#did this one pretty fast :-/

[lazylittledragon]

one of my last fake skin practices before they set me loose on my own flesh >:))

i also did some beautiful stippling on the web but i forgot to take a photo so you just have to trust that i did it

[just-null]

HELLO HANTENGU NATION (5 people)

I'VE MADE AN [unofficial] HEIGHT CHART FOR MYSELF

Hantengu: 5"5 (166cm) Sekido: 5"9 (175cm) Karaku: 5"9 (175cm) Urogi: 5"9 (175cm) Aizetsu: 5"9 (174cm) Zohakuten: 5"3 (160cm) Urami: 8"5 (257cm)

[little aftermath under the cut]

they're so annoying. peace is nonexistent... they're the best ever.

[calciumdreams]

dream?

dream 👍

[tariah23]

This is but surprising since I’ve seen other accounts talking about this same shit, get snipped in real time

[myokk]

the black lake🫶

[imerian]

Vr46 academy keychains

Set of five charms that all match in different ways

˚　　　　✦　　　.　　. 　 ˚　.　　　　 . ✦　　˚　

Open for detailed pictures of each one

✩₊˚.⋆☾⋆⁺₊✧ *ੈ✩‧₊˚

ִֶָ 𓂃˖˳·˖ ִֶָ ⋆★⋆ ִֶָ˖·˳˖𓂃 ִֶָ

:･ﾟ✧:･.☽˚｡･ﾟ✧:･.:

˖⁺‧₊˚⭒✮⭒˚₊‧⁺˖

. ݁₊ ✶. ݁ ˖ˎ��˗

I ran out of tags so I'll say it here but i would greatly appreciate a reblog, especially if you share your thoughts on these pieces in tags (⁠｡⁠•̀⁠ᴗ⁠-⁠)⁠✧

(Also i forgot that bez have matching part with luca so I didn’t add that to tags sorry

[larissa-the-scribe]

Tell Me About This Time Loop, Again?

And so it begins... @inklings-challenge

Day 12

In Zo's mind, it never felt like the day was properly begun until Lyn woke up, looked around at the room they'd been staying in, frowned, and said—

Day 13

"Where are we? And why does it feel so... familiar?"

"Well you see," Zo replied, as he always did, peeking at the underside of the egg he was frying, "we're stuck in a time loop."

Day 14

"A time loop?" Lyn swung her feet over the side of the bed, seeming to realize for the first time that she was in one.

"Don't worry, it's clean." After confirming they were, indeed, in a time loop, one of the first things he had suggested was finding a comfortable place to set up camp. Somehow it had worked, and they had ended up there every time things reset. "And there doesn't seem to be anyone around, so I don't think we're stealing or trespassing." 

Lyn raised an eyebrow. 

Day 15

"Well, we might be, but no one minds. It's a ghost town. Everyone seems to have disappeared." And since it was a time loop, they never ran out of cooking gas. Or food supplies. That, at least, was convenient. 

"Disappeared?" Lyn stood up, adjusting her shirt from how it had gotten scrunched up in the night. Despite her attempts to look bright-eyed and alert, he could see the sleepiness that still hung from her eyes. 

Day 16

"Our best guess so far is that it's connected to the time loop." Zo flipped the eggs. If this all persisted, he could open up a fried-egg restaurant once they got out; he was getting an absurd amount of practice flipping eggs.

"That makes sense." Lyn padded over to the window, still barefoot, and pushed the shutters open. "Do we have any evidence, or is that just, well, a guess?" 

Her gaze swept the view, which he knew without looking was nothing more than the empty lines of blocky, one-story buildings and the too-smooth black-top of the streets. The neighborhood was pressed together as if sheltering from the plains beyond the town, with such a veneer of newness covering it all that each house might have been churned out of a factory yesterday. They hadn't been, though, considering the subtle signs of wear and tear inside the houses. 

"Eh, a bit of both. Something weird is clearly going on with the area, and we know time is affected, too, so it's a logical guess that the two are connected. Whether that means some psycho wiped the town out before setting up their experiment, or just that their timey-wimey dealybob messed up physics in general is still up for debate. Do you want toast?"

"Yes, please."

Day 17

"Good. We have to finish the bread before it goes stale." Zo left the 'in case we get to the next day' implicit.

"I'm surprised we still have butter. I thought it would have gone bad in your pack."

"It smells a bit odd, but so far we haven't been affected by it."

Day 18

"Okay, but how do you know we're in a time loop?" Lyn asked, setting the table. 

They were in a ground-level studio apartment, so the dining room, kitchen, and bed were all in the same space. No couch, which Zo took to mean that the owner was either poor or a cheapskate. Either way, it was disappointing. Still, the carpet wasn't bad. He'd slept on worse.

"Because you've asked me that so many times I've lost track of the number," Zo said, "and you seem thoughtful every time, like you're not as surprised as you thought you'd be." 

She nodded and set a fork down carefully, wearing the expression she always did just then, brows squeezing down over far-away eyes.

"In all fairness, though," Zo clarified, "I mostly lost track because I wasn't really counting, and then it seemed pointless to start. It's been over two weeks, though, I'm fairly certain."

Day 19

She smiled, and the tension in her brows eased a bit. "This all does feels familiar. Like, I don't remember the other days, but all of this feels like I should, somehow, know what happens next. But I don't."

"I do know," Zo replied, "and it's getting a bit tiresome."

"Fair."

Zo nodded, slotting toast into the toaster. "Very. Whoever owned this place pretty much only had eggs in their fridge. I'm not sure how many more days in a row I can eat those without losing my mind."

Lyn looked up sharply.

Day 20

"Relax," he said, waving his spatula, "they respawn every day, so I don't think it's even technically stealing. If it is, we can pay them back later. There's a fully-stocked but unmanned convenience store down the road, one which we have very nobly not taken anything from, every single day."

"Good," Lyn sighed. "After all, if we get out today, we wouldn't want to be rewarded by jail for petty theft." She tacked on a fierce look at the end of the sentence.

Zo shrugged, and let Lyn interpret the gesture as she would. "Eggs are almost done."

Day 21

"Good. I'm weirdly hungry. Also, thank you for breakfast."

"Don't mention it," Zo smiled. "It's nothing I haven't done many times before."

[ninjasmudge]

as promised

[tomaturtles]

IT'S KAWOSHIN DAY!!! As well as the last day of Kawoshin Week :') It's been such a blast, gonna miss it when it's over

Kawoshin Week Day 7: Cuddling/domestic fluff! + Sleepover and Spinoffs (again)! Based on the Campus Apocalypse sleepover chapter ☺️

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[roupoii]

Xiao n Aether getting ready for the day ^^

[aroaessidhe]

2024 reads / storygraph

Compound Fracture

YA thriller set in rural West Virginia

follows an autistic trans boy who survives being almost killed by the Sheriff’s son after a party, and accidentally kills one of the boys who hurt him when he tries to get back at him

and is pulled head-first back into the 100 year old feud between his & the sheriff’s families, that began when his great-great grandfather was executed after inciting a miner’s rebellion, the grandfather whose ghost has started to haunt him

community & family & socialist revolution

aro-questioning MC

arc from netgalley, out september 3

[bisexualenbyblueberry]

This is what happened right

[trentcrimminallybeautiful]

i think the diamond dogs should play improv games just bc it would amuse me, an ex theater kid, specifically

[envolvenuances]

and I think child modelling should be illegal I'm not even joking

[musubiki]

i want lime to tell mochi shes pretty 🥺

I DO TOO!!!!!!!!!!!!!!!!!!!!!!!!!!

what im realizing about lime more and more (and especially in contrast to taffy) is how uhhh not vocal he is about how he feels when it comes to romantic emotions (which i know isnt a big surprise but ive been meditating on it A LOT recently, and actually working it into his character a lot more. i am increasing the romantic muzzle on him)

so SAME I WANT HIM TO SO BAD!!!!!!!!!! and it would take SO MUCH for him to work up enough guts to say it to her (even if its a short 2 second sentence or something)

but what sucks is that mochi will still think hes just saying it to be nice or to make her feel better, so shed smile and say like "haha thanks" to move the conversation away from it, but he could TELL RIGHT AWAY that she doesnt believe him and essentially dismissed it and it PISSES HIM OFF SO BAD!!!!! HES LIKE "I was struggling for THREE DAYS to figure out how to tell her or if I should tell her and I get a shitty 'haha thanks'??? Shes just brushing it off???!!"

which would actually probably lead to a really cute moment because the irritation would fuel him enough to grab her arm and DRILL IT INTO HER HEAD that hes not kidding or saying it to be nice or something. think full on, youre-the-most-beautiful-thing-ive-ever-seen-in-my-life-any-guy-would-chop-off-his-own-arm-just-to-speak-to-you-for-five-seconds-youre-so-drop-dead-gorgeous kind of rambling, the whole time her face is like. slowly increase the saturation slider to red.

and it starts getting into DANGEROUS territory for him because hes not necessarily filtering anything hes saying and it starts to sound a little less like "You are an objectively pretty girl" speech, and sounds more like a "I am attracted to you" kind of speech