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No Wizard That There is or was.
#INSP. esme#first off this is. ridiculously good#second please don’t mind me. just. rbing inspo things
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briar is probably the last person anyone wants to see when they feel like shit, boisterous and bothersome with a shit-eating grin to match. it's endearing, in a way ( or so he thinks. maybe the older ladies just flatter them ). spencer's manifestation might as well have been a call for briar's action, his skateboard skidding to a stop right next to the other. any farther and he might've flown clean off the dock, but they think the risk is worth it, " dunno, can it ? what happened, man ? " briar likes to bug spencer — since the time he moved here, really. they like his vibe and briar operates like a moth flitting towards any shiny thing. it's fun, and he's nothing if not hedonistic.
open to: anyone (if nothing is settled beforehand, you could also just assume connections) where: the docks
it was utterly irritating, everything was. from the screeching of the seagulls to the mumbled conversations scattered around him. it was safe to say that spencer was out of his comfortzone && he made sure that it was visible to just anyone walking by, clear as day && unspeakably plain. "man, that's just..", his gaze shifted from where his hands tried to force his notebook down the half opened flap of his bag to the yacht straight ahead. annoyance seeped from every fibre of his being at how much the object clutched in his palm fought against his efforts. the sight of the pompous boats, don't tell any of the owners he called them that, didn't do any better to his current state. "can this day get any worse", and spencer knew the second it left his mouth, he would regret it.
@kilmerstarters
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Bear S1E4 // S3E1
He's charming and, yeah, he can be really funny. He's your dad. But he is not a father and he never will be. And if you want him in your life, it is not gonna be on your terms, and that is not your fault. If you can handle this, that's cool. But if you do not want to deal with this, I will cut him off. I will cut off all communication and he will not be welcome here. I love you, mom.
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i don’t have rizz i have big brown eyes and a loving heart
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esme's got her cane today. her glasses have been giving her a headache; it wouldn't be a problem, normally, but echolocation doesn't work in a place so loud – a market, for instance. but esme needed to get some shopping done, and she'd promised to see a friend who's vending here, and – oh, it's manon. round eyes widen in the slightest behind dark frames and she shrugs, holding up the boots in one hand. she's still trying to get used to how nice manon is; it makes her want to shrink away, her comfort lying with poisonous words and mal intent. only reason she doesn't hightail it away because she actually enjoys the other's company, as rare as the feeling may be, " they're – yeah, they're vintage docs. kinda a steal, actually, i didn't know people were vending clothes here ... " an awkward beat before she tries her best to keep conversation ( as usual, it eludes her. ), " so, um, what're you here for ? " oh, brother.
THE TOWN MARKET ft. manon — OPEN ! CAPPING AT 5 REPLIES ( 1 / 5 ) .
fingers skimmed every object, the intentional move to feel the weight of every trinket atop their palm — touch : it was how they decided to move through the world, omitting most sound in favor of the grounding feeling of something more tactile. the myriad of choice seemed to stump them, surely walking into a bustling market on a weekend, no list, no inspiration in mind, wasn't the best idea. but, alas, manon was here, continuing the incessant journey of finding something, anything to liven up the bleak, salt-bitten metal of their new keeper's dwellings — a singular poster of the regional flora and a smattering of random postcards didn't suffice any longer. “ what do you have in - in your hand ? ” an abrupt interjection, hopefully ingested with grace by the other. “ 's pretty. you - you should get it. is it somethin' v-vintage ? ”
— @kilmerstarters .
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WHO: circe + open ( 0 of 5 ) ! ( @kilmerstarters ) WHERE: delphi's delight spirituality shop, post-plot drop
this town has always been ... odd. offputting, some would call it – it's part of why circe doesn't understand the staggering amounts of tourism, though she figures it must be part of the charm. some freaks who want to figure out if the cove's mystery, it's intrigue, is true; circe thinks it might be, but not in the way they think. an all-too-common delusion seems to have proved that to her. a ringing bell above the door catches her attention and she lifts her head to inspect, smiles warmly when she sees a visitor; there's been an uptick in the week since whatever shared psychosis has embraced the town in open arms. she wonders if they'll fess up why they're actually there to see her ( or maybe she really is just wrong – not like she'd admit it ). " nice afternoon, isn't it ? were you one of the affected, too, dear ? " straight to the point as always.
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american psycho ii: all american girl (2002)
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Finn Wolfhard as Richie Tozier
IT (2017)
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ella purnell, twenty-eight, she/her ⟡ — is that BONNIBEL 'BONNIE' AITKEN i just saw walking around kilmer’s cove? i heard they’re a RESIDENT who’s been here for TEN YEARS. it slipped my mind, since they just tend to hang out at THE CLIFFS. at face value, they’re said to be CURIOUS and EAGER, but i don’t know… some people have said they can be quite CLUELESS and CONDESCENDING. just don’t get on their bad side, i guess! don’t tell them i told you this, but i’ve heard they DO believe in all the ghost stories around town. who knows what the future holds for them!
BASICS:
name: bonnibel althea aitken nicknames: bonnie (what she typically goes by) age: twenty-seven gender: cis woman pronouns: she/her sexuality: lesbian date & place of birth: december 19 in st andrews, scotland faceclaim: ella purnell occupation: local yearning woman, village weird girl, the ghost on the outskirts of town, unemployed friend on a tuesday notable characteristics: large, autistic eyes framed by long, almost white lashes, a seemingly permanent grin, an air of unease, a cooing scottish accent, wavy curls that resemble spun gold, for some reason constantly fucking barefoot?, where does she get all these flowing dresses? traits: melodramatic, whimsical, unsettling, kind, patronizing, spacey, generous, curious, nosy, emotional, tempestuous, spontaneous, well-meaning, obsessive similar to: effie trinket, phoebe buffay, luna lovegood, giselle (enchanted), jessica day, cassie ainsworth, ponyo (LMFAO), elspeth catton, cat valentine if they didn't give her a lobotomy
BACKGROUND:
coming soon <3
short n'sweet tldr: born to two very loving parents who have a lot of influence in the world; an old, old family with old, old money. grew up in scotland but came to kilmer many summers since she was a child due to some business her parents had in the town. a bit of a glass child, bonnie loved the lively town and the attention she'd get so much that when she finished high school she knew she wanted to live here <3 now lives on the edge of town in a huge, sprawling manor with overgrowing weeds (yk the vibes). weird, peculiar, and sweet thing with a smile that makes you feel vaguely unsettled; not a malevolent bone in her body (not consciously anyway) like people of her class generally are; goes into fugue states sometimes and will have to be brought back home or found somewhere on the beach, usually; loves people, though the way she expresses it is mildly uncomfortable and tends to seem as if she's talking to a pet (clueless annoying rich girl syndrome). endlessly loyal and a bit of a space case in the way only stupidly rich people can be. huge chatterbox. no pets, but she makes friends with the animals wherever she goes. cannot cook or clean or do literally anything. useless also in the way only rich people can be (she's a fucking great polo player and is really good at guessing caviar brands)
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ELLA PURNELL as RHIANNON LEWIS Sweetpea 1.01 — Sorry for Your Loss
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#define crashout.
OUTER BANKS 4.06 The Town Council
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Nose goes.
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Trying to maintain my swagful whimsy and optimism rn in the face of an anti-whimsy society
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" i mean — how old do i gotta be ? i'm however old you need me to b — oh, were you lookin' for something ? boss is on break. i can help you, though. i'm great at takin' orders. "
@injaws “are you even old enough to be in this place — let alone running it?”
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briar does not fuck with cops. in the same way that he doesn't particularly like horses, briar makes it a habit to avoid being around them at most times. in the same vein, they can always spot a cop, too — they do weird shit, like brood in a corner and scan the room while drinking coffee. or talking to themselves while writing something down. briar refuses to acknowledge that maybe his copdar isn't that good, and instead he's just met a lot of cops. this one included, unfortunately, " are you talkin' to me ? man, i hope not, 'cause i'll have you know, i haven't done anything since the last time i got out — " a motormouth at heart and a chronic sufferer of foot in mouth disease, briar can't help but continue, " — and you gotta stop acting weird, man. like, you're being real weird right now — " you'll have to stop him.
open starter! capping at 5 replies! @kilmerstarters location: hawthorne inn
gabriel couldn’t help sticking his nose where it didn’t belong – it was part of his job description. as he leaned his body against the splintered, timeworn counter of the hawthorne inn, he studied the flow of guests with the scrutiny of a man who never truly clocked out. his coffee had long since cooled in his grasp, forgotten as he cataloged the familiar and unfamiliar faces streaming through the lobby’s doors. even though he was off duty, he couldn’t help but make mental note of the faces he’d recognized and those he hadn’t. if one of the latter happened to be attractive, he’d discreetly mark the thought for potential exploration, perhaps an invitation for drinks when professionalism wasn’t breathing down his neck. just as he lifted the coffee lid to his lips, someone out of the ordinary catches his attention. gabriel set his coffee down and slid a small, leather-bound notebook from his coat pocket and began jotting down observations. “interesting...” he mumbled, his voice carrying a bit louder intended.
#hey so i hc that briars gotten arrested like three times at least#so#i think this is funny. i think i'm funny#IC. briar#s0leinis
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" you are so deeply unpleasant, did you know that ? " said as she sits down directly in front of the other anyway. esme's relationship with stevie can be seen as complicated but fond; stevie reminds her of herself, terribly so. but she's fun to be around ( to an extent, as everything else is with esme ), and she makes a mean fucking cosmo. speaking of, " and i don't drink tequila, you know that. don't be mean. " a soft huff, though she relaxes as soon as she gets it out. like a cat with it's hair all stuck up, " how do you keep your job if you're always like this ? "
open starter! capping at 5 replies! @kilmerstarters
location: the drunken poet
the bar had dwindled down to a handful of regulars and a few solitary patrons nursing their last drinks. the drunken laughter from a group of men in the corner only served to sharpen the dull ache in her head. with just a half hour until closing, stevie’s mind was already on autopilot, her face resting in its usual scowl. she had worked enough late shifts to know that the final stretch always dragged. stevie shot a glance at the clock, watching the seconds tick by slower. thirty minutes. thirty agonizing minutes. the bell above the door chimed, signaling yet another late arrival, and stevie’s shoulders slumped. “of course,” she muttered under her breath, tossing the rag over her shoulder as she turned to face the new patron. “make it quick,” she called, her tone cautionary. “i ran out of tequila and patience an hour ago.”
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circe has learned a few things since raymond's death: first, opening pickle jars is much harder than she realized; second, you miss the things you used to hate the most, like the fact that your husband always bumps into you in the kitchen; and third, that you need to let your grief wash over you in waves. even when it feels like a tsunami, the ocean will heal as much as it hurts. so, she's made a deal with her grief; she gives it a day every month, just one, where she feeds it. watches his favorite movie, eats his favorite food, sets his favorite flower on his grave. the rest of the year is hers. typically, though, she doesn't see people — avoids them, most probably, but done without much trouble. jack's presence, while not unwelcome, makes her tense, and circe turns to wipe at her eyes before she faces him; her cheeks burn, almost frustrated with herself. a shake of her head, " i can stand, dear, don't worry. would do me some good, probably, i'm not very active. " a little laugh to break perceived tension, smile strained but warm, " feels silly, you know, to be at your job for a change. usually it's under better circumstances. " smile softens almost wistfully and she pulls her coat around herself in a makeshift shield.
open starter: no cap ! @kilmerstarters location: the cemetery.
jack was sat on a bench near one of the cemetery paths, newspaper in hand and flask to the side of him, aiming small side eye toward the person nearby. this was one part of his job that he was never entirely sure of - should he talk to a visitor? was he supposed to? idle conversation was never quite his strong suit, nor was deciphering whether it was acceptable to break a silence or not. he paused for a moment before letting out a small breath, folding and then placing the paper on the bench next to him. "did you need any assistance, or a seat? i can offer either, but i will warn you - the seat is slightly wet still." jack hummed, looking at the newly news-paper-covered seat next to him. "i guess you could always sit on today's paper? it's not ideal, but it's something. dealer's choice, or whatever people say."
#hellur i figured they wld#know each other#bc he's a delphi's regular#perhaps she knew his mom yk . small town shite#i hope ths is okay :3#IC. circe#rcnwicks#i also yapped SO bad i apologize
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