#dichotomy of woman?

[philoreblog]

been ricocheting between sewing a dress and working on a car all week & it's really making me feel the dichotomy of man

[rachedurst]

anyways i love you people that are both gay and straight, in whatever way that presents. being nonbinary often can mean a complicated relationship to sexuality and how one perceives it within the societal restrictions of homo and heterosexual, and i think bridging those definitions and having "contradictory" labels like lesboy or whatever is really cool. i support and stan he/him lesbians or butch lesbians or she/her gay men or femme gays or she/he pronoun users and whatever else, be it cis or trans or both. if you feel like youre both cis and trans that also rocks. dont let people force you back into a binary within the queer community, stay strong!

[mothpdf]

yes Lestat's #patriarch but listen. listen. Louis is literally rich husband writing checks for his wife's monthly allowance. he's "I let her decorate the house don't ask me about the drapes" . Lestat will take Claudia out to kill people and stop outside the door of the Rue Royale house to go "remember, this spree is our little secret, if your dad asks we only got one dress (murder but also dress)". Lestat sees Claudia grow up and sees himself in her. Claudia grows up and realises that to Louis she is still daddy's little girl.

[our-lesboy-experience]

The lesboy experience is shivering when you're described as a "non-man", ESPECIALLY when you're man-woman bigender

.

[codgod]

erm so i came up with an evil cucurucho design 👍

i basically just tried to go as contrasting as possible with my regular cucurucho design? so long as hell very straight/pointy hair, a loose jacket instead of the fitted suit, sort of opposite parts of them covered by their clothes [didn’t get too strict with that one, just went for longer pants on cucurevil and exposed shoulders] and he always has his eyes exposed and mouth open. and obviously the colour differences but that’s a given

also changed my cucurucho design just a little, added some teal to him for the fed colours and changed the suit a little. i never draw him in the same clothes twice anyway but oh well

[fatedroses]

I offer a tiny lizard who totally isn't at all scheming about anything.

[followerofmercy]

HSR spoilers under the cut regarding Firefly, Sam and Stelle

I'll start by saying I found Sam and Firefly incredibly boring as individuals. Like, they were fine. You've got the Obvious Tearjerker Love Interest cute girl and broody soulless killer robot. They both felt very flat, in part because they had very little screentime, but I especially though the whole date/emotional bonding/death with Firefly thing was super forced.

Like, why is Stelle so attached to this Literal Stranger? She's cute but you literally met her To-day. I mean I'd cry too if I ended up with ectoplasm splattered on my face after said cute girl explodes, but the narrative revolved around an emotional connection that was much deeper than the horror of "oh my God I'm wearing a person's organs." And I didn't think that connection was particularly earned...

Until we see that Firefly IS Sam! Sam, the Stellaron Hunter, who probably watched Stelle before she got dumped on the space station. Sam, who was very possibly Stelle's bestie. Sam, the armor that Firefly pilots when she can't interact with the world herself. They knew each other!

Acheron has a bad memory. She relies on emotions to fill in the gaps where her mind cannot.

In the same vein, while Stelle has forgotten Sam and Firefly, her emotions remember. That's why things moved so quickly. That's why they were acting like they had an entire arc together after a single day, because they already have

[millennialgrandma]

when the stars on your Tumblr dash align perfectly:

[baltears]

movie touga makes me so beyond insane. the way he got to inhabit the role of the doomed prince exactly like dios did in the series and died in the same senseless sacrificial way while someone he loved begged him to save himself. the way he suffered and suffered and was so brutalized and still somehow stayed gentle enough to drown for a girl he didnt even know. a version of touga that held onto his kindness and nobility and never turned bitter and hard in order to survive. so he died.

[popsicle-stick]

I thought Lucy saying that dress is a bore was the popular take, at least here? That it goes against her mainstream depitions? idk at least in my experience here. I think popular culture (like... looking at you, Netflix Dracula 2020 and NBC Draula 2013) make her not just a Fashion Girl but also obsessed wth her appearance, on the other hand. Which I agree, she says the exact opposite of that. I've seen even her looking at the mirror in those depictions as a Vanity thing,, when she very much is STYDYING herself. Anyway yea. Mina being more fashion-conscious makes more sense to me too.

idk i feel like i only ever see the frillier, more fashion conscious take on her here, serving as a girly gal in contrast to a plainer mina which is NO bad interpretation in itself, but idk. not my personal lucy, i guess? i do think this is fuelled a lot by the film and tv adaptations and despite the fandom disregard for them, they've still managed to Influence The Blueprint in certain regards, even on here.

i do think that popular interpretation here differs from pop culture in how lucy treats others - she's not depicted as self-obsessed and shallow as the way she is in adaptations, whereas obviously a more selfless and loving lucy takes precedence here (thank god) but either way, most interpretations seem to agree she's a girl's girl, from what i've seen.

i agree absolutely with the mirror thing though - when she says this:

He has a curious habit of looking one straight in the face, as if trying to read one’s thoughts. He tries this on very much with me, but I flatter myself he has got a tough nut to crack. I know that from my glass. Do you ever try to read your own face? I do, and I can tell you it is not a bad study, and gives you more trouble than you can well fancy if you have never tried it. He says that I afford him a curious psychological study, and I humbly think I do.

it makes me INSANE how similar jack and lucy are in this regard: lucy's mirror-staring, to me, reflects (ha) jack's usage of renfield as a kind of psychological mirror. they're both preoccupied with self-examination, both concerned deeply with fitting in the right way, about being liked, and what makes me the joker is how jack is afforded a depth of character he deserves yet, as you point out, in the hands of pop culture, lucy's similar introspection is reduced to just. well. plain vanity. she is a transgressive character for what's acceptable for her position in late victorian society, but screenwriters (incapable of imagining an actual woman) say well. surely that means she's sexy. right. that's what transgressive means, right????? yeah guys?? sexy???

[grimm-the-tiger]

My FL main went through some really weird, organic development over the...oh god, I think it's been five years since I started playing now.

So my main is named Skadi Larkin. They are a little bastard. They started out extremely 2D; I named them after my favorite Norse goddess and the protagonist of the book I was reading at the time. I originally wanted to make them female like both of their namesakes, but the second I saw the third-gender option, I thought it was too good to pass up. This is where they got their primary base characterization as a mad scientist who wanted to Cause Problems.

Then I started the Nemesis ambition and forgot which option I'd chosen for who I was trying to avenge, so they lost both their lover and their older brother under tragic circumstances (only the lover was killed by Nemesis's antagonist, though).

Then I got an Exceptional Friendship and had to give my tragic backstory in order to gain entry to the House of Chimes. Skadi pulled said tragic backstory (orphaned in a hansom accident) more or less out of their ass, but it did establish that their parents are dead.

Somewhere down the line, I realized that technically Skadi is a linguist, since the Correspondence is a language, and I made that their profession on the Surface as well.

Around this time, I started working on character designs for my fan comic. I got really into messing around with skin tone, and somewhere along the line thought it would be fun to draw Skadi (who was originally white) with darker skin, and it stuck.

Then I abruptly realized I was taking a lot of options that increased my Melancholy, and almost all of them were based on the Surface. So now Skadi has a longing for the Surface.

I left the game for a few years, but somewhere during this stretch of time, and I don't know how this happened, but I decided Skadi was now Native American; specifically, Metis. I changed their design to incorporate a sash woven in a style characteristic of the Metis, which also added a bit of color to their design (which was mostly black or grey at this point).

During this time, I started incorporating Skadi into my fan comic. This would eventually lead me to actually flesh out their backstory in greater detail. When I started playing the game again, I also created my first alt by total accident (long story), and I decided to weave her backstory with Skadi's.

So Skadi is in the interesting position of being an Indigenous person who is what we'd probably consider Two-Spirit today but they'd just call "Bollocks to that gender crap". They never belonged on the Surface, since the Metis are in a bit of a liminal space compared to other tribes due to their interesting background (the Metis are the descendants of French settlers and Indigenous inhabitants, mostly Cree), and Skadi exists in a liminal space within that liminal space due to only being half-Metis and raised primarily in white culture, although they still maintained a connection to it through their late mother. They also never belonged because no one else on the Surface outside of the communities they already felt isolated from would ever accept them for their gender. London gave them a chance to express one of those, but not both, and despite knowing that the Surface hates them just for existing, they still long to return.

[lavellane]

last rb making me laugh so much more by virtue of me having made ashara (solasmancer) suchhhhh an asshole. literally one of the most unlikeable people ever. but she and solas clicked soooo much by virtue of them seeing thru each others defensive posturing and so cue 12 years later solas is hyping the inquisitor up as the most unique and intelligent and wonderful woman who ever lived right up until rook actually meets her like god damb these two are a match made in hell. absolutely fucking insufferable <3

[stellerssong]

ok sorry the OTHER thing about lucienne is like. as previously stated she is dream's handpicked emissary from the waking world to the dreaming she's the diplomat in chief she's the translator she's the bridge. because the dreaming is, in a very real way, dream's own psyche, this is tantamount to giving lucienne a tremendous degree of access to his interiority and by transitive property also tantamount to entering into a deeply emotionally intimate relationship with her (unimportant for the purposes of this post whether that relationship is platonic or romantic).

now, in general, looking at the pattern of dream's close emotional relationships—dream doesn't share himself with people as a rule (beyond the access that all things that live have to the dreaming; but i'm talking about his self here, the one he doesn't like to acknowledge he even has), but when he does share with people, it's with people who have some shadow on the soul, so to speak. just looking at attested relationships in show canon, his deepest emotional connection seems to be with death, who embodies the duality of light and dark even better than he does himself. calliope is the muse of epic poetry—heroism and tragedy—and also bears the sort of divine pride that led her to cut dream off for hundreds or thousands of years when he wronged her. the less said about that other guy, the better, but he's no sunshine-rainbows-unicorns type—he's a soldier of fortune, a bandit and a killer, a man who profits from the sale of human life. even best bird matthew, in comix canon, had a sordid past that will maybe be partially retconned for the show but has still been gestured at.

dream likes the complicated ones. he's drawn to them. they speak to something in him that he won't acknowledge in himself (he has to be Whole, fully integrated, without reservation, because he is the king and he is the dreaming and if the dreaming ain't whole then the universe is in trouble—but he feels that ache nonetheless).

all that is to say: when people try to portray lucienne as dream's Designated Well-Adjusted Neurotypical Friend, i begin to harm and maim.

[pikslasrce]

pussy so androgynous it causes a major fandom schism approximately 194 times a month

[radelenagreco]

it sucks so bad to see intelligent women talk about transmisogyny

[brittlebutch]

forgive any incomprehensibility but the notion that the world can be cleanly split between the two immutable categories of 'the neurotypical' and 'the neurodiverse' ignores the reality that any person can at any point for any reason be arbitrarily 'diagnosed' by a 'professional' and shuttled between categories with no regard for the notions of 'accurate traits' or 'specific symptoms'. nice dichotomy what lies outside of it? you understand me?