept one room over not blocks away from the two of you but for now he'd have to be grateful for the fact that he'd be seeing you both come morning. Life could be a lot worse.

When you woke up the sun was just creeping through the small crack in your curtain and you started to pull the blanket up and roll over but you remembered that Billy was coming over to take you and Adi for breakfast.

You knew Billy's bright and early had always meant just that so since Adi still had about another hour of sleep in her you figured you could get a shower and pick her some clothes out before he got there.

Once you were dressed in leggings and a sweater dress you simply put enough product in your hair you could wear it down without it blowing away and did simple makeup. You looked cute but not like you were desperate for attention or anything.

--------------

You walked into Adi's room to pick her some clothes out for the day and grinned when you saw she was waking up "Hey pumpkin. I got a surprise for you!"  That made her wakeup fully and she was watching you go through her drawers to find clothes "What?" 

You found her favorite cooler weather outfit which consisted of black leggings and a dark pink long sleeve shirt that had two black birds on it that you'd initially bought without thinking until Frank had reminded you of his and Billy's call signs and it seemed that revelation made Adi love the shirt ever more "Cause it's got daddy and uncle Frank on it"

You turned back to her, clothes in hand and heard a knock on the door. "Wanna go see who that is?" You held out your arms as you asked and she jumped into them.

You laid her clothes down on her bed then walked back into the living room "We're coming!" You called out so not only Adi knew whoever was at the door was expecting her but so Billy knew you were both awake.

----------------

When you opened the door Billy was standing there with a huge smile. "Daddy!" Adi screamed and both you and Billy had to lurch towards each other so she could make the leap into his arms. 

He walked in with her wrapped securely around him and winked at you "Too bad you're not this happy to see me Y/N" you shook your head and smiled before Adi started asking him if he could spend some time with her. "Actually baby I was wondering if you and mommy could come to breakfast with me and I know you went to the aquarium yesterday but I'm sure if you don't want to go back today we can find something fun because I plan to spend all day with you and mommy"

She smiled back at you "Can we?" You nodded "Sounds good baby. We can show daddy all our favorites spots but first we gotta get you dressed" she kissed Billy on the cheek then held her hands out for you to get her.

You got her on your hip then motioned to the living room "Make yourself at home. We'll be out in a few"

-------------

Billy watched as you grabbed everything Adi would need for the day and put it in the little black backpack he knew was for her. You were biting your bottom lip while you did a final mental check list to make sure you hadn't missed anything.

You turned back to look at him where he was sitting with Adi on the couch and smiled. He felt his heart clench at the sight. You looked genuinely happy, like having him and Adi was everything you wanted. He knew the feeling because being with you both made him feel whole like he never had before.

His attention was pulled back to Adi when she asked "Daddy can we go to the aquarium and the zoo?" With those big brown eyes staring up at him it was hard to say anything else then yes but he managed to say "As long as mommy's ok with it I'd love to baby"

You chuckled as you walked over with Adi's jacket in your hands "Aquarium and zoo sounds good to me but first get your jacket on then we need to get some breakfast in you little miss" 

You helped Adi slip her jacket on then she looked up at him "Pick me up daddy!" He gladly leaned down and plucked her up off the floor then looked back at you "Ready to go darling?" He noticed a light blush color your cheeks as you said "lead the way" and motioned to the door.

---------------

Breakfast went extremely well. In fact nearly everyone in the diner had commented on how cute of a family you had. Kaitlyn had even insisted on getting a photo of the three of you which you sent to Billy's phone so he'd have a copy. 

Once Adi was through with her pancakes you cut your eyes at Billy and smiled "So daddy zoo first or do you want Adi to introduce you to simba and nala first?" 

That patent Russo smirk had slipped onto his face when he glanced down at her "Baby who's simba and nala?" "The sharks!" She replied with a mirror image of his own look. 

He glanced up at you and you shrugged "She loves the sharks and her favorite stuffed animal is a wolf. She's our child after all" your eyes were glued to the two of them. Spending time with them like this? God it felt like the most natural thing on earth. You'd dreamed about this when you were pregnant with Adi but never would've imagined it becoming reality.

"Sharks it is" he said after a moment and Adi climbed up to stand next to him in the booth as she started telling him all about the aquarium while he listened dutifully only taking his attention off her long enough to pay the bill when Kaitlyn bought it to the table.

--------------------

After spending hours at the aquarium while Adi properly acquainted Billy with all of her favorite animals the three of you headed to the zoo like she'd asked. You were walking to the penguin exhibit when Adi tugged on your arm "Mommy will you or daddy carry me?"

Billy winked at you then held his arms out "C'mere babygirl. Daddy will carry you" once she was secure against his chest he barely made it ten feet before her head was over on his shoulder and she was fast asleep.

"Yeah I was expecting that" you said as you reached over to pull her hood up on her head. "Well wanna take her home? We can order pizza or I can cook us some dinner and when she wakes up we can watch a movie with her?" You offered hoping he would want to stay while she napped and weren't disappointed when he nodded "Sounds good to me"

-----------------

After Billy laid Adi down on her bed you pulled the door almost closed then turned to face him with a smile "She'll sleep for about forty five minutes or so" 

His dark eyes watched you closely as he said "Well how should we pass the time then?" You blushed thinking of how many times he'd asked you that in the past then cleared your throat hoping he hadn't seen the initial reaction "Well um we could just talk? Like you've been busy the last week so let's catch up"

His smile was deep enough to reach his eyes when he said "That sounds good to me"

---------------------- 

"Alice looks at me. I look at her and we're both like hell no this isn't even anywhere near our job description" Billy's head fell back with a laugh while you told him about a few of the worst calls you'd went to over the time he wasn't there.

"I've always been so proud of you. Even when me and Frank would be deployed I'd tell everyone my girl was working to save the people of New York" you ducked your head at his words because you could feel just how warm your face was "I've done my best to help who I can. Hell I've put Frank back together more times than I can count"

He ran one finger down the side of your face then hooked it under your chin to tilt your face up to him "You have a habit of always pulling people back from the brink. Even at times that they're too stupid to realize it" his eyes flickered down to your lips then back up again to meet your gaze. You smiled slightly before saying "You know you can kiss me if you want Billy"

"Thank god" he mumbled before quickly leaning in to catch your lips with his own. You laughed lightly against his lips "Billy Russo thanking god. I must be special" he laughed "You're talking I must be losing my touch"

When he slid his tongue into your mouth it took every ounce of control not to deepen the kiss further. Thankfully things went any further you heard Adi holler "Mommy! Daddy!" And both of you froze. Billy dropped his head down and chuckled against your neck "Go ahead sweetheart. I'll be right behind you" you left another quick kiss on his lips before standing up to head to her room.

-------------------

The rest of the evening both yours and Billy's attention was solely on Adi. After she'd woke up from her nap she wanted daddy to play tea party with her and seeing Billy sitting on the floor with a pink tiara on his head while he sipped pretend tea from a cup was a defining moment in your life.

Cooking dinner while Billy helped and played with Adi felt like something out of a dream. After dinner while you bathed Adi Billy had cleaned the kitchen, put Adi's toys away and even had a Disney movie waiting for her.

-----------------

You somehow ended up falling asleep yourself with Adi tucked close enough between you and Billy that both her head and your head was leaned against his left side. Her head was over on his stomach while yours was against his shoulder.

You woke up when the credit music started playing and blinked sleepily up at him. "Sorry we knocked out on you" you whispered and he shook his head "Don't apologize. I had you both cuddled up to me. Why would I complain about that?" You smiled then cut your eyes down at Adi "Awe she looks so comfy I don't want to move her!" 

You slowly slid off the couch then turned to pick her up, being careful not to grab a handful of Billy's shirt by accident. "I'll be right back" you whispered and he nodded "I'll be waiting"

-------------

Billy watched you walk into Adi's room swaying gently back and forth with her on your shoulder. He would've offered to carry her but if he was being honest his left arm was dead from you and her both being asleep on it. Hell the two of you could ask him to cut off that arm and he'd be caught trying it.

He shook it a few times to get the feeling back while he thought over the day. Things had been slowly getting better between the two of you but today showed him just what he'd been missing. He got to spend an entire day with his girls and now had to leave? It didn't seem right.

He was saved from his mind trying to go into overdrive on him by you stepping back out of Adi's room with a small smile. "So I guess you gotta leave?" You seemed almost sad when you asked so he shrugged "I'd ask for the couch but I don't have any clothes here"

"Oh I understand" you said with what he knew was a forced smile. "Can I come by tomorrow?" You rubbed the back of your neck before saying "Um Adi will be at Karen and Frank's. I've got a sixteen hour shift. Six to ten" 

He wanted to offer to come stay at your place with Adi..hell he was her father and had yet to have her overnight. He could understand. The apartment Homeland set him up in wasn't exactly the place he'd want to take her in and out of.

"Well in that case I'll bring you lunch,get dinner with them then I'll come back to the station house and walk you home" when the words left his mouth a smile spread across your face "I'd love that" he realized how late it was getting mixed with how early you had to be to work and tilted his head towards the door "Walk me to the door?" You rolled your eyes but the grin that followed the action told him you liked that he'd asked "Of course"

You waited while Billy grabbed his jacket then he stopped in front of you for a moment. You knew him well enough to know when he wanted to ask something so you said "Go ahead Billy whatever it is"

He looked back towards the couch then cleared his throat "The way you kissed me earlier. It felt amazing but why do you say you want us to be something again and kiss me like that again only to never say you love me out loud?" 

You closed your eyes and took a deep breath to keep your voice steady before saying "This is why. I have spent all day with you and Adi. It felt like a fucking dream it was so close to being what I want but now's the part where I have to wake up because you're going to your place and I'm gonna go in there and sleep alone. It hurts being so close to you yet there still being so much room between us. Billy you know how i feel without me breaking my own heart every time I say the words only for you to go home and it not be here"

He nodded those dark eyes never leaving yours before he said "Can I kiss you before I leave?" "Of course" you replied and stepped closer to him. 

The kiss was as if he was trying to pour everything he felt for you into it. You ran your hands up his back feeling the way the muscles moved under his jacket as he deepened the kiss flicking his tongue across your lips for access which you willingly gave.

A low moan fell from your lips when he licked into your mouth at the same time his hands came down to rest on the small of your back holding you flush against him. When both of you finally pulled away your chests were heaving with the force of the kiss.

He leaned down just enough to be eye to eye with you then said "Y/N I love you. You're the only woman I've ever loved. You're the mother of my child. We will be back together hell it's inevitable like Frankie said. Me and you? We were made for each other cause who else could handle us? I don't care if you never say the words to me again because I know you do and sooner or later I won't have to leave but I hope you know my home? It's you and our daughter. No apartment. just the two of you"

You smiled at his words and left another quick kiss on his lips "I'll tell Karen you're coming over for dinner and I'll be looking for you when I get off" he smiled and said "And I'll be right outside the door waiting for you then the very next day you have off me and Frank are taking our lunch hour to go find you a good car if need be" 

Right as Billy walked into the hall he turned around and grinned before saying "Oh yeah Y/N by the way?" 

"What Billy?" You asked with a laugh tugging at your lips before he ever said the next words "I love you beautiful" "Night Billy" "Good Night love. Call if you have any bad dreams" was the last thing he said before stepping onto the elevator.

@intothesoul

@weallhaveadestiny

[dennistamayo]

Who needs classic Saturday morning cartoons anyway?

Between the late 1960s & the early 1980s, Saturday morning comedy cartoons usually had a sitcom style laugh track. One exception was The All New Popeye Hour aka The All New Popeye Show later called The Popeye and Olive Comedy Show aired on CBS. One of the segments, Private Olive Oyl should have a laugh track in which YouTubers should do it this year. Most Saturday morning cartoons mainly the 1970s use limited animation, recycled animation, camera shaking & more. Filmation & Hanna-Barbera were the ones making those cartoons, years before the animation were done overseas in Asian studios such as Japan & the Philippines. By the mid 1980s, Saturday morning comedy cartoons no longer use the laugh track in which American TV networks such as CBS & NBC began broadcasting the cartoons in stereo as late as 1988. As years went on, Saturday morning cartoons produced in the United States were done overseas in Asian animation studios such as Japan & the Philippines as aforementioned, switching the animation from traditional cels to digital ink & paint which Hanna-Barbera did in the 1980s, modern animated sitcoms like The Simpsons began airing for older audiences & cable networks like Nickelodeon & Cartoon Network started airing original animated programming. This decade, cable networks like Discovery Family will revive Saturday morning cartoons which will be in 16:9 (1.78:1) high-definition which Nickelodeon, Cartoon Network & Disney Channel had nowadays. One of my future projects will be based on the sitcom Friends by Marta Kauffman & David Crane, my character art style will be inspired by Genndy Tartakovsky, Craig McCracken & more. Cable networks should air children’s cartoons every Saturday morning, not midnight like streaming services such as Netflix, Hulu & Max. & the running time for the cartoons will always be 22 minutes, not 11 minutes.

[onenettvchannel]

THIS JUST IN: 'Hailey's On It' ends after a historic One Season in Series Finale with a worst cliffhanger end [#K5NewsFMExclusive]

(Written by Marco Ubaldo Diaz / News Reporter of Disney XD News)

OCEANSIDE, CALIFORNIA -- The final new episode of "Hailey's on It!" concluded with a worst shocking cliffhanger for one (1) historical season as Hailey Alohilani Banks was caught allegedly cheating with her new boyfriend (Mr. Sanjay Singh), during a prom date of Oceanside High School (OHS) in the state of California last Friday night, which was first released online early Saturday morning (May 18th, 2024 at 12mn) on Disney NOW and therefore later that same day on Disney Channel at 8am (Pacific local time).

DWFH-FM 97.7mhz's K5 News FM: Dumaguete got an exclusive scoop that it was due to a new fictitious mobile app called 'SnackMatch' (a derivative version of 'Tinder', owned by Dingles Worldwide Snacks and Tires Corporation [DWSTC]) based from a suggestion by Ms. Genesis. Surprisingly but suddenly, there will be two (2) red flags in the prom date night at OHS as one SoKor-FilAm (South Korean-Filipino-American) named 'Scott Denoga' unexpectedly a victim of 3rd wheel relationship. For Hailey however, suspiciously ends up cheating with Sanjay, after Mr. Denoga invited her as a new boyfriend and en route via Limousine Car to the Oceanside High School for "Totally 80's to the Max" event because of this aforementioned matchmaking app.

For a brief context of what is this show is all about… "Hailey's on It!" is an American animated television series that follows the adventures of 'Hailey Alohilani Banks', who was an ingenious and purposeful young teenage girl in Oceanside, California, United States of America (U.S.A.) that faces different challenges with a positive attitude and quick thinking, free from future robot enemies known as Chaos Bots.

The show is designed to inspire and entertain children with Hailey's problem-solving skills, which can be used to handle unexpected situations with full creativity and confidence. This typically features Hailey facing a new problem in each episode, which she solves by the end, often learning valuable lessons along the way. Its humorous narrative style, vibrant animation as well as engaging fictional lead protagonist characters make it popular among its newly targeted audience for Americans.

In the 30th final new episode called "I Wanna Dance with My Buddy", Hailey's plan to go out with Mr. Denoga on a dance night event and confess her feelings to him gets spoiled when a compatibility app claims they are incompatible with each other, just like Ms. Destiny. But on the dance floor, they do not jive well.

Kristine Sanchez, a locally active social media influencer and the ex-boyfriend of Mr. Denoga, informed him that he has been doing it all wrong in the mobile algorithm survey because he redoes the surveys on the 'SnackMatch' app, and he finds himself compatible with Hailey per the potential match between Butter and Lobster. Excited, he becomes eager to go out with her that night but Hailey had already dated any one of Usher’s fictional back-up dancers or an endorser for the cologne advertisement like Mr. Sanjay Singh whom she just met from 'Botany Camp' where she mentioned him as friends and later becomes her new boyfriend.

Fortunately for Mr. Denoga, he is assuring that the suspected 3rd wheel relationship with a new girlfriend of Mr. Sanjay to be supposedly dating with Hailey is an absolute red flag and hits a major roadblock. Beta urgently reminds Hailey about her duties with the list item #143, but she refuses to let said list, or Beta, be in control of her life. She rips into pieces her confession letter in the advertised flyer and then throws it into the garbage bin.

Sometime later during the prom dating night in the "Totally 80's to the Max" dance event, a scene of a catastrophic future flashes in front of Mr. Denoga as Beta later tells him about the list item Hailey has been hiding from Sanjay, which badly surprises Denoga with a worst cliffhanger end.

It is way undetermined if Hailey ending up having sex with Sanjay throughout the night, and possibly getting married instead of Mr. Denoga at the end of the prom dating night at Oceanside High School in California: "In case I haven't said it lately, thanks for being a great friend. Y'know, I don't think cookies and lobster sound so bad together", Hailey said. Per the end credits at the photo booth, pictures are taken without any problems and everyone goes home for the night, leaving for a 2nd Season abruptedly scrapped by Disney after one season, which never to be animated and greenlighted due to low popularity of the fanbase.

Despite the upcoming scrapped episodes in Season 2, we obtained the exclusives in the episode titles are 'Say Funcle', 'Mean Squirrels', 'Nobody Puts Beta in a Corner', 'Dead Bots Tell No Tales', 'No Money, More Problems', 'Trick or Traitor', 'Night of the Living Pumpkins', 'Diss and Break Up', 'California Schemin', 'Suddenly, Sanjay', 'Cirque du Bro-leil' and 'Dude, Where’s My Cousin?'.

In the follow-up leaked scrapped episode script of 'Say Funcle' involving a 3rd wheel (known as the Love Triangle) or unexpected character developments in the relationships of Hailey Alohilani Banks, Sanjay Singh and Scott Denoga. Introducing a third wheel or exploring themes of cheating could indeed create a dramatic and suspenseful plot twist, leading to a cliffhanger ending that leaves viewers intrigued and eager for the next episode from the Season 1's final episode as a series finale. Such narrative choices can add depth and complexity to the characters and their relationships, making for compelling storytelling in the series.

The scrapped episode in the lost media follows Hailey and her friends dealing with challenges and adventures at Funcle Fest. Hailey hides a unique talent from Mr. Sanjay, but when he discovers it, he appreciates her even more. The said episode also features Beta struggling with a disco protocol and ultimately combusting, leading to a humorous and unexpected ending which the list item was quite censored to the public.

Now, to sum it all up, there are two (2) common red flags that may arise in relationship based from a final new episode of "Hailey's on It": Forced Cheating and a 3rd Wheel. Some of the red flags in relationships that may suggest on both sides including… Love bombing and rushed intimacy very early on; Overt jealousy, possessiveness, or attempts at control; A perfect persona that seems too good to be true; Secrecy or a lack of transparency in actions and communications; Changes in behavior or routine that are unexplained; And emotional distance or a lack of intimacy.

On the other hand in 3rd wheel… Ongoing tension and arguments may indicate that the 3rd person like Mr. Sanjay (the new girlfriend with Hailey) is becoming too involved in the relationship; Emotional distance between partners, where one partner like Mr. Denoga may be sharing more with the third wheel than with their significant other; Secrecy or deception regarding the nature of the relationship; And prioritizing the third wheel over the partner, which can manifest in time spent, emotional investment or decision-making.

The unhealthy relationship couple of 'Scailey' (Hailey Alohilani Banks and Scott Denoga) must seek emergency professional help at Good Therapy San Diego (GTSD) in Oceanside City to explain the unexpected behavior with Mr. Sanjay from the 'SnackMatch' matchmaking app, which can be turned over alone to Mr. Denoga. It is best to maintain open and honest communication with their partner about her feelings and concerns; observing behavior and communication patterns; set clear boundaries and expectations for transparency and fidelity; and invest in the relationship by spending quality time together like Hailey and Denoga, ensuring both partners' needs are met.

The thing is, one whole season of the American cartoon series of "Hailey's on It!" is not enough. Fans of the show wants to give themselves more, but the popularity is losing interest in the fanbase and never to be animated & greenlighted by the Disney Television Animation (DTVA) staff. Although in real life like Scott Denoga, the shipping name between Hailey and Sanjay are now called 'SanLey'. Denoga is at risk by permanently breaking up with her during the prom date night. The 2nd Season may potentially soon in the works for production, except for the leaked episode scripts can be finalized in the final version, which is subject for the last resort approval.

We try to reached out with Dingles Worldwide Snacks and Tires Corporation [DWSTC] (whose the matchmaking developer app of 'SnackMatch') to address its relationship policy issues, but it refused for a comment via E-Mail correspondence on our news team to K5 News FM Dumaguete.

For now, Denoga needs to take time in Season 2 to accept his defeat if its greenlighted by Disney Television Animation, in order to address a list item #143 that needs to be seriously done before Chaos Bots ending up for a mass murderer to avoid these red flag relationships and disasterous events at the end of the prom date night.

SCREENGRAB COURTESY: Disney Television Animation via DisneyNOW VIDEO BACKGROUND PROVIDED BY: Tegna

SOURCE: *https://haileysonit.fandom.com/wiki/I_Wanna_Dance_with_My_Buddy *https://tvtropes.org/pmwiki/pmwiki.php/Recap/HaileysOnItS1EP56IWannaDanceWithMyBuddy *https://disneynow.com/shows/haileys-on-it/season-01/episode-30-i-wanna-dance-with-my-buddy/vdka36641651 *https://en.wikipedia.org/wiki/Hailey%27s_On_It! *https://thecoastnews.com/new-disney-animated-series-takes-place-in-oceanside/ [Referenced News Article via The Coast News] *https://haileysonit.fandom.com/wiki/Oceanside_High_School *https://disney.fandom.com/wiki/Scott_Denoga *https://disney.fandom.com/wiki/Genesis *https://www.goodtherapysandiego.com/oceanside-therapists.html *https://desuarchive.org/co/thread/143702889/#q143711342 *https://www.healthyplace.com/relationships/celebrate-love/my-partner-cheat-never-29-red-flags-that-may-suggest-a-cheater [Referenced Editorial Article via Healthy Place] *https://verywellmindset.com/what-are-red-flags-in-a-relationship/ [Referenced Editorial Article via Very Well Mindset] *https://www.psychologytoday.com/us/blog/finding-true-love/202005/six-signs-emotional-cheating [Referenced Editorial Article #1 via Psychology Today] *https://www.psychologytoday.com/us/blog/between-the-sheets/202109/why-people-ignore-red-flags-trouble-in-their-relationships [Referenced Editorial Article #2f via Psychology Today] *https://maplewoodcounseling.com/relationship-red-flags/ [Referenced Editorial Article via Maplewood Counseling] and *https://www.youtube.com/watch?v=bkJzXH3qZZI [Referenced YT VIDEO via Psych2Go]

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