#disabled monica

[fuck-it-icons]

Excuse me while I gaslight the entire Danganronpa fandom about Monica cause almost no one played UDG so I can confuse them. Monica is not able bodied, she's disabled! That's why she's in a wheelchair!

Side note: I'm disabled and I use a wheelchair and I really loved Monica as a villain because no one treated her differently due to her disability, no one looked down on her or tried to force help on her, everyone respected her and no one said ableist slurs, she wasn't made evil due to being disabled and her disability wasn't centered in her identity as a villain... It was just a part of her that was neutral. It didn't make her more evil and it didn't make her more sympathetic. It was just a fact about her. Then the fucking devs had to fuck up the pretty good representation like they always do in Danganronpa and make her abled as well as being an abled person who claimed her disability status actually gave her privileges and she never saw any negatives about being disabled as if ableism dosent exist. She was even worse than a bad disabled villain troupe, she was a fake disabled ableist abled villain and the only canonically disabled character in the whole fucking franchise. Anyway us disabled people are reclaiming her and she's actually disabled now and her disability isn't misused or over enunciated and we Stan a disabled person who is evil but not evil due to their disability.

[tequilaasquared]

So I totally agree with the sentiment that S6-9 was painful without Mickey because I almost gave up myself. But I’ll be an Ian Gallagher defender to the end and I really hate when his own stans dismiss his storyline because Mickey wasn’t there and they hated his love interests.

Him becoming an EMT was arguably one of his most important story arcs throughout the whole series and it was crucial to his character development. And more importantly (for me anyways) it was such positive representation of life after a bipolar diagnosis. Watching someone deal with a life changing diagnosis and not be villainised by the narrative and see them make something of their life and have a career and stability, was so inspirational to me.

(I’m not including the s8-9 gay jesus storyline in this rant because I acknowledge that it WAS objectively poorly written despite it having potential)

I totally understand if Mickey is your fave and you aren’t interested in Ian’s arc without him. I get that the show would be boring and a waste of your time if your fave is gone and none of the other characters are interesting enough for you to continue watching. But to see Gallavich stans call Ian’s development trash and outright invalidate it is always so disheartening to me. Especially when I’ve seen the same people praise the other Gallagher sibling storylines just to purposely dismiss Ian’s. Like you can just say you weren’t interested because Mickey wasn’t with him without shitting on him.

[nikidykeachu]

Day 3^__^!!!!!

Just really wanted to draw lanita and monica ^__^

Also!!:

[nicknosovietic-blog]

Vote Luca on the Disability Swag 2023

[flyawaybooks]

I'm trying not to have a personal crisis about my (lack of) professional identity and how it ties into my self-worth (not well) but it's really hard to not just feel like a total failure ....

[covid-safer-hotties]

The US Government Is Shutting Down A Key Covid Website

Tomorrow the US government agency responsible for biomedical and public health research, The National Institutes of Health, will shut down its Covid-19 ‘special populations’ website.

This site hosts a huge amount of information about how to treat covid and long covid in the immunocompromised and in people with HIV, cancer and similar immune supressing conditions - so-called ‘special populations.’

The site is going totally offline.

It’s a shameful dereliction of duty by the NIH which, behind Harvard, is the second largest publisher of biomedical research papers in the world. Doctors and clinicians all over the world use the NIH site for advice and treatment ideas.

And it’s going offline during a massive summer surge of covid infections in the US, a surge that is now topping 1.3 million infections per day. (One of whom was Anthony Fauci, who was infected for the third time last week). A surge killing 750 people a week in the US. Many of whom will be precisely the type of people this website is intended to help clinicians treat.

It’s a scandal.

The message it sends to vulnerable people could hardly be clearer - when it comes to covid, there’s nothing else we can do for you. Sorry. That’s it. We’re done.

It’s so terrifying.

It also sends a terrible signal to the medical community about where we are with covid

and will be materially damaging in efforts to treat vulnerable people, both in the acute stage of the disease and those with long covid.

The move to shut the page down is premised on an entirely false assumption: that we already know everything we’ll ever know about how to manage covid so there’s no point keeping a live web resource because they’ll never be anything to update it with ever again.

This is simply not true. While we know a lot about treating covid four years in, we absolutely do not know everything, not by a long stretch. As evidenced by the hundreds still dying every week in summer 2024. And as for long covid, we know very little about how to treat it. For a start, there is no agreed treatment plan. Absolutely none. But apparently we also know so much about this disease we can start shutting down online resources dedicated to it.

Please imagine for a second if a Trump administration rather than a Biden-Harris administration was doing this.

There would be an outcry.

But this move has so far been greeted by media silence.

It is left to a few disability activists and the covid aware to shout into the social media void.

Not that this is a surprise. This is how it has been for the last two years at least, guided by the business as usual, vax-and-forget strategy. More people have died of covid under the Biden-Harris administration than died under Trump. Despite having vaccines since 2021. You’d never know it by mainstream media coverage.

Some people have written to the director of the NIH, Monica Bertagnolli, and asked them to keep the advice live and up-to-date. If you want to do this her email address is:

monica.bertagnolli@nih.gov

Long Covid Action has archived the site here

Maybe if enough people write to her and enough noise is made the decision will be reversed. Worth a try.

Overall it’s just another grim episode in the handling of the pandemic by the current US administration, an administration who, we should never forget, won power in large part due to the outrage at Trump’s handling of the first nine months of covid.

Solidarity to everyone still trying to protect themselves and their communities from covid against all the odds.

At least we can keep fighting for each other.

[bergdorfverse]

Monica & Essex Collection feat. Off-Line & Dust Bunny

Download the Dress by Off-Line HERE

Download the Festive Headbands by Dust Bunny HERE

You will get:

Essex Bag

10 Swatches

2 Shoulder Placements ( L & R )

Decor Version

Essex Boots

10 Swatches

Elevated Base Game Version

Decor Version

Monica & Essex Collection for Blender ( Shop Only )

Original HQ textures included

Separated Materials for Extra Customization Options

Please use this for renders

All LODs // Disabled for Random // Custom Thumbnail

Conversion // Do not recolor or convert without permission // Do not re-upload

Base Mesh Credit: 3DMonk

SUBSCRIBE

SHOP

Instagram // Pinterest // Patreon // Tumblr // Simsfinds

[they-are-a-prolife-autist]

“The unborn" are a convenient group of people to advocate against. They never make demands of you; in fact they can't even speak. They can't confront your ignorance when you call them tumors or parasites. They're powerless to denounce your lethal ableism when you suggest it's better to never live than to live with disabilities, or to condemn your classism when you imply it's better to not be born than to be born poor. They can't ask you to reckon with your racism when you tout higher abortion rates for PoC as empowerment. They can't implore you to step up and support mothers who feel they have no choice. You can forget about the unborn, mute and helpless to remind you they are here. You can advocate for abortion without substantially challenging your power or privilege to have been born yourself, to get to experience life in all its pain and beauty. You can advocate for abortion without reluctance or remorse - on demand and without apology - and never have to face the humans whose lives you've deemed worthless.

The unborn are, in short, the perfect group to dehumanize with no risk to yourself. They can't. fight back. They're stuck in a small space, forced to die in silence.”

— Monica Snyder, pro-life atheist

[nicknosovietic-blog]

VOTEM NO SEU PRIMEIRO CRUSH PARA DISABILITY SWAG 2023

Brasileiros, Brasileiras e Brasileires

Admitem que ele foi o teu primeiro crush na turma da Mônica clássica

[ Para Todos Verem: imagem do Luca de Turma da Mônica Jovem, um garoto branco e magro de cabelo castanho liso, com franja e comprimento médio, sentado em uma cadeira de rodas possivelmente elétrica e azul, com quatro rodas e algo similar à um joystick.

Ele sorri, com uma bola de basquete no colo, usando uma camisa polo listrada branca e amarelo, bermuda vermelha e tênis vermelho. O fundo é transparente. /Fim de descrição ]

Votem Luca no Torneio Sexyman Brasil

@gravedangerahead

[kvetchlandia]

So...

I went today to see "A Complete Unknown," the new James Mangold flick about Bob Dylan's early years in the Village, from his arrival in New York City in Jan, 1961 until he went electric at the Newport Folk Festival in July, 1965.

I've been a Dylan nut since I was a little kid. This, I'm sure, has little to do with any genius or musical/artistic insight on my part. Rather, it's probably just a bit of luck that fell my way in having an older sister with excellent musical taste who first turned me on to Bobby.

Don't worry, I'm not going to give away anything, for those of you who might find yourself reading this and who want to see the film but haven't done so yet. I'll limit my comments to a few, very general points.

I've read some reviews that are critical of the film for compressing some events, combining others and flipping some chronologies, as well as for leaving out some people who were important parts of the Village scene in the early 60s. I think such criticisms are silly. We're watching a piece of dramatic art based in reality, not a documentary on that reality. Four and a half years of life can't be squeezed into a bit more than two hours of screen time without taking such license. We're not going to sit through those years in real time. The screen writers and the director have to make choices and they did so in order to tell the story they wanted to tell.

The only criticism I'll share, and I feel sharing it won't in any way way interfere with anyone's enjoyment of the film, is that I wasn't particularly happy with the way Suze Rotolo was portrayed. For those who aren't Dylan fanatics and who don't have a clue who Suze Rotolo was, she was Bobby's first love and muse after arriving in the Village. In fact, at Bob's request (he was involved with the making of the film), Suze's name wasn't even used, because even though she has passed, she was always a very private individual and all these years later, Dylan still wanted to respect that privacy. In the film, she's known as Sylvie Russo. In any case, Suze was a very strong, politically active young woman, a red-diaper baby (as am I), an activist in the Congress of Racial Equality and an artist in her own right. She's the person who introduced Bob to politics, getting him so involved that he was both a participant in the Freedom Summer integration and voter registration drives in the Jim Crow South in 1963 and a singer at Martin Luther King, Jr's March on Washington for Job's and Freedom, also in 1963. It was though her influence that Dylan wrote many of his most powerful early political songs. Due to their rocky relationship and ultimate breakup, she was also the subject of some of his most beautiful ballads from that period. I just don't think any of that comes through particularly well in the film. The writers and director chose to focus more on his time with Joan Baez. I understand why they made that decision. I just think they could have managed to do so without giving such short shrift to Suze.

As far as the acting goes, Monica Barbaro is fantastic as Joan Baez and she also does a superb job of singing in Joanie's style. Edward Norton is very good as Pete Seeger. Scott McNairy is heartbreaking in his few scenes as Woody Guthrie, already deeply disabled by Huntington's Disease when Dylan first visits him shortly after arriving in New York in 1961. Timothée Chalamet, of course, has to carry the weight as Bob. He's pretty effective. He doesn't have Dylan's charisma nor is he as stunning looking as the Dylan of 1965 was, but he still pulls it off.

All right, I've said enough. Go see it. You'll like it.

[dazzle02]

Why Do People Never Let Ian's Bipolar Be About IAN?

This does get rambly and ranty and might annoy people. So beware.

Honestly so fed up of looking for good fics about Ian's Bipolar and most of them being about Mickey's feelings on it, and from Mickey's POV, and how hard it is for him to see Ian like that and how stressful it is on him.

Yes, loved ones of people struggling with Mental Illnesses go through a lot and that's important to acknowledge.

But why aren't there more fics about how Ian feels about his Bipolar? How hard it is for him? How he feels when he's manic or depressed? How he feels after an episode? Him having to deal with living his life with Bipolar? How he interacts with the world as someone with Bipolar? Him getting to defend himself if someone is ableist towards him? How he feels about the Psych Ward? How he feels about the way everyone (including Mickey) sometimes speaks about him?

And this is the opposite of that, but I'd also love fics that explore the Gallagher's feelings on it. Especially the younger ones as that was never really explored in the show. How awful Debbie and Carl must've felt in that moment where they go to Mickey's house and see Ian laying in bed unresponsive and realise what's happening. How it must've felt to watch their big brother who was always so reliable and steady be brought down by the same thing as Monica. Liam's feelings on having helped Frank profit off his mania, which wasn't on Liam as he was a child being manipulated by his Father, but surely he would've later realised what was going on and had feelings about it. Debbie's fear at hearing Fiona tell Mickey that he could end up suicidal. But also Fiona and Lip. Having to see their little brother go through this. We got a bit more of that in the show though.

But mostly, like I said, I want more about how IAN feels about everything. One of my favourite moments from the show is him fighting for his EMT job. It's so important. It's him fully accepting that he is Bipolar and that it is a disability and fighting to still get to live a fulfilling life. Realising that being Bipolar isn't the end of his world, that he can still do something with his life. That Monica was right when she said that people like them can be happy, even if her way of getting that wasn't healthy. And the story leading up to that of him realising what being Bipolar means outside of the actual Disorder. What it means for him in the world as a member of society. That first moment of discrimination for being Bipolar. And him at first feeling defeated by it, but then deciding to fight. And I know we all hate Caleb, but he DID help Ian in some ways. He pushed him to fight for his job. Did he say things in the best way? No. But he did clearly believe that Ian really had it in him to be an EMT and saw it as bullshit that being Bipolar could keep him from that. And Ian fought. And he won. He knew his rights. He knew that he was being kept from work due to being Bipolar. And he knew that that was discrimination and not okay and he said it. And he got his job back and gained the respect of his co-workers.

And I wish people would write about that sort of thing more. Instead of having someone be ableist towards him and him just getting sad and Mickey getting protective and defending him then taking him home and comforting him, have Ian stand up for himself like he did in that scene. Yes, sometimes you need someone to stand up for you and then comfort you. It can be nice to have someone who will defend you so you don't have to constantly do it yourself. But it's such a big part of Ian's character that he DOESN'T need Mickey to step in and defend him. He can do it himself. And he will. In fics Mickey gets to stand up to Terry himself and doesn't need Ian to do it for him, why is Ian not allowed the same thing?

Same with when dealing with Frank, or Kash/Ned. Somehow it always ends up feeling like it's more about Mickey than Ian. How he feels about the people who hurt Ian. Him defending him and telling them off. Why can't Ian get to do that more?

Ian is more than capable of defending himself. And more than capable of kicking someone's ass. He has ROTC training. He can fire a gun perfectly. He took Mickey out with one punch to the neck. He was beating the shit outta Terry in 4x11 before someone smashed a chair over his back. Frank said in the Pilot that he could "disembowel an enemy with a roll of dimes and an old gym sock." He said in S1 that he broke a guys leg in Karate so bad it took three pins to put it back together. He can fight, and he can HURT people. Just because he usually prefers not to doesn't mean he can't or won't. Because he has shown that he can and will. He's not some Damsel in Distress who needs Mickey to come and save him all the time. This is why I kinda hate the scenes of Carl and Kelly teaching Ian to fight before he's going to Prison. As if he's not the one who Carl was asking to teach him new knife grips in S3, as if he doesn't have all that ROTC training, as if he's never fought in his life and doesn't know even the basics. It should've been more framed as them helping him touch up on the stuff he already knows, that he was doing long before they were. Stuff that it honestly sounds like he might've been teaching Carl when he was younger. Just having him say to them "Hey, I haven't done this stuff properly in years and just wanna make sure I can still do it. Wanna help?" Instead of framing it like he'd never done this before and they just knew so much more than he did.

And why can't he process these things with one of his siblings sometimes? And this is just my love for platonic relationships coming out. But I wish there were more fics about Ian and his siblings. Especially Debbie and Carl. I've read a few that focus on him and Lip or Fiona, and Liam too. But there's just something so special about his relationships with Debbie and Carl and the fics are sorely lacking. (But even the Fiona, Lip and Liam ones tend to be more focused on Gallavich. I LOVE Gallavich, but I need more fics where Ian gets to exist within his family without Mickey...)

Honestly I just need more fics where Ian gets to exist as his own person and not just as Mickey's husband.

That's what this post is about really. I am really focused on this right now. The fandoms treatment of Ian makes me sick. (Along with some other characters...)

I also would love for more of him with Kev and/or Veronica. I feel like that was underutilised in the show. He got a few scenes with Kev over the seasons, and a couple with V too. But others got full stories focused around their friendships with them, but Ian didn't. (Just as he was the only one who never had a meaningful story with Frank, which I kinda like as a plot point, but would like more if they actually MADE IT a plot point instead of it just being that they very rarely interact, when they do it's negative and Ian never really has any feelings about that...) There could've been a really interesting story arc when Svetlana was starting her relationship with them and they were becoming parents to Yevgeny. Ian seeing this and feeling happy that Svetlana is happy, and that Yevgeny has such good parents in his life, but also feeling some sadness due to losing that relationship due to his mania. Feeling that grief of the family dynamic that they'd built between S4&5, and at having to see these people he loves be parents to the kid he loved as his own while he couldn't because his mania ruined that for him. Maybe even eventually having Svetlana give him another chance. Have it be emotional, but then have a kinda comedic story of Ian, Kev and V realising that they have become coparents and then a sweet story of them figuring that extra dynamic out. This would be good for multiple reasons.

But back to what started this post, sorry for the rambles. I am fed up of IAN'S Bipolar being made about Mickey.

Not even just in fics.

The amount of posts or comments on things that I'll see that are all "Poor Mickey" "Mickey is struggling with this so much" "This is so hard for Mickey" "Mickey hates seeing Ian like this" "This must be so scary for Mickey" etc pisses me off. What about Ian? You know, the one who actually HAS Bipolar? The one who while manic enlisted in the Army under his brothers identity, then proceeded to try to steal a helicopter and surface to air missiles (that one is never talked about... by anyone. Not even in the show. When the MPs find Lip they list that as one of the things he tried to steal and everyone just brushes past it. WTF did he want them for?!) and then went AWOL. Then stayed with his ex (one of the men who groomed him as a teen), ended up kicked out, then lived in a crack house with his mother who is also Bipolar, ended up working in a strip club and selling himself and doing drugs and starving himself, then his mother left him there, eventually ended up back home, then had a depressive episode (I always wonder if that was his first or if he'd had one before anyone found him but just didn't know what it was and couldn't process it as he was unmedicated. Part of me wonders if he had his first while staying in that crack house with Monica and if maybe that was when she left... I feel like it could make sense...) had his entire family trying to get him to see a doctor because they're convinced (rightly so) that he has the same thing that they seem to hate Monica for (they hate her for leaving and the things she did to hurt them, but it often gets so twisted that it comes off as hating her for being Bipolar in the first place...) except Mickey who is adamant he's fine and is protecting him from having to talk to a doctor and defending him to his siblings until suddenly he's not after Ian MADE A PORNO that is out there forever and he has to live with that forever, so he ran off with the baby he loves as his own, sells himself again to get money to buy stuff for Yev, ends up convinced that the Police who are trying to "take his baby" were sent by JESUS (which is absolutely heartbreaking and I wish they'd gone into that a little more because Ian had a lot of religious trauma when it came to his Bipolar, and I know that religious delusions are pretty common in Bipolar and Schizophrenia, but I always wonder if that was also in part due to him being gay and literally earlier in the season having to deal with religious homophobes...) then thought he was being chased by Demons sent by an Angel, then he ended up sedated and arrested (the arresting officer seemed kind and understanding, which was such a relief...) and then he was in the Psych Ward and he did not like it and it was clearly traumatising for him and his meds were just making him totally numb. Then he was out of there, with a diagnosis he didn't believe but everyone else did, and meds he had to take but didn't want to because they made him feel like LIFE WASN'T WORTH LIVING (also, wish people would explore how Debs must've felt hearing him say that...) so he flushed them and then had his sister using the same tactics on him that they used to use on Monica and that must've just felt so shitty. But also, Mickey wasn't there. The first thing Carl said to him was "What does it feel like to be crazy?" And I don't hold it against Carl, he was a scared kid with no reference for how to be more sensitive about that stuff, but man that must've hurt. (Also, I think about the look on Ian's face when Carl says it could be him next so much! He looked so upset! He would never want that for his little brother!) Then Mickey's back, yay! But then he's waking up absolutely terrified because he's convinced there are MPs trying to get in the house to take him away, and he almost hits Debbie with a bat. Then he's getting told that he's likely going to have to be on these meds that he HATES for FORTY YEARS! Possibly longer. Basically this is something he has to deal with his whole life.

Then he's having to deal with adjusting to the meds, and everyone fussing over him like he's a child and just everyone treating him differently. He puts his hand on a hot stove just to feel something. And he opens up to Sammi about the Army. Also, first time he refers to himself as mentally ill. First time he really acknowledges that. And he manages to open up to Mickey about how the meds make him feel, about how he needs Mickey to be his boyfriend and his partner instead of just his caretaker. And it seems that Mickey is understanding that. He stops protesting at Ian having a beer, they go home happy and plan a proper date. Then fucking Sammi reveals she's called the MPs and they're there to arrest him. Literally the episode before this his first scene was him being absolutely terrified due to believing they were there trying to get him, and now they really are. And he is dragged out of there screaming. He's feeling betrayed because he opened up to Sammi and she threw it back in his face. And he's terrified. Then he has to hear his siblings talk about him like he's not there, talk about how bad his Bipolar is, talk about how he's been acting crazy, how their mother with the same thing made their lives hell, how he sometimes can't take care of himself, list all the things he did while manic. And they're doing it to help him. They love him and want him home and safe, but hearing them say all that would hurt! And then his Mum is there, telling him all this stuff about everyone wanting to fix them and how he'll never be able to make them happy because of that. And how is he supposed to not believe that when he's just had to listen to his siblings say all that? When he's just been dealing with everyone treating him like their patient instead of brother and boyfriend. When he already feels he's just been hurting everyone he loves. So when he's released he goes with her because she gets it, and they can just be fucked up together where they can't hurt anyone and everyone will be better off without him. But then while he's with her she talks about bad things that happened when he was a kid like they're fun and good memories, and she's dating a drug dealer who cooks meth and is just awful, and she tells him they CAN be happy. And he goes home. But he's feeling terrible about himself still, he still feels like he's just a burden on everyone, especially Mickey. So he breaks up with him because the thought of keeping him tied to him like that destroys him. Oh, and you know, that scene at the bridge where he was very clearly thinking of jumping because he was so depressed and felt his life was over... Ya know, that little scene.

Why is it never about all that? Why is it almost always "Poor Mickey having to see him like this" and "Mickey is such a great boyfriend for dealing with this!" And like, yes, it obviously sucks for Mickey having to see the man he loves like that. And yes, certain things that happened during that time hurt Mickey. And yes, he's a good boyfriend who tries his best to take care of Ian. But WHY is that so much more important to people than the person who's brain has turned against him and blown up his entire life?

I know why. Ableism. Plain and simple.

And the show could be guilty of this at times too. So much of the story of him first showing symptoms and then his diagnosis were from other character's POV. Especially Mickey's. We get a bit of a shift in 5x06 when he takes Yevgeny, and then him in the Psych Ward. But then it kinda shifts back to other characters again. A moment I think about a lot is when Ian and Mickey go to the clinic to get Ian's meds after the incident with the bat. It's a good scene, and I would say it's more Ian's POV. But I kinda wish the scene had ended on a shot of Ian instead of Mickey. Don't get me wrong, showing both reactions to the doctor saying Ian would be on the meds for at least 30-40 years was important, but I kinda wish that it had gone from Ian to Mickey and back to Ian again. I just think it's kind of important how a scene closes and who that last shot is of. And in that moment, it should've been Ian because this was about HIM. And by ending it on Mickey, it feels kind of more focused on Mickey than Ian. And I hate that. In that moment, Ian should've been the focus. Just as there are moments that Mickey should be the focus. (Like there should've been scenes from Mickey's POV about 3x06 and the aftermath...)

I'm just fed up. I want more fics about Ian as a person outside his relationship with Mickey. I want more people talking about Ian outside his relationship with Mickey. More people acknowledging Ian's relationships with his family and friends.

I love Mickey. I love Gallavich. I love reading fics about them. And I DO enjoy fics where Mickey is taking care of Ian. But when that's basically all I can find it gets boring and exhausting.

I want more fics from Ian's POV about his own Disorder and traumas. I want more fics about Ian's relationships with his siblings. I want more fics of Ian with characters other than Mickey. Like, let him and Tami bond over their experiences being groomed and learn to truly process that with someone who understands. Let him have days out with just Franny. Let him bond with Veronica over their medical knowledge. Spend time with Kev. Let him have feelings over when Carl was trying to get into Westpoint. WHY wasn't there a scene between them about when Carl was rejected from Westpoint where he goes to talk to Ian because he knows he understands?! Why was there basically NOTHING between them when Carl started Military School and was wanting to go to Westpoint? I loved the scenes of them running together and I loved the scene where Carl told Ian he was considering not going to Military School because Dom wanted to get back together and Ian told him not to. But where were the scenes acknowledging that this was Ian's dream that got ripped away from him by his Bipolar? Where was the scene of Ian telling Carl he's proud of him? Of Carl going to him for advice? Why did they have to make Ian dismiss Debbie's sexuality? Why couldn't they have them bond? Or at least if they wanted to keep that first scene of her coming out to him and him saying she's not, have a scene later in the episode where he apologises to her and explains that he's just scared for her because he doesn't want her to have to go through the stuff he's had to or that the people he was helping during the Gay Jesus arc were going through and that because that was still SO fresh and literally at the front of his mind that fear took over and he just didn't want that for Debbie. That could've been interesting. Instead they just decided that the one person in the family who should've been the most understanding and helpful to her when she was questioning her sexuality is actually just going to totally invalidate it and never provide a reason. Because the fear of someone you love going through the same thing you've had to your whole life is going to make you act irrationally and maybe do or say things you shouldn't, and that could've been really interesting. Instead it just wasn't. Instead it was just everyone telling Debbie she wasn't gay and then suddenly that just stops and it's never mentioned again that anyone was saying that. Let it be an ACTUAL story with genuine feelings between two queer siblings who love each other instead of whatever that was meant to be.

[yesbutmakeitgay]

Caught Red Handed

GIF by sersi

Carol Danvers x Reader

We’ve Loved A Thousand Lives

Same beginning, different story every time.

Part 10

Fury!R, Light angst, Fluff.

Beta'd by @cordeliasdarling 💜

Word count: 1.1k

Masterlist | This collection | AO3

Carol enters her ship after another successful mission wanting for nothing more than to relax and rest, until she senses someone else’s presence in her space home.

She walks slowly, pointing one of her lit up fists in a general forward direction, but before she becomes too alarmed, you decide to make your presence known by stepping closer to her.

Once she sees you, her body stops glowing, but her muscles remain just as tense, "I don't like where this is going," she says as she notices your very official uniform and your unwavering posture.

"I haven't even said anything." You tread carefully.

"But you will." She steps into the living room while taking her gloves off. You can only give her a sympathetic look, following behind her and deciding to rip off the bandaid.   "Agent Danvers, you're fired," you state firmly. Even though she knew it was coming, she still makes a pained expression.

"I already apologized, are you sure there is nothing I can do?" she groans in desperation.

"Pleading with me is useless, I’m afraid, I’m just the messenger here."

"Can I at least talk to Fury again?"

You feel a pit in your stomach, "I disabled your comms, and your ship is permanently on manual mode," Carol slumps on the couch with a big sigh, you remain standing on the other side of the room, staring at her, "I know I’m not supposed to say this, but I’m really sorry," you tell her genuinely.

"You should be! This is all because of you," she weakly snarks.

You were waiting for her to bring it up, "Well, you shouldn't have let Fury catch you," you taunt her.

"How was I supposed to know that you're his daughter?" Her tone is aggressive, but it doesn’t carry any venom.

"You never were the sharpest tool in the shed."

"I didn't even know your name then!" she defends herself.

"Oh, wow, maybe don't let him know that."

She side eyes you, "Like you're the epitome of morality."

"I mean, I knew your name," you point out smugly as you walk closer to her.

"Everyone on Earth knows my name."

"Not for long," you take a seat beside her, "you’re still fired."

"I cannot accept this, who's gonna take over my job? Has he thought of that? It's not like any of the Avengers are fit to do it."

You bite your lip, "Monica was interested."

"Really?" she asks in shock.

"It was either her or Kamala, but then Fury said, 'over 21.'" She reminisces for a bit, as much as she trusts her, it would be too dangerous for Monica to do her job.

"Why couldn't he come fire me himself? He doesn't have the time for his most dedicated agent?" There’s a slight acidity in her words.

"He was going to," you concede.

"And?"

"I, uh, insisted on coming myself." Your heart starts beating faster.

Her brows furl, "Why?"

"So I could do this one last time." You grab her by the back of the neck and pull her into a slow, passionate kiss, she leans in for more, but you pull away connecting your forehead with hers as you breathe heavily.

"I hate you," she whispers with a grin on her face.

You shake your head, "You love me."

"Love?" She raises an eyebrow.

"You don't seem to have much else going on, so…" you shrug.

She gently laughs, "You’re gonna be the death of me."

"Get away from her, Danvers." A deep voice comes through the ship, you lazily peck Carol's nose and stand back completely, a knowing smile growing on your face as you turn to look at the source.

"Hi, dad," you greet the hologram.

"I thought you disabled that," Carol asks you.

"I lied," you mumble back.

"So, my ship is still—?"

"Yup," you quickly admit as you turn back to Fury.

"I knew I shouldn't have trusted you with this," he scolds you, you stand up to meet his gaze properly.

"You gave me the job, now you accept the consequences."

"What do you even see in her?"

"Are you kidding? She's gorgeous!" Carol exclaims proudly, the compliment makes you feel like a giddy high schooler.

"Wasn’t talking to you, Danvers," he clarifies with a stiff jaw.

"Oh, well, it's still true." She remains on her spot on the couch to let you two talk.

"You’re the one who said I should get out more, meet new people," you try to object to your father’s displeasure.

"Yes. New. People. You've known Carol since you were five."

Your lips curl into a huge smirk, "And that's how I know she's the hottest woman I've ever met."

"Stop being disgusting," he rolls his eye, making you chuckle, "did you do it?" He proceeds with the conversation.

"Yes."

"Then, what are you waiting for? Get back here."

You’re about to oblige when a sudden burst of confidence takes over you, "No."

"What did you say to me?" He is startled by your stunt.

"I said no."

He squints his eye daringly, "I am your boss and your father, when I give you an instruction, you follow it immediately."

"Or what?" You cross your arms defiantly.

"Do not challenge me, young lady!"

Your tough expression melts into a softer one, "Dad, I love you, but I’m not twelve anymore, you have to let me be my own person."

"Yeah, let her be a person, Fury," Carol repeats provokingly.

"Don’t help me," he growls.

In an instant, she realizes, "You just had me fired, I don't have to listen to you anymore," she smiles, Fury is offended by her words, "but, as a friend, I'll tell you what I’m gonna do," she stands up behind you and protectively wraps an arm around your waist, "I am going to hang up this call and let your daughter disable my communications system, I’m gonna take her on a date, probably stargazing, then, I’m gonna make her dinner, we'll have some fun, and afterwards we'll go to sleep together, sound good? Good, bye!" And with that, she ends the call.

You remain frozen in place for a few seconds, "A date?" you repeat tentatively.

"If you’ll have me."

"That sounds nice."

"Wait until you see what I have planned after dinner." She shoots you a wink that makes you blush.

"I can't believe we just did that."

"I can't believe he fired me." Carol is still outraged on the inside.

"Don’t worry about it, give him two weeks to realize literally no one in the universe can fill your shoes and he'll come back begging," you turn to her and wrap your arms around her neck, "as for me, though, I think I’m gonna have to take refuge here, indefinitely."

Your exaggeration makes her giggle, "You’re always welcome to stay with me."

"Thanks." You stare into each other’s eyes for a long moment.

"I love you."

"You do?" you gasp.

"Mhmm, aren't you gonna say it back?" She’s smiling so big, the corners of her eyes wrinkle.

"I love you too."

[nicknosovietic-blog]

LETS FUCKING GOOOOOOOOOO

VOTE LUCA FROM MONICA'S GANG

WELCOME TO THE DISABILITY SWAG SUMMIT OF 2023!

In the following weeks, our favorite disabled characters will battle to the death to see who is the one worthy of the title of “Disability Swag Champion” of this year.

Without any more preamble, here come our participants!

Part 1

1. Toph Beifong [Blind] (Avatar: The Last Airbender)

2. Edward Elric [Amputee] (Fullmetal Alchemist)

3. Frankie Stein [Amputee, Joint hyper mobility] (Monster High)

4. Hermann Gottlieb [Cane user] (Pacific Rim)

5. Eda Clawthorne [Chronic illness, Amputee] (The Owl House)

6. Hiccup and Toothless [Amputees] (How to train your dragon)

7. Neopolitan (Mute) [RWBY]

8. Pietro Polendina (Wheelchair user) [RWBY]

9. Geordi La Forge [Blind] (Star Trek)

10. Johnny Joestar [Paraplegic] (Jojo’s Bizarre Adventure)

11. Anakin Skywalker/Darth Vader [Amputee, Respiratory ailments] (Star Wars)

12. Principal Bump [Partial blindness] (The Owl House)

13. Terezi Pyrope [Blind] (Homestuck)

14. Matt Murdock/Daredevil [Blind] (Marvel)

15. Vash the Stampede [Amputee] (Trigun)

16. Brightheart [One-eyed] (Warriors)

17. Barbara Gordon/Oracle [Wheelchair user] (Batman)

18. Kitty Softpaws [Declawed] (Puss in Boots)

19. Teo [Wheelchair user] (Avatar: The Last Airbender)

20. Izumi Curtis [Amputee?] (Fullmetal Alchemist)

21. Hearthstone [Deaf] (Magnus Chase)

22. Jayfeather [Blind] (Warriors)

Part 2

1. Gordon Freeman [Amputee] (Half Life)

2. Handy [Amputee] (Happy Tree Friends)

3. Luca [Wheelchair user] (Monica’s Gang)

4. Kaz Brekker [Cane user] (Six of Crows)

5. Vriska Serket [Amputee, One-eyed] (Homestuck)

6. Dr. Gregory House [Chronic pain, Cane user] (House MD)

7. Future Leonardo [Amputee] (Rise of the TMNT)

8. Melanie King [Blind] (The Magnus Archives)

9. Hawkeye [Deaf] (Marvel)

10. Tavros Nitram [Wheelchair user] (Homestuck)

11. Donatello [Soft shell] (Rise of the TMNT)

12. Zuko [Burn scar, Visual impairment] (Avatar: The Last Airbender)

13. Fin the Human [Amputee] (Adventure time)

14. Ashton Greymoore [Chronic pain, Visual impairment, others] (Critical Role)

15. Mole [Blind] (Happy Tree Friends)

16. Ricky Potts [Mute, Crutch user] (Ride the Cyclone)

17. Scootaloo [Underdeveloped wings] (MLP: FIM)

18. Victor [Cane user] (League of Legends/Arcane]

19. Amaya [Deaf] (The Dragon Prince)

20. Briarlight [Paralyzed] (Warriors)

21. Charles Xavier/Professor X [Wheelchair user] (X-Men)

22. Elina [Wingless] (Barbie: Fairytopia)

If I got something wrong (it is your fault, you are the ones who gave me this info/hj) feel free to correct me!

Also, excuse my ugly brackets, they were really painful to make and the template thingies didn’t work properly.

[softpine]

working on the next post was frustrating me so i made more of coco's family to relax!! let's hear it for beautiful brown eyes

nico (33), nicole "coco" (23), monica (22), jasmine "jazzy" (18), amir (12), xena (1)

their family situation is very complicated but if you're interested:

nico was an oopsie when their mom was young. she got married and then quickly divorced nico's dad. coco looks up to her brother a lot. he's the kindest, most generous person you'll ever meet (gives you the shirt off his back kinda guy) and he loves coco so much, but he has an intellectual disability as a result of a complicated birth and he was never given the support he needed. he's had problems with substance abuse for a long time. growing up, coco always wanted to be around him, and unfortunately he didn't always do a good job of sheltering her. even though she doesn't blame him, he'll always blame himself for exposing her to his lifestyle.

when coco's mom met her dad, she didn't want to ruin things by getting married again. nevertheless, coco was planned. she was supposed to be the last baby (hence the cute matching names: nico and nicole).

monica came along so quick after coco that they were basically raised like twins, but coco was still very much a protective big sister to her because monica started losing her eyesight as a toddler. by middle school, she could only see light & shapes. she continued to go to the same school as coco, but she didn't get much in the way of accommodations, so coco was the one who helped her the most. she made sure monica never fell behind or felt different – she learned from nico that if she didn't support monica, no one would. they're the only 2 that share both the same birth parents, though monica always got along better with their dad than coco. oh also she's the sister that used to listen to danny's music fjkjsds

jazzy was from their mom's 2nd marriage which didn't last long. she spent summers with her dad in indiana, which made coco so jealous until she actually visited indiana herself lol. she goes to college at purdue so coco doesn't see her much. it also makes coco feel weird that they both started college at the same time though coco is 5 years older. she wants to be the big sister giving advice and helping jazzy through college, but jazzy has her life together more at 18 than coco ever has. she won't admit it, but she does judge coco for her life choices, and she has a lot of valid reasons for doing so. sadly jazzy had a front row seat to some of coco's worst moments. neither of them really know how to move on from that.

their mom is still married to amir's dad. he's the only kid still living with their mom. coco actually spends quite a lot of time with amir; he likes to stay at her apartment when he needs a break from his step siblings (who coco barely knows, since they moved in after she moved out). they also like to get out of the city and go exploring together / hiking

xena is....... complicated. she's the only one here that doesn't have the same birth mom and that's really all i can say. (btw i'm not bringing back the 2018 extreme red blush, the poor thing just has eczema)

[shslquestionmark]

i disabled most of the traps, are you suuure you don't want me to give the ship some big guns? or automation?

Hi, Monica! I'm happy to see you. How are you doing?

As for the ship... I'm trying to keep a low profile. I think guns and automation make us more conspicuous. Think of it like drawing aggro in a videogame

[jeanvanjer]

Hi, I hope you don't mind the question, but do you have a list of (historical) romance novels you recommend somewhere? I'm pretty new to the genre and would like some recs to start off with.

Thank you!

Of course I dont mind! I dont have a list here (but if you check the book recs tag or reading romance im sure youd find books ive read or books friends have recommeded) so I'll just post a few here.

Fair warning! I am horrible of keeping track of the books I've read so my recs will be a just a bunch of random books I like. @mermaidsirennikita and @triviareads are far more organized in their book recs than I am so you can always check their pages.

Please let me know if you'd like specific tropes!! Or more importantly if you have any TWs!

The Chief (the entire Highland Guard series actually) by Monica McCarthy. Tor MacLeod is a highland laird very much focused on helping Robert the Bruce with his secret plan to free Scotland from English Rule but his sudden marriage to sweet Tina is distracting him. They're forced to marry after she's found in his bed (her dad blackmailed her into getting herself ruined instead of her sister). The entire series is honestly a banger. It marries actual history with romance in a very clever way. The Chief is 1 of 12 so you have a lot of different tropes and stories to choose from if this one isnt for you!

Convergence of Desire by Felicity Niven - A TRULY WONDERFUL book with great disability rep. Harry (Harriet) is probably the biggest STEM heroine Ive read in HR (I know you love those based on your writing) and is on the spectrum. On paper Thomas is a rake that cannot fathom committing to only one woman but he needs to marry for money fast and she just wants to solve Fermat's Last Theorem. They enter a marriage of convenience and this book is just plain lovely. The very few books that have made me cry. Its emotional and the relationship that builds between these two is just🤌🏽🤌🏽🤌🏽🤌🏽

The Winter King and The Sea King by CL Wilson. CL Wilson is an amazing writing imo. I haven't read romantasy since high school and these books were the first ive read and enjoyed after such a long time. The first book is a marriage of convenience/ forced marriage situation. Her brother killed his brother and fiance?? I dont remember the specifics. But he wants a bride as payment and Thasin (our herione) father is an ass and decided TW there is dubcon. The first sex scene is the wedding night and there are aphrodiacs involved. Second one Dilys is a merman. Thats always fun. Super feminist too. Dont remember the exact details but did have a great time reading this one too.

The Duke Gets Even by Johanna Shupe. Shupe is a great writer and from the very few books I've read of her, The Duke Gets Even is probably my favorite.

Anything by Lorraine Heath but the most recent book I remember reading is The Duchess Hunt where the hero appoints his secretary (who secretly loves him) to find his a wife. Preferably one who is as organized, wonderful, and knows him as much as she does LOL. Lorraine one of the best writers in the genre and they always hit emotionally. You won’t go wrong with anything by her.

Again the Magic by Lisa Kleypas. An all time favorite book of mine. Think Persuasion but with a revenge plot. Aline drives McKenna away when they were younger to save him and he comes back a rich ass bitch ready for revenge. The chemistry between Aline and McKenna is insane. One of the few times I truly believed the “soulmates” thing. These two are definitely soulmates. And there’s a wonderful secondary romance as well.

What I Did For a Duke by Julie Anne Long. An Age Gap romance where Alexander plans to seduce Genevieve as revenge against her brother (who slept with his mistress) but she susses him out quickly from there they become sort of friends? he helps her win over her crush, he tells her she has stars in her hair, and along the way they fall in love. Alex is one of my all time favorite heroes.

Lord Of Scoundrels by Loretta Chase. As much as I love the hero of this book, Dan I recommend this book a lot solely for the heroine. Jessica Trent has my heart. She is that bitch.

Heartless Duke by Scarlett Scott. An intense romance between Leo, an agent for England and Bridgit, a fenian rebel. Lots of angst and sexual tension. So good.

Lost in Your Arms and That Scandalous Evening by Christina Dodd. These books were one of the first books I read when I started my own reading journey so these hold a special place in my heart. LIYA is about Enid who’s living her life as a widowed caretaker but then someone comes to tell her husband is alive and on the brink of death so she’s forced to nurse him back to health. The love confession that happens is honestly one of my favorite confessions of all time. TSE is about Jane who is back from self imposed exile after a scandal that ruined her ten years back. Ransom, the cause of her scandal and her last crush, suspects of being a spy and tries to stop her. With his heart (and dick).