#did I just make a fic?

[ruestheday]

one of the biggest lies the fandom will tell you is that alfred pennyworth is a good man.

he’s horrible. people just don’t realize he’s horrible because they’re all too focus on the superheros.

not many people in the fandom know this, but alfred literally has a daughter. her name is julia. why does no one know about julia? BECAUSE HE ABANDONED HER. it’s canon that he chose the waynes over his OWN CHILD. when she’s introduced in the comics she hates her dad because he abandoned her in england to raise a child that wasn’t even his.

the infamous jason “a good soldier” memorial? yeah, alfred did that. bruce wanted it taken down. alfred also left jason’s destroyed robin suit on display.

alfred is the reason tim is robin. dick and bruce are trapped by two-face and alfred just… gives tim a robin costume and sends him on his way. no formal training. no anything.

ever blame dick for damian becoming robin? wrong. it was alfred. dick was against it. alfred is the first one to give damian the robin costume, like he did to tim years before. dick did eventually choose damian as his robin, but that was while damian was ALREADY ROBIN. (he even tells tim that he doesn’t pick tim to be his robin because he considers tim to be an equal, not a sidekick, but i digress)

when bane breaks bruce’s back, alfred literally packs up and leaves. he travels. he just drops everything and goes to explore the world, until dick eventually hunts him back down.

it’s also a common theme that alfred couldn’t find the right balance between being a father figure and a butler, so he was constantly enabling bruce growing up (and still does) because technically bruce was his boss… even though he had custody of him.

edit: actually technically (in some runs) bruce’s uncle has custody of him but literally makes being absent an olympic sport But you get what i mean

edit two: fixed the spelling mistakes that text to speech tiktok made me aware of. u guys are fake for not telling me. anyways fuck ai content farm accs

[artificialchaoscola]

fly me to the moon.

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[a-person-on-the-internet]

Only Epic the Musical could have a solid 50% of the fandom say "ooh kinky" after watching a graphic torture scene.

I do not blame any of yall. I can see it.

But also. Damn.

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs

[choccy-milky]

herbology class 🌹🌿 (from chap 2 of my fic!)

[happypeachsludgeflower]

Okay okay okay.. but listen. What if Shen Yuan had a harsher System and was forced to convincingly play Shen Qingqiu, making Luo Binghe detest his existence, but when Luo Binghe returns from the abyss to enact his revenge and has Shen Qingqiu on trial at Huan Hua, unfortunately for everyone (and fortunately for us), they drug Shen Qingqiu with truth serum and accidentally spiral Shen Yuan into fanboy rampage of epic proportions about how great Luo Binghe is.

[runraerun]

Steddie Amnesia Ficlet: 2/3

-> Part 1 | Part 3 | AO3

cw: more head trauma/concussed!Steve discussions.

Steve hears Eddie call after him, but he doesn’t stop—he can’t face it. Not right now, anyway. Not when his eyes are stinging and his heart is pounding in his ears, each pulse more painful than the last. His legs take him to the building he’s supposed to go into, fueled purely by muscle memory. Not brain memory, of course, because nothing up there works properly anymore, apparently.

The Brain Injury Recovery Center.

It’s where Eddie expects him to go. He’ll catch Steve if he goes in, or he’ll wait for Steve by the doors until he comes back out—both options involve facing Eddie after Steve had made a total idiot of himself. Both feel utterly mortifying.

So he ducks into the alleyway beside the familiar brick building instead, just to catch his breath. It takes Steve longer than the average bear to sort out his feelings now, after all. Jesus, who’s he kidding? Everything seems to take him longer.

Steve feels hot tears streak down his cheeks before he angrily scrubs a sleeve over them. Of course Eddie isn’t his boyfriend. Eddie’s funny and cool and he’s in a band and he lights up every damn room he walks into—and Steve… well, maybe Steve was something a few years ago when he was in high school, and maybe he was even something before his accident, but now…

There’s a sharp clapping noise that sounds like thunder. A door slamming, Steve’s brain sluggishly supplies. It’s followed by shouting.

“Steve? Steve!” Eddie calls from somewhere on the street.

Steve’s heart feels like it’s going to fall out of his ass. His face is probably still blotchy and wet, his breathing hasn’t evened out yet and his eyes are still leaking like a goddamn faucet. He’s pathetic.

Can’t let Eddie see him like this…

He ducks behind a metal garbage bin, careful not to let anything but the bottom of his sneakers touch the sticky looking surfaces around him. It stinks, like rot.

“Steve?” Eddie’s voice echoes off of the alleyway walls. Steve claps a hand around his mouth to muffle out any of the pathetic sounds that seem determined to escape from him. So much of his body just does whatever the hell it feels like now. Out of Steve’s control, like everything else.

For a few, tense seconds, there’s silence. Eddie’s listening for him, maybe. Steve shuts his eyes and waits him out.

It feels like an eternity before he hears Eddie’s hurried, retreating footsteps, continuing his shouting for Steve. He sounds almost as panicked as Steve feels. Almost.

Steve gives a noisy, wet sniff and does one final scrub of his face before getting to his feet. He starts walking.

As he goes deeper into the alleyway, he thinks back on all the things he’s been wrong about. The fact that Eddie had some of his band t-shirts mixed in with Steve’s clothes… well, that was because they were both guys who wore about the same size, and Eddie left his shit everywhere. It’s no wonder some of his stuff got mixed into their laundry. And the times Eddie’s driven him places? That’s just… what friends do, Steve supposes. And all those times Eddie made Steve laugh? Made him feel like the center of the universe? Well, that’s just… Eddie. He must make everyone feel that way. It’s like his super power. But it isn’t romantic… It doesn’t mean anything more than Eddie being a magnetic person.

Steve is just so stupid. Painfully so.

He blinks as the sun hits him. He must’ve reached the other side of the alleyway.

Steve cups a hand over his eyes and grimaces. His migraine wasn’t backing down. He sighs. Time to head back.

Steve turns back into the alleyway he’d emerged from, only he’s about halfway through when he realizes the color of the buildings on either side of him are wrong. They’re brown on one side, painted green on the other. That isn’t right…

His heart jackrabbits in his chest, but he keeps walking forward. Maybe he’ll recognize the street once he’s back on the other side.

But when he gets there, it’s as unfamiliar to him as the alleyway. Steve turns, looking up and down the road to see if he could spot Eddie, or his van, or the Center. But there’s nothing.

And when someone shoulder checks him, Steve supposes he was sort of asking for it, standing in the middle of the sidewalk like that. He apologizes, but it’s too late. The person’s already out of range to hear him.

It’s as if everyone else is on fast forward while Steve’s stuck on pause. The world keeps moving along while all he seems to be able to do is watch it go by.

Why would he ever think someone as dynamic and spirited as Eddie would hitch his horse onto Steve’s busted up, barely mobile cart?

Stupid, stupid, stupid…

He presses the heels of his hands to his eyes and wills himself not to start blubbering again like a goddamn baby. His life is already one big, painful lesson in humility as it is, he doesn’t need to wallow in it.

Steve keeps walking. Figures he’ll spot something, or someone familiar to him eventually. The pounding in his head’s eased off to a dull ache, at least. Maybe there was something to this exercise and fresh air thing the doctors were always going on about, after all…

The thing is though, Steve doesn’t spot anything familiar. Not even vaguely so, and it’s not until the streetlights turn on that he realizes he’d spent the majority of the day wandering around the streets like some lost dog that managed to slip his leash.

It’s cold too, and all he’s got on is jeans and a polo. It’s October, isn’t it? No wonder he’s got goosebumps all up and down his arms.

Then, he finally spots something familiar; a phone booth. Steve breathes a sigh of relief. He’d just call his parents. They’d come pick him up.

He gets the booth and lifts the receiver before he blanks. A quarter. He’d need that. Duh, Harrington. So he hangs up the phone and pats his pockets until he finds a wallet, but all that’s inside of it are a couple of crisp bills. He’d need to break one.

Steve turns, scans the street until he spots a well lit, invitingly warm looking diner. The joint looks so damn cozy that he forgets to make sure the street is clear before he steps out into the middle of it.

Tires screech, harmonizing with the horn that’s blasting at him—Steve flinches, reaching up to cover his head and braces for impact.

To his great relief, the hit never comes. Which, thank fuck. He can’t afford anymore accidents. As it is Robin’s threatened to make him wear a helmet full-time.

Steve doesn’t listen to whatever the person yells at him, he just hurries to get the hell out of his way of the other moving vehicles.

“Smooth, Harrington. Real smooth.” He mutters to himself as he catches his breath.

He pushes the door to the diner open with shaking hands, but it’s blissfully peaceful inside, and he can actually feel his insides unclench as he stands inside of it.

“Sit anywhere, hun, I’ll be right with you.” A woman’s voice tells him. Steve nods and slips into the nearest booth overlooking the street. Watches the cars go by. There’s even a couple of cop cars, sirens blaring, lights flashing. Steve wonders briefly what sort of emergency they’re rushing off to when the waitress comes to his table.

“What can I get you, handsome?” She asks, cheery and warm like the rest of the diner.

“Uh…” Steve frowns, taking a few seconds to process the question, “nothing. I’m just waiting for my parents to come pick me up.”

The waitress taps the side of the notepad. “Well you gotta order something, hun, or you can’t stay here.”

Steve wants to stay here. It’s warm and smells fucking amazing, like “pancakes?”

She waitress smirks. “Yeah, we got those. You want a stack?”

“Yeah, please.” Steve smiles back, laughing along with the waitress like he’s in whatever joke that’s currently so amusing to her. “I’m starving.”

“You want some coffee too, to help you sober up, maybe?”

“Oh, I’m not drunk.” He huffs out a little self deprecating laugh, “I wish. No, I—uh, my meds, they’re the kind that you can’t mix with alcohol. Coffee too. Bummer, right? Yeah… But, uh, it is what it is, I guess—so…”

He can feel it. The way his mind so often wanders. He’s lost his train. His track. He frowns, eyes drifting towards the street again, watching the headlights zip by.

“…so just the pancakes then?” The waitress asks, jolting his train back onto its rails. His attention snaps back onto her.

“Yeah, pancakes. Sure.” Steve flashes her what he hopes is a charming smile.

She returns his smile and leaves him be, and he lets himself relax. Props his head up on a fist and watches life go on for everyone else but him.

He gets his pancakes, and some juice too that he doesn’t remember ordering, but hey, that’s nothing new. And damn, the pancakes taste even better than they smell. He needs to remember the name of this place so he can come back with everyone. What did the doctors say? Repeat something in your head over and over until it sticks. Repetition. Repetition, repetition, repetition…

It’s around the time his fork hits an empty plate that one of the police cars stops in front of the diner window, lights on, but the sirens are off now.

Hopper steps out.

Huh. That’s weird. Steve wonders what sort of emergency he’s here for.

When Hopper enters through the glass doors, the bell hung over the entry way rings out pleasantly. An angel getting their wings.

His eyes land on Steve and the older man sighs, shoulders falling. Relief, Steve recognizes. Hopper pulls the radio from his belt and says something into it before stomping over.

Then it clicks.

Oh. Steve’s the emergency.

He feels his face heat up. The handful of other patrons scattered across the diner are all looking at him.

“There you are.” Hopper sighs, gruff and exasperated.

Steve sinks into his seat, just a little. “Shit. I fucked up, didn’t I?”

“Just a little.” Hopper chuckles dryly. He takes off his hat and slips into the booth across from Steve, apparently not in any sort of hurry now that he’s found the runaway dog.

Steve runs a hand through his hair, a nervous tic he’s developed. “Sorry.”

“Nah, don’t be sorry. Just strangle Munson for me when you see him next, will ya?” Hopper drops his hat onto the table and waves the waitress down. He orders a coke.

Munson. Eddie.

The memory of how he made a total and utter fool of himself comes rushing back, slamming down onto him like one of those cartoon anvils. Jesus, how did he forget that..?

Suddenly the pancakes aren’t sitting so good in his gut. Feels like he’s gonna ralph.

“Was he freaked out? Eddie, I mean.” Steve asks, cautiously approaching the question. Did Eddie say anything about why…?

“Yeah, him and Robin both. Then the kids found out too—don’t ask me how. I suspect the curly-haired one has an illegal transmitter.” Hopper leans back in the booth as the waitress drops off his coke. He takes the straw out and drinks it right from the glass. Steve waits for him to finish, doesn’t say a word.

When Hopper puts the glass down, Steve just sits and watches the way the drops of condensation run down the cup, distorting around the fingerprints Hopper’s left. “Anyway, they’re all out on their bikes looking for you too.”

Hopper smiles fondly, like it’s something charming and not… pathetic. “You got a lot of people that care about you, kid.

Steve swallows around the lump in his throat, and nods. Tries for a grin, but it’s weak. Probably wouldn’t fool anyone, much less a cop. “Yeah, I’m a real lucky guy.”

Hopper looks like he wants to say something else, but he just takes a breath and nods. Steve’s grateful he doesn’t argue. Doesn’t think he has the energy in him right now to fend off the ‘but look how far you’ve come!’ ‘Your speaking’s gotten so much better!’ ‘It could be a whole heck of a lot worse!’ comments.

“What do you say we get you home? Unless you want dessert? My treat.” Hopper offers with a grin.

“No, I just want to go to sleep,” he says, before remembering his manners, “thanks, though.”

“Alright then.” Hopper glances down at the cleared plate of pancakes and the half finished coke before sliding out of the booth, followed by Steve. He takes out wallet, but Steve beats him to it. He tosses down a few bills, hoping it’s enough. Hopper doesn’t comment, so it must be.

The drive back to his and Robin’s apartment is a solemn one, but it’s strangely peaceful. Hopper’s got the heat on full blast due to Steve’s lack of coat, and the motion of the vehicle along with the darkened sky leaves Steve feeling wrung out in a way he hasn’t felt in a long time.

In fact, when they finally arrive, Hopper’s gotta shake his shoulder to wake him up.

“We’re here.” He rumbles out in his gruff baritone.

Steve lifts his head from his folded arm and looks up at the modest building. He wonders how far they live from the pancake diner. If they could walk there, sometime, him and Robin and Eddie.

But then Steve realizes he never got the name of it. He feels his insides sink. Another thing lost to him.

“Thanks, Hop,” Steve gives Hopper a nod and what he’s sure is a tired smile. “I’ll, uh—I’ll try not to run off again.”

“Ah, don’t worry about it.” Hopper says, diplomatically. “Let me walk you in.”

Steve cringes at the idea. He’s grateful for Hop and all he’s done—especially the part about not making him feel like a complete dummy—but he just wants this all to be over and for things to revert back to how they were. And at this point he’s so close he can taste it.

Steve busies his hands by undoing his seat belt. “No, it’s okay, really—“

Hopper looks like he’s about to argue but Robin damn near crashes out through the building’s illuminated front doors. She makes a b-line for Steve, who’s just barely gotten out of the cruiser.

She wraps her arms around him and doesn’t let go. “Steve! Holy shit, you scared me so bad. I’ve been out of my mind!”

Steve’s arms are trapped at an awkward angle, but he reaches around her as best he can, arms like flippers. “I’m okay. Seriously. Look, not even a scratch.”

She doesn’t laugh. Just squeezes him harder. Truthfully, Steve doesn’t know if he’s okay, but it’s what everyone always seems to want to hear from him, so he says it often.

“I’ve already killed Eddie like three times.” Robin murmurs into Steve’s chest, before finally pulling away. Her eyes are bloodshot, her nose stuffy, like she’s been crying.

“It’s not his fault, Rob.” Steve’s brows pinch together as he frowns, “is he…”

But when Steve looks up towards their building, he can see Eddie standing in the doorframe, his dark silhouette illuminated by the entry way lights. He’s still as a statue, holding open the door for them, arm extended out into the cold autumn night. Steve’s insides squirm.

“You got him from here, Buckley?” Hopper calls from his cruiser and Robin ducks to meet his eye before giving him a thumbs up. She loops her arm around his waist and they start towards their place—towards Eddie.

Before they reach him, Steve keeps his voice down as he asks, “Can I just go to bed? I don’t—I can’t talk about it right now.”

“Okay.” She nods, “I get it.”

But she doesn’t, not really.

Steve avoids eye contact with Eddie when they finally reach the building, and before he can say anything, Robin interrupts. “He’s going straight to bed. I’ll call you tomorrow, okay?”

“Yeah, okay.” Eddie says in a small voice. He doesn’t argue. Doesn’t even follow them back up to their apartment. Maybe Eddie’s even relieved he doesn’t need to confront it tonight. Maybe they won’t ever confront it… maybe he’s hoping Steve’s brain will take care of everything and make him forget. Make it like it never happened. Part of Steve wishes—

No. He doesn’t wish that. His brain’s already functioning at half capacity, he doesn’t want to thank it for fucking up, even if it might make Steve’s life easier.

Whatever Eddie’s expression is, Steve doesn’t look back to find out. He keeps his eyes on his feet, focusing on putting one step ahead of the other.

When they finally arrive at Steve’s matchbox sized bedroom, he doesn’t even bother changing into pajamas, or even out of his jeans for that matter. He just falls into his bed, pulls a pillow over his head and wills himself to let go of the day and surrender to the sweet pull of blissful unconsciousness.

🫣 Oops, I made it worse. But I promise the Eddie and Steve confrontation is in the next part! 🙏 This is tagged angst with a happy ending for a reason.

Tag List: (message me to add or remove yourself.)

@morallyundefined @estrellami-1 @ollieolive @mugloversonly @wheneverfeasible @steddiefication @what-if-a-dragon @wrenisfangirling @yesdangerpls @flustratedcas @scarletyeager @snowstar2368 @starxlark @sofadofax @lawrencebshoggoth @stevesworldxx @jizzing-bastard-600and69 @bambibiest @queenie-ofthe-void @lilpomelito @bananahoneycomb @kaspurrcat @deadwhiterosesstuff @dame-zoom-a-lot @3vilpurpl3d0t @loudmariachibands @steddieislife

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[tagidearte-spam-sb]

The Daycare Attendant and Their Dialogue

A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).

(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).

Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).

Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.

On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.

Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.

Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.

Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.

Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).

Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.

The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.

So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:

Sun

Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.

When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").

This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.

As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".

Moon

The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.

To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.

The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.

"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"

This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.

We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.

Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.

Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.

And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.

In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.

Eclipse

I lied there's three parts.

Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.

As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.

I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).

That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[brainmuncher]

The emergency

A good number of members within the Justice League have children. Not all of those kids are biological or adopted but they are their kids nonetheless. Some of those kids are even old enough to be adult heroes of their own, but even then they are still their kids. And the other kids tend to take up heroism at a very young age to most people's chagrin. Although as shown by the original child hero, now going by Nightwing, it’s not as easy as telling the kids to stop.

It was learned through intense hardship that smothering the child heroes was just asking for trouble. Despite how much the older heroes wanted to stay close to their kids, it was seen as overbearing and a show of mistrust. They would act out with even less backup in retaliation, which would only bring even more stress.

So to satisfy the need for protection without stepping on any toes, two new emergency meeting signals were introduced.

One was for the kids to send off. Each one was gifted a small device that could be hidden in their person. The device had both a mic and a tracking chip that could be activated when they were in extreme danger. As soon as the device was active a signal would be sent to the league for an emergency distress signal with the details of who sent it. Due to an outcry from the kids, the device could not be activated by the guardian of the child. The mic and locator could only be activated from the device itself. It wasn’t nearly as protective as some of the more worried leaguers would like, but it was at least something. 

The second signal was one that the leaguer with a kid in danger could activate. This signal could be activated with a single code into the communicators that every member owned. If the member who sent out the signal didn’t specify what kid was in danger, every member would receive a generalized notification of the emergency alert for one of the kids. This wasn’t ideal, but it was learned early on that the guardian of the child was often too distressed to make the code more complicated. It was best to leave it simple and answer questions at the emergency meeting.

Which was great in all, until someone who doesn’t have a child involved with heroics in their care sends off a general emergency.

In places all over the globe, an emergency meeting signal message was sent by Hal Jordan, one of the lanterns. He didn’t include what child was in danger in the signal, meaning that it could be any of the underaged heroes. And considering he didn’t have a child in his care, that made multiple members panic.

When was the last time they checked in with the kids in their care? Who was the one he was sending the code for? What happened to the child he had noticed was in danger? Why is he the one that noticed? Where were their kids? Who was in danger?

Because of the nebulous nature of the call, it didn’t take long for multiple heroes to find the nearest transport to the watchtower and tumble in. What they didn’t expect was the absolute haggard appearance of their friend. He was standing in the meeting room looking like the world had been destroyed before his very eyes. The way he sat without even cracking a sarcastic remark made multiple members pause.

“Hal?” Wonder Woman called, her face pinched in concern. “What has happened?”

The aforementioned member looked over who had already arrived before settling on her face. It was at that moment she knew that he was only looking so collected through willpower alone. This wasn’t just any child of the league, this was personal.

“My nephew Danny has been captured,” He began, sending a wave of different emotions circling the room. “I’ve been trying to find where they took him for a week now and I can’t get any leads. I need your help.”

The unsaid questions and emotions were nearly palpable. Multiple members turned to one another or stared with a million questions. Nobody had known that Hal even had a nephew named Danny. Sure he mentioned someone named Jason at times, but he never indicated anything else. The fact that he hadn’t mentioned him or the fact that he’d been apparently searching for a week was strange.

“And why are you only telling us now? Why did you wait so long?” Superman asked, speaking up the question that was on multiple minds.

A fire of anger curled in Hal's eyes. It was fierce and protective. It was a mixture of appalment for being questioned on his decision and fury for the reasons why he had to do it in the first place. He stepped forward towards the center table, slamming his palms down and leaning into it.

“Because any person that goes against the group will be declared an enemy of the United States. I’ve already had my account and housing connected to Green Lantern seized,” He explained with a deceptively calm tone. “I also needed to make sure that they didn’t have any connections with the Justice League. They have their agents everywhere.”

Unsurprisingly, Batman appeared from the gathered heroes from seemingly nowhere. Despite the feud between the two of them, the Bat was completely zeroed in on the situation. While he had a decent amount of distrust in the lantern, mainly because of the parallax incident, he could tell that the man was genuine. And the Bat always did have a blind spot for children.

“Explain,” Was all Batman said, staring Hal down.

The lantern in question looked at him with a grim face. This was it. Now or never.

“They’re called the Ghost Investigation Ward, or GIW for short. They hunt down and either exterminate or experiment on anyone they deem ectocontaminated or a ghost,” Hal started to explain, his hand curling on the table in frustration. “My brother Jack faked his death and ran off to be with another woman. Those fucks deemed my nephew as ectocontaminated and tried to take him from his home. He ran from his family so that they couldn’t be arrested for knowingly harboring an ecto entity. Told me that he remembered my face from a photo his dad tried to hide in the attic and sought me out.”

If the fire in his eyes were any stronger, they would probably become physical and burn down the room. It was undeniable that Hal Jordan was understandably completely pissed off. This situation was terrible from down to the very root.

“I tried to hide him but they somehow found him anyway. Now my civilian name is being heavily monitored and Green Lantern is being hunted down,” He finished his explanation. “If you join me in this, be prepared to lose everything.”

This was so much worse than anyone could’ve predicted.

[newttxt]

another comic for “utilities included” skfkskdjsjs

this time for chapter two 😅

masterpost

[poppy-metal]

MARRIAGE COUNSELING W ART PLEASEEEEEEEE GOD THE DEVASTATION THAT TAKES PLACE ON THAT COUCH

i think about it alot. tashi staying with patrick, her injury never happening. your arts college girlfriend and now you're married and it feels fucking stagnant, your relationship. but neither of you wants to give up. neither of you wants to reveal to the other true feelings.

under the cut because this got long and i have a whole au in my hear around this concept

you're only in counseling because of tashi. because shes still in your lives, her and patrick. and she recommended it to art when they were having one of their 'friend' lunches. and now here you are, because of course art took her advice.

he hasn't said anything, though. despite pleading for this. saying he wanted to save your marriage, that he wanted to love you how you should be loved but he didn't know how.

so here you are, on opposite ends of the couch, with the counselor staring at the empty space between you like that in itself is very telling. you suppose it is, in a way. couples who want to stay together should be unified, shouldn't they? you imagine how it would feel, if art had sat next to you. put an arm around you. squeezed you to his side. would you even be able to relax into him? its been so long since you touched eachother that way.

"so im picking up on some distance here," your therapist says. shes a small woman. almost swallowed by her chair. her glasses are perched on her nose as she gazes imperiously at empty space separating you and art. "not just physical either, though thats rather obviously there. but emotional distance. do either of you wanna comment on that?"

you cut a glance at art, expecting him to speak up since this was his idea - well. tashi's. but he just looks down at his lap, quiet. spins his wedding band around his finger.

you feel an anger so intense it pricks your eyes with tears.

"well, i guess you could start with the fact that coming here wasn't even either of our idea. it was his friends."

and now. here art speaks. his head jerks up and she shoots you an annoyed look. "you don't have to say it like that. you always say it like that. her name is tashi and she is my friend. and it was her suggestion, yeah, but it was a good one."

you look at the therapist - janet. raise your eyebrows in arts direction like, get a load of this guy. your legs cross and you start picking at a stray string from the couch.

"first words of the session and its to talk about another woman."

arts inhale is sharp and you can feel his eyes on you but you dont look at him. you can't. you wont. you're right, anyway. he can try to deny it all he wants but you know - you know what you are to him. you know where all your problems stem. you dont need to be here to make any grand discoveries over a fact you've resigned yourself too.

"i see." janet says. "and art having a relationship with this other woman upsets you."

"everything upsets her." art cuts in, sounding tired. his elbow is braced on the arm of the couch and hes chewing on his thumb in one of his nervous gestures. he always did that, as long as you've known him. he was a nail biter, he'd chew his lips raw, he'd nibble on straws, the ends of his pens. he was either lost in thought or agitated. your guess was the latter. "nothing i do makes her happy."

"is this true? are you unhappy with art?"

your skin feels hot. you shift around in your seat. the attention is all on you, and it feels like you've done something wrong, even though you know its literally janets job to ask questions.

"more like i know I'm not what he wants and that makes me...... really fucking sad."

art knees almost knock against yours as he turns his body to face you, giving you his full attention the first time today. you cant meet his eyes still, so you look at the faded spot on his jeans. light blue, like his eyes. you wonder how hes looking at you. cant make yourself look up to see.

"what." he stops. seems to gather some thoughts. tries again, with a steadier tone. "what are you talking about."

you try not to roll your eyes. your arm flings out limply.

"just that this whole thing is a joke, art." and you let out an exasperated laugh, even though nothing is funny. nothing has been funny or light between you two in a long time. "we're only here because the girl you really wanted to marry, told you to get your fucking shit together. you didn't ask us to come here because you wanted to mend something, you're here to please tashi. because if playing a good husband is a role she wants for you - well, you want to play it right, dont you?"

its quiet after that. in the silence you cant help but think about those early days. when you'd been full of love and light and art seemed to be really happy with you. you'd go on dates to the movies, walk through the park together with your hands swinging between you. laugh together and steal kisses whenever you could. you felt high back then.

it didn't even matter that art had a crush on tashi, because hell, you had one too, at the time. but she'd started dating patrick, and they seemed to mesh well together. they were both so intense and passionate. back then, you'd been alot closer to tashi yourself. patrick too. you remember the way she'd rant about how much she fucking hated him, pacing around your room and calling him every name under the sun. and you'd sit there with eager curiosity, and ask her why she didn't end it then. if he makes you so angry, why stay?

and she'd get this faraway look in her eyes. kind of wistful. kind of sad. kind of happy.

"because he makes me feel fucking alive. hes like a - like a drug or something. i cant quit. its addictive, you know?"

that stuck with you. it still sticks with you. you remember being envious of that kind of passion. youe relationship with art had always been so easy. you dont think you'd ever fought by that point. you loved art. you felt safe with art. but were you addicted to him? if you broke up - would you feel withdrawal symptoms?

sometimes you layed awake at night and thought about starting a fight - breaking up for no reason. just to see if he'd fight for you back, if the missing of eachother would be so intense one of you would cave.

but somehow you knew that wouldn't be the case. thats just not how you and art operated. if you got angry, he wouldn't rise to meet you, he'd back down. if you ended things, he wouldn't chase you, he'd let you go.

patrick and tashi were fire and brimstone and you and art was ice and you were....... dirt. solid. walked upon. dependable and not at all exciting.

when art had proposed to you after college graduation it wasn't spur of the moment as it had been with patrick when he'd swept tashi up with a ring and a elopement to vegas. it was talked about and agreed upon and you knew it was coming.

you still said yes.

"you think," and arts voice has a barely concealed tremble to it that makes you look up, finally. you're shocked to see he looks wounded. so many of his expressions you can count on one hand - and this - this wasn't one of them. his eyes are dark, stormy. "you think i dont care about our marriage beyond what someone else has to say about it? you really think that?"

you hate the sliver of guilt you feel, because its not a crazy thing to feel.

"yeah, i really do."

because well, that's the truth of the matter isn't it? you and your husband stare at eachother. and it feels like you're looking at a stranger. not the man who's freckles you used to kiss. who's fears you knew. who's hands you know every callous of, every divot and fingerprint.

"it seems you two have very different views of how the other views this marriage." janet cuts in, sounding curious. she taps her pen against the open notepad on her lap. "art, would you like to chime in on why you wanted to come here? even at the suggestion of someone else?"

art stares at you for a long moment. his face is unreadable to you. his jaw works before his chest expands on an exhale and he looks away.

"i guess i - i just didn't realize how..... stagnant things had gotten until it was pointed out to me. harshly." he winces, and you wonder exactly what tashi had to say to him. you haven't talked to the other woman for some time. contact fizzling out after your marriage to art. he flicks a glance to you, then away again. "im not the best at being aware of shit going on around me." his hand comes up to rub nervously at his neck. "i guess you could say im good at brushing things under the rug. going through the motions. that sort of thing."

janet nods like this makes sense to her. well, great, you think. you know my husband more than i do.

"you're not a fan of confrontation, are you?"

art actually laughs. a genuine one. one that brings a dimple to his cheek and flashes his teeth. you stare at it, like its an exotic animal, and you wont see it again. quickly you catalog the expression in your memory, so you dont forget what he looks like when hes happy.

"yeah, no." he shakes his head. "but I think thats part of the problem. I've obviously let too much shit get put under the rug and now its so full other people are noticing."

you look down at your hands, lips pressed together. your face burns at the knowledge that tashi and by extension - patrick - know your marriage is in shambles. how embarrassing, to be caught lacking in such a momentous way. to come up short and have your husbands friends know about it. you wonder - does he talk about all the ways you make him miserable with them? does patrick shake his head, say, "she's sucking the life out of you, man." does tashi look at him with pity? like hes some poor abused cat that needs to be let in from the rain?

the rain of your marriage.

the rain of you.

you're the storm. you're the problem. you're not enough. art needs fire. you're not even dirt, you're glass. and you can feel yourself breaking.

"that clearly hit a nerve, my dear." janets voice is soft. soothing. she hands you a tissue and you realize you'd begun to cry. "do you want to explain what you're feeling about what art said?"

"i...."

you dab dab dab at your eyes. sniffle. look around the room, trying to collect your thoughts. they feel like flyaway dandelions. you dont know which of them to grasp.

a warm hand settles over yours in your lap and you startle. its arts hand. warm and calloused and tan, covering yours. the gold glint of his wedding ring winks at you, the engraved words etched into them, "my soft epilogue". a shortened version of your favorite qoute i think we deserve a soft epilogue, my love.

at the time, that's what art was to you. your life before him hadn't been easy. being with art had felt like coming home from a long day and falling into a soft bed. it had felt like being able to land after weeks of being made to fly.

you turned your palm up, so he could slide his fingers between yours. he squeezed your hand.

"i think, i. i think i just think - I'm a failure." your bottom lip wobbles. you look at your enterwoven fingers and it makes you so sad that you haven't done the simple gesture of holding your husbands hand in months. "the two most important people in your life are. are so passionate and loud. and i see. i see how happy they make you - and i cant - i cant b-be that for you. we aren't - im not - you dont need me. im not a limb for you how they are. you could extract yourself from me and be. be happier."

your breath shudders out of you.

"you don't need me." you echo.

you wait for him to pull his hand away. this is more than you thought you'd share. some of it you weren't even aware of till the words were spilling from your lips. but they ring true.

without patrick and tashi art would drown. without you..... he'd float just fine.

"and that's important to you." janet says. a statement not a question. "you want to feel needed by art, and you feel as though you aren't. that his needs are met better with his friends than with you."

you nod slowly.

"baby." the word sends a shock through you. not the word itself but how its said. art calls you baby all the time, in a monotonous kind of way. routine. now he says it softly. with feeling. he lets go of your hand in favor of cupping your cheek, still damp with tears, turning your face to his. he looks pained. "of course i need you. i know i haven't been good at showing it. i just - you shut down - after we got married. you've been like a fucking ghost. like you dont want me to touch you. like i could dissappear for all you care and you'd just carry on. i don't know. but i need you, okay? i. need. you."

both hands cup your face, he makes you stare right into him. the conviction in his voice takes your breath away. theres a fire burning there you've thought long put out.

"obviously we have shit to sort out, and we will. but you've got to. you've got to know that. tashi only pushed me to do this because she how - how desperate i was. that's all."

you inhale deeply. exhale. swallow hard. tears cling to your lashes. you reach a hand up to clutch at one of arts wrists. eyes fluttering automatically when you do. you feel grounded again. less like you might float away.

"okay."

"yeah?"

"yeah...." and you smile. it trembles across your lips. but its there. "we'll sort our shit."

art lets out a relieved breath. kisses your forehead, lingering there. the gesture so tender you get emotional again. you want to crawl into his lap, have him wrap you in his arms. you want to feel held by him, like you used to.

"our time is up." janet sets her pen down. smiles. "but i think that was a wonderful first session. i can see the love between you hasn't faded, and that's more i can say for alot of couples who come to see me. keep your chin up."

[damian-lil-babybat]

'Dead Poets Society' gang

Headcanon that these four drop poetry and literature quotes on their conversations unprompted.

Jason 'English-major-I-only-visit-the-manor-for-the-library' Todd-Wayne

Damian 'I-master-liberal-arts-unlike-you-plebs-PHD-holder' al Ghul-Wayne

Cassandra 'I-learn-English-thru-Shakespeare-as-god-intended' Cain-Wayne

Duke 'only-title-holder-of-vigilante-poet-and-will-cuss-you-just-as-poetically' Thomas-(future) Wayne

[crazymecjc]

once more, with feeling.

(fanart for @kristalliankka’s fantastic fic, an iterative approach! go check out the whole trilogy of works, they’re so incredibly good)