#did I mention I love him very much

[pyr0cue]

My silly little guy

[clockworkvampyre]

yeah…

[aq2003]

has anyone gotten the idea that odysseus' storyline in hades 2 is a depiction/exploration of trauma over his SA and how he's blaming himself for things that were out of his control? because that's the impression i'm getting from what i've seen. he talks about "goddesses" as his "greatest weakness" and that "he's not one to say no to them"...

when mel invites him to the bath, he brings up mortals having different standards for intimacy than gods and how it usually has a more romantic/sexual connotation. she then asks if he's uncomfortable and he has a startled reaction and brings up circe and calypso again (but never actually by name)

(this isn't ship/romance bait btw. odysseus knew mel as a kid and they're stated in-game to have a sibling/uncle-niece relationship)

also he grew apart from penelope after his return, but the game makes a point of showing that his love for penelope and telemachus is what drove him on at all so that element of his character isn't brought into question

[stilitrash]

Fionna was so damn h0rny in this episode and I completely support her <3

[wassupmygays]

i love you tiny costume details. i love tiny pieces of jewelry or patches that add so much to a character. i love you costume designers that allow for personalization. i love you i love you i love you

[royalarchivist]

Cellbit: You think the Cucurucho that likes you is the like, cheerleader one or is it the gun one?

Jaiden: Um, I- I'll be honest, I think both of them like me.

Cellbit: Wow, ok.

Jaiden: What can I say, I'm just super friendly.

Cellbit: Yeah...

Jaiden: [Laughs]

Cellbit: You know, Cucurucho liking you isn't that much of like, a good thing, ok? Just don't- don't get like, super–

Jaiden: No, I mean like, I'm not- I'm not saying that, you know, I like him back or anything, I'm just saying that they- they have a soft-spot for me. Whatever that means.

[ Full Transcript ↓ ]

—

Cellbit: How is your relation with Cucurucho going? Like, have you seen him recently?

Jaiden: Uhhh, what do you mean?

Cellbit: 'Cuz you have like, a rocky relationship with him, don't you?

Jaiden: Yeah, yeah, yeah, last- last time we- I– he took me away for a bit, but uh... It's been, you know, normal. I feel like he treats me the same as he does everyone else. Yeah, he gave me a task.

Cellbit: What's your task?

Jaiden: To research rhinos.

Cellbit: Oh, yeah, you told me about that! [...] You think the Cucurucho that likes you is the like, cheerleader one or is it the gun one?

Jaiden: Um, I- I'll be honest, I think both of them like me.

Cellbit: Wow, ok.

Jaiden: What can I say, I'm just super friendly.

Cellbit: Yeah...

Jaiden: [Laughs]

Cellbit: You know, Cucurucho liking you isn't that much of like, a good thing, ok? Just don't- don't get like, super–

Jaiden: No, I mean like, I'm not- I'm not saying that, you know, I like him back or anything, I'm just saying that they- they have a soft-spot for me. Whatever that means.

Cellbit: Yeah, when– like, if you ever see them with a chainsaw, you know, you probably want to go to the other direction, that's just like, an experienced hint I can give you.

Jaiden: Yeah, yeah, yeah...

Cellbit: But I don't think they would do that to you, they seem to have like, their own preferences and stuff.

Jaiden: Yeah, I mean, they've only done that to you, so they must– they just really don't like you.

Cellbit: Yeah, but they kinda like did some shtty things to other people, they shot Bagi, they shot- they shot most of the Island, at this point.

Jaiden: Yeah, they did, they did shoot Bagi. That's- that's not good.

Cellbit: Maybe they just like Hatsune Miku, and they- they confused stuff.

Jaiden: That is true! Actually, they're– I don't even know if this is like, who this is in the Federation, but someone um... Mouse was like, showing me a picture of– Sorry, I have to tab in. [She punches Cellbit] Um... [Laughs]

Cellbit: Ow, that was rude! [Chuckles]

Jaiden: I had to tab in! [Laughs] My Animal Crossing music had to restart!

Cellbit: [Laughs]

Jaiden: Mouse was saying that someone in the Federation uh, was placing tiny Hatsune Mikus in there, so someone in the Federation likes Hatsune Miku.

Cellbit: Hmm... That explains a lot, then.

Jaiden: [Laughs] What do you mean? No it doesn't!

Cellbit: No, no. Now I understand that it's a whole– it's a whole scheme, it's a whole corruption scheme, now I understand.

Jaiden: Ah no, it's not corruption–

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[bunnybead123]

I Love How Orion Pax is in Transformers One

I really like Transformers.

And I also really like Optimus Prime, and how cool and reliable he is most of the time. He's the kind of guy that would help me reach my full potential and then play it off that I always had the touch deep down. Like this is the kind of Robot that could take on an entire army of other giant robots and win single handedly. Even as Orion Pax in most, he's still got that strong sense of justice and that intrinsic belief that all beings deserve to live, and gosh, he's just the best.

So imagine my initial apprehension when I see the first Transformers One trailer and the Orion Pax shown is one that is brash and impulsive who constantly drags people into his messy hair brained plans for his own ego and glory. I was genuinely worried that I was going to dislike him because of that, like, I couldn't imagine this weird frat bro becoming, well, the Optimus Prime.

Well.

I just got back from the theaters and my God, my love for transformers has been cemented even harder than before, and at the very center of it is the movie's version of Orion Pax.

He's so silly and weird and kind of stupid, but like, an endearing kind of stupid that makes you want to be stupidly hopeful for a better future too. And he's so goddamn fucking selfless during the whole movie, every weird thing he does is because he wants to help the other cybertronians, especially his best friend, D-16, who he loves so much and is the complete opposite of in many ways.

His rebellious streak is also handled really well too, like how he takes zero bullshit from any of the corrupt higher ups of Cybertron, but it's light-hearted because he's young and naive and still believes in the best that his species could offer. His very first scene is to try and look up information on the matrix of leadership because he's trying to do everything in his power to help with the energon deficiency. Even his idea to get into the race is to first let D-16 see the race up close and to also raise awareness that the cogless cybertronians were also worthy of respect as well.

It's interesting to note that Orion Pax never tries to make the situation ever about himself, and that he's constantly trying to support others to change into their best selves. In fact the only times he ever tries to get the spotlight onto himself, is when he screws up and other people are at risk for his actions. He always defaults to saying that everything is his fault and that's why I feel like all of his failures didn't feel as emotionally grating because it was actually nice that he was always willing to take responsibility for his actions and their subsequent consequences. It makes a really good contrast with Megatron in the end, as the deception was too blinded by revenge and hatred to see the true extent of his actions.

He's a good bean and I totally understand why he was chosen for leadership in the end.

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.

[ruvviks]

The Dobrynin family is a corpo family through and through, rooted in Arasaka and Orbital Air going back by several generations; though their powerful position within the corporate world ends with the children of Nadya and Matvey Dobrynin. With Vitali and Daniil fired from Arasaka and Kang Tao respectively— the former indirectly getting his parents fired, too— and Roksana having refused to set foot within a megacorporation from the start, the family begins crumbling apart at the very seams when clashing interests lead to grudges, betrayal, and pointless acts of revenge. ↳ read the unrevised fic here if you're interested!

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[sass-squat]

Part 4 of the Linked Universe Winged Au! This time around we've got our favorite short king, Four!

<<< Previous Next >>>

Starting off strong with more fun facts about birds, Painted Buntings are mainly known and recognized for their bright, colorful plumage to the point where they are oftentimes referred to as, "Nature's Living Box of Crayons".

Now aside from the obvious similarities in color schemes and the absolute CRIME it would be to choose any other bird for Four, my interpretation of Four and his personality also share many similarities with those of a Painted Bunting. For example, these birds most commonly lurk in low, dense covers of brushy areas and woodland edges which is incredibly similar to what he did in his adventures all throughout Minish Cap.

On top of that, Painted Buntings also have a tendency to be very independent and fiercely territorial. Because of this, I headcanon that despite his generally calm exterior and his short height, Four is by far the Link who's most ready to throw hands at a moments notice and is willing to dive bomb enemies should the need arise, even more so than Wild.

However, while Four does share certain behavioral traits of a Painted Bunting in this Winged Au, his appearance is actually a result of the combination of all his other "selves" or "colors".

Four was still very young when he began his adventure in Four Swords to the point where he actually hadn't lost his baby feathers yet before starting his journey. However, when he drew the Four Sword and split into four separate individuals, all four of those "colors" not only had different personalities like in both the manga and comic, but different wings and colors as well. Because of this, by the end of his adventure when they merged into a united whole again, his wings took on a combined mix of all the colors to resemble that of a Painted Bunting.

Anyways, that was a lot but that's all for now folks! As always kudos to all those who read through that mini lore dump and thank you all again for being so nice and supportive! Feel free to reach out with any questions or requests for who or what you would like to see next!

[hypervoxel]

Oh, so, like, the entire first season's establishment of the characters and their interactions don't actually matter in Helluva Boss. Okay, cool.

Like, I get that characterization develops over time and the writers come up with new ideas and places they want to take the story, but. So much of the Stolas/Blitzø stuff recently isn't character development: it's retconning.

[bicheetopuff]

I don't believe iz/ch is canon bc like why would you forget abt the tragic intense sapphic romance you had and build an entire system to help that girl that died for you for some gay boy you had a crush on in hs 😭

same goes for izk. why would you forget abt the intense rival friendship with your devoted childhood friend that died (twice) for you and declared that he wanted chase after you forever and funded your power to make it happen for some gay girl you were friends with in hs

(i'm joking, obv)

Wdym you’re joking? You’re literally right.

[grandcovenant]

carlo's inherent tragedy as a character means that if he hadn't died young he would've gone through something worse. the horrifying realization that he inherited his father's personality <3

[boyfridged]

in your fic “paint it over” is that how you imagine jason making it out of the explosion at the end of utrh? not exactly the events that follow, but the preferable characterization of bruce digging jay out of the rubble and carrying him to help. and how do you think jason made it out canonically (without the help of bruce) also!!! what are your thoughts on the specifics of jason’s scar and how he’d behave toward it. i liked the part of your fic where jason was temporarily unable to speak due to the trauma his neck received. i think the scar is something that rests on the junction of his shoulder/neck, and that can be hidden with whatever clothes he wears -> no one knows he has it (or how he got it) either. i like to imagine while bruce knows his batarang made contact with jason’s throat it’s never fully registered to him that it scarred until he sees it for himself (and while i believe bruce would turn the moment in head over and over again until it’s engraved in his brain, his delayed realization—to me—is due to his repression of the occurrence)

oh i adore this whole ask. some of it i explained in my notes, but this fanfic is quite dear to me, so i will elaborate.

short answer to whether this is how i imagine jay making it out of the explosion: not exactly?

the premise that i wanted to explore with paint it over is almost the opposite of a fix-it, and definitely not what i believe it should be in canon.

what i wished to explore there is, however, the part of utrh that is perhaps the most shocking to many readers: that bruce leaves jason to die.

in-universe, i think the answer why it happens is surprisingly simple enough: bruce does not come because he is just... not there. my understanding is, that in a way, the events of under the red hood did not happen. there is nothing to follow. that purple mist in the finale of the utrh, that is often read as a force resurrecting jason (not technically wrong, either)- i believe that is the timeline already rewriting itself, making the whole story into something that was not.

and the reason for the above is the infinite crisis. if i'm not wrong, it's also the inifinite crisis miniseries where bruce meets dick right after the explosions in (or of) bludhaven-- that in batman clearly happens in the background of his confrontation with jay. however, in infinite crisis (#4, just checked it now), bruce tells dick: "i wanted to make sure...you're alright... i was in new york when it hit. got here as soon as i could." which could be a lie or a matter of the editorial not being synced enough- but i'm willing to give them a benefit of the doubt given how it ties with that sudden, stunted ending of utrh.

this makes sense for canon for several reasons. in the animated movie, since it spares us the infinite crisis tie-in, bruce says of the whole incident: this changes nothing. it changes nothing because although aditf isn't, utrh is a tragedy; it changes nothing because since his death, jason is necessarily always pushed at the peripheries of the narrative, no matter how much the fate itself tries to fix it, becoming a tragic footnote. the dead have one right and it's the right to remain silent. and that is ironically ensured on a cosmic level, with his violent attempt at being seen hidden in the folds of the timeline. you can also see it clearly in canon -- i believe it was not until the infinite frontier that the events of utrh got just tangentially mentioned (before that, even lobdell barely touched upon it). other than that, they have no consequences; they are barely ever spoken of; they seem to slip out even from jay's solo comics.

this move was necessary for batman, as a character and as a title: let's say bruce does hold red hood as he does in the alt cover of annual 25 (and the cover of the deluxe edition of utrh.) that would implore a reckoning with his failure and his (suddenly non-productive) grief that would either reconstruct the whole myth or lead to some terrifying implications. these terrifying implications are, essentially, what paint it over is about. it's about the worst happening and about there being no way back from it. and jason, in receiving what he wanted (his father's love and care) wants to deny that reality. they both want to. yet even jay cannot ignore it completely -- and i chose to use the batarang injury to emphasize it.

and about the scar: i mentioned it briefly before, but in the au jason aggravates the wounds on purpose, hence it will scar worse and cause long-term issues for his voice. it's a theme i also keep in some of my other stories (to come...) and i very much think this is what would happen in canon if he had to take care of that injury. yet as it healed, i believe he'd take to hiding it, mostly. still, as it stands, my primary take might be that in canon (if it was to follow the interference into the timeline from the crisis at least) jason would simply end up with no scar at all, and only memories for evidence of what happened, which is perhaps worse for him too (but of course better for bruce. and as it happens, this is bruce wayne's story and everyone else is just living in it- or dies in it- for better or worse. and if we're ignoring that metaphysical timeline bullshit, as you said, i believe bruce would repress it all anyway.)