#did i need to actually draw some version of myself for this? absolutely not. but i feel bad and so i deserve to do what i want

[isbergillustration]

I got covid for the first time and I'm being so brave and un-dramatic about it

[mysteryanimator]

Here ye here ye, another breaking down processes post from yours truly!

For this animation, my plan was to make something I'm proud of AND also something to force me to take my time since with all previous animation works they were all rushed. I normally tend to speed through work as someone whose illustrations are painterly and I like to keep them rough. Also lets be totally honest my other plan for this animation was to animate Mizrox being so sickeningly sweet.

Fun fact, this animation was going to be longer. I had tried to plan out Olrox climbing on top of Mizrak during the kiss to lay on his chest. There was an attempt trying to rough that out and several ref videos It was scrapped because for the life of me I could not figure it out. Also hypothetically if I was going to keep it, I would cut to another angle (perhaps Mizrak's face close up) and then cut to another angle that would make it easier to see that climbing over the top. OR, consider Olrox already sleeping on his chest (im just rambling now but this is basically 'if you were able to do this again' section).

I wish I actually went through a more proper tie-down process because the jump from going from my rough straight to clean was rough (badum tsk) for the first few seconds. Defintely learnt my lesson ALSO Olrox is surprisingly really fun to draw from behind.

I challenged myself to see if I could get the idea of "bigger movements, less in-betweens, smaller/slower movements, more in-betweens." Though the effect of Olrox rubbing his face against his arm may be a little too jarring and I steered quite a bit away from my rough and self-reference video in hopes of making the face rubbing more apparent because I thought the character acting was too subtle and wanted a contrast to the other half of the scene. I reconfigured my CSP animation workspace for this too so it definitely made the process less tedious when cleaning up the animation.

(Which by the way I do record a lot of self-references depending on the section! For things I can't do/uncomfortable doing, I'll end up looking up videos. It's the easiest for me to catch subtle things in body language and also get a feels for the motion.)

Also I'm really satisfied with Olrox's anticipation before his smooch and the shoulder roll at the end even though technically the arc doesn't complete itself. MIZRAK THOUGH, when cleaning up I realised my rough wouldn't make sense because he's already looking at him so there's no need for a turn, and then the lack of a shoulder movement felt jarring, so all of that was done without any thought, wish I did think about it more though.

Now compositing was a monster in its own right and basically me jumping back and forth between turning on and off different layers, but here are all the new things I did; I duplicated and blurred the lines of the lineart, beveled the shadows so it was lighter on the inside, and added a rim of blur so the focus drew towards the couple. Also will absolutely admit that my fanboy ass went "... be crazy and try to mimic the show." The final did not go that route because I thought it was more important to emphasize the mood/atmosphere (Also Olrox is intentionally stylized differently because i wanted him to be softer here and I had to give him eye highlights for plot HELP). THOUGH to say I did not try to mimic the style, the #2 lighting test was my 'attempt' LOL 😭 I can never consume media normally.

Here are the lighting tests I went through. I definitely knew I wanted to go with a morning vibe, though I tested out a night ver for fun and did some edge lighting which led to mixing both version #2 and #3 to make #4.

Fun fact, I almost went with #2 due to fear of getting too heavy-handed with compositing and therefore losing the animation (even though I really liked #4 at the time). Thanks to a friend, they also shared the sentiment of liking #4, though pointed out it felt like midday and encouraged me to make the colours warmer and deepen the shadows. It is a really tough balance but I think for a softer scene like this, the more additional layers of comp worked out in the end.

The edge light was a last minute thing because someone told me to add sound and to have light stream in. Also at this point I deadass forgot that you know, Olrox, is a vampire, but hey rule of cute overrules. We can pretend its light not from the sun LOL

Also yay I got to show off my own style a tad, I love paintingggg. It's not as completely fully rendered coz I knew that it would get covered up but I still made sure it was quite clean regardless. I didn't realise how much of it would be covered up even though I did make sure they would fit/make sense for bg LOL

Now we are done!

If you've gotten this far thank you! There's gonna be less frequency of these animations due to the semester starting back up soon and I don't get many opportunities to actually 2D animate (despite it being an animation degree RAH). Also I remembering cringing and laughing a lot when I immediately started putting colour down going "oh i can see the end of the horizon, i have too much power as an artist, people will see this i cant let them see me be crazy"

[Here's some memes I drew over while my friend was reviewing my work]

[delta-pavonis]

Dream Journal Rescue for the wip game, please

WHOO! Thank you for asking about this one, Nonny.

For the 2022 Dreamling Secret Santa I took a risk and wrote something that can be very divisive in fanfic and in fiction in general: first person narrative. I wrote the first half of i had a dream (i got everything i wanted) as a dream journal that Hob used to record his dreams after they came back when Dream got out of the fishbowl in 2021. It draws both from the early comics and from the TV show in terms of events/timeline. This fic got significantly less attention than the others I had written at the time, but it was also the one I was most proud of that year (and that's with Eros in Pragma and Hypnopompia turtur in there!). I am still extremely proud of it because it is, for me, I think very poetic writing. However, the first version of i had a dream wasn't post-fishbowl, but actually started before the fishbowl. Hob still kept a dream journal, and it still started in first person, but the idea originally was that Hob would figure out that something had happened to his Stranger because of his dreams stopping. Which meant that they needed to have enough of a relationship/rapport by the 1910s that Hob would trust that Dream would not miss a dream "date" of theirs without very good reason. Hence, "dream journal rescue" as the name. I only have pieces of the fic, but I keep them because I still viscerally love what I did with i had a dream SO FUCKING MUCH that I want to return to that style at some point. If you have read i had a dream you will see the bits I took from this and transferred to that.

This is totally G-rated and starts before 1889, as Hob is anticipating that next meeting, and then keeps going into 1914. Here's what I have in that WIP file:

1:

21 October 1885

I think I need to write these down. Olive suggested I start writing these down. She is usually right about such things.  

Maybe it will bring some clarity to this… mess. 

I’m in the White Horse Inn. (It is always the White Horse.) 

The year is not obvious from the decor, which is a riotous mix of 1389 and 1489 and 1789. Delicate teacups and straw-covered floor and fireplaces with chimneys. Of course chimneys. But I know, in the way of dreams, that it is the day of our annual appointment, the next one, in 1889. 

I shake my coat and hat free of the London morning rain. I am many hours before the time of our appointment. This my usual - I always arrive early. To ready the table and, more importantly, myself for our meeting. 

But in this dream I enter the White Horse to find the Stranger already there. He looks exactly as he did in 1789. Which must say something about my imagination since he has always been in impeccable fashion specific to the era of our meeting. 

Or perhaps it is because he looks at me with the same burning intensity that made our last appointment so spectacular. His eyes devour me, just as they did when we parted last, and I am absolutely helpless to resist.

I am sitting then, across from him, cups of tea and venison pasties between us. His beautiful pale fingers trace around the gilded edge of the teacup. I am speaking, words tumbling forth, I can hear the droning vibrations in my ears and throat, but it is not where my attention lies. 

My attention is riding the wave in his coalblack hair. My attention is wafting the bob of his throat above his high collar. My attention is tracing the sweet pout of his pink lips. My attention is flying through storm-sky eyes. 

He reaches across and

Fuck. I can’t write this.

2:

[There are several attempts at starting entries after the previous one. None manage more than a sentence.]

[No attempts at entries are made after 1889.]

3:

1 November 1898

I woke up still drunk and still in very rural Wales (note: never ever always maybe return for Nos Calan Gaeaf in the future) and found this old journal in the bottom of my trunk, so I suppose I shall once again make a valiant attempt to take dear Olive’s advice to sort out the dreams of my Stranger that ever plague me.

(I have heard tell of work by a man named Freud who claims dreams can be used to better understand someone’s psychology and potentially even relieve psychosis. He'd have a field day with me. May I never come within 400 miles of him.)

My drunk mind lacks creativity for scenery and so when I sleep this night I find myself in the same village square I was in only hours prior… however, I am back in time about 400 years? Long before the industrialization of the region, before the extermination of these old traditions by the expansion of “civilization.”

I have just won the silly harvest mare from the clutches of the other young men bringing the last of the harvest in, a horse-shaped horror made from the final stalks of grain reaped. I am now expected to try to sneak this rustling beast into the home where the bulk of the feast is being prepared by the womenfolk without one of them dousing me with washwater. If I succeed in getting into the kitchen unscathed I will win their finest beer and an honored seat at the feast-table. I am always up for new games.

(This is all Iwan’s fault for convincing me to accompany him home for the holiday yesterday and for me getting drunk while they all told me stories of the Old Days. Let it never be said that I abandon a friend in their time of need.)

I easily weave through the crowds of women and children, in their dresses and aprons and smocks, clothing I haven’t seen in centuries but are still as real as yesterday, and cross the kitchen threshold only to find the room empty. An empty kitchen except for the crackle of the hearthfire and my Stranger sat on a barrel in front of it. 

The large fire paints him in oranges and golds and he looks warm and inviting in a way that I have never experienced outside of my mind. It is the moment I know for certain that this is a dream. 

When he looks up to me he appears confused, brows drawn, lips parted. 

I am the first to speak, although words do not come easily to me. “What…?” After our parting in 1889 I can scarce understand why I am seeing him before me now. Although nightmares of the night plagued me in the months afterwards, I had been blessedly free of any night-time visits from my Stranger for almost a decade now. It has been an unexpected boon after so many years of dreaming of him more carnally. I know these facts within the dream. “Why are you here?”

He doesn’t stand, cranes his neck back to look up at me, and I realize he has a low collar this night, lower than it had been even in 1489. I can see flame-gold arcing around the shadowed hollow of his throat.

“It is a Ysbrydnos.” He explains in perfect Welsh, as if I am some child. I do not question why I can so easily understand him despite my mediocre grasp of the language. It is a dream, after all. “Many call on me such nights.”

I pinch the bridge of my nose. “Yes, ‘tis a Spirit Night and you a spirit.” 

He tilts his head to the side, bird-like and distinctly not human. “Not as such. But I will attend the dreams of many who call me here this night.” The Stranger’s voice is just as rich and decadent as it is in person. This detail my memory - traitorous bastard it is - does not neglect. 

“Of course. Even the version of you I make for my dreams gives non-answers and evasions.” I can feel my whole body hunch in defeat. I wrap my arms around myself, look to the floor. “Just why…” Even my dream cannot steady my voice. “Why does my mind show you to me now? Why this torment?”

“Ah.” Now his voice is choked and staccato. “You did not call me here yourself this night.” Perhaps he is surprised, or ashamed, I cannot tell. 

Still, I want to scream. “After last time…” I grit my teeth and continue to stare at the floor. 

I see the toes of his black shoes enter my field of view. His chest is perhaps a handspan from mine. “Do you truly wish to never dream of me?” This inquiry is a mocking echo of his usual question, but there is no mockery in his tone. “Given…" He shakes his head, unable to say the words. Say the words he should say: Given what I did to you… Instead he restarts the sentence, "It would be well within your right to request it.”

I sigh. He almost sounds remorseful. What a fantasy this is. How contrived. “No.” And if I ever doubted before that this was a dream the tiny bits of relief I see wash over my Stranger confirms it. His eyes soften minutely. His shoulders relax a hair's breadth. “This might be the only chance I have to ever see you again. And I would take the machinations of my mind, I would take delusions of your regard, over nothing.”

He hums, looking back to the fire as he takes a step away from me. I feel cold and bereft. “This dream is over.”

And then I woke up.

3: 

1 Nov 1898  I have not dreamed of him in six months. one year.         three years.         seven          ten          fifteen 

4:

25 May 1914

After almost 17 years I found myself dreaming of the White Horse last night and when I focused upon it in my mind’s eye I almost burst into tears.

Wait, Olive always said that this was more effective if I narrated as if I was reliving the dream. That I would get more details back that way.

I begin the dream standing outside the White Horse Inn and knowing that I am dreaming. It is the first time I have begun a dream this aware and therefore it is noteworthy. 

When I enter I feel his presence before I see it. Through the doors in the back, to the private room that had been set aside for us in 1789. He is once again in front of a fireplace, standing this time, hands clasped at the small of his back as he looks down into the flames. 

(Note: Ponder this pattern more later, that I associate him in dreams with fire.)

The door to the room automatically closes behind me and he turns. Despite the venue, he is dressed, as always, in the pinnacle of fashion. All black - of course - but a suit with long jacket and waistcoat and tie nonetheless. The ever-present ruby sits heavy and dark just below his throat.

“I did not intend the delay, Hob.” And doesn’t that throw me for a loop. I did not know prior to that moment that one could get dizzy in their own dreams. “I sometimes forget that time flows… differently… for you humans. But I did think on our last conversation.”

Thirty questions stampede through my mind at once. Everything from ‘Did he just directly admit that he is not human?’ to ‘Which last time?’ I throw all of these aside and instead opt for a cautiously lilted “And?”

A magnanimous wave of his hand and we are sitting, the same tea and sweets that were present in 1789 grace the table between us. I hold my breath. “Perhaps we can pick up, as much as we can, where we were in 1789 before the Lady Constantine interrupted us.” I am so taken aback by the turn this dream has taken that I cannot for the life of me think of what to say next. Luckily, my mind does not require me to as he continues. “I believe you asked my name.”

I almost fall over myself to give him leave to avoid it. “Only if you wish it.” Just don't leave again.

He smiles, something brighter than usual, and it feels like looking into the Sun. “I have a list of titles, which we can get to later, but the simplest name is Dream.”

I clamp down on the anguish that’s in my throat, but it still comes out as a high-pitched wheeze from between my teeth. “Dream?! DREAM?!?” I let myself slump boneless into the chair, impropriety be damned, and splay my legs out in front of me, hands over my face. “Oh fuck my mind and these GAMES. Why can it not send me sweet dreams of you? Of COURSE you are named Dream… you are a dream! Has my subconscious no creativity? Christ in heaven…”

“Hob!” He shouts. He has never shouted at me before. I look to him through my fingers, meet twilight-blue eyes. “My name is Dream of the Endless and I am the King of Dreams and Nightmares.”

Shock, bright white and violent, runs through me and I quite literally fall out of my chair.

And then I wake up.

5:

26 May 1914

I do not think I have ever been more wrong about something in my long long life.

Fuck. 

My Stranger is Dream. He lords over dreams and nightmares. They are his Domain, his Kingdom. 

F U C K

I knew that he was something Other. But this. This. 

We met again last night, in my dreams. I don’t need to work at this anymore (thanks for trying, Olive) because he asked me last night if I wanted to remember this, remember meeting him. Apparently he has some manner of control over such things.

I told him yes. Of course I said yes. But I think I want to continue to keep track of what has happened, what will happen, in my dreams, here in this journal. If only so that I have something to refer to later when I have absolutely zero confidence that this is real. Some proof that I haven’t gone completely barmy. 

Last night we talked. Just talked. It was in a liminal space, barely distinct as containing a floor and walls and chairs. All monotone, in blacks and greys and faint whites. It still reminded me of the back room from 1789.

He - Dream - told me so much. More than he had ever said to me in one go ever before. He told me some of his other names: Lord Morpheus (or just Morpheus), Prince of Stories, Oneiros, Shaper of Forms. He has a kingdom, home to dreams and nightmares alike. They are not only his citizens, but he creates them. Creates!

I have so so many questions.

But I must parcel them out carefully. Each answer is a treasure I will hoard. 

I returned his generosity with words of my own.

[poppitron360]

*slides you a 20 [whatever currency you're using] bill* now tell me about how you got to ship valzhang and what you like most about it, along with your headcanons and scenarios

...please<3

THANK YOU SO MUCH I LOVE YOU.

Okay sorry for taking long to reply I needed to schedule 3hrs out of my day to respond to this because I have a LOT of thoughts- Valzhang was my otp LONG before Valgrace. Be prepared for a lot of caps lock, keysmashes and exited ramblings.

We are phenomenally deprived of Valzhang fanart/fanfiction and that is a CRIME. They are so fun and cute to draw next to each other because they’re just so different- I love how Leo looks SO FUNKING TINY next to Frank.

But seriously, we are lacking. I searched up “Valzhang” on Pinterest earlier and there is NO JOKE only 5 pieces of fanart on there. We need to step up our game!

I’ve already posted this, but here is some Valzhang fanart I drew a while back-

So, how did I come to become the No.1 Valzhang Defender, you ask? Well…

Reading TLH was going slowly (bc of Spotify Audiobooks and their stupid listening hours feature), but I needed to shovel content into my brain like popcorn and so by the end of the first book I’d known all the spoilers and I knew that Frank and Leo would have a rivalry- and I was already SUPER attached to Leo, so I was prepared to HATE Frank.

So imagine my absolute frustration when I read SoN and found myself absolutely falling in love with this massive softie. I tried not to, I really did, but I couldn’t help it.

So, naturally, I was COMPLETELY on board with them becoming besties.

I was also all for their rivalry because it had so much potential for Leo angst- he’s already antagonising himself because of his powers, so someone else treating him like shit would only make him feel worse- thus I have more ways to cathart my own pain through fictional characters, so either way, it was a win-win for me.

But the blossoming bromance we got from it-

Oh my gods.

I already made a post about my feelings on Valzhang and how Caleo is just a shitty re-cycled version of them, but NO WAY was that all my thoughts, so here goes (and bear in mind I am only on HoH so this isn’t even their arc as a whole):

*Clears Throat*

*Shuffles note cards*

*Clears throat again*

*Deep Breath*

1. FRANK IS NO LONGER AFRAID OF FIRE BECAUSE OF LEO!!!!! I mean HOW CUTEE IS THAT!!!!!! He thought that there was nothing worse than fire, he was terrified of it, it was his biggest weakness. And then he met this tiny annoying hyperactive boy who is the MOST UNLIKELY OF FRIENDS- And he taught him to not be afraid. Like there is a moment where his trousers are literally ON FIRE and he doesn’t freak out because Leo taught him to not be afraid anymore. AND IT’S NOT JUST BECAUSE OF THE POUCH!!!! Frank learns to trust Leo with his life- and there’s that moment in that scene where he’s faced with a choice to give him The Stick or not, and he chooses to trust Leo. He learns that fire (Leo) may seem scary and intimidating, but it can also be good and warm and wholesome and healing.

2. AND IT GOES BOTH WAYYYS!!!!! Leo was afraid of opening up to people, of letting down the mask and letting people see the real him. Sure, he did it a bit with Jason and Piper, but notice how in TLH, he only does it bc he didn’t have a choice. He used his fire powers to save them, and then Jason sort of just pieced together what happened the night Leo’s mom died. The first time he actually TELLS someone about it was when he tells Frank- someone who he thought was big and intimidating and so was putting his defences up with the jokes. To him, Frank looked just like someone who would’ve bullied him in the foster homes, he was the last person Leo thought he’d open up to. But he does, and Frank comforts him. They realise they’re not as different as they thought, and bonded over similar trauma and dead moms.

*Takes another deep breath*

3. LEO REALLY IS SO BRILLIANTLY TINY NEXT TO FRANK. IT. IS. SO. CUTE. Unlike Calypso and Leo, who were not planned out, Frank was WRITTEN to be Leo’s rival. They are exact opposites. The Yin and the Yang. The Sun and The Star (lol). They both juxtapose each other so beautifully- on the surface they contrast and clash but looking deeper they actually parallel each other but ultimately they compliment each other both in flaws and in strengths!!!! (*steadies myself on table* “Whoa, flashback to GCSE Eng Lit- using the same analysis structure. Are you proud of me, Miss Cox?”) But seriously, they initially are rivals because they look like complete opposites- tall/short, muscular/built like a twig, calm and careful/reckless and loud, animals/machines, Roman/Greek, Outwardly confident/Outwardly insecure, etc, etc.

4. But, as I said, looking deeper, they actually have a lot in common. Not just losing their moms, but Leo’s just as afraid of fire as Frank is. The only difference being that Frank’s afraid because of how it could hurt him, Leo’s afraid because of how it could hurt others, which directly contradicts Frank’s initial impression that Leo is self-centred and egotistic. Honey, that’s just an act. They’re also both very insecure, and both feel like the least useful member of the seven, and struggle to feel accepted. Because of how Leo felt threatened by Frank, he put his defences up and lashed out with his jokes, attacking Frank where he was most vulnerable, ridiculing him. They completely misjudged each other at first, and had an ANTI-meet-cute (Leo firing on New Rome) and it took a while for them to take down those walls that they’d built up, making it a lot more meaningful when they do open up.

And now we get onto specific hcs/scenarios I have, and I have a LOT of them:

1. Nico reveals to Leo that Frank’s mom is in Elysium because she gave her life in war to save others, whereas Leo’s mom is not, and instead is in Asphodel, despite all the little things she sacrificed in order to raise him, knowing he’d be important to the fate of the world. This causes a lot of resentment and jealously for Leo, as Frank has the one thing he desperately wants- a chance to see his mom again, make things right, get closure. Frank is annoyed by the fact that Leo is suddenly acting so cold and angry towards him, until Leo finally explains why.

2. Leo’s lactose-free mac n cheese is Frank’s favourite thing on earth. He has some sort of magic ingredient that makes the fake cheese not taste so plasticky, but he refuses to tell Frank what it is so Frank has to keep begging him to make it. Leo also makes it high in fibre and carbs, so it’s good workout food. Leo makes sure all his meals are Frank-Friendly.

3. I need to see them in battle together. Frank is incredibly anxious and overprotective of his tiny reckless bf/bff. Leo’s just a ball of freaking energy bouncing around going “ahahahbahjabkakdfkajkjaaa” and Frank’s like “Leo, no, those have teeth-“ He’s fine though.

4. As much as Frank acts like he hates Leo, he would risk his life for him in a heartbeat. I imagine Leo gets injured in battle and Frank drops whatever he’s doing and just fucking RUNS to help him. I can vividly picture him transforming into an elephant and scooping an unconscious Leo up in his trunk, and carrying him over to the medic tent. Yes, he’s currently being fired on by so many enemies, but nothing matters except getting Leo to safety.

5. Frank helps Leo with his machines. He can turn into small animals and get into tiny spaces, and he can become desert creatures, so the heat in the engine room doesn’t bother him.

6. Frank often finds Leo asleep on top of his blueprints, his welders-goggles askew, and he turns into a cat and curls up next to him to keep him company.

7. Also, when Leo skips meals because he’s spent too long working and he’s lost track of time, Frank makes sure to bring him food and water and his ADHD meds… and then he asks him to make him some mac n cheese.

8. Frank knows about PTSD from seeing his mom and her military friends, and so is often there to comfort Leo when he has flashbacks to the night his mom died, or one of the other miserable things that happened in his childhood.

9. All the things that used to freak Frank out about Leo (Leo making fun of his insecurities, Leo’s fire, the whole Sammy thing-) they are now 100% comfortable joking about together. Before, Frank would get upset when Leo ridiculed him, but now Leo does it as a sign of affection rather than as self-defence, and Frank can tell the difference. It is their love language.

10. When I write fanfiction, I often write important scenes when I think of them, and then write around them. Sometimes, it’s just one or two lines, for example I found this in my notes app the other day:

“I hate Hera,” Leo said, “She yeeted my dad off a cliff.”

“Yote,” Frank corrected.

And I had nothing written around it, nowhere to put it, it was just lying there. Anyway, that was important to share.

11. Also, I have this:

“I’m hugging you now,” Frank said, pulling Leo into an embrace and squeezing him tight.

“O- Okay, big guy,” Leo said, his voice muffled in Frank’s chest. His tiny body was practically swallowed in Frank’s bear-hug. He squirmed and fought and wriggled, but his weakling arms worked about as well as spaghetti against Frank’s brick-like build.

“No,” Frank insisted, “I will smother you with love and affection.”

“Get. Off.”

“No.”

“Let go of me, Zhang, or I’ll burn you.”

Frank let go. Leo rubbed his bruised arms.

12. I ship them platonically, but the joke-flirting is 1000% a thing they do. Hazel is the main pedaler of this, and often introduces them as “My boyfriend Frank, and Frank’s boyfriend Leo.”

13. Frank reluctantly admits to Leo that he likes Taylor Swift. Leo is obvs a swiftie, so absolutely goes MENTAL at this news, ofc ridicules him mercilessly for it, despite how hypocritical it makes him look (“This is not about me!”), but still insists they sit down with Hazel and make friendship bracelets (Frank no longer has the heart to tell him that he wasn’t actually a huge fan, just had a couple of her albums and liked her songs, unlike Leo who knows every word to every song, all the lore behind it, and Tay’s favourite colour, star sign, and shoe size.) AND I KNOW I HEADCANNON EVERYONE AS A SWIFTIE SHUT UP LET ME PROJECT.

14. Frank buys Leo fidget toys he think’s he’ll like. Sure, Leo can make his own, but it’s the sentiment that counts.

15. And they stay friends after the War. Frank frequently visits from New Rome University. They have long iris messages where they gossip and talk shit.

16. Leo becomes godfather to Frazel’s children. Absolutely SPOILS THEM ROTTEN (I also have a shit-tonne of hcs about Leo babysitting Percabeth’s kids, so lmk if you’d like to hear that.) Will visit the Zhang-Levesque household on the weekends, makes the kids gifts, teaches them how to safely use a fire extinguisher, helps them prank their dad.

17. I know Jason is meant to be Leo’s best friend BUT if Valgrace was cannon then that would leave room for Frank to be the BFF. NO BUT, YOUR HONOUR, YOU DON’T UNDERSTAND- They started out hating each other, but then became INSEPARABLE once they took the time to get to know each other and realised they were actually really cool people. It’s not enough for them to be friends, they need to be BEST FRIENDS. They need to be their ONE AND ONLY. They need to knock on each other’s cabin doors on the Argo II at 3am and have long discussions about Their Feelings. They need to be 100% comfortable with each other and tell each other everything. Yes, Leo is annoying but he is Frank’s annoyance. Yes, Frank is a goof but he’s Leo’s goof. BEST. FRIENDS.

They’re just such an unlikely pairing, I love them sm.

Thank you for sticking with me, I will not apologise for my ramblings, you were warned, but if you did make it to the end, here, have a sweet 🍬 You are clearly just as dedicated a Valzhang stan as I am (It is currently 00:54am where I live)

I will probably have a lot more Thoughts and Feelings coming your way soon, so don’t think for a second that I’ve got it all out of my system. I still haven’t finished the series yet, and I know that as soon as I post this I’ll think of something else that I should’ve added, but I hope this was enough for now.

(Also, I’m British, so I’d use a £20 (“twenty pound”) Note, in case you were curious.)

Again, thank you so much annon for the Ask- as you can see, I LOVE VALZHANG.

[thebubblyship]

I got permission. And so begins my ranting. Strap in fellas.

So I recently got into printing out some fanfics physically, and the first one I had to tackle was the first 25 chapters of an amazing fanfic called Yuuei Survival Guide. The art and the writing are not mine, but I do plan on actually drawing a custom cover for the last 25 chapters so I don't feel guiltly snagging someone else's art for it.

So that's the front cover! The story heavily focuses on Oboro and Izuku's growing relationship so for the first book (I can only print so much in one book), so I knew right away I wanted for the two of them to be seperated on the front and back of the covers for the first book, and for them to be together for the second book (symbolizing their friendship growing).

That's why I threw Izuku onto the back cover with the description, along with them having the day/night theme. I feel like the day/night cycle symbolizes them pretty well.

Obviously, required spine with title on it so I don't lose it amongst my other books. I meshed their sky colors together with a blend tool and changed their opacity in the middle so they come together for the spine.

Book title with author, very required very cool.

And here is the second page, because I wanted the first page to be the gap page (if that makes sense) in case printing went wrong. I also included a cute piece of fanart I found for the fic along with a quote because I found it rather adorable.

Following is where it gets messy. I was able to download the full fanfic off of Ao3, but the file was so large word just died out on me so I switched over to just copy and pasting, editing while I go. Especially since I wanted to go through and format. That's when I noticed the author has begun to go back and re-edit through the book to update it to their current writing style, because I have such convient timing lmao.

I indented the chapter titles down a good few lines, made the first part of every chapter a bigger font than the rest, and just went to town. I also found a very lovely page break online that I added, since it fit the theme and looked rather nice.

In total, this physical version totalled to about 650 pages for the first 25 chapters. The end page down below, along with some more fanart:

I think in total, making everything took me about a week or two to do? Since I put it into a google doc, I was able to work on it during slow hours at my job and knock it out. Obviously printing and shipping added onto that time, so in total I'd say around a month to produce it?

I absolutely adore it, it came in this morning and I was grinning like an idiot while I checked it out. I plan on editing the last 25 chapters and making some art myself for it, since I: A. Need to actually draw fanart for this platonic duo, love them, and B. Have a very specific idea for them I want to do for the cover.

Definitely made some mistakes along the way for this first one, but there's only up to go in doing this! I love being able to physically hold it and it's definitely going on my self for a constant read. It's so beautiful!!!!

@lowlywriter I'll figure out how to condense down instructions on how to print it, along with getting a zip file of the cover layout and everything for it. (And I mentioned this earlier but I definitely did see the writing changes, last I checked you finished chapter 4 I believe? So there definitely is a writing tone shift in the book but I don't mind lol).

I'm so happy with the final result and I can't wait to tackle the last 25 chapters aaaaaaaa!!!!!!

[livielizardcos]

taking some time today to discuss xiao! specifically the upgrades i made to him for metrocon 2023. i did so much experimenting with new techniques and materials, so i wanted to share that here to document, and maybe inspire some of my fellow artists/cosplayers!

i don’t think i could ever properly explain how happy i was after remaking xiao’s shirt. the previous version (which was purchased) fit really poorly, and the fabric was not great. it constantly pulled out from the waist of the pants and it practically blocked any airflow. the solution was simple: remake it from a bodysuit. that way the shirt not only stayed in place but also already gave me a much better form-fitting base to start out with. the mesh panel in the back was the part i worried about the most but ended up being the part i’m happiest with! i used power mesh that i hand dyed to be close to my skin tone (though the color isn’t very clear due to my binder’s color).

the swirling pattern on the bodysuit is a metallic white fabric paint. i made a digital drawing of the pattern on procreate, then printed it onto freezer paper. after cutting it out with an exacto knife, you can actually iron freezer paper onto fabric (shiny side facing the fabric) and it creates a nearly seamless stencil for fabric paint! i see myself using this technique a lot in the future, it’s literally perfect!!

the black leather piece at the neck and shoulders was my biggest obstacle. not only have i never worked with leather, but it is also a non-stretch material i’d be attaching to the collar/neck portion that very much needed to be able to stretch to be pulled on. thankfully the design worked out that i could have 2 closure points, one on the back of the neck and one at the front of the neck. the entire piece is hemmed by folding over and gluing the raw edge to the inside, then i glued hem tape over those raw edges to cover them and make them softer on the skin (the entire leather piece is unlined, due to its complex shape). all the visible edges of the leather were satin stitched to give them a clean, crisp edge. the gold appliqués on the front and back are 2mm eva foam covered in a gold stretch fabric, then glued onto the bodysuit with e6000!

the two white pieces that frame the mesh panel on the back gave me more difficulty than i expected. their shape is a bit deceiving, and needing them to lie flat on my back without sacrificing the stretch of the main garment meant i couldn’t just top stitch them onto the back. and while i’m not super happy with how they ended up aligning (where they meet at the top is much further down than i was aiming for), i still think it came out really nice!

and that’s the finished top!

here’s a front and back of the finished top! the sleeve is held up with clear bra straps that hook onto the inside of the shirt at the shoulder. all in all, i absolutely love how this newer shirt came out.

besides the shirt/bodysuit, the boots also got an upgrade! i snagged some boots on sale on amazon for $20, which was an insane steal! this style is very universal for so many costumes, and it also helps that the boots are comfortable and flat too! all of the accessories on the boots are affixed temporarily or from the inside (velcro, snaps, and elastic) so that the integrity of the outer boot remains untouched and i can reuse them for several costumes and even everyday wear. i also replaced the gold piece around the neck that holds the “scarf.” just like the pieces on the shirt, it is 2mm foam covered in gold fabric. this not only helps the gold elements feel more cohesive but also lies a lot more comfortably on my neck!

[honourablejester]

Thinking about homebrew deities for ttrpgs, I’ve been pondering deities that are not default humanoid. A while back I made a post about D&D 5e’s version of Spelljammer, where the Astral Sea is littered with the corpses of dead gods, and I posited what some of those vast corpses might look like:

“These are the deities of a thousand worlds and a thousand species and a thousand forgotten realms. They might look like anything. Shaped by the echoes of the god’s nature and its domains and its species. The dead sea god that looks like a vast alien whale, whose gut is filled with strange waters and strange creatures, and into whose belly the party must venture. A forgotten deity of knowledge whose vast skull now contains a calcified, crystalline ‘library’ with aeons of knowledge written in light onto spun fibres of crystal. A deity of madness, darkness and despair whose corpse is a labyrinthine maze of passages that leech will and soul the further you venture into them, a lingering undead malice that doesn’t want you dead so much as maddened and undone.”

And I’m coming back around to that now. Particularly the sea god who’s a vast alien whale, because space whales, but I’m thinking about gods that are not mostly humanoid figures a-la the RL Greek or Norse pantheons, but are fully alien or weird or just non-humanoid. (I’m including elves and dwarves and most broadly human-shaped fantasy races under ‘humanoid’ here). Gods that do not appear in humanoid form. Gods whose primary worshipers are other forms of life. Gods who are weird.

I do have a couple of homebrew deities that don’t appear in humanoid form already. Nuissas, goddess of primal darkness, who usually appears as a vast eyeless abyssal fish. Ket, the First and Formless, deity of primal evil, who as the titles suggest is formless and possibly doesn’t actual exist at all. And while I was looking at them, I did notice a little … A little mental bias maybe. Because both of them are primal deities. Primordial. The first and the formless. Nuissas is likely the oldest deity in her cosmology, the primeval darkness that existed before all things. Ket is the first and formless evil, the first malicious whisper of a thought a sentient being ever had. They’re primal. Elemental.

Which made me wonder … Do I consider non-humanoid forms to be more primitive than humanoid ones? Not consciously, but just instinctively? Looking at it, gods of civilisation, knowledge, invention, law, are they usually humanoid? What sets humans apart from beasts? Fire. Science. (Possibly also thumbs). Is there a bit of post-Enlightenment bias at work here. Heh.

Although, to be fair to myself, Ineia, my goddess of city and civilisation, is also a spider as well as a humanoid woman. But she’s still humanoid, she just needed extra arms for all the work. So. Not quite enough to count, methinks.

This is only an idle thought, I want to mull on the idea of non-humanoid deities some more. See what I come up with. I just wanted to note to myself, while I’m considering, to look beyond just the primal sorts of domains while I’m at it.

That said, I do still want a sea god who’s a vast alien whale with innards full of strange waters. Being eaten by a vast divine whale-god is just too entrenched an image, you know? Maybe also a deity of light and twilight who is a vast beautiful bioluminescent jellyfish. No, I’m not stuck on sea creatures over here, absolutely not. But if you had a waterworld setting, you could have a LOT of fun drawing up a fishy pantheon. The deity of invention and adaptation is a cephalopod. The deity of war is a mantis shrimp. The deity of trickery and hunger and malice is an anglerfish.

But even in a standard fantasy world, some deities that are not and have never been humanoid. A dwarven knowledge deity who is the stone itself, a vast tracery of mineral veins across the world that carry thoughts and dreams and memories. A deity of trickery and magic who turns out, at the base of all its million forms, to be a simple mote of potential, something that looks visually a bit like a will-o-wisp or a soot-sprite made of light, a thought given vaguely physical form. A forge-god who built themselves, a machine-thing of metal and magic that built itself limbs and systems and housing as it required them, a monument to self-expression and self-construction, function over form, with no care for the aesthetic sensibilities of lesser forms of life. A black hole that is the deity of absolute law, remorseless and inexorable and pitilessly even-handed. A deity of remorse and sacrifice and healing that formed from the regretful blade of a monstrous killer, given life and divinity by their final act of self-murder. Gods who are dark moons and balls of mangled flesh and rivers of space time and tiny trembling animals and perfectly mundane objects and abstract shapeless things. Gods who are weird and funky and abstract and just do not deign to appear in familiar form for mortals. If I must look like you for you to worship me, you are not worth my time. I shall appear as I am, or as I choose, and you must simply deal with it, or shatter, as you so choose. Heh.

Non-humanoid deities, is my point here. I need to think on it some. Heh.

[archandshri]

23rd Feb '24 - [arch] OH RISO my beloved!!!!!! ft. cyberpunk hermitcraft soup group

A cliffhanger!!!! And now I have to wait a month for you to upload the second half?? How will I cope :’’0

For real, it’s so awesome to see your process and the sheer amount of inspiration you take! In particular, I thought ‘Sit on Two Chairs’ and ‘This Was Our Pact’ were particularly yummy. 

I think book covers are really hard. You have to sum up a book’s energy in one image, make it stand out and show just enough so people want more. Exploring the narrative through those full pages is really interesting - though this is something you did for fun, it could be a really useful technique for getting to know a narrative. When I’m designing my comic covers, I always do it last - that way I’ve had practice with the visual style and I’m thoroughly familiar with the themes, so I guess spending a bit of time with the characters and narrative in this way helps for standalone book covers too. Of course, it helps if you have the time for that XD

Okay!! Onto what I've been up to!!! [warning this is a beefy post I'm sorry for your poor reading brain]

The past two weeks have been really enjoyable! I’ve been playing a lot with slow world-building, in sketchbooks, google documents, and voice notes to friends. Letting myself really sit with concepts, think about the characters, let them play in my head with no expectations. With this relaxation and lack of pressure, some beautiful narratives and interactions have been developing. I’m starting to need a name for a world/ the story. I’m not quite ready to give them a full introduction to the internet - I know it doesn’t but it feels like there’s some accountability to *produce something* and this slow development is really important for the quality and my skill building. It’s really hard to take on, but we actually don’t have to make the perfect thing now! In fact, it’s impossible. Pressure on ourselves makes it so hard to make something good if we’re always grasping at the final result.  In the meantime, while those characters develop, I have been working hard on my basic skills. I wrote about characterization last post, but this week I focused on setting and colour. I was inspired (once again) by Hermitcraft. I’ve seen some really incredible illustrations of Minecraft builds in the fandom, and it seems like a great exercise.

Bdouble0's Season 10 Base illustrated by @applestruda [source] and The Red Zone, built and illustrated by Bdouble0 [source]

One of the creators on Hermitcraft, ImpulseSV, created this build in a recent episode. It takes inspiration from the last season of Hermitcraft, where he was part of the ‘soup group’ with two other players, and his current base concept - a cyberpunk city.  I also LOVE his new character design, so I wanted to place him in the scene.

Screenshot from Impulse's video and new impulse design by @maxx-doodles

Here are some initial thumbnails I did, trying to figure out the composition. I wasn’t sure of the vibe yet, so I tried some rough thumbnailing, and drawing on an isometric grid and other perspective techniques. I’m going a bit mad for characters at the mo, so I wanted to place some in the scene. I found the angle of the isometric grid steep to place characters comfortably, so decided against that.

Looking back at it, I love the second! But I believe I was struggling with the perspective. I decided on the last one eventually.

Now, I absolutely adore all of the players in the Soup Group, and I am BIG fan of redesigning their notable characteristics to suit different settings. So yes, I decided to put all of the soup group in the image.

PearlescentMoon (left) from my comic and GeminiTay's Hermitcraft Season 10 design [from this thumbnail] (right)

Here's the sketch of the final image. I really enjoyed coming up with cyberpunk versions of them all. I used the impulse design almost exactly, with a few extra interesting details since he's mostly viewed from the back. For PearlescentMoon (middle) I kept her fringe, dark hair and gave her a glowing moon symbol on her top. For GeminiTay, I kept her long ginger hair, antlers (but glowing!) and took inspiration from her new season 10 design - a dark blue jumpsuit to match her dark blue clothes in her new design, and the braids she is often drawn with. I also gave them edgy new hairstyles. And a robot arm. I don't have lore for that.

As usual, I filled each flat colour-to-be with black and lowered the opacity to play with the values. Then I added colours one at a time, aware might be riso printing it. Originally I stuck to trying to make it printable (making the colours out of ones I could make my layering 2-3 colours at different opacities), but as I went on, I decided to drop that and focus on the quality of the image in a digital format alone. I did keep the grayscale version above with all the separate layers in case I needed that if/when I came to riso printing it. Below are the main two digital colour schemes I tried out.

I settled on the one on the left, with the blue tones - the foreground characters really pop. I put a few details in Gem's hair, colour variations etc, and cropped it for Instagram. I actually much prefer the cropped version - it sits better in a rule of thirds.

Now the moment we've all been waiting for :'')

RISO!!!!!!!!!!!

I returned to Cardiff after a couple of months away and was delighted to spend my first day back at The Printhaus, an awesome shared print studio where I have basically made my home. A few of my awesome friends happened to be there, so I spent the day playing around with this image with their help! (please check them out they're very cool - Gavin helped me a lot (we hung out at Thought Bubble, remember? and Rhi gave good crits too!!)

For those who don't know, risograph is basically a shitty photocopier that can only print one colour at a time. However, you can play with gradients and opacities, and layer colours really nicely to combine. I've done a lot of single-colour tonal work with riso but this is my first go really layering.

First, Gavin showed me how to separate the channels in Photoshop, using the flat image uploaded to the 'gram. We copied and pasted these layers in grayscale and added blending modes to each layer to replicate what they might look like when printed.

With blending modes, the digital mockup looked like this!!

This bit goes into technical details for replicating what the print might look like for those who might want it - feel free to skip :)))

I copied and pasted the Cyan, Black and Magenta layers as greyscale (as you can see above)

I made all of the greyscale layers multiply layers since risograph ink is transparent and we wanted to see how it layers. The ink usually comes out a bit lighter than you think, so it's good to bear that in mind. I used a clipping mask over each greyscale layer and a blending mode. WHEN YOU PRINT, PRINT IN GREYSCALE, NOT COLOUR.

Here's how I split the colours from CMYK to the riso colours, their hex codes and the blending mode I used to replicate the colours:

Cyan - Mint [HEX#82D8D5] Screen Magenta - Fluorescent Pink [HEX#FF48B0] Screen Black - Blue [HEX#0078BF] Overlay Yellow - scrapped for colour scheme purposes

Blue, Mint and Florencent Pink layers in greyscale in Procreate.

Riso printed Mint and Florescent Pink layers on separate paper, followed by the two layered together.

We always start with the lighter colour inks first, because sometimes the rollers can pick up the ink and cause extra marks where you don't want them. The first two colours came out great!

The first time we printed the blue, it came out very dark (left, first image). I have had this issue before - my last book, Winter Wellbeing, came out much darker than I wanted. Now I realise that the blue ink is super sensitive. All the 'white space' that is covered by a low-opacity blue on the left is only 2%, and yet it has come out pretty strong. We tried printing it on one of the misaligned images just to see, but it took all of the brightness out of the neon soup sign at the top of the image (second image). So I changed the values and pushed them way lighter, so it just pushed the values of the darker bits slightly, and brightened some of the lineart (right, first image)

And this is the final riso printed version!! I'm so so happy with how this came out. It's so different from the original digital version, and I actually love that.

I didn't create new colours in the way that I intended to - I wanted to play with overlaying purposefully to create specific colours eg. orange for the hair etc. But!!! I'm really happy with how it came out. That will have to be a project for next time.

Also, many copies are slightly misaligned, so in future I think I'd do flat layers for the colours a more blobby style with the linework on one layer only so there's less of a chance for obvious misalignment. design for the riso, rather than riso the design.

Overall though, this feels like a super cool step up and a milestone for me. Super happy with how it came out!! And I'm excited to play with colour some more. Can't wait to see the rest of the Lionheart brothers! Enjoy your weekend :)))

Archie 🕺🕺🕺🕺🕺🕺🕺🕺🕺🕺🕺🕺 <3

[bekpengii]

Larcstone: Why I Write It

helloooo! This is my first official essay for the Larcstone series. I did say I would do chapterly deep dives and I did actually go thru w/ that and wrote the first essay, BUT it ended up amounting to double to word count of the actual chapter, and I'm 100% sure NO ONE is reading lmao. Instead, I'll just be answering any questions people have.

However, I do want to write a quick post talking about why I decided to write this fic just to see if I can reel in any readers.

ALSO, before I get into the actual essay, here’s a wip of Tweek’s design ->

once i finish this drawing up, i want to do an analysis on why I designed him the way I did since it’s very vital :))

FIRST OF ALL, I obviously am a huge PMMM fan and I have been for the past 5 years. I can't give it up ever. I also enjoy South Park and am relatively comfortable in the ao3 side of the fandom. The characters are just really moldable so it's easier to go out of character and not get too many complaints.

My biggest reason for writing is because there are a lot of topics I want to shed light on. I'm literally not trying to sound like a cringe nerd right now but I am genuinely the biggest philosophy nerd ever, so, with the series, I wanted to challenge myself and try to answer one of my favorite questions ever.

What defines good and what defines evil. More specifically, how far must one go to achieve absolute on either end? Larcstone is a say on the dichotomy of black-and-white morality. I wanted to test myself and see if I could figure out what absolute evil and absolute good would look like if they were two living characters.

So now we have Tweek and Craig. I had to create two characters that foiled each other in the most intense yet subtle way ever. So, to do that, I decided to only create one backstory in two contexts. Both of them are immigrants who struggled to learn English (Mitish in Tweek's case), had poor parental figures, major grievances, music orientation, ext. I just came up with a vague outline of what I needed both of them to go through, then fit it into the context of both of their lives.

Now we have two characters with nearly the exact same trauma. Yet, one is meant to be the ultimate good, and the other the ultimate evil. For spoiler reasons, I will not be saying who descends into what, but I feel like it's quite obvious if you've read the first version and maybe even if you've read the newer chapters. Either way, Tweek and Craig are meant to embody the idea that you are entirely in control of what you become. Both of them had some of the worst lives possible (Tweek had it worse IMO), yet one will stand up in the face of evil and the other will fall right down.

It would be very appreciated if you stopped by and read what I have out so far! If it doesn't interest you, that's also fine with me! You can stay for the art lol. I literally giggle and kick my feet every time anyone says something nice about this AU since it is quite literally my magnum opus. This AU is 99% up to interpretation and I would love so much to hear opinions on each character. None of these characters are meant to be either good or bad (even Tweek and Craig aren't 100% on either side) and hearing what people have to say in defense or against any characters would be SO GREATLY APPRECIATED!! :D

THANK YOU!!

[smackins]

Not to be THAT guy, but I really need to bare my soul here.

I don't know if I want to do Artfight anymore.

While I'm extremely grateful for the attacks I did receive this year (I still owe 2 revenge pieces, don't worry, I'm working on them ❤️) it's become less fun and more of a reminder of how isolated I feel as an artist. I got a total of five attacks this year. I have friends who were attacked right out of the gate, on the very first day, by a barrage folks who were chomping at the bit to draw their ocs.

It's not Artfight's fault, and not really other people's fault, either. I'm not like, "How dare you not attack me!!111!!" It's just it amplifies so many insecurities I've had for years and makes it hard to ignore them.

I get an overwhelming feeling like there's something wrong with me as an artist, not even that I'm medicocre skill wise (though I feel that, too), but that I'm just fundamentally uninteresting and forgettable. My characters and my stories aren't worth asking about. They aren't worth anyone's enthusiasm or curiosity, they're not worth the encouragement. I can share a piece that I spent 6 hours on and just get "cute" as a response, while others could share a non-serious doodle of their ocs that took 5 minutes tops and get responses like "AHHH I LOVE THEM THEYRE SO AMAZING YOURE SO FUNNY."

And I know it's not good to compare yourself to others, but sometimes it's hard not to when everywhere I go, it feels so blatantly obvious how I'm barely worth anyone's time.

At first I thought it was the fact I draw non-human characters, because those are hard for people, so I made a little note on Artfight that I'll accept humanized versions. But plenty of people draw nonhuman characters, all the time, and recieve lots of encouragement and feedback from other people. Then I thought, "maybe it's my original comic characters that intimidate people" you know, my weird scorpion aliens. But that's not it either, because they're admittedly a lot less "alien" than they could be, and I know people with some absolutely WILD speculative-biology-type character designs who, again, get loads of enthusiasm and feedback. Plus, that doesn't explain why my fan ocs go ignored- plenty of people like Digimon, Mass Effect, and DBZ.

I feel like I'm just weird and tainted and cursed somehow, which I KNOW is absurd, but that's the best way I can describe this frustration. And yeah, I know if I posted more art and more about my characters, I MIGHT get a little more traction, but when I get so little encouragement from so few people, it's so hard to feel motivated to share. And it's not like I'm looking for huge, detailed responses or specifics about why people like my technique or whatever, because God knows I struggle to form specific words as to why EXACTLY I like something, but I just want to feel like people give a damn and ACTUALLY want to know more. Very few people ask questions or get curious. I have a lore blog for my original comic that has been up for 7 whole years, yet the only questions or comments I get are from the same 2 or 3 (very lovely and appreciated) people. Most of those posts have zero notes, a ton of them have been reblogged to my personal blog over, and over, and over again and still get ignored.

This isn't about popularity, or notes, or anything like that. I just want to feel like what I put into the world matters. Yes, I do get satisfaction from drawing for myself, but that can only go so far when I feel like I'm the little kid in the corner playing alone because the other kids don't notice me.

[comparativetarot]

The Hanged Man. Art by Nara Lesser, from Neurotic Owl’s Faerytale Tarot.

I have a feeling a lot of people think they know The Red Shoes, and maybe more know the dance movies or newer stories built around it but haven’t actually read the Hans Christian Andersen original?  So let’s just establish that it is waaaaay more moralistic than you probably think.  In general, if you assume an HCA story ends with someone repenting and going to heaven, you’re going to be right more often than not.

But basically, little orphan girl gets adopted by rich old practically blind woman; gets shiny red shoes (ooooh shocking) thanks to said near-blindness, wears them to church repeatedly (horrors!!!!!).   Creepy old soldier at the door of the church offering to dust people’s shoes with his beard (WHAT) taps the shoes and tells them to stick tight while dancing.  Commence involuntary dancing, eek.  They manage to get the shoes off but little Karin juuuuust can’t resist, puts them on again, and dances off into the woods.  Cue disapproving angel, hours or possibly days of exhausted dancing through brush and briar, and finally she ends up at the executioner’s hut begging him to cut off her feet which happily DANCE OFF WITHOUT HER.

There’s some byplay where she repeatedly tries to go to church on her new wooden feet and crutches, and her severed feet turn up to scare her away till she goes to work in the parsonage and repent a bunch more.   Repentance eventually works, she goes to church, and then she dies there and the angel welcomes her into heaven, which is probably not a great time for anyone else in the building that day.

SO.  Why tf did I, a person with real issues about body horror and amputation, and a real disconnect from heavily Christian stories about sin and punishment, pick this?  The Hanged Man needed a story about self-sacrifice, and that’s weirdly not a thing that turns up in fairytales as much as you might think – especially not with the primarily female characters who interest me the most.  The Little Mermaid would have been a good option, but I have PLANS for her, plus I really want to draw her as Black and I am absolutely not putting any BIPOC on a card that references hanging, even tangentially.  Karin also gave me a way to mirror the traditional imagery from the RWS deck – don’t ask me why, I’m not doing it with every card, but for some reason with this one I really wanted to get a similar pose and even some of the colors.

But also, the Red Shoes is one of those stories that really resonates for me as an ex-dancer, and I think for a lot of dancers given how popular the ballet version is.  The feeling of loving to dance and also being hurt by it, being unable to stop even when you desperately need to – that’s a feeling I think a lot of us had.  I know when I eventually did have to stop dancing it was a huge sacrifice of who I thought I was; there was a long mourning process coming to terms with no longer thinking of myself as a dancer first and foremost, and recognizing that the art form that saved me when I was a child was hurting me deeply as an adult.

[desultory-novice]

I'd gotten a shocking number of asks in over the past few days so it was inevitable I'd hold another... Lightning Round!!

Featuring: King D-Mind, Magolor, Adeleine + Noir, Dark Meta Knight, Sectonia, Dedede, Dark Taranza, Leongar and...

...SPECIAL NECRODEUS THEORY INSIDE!

Edit: OOPS! I meant to set this post up for tonight instead of unleashing it at some ungodly hour of the morning. Amateur mistake. Don't mind if you see me reblog it later when people are awake.

-

Considering regular Dark Mind has some strong callbacks to Nightmare in his design (being a visual melange of Nightmare + Zero) you could believe they were partners/allies/frenemies at one point. It's possible that it was Parallel Dark Mind (because it pretty much as to be the Parallel of Dark Mind, right?) who decided, after possessing Parallel Dedede, that they had surpassed their fellow long-faced wizard rival-friend and stopped answering his calls.

Speaking of friends, I wonder if Parallel Nightmare had any underlings of his own akin to Dark Taranza and Pres. Parallel Susie. Ones that maybe wouldn't stab him in the back? ...Hmm, I wonder where Parallel Magolor and Parallel Marx are right now?

(If they're still vicious trouble makers, I wonder if it was one of them who was like "Oh, you TOTALLY ought to reach out to this guy if you get in trouble." "For sure! The results will be a real spectacle, I bet!")

Haha! I wonder if I could start alternatively calling DMK x DMK (Shadow Dedede vers) DMKx2 or DMKsquared? But now that I think about duplicates and parallel selves (thanks to Crash's ask above) isn't it a little worriesome (/lh) that there are probably MANY "parallel" versions out there? Because again, D-Mind is probably possessing a Parallel Dedede but NOT the Parallel Dedede from Star Allies. And there may also be yet a third Dedede in the Clash verse who isn't possessed by anyone?! I mean, when it comes down to it, "parallel" just means "a universe that turned out differently!"

There could be dozens of "same character" down the line...

I certainly think the potential for this idea is HUGE!

I myself am a fan of Magolor having to confront versions of himself that turned out wrong but the idea that he'd run across a version that was "wrong" but also did HARM to his friends...

Yeah, the "pay for one's sins" guy would definitely step in.

And I agree that is probably how he learned so much about events he wouldn't otherwise be around for. Dark Matter Clone? Susie's Father? Although I feel there's a chance he knew about Joronia from earlier all on his own. After all, he includes an accurate description of her in his weapon's catalogue in his shoppe! (And again, we've got the portraits on the abandoned TDX castle to suggest Magolor and Taranza communicated on some level in the past.)

As for the equipment, it's possible that those were in a way his "redemption" to Kirby - the only Kirby he had access to until he was able to "return to Dream Land" - and so keeping them didn't make sense. They were gifts. I also get the feeling that he doesn't have a huge interesting in physical fighting, and at least half of the gear is swords and axes. (The way he uses his version of the Ultra Sword is very particular and indicates no proficiency in swordsmanship on his part.) But if he really is dimension hopping on a semi-regular basis, he may also just need to keep it in stock at the shop!

Awwww...! Dess will never admit this ask actually got Dess to draw a super quick sketch of Noir as an angel watching over Adeleine from heaven(What even is "heaven" in the Kirby-verse anyway?) right after reading it! Oh fudge, I just admitted to that very thing didn't I?! Nooo! What have I done?! It's so DeviantArt-tier sappy though that I don't want to post it. It's so cliche it would utterly ruin my rep! Definitely don't politely ask me to post it because then I might give in...!!

...A-ahem. But yes, Adeleine will be okay!

As to whether poor, poor Noir will ever learn that for himself, all I can say is... hold out hope for the final two parts of the story!

I feel so embarrassed because I had to go back and look at the pic to realize they were even there. It was completely subconscious on my part. I guess that's the thing about being a novice artist. Sometimes you stumble upon something really cool without even noticing!

But now that you've pointed it out, it's something I think I'd like to keep doing. DMK as a sort of chipping crystal ball is neat~

Despite all that I wrote in my initial post about this...

...I kinda want her to come back too! She was a great tragic villain! And the possibility of a Triple Deluxe remake... it could still happen!

(I mean, we just got Amazing Mirror with modern online multiplayer! It feels like they went the extra mile for that and so I think the Kirby series is still in a good place for receiving (good) fan service!)

Yesss! It is SO good! Big, muscle-guy Dedede being tech-oriented?! It's out of type in the best way! I love that Dedede continually unlocks his potential, both in the changes to his personality but what he's capable of in skill sets too! It is, to me, the reason WHY he is Kirby's rival rather than Meta Knight or another character.

And if Meta Knight pilots a ship anything like he does a car in Dreamy Gear, it's a good thing he isn't the pilot. I wonder if there's a disconnect for him between flying and piloting? Like going from playing a 2D side-scrolling/overhead shooter where "up" is up versus playing one in first-person with reverse camera controls?

Poor Vul must put up with so much...!

It could just be me (I think multiple interpretations are best) but I've always taken Dark Taranza's garb to not as a sign he took over Sectonia's role but as...a form of mourning for her?

Like he dresses and styles himself that way as tribute? So I suppose in that sense, I don't think Mirror Sectonia got corrupted.

Oh boy, I suppose my brief theory there works REALLY well for the people who think main world Sectonia got swapped with her Mirror World self if Dark Taranza "lost" her and then took up her "style."

(Although I also adore your "Mirror Sectonia started crazy and became good" theory too! It's wild in the best of ways!/genuine And just because I saw Dark Taranza as dressing that way doesn't mean Evil King Taranza isn't also an amazing idea!)

Y-You know, my family often catches me on my accidentally using phrases that are maybe a little more coded and/or have different and deeper meanings than I probably intended. ^^;

So :cough: to clarify, I wouldn't necessarily say Leon's worthy of a full on diagnosis, but in his short pre-fight monologue (11 text boxes long) two of those contain a variation on the phrase "left behind."

And two more talk about long-held dreams and years of planning.

It suggests to me that Leon thinks about the animals being left behind by humanity a lot. Which is really interesting when you realize that as the literal King of the Beasts with a pack, nay a whole planet full of animals at his call and the entire run of the natural landscape to their own... he should really WANT for nothing??

Having Humanity ditch would be ideal for an animal-led society. And Leon doesn't specify what he wants the miraculous power for but...I get the feeling he wouldn't mind a chance to sink his teeth into AHEM "talk" to the ex-Forgotten Landers.

Now, whether Leon has felt their being ditched happened enough for it to become a reoccurring condition, uh... I guess Elfilis did shatter his soul and leave him for dead?  But the truth is I probably just exaggerated a wee bit. (But it got me this ask and a chance to talk about Leongar and I love the Beast Pack so it's all good!)

Also, you know, I'm just generally pretty notorious (?!) for reading a LOT (...too much?) characterization into very little! 

Heh. I just know some of you are out there patiently trying to persuade me to become a Necrodeus fan~! XD

That said, I think the idea of him being a "...for the cost of your soul" Devil is very neat. It's a role the Kirby-verse doesn't have currently and could surely benefit from, at least when it comes to interesting interactions with the cast as a whole!

But, heh, you see, I think it's MORE interesting if he's not...!

...BecauseI pored back over the Skull Lord's wiki page for this (I wanted to see if he had some kind of title that would support the "devil" interpretation) and I spotted something that was of EXTREME interest to me given my obsession with the theory that :cough: 

All Ancient Artifacts Corrupt Absolutely!!!

Because Daroach says that the Skullys as a whole "changed" noticeably AFTER Necrodeus got ahold of shiny new Magic Staff...

Gosh! What's this?! Sudden personality changes associated with the acquisition of a magical artifact?! You don't say!!

And look at the dang thing! I point specifically to the clawed talons clutching the center jewel. Like the talons of a certain crown...?

Also, how else could someone like Necrodeus (no offense to Necrodeus fans) split OUR nearly invincible Kirby into ten weaker copies? ...Sounds like an Ancient Artifact at work to me!

(Necrodeus another victim?! Uh oh, I may become a fan after all!)

Edit: ...Actually, I just got a weird sense of deja vu. Did I write about Necrodeus' staff being a Master Crown-tier object before??

That'd be embarrassing! (I've crested 1k posts though, so it wouldn't be too surprising if I start repeating myself at some point. ^^; )

[acilykos]

Hi. I see you're aroace and I'm too so I was wondering if I could ask you a question? Idk if this is something you do I found you through aroace senkuu post so absolutely feel free to ignore if you don't want to talk about it.

So basically I'm trying to figure out what exactly loveless means. BC a lot of people both arospec and not have told me that label might fit (as in I want 0 romance etc. But also no platonic equivalent). However. I am a very passionate person about my chosen career, music, art, my cat. Those are all things I feel so strongly about, I wouldn't know what to call it but "love". Similarly there are people I care about, just not in a way where I want romance with them or a platonic version of that kind of relationship.

(I've seen you call senkuu loveless too, and I'm a little confused BC he clearly does care deeply about some people and possibly even more so science. Why not call that love? Is it a terminology thing?)

I'm not trying to pick a fight, I really like your analysis of senkuu.

I'm genuinely trying to understand.

It's possible to reject the societal notion of what love is. I do so myself.

But there's no denying that the chemicals involved are something everyone experiences. Like. Everyone gets dopamine, vasopressin, oxytocin etc. It's just the context that's different. Much like oxytocin is experienced both in mother-infant bonding and in sexual contact, I get a dopamine rush listening to music but not making out with someone.

(granted romantic love hasn't been that well examined but there does seem to be a consensus on the general chemistry involved)

Same chemicals but different result/feeling, you know?

Not getting these chemicals at all is impossible I think, so that can't be what loveless means.

So what does it mean??? Is it just about society's perception of love??

I personally approached my lack of romantic attraction by Googling the brain chemistry BC clearly I wasn't getting anywhere with the emotional side. I'm not an expert. But the definitions of different aro orientations I see commonly, don't actually address this at all. It's like everyone decided on a different definition of "love" and nobody told me any of them.

Again, I know this sounds very passionate, but I always sound like that. I'm not trying to pick a fight, nor am I expecting you to solve my identity crisis. So really no need to reply if you don't want to. I can see how this would be. A lot to try and answer.

Hi, hi!!

First of all, I'm happy to meet a fellow AroAce!! I'm also calling myself loveless because it fits the most, I did research before and found it was the closest to describe myself.

Second of all, I think it depends on the definition of what loveless means for oneself because as always, sexuality at the end of the day is a fluid and personal thing.

Apologies if some of the thoughts seem jumbled or contradicting. I just woke up, was very happy about getting to ramble and I just don't know how to properly describe my "emotional thought processes" because I decided to illustrate my points with examples.

It's a long read too, I hope you don't mind.

Personally, I define it as a "lack of attraction" because oriented and angled AroAces experience other types of attraction (like platonic, aesthetic, etc.), but don't ask me to explain the difference between either, I really have no idea what it is (no offense to any angled or oriented AroAces). Personally, I find it ironic that the two most known "orientations" of AroAce people are still based on experiencing attraction despite AroAces being known for not experiencing it. So we had to create another word to say "Yeah, we actually don't experience any type of attraction”. It's also ironic to me that we call it "loveless" because it's not that we don't love, we just aren't attracted to people.

I'm an artist, I love art and drawing myself, as well as writing.

I'm also a scientist, I love chemistry, astronomy, pharmacology, psychology, really, I'm just always happy to talk about any subject. In fact, that's my current career, I'm a pharmaceutical technician.

I have favourite songs, favourite subjects, favourite seasons. Favourite shows, favourite characters, hell, I also have favourite ships.

I care about my family and friends too.

It's just that I'm not attracted to people. I don't want a romantic relationship because I don't experience romantic attraction. Same as I don't want a sexual one. I just don't see the need or appeal for another person if the goal is to just have a dinner date or a climax. Sure romance and sex can come hand in hand, but that depends on whether or not you experience either or if you're committed in a relationship. Anyways, I digress.

These two are the typical ones people talk about when it comes to attraction, but then there are the illusive platonic and aesthetic attractions, and many more I believe. One of them is explained later which causes AroAces in the first place to also use the labels oriented and angled.

Platonic attraction, or at least as I come to understand it, is seeing a person and just wanting to be their friend. You see someone and you think "wow, I really want to be their friend!!" also apparently called having a "squish".

I don't do that. I don't really feel something compelling me to talk to this person to become their friend.

Same as I don't feel attraction towards aesthetically pleasing people (which is also a highly individual definition). Or well, for a lack of a better term, the only "Wow, I really like how they look" I experience is in terms of gender envy. I don't want to be with them, I don't want to be them either. I just think "I'd like to express my gender like that". If that makes any sense.

I see people talk about "they're hot" and "they're so cute looking" and how they have this attraction towards them because of the way they look, but I just don't? I may appreciate the beauty by acknowledging that someone has nice features or a cool style, but it's the same as me looking at the weather and going "Ah, the sun is shining, isn't that nice." before continuing to do whatever I did, not spending more time on thinking about the weather.

For a real life example: My sister and I are going to a driving school. She has an aesthetic (and I call it on purpose an aesthetic attraction. She has not spoken once with the guy and she also said it's not exactly a crush) on one of the other people there, which to me makes no sense given his general character he revealed at least at the driving school. She even took his pen he forgot at school (just some company gifted pen from when we got a visit that day) in hopes of giving it back to him and struck up a conversation (She failed to. She was too embarrassed, in case you're curious).

I only acknowledge he has a nice jawline. That's it.

I don't feel any type of attraction towards people. I don't want or need to be their romantic partner. I don't want or need a sexual relationship. Just because someone has a personality that clicks with mine, I don't automatically feel the need to become their friend. If we become friends, great. If we don't it is what it is.

Obviously when I'm friends with someone, I care about them, but it's just... not the way friendships are usually portrayed. I don't feel the need to have many friends, or meet up with them constantly or go on trips or anything of the like. I like them a lot, I want them to be well. I just... don't really feel an attraction? I don't know how to properly explain it.

An attraction for me is either the need to be constantly with them, one way or another, because you physically and/or mentally/psychologically feel the need to be in their presence, whenever an opportunity arises OR that you spent a lot of time just thinking about them (daydreaming, fantasies, you get it). I just don't feel like that. I'm fine with not talking or seeing friends for multiple months or years. I'm also fine if we don't talk constantly too. If the friendship ended because we couldn't maintain it, it wouldn't destroy me.

It actually happened multiple times, I'm fine with it. Do I miss them or feel nostalgic when I think about past experiences with them? Of course, I care about them as people.

But I'd feel the same about it even if we had stayed friends, because I obviously feel nostalgic with things I did with my current friends.

I just really don't have the ""need"" to have friends in my life. I'm not "attracted" towards them, I care about them and I like them, but it's just not the type of attraction or even love that society usually attributes to what (best) friends are supposed to be or behave like.

(Same for my family. I haven't seen some of them in years, I don't need to. I like them, I care about their wellbeing.)

You may be wondering, if that's my attitude towards friendships, how do I even have friendships.

They talked to me one day and we happened to keep talking because we liked what each other had to say. It's been years later, so it's safe to say that we still like each other, but not once have I ever initiated a friendship, funnily enough. All I did was just... reply or talk once and we kept talking and meeting up, and eventually we became friends, and because they know a lot about me and I about them, I care about them.

And this is what I think Senkū is like too.

He cares about his friends deeply and he obviously cares about his family too. But he doesn't feel any attraction to people. He never once had an "I need to be their friend" moment. He accidentally sort of becomes friends with them because of the situation they're in and then develops a friendship with them because they've been through a lot of things for multiple years.

How did he meet Taiju? Because Taiju saved his machinery. Senkū didn't have any friends prior to that. But then they talked and spent their childhood together and became friends.

Taiju introduced him to Yuzuriha, they talked, she helped with his experiments as well, and they too became friends.

Senkū not once initiated a friendship.

He may have approached some of them first, but not because he wanted to be their friend/felt platonic attraction, he just needed them for a plan, then he used them for his plans, but they stuck around and they talked and time passed.

If it comes to his plans or science, he talks first. If it comes to any "emotional" conversational topic, someone else initiates it.

Senkū just doesn't feel the need to have emotional connections, but that doesn't mean that he doesn't care about his friends or won't develop friendships, if that makes sense. He doesn't seek them, but if friendships happen to develop, he accepts it. He doesn't portray it outwardly, but deep within his heart he still cares.

Everyone in his life started out as an ally, it eventually became friendship. Senkū didn't recruit people because he wanted friends, he recruited them because he had a need for allies to wage war against Tsukasa, then Ibara, then Whyman.

You can even apply it to Senkū's relationship with Xeno, who is according to the fanbook one of Senkū's "closest relationships" (the other one being Byakuya). Senkū respects Xeno as a scientist and as the only NASA employee who actually helped him build a rocket, but even then it's because Xeno talked first and their relationship was strictly mentor and mentee, it was hardly a friendship in what society defines it as anyway. I guess the closest equivalent would be Marty McFly and Doc Brown from Back to the Future (I know, Marty isn't Doc's mentee, but it's about the assisting in science projects part), if it comes to media, but even then Senkū's and Xeno's mentorship would not fit the definition of friendship the way Marty's and Doc's does.

I also call Senkū loveless, because he would never enter a queer platonic relationship (qpr). Entering one would mean you experience a type of connection that is more than friendship, but not romantic or sexual. Or at least that's how I came to understand it. Personally, I'm still confused on what they're actually like aside from them developing from a "tertiary form of attraction". This is where angled and oriented AroAces come in, and why some people call themselves "AroAce lesbians" for example. They experience a different type of attraction towards women that's not just friendship, but it's also not romantic or sexual (at least that's how I understand it, any tertiary attraction feeling AroAces correct or explain it to me, because it's been confusing me for years).

Now look at Senkū and tell me that he'd ever enter such a relationship, when he barely feels the need to make friends on his own. He says it himself "love causes only problems" because of the emotions involved in it. He also, as we established, doesn't feel the need to make friends. If that's already too much and Senkū doesn't have the need for friends, and a QPR is similar, except it lacks the romantic and sexual part and is supposedly "more than a mere friendship", then Senkū definitely wouldn't have that.

I think it's important to mention that, but I think at this point it is obvious, I don't define attraction and caring as the same things.

Why would I? It isn't the same thing, otherwise we wouldn't have different words for it.

Attraction means I myself feel the need to be close to whatever attracts me, maybe that I can't stop thinking about it because I need it in my life, but it can also be superficial.

Care is that it doesn't cross my mind every day, but maybe I happen to think about it once because it crossed my mind, or if I'm with friends or family who tell me about something that happened to them, I care about their wellbeing.

You may also have noticed that I barely even used the word "love" despite talking about being "loveless". As I mentioned in the beginning, I really don't think it's the right term. We love. We care. But it's just not the love people think of first (aka romantic). I love my hobbies, I love my friends and family, I love my favourite characters. But none of this is what society tells me that love is supposed to be or feel like. But it's the most direct way of saying "I don't experience any type of attraction", as misleading as it is, sadly.

And that's it, basically.

Again, it's just my own definition and experience, so how true it is for the majority of AroAces or how much you agree with me, is totally up to you and anyone else. Emotional matters are confusing, and a lot of the time don't make sense and are hard to put into words, but I gave it my best shot with all I know right now. If you're curious or think that loveless may not be the right term after all, you're welcome to do more research on the terms angled and oriented, I bet there are a lot of AroAces who identify with those labels ready to help you out, and who know much more about it than me.

I hope I was able to help you in any way to find some clarity! Thanks again for stopping by, feel free to do that again any time!!

[titleleaf]

@rocket-eighty-eight mentioned you on a post “The real saw trap is reading an incredibly wrong...”:

@titleleaf WHERE did you see this red dragon take?!?!!

​Why, here on Tumblr Dot Com, of course! I thought I had it screencapped but I managed to restrain myself from engaging with the original post -- the OP was all of 20 and God knows I made absolutely boneheaded Tumblr posts when I was 20, I make some pretty stupid ones now. Regardless, it had pretty hardcore "hasn't actually read Red Dragon" energy. As you might also expect it was a post gassing up the NBC Hannibal s3 finale, framing Will's participation in the killing of Dolarhyde as him embracing queerness and aligning himself with his true love, Hannibal, rather than his fake comphet love, Molly.

Paraphrased, their interpretation was: "the end of Red Dragon, the book, has Will triumphing over Dolarhyde and successfully saving his wife and child, reaffirming the integrity of heterosexual marriage and exorcising the queer threat that Lecter poses to Will's identity of himself as straight, while the show's s3 finale has the better and more affirming depiction: Will leaving behind his wife and child and going to be with Hannibal and embrace his nature as a killer, showing that he's accepted his true self and what he holds in common with Lecter." Which... all of that aside, that's not remotely what happens in the book Red Dragon!

The ending of the novel is so notoriously downbeat and ambivalent that I have read multiple pieces of academic writing commenting on it, and it's something both film adaptations have felt the need to change. It's a fucking downer. You can't even feel good about Molly killing Dolarhyde because you've seen enough of Dolarhyde as a sympathetic wounded beast to wish that outcome, however inevitable genre conventions make it, could be different. Will's relationship to his stepson is already fatally wounded before Dolarhyde shows up, and Will's marriage is fucking toast -- even as Will's lying in his hospital bed he knows this, that Molly will leave him because of what's happened, and by the time SOTL takes place it certainly seems to have come true. Will's physical and mental well-being have been burned through, and by the next time we hear about him he's a deeply traumatized alcoholic whose face looks like damn Picasso drew it, and, we can assume, very single. Heterosexual love is not enough in this book to save anybody! Not Dolarhyde and Reba, not Will and Molly, not the Leedses, not the Jacobis, not Dolarhyde's mother and her new husband, not even Freddy Lounds and Wendy. Will comes to a fuller understanding of the "vicious urges" within him that humanity more broadly struggles with, not just outliers like Dolarhyde and Lecter, but it's not a comfortable exorcism of the destabilizing threat of violence, the emotional tone remains uneasy and weird. It's a bummer. Nobody is living happily ever after and it's Lecter who gets the last word. (And he's such a bitch about it, too, I'm obsessed.)

My own feelings on how the show does the RD plotline with Dolarhyde in s3 aside (short version: badly) I think people have a tendency to back-project the show's framing of Will and Hannibal's relationship onto the first novel when it doesn't apply. Their relationship in the book is interesting and imo very fun but it's very different because the rest of the canon from which the show will draw to pad it out just does not exist yet -- the show sort of Frankensteins together parts of Clarice's plotlines to make up the difference and while I enjoy the results in isolation Will and Hannibal's relationship dynamic in the show isn't remotely a straightforward translation from book to screen or some kind of more correct, uncensored version of what the book was too timid to show. (Clarice's whole perverse union with Lecter in Hannibal the book follows its own different trajectory, and I can see how people read it as liberating and/or affirming, but uhhhh I'll get back to them on that later.) I don't think the show does the fusion of those two relationships particularly elegantly (or the distribution of other aspects of the Hannibal-Clarice relationship onto other characters' relationships to Hannibal, though it did bring me one of my favorite parts of s3 with Bedelia) but I think it's really muddied people's ability to talk about the actual books (and films) on the merits of what they actually contain versus what they assume they must contain or would like them to contain. It's a hot mess express.

[txgrteo]

a long post about a long absence

i don't want this to be too long, so i'll probably omit some unnecessary details, but i wanted to open up about wtf happened to me. i feel bad for leaving so many people who care about me with literally no information. the last time i engaged with art as a community was pretty much exactly a year ago, early november 2023. posted a zeraora pic on twitter and stuff and just kinda jetted. it wasn't supposed to be what it is now, it just became that.

i got really demotivated, for starters. I've always struggled with reach and public perception, and my obsession with being a better version of myself. And i like to use empirical data for that- i prefer metrics, such as likes, retweets, comments- anything that can be graphed, quantified, etc. It's just how I work, i really like structure. But I never got that growth I was looking for. Posts didn't perform and I hated it- namely the feeling of being either not good enough or not acknowledged enough. so yah i left-

but oh boy did the shit hit the fucking fan. late november after i left, my long-term freelance position went up in smoke mainly due to mismanagement on their part, and that left me without literally any income. so no job, and literally couldn't hold a pencil without wanting to stab it through my neck (so, commissions were a no-go) means i was pretty fucked.

skip to like march and i hadn't literally drawn a single image since november. had no drive to. and right there i kinda just called it quits. social media was eating me alive- i couldn't deal with it. shortly after i got rehired, quit for the last time because of MORE mismanagement, then lost my apartment. i'm in a safe place rn with some absolutely outstanding friends but yeah...

---

i don't know if i can come back. i don't know if i'm capable of dealing with my perception of my work in the oddly socially competitive market that is digital art. i don't know or care if i'm a good artist. i literally do not. even if i were/am, could i handle the pressure that social media brings me? it might just be something i'm unable to handle. so even if i wanted to come back, and im not sure if i could- should i?

so, for now, i'm gonna keep all my art to myself. i've drawn some banger shit lately (I FINALLY AM GETTING PAINTING DOWN YESSSSSSSSSSSS) but... i shouldn't post it. if i do, and it doesn't soar to relatively meteoric heights, the cycle will begin anew, and i ain't feelin that.

idk. who knows. it's whatever regardless. i just want to put myself first for once and worry about healing as a creator and learning to love what i make again. i didn't draw a single picture for 8 months. actually nothing. im drawing again now but i'm not willing to open myself up to relapsing into hating my art or myself anymore.

...as an aside, fuck twitter/all for-profit social media and what it's done to the internet as a whole. literally fuck it. i hope twitter goes up in the biggest ball of flames it can. (unfortunately this means you too, tumblr).

(last thing i wanna say is that i WILL most likely be making at least one post in the not too distant future, for commissions. i'm in an extremely dire part of my life right now and regardless of my emotional state i still need to eat. so i'll be making a commission post at some point.)

anyways, thanks for reading

[freebooter4ever]

Hi I wonder

If/when you finish Geno’s sculpture will you be able to program it to move? Like animation?

I’m not familiar with 3d modeling

this is a very good question, actually! cause the easy answer is yes, absolutely. the more complicated answer is that the topology i've modeled is optimized for sculpture rather than animation, so to turn it into an animated character and get clean movement i would have to make some modifications around the sections that deform the most (shoulders, elbows, knees, etc). brief lunchtime course in topology under the cut :)

the topology or 'wireframe' of a character represents the polygons. and each polygon is defined by vertices which are the actual coordinates stored in the computer that tells it to render these objects!

on the left is the sculpt that im working on, and on the right is the 'smoothed' version where the computer calculates a curved spline between points instead of a flat polygon (with certain specific case like where i've told it to 'crease' edges which will keep the sharp polygon line).

My goal in this sculpt (like the skate and the helmet and the gear) was to keep polycount as low as possible to give myself the cleanest lines in a way similar to how i process drawings. This means i have large shapes with as few polygons as i can get away with, so there's certain areas that have very very few polygons entirely. The biggest example of this is the back and the shoulder/arm connection:

if i were topologizing this for animation the 'wireframe' lines would be concentrated where deformation happens. So when I raise the arm the shoulder would have enough geo to stay defined and smooth instead of stretching. right now if i bent his elbow it would cause this problem. luckily, im only planning to bend his elbow for a few poses in a final sculpt - so when i finish with the pose i will go back in and add whatever extra geo is necessary.

anyway the purpose of my sculpting with as little polygons as i can is to keep the silhouette as well as keeping it as clean as possible so that it'll look good in toon shaders. (you can see the 'active points' is under 4k' in the corner there)

the best example i have of this is the face which is absolutely not done so dont judge me but its finally at a point where it doesnt look too terrifying:

on the right is the quick sculpt i did just to get a feel for his face in 3D - this was done with clay sculpting and you can see even though i used the hard surface brush its made up of millions of little vertices so doesn't have that 'clean' look. the goal is to make the gray spaces between as flat as possible to make that toon 2D look in 3D. :)

my face topology is based off which lines i want to 'show' as my 'drawing' lines and wouldn't necessarily result in good animation. geno's lips are driving me crazy - i have so many photos and still they aren't good enough. there's that bow shape on his bottom lip that i'm trying to recreate in geo and its slow going. i take a break from whatever apps or shit im working on, tinker with his lip shape for a half hour, and then go back to working lol.

here's an example of a hard surface object which doesn't deform (because if a helmet squishes thats....thats probably a very bad sign for the player) and so can be as high res as i want it to be to get the level of detail i want:

why am i doing all this? i dunno im crazy. sometime in october a character artist from a big name studio told me my portfolio needed to reflect their 'style' more if i wanted to be hired there and my reaction was well fuck this im figuring out what my OWN style looks like in 3D. probably not the smartest career move. (ive spent 10 years in this industry and i have been a chameleon the entire time blending into everyone else's style. if im spending my own money on this i want it to be mine)

but, going back to the original question, my vision back in october was a beauty sculpt of geno in some action shot - on the ice with the puck or celly. and the sculpt would be crisp and clean and lit with sharp angular lights like how i draw (getting his cheekbone right is a must and makes me cry). and on a turntable. so thats the goal, no animation necessary, and its looking like i might get there in the next month. :)

the, uh, torso sculpt is cause i want to do an extra pose of him looking sexy in his locker stall with his armor gear and shit (pants ON though, you can see i have not sculpted past the waist :P). thats just for me lmao.