#did a fantastic job

[remxedmoon]

so all you need to do right now is disappear.

HHHHAPPY ISATVERSARY EVERYONE. here’s redraws for every single battle cg in the game. 36 drawings this time around, with 11 of those being custom (though admittedly a good portion of those are edits). combined with the portrait redraws i made back in september, i’ve made 114 redraws for this project! jesus christ! just like those redraws, these are completely free to use!! as long as i’m credited and it’s not for commercial purposes, go wild!! do whatever you want!!!

no i didn’t make these for isat’s 1 year anniversary this is just wildly good timing.

i genuinely can’t fit all of these cgs in one post even with the 30 image limit on browser, but i’ll still try to fit Most of them below the cut (without making this post horrifically long), along with some notes that might be important ���

okay! once again, i labeled all of the custom art as such in the drive(UPDATE. NNOT TRUE ANYMORE. reformatted file names to be easier to mod in auau. apologies!), but if you want a full list, the customs are hatless siffrin jackpot, bonnie jackpot, bonnie special attack, bigfrin attack, and a bunch of alts which are definitely not related to any projects i’ve been thinking about don’t worry about it. and out of those customs, only like. 3 of them are actually completely from scratch.

while i did my absolute best to keep the aspect ratios completely the same as the originals, there’s 3 exceptions that i just couldn’t get to work.

isabeau’s hair in his special attack cg wouldn’t fit in frame if i kept things completely accurate to the og, so i moved his cg down a bit. it shouldn’t cause any issues with modding or anything, it’ll just appear slightly lower than it does in game. alas…

isabeau’s sleeve and mirabelle’s hair made their jackpot sprites a little larger than the originals? i’m hoping this doesn’t have too much of an effect (since the jackpot sprites have inconsistent sizes) but i can’t test this myself unfortunately. aaa feel free to let me know on discord if any problems arise!!

i managed to fix these, so they aren’t going to cause problems now, but my original drawings for mirabelle and siffrin in the final attack scene were a pain in the ass to fix. mirabelle’s sprite was slightly too talk to fit in frame and siffrin’s hat whacked bonnie in the face while i was editing everyone together. i’m only mentioning this because it took like an hour and a half to fix them and finish the scene.

all that aside, these were a fucking BLAST to work on. apparently this ended up taking 57 hours over exactly 10 days. which is a little worrying if you do the math on that but somehow i have not burnt myself out. i will be doing enemies at some point!!! but probably not for a little bit. i think my friends will actually kill me if i don’t take a break.

once again, happy birthday isat. you’ve ruined my life and i wouldn’t have it any other way (silly).

also, on an actual serious note, this little timeloop game has genuinely changed my life for the better? you guys are probably sick of hearing it at this point (or maybe not, i don’t talk about myself That Much. i hope), but i was practically a ghost for about 2 years before joining this fandom. it’s a little surreal to suddenly have friends (plural!!!) and people who Care about me, or even know i exist, honestly. it’s weird!! in a good way!!!

i don’t think i would’ve ever come back to social media if this community wasn’t so welcoming. i’ve met a lot of really great people through this game!!! so, uh, thank you isat, i guess. here’s to another year.

[coffinwoodx]

couple of screenshots of kim’s wikipedia page that i felt so deeply in my soul

[poorly-drawn-mdzs]

Let the revenge games begin.

[First] Prev <–-> Next

[littleulvar]

box art I created for the upcoming Kinfire Council game ✨ (with KS launch coming soon)

[halla-hunts-the-wolf]

I finally read Hard in Hightown today, after having the book for years. I present my favorite part of the story, because it made me laugh out loud.

[front-facing-pokemon]

[secriden]

Watching Joong's Hurt Me Please MV with the context of how episode 6 ended and how this is likely a song about Fadel's thoughts and feelings about Style after Finding Out, I wanted to take a deeper look at the lyrics.

I have transcribed the English lyrics on Youtube side by side with a fan translated version (credit: bl_zonee on Twitter) just because there's different shades of meaning between them that I find really interesting and I'm curious which one is the more accurate translation or if both are valid, but just give different nuance. (Perhaps a mutual who understands Thai would be willing to give some insight? *u*)

Verse 1 makes a lot of sense to me: Fadel must be wondering how Style could be so cruel ("unkind" / "heartless") because every instance of Style being honest and asking for honesty in return, all of Style's genuine desperation to bare his heart to Fadel in episode 5 and 6, now looks like a calculated, cruel deception.

And after being so afraid to reveal his secret to Style for fear that it would make Style walk away from him, there's a painful irony in Fadel now wishing Style had walked away before. Because the betrayal hurts so much more now that Fadel has given in to his heart.

The chorus is where the nuance between the translations gets interesting.

The Youtube version seems almost like Fadel is taunting Style, putting up a front that he can take the pain Style is dishing out and more. It's like he's hiding behind the bravado of being able to handle the hurt, and even more.

The MV also depicts Style smiling sadistically after slapping Fadel, as if he's enjoying the pain he's inflicting. Meanwhile, Fadel looks up almost in adoration, a strange softness in his eyes at odds with how cruelly he's being treated. The knowledge of Style's betrayal has turned Style into a monster in Fadel's mind, one which he cannot help but to still have soft, affectionate feelings.

But the fan translation sounds much more hurt and accusatory. Fadel is expressing his pain and anguish much more plainly and "you did this to me" is a line that demands responsibility.

In both translations, though, the last line ("can't get enough" / "enjoying the pain") gives us a hint that Fadel isn't willing to give Style up even now. Despite the pain, despite feeling as if he's simultaneously burning up and drowning, there's a part of him that still wants this. That still wants Style.

Interestingly, as Fadel sings the last line he begins to visibly struggle against the rope tying him to the chair. The soft look vanishes and in place is a determination and shadow that spells trouble for Style. The shock is wearing off and Fadel is starting to fight back.

Verse 2 is where the agony really hits, for me.

In both versions, Fadel recognises the way Style's love was (maybe still is?) precious to him ("your love feeds my soul" / "your love nourished my heart"). But because Style's love is a lie, it's transformed into a weapon ("poison"). It twists Style's love into a source of "hurt" to Fadel.

Which is why I think both versions have a line where Fadel admits that there's a part of him that wants Style to keep hurting him -- or rather, to keep loving him; because these are the same thing to Fadel now -- ("hurt me, make me feel used" / "the more I was hurt the more I enjoyed it") whilst also remaining accusatory ("the more I loved, the more sorrow/I suffered").

The lines about "nothing left to write about our love" / "our story" also feel very pointed and final. A closing of a chapter; a closing of the possibility of their former, uncomplicated happily ever after. Style has nothing left to write (report) back to his superiors (the police) because Fadel's love is already complete and his deception has reached the inevitable conclusion of Fadel being found out/destroyed.

All this happens while we see Style continuing to threaten Fadel with a golf club and an almost crazed expression of glee juxtaposed with flashes of Fadel and Style in much happier times.

Also the fact that this line comes with this scene where Fadel lets Style kiss him despite “knowing” it’s all a lie *sobs uncontrollably*:

The first chorus comes back once and the music reaches a plateau. We are clearly preparing for a drop or a modulation and we get exactly that (twice!) with the second chorus:

Here, both versions converge: Fadel is angry, he's furious. Style hurt him and he's going to repay all of it and more ("you'll hurt [by much more]" / "you must suffer more than I did"). The lyrics tell us that, while Fadel cannot take back the hurt (take back his love), he can certainly ensure he isn't alone in the suffering (this love will also hurt Style).

It is at this part where my heart sank as I realised that Fadel's "I think I love you" line in episode 6 now takes on a much more sinister tone.

Because I think that discovering Style's betrayal was also what made Fadel realise the truth of his love for Style; the very agony he was in was the sign that Fadel's heart was lost to him. But even as it is true, I also think he still made the choice to ruin Style in the same breath. Because if Style could use Fadel’s love as a weapon then Fadel is going to use it (Fadel’s love) to hurt Style too.

A decision was made in this moment, and everything Fadel does afterwards in this scene is deliberate.

There is, however, one piece of hope:

Despite Fadel's expressed fury, what the MV shows us is Fadel breaking out of his bonds, shoving Style back and punching him once and then:

For all his anger, for all his rage, for all his threats of manifold vengeance, what we see is Fadel pressing close and kissing Style; once on the lips, and once on his chest (heart), all while the lyrics makes space for one last plea:

("don't betray me")

For me, its the way the line is shown together with this direct visual parallel between the ignorant Fadel in the past (left) and the Fadel of the present who has seen through Style's deception (right) that I find particularly compelling. Even now, even at the point of Fadel discovering Style's betrayal, there is still hope for forgiveness.

Because Fadel cannot help himself. Because Style made Fadel's bleeding heart whole again; and it beats, it feels, and despite how much it hurts, what Fadel still wants more than anything else in the world -- desperately and simply -- is Style.

[anyataylordelrey]

jonesy doing the female vocals for “battle of evermore” in seattle 1977 will never not be hilarious to me 😭

it’s the way you can see them both trying so hard not to burst out laughing and their cheeky grins

and then robert’s little “ayeee” after jpj starts singing

oh i love them.

[wrexwas]

Artwork from the Overwatch: Declassified Trailer by Mana Books (in French)

You can check out a pdf sample of the book (again, in French) here. And, before the English version was released, I also questionably translated the pdf sample into English. You can check that out here.

[imvec]

This drawing is for @snowydragonscave 's story "Bring Soul to the Recipe" for @dansenbb (Dansen Big Bang 2024)

Read it here (link)

[beanpills]

Daynap shippers won 🧡 💜

[calsvoid]

ten (sorta) thoughts on squid game season 2 (SPOILERS):

1. holy fuck this season was so beautiful and the creative genius behind it was so wonderful

2. the rock paper scissors minus one scene has got to be the most intense game scene out of every single one (not game, but game SCENE, as in watching these two friends who i didn’t even care about half a second before be forced to bet their lives against each other only for one of them to be placed with a guaranteed win and not take it was probably the craziest thing to ever happen and fuck having that be the first episode truly through me for a spin)

3. speaking of, the guy that lived (who is known as guy with the wife because me and my brother kept saying that he has a wife as a reason why we want him to live) is one of my favs for no reason, i hope he gets out alright DONT YOU DARE DO ANYTHING TO HIM CAP’N I TRUSTED YOU

4. i knew as soon as they started having two girls bond i was done for and i spent every moment of theirs begging for both of them to live because i think i’ve seen this film before and i didn’t like the ending

5. soooooo many characters and character dynamics were just absolute chef’s kiss and it helps so much with that buildup of hope and tension; last season obviously had some wonderful people and relationships (i’m still not and never will be over the marble game) but something about this new cast was just absolutely wonderful. there were almost no characters i didn’t like or wasn’t invested in, and i am very excited to see how they turn out next season. hyun-ju’s group, gi-hun’s group, hell even thanos’s group i enjoyed all of them. min-su’s betrayal fucked me up so bad though and him failing to save her and having to see her die FUCK. also young-mi’s death was so painful, especially since she was the first main group member death. the mom and son were hilarious im going to fight god if they don’t end up together in either life or death

6. all about women’s rights and women’s wrongs this season, number 11 i love you and i hope you find your child i will kill your almost rapists for you. i don’t care that i hate the military hyun-ju is hot with a gun and she can fuck me with one of she wants. i pray for that fetus please let them get out alive. the mom was fantastic and such a nostalgic character, very accurate portrayal of an auntie and i love her for that. shaman queen is batshit crazy and good for her

7. the set design yall fucking BEAUTIFUL. i can’t describe it, but it just adds so much to that deceitful hope with all the rainbows and clean lines. and also the use of the stairs during the gun fights, ugh so amazing what a great way to repurpose that set

8. ALSO THE ADDED KNOWLEDGE OF THE SOLDIERS SIDE, god i love the extra lore behind their recruitment, their system, all that. loved the twist and as i’ve said i love number 11 shes my queen

9. god seong gi-hun had me ROOTING for him. his sheer determination was felt by me too and i really hoped that he would finally get to get justice, that finale just hurt all that much more

10. i wanted so badly for inho to end up having a semi-redemption arc even though it was unlikely, i unfortunately fell for his manipulation and wanted to believe in him god it hurt watching him use the sounds of someone else’s death to trick gi-hun

[shikai-the-storyteller]

Retro talked a little bit about her role as Cucurucho!

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[theaterdisneynerdsunite]

Apologies for the obvious pun but the Sweeney Todd ensemble absolutely murdered that number. The singing, the dancing, I literally said “they’re killing it” out loud.

I’m glad they got featured, it would have been so easy to do a Josh Groban big solo number but they did a number featuring the actual cast and I think it’s my favorite number so far

[worldsmostangela]

Aaaaand TIME! Finally-- for real this time-- our final poll has come to a close! It's been a long ride, and all of our competitors have put up a truly valiant fight! But alas, there is only one who can hold the title. Through thick and thin and everything in between, the World's Most Angela title goes to...

...our very own Miss Director!

Everyone give a warm round of applause for our long awaited champion-- with a complete undefeated streak no less! Of course, as always, remember to love and appreciate Your local library director (in any shape or form,) and most importantly: Happy Birthday, Angela!